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100 Proof Aged In Soul
100 Proof (Aged In Soul) was an American soul and funk group formed in 1969 in Detroit, Michigan. They were assembled by the legendary Holland-Dozier-Holland (HDH) songwriting and production team as a signature act for their Hot Wax Records label after departing Motown.
The group's initial lineup featured established Detroit vocalists with previous ties to Motown: Steve Mancha (Clyde Wilson): Lead singer (1945–2011); Joe Stubbs (Joseph Stubbles): Co-lead singer and brother of the Four Tops' Levi Stubbs; formerly of The Contours and The Falcons (1942–1998); Eddie Holiday (Eddie Anderson): Former lead singer of The Holidays; Carlis "Sonny" Monroe: Former lead singer of The Falcons (1938–2009).
The group specialized in a gritty, earthy style more closely aligned with Southern soul than the polished Motown sound.
Their second single, "Somebody's Been Sleeping" (1970), became their biggest success, reaching #8 on the Billboard Hot 100 and #6 on the R&B charts. It sold over a million copies and was certified gold.
Other chart entries included "Too Many Cooks (Spoil the Soup)" (1969), "One Man's Leftovers (Is Another Man's Feast)" (1971), and "Everything Good Is Bad" (1972).
The group's members were closely linked to another HDH act, The 8th Day. Their lead singer, Steve Mancha, co-wrote and performed on the 8th Day hit "She's Not Just Another Woman".
The original group disbanded in 1973 after releasing two albums: Somebody's Been Sleeping in My Bed (1970) and 100 Proof Aged in Soul (1972). The name was briefly revived in 1977 with an entirely new lineup for the single "I'm Mad as Hell (Ain't Gonna Take No More)".
The group's initial lineup featured established Detroit vocalists with previous ties to Motown: Steve Mancha (Clyde Wilson): Lead singer (1945–2011); Joe Stubbs (Joseph Stubbles): Co-lead singer and brother of the Four Tops' Levi Stubbs; formerly of The Contours and The Falcons (1942–1998); Eddie Holiday (Eddie Anderson): Former lead singer of The Holidays; Carlis "Sonny" Monroe: Former lead singer of The Falcons (1938–2009).
The group specialized in a gritty, earthy style more closely aligned with Southern soul than the polished Motown sound.
Their second single, "Somebody's Been Sleeping" (1970), became their biggest success, reaching #8 on the Billboard Hot 100 and #6 on the R&B charts. It sold over a million copies and was certified gold.
Other chart entries included "Too Many Cooks (Spoil the Soup)" (1969), "One Man's Leftovers (Is Another Man's Feast)" (1971), and "Everything Good Is Bad" (1972).
The group's members were closely linked to another HDH act, The 8th Day. Their lead singer, Steve Mancha, co-wrote and performed on the 8th Day hit "She's Not Just Another Woman".
The original group disbanded in 1973 after releasing two albums: Somebody's Been Sleeping in My Bed (1970) and 100 Proof Aged in Soul (1972). The name was briefly revived in 1977 with an entirely new lineup for the single "I'm Mad as Hell (Ain't Gonna Take No More)".
100% Pure Poison<div hidden>100 Percent Pure Poison</div>
100% Pure Poison was a short-lived American jazz-funk and soul band formed in the early 1970s by U.S. military personnel stationed in Germany. They released only one album, Coming Right at You, on EMI in 1974.
The group consisted of nine musicians led by Chicago native Danny Leake. Members were American servicemen who came together during their time overseas, blending jazz-funk, soul, and pre-disco grooves. Trumpeter Marvin Daniels was a founding member.
Their self-titled album Coming Right at You featured tracks like "Windy C" and "No More City, No More Country," noted for high-quality production. EMI released it in the UK, marking their sole output before disbanding. The sound drew praise for its jazzy funk elements.
As a one-album wonder, the band remains obscure but cult-favored among soul collectors.
