D
A Lady In The Street
Written-By – Denise Lasalle 3:44
A2 This Bell Was Made For Ringing
Written-By – Frederick Knight 4:30
A3 Don't Mess With My Man
Written-By – Denise Lasalle 4:44
A4 Lay Me Down
Written-By – Frank Johnson, Shirley Johnson 4:25
B1 Down Home Blues (X Rated)
Written-By – George Jackson 6:16
B2 I Was Not The Best Woman
Written-By – Denise Lasalle 3:55
B3 Come To Bed
Written-By – Phillip Mitchell 4:05
B4 I Was Tellin' Him About You
Written-By – Denise Lasalle 3:46
Label: Malaco Records – MAL 7412
Format: Vinyl, LP, Album
Country: US
Released: 1983
Genre: R&B Soul
Style: Southern Soul, Blues
Denise LaSalle's A Lady in the Street is a quintessential Southern Soul/Blues album showcasing her raw, narrative songwriting, sensual voice, and deep emotional connection to relatable, often gritty, relationship themes, offering professional pleasures and capturing life's complexities with authentic feeling, even if early critics noted her focus on songwriting over vocal acrobatics.
Fans praise it as a blues classic for its honesty, emotional depth, and timeless appeal, making it a go-to for blues lovers seeking genuine feeling.
LaSalle shines as a gifted storyteller, weaving tales of love, heartache, and everyday struggles with vivid detail.
Her voice is described as sensual, warm, and wise, perfectly suited for the deep, Memphis-style funk and soul sound of Malaco Records.
The album delves into the emotional realities of life, exploring inner feelings and relatable situations, making her subjects' experiences feel authentic.
Expect classic Southern Soul and Blues, characterized by soulful grooves, bluesy instrumentation, and LaSalle's distinctive vocal delivery.
Listeners connect with the raw, honest portrayal of life and love, finding solace and recognition in her lyrics. Considered an "Oldie But Goodie," it remains a favorite for fans of classic blues and soul music. The music effectively captures the blues spirit, providing comfort and connection for those feeling down.
In essence, A Lady in the Street is a strong, emotionally resonant blues-soul record that solidified Denise LaSalle's reputation for powerful songwriting and heartfelt delivery.
Adrenalin
Bass – Marcus Miller
Drums – Lenny White
Guitar – David Bendeth
Keyboards – John Cleveland Hughes
Written-By – D. Bendeth 6:25
A2 Breakdown
Bass – Randy Bramwell
Drums – David Span
Guitar – David Bendeth
Keyboards – John Cleveland Hughes
Percussion – Memo Acevedo
Written-By – D. Bendeth 3:54
A3 Easy Ridin'
Bass – Marcus Miller
Drums – Lenny White
Guitar – David Bendeth
Keyboards – John Cleveland Hughes
Vocals – The Boyer Brothers
Written-By – Bob Boyer, D. Bendeth 2:49
A4 Lock Stock & Barrell
Bass – Randy Bramwell
Drums – David Span
Guitar – David Bendeth
Keyboards – John Cleveland Hughes
Percussion – Memo Acevedo
Saxophone – John Johnson (5)
Written-By – Carlos Garnett, Dwight Brewster 4:13
A5 Dr. Dimento
Drums – Billy Cobham
Guitar – David Bendeth
Written-By – D. Bendeth 0:42
B1 Feel The Real
Bass – Randy Bramwell
Drums – David Span
Guitar – David Bendeth
Handclaps – David Bendeth, John Cleveland Hughes
Keyboards – John Cleveland Hughes
Percussion – Memo Acevedo
Vocals – The Boyer Brothers
Written-By – Bob Boyer, D. Bendeth 6:09
B2 Copycat
Bass – Marcus Miller
Drums – Billy Cobham
Guitar – David Bendeth
Keyboards – John Cleveland Hughes
Written-By – D. Bendeth 5:27
B3 Bozonoknowz
Bass – Marcus Miller
Drums – Billy Cobham
Guitar – David Bendeth
Keyboards – John Cleveland Hughes
Saxophone – John Johnson
Trumpet – David Dunlop
Written-By – John C. Hughes 3:16
B4 Count Me Out
Bass – Randy Bramwell
Drums – David Span
Guitar – David Bendeth
Keyboards – John Cleveland Hughes
Written-By – D. Bendeth 4:00
B5 Turbocharger
Drums – Billy Cobham
Guitar – David Bendeth
Written-By – D. Bendeth 0:52
B6 Calm
Guitar – David Bendeth
Piano – John Cleveland Hughes
Strings – John Cleveland Hughes
Written-By – John Hughes 2:53
Label: Sidewalk – SWK 2004
Format: Vinyl, LP, Album
Country: UK
Released: 1979
Genre: R&B Jazz, Funk, Soul
Style: Jazz-Funk, Disco
David Bendeth's 1979 album Adrenalin is a well-regarded jazz-funk/soul album, appreciated by users for its high-quality production and uptempo, funky grooves, though professional critical reviews are sparse in readily available sources.
The album primarily falls into the jazz-funk and soul categories, with elements of disco. It is known for its energetic, "funky jazz" sound.
User ratings on sites like Discogs are positive, with average ratings often exceeding 4 out of 5 stars, indicating strong appreciation among fans of the genre.
A significant factor in the album's appeal is the involvement of top-tier American session musicians, including bass player Marcus Miller and drummer Billy Cobham. The production quality, by Alan Caddy, is also frequently praised by listeners.
The album spawned the successful single "Feel the Real," which was a number 1 hit on the UK Dance Chart and reached number 44 on the UK Singles Chart. This track has since been sampled and remixed by numerous DJs and artists.
For enthusiasts of late-1970s jazz fusion and funk, Adrenalin is considered a "stunning LP". Its enduring appeal lies in its tight musicianship, excellent production, and infectious dance-oriented sound, making it a cult classic that has been sampled and appreciated for decades.
Bad Boys
Written By – Benatar-Pryor-Payne-Senogles 3:42
2 We're Having Fun
Written By – Derrell,Mark,Randy,James & Bobby DeBarge 3:34
3 You're A Big Boy
Written By – D. & J. DeBarge 4:32
4 You're Not The Only One
Written By – Gibbs-Williams 3:10
5 All Over
Written By – J. DeBarge 4:24
6 Say You Do
Written By – R. DeBarge-J. DeBarge 4:25
7 I Got You Babe
Written By – B. DeBarge 4:38
8 Take It To The Top
Written By – M. DeBarge-Pryor 3:19
9 Every Time I Think Of You Written By – J. DeBarge
4:29
Label: Striped Horse – SHL 2004
Format: Vinyl, LP, Album
Country: US
Released: 1987
Genre: R&B Soul, Funk
Style: Eighties Soul, Synth-pop
DeBarge's Bad Boys (1987) is generally seen as a decent, but not spectacular, late-era album, showcasing the group's continued talent despite personal struggles, with highlights like the funky "You're Not the Only One" and Bobby DeBarge's soulful ballads, though it lacked the commercial success of their earlier hits and didn't chart well, marking a decline before the group disbanded.