The group consisted of nine musicians led by Chicago native Danny Leake. Members were American servicemen who came together during their time overseas, blending jazz-funk, soul, and pre-disco grooves. Trumpeter Marvin Daniels was a founding member.
Their self-titled album Coming Right at You featured tracks like "Windy C" and "No More City, No More Country," noted for high-quality production. EMI released it in the UK, marking their sole output before disbanding. The sound drew praise for its jazzy funk elements.
As a one-album wonder, the band remains obscure but cult-favored among soul collectors.
21st Century
21st Century (later known as 21st Creation) was an American soul vocal group from the West Side of Chicago that gained recognition in the mid-1970s for their smooth harmonies and "Jackson 5-style" sound. The group formed in 1968, consisting of five teenagers who lived in the Henry Horner Homes and attended Richard T. Crane High School.
Original Members of the group were Pierre Johnson (lead singer), Fred Williams (founder), Alphonso Smith, Tyrone Moores, and Alonzo Martin. They were discovered and produced by Marvin Eugene Smith for the local Chicago label, Golden Tone Productions.
The group’s career is primarily defined by two phases under different names and labels.
RCA Era (21st Century):
In 1974, they released their debut single, "Remember the Rain". The single’s success led to a distribution deal with RCA Records, which re-released the track in March 1975. It peaked at #69 on the Billboard Soul chart and made a brief appearance at #100 on the Hot 100. They released their only album under this name, Ahead of Our Time, in 1975. During their peak in 1975, the group appeared on Soul Train alongside Patti LaBelle and Minnie Riperton.
Motown Era (21st Creation):
In 1977, the group moved to Motown Records and changed their name to 21st Creation. Under Motown’s Gordy imprint, they released the album Break Thru (or Breakthrough) in 1978. They achieved a minor hit with the disco-flavored track "Tailgate", but the group largely faded from the national spotlight shortly after.
The group's music has seen a resurgence through sampling and covers by modern artists:- Snoop Dogg: Covered/sampled them on "Sisters & Brothers" (2005); Frank Ocean, Mario, and Nicki Minaj: All released versions or samples related to "Somebody Else" (2013); Chris Brown: Also utilized their work for a track titled "Somebody Else".
Original Members of the group were Pierre Johnson (lead singer), Fred Williams (founder), Alphonso Smith, Tyrone Moores, and Alonzo Martin. They were discovered and produced by Marvin Eugene Smith for the local Chicago label, Golden Tone Productions.
The group’s career is primarily defined by two phases under different names and labels.
RCA Era (21st Century):
In 1974, they released their debut single, "Remember the Rain". The single’s success led to a distribution deal with RCA Records, which re-released the track in March 1975. It peaked at #69 on the Billboard Soul chart and made a brief appearance at #100 on the Hot 100. They released their only album under this name, Ahead of Our Time, in 1975. During their peak in 1975, the group appeared on Soul Train alongside Patti LaBelle and Minnie Riperton.
Motown Era (21st Creation):
In 1977, the group moved to Motown Records and changed their name to 21st Creation. Under Motown’s Gordy imprint, they released the album Break Thru (or Breakthrough) in 1978. They achieved a minor hit with the disco-flavored track "Tailgate", but the group largely faded from the national spotlight shortly after.
The group's music has seen a resurgence through sampling and covers by modern artists:- Snoop Dogg: Covered/sampled them on "Sisters & Brothers" (2005); Frank Ocean, Mario, and Nicki Minaj: All released versions or samples related to "Somebody Else" (2013); Chris Brown: Also utilized their work for a track titled "Somebody Else".
52nd Street
52nd Street was a British jazz-funk and soul group from Manchester, England, active primarily during the 1980s. They are best remembered for their 1986 crossover hit "Tell Me (How It Feels)" and for being one of the first soul acts signed to the legendary indie label Factory Records.
Formed in late 1980, the original lineup included Tony Henry (guitar), Derrick Johnson (bass), Desmond Isaacs (keyboards), Tony Thompson (drums), and Jennifer McCloud (vocals). Despite interest from major labels, they signed with Manchester's Factory Records (home to Joy Division and New Order) in 1981. Their debut single, "Look Into My Eyes" (1982), was followed by "Cool As Ice" (1983), which became a top 30 hit on the U.S. Billboard Dance Chart after being remixed by John "Jellybean" Benitez.
The band underwent significant changes, most notably with Diane Charlemagne (later a renowned vocalist for Moby and Urban Cookie Collective) taking over lead vocals. The group left Factory Records in 1985 after internal management disputes and signed with Virgin’s 10 Records (UK) and MCA (US).
Produced by Philadelphia's Nick Martinelli, the single "Tell Me (How It Feels)" became their biggest success, reaching #8 on the U.S. Billboard R&B chart and #54 in the UK. Their debut album, Children of the Night (1986), also spawned the UK hits "You're My Last Chance" and "I Can't Let You Go".
Their second album, Something's Going On (1987), was less successful commercially, though the single "I'll Return" charted in the U.S.. The group released one final single, "Say You Will," in 1988 before disbanding. In 1990, members Diane Charlemagne and Tony Bowry re-emerged as Cool Down Zone, releasing the UK charting single "Heaven Knows". Vocalist Diane Charlemagne, who passed away in 2015, is scheduled to be honored with a blue plaque in Manchester in June 2025 to commemorate her contributions to music.
Formed in late 1980, the original lineup included Tony Henry (guitar), Derrick Johnson (bass), Desmond Isaacs (keyboards), Tony Thompson (drums), and Jennifer McCloud (vocals). Despite interest from major labels, they signed with Manchester's Factory Records (home to Joy Division and New Order) in 1981. Their debut single, "Look Into My Eyes" (1982), was followed by "Cool As Ice" (1983), which became a top 30 hit on the U.S. Billboard Dance Chart after being remixed by John "Jellybean" Benitez.
The band underwent significant changes, most notably with Diane Charlemagne (later a renowned vocalist for Moby and Urban Cookie Collective) taking over lead vocals. The group left Factory Records in 1985 after internal management disputes and signed with Virgin’s 10 Records (UK) and MCA (US).
Produced by Philadelphia's Nick Martinelli, the single "Tell Me (How It Feels)" became their biggest success, reaching #8 on the U.S. Billboard R&B chart and #54 in the UK. Their debut album, Children of the Night (1986), also spawned the UK hits "You're My Last Chance" and "I Can't Let You Go".
Their second album, Something's Going On (1987), was less successful commercially, though the single "I'll Return" charted in the U.S.. The group released one final single, "Say You Will," in 1988 before disbanding. In 1990, members Diane Charlemagne and Tony Bowry re-emerged as Cool Down Zone, releasing the UK charting single "Heaven Knows". Vocalist Diane Charlemagne, who passed away in 2015, is scheduled to be honored with a blue plaque in Manchester in June 2025 to commemorate her contributions to music.
7th Wonder
7th Wonder was an American soul and funk octet originally formed in Tuskegee, Alabama. The group attained international recognition in the late 1970s and early 1980s, primarily known for their high-energy dance tracks and smooth soul grooves.
The band first began recording in 1973 under the name Seventh Wonder. Their debut single was a soul cover of Kris Kristofferson’s "For the Good Times," released on Nashville’s Abet label. During this early period, they also issued singles such as "Ain't Nothing Gonna Break Us Up" (1974) and "Captain of Your Ship" (1976) on smaller labels.
The group achieved their greatest commercial success after signing with Parachute Records, a subsidiary of Casablanca. They released three studio albums during this peak period:- Words Don't Say Enough (1978): Their Parachute debut, featuring the single "My Love Ain't Never Been This Strong," which reached No. 51 on the Billboard Soul/R&B chart; Climbing Higher (1979): Included the popular track "Daisy Lady," which has since become a noted funk sample track; Thunder (1980): Released on the Chocolate City label, this album featured their biggest hit, "I Enjoy Ya," which peaked at No. 33 on the Billboard R&B chart.