Released after El and Bunny left for solo careers, featuring Mark, Randy, James, and Bobby, with Chico joining later, it retains their signature blend of R&B, funk, and pop, with strong synth bass and perky guitars.
Standout Tracks:
"You're Not the Only One": Praised for its pure '80s pop feel with funky flourishes, noted as the album's best by some.
"I Got You Babe": A strong ballad led by Bobby DeBarge's hypnotic vocals, reminiscent of his work with Switch.
"Dance All Night" & "Take It To The Top": Fun tracks with catchy synth bass and energy.
Considered decent, proving the family's talent even with internal issues, but not essential for casual listeners; it's for dedicated fans curious about their later work.
It's the final studio album before the group's dispersion, with legal troubles and changing tastes contributing to its quiet end, despite the enduring legacy of their earlier work.
In summary, Bad Boys is a solid entry for deep-cut fans, offering glimpses of DeBarge's consistent musical ability amidst personal challenges, even if it wasn't a major commercial comeback.
Change
Written-By – Bob Carter, David Grant 3.52
A2 Change
Written-By – David Grant, Roy Carter 3.55
A3 The Touch
Written-By – Bob Carter, David Grant 4.21
A4 Take Us Back
Written-By – Bob Carter, David Grant 4.07
B1 Under One Flag
Written-By – David Grant, Roy Carter 4.27
B2 Emblems
Written-By – David Grant, Roy Carter 4.02
B3 Thank You
Written-By – Carrie Gray*, David Grant, Martin Taylor 5.09
B4 Ultimate Love
Written-By – David Grant, Roy Carter 4.35
Label: Polydor – POLH 37
Format: Vinyl, LP, Album
Country: UK
Released: 1987
Genre: R&B Soul, Pop
Style: Dance-pop, Soul
David Grant's Change album, released in 1987 by Polydor, is a UK vinyl LP blending Electronic, Funk, and Soul/Pop, featuring tracks like the title song "Change," "Before Too Long," and "The Touch," known for its picture sleeve and inclusion of lyric inner, showcasing a distinct 80s British pop sound with smooth vocals and rhythmic grooves.
The album is known for its highly innovative music and production style, leveraging then-advanced digital techniques and sampled sounds. Grant delivers a strong, soulful vocal performance throughout the tracks. The music has been described as "stop and go", suggesting a rhythmic and dynamic quality.
A solid UK production, offering a polished sound with catchy hooks. The title track "Change" and "Fire Me Up" were prominent singles, with extended "Alternate Mixes" available on 12" vinyl for clubs.
In essence, Change is a staple of 80s UK soulful pop, perfect for fans of smooth, synth-driven R&B and dance music from that era.
Comin’ Down On You
A2 Touchin' You (D. Jordan, P. Adams 3:20)
A3 Too Sad To Tell (M. Irby, Jr., T. Philips 2:25)
A4 Second To None (M. Irby, Jr. 3:40)
A5 Romance Without Finance (D. Jordan*, P. Adams 2:40)
B1 Leaving Him Tomorrow (E. Wagman, T. Kaye 4:10)
B2 No Deposit, No Return (D. Jordan, P. Adams 2:40)
B3 Eye Doctor (M. Irby, Jr. 4:10)
B4 Jeremiah (M. Irby, Jr. 4:00)
Label: Today Records – TLP 1007
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul
Comin' Down On You is an acclaimed soul/funk album by singer Debbie Taylor, notable as an important early production effort by the legendary Patrick Adams. The record stands out as her primary legacy in the soul scene and is prized by collectors for its raw, authentic East Coast sound.
The album features a raw, hard soul production style, typical of the Today/Perception labels at the time. The sound is described as having a "rough-edged" quality, particularly on the mellower ballads, similar to Adams' work with the group Black Ivory.
Taylor's singing is characterized as "earthy," "personal," and completely authentic, avoiding common soul clichés. The jacket notes describe her as "a beautiful human being, holding nothing back - giving it all".
Darrell Randle – Do You Remember The Good Times
Written-By – Darrell Randle 6:12
A2 Keep Me Running
Rap – Tony Haynes
Written-By – Phillip Bailey, Robert Brookings, Tony Haynes 4:52
A3 Choose Your Lover
Rap – Tony Haynes
Written-By – Darrell Randle 4:36
A4 Don't Tempt Me
Written-By – Darrell Randle, Sheldon M. Reynolds 4:01
B1 Take A Ride
Written-By – Darrell Randle, Sheldon M. Reynolds 5:46
B2 Victim Of Love
Written-By – Darrell Randle 4:52
B3 Everlasting Love
Lead Vocals – Darrck M. Laughlin, Sheldon M. Reynolds
Written-By – Darrell Randle, Donald Tavie, Nidra Sylvers 4:28
Label: Macola Record Co. – SR-3000
Format: Vinyl, LP, Album
Country: US
Released: 1987
Genre: R&B Soul, Funk
Style: Electronic, Funk
Boogie/modern soul on legendary west coast label Macola Records. Plenty of heat for the funksters and slow jammers alike. Hard to come by!
The album is a notable record within the funk genre released by Macola, a record company known for distributing various independent and niche releases, particularly in the 1980s.
Delores Hall
A2 Born To Be Free 5:50
A3 Snapshot 7:58
B1 I Can't Live Without Your Love 7:24
B2 Sing A Happy Song 4:00
B3 Never Gonna Let You Go 4:15
B4 Like A Promise 4:38
Label: Capitol Records – ST-11997
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Soul
Style: Seventies Soul, Disco, Funk
Delores Hall's self-titled 1979 album, released on Capitol Records, is an excellent disco, funk, and soul record that showcases her powerful vocals and a rich musical arrangement. The album blends R&B ballads with upbeat dance-oriented tracks.
The album features a mix of R&B, soul, funk, and disco styles, reflecting the popular sounds of the late 1970s. It was produced by Robert Thiele Jr. and Mark Kamins, with notable musical contributions, including background vocal arrangements by the legendary Luther Vandross.
The tracks were recorded at mediaound and the Record Plant in NYC, with mastering by Tom Coyne at Frankford/Wayne Mastering Labs.
Several songs from the album were released as singles and are considered highlights:
"Snapshot" This track is a popular and well-regarded disco song, often highlighted for its infectious rhythm and Hall's powerful delivery.
"I Can't Live Without Your Love" Another significant single, this track has a strong dance groove.