7th Wonder was a prolific touring act, spending over 15 years on the road. They performed as an opening act for legendary artists, including The Commodores, Marvin Gaye, Smokey Robinson, Al Green, and Chaka Khan. In September 1980, the band reached a milestone by appearing on the television show Soul Train.
The core original lineup consisted of:- Allen Williams: Lead vocalist and rhythm guitarist; Iulus Chislom, Jr.: Keyboardist and vocalist; Marvin Patton: Lead and rhythm guitarist.
The group's later configurations included musicians such as Larry Oates (saxophone), Alfred Smith, Jr. (drums), and William Jerome Thornton (bass). Their music was frequently produced by Jerry Weaver, who later gained fame for co-producing Janet Jackson's debut album.
The band first began recording in 1973 under the name Seventh Wonder. Their debut single was a soul cover of Kris Kristofferson’s "For the Good Times," released on Nashville’s Abet label. During this early period, they also issued singles such as "Ain't Nothing Gonna Break Us Up" (1974) and "Captain of Your Ship" (1976) on smaller labels.
The group achieved their greatest commercial success after signing with Parachute Records, a subsidiary of Casablanca. They released three studio albums during this peak period:- Words Don't Say Enough (1978): Their Parachute debut, featuring the single "My Love Ain't Never Been This Strong," which reached No. 51 on the Billboard Soul/R&B chart; Climbing Higher (1979): Included the popular track "Daisy Lady," which has since become a noted funk sample track; Thunder (1980): Released on the Chocolate City label, this album featured their biggest hit, "I Enjoy Ya," which peaked at No. 33 on the Billboard R&B chart.
7th Wonder was a prolific touring act, spending over 15 years on the road. They performed as an opening act for legendary artists, including The Commodores, Marvin Gaye, Smokey Robinson, Al Green, and Chaka Khan. In September 1980, the band reached a milestone by appearing on the television show Soul Train.
The core original lineup consisted of:- Allen Williams: Lead vocalist and rhythm guitarist; Iulus Chislom, Jr.: Keyboardist and vocalist; Marvin Patton: Lead and rhythm guitarist.
The group's later configurations included musicians such as Larry Oates (saxophone), Alfred Smith, Jr. (drums), and William Jerome Thornton (bass). Their music was frequently produced by Jerry Weaver, who later gained fame for co-producing Janet Jackson's debut album.
9th Creation
9th Creation was a prolific soul, funk, and disco band formed in Stockton, California, in 1970. Originally known as the Soul Struts and briefly as 3rd Creation, the group was founded by bassist A.D. Burrise and fronted by his brother, J.D. Burrise.
At their peak, the group consisted of 10 to 12 members and was known for a "religious fan following" due to their blend of West Coast raw soul and heavy funk. The group famously appeared on Soul Train in 1975. They toured North America and Japan, sharing the stage with legends such as James Brown, The Whispers, and Con Funk Shun.
Their charting singles included "Still Your Friend" (Billboard top 25) and "Falling in Love" (Billboard R&B top 10). The band’s music has been sampled by over 150 artists, including Pete Rock & C.L. Smooth, Quasimoto, and Basement Ja.xx
The band released three primary albums during the 1970s and a "lost" album decades later:- Bubble Gum (1975): Their debut album on Ritetrack, which reportedly earned a gold record; Reaching for the Top (1977): Released on the Prelude label; Superheroes (1979): A self-produced effort released on Hilltak; A Step Ahead (2019): Recorded in 1980 but shelved for decades. The original master tapes were confiscated during a DEA raid on the studio; the 2019 release was reconstructed from cassette dubs saved by trombonist Mike Micenheimer.
The group faced a series of setbacks in the early 1980s. In 1982, the band's drummer murdered saxophone player Larry Proctor during a dispute over money, a tragedy from which the group never fully recovered. Lead vocalist J.D. Burrise passed away in 2016. Founder A.D. Burrise continues to lead the group today.