"Born to Be Free" This track is a testament to the human spirit's resilience, with a memorable and uplifting chorus.
"Never Needed You Anyway" The album opens with this track, which also saw a single release.
The album is praised for its range of styles, allowing Hall's expressive and powerful voice to shine on everything from dynamic dance numbers to soulful ballads. The overall reception from collectors and fans is very positive, with high average ratings on music databases like Discogs.
Different Strokes For Different Folks
A2 Daddy Please Don't Go Out Tonight (Eva Darby 4:30)
A3 Why Did You Put Shoes Under My Head (Don Covay 3:42)
A4 Stop By (Don Covay, Jimmy Norman 3:20)
A5 Bad Luck (Don Covay 4:15)
A6 Hitching A Ride (Peter Callander, Mitch Murray 3:50)
B1 Standing In The Grits Line (Don Covay 4:15)
B2 In The Sweet Bye & Bye (Don Covay 7:15)
B3 Ain't Nothing A Young Girl Can Do (Don Covay 3:05)
B4 If There's A Will There's A Way (Don Covay, Donny Hathaway 3:33)
B5 What's In The Headlines (Don Covay 4:45)
Label: Janus Records – JLS-3038
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul, Funk
The album Different Strokes for Different Folks by Don Covay and The Jefferson Lemon Blues Band is a 1972 release that presents an eclectic blend of funk, soul, gospel, rock, and blues, known for its raw, gritty, and hardened edge. It is considered a hidden gem that bridged the gap between different musical styles of the era.
Following his departure from Atlantic Records, Don Covay, an immensely influential songwriter known for hits like Aretha Franklin's "Chain of Fools," released this album as his second collaboration with the Jefferson Lemon Blues Band on the Janus label. The album was largely recorded at the prestigious Muscle Shoals Studios in Alabama, utilizing the renowned studio musicians known as the Swampers.
The record stands out for its versatile sound, blending Southern R&B with a distinct, raw vibe that defies easy categorization. Covay's vocals range from a gritty, powerful tone in hard funk tracks like "Hitching a Ride" to a warm, gentle touch in ballads such as "Stop By". The songwriting is also notable for its depth, as seen in "Daddy, Please Don't Go Out Tonight," which tells the poignant story of a veteran adjusting to civilian life, and the socially conscious "What's In The Headlines".
Do Me Right
A2 Wear This Ring (With Love) (A. Tilmon, J. Mitchell 3:13)
A3 Long Live The King (A. Tilmon, S. Beatty, T. Grazcyk 3:30)
A4 What You Gonna Do About Me (. Garrett 3:17)
A5 You Can't Take This Love For You, From Me (A. Tilmon, S. Beatty, T. Grazcyk 3:12)
A6 Just Now And Then (A. Tilmon 3:21)
B1 Lee (A. Tilmon, S. Beatty, T. Grazcyk 2:48)
B2 If I Lose Your Love (A. Tilmon, J. Mitchell 3:16)
B3 And I Love Her (J. Lennon, P. McCartney 3:15)
B4 I Can't See Myself (Doing Without You) (W. Garrett 3:18)
B5 Holding On (H. Weems, N. Toney 2:42)
B6 Admit Your Love Is Gone (A. Tilmon, S. Beatty, T. Grazcyk 3:11)
Label: Westbound Records – WB 2006
Format: Vinyl, LP, Album
Country: US
Released: 1971
Genre: R&B Soul
Style: Seventies Soul
Do Me Right is the debut studio album by American vocal group the Detroit Emeralds, released in 1971 through Westbound Records. The album is an "unmistakable classic of sophisticated soul" and is recognized for its impeccable songwriting, vocal arrangements, and a strong backing band. It successfully launched several chart hits.
The album was produced by Katouzzion, with arrangements and conducting by A. Tilmon, S. Sanders, and W. Mitchell.
It produced several successful singles, including the title track, "Do Me Right," which reached No. 7 on the R&B chart, and "Wear This Ring (With Love)," which reached No. 18 on the R&B chart. Other tracks like "If I Lose Your Love" also charted.
The album was a commercial success, reaching No. 23 on the R&B albums chart and No. 151 on the Billboard 200.
Extension Of A Man
Bass – Russ Savakus, Stanley Clarke
Cello – Charles McCracken, George Ricci, Kermit Moore
Clarinet – V. Abato
Conductor – Gene Orloff
Drums – Grady Tate
Flute – Hubert Laws
French Horn – Jim Buffington, Julius Watkins, Tony Miranda
Harp – Gloria Agostini
Oboe – H. Schuman
Reeds – Romeo Penque, Seldon Powell, William Slapin
Trombone – Dominick Gravine, Garnett Brown, Paul Faulise, Wayne Andre
Trumpet – Ernie Royal, Joe Newman
Violin – Emanuel Green, Harry Lookofsky, Julien Barber, Noel DaCosta, Sanford Allen, Theodore Israel 5:33
A2 Someday We'll All Be Free
Written-By – Edward Howard 4:17
A3 Flying Easy 3:11
A4 Valdez In The Country 3:32
A5 I Love You More Than You'll Ever Know
Drums – Fred White
Guitar – Hugh McCracken
Organ – Donny Hathaway
Saxophone – David Newman
Written-By – Al Kooper 5:20
B1 Come Little Children
Bass – Donny Hathaway
Clarinet – Seldon Powell
Drums – Fred White
Guitar – Joseph Bishop, Phil Upchurch
Trombone – Garnett Brown
Trumpet – Joe Newman 4:31
B2 Love, Love, Love
Written-By – J.R. Bailey 3:22
B3 The Slums
Acoustic Guitar – Keith Loving
Alto Saxophone – Phil Bodner
Backing Vocals – Jimmy Douglass, Mario "Big M" Medious, Richard Wells, William "Mac" McCollum
Electric Guitar – Cornell Dupree
Tenor Saxophone – Seldon Powell
Trombone – Tony Studd 5:09
B4 Magdalena
Banjo – Hugh McCracken
Bass – Gordon Edwards
Clarinet – Phil Bodner, Seldon Powell
Drums – Grady Tate
Guitar – Hugh McCracken
Piano [Tack] – Donny Hathaway
Trombone – Tony Studd
Written-By – Danny O'Keefe 3:06
B5 I Know It's You
Arranged By – Arif Mardin
Backing Vocals – Cissy Houston, Myrna Smith, Sylvia Shemwell
Bass – Stanley Clarke
Drums – Rick Marotta
Producer – Jerry Wexler
Written-By – Leon Ware 5:13
Label: ATCO Records – SD 7029
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
Extension of a Man is the third and final solo studio album by American soul artist Donny Hathaway, released in 1973. It is a critically acclaimed and highly ambitious work that showcases his exceptional versatility as a singer, songwriter, arranger, and multi-instrumentalist, blending soul, R&B, jazz, gospel, and classical music elements.