A new album titled Full Circle was released in early 2024, dedicated to J.D. Burrise. It features re-recorded classics and new material. The 2025 lineup includes original members A.D. Burrise, Steve Rubio (sax), Mike Micenheimer (trombone), and Steve Mason (keys), with A.D.'s son, Taylor Burrise, on drums.
At their peak, the group consisted of 10 to 12 members and was known for a "religious fan following" due to their blend of West Coast raw soul and heavy funk. The group famously appeared on Soul Train in 1975. They toured North America and Japan, sharing the stage with legends such as James Brown, The Whispers, and Con Funk Shun.
Their charting singles included "Still Your Friend" (Billboard top 25) and "Falling in Love" (Billboard R&B top 10). The band’s music has been sampled by over 150 artists, including Pete Rock & C.L. Smooth, Quasimoto, and Basement Ja.xx
The band released three primary albums during the 1970s and a "lost" album decades later:- Bubble Gum (1975): Their debut album on Ritetrack, which reportedly earned a gold record; Reaching for the Top (1977): Released on the Prelude label; Superheroes (1979): A self-produced effort released on Hilltak; A Step Ahead (2019): Recorded in 1980 but shelved for decades. The original master tapes were confiscated during a DEA raid on the studio; the 2019 release was reconstructed from cassette dubs saved by trombonist Mike Micenheimer.
The group faced a series of setbacks in the early 1980s. In 1982, the band's drummer murdered saxophone player Larry Proctor during a dispute over money, a tragedy from which the group never fully recovered. Lead vocalist J.D. Burrise passed away in 2016. Founder A.D. Burrise continues to lead the group today.
A new album titled Full Circle was released in early 2024, dedicated to J.D. Burrise. It features re-recorded classics and new material. The 2025 lineup includes original members A.D. Burrise, Steve Rubio (sax), Mike Micenheimer (trombone), and Steve Mason (keys), with A.D.'s son, Taylor Burrise, on drums.
Aaliyah
Aaliyah (1979–2001), known as the "Princess of R&B," was a multi-platinum-selling singer and actress who redefined R&B and hip hop in the 1990s. Her career was marked by groundbreaking collaborations with Timbaland and Missy Elliott and a rising film career before her tragic death at age 22.
Born Aaliyah Dana Haughton on January 16, 1979, in Brooklyn, New York, and raised in Detroit, Michigan. At age 10, she appeared on the talent show Star Search and performed with Gladys Knight in Las Vegas. She maintained a 4.0 GPA while graduating from the Detroit High School for the Fine and Performing Arts.
She released her first album, Age Ain't Nothing but a Number (1994), at age 15. It was produced by R. Kelly and featured hits like "Back & Forth" and "At Your Best (You Are Love)". Her second album, One in a Million (1996), showcased a futuristic sound developed with Timbaland and Missy Elliott, selling over 8 million copies worldwide. Her 2000 single "Try Again" was the first song to reach #1 on the Billboard Hot 100 solely through radio airplay.
Aaliyah successfully transitioned into acting, starring in two major motion pictures:- Romeo Must Die (2000): Starred opposite Jet Li and executive-produced the soundtrack; Queen of the Damned (2002): Played the title role of Queen Akasha; the film was released posthumously; Future Projects: She had been cast as Zee in the Matrix sequels and was set to star in Sparkle and Honey before her death.
In 1994, Aaliyah was briefly and illegally married to R. Kelly when she was 15 and he was 27; her parents had the marriage annulled in 1995.
On August 25, 2001, Aaliyah died in a plane crash in the Bahamas after filming the "Rock the Boat" music video. The aircraft was overloaded, and the pilot was later found to have had drugs and alcohol in his system.
Her self-titled third album, Aaliyah (2001), reached #1 on the Billboard 200 posthumously. She is remembered for her "street but sweet" style and for being a major influence on modern R&B.
Born Aaliyah Dana Haughton on January 16, 1979, in Brooklyn, New York, and raised in Detroit, Michigan. At age 10, she appeared on the talent show Star Search and performed with Gladys Knight in Las Vegas. She maintained a 4.0 GPA while graduating from the Detroit High School for the Fine and Performing Arts.
She released her first album, Age Ain't Nothing but a Number (1994), at age 15. It was produced by R. Kelly and featured hits like "Back & Forth" and "At Your Best (You Are Love)". Her second album, One in a Million (1996), showcased a futuristic sound developed with Timbaland and Missy Elliott, selling over 8 million copies worldwide. Her 2000 single "Try Again" was the first song to reach #1 on the Billboard Hot 100 solely through radio airplay.
Aaliyah successfully transitioned into acting, starring in two major motion pictures:- Romeo Must Die (2000): Starred opposite Jet Li and executive-produced the soundtrack; Queen of the Damned (2002): Played the title role of Queen Akasha; the film was released posthumously; Future Projects: She had been cast as Zee in the Matrix sequels and was set to star in Sparkle and Honey before her death.
In 1994, Aaliyah was briefly and illegally married to R. Kelly when she was 15 and he was 27; her parents had the marriage annulled in 1995.
On August 25, 2001, Aaliyah died in a plane crash in the Bahamas after filming the "Rock the Boat" music video. The aircraft was overloaded, and the pilot was later found to have had drugs and alcohol in his system.
Her self-titled third album, Aaliyah (2001), reached #1 on the Billboard 200 posthumously. She is remembered for her "street but sweet" style and for being a major influence on modern R&B.
Aaron Neville
Iconic American singer Aaron Neville (born January 24, 1941) is celebrated for his distinctively smooth, vibrato-heavy tenor. He is a founding member of the Neville Brothers and a multi-Grammy-winning solo artist who has spanned genres from R&B and soul to country and gospel.
Born in New Orleans, Louisiana, to Arthur and Amelia Neville. He grew up in the Calliope housing projects and was influenced by the city's rich musical traditions and his mother's singing. As a teenager, he began singing with his brother Art in a group called the Hawkettes. His early life was marked by hardship, including a six-month prison sentence at age 17 for car theft and a later battle with heroin addiction.
He achieved national fame in 1966 with the ballad "Tell It Like It Is," which reached No. 1 on the R&B charts and No. 2 on the Billboard Hot 100. Despite its success, he received few royalties due to predatory contracts.
In the mid-1970s, Aaron joined his brothers Art, Charles, and Cyril to form the Neville Brothers. They became known as the "First Family of New Orleans Music," frequently closing the New Orleans Jazz & Heritage Festival. He won five Grammy Awards, including for "Healing Chant" (with the Neville Brothers) and his hit duets with Linda Ronstadt, such as "Don't Know Much" (1989) and "All My Life" (1990).
In the 1990s, he successfully ventured into country music with the platinum album The Grand Tour (1993). He later released highly-regarded jazz and gospel albums, including Nature Boy: The Standards Album (2003).
His New Orleans home was destroyed by Hurricane Katrina in 2005, leading him to relocate to Nashville and eventually to a farm in New York.
He was married to his first wife, Joel Roux, from 1959 until her death in 2007. He married photographer Sarah Ann Friedman in 2010. Neville announced his retirement from touring in 2021. In 2023, he released his comprehensive memoir, Tell It Like It Is: My Story. Neville remains a symbol of New Orleans culture, easily identified by his signature facial tattoo and the St. Jude medallion he wears in his left ear.
Ace Spectrum
Ace Spectrum was a New York City-based R&B and soul vocal group active in the mid-1970s. Formed in 1966, the ensemble spent years on the local soul circuit before signing with Atlantic Records and releasing three studio albums.
The group was established by Rudy Gay Sr., Elliot Isaac, Henry "Easy" Zant (also known as Edward "Easy" Zant), and Aubrey "Troy" Johnson. Uniquely, Zant served as both a member of the vocal quartet and the group's manager. Unlike many contemporary groups, Ace Spectrum did not have a fixed lead singer; instead, the members frequently rotated lead vocal duties from song to song.