The album is known for its bold eclecticism and emotional depth, touching on themes of love, spirituality, and social justice. It is considered both epic and intimate, a testament to Hathaway's ability to infuse personal vulnerability into a grand musical vision. Key aspects include:
The album notably opens with the six-minute "I Love the Lord; He Heard My Cry (Parts I & II)," an instrumental piece arranged by Hathaway for a 45-piece orchestra, which serves as a powerful, cinematic overture.
Hathaway seamlessly moves between musical styles, from the folk-tinged soul of "Someday We'll All Be Free" to smooth jazz-fusion in "Valdez in the Country" and the driving funk of "The Slums".
His performances are deeply rooted in gospel and blues traditions, evident in tracks like the doleful "I Love You More Than You'll Ever Know".
The album carries strong autobiographical overtones, reflecting Hathaway's struggles with mental illness and his pursuit of artistic freedom.
The album features several standout compositions and performances:
"Someday We'll All Be Free": Co-written by Hathaway and Edward Howard, this track is a powerful ballad that has become one of his most beloved and enduring songs, blending personal hope with universal themes of freedom.
"Love, Love, Love": One of the album's charting singles, this is a smooth and sublime love song with an R&B groove.
"The Slums": A raw, streetwise funk track that revisits the socially conscious themes of his earlier hit, "The Ghetto".
"Valdez in the Country": A smooth jazz-fusion instrumental that highlights Hathaway's electric piano improvisation skills.
Though not a major commercial success at the time of its release, Extension of a Man has grown in stature over the years and is now considered a soul classic and a vital part of Hathaway's limited but influential body of work. It is seen as a "testament" to his remarkable legacy and a blueprint for future generations of R&B and soul artists. Noted musicians such as a young Stanley Clarke on bass and Fred White (later of Earth, Wind & Fire) on drums contributed to the album's rich sound.
Fourplay
Arranged By – Leon Mitchell
Producer – Norman Harris
Written-By – J. Hendricks, M. Farrow, N. Harris 5:55
A2 Handy Man
Arranged By – Leon Mitchell
Producer – Ron Tyson
Written-By – E. Moore, R. Tyson 2:58
A3 Why Do You Have To Leave
Arranged By – Jack Faith
Producer – Bundino Productions
Written-By – B. Sigler 4:16
A4 Falling In Love
Arranged By – Jack Faith
Producer – Ron Tyson
Written-By – E. Moore, R. Tyson 5:26
B1 Newsy Neighbors
Arranged By, Producer – Norman Harris
Written-By – A. Felder, N. Harris 4:52
B2 Perfect Lover
Arranged By, Producer – Ron Kersey
Written-By – B. Turner, J. Akines, J. Bellmon 5:03
B3 There Is No Reason
Arranged By, Producer – Ron Kersey
Written-By – B. Gray 4:25
B4 There's Something Missing
Arranged By, Producer – Bruce Hawes
Written-By – B. Evans, G. Hendricks, M. Hugee 4:38
Label: Salsoul Records – SA 8501
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Disco
Fourplay is the second studio album by the American soul/disco vocal quartet Double Exposure, released in 1978 on the Salsoul Records label. It features a blend of Philly Soul, disco, R&B, and funk music produced by notable figures like Norman Harris, Ron Tyson, and Ron Kersey.
The album is known for carrying on the "best tradition of the east coast scene" with rich rhythms and soaring harmonies that made the group a favorite on the Salsoul label. While it includes rolling grooves suitable for club dancing, it also features special ballads, providing a strong mix of dance tracks and slower songs. One review noted the high quality of "singing" on the record, distinguishing it from albums that relied more on chanting or background warbling.
The album was produced as a 12" vinyl LP and has been re-released in expanded editions as part of the group's Salsoul recordings compilation. A sought-after item for collectors, representing peak 70s disco-soul, with later expanded releases adding value with remixes.
In essence, Fourplay is a quintessential Salsoul release, capturing the era's vibrant soul and disco scene with memorable hooks and polished production.
Hear Me Out
Written-By – Simmons, D. James, L. James 3:32
A2 Once In A While
Written-By – Butch Ingram 4:11
A3 Yesterday's Song
Written By – Barry, Williams 4:30
A4 Success
Written-By – D. James, L. James 6:33
B1 Taxi - Greyhound Station
Written-By – Burton, Terry 3:50
B2 I'll Be What You Want
Written-By – Butch Ingram 4:00
B3 Hard And Heavy
Written-By – Barrow, McLean 4:03
B4 Then You Can Tell Me Goodbye
Written-By – John Loudermilk 3:50
B5 It's A Shame
Written-By – Butch Ingram 3:39
Label: Fantasy WMOT Records – F-9561
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul, Funk
Style: Seventies Soul, Disco
David Simmons' debut album, Hear Me Out, was released in April 1978. A Philadelphia-based soul, disco, and funk artist, Simmons delivered a project that collectors and critics often categorize as a "hidden jewel" of the era.
Modern retrospective reviews praise the album's flawless mix and production, noting that it captures a perfect 1978 rock-soul sound. The record is characterized by a mix of uptempo funky soul and Ray Charles-style soul ballads.
Simmons is noted for having a familiar yet distinctive soul voice. His performance on the album is often described as smooth and professional, fitting the high standards of late-70s R&B production.
The album maintains high standing among collectors on platforms like Discogs, where it holds an average rating of 4.29 out of 5 stars based on community feedback.
Listeners frequently praise Simmons as a "huge talent" and "as good as it gets" for soul vocalists. His voice is often compared to Teddy Pendergrass, though fans appreciate that he maintained his own identity rather than becoming a mere sound-alike.
Specific tracks cited for their impact include "Will They Miss Me" and "Love Tonight," both of which gained significant traction among soul fans in the UK.
The album is noted for its high-quality production typical of the WMOT label, featuring "melodic riffage," "solid drums and bass," and "clever techniques" with synths.
On collector platforms like Discogs, the album maintains a strong reputation: One version holds an average rating of 4.29/5 based on user ratings. Other listings show ratings as high as 5/5, reflecting deep appreciation from the niche soul community.
Collector Status: Reviews from buyers on eBay and Amazon often describe it as a "classic" and a must-have for fans of Philadelphia soul.
While he remains relatively "unknown" to mainstream audiences, he is highly regarded by soul enthusiasts who consider his work some of the "hidden jewels of soul and disco"
I’m A Loser
A2 I Can't Do Without You (George Jackson, Ronald Townsend 2:06)
A3 Feet Start Walking (Gary Bonds, Jerry Williams, Jr. 2:28)
A4 Ghost Of Myself (Jerry Williams, Jr. 3:06)
A5 Your Best Friend (Jerry Williams, Jr., Larry Harrison 2:48)
A6 The Feeling Is Right (George Jackson, Mickey Buckins 2:44)
B1 I Don't Care Anymore (Gary Bonds, Jerry Williams, Jr., Maurice Gimbel 3:05)
B2 Congratulations (Baby Gary Bonds, Jerry Williams, Jr., Maurice Gimbel 2:00)
B3 We're More Than Strangers (Gary Bonds, Jerry Williams, Jr. 3:28)
B4 Divorce Decree (Jerry Williams, Jr., Maurice Gimbel 2:28)
B5 How Was I To Know You Cared (Gary Bonds, Jerry Williams, Jr. 2:38)
B6 To The Other Woman (I'm The Other Woman) (Gary Bonds, Jerry Williams, Jr. 2:55)
Label: Canyon Records LP-7704
Format: Vinyl, LP, Album
Country: US
Released: 1970
Genre: R&B Soul
Style: Southern Soul, Deep Soul
Doris Duke's album I'm a Loser is widely considered a deep soul masterpiece and, by some critics like the late Dave Godin, the "greatest deep soul album of all time". The album is highly praised for its emotional intensity, raw vocals, and cohesive narrative dealing with love, betrayal, and heartbreak.
Critics universally laud the album, highlighting Doris Duke's authentic and powerful vocal performance. The album is praised as a raw and unflinching look at relationship failures, with Duke singing every word with palpable pain, conviction, and truth. Listeners often feel the sense of loss, anger, and heartbreak in her voice, which many critics note is a testament to her storytelling ability.
I'm a Loser is considered one of soul music's first concept albums, focusing on the story of a wronged woman across its twelve tracks. The songs create dramatic mini-narratives, such as a woman discovering her partner's infidelity ("To the Other Woman (I'm the Other Woman)") or her descent into prostitution after moving to the city ("I Don't Care Anymore").
Produced and largely written by the innovative Jerry "Swamp Dogg" Williams Jr., the album features superb musicianship with a Southern soul sound. The arrangements combine a punchy rhythm section, Hammond organ, and dramatic strings to create a moody and atmospheric backdrop that perfectly complements the lyrical themes. Notably, Duane Allman of the Allman Brothers Band contributed guitar work to several tracks.
Despite critical acclaim, the album was not a commercial success at the time due to the collapse of its label, Canyon Records. However, it has gained a cult following and immense respect over the decades, leading to several reissues by labels like Ace/Kent Records.
I’m Still Waiting
Producer, Written-By – Deke Richards 3:35
A2 Surrender
Written-By – N. Ashford - V. Simpson 2:53
A3 I Can't Give Back The Love I Feel For You
Written-By – N. Ashford - V. Simpson, B. Holland 3:06
A4 Remember Me
Written-By – N. Ashford - V. Simpson 3:16
A5 And If You See Him
Written-By – N. Ashford - V. Simpson 2:50
A6 Reach Out I'll Be There
Written-By – Holland-Dozier-Holland 4:50
B1 Didn't You Know (You'd Have To Cry Sometime)
Written-By – N. Ashford - V. Simpson 2:56
B2 A Simple Thing Like Cry
Written-By – N. Ashford - V. Simpson 2:56
B3 Did You Read The Morning Paper?
Written-By – N. Ashford - V. Simpson, Monica 3:53
B4 I'll Settle For You
Written-By – N. Ashford - V. Simpson 2:58
B5 I'm A Winner
Written-By – N. Ashford - V. Simpson 3:05
B6 All The Befores
Written-By – N. Ashford - V. Simpson 4:35
Label: Tamla Motown – STML 11193
Format: Vinyl, LP, Album
Country:UK
Released: 1971
Genre: R&B Soul
Style: Seventies Soul, Motown
The UK album titled I'm Still Waiting is the third solo studio album by Diana Ross, released in October 1971 by Tamla Motown. It is the British release of her US album Surrender, retitled and with the hugely successful title track added to the listing.
The album's title track, "I'm Still Waiting," became Diana Ross's first solo number-one single in the UK after BBC Radio 1 DJ Tony Blackburn heavily promoted it on his radio show. The song had originally appeared on her 1970 album Everything Is Everything in the US.
Due to the single's massive success in the UK, the Surrender album was reissued there under the I'm Still Waiting title and included the hit song, reaching the top 10 on the UK album charts and earning a silver disc for sales. The original UK vinyl release (catalogue number STML 11193) came in a picture sleeve, sometimes with a textured finish.
The album is a collection of sophisticated soul tracks and ballads, showcasing Ross's vocal performances as she continued her solo career post-Supremes. It was primarily produced by Ashford & Simpson, with Deke Richards producing the title track. The album features several other significant tracks, including the top 20 hit single "Remember Me" and "Reach Out I'll Be There," a cover of the Four Tops' hit.
While not a massive U.S. pop hit (peaking at #56), the Surrender album (i.e. this album minus the track "I'm Still Waiting") was crucial in establishing Ross as a formidable solo soul vocalist, laying groundwork for her later superstardom. It captures a moment before she became a global movie star, focusing purely on her vocal gifts and emotional delivery.
It’s So Good
A2 Lovin' You 4.58
A3 Don't Change 4.44
A4 I Can't Get Enough Of Your Love 4.36
B1 It's Your Life 5.44
B2 Video 4.25
B3 All I Can Do 4.20
B4 My Heart Still Beats 6.15
Label: Empie Records – em-101
Format: Vinyl, LP, Album
Country: US
Released: 1987
Genre: R&B Soul
Style: Eighties Soul, Funk
The 1987 album "It's So Good" by Daveon (Overton) on Empie Records (EM-101) is considered a "Funk/Soul chef d'oeuvre" by some collectors and a high-quality, top-notch record from start to finish.
Daveon, a member of the group Smoke City, released this LP as one of three superb solo releases in 1987, showcasing his talents as a gifted singer, songwriter, and arranger.
The album is appreciated for its depth and consistent quality, blending funk and soul elements. On the record collecting website Discogs, the album holds an average rating of 4.67 out of 5 stars based on a small number of ratings, indicating strong positive reception among owners.
Reviews highlight the album's strong funk and soul production with catchy, hypnotic beats and meaningful lyrics. It is praised for holding a "top-notch level from the first to the last song".
The album is generally considered a highly valuable and well-produced work within the funk/soul genre, particularly for fans of late-80s R&B and funk music.
Love Games
Arranged By – Lew Warburton
Composed By – Macaulay
Composed By, Producer – R. Greenaway 3:04
A2 Like Sister And Brother
Arranged By – Bert De Coteau
Composed By – Cook, Greenaway, Stephens
Producer – Billy Davis, R. Greenaway 3:20
A3 I'm Ready (To Make A Fool Of Myself Again)
Arranged By – Chris Gunning
Composed By – Cook, Greenaway, Stephens
Producer – R. Greenaway 3:00
A4 If You're Gonna Love Me
Arranged By – Lew Warburton
Composed By – R. Cookaway, Macaulay
Producer – Billy Davis, R. Greenaway 3:41
A5 The Cut Is Deep
Arranged By – Lew Warburton
Composed By – H. Barter, R. Barter
Producer – R. Greenaway 3:58
A6 I Can't Get Away From You
Arranged By – Lew Warburton
Composed By – H. Barter
Producer – R. Greenaway 2:20
B1 Kissin' In The Back Row Of The Movies
Arranged By – Tony King
Composed By, Producer – T. Greenaway, Macaulay 3:27
B2 I'm Free (For The Rest Of Your Life)
Arranged By – Bert De Coteau
Composed By – Cook, Greenaway, Stephens
Producer – Billy Davis, R. Greenaway 3:11
B3 I Can't Live Without You
Arranged By – Chris Gunning
Composed By – Cook, Greenaway, Stephens
Producer – R. Greenaway 3:06
B4 If It Feels Good (Do It)
Arranged By – Bert De Coteau
Composed By – Cook, Greenaway, J Rae
Producer – Billy Davis, R. Greenaway 3:24
B5 A Blessing In Disguise
Arranged By – Lew Warburton
Composed By – Mason
Composed By, Producer – R. Greenaway 2:52
B6 Down On The Beach Tonight
Arranged By – Lew Warburton
Composed By – Macaulay
Composed By, Producer – R. Greenaway
Producer – Billy Davis 3:00
Label: Bell Records – BELLS 246
Format: Vinyl, LP, Album
Country: UK
Released: 1975
Genre: R&B Soul
Style: Soul, Pop
The 1975 album Love Games by The Drifters is a studio album that blends the group's classic smooth, buttery harmonies with contemporary musical styles of the era, specifically funk, Philly soul, and disco.
Following a chart success in 1972, the Johnny Moore-led version of The Drifters, based in London, collaborated again with producers Roger Cook and Roger Greenaway. Their goal was to update the group's sound for the mid-1970s, primarily using various single A- and B-sides.
The album features the Drifters' vocals alongside contemporary production. Critical reactions were varied; some found the blend of classic harmonies and modern production effective, while others thought the songs were uninspired and too reliant on musical trends of the time, making the group seem out of place.
The album charted moderately in the UK, reaching number 51 and earning a Silver certification, showcasing the group's evolving sound in the mid-70s, though it didn't chart in the US despite their legendary past hits.
The key hit singles associated with this era and album were:
"Love Games": The title track itself reached a peak position of #33 on the UK Official Charts in August 1975.
"Kissin' In The Back Row Of The Movies": This single was a major hit, peaking at #2 in the UK charts in 1974, prior to the album's release.
"Down On The Beach Tonight": Another Top 10 hit, this track reached #7 on the UK charts in late 1974.
"There Goes My First Love": Released as a single after the album in August 1975, it became a significant hit, reaching #3 in the UK.
"Can I Take You Home Little Girl": This single achieved a peak position of #10 in the UK charts towards the end of 1975.
Another hit, "You're More Than A Number In My Little Red Book," reached #5 in the UK in late 1976 and was included on subsequent repackaged albums, though it was released after the initial Love Games album.
Love Is The Key
A2 Skyboat (J.D. Clemmons, R. Alred Jr. 4:33)
A3 To Get To Heaven (D. Patton, R.D. Wells 2:42)
A4 It's So Lonely (R. Alred Jr., R. O'Connor 3:11)
A5 One Way Or The Other (J. Reed, P. Leka 3:18)
B1 So Much Love To Give (J. Reed, R. O'Connor 3:17)
B2 You Got To Get Up R. Alred Jr., R. O'Connor 3:19)
B3 Beautiful Lady (J.D. Clemmons 3:48)
B4 Supreme Being (J.D. Clemmons 4:26)
B5 Love Is The Key (D. Patton 4:29)
Label: Manhattan Records – MR-LA899-H
Format: Vinyl, LP, Album
Country: US
Released: 1978
The album Love Is the Key by the Dynamic Five (featuring Robert "Red" Alred Jr.) is a 1978 smooth soul, funk, and disco album that has become a rare and highly sought-after collector's item. It was released on the Manhattan Records label, distributed by United Artists.
The album is primarily known for its smooth soul sound of the late 1970s. A single from the album, "Lover's Lullabye," was released in 1979. The album itself has gained notoriety in the decades since its release, fetching high prices in online auctions due to its rarity, with one original copy reportedly selling for over $6,000.
The group experienced musical hurdles, making this album a testament to their talent that might have been overlooked at the time. The scarcity of the original vinyl and the addition of extended edits on CD releases make it a significant piece for collectors.
In essence, Love Is The Key is a beautiful, classic soul album that stands out as a rare find from the era, capturing the essence of late '70s R&B.
Musical Menu~Always Together
A1 Always Together (Bobby Miller 3:04)
A2 Hallways Of My Mind (Bobby Miller 3:05)
Lunch
A3 Believe Me (Bobby Miller 2:58)
A4 I Want My Momma (Bobby Miller 2:29)
A5 Agatha Van Thurgood (Bobby Miller, Sidney Barnes 2:40)
Dinner
B1 Hallelujah Baby (Bobby Miller 2:48)
B2 Good-bye Mary Ann (Marijohn Wilkin, Wilson Fred Burch 2:19)
B3 Does Anybody Know I'm Here (Bobby Miller 3:15)
Cocktails
B4 Make Sure (You Have Someone Who Loves You) (Bobby Miller 2:34)
B5 I Can't Do Enough (Bobby Miller 3:30)
Label: Cadet – LPS-822
Format: Vinyl, LP, Album
Country: US
Released: 1968
Genre: R&B Soul
Style: Sixties Soul
The Dells Musical Menu / Always Together is a classic R&B and soul album released in 1968 on the Cadet record label. It is notable for its blend of powerful ballads, driven by lead vocalist Marvin Junior's distinctive voice, and several surprisingly diverse, up-tempo, and even funky tracks.
The album is a key release that captured The Dells at their prime, following their breakthrough hit "There Is". It was produced by Bobby Miller, with arrangements and conduction by the legendary Charles Stepney.
While The Dells were famous for ballads, this album broadens their style to include more varied tempos. It features the instantly recognizable lead vocals of Marvin Junior and excellent group harmonies.
The original vinyl LP featured a distinctive, somewhat bizarre gatefold cover art that depicted the group as a "musical menu," being sprinkled from salt and pepper shakers onto a plate.
The album is structured with interlude titles like "Breakfast," "Lunch," "Dinner," and "Cocktails" interspersed between the songs.
The album was a top-ten R&B hit, though it had more modest success on the pop charts.
Night and Day
02 Now That Love Is Gone (Ed Adams, Julius Bradley, Willie Mitchell 3:59)
03 Love In The Fast Lane (Ed Adams, Willie Mitchell 4:21)
04 Just A Feelin' (Earl Randel, Willie Mitchell 4:17)
05 Let's Get Back Together (David Hudson, Willie Mitchell 3:54)
06 That's What Dreams Are Made Of (Ed Adams, Willie Mitchell 3:39)
07 You Make Me Feel (So Good Inside) (Lynda Harper 3:58)
08 Thin Line (Jackie Members, Richard Poindexter, Robert Poindexter 3:35)
09 Send Her Back (L. Harper, L. Johnson 4:08)
10 Night And Day (Lawrence E. Harper 4:26)
Label: Waylo – WAY 269507 2
Format: CD, Album
Country: US
Released: 1989
Genre: R&B Soul
Style: Southern Soul
The album Nite & Day (sometimes spelled Night and Day) by Southern Soul artist David Hudson is a 1980s R&B and soul record known for its smooth melodies, heartfelt lyrics, and classic instrumentation, created under the guidance of producer Willie Mitchell.
It showcases Hudson's talent as a singer-songwriter within the Southern Soul genre. It was originally recorded for the Waylo label and was later re-released in various formats, including an audiophile reel tape version in November 2024, transferred directly from the master tapes. The songs depict themes of love, romance, and passion.
The album was engineered and remixed by Willie Mitchell and P. Michael Allen at the Royal Sound Studios and features electric bass, drums, guitar, and keyboards/synthesizers.
The music is firmly rooted in the Southern soul genre, characterized by mellow tones, soulful instrumentation, and a focus on themes of love and romance.
Critics and fans praise Hudson's mature and emotive delivery, noting his ability to draw listeners into the narrative of each song.
The album is noted for its enduring quality, with the recordings still sounding vivid and relevant years after they were made.
While originally released on vinyl and CD in the late 1980s on the Waylo and Timeless labels, the album has seen a resurgence in niche markets, including a high-end audiophile reel-to-reel tape version released by STS Analog in 2024.
On The Loose
A2 What It Takes To Get A Good Woman... (That's What It's Gonna Take To Keep Her) (O.B. McClinton 2:59)
A3 Harper Valley P.T.A. (Tom T. Hall 3:36)
A4 What Am I Doing Wrong (John Footman 3:14)
A5 Breaking Up Somebody's Home (Denise La Salle 3:31)
B1 There Ain't Enough Hate Around (To Make Me Turn Around) (Lewis, Haywood 3:40)
B2 Your Man And Your Best Friend (Denise La Salle 3:01)
B3 Lean On Me (Bill Withers 4:07)
Label: Westbound Records – WB 2016
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul, Blues
Style: Southern Soul
On The Loose is the second album by American soul and blues singer Denise LaSalle, released in 1973 on the Westbound Records label. It is known for its raw Southern soul and Memphis soul sound, featuring a mix of LaSalle's originals and covers, and solidifying her reputation as a powerful force in the genre.
The album is a solid follow-up to her breakthrough debut, Trapped By a Thing Called Love, continuing with a strong collection of southern-fried blues and soul tracks. It was recorded in Memphis, utilizing the noted session musicians from Hi Records, the label famous for artists like Al Green. The arrangements were handled by Gene "Bowlegs" Miller and Willie Mitchell, contributing to the album's authentic, groove-centric Stax-y sound.
LaSalle's performances on the album are described as gospel-infused and blues-gritty, focusing heavily on "cheating songs" and tales of love on the rocks, a style that evoked comparisons to contemporaries like Millie Jackson and Betty Wright.
On The Loose is considered a classic of the soul-blues genre and is available on various formats, including vinyl and a popular CD compilation with her debut album. You can find more details on music databases like Discogs or find physical copies via sites like Dusty Groove
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Scratch My Back
Written-By – David "Fathead" Newman, Jay Fleecewood, Tanyette Willoughby 5:51
A2 You Gotta Keep Gotta Keep Dancin'
Written-By – David "Fathead" Newman, Jay Fleecewood, Tanyette Willoughby 6:34
A3 Two Can Do It
Written-By – Tanyette Willoughby, David "Fathead" Newman, Jay Fleecewood 6:25
B1 Scratch My Back
Written By – Kevin Toney 5:52
B2 Rock Me,Baby (Like My Back Ain't Got No Bone)
Written-By – Bessie Scott, Kevin Toney 5:34
B3 After The Ball
Written-By – David "Fathead" Newman, Jay Fleecewood 3:40
Label: Prestige – P-10108
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Jazz, Funk, Soul
Style: Jazz-Funk, Disco
David "Fathead" Newman's Scratch My Back (1979) is a soulful, funky jazz album on Prestige Records, featuring his signature smooth saxophone over driving jazz-funk and disco grooves with tracks like "One Step At A Time" and the title track, showcasing his versatile sound and packed with groove-oriented tunes for a vibrant late-70s jazz-funk feel.
The album was recorded in March 1979 at Fantasy Studios in Berkeley, California, and was produced by Orrin Keepnews and William Fischer. The inclusion of disco and funk elements was noted by critics at the time, with one review lamenting that "disco madness has hit Newman full force". The arrangements, featuring work by William Fischer, support this stylistic direction.
The album features both instrumental tracks and vocal performances, notably with lead vocals by Bessie Ruth Scott on "Rock Me, Baby (Like My Back Ain't Got No Bone)".
Key Characteristics:- Vibe: Funky, tight, tasty, and groovy. Instrumentation: Focuses on Newman's alto and tenor saxophones with strong rhythm sections. Key Tracks: Includes "One Step At A Time," "You Gotta Keep Gotta Keep Dancin'," and the title track, "Scratch My Back". Production: Produced by Orrin Keepnews and William Fischer.
If you enjoy classic jazz-funk with prominent saxophone, this album delivers a solid mix of catchy basslines, soulful melodies, and danceable rhythms, making it a highlight in Newman's discography and a great listen for fans of the genre.
The Dells Vs. The Dramatics
Written-By – Tony Hester 4:39
A2 The Dells & The Dramatics– I'm In Love
Written-By – Tony Hester 3:21
A3 The Dramatics– Choosing Up On You
Written-By – Tony Hester 2:35
A4 The Dells– Strung Out Over You
Written-By – Fred Briggs 4:45
B1 The Dells– Playin' The Love Game
Written-By – Don Davis, Marv Johnson 4:25
B2 The Dramatics– Door To Your Heart
Written-By – Tony Hester 6:30
B3 The Dramatics– Don't Make Me No Promises
Written-By – Tony Hester 3:55
B4 The Dramatics– Tune Up
Written-By – Willie Schofield 3:45
B5 The Dells– I Wish It Was Me You Loved
Written-By – Jackie Avery 4:15
Label: Cadet – CA 60027
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Soul
Style: Seventies Soul
The 1974 album The Dells Vs. The Dramatics is a collaboration album featuring two of the top soul groups of the era, and is generally considered a "sheer class" and "wonderful album" by fans of old-school harmony and deep soul.
The album is highly regarded for combining the talents of both groups and features a unique blend of styles. Many reviews praise the album for:
The record is noted as "old school harmonies at its best," highlighting the groups' ability to blend their distinct vocal styles effectively.
Fans describe the music as "soulful, memorable and timeless" and appreciate the deep, emotional vocals that both groups were known for.
For many listeners who grew up with this music, the album brings back powerful memories and rekindles a sense of nostalgia for a time when songs "had true meaning of love".
The Dells' tracks often feature Marvin Junior's "wonderfully gravelly baritone" and are considered by some reviewers to make the album feel predominantly like a Dells record.
The Dramatics bring their signature sound, characterized by "tight harmonies and signature switching of lead vocals". Their tracks add a smooth, yet soulful dimension to the album.
The album features a notable collaborative track: "Love Is Missing From Our Lives" - This song is a highlight and serves as a strong centerpiece for the combined effort of both groups.
Overall, the album is highly recommended for fans of 70s soul and R&B and is often viewed as a worthwhile purchase that effectively showcases the brilliance of both groups on shared ground. It is available on various platforms including Amazon and Discogs.
The Windows Of The World
Arranged By – Burt Bacharach 3:04
A2 Walk Little Dolly
Arranged By – Burt Bacharach 3:27
A3 The Beginning Of Loneliness
Arranged By – Burt Bacharach 3:30
A4 Another Night
Arranged By – Burt Bacharach 2:34
A5 The Windows Of The World
Arranged By – Burt Bacharach 3:23
B1 (There's) Always Something There To Remind Me
Arranged By – Burt Bacharach 2:59
B2 Somewhere
Arranged By – Peter Matz
Written-By – L. Bernstein, S. Sondheim 4:23
B3 You're Gonna Hear From Me
Arranged By – Peter Matz
Written-By – André Previn, Dory Previn 4:29
B4 Love
Arranged By – O. B. Masingill
Written-By – B. Kaempfert, M. Gabler 2:52
B5 What's Good About Goodbye
Arranged By – Peter Matz
Written-By – Harold Arlen, Lee Robin 2:41
Label: Scepter Records – SPS 563
Format: Vinyl, LP, Album
Country: US
Released: 1967
Genre: R&B Soul
Style: Sixties Soul, Pop
The Windows of the Worldis the eighth studio album by American singer Dionne Warwick, released on August 31, 1967, by Scepter Records. The album is primarily known for showcasing the successful collaboration between Warwick and the prolific songwriting and production team of Burt Bacharach and Hal David, who wrote six of the album's ten tracks.
The album blends Bacharach and David's sophisticated pop sound with a mix of original compositions and covers of stage and film songs. The production features lush arrangements, including orchestral elements, which were a hallmark of Bacharach's style at the time. The title track itself was a thematic departure for the songwriting duo, functioning as a subtle anti-war protest song inspired by Hal David's concerns about the Vietnam War.
The album is most famous for featuring the iconic hit single "I Say a Little Prayer," a track that became a top 10 hit and helped re-establish Warwick's commercial success at the time. The song's breezy arrangement was initially downplayed by Bacharach but proved to be very popular with disc jockeys and the public.
Considered a must-have for collectors, solidifying Warwick's status and proving that great music emerged even from the counter-cultural '60s.
Victim Of The Joke
Written-By – David Porter, Roni LeBeau, Ronnie Williams 2:26
A2 When You Have To Sneak (You Have To Sneak)
Written-By – David Porter, Ronnie Williams 3:29
A3 Help
Written-By – John Lennon, Paul McCartney 3:37
A4 I'm Afraid The Masquerade Is Over
Written-By – Allie Wrubel, Herb Magidson 9:43
B1 Storm In The Summertime
Written-By – David Porter, Ronnie Williams 5:45
B2 Pretty Inside
Written-By – David Porter, Ronnie Williams 3:33
B3 Human
Written-By – Luther Dixon 3:48
B4 Airplane Ticket, Bus Ride, Can I Borrow Your Car?
Written-By – David Porter, Ronnie Williams 3:46
Label: Enterprise – ENS-1019
Format: Vinyl, LP, Album
Country: US
Released: 1971
Genre: R&B Soul
Style: Seventies Soul
David Porter's 1971 album, Victim of the Joke? An Opera, is highly regarded by critics and fans as an innovative and ambitious "orchestral soul" concept album that was ahead of its time. It is particularly praised for its complex arrangements, unique narrative structure, and standout track "(I'm Afraid) The Masquerade Is Over".
The album is notable for its use of spoken dialogue and sound effects between songs to tell the story of a love affair, effectively creating a "soul opera". This ambitious, theatrical approach was a groundbreaking move for a soul album at the time, leading to its description as a "unique rarity from the Stax vaults".
Critics highlight its complex, orchestral soul sound, which some compare to a modern Broadway musical or the work of Isaac Hayes and Barry White, but with a unique edge. While some find the orchestration occasionally overshadows the raw soul feel, the compositions themselves ("Storm In The Summertime," "Human") are considered great.
Porter's dramatic rendition of the standard "(I'm Afraid) The Masquerade Is Over" is universally considered a strong point and often cited as worth the price of the album alone. This track has achieved classic status and has been extensively sampled by numerous hip-hop and R&B artists, including The Notorious B.I.G., Wu-Tang Clan, and Mary J. Blige.
The album's grooves have been widely sampled by artists like the Wu-Tang Clan and Madlib, which speaks to its enduring influence and the quality of its production.
The album holds a high average rating among users on sites like Discogs (4.42/5) and receives enthusiastic customer reviews, with many praising its "fantastic" quality and "soul/funk masterpiece" status.
Despite not featuring the "flamboyance" of contemporaries like Isaac Hayes, David Porter successfully crafted a highly creative and influential album that has stood the test of time. While the spoken interludes might not be for everyone, the quality of the pop-infused soul music and Porter's expressive vocals make Victim of the Joke? An Opera a cherished and unique piece of soul music history.