The group's peak commercial period occurred between 1974 and 1976. Their most successful single was "Don't Send Nobody Else," written by the legendary songwriting duo Ashford & Simpson. The track reached #20 on the Billboard R&B Singles chart and #57 on the Hot 100 in 1974.
As the disco scene grew, their single "Keep Holdin' On" was heavily promoted in clubs as a 12-inch single. Another track, "Live and Learn," featured lead vocals by later member Frederick G. Duff and reached #35 on the Dance Music/Club Play chart.
Their debut was produced by Tony Silvester, while their later 1976 recordings were arranged and produced by the influential disco producer Patrick Adams.
Ace Spectrum released three full-length albums on Atlantic Records:- Inner Spectrum (1974): Peaked at #28 on the R&B Albums chart; Low Rent Rendezvous (1975): Reached #35 on the R&B Albums chart and #138 on the Billboard 200; Just Like in the Movies (1976): Their final studio effort.
The original lineup consisted of: Henry "Red" Zant (also known as Edward "Easy" Zant), Aubrey "Troy" Johnson, Elliot Isaac; Rudy Gay Sr. For their final album in 1976, the lineup expanded or shifted to include Frederick G. Duff and Lawrence "Dee" Coley. Following their 1976 recordings, the group struggled to find further commercial success and eventually disbanded.
The group was established by Rudy Gay Sr., Elliot Isaac, Henry "Easy" Zant (also known as Edward "Easy" Zant), and Aubrey "Troy" Johnson. Uniquely, Zant served as both a member of the vocal quartet and the group's manager. Unlike many contemporary groups, Ace Spectrum did not have a fixed lead singer; instead, the members frequently rotated lead vocal duties from song to song.
The group's peak commercial period occurred between 1974 and 1976. Their most successful single was "Don't Send Nobody Else," written by the legendary songwriting duo Ashford & Simpson. The track reached #20 on the Billboard R&B Singles chart and #57 on the Hot 100 in 1974.
As the disco scene grew, their single "Keep Holdin' On" was heavily promoted in clubs as a 12-inch single. Another track, "Live and Learn," featured lead vocals by later member Frederick G. Duff and reached #35 on the Dance Music/Club Play chart.
Their debut was produced by Tony Silvester, while their later 1976 recordings were arranged and produced by the influential disco producer Patrick Adams.
Ace Spectrum released three full-length albums on Atlantic Records:- Inner Spectrum (1974): Peaked at #28 on the R&B Albums chart; Low Rent Rendezvous (1975): Reached #35 on the R&B Albums chart and #138 on the Billboard 200; Just Like in the Movies (1976): Their final studio effort.
The original lineup consisted of: Henry "Red" Zant (also known as Edward "Easy" Zant), Aubrey "Troy" Johnson, Elliot Isaac; Rudy Gay Sr. For their final album in 1976, the lineup expanded or shifted to include Frederick G. Duff and Lawrence "Dee" Coley. Following their 1976 recordings, the group struggled to find further commercial success and eventually disbanded.
Act 1
Act One (also known as Act 1) was a 1970s studio-based soul vocal group assembled and led by producer and songwriter Raeford Gerald. The group was formed in 1972, members were Reginald Ross, George Parker, Roger Terry and Terry Huff, and were signed to Spring Records. While primarily associated with the Detroit soul scene, they were also linked to Los Angeles, where Gerald sought to replicate his earlier success with artists like Millie Jackson. Raeford Gerald acted as the group's "svengali," serving as their main producer and primary songwriter. They later left Spring Records for Mainstream Records and re-formed with Huff, and changed their name to Special Delivery.
The group's sound ranged from upbeat funk to sophisticated "Philly-style" ballads, characterized by strong vocal harmonizing. Their most successful single was the ballad "Friends or Lovers" (1973), which reached the US R&B charts and became a cult classic. The song later gained modern recognition for being extensively sampled in hip-hop records.
Other Notable Singles:- "Takes Two of Us" (1973) – Their second major R&B chart entry; "Tom the Peeper" – An uptempo funk track that became a significant dancefloor hit in the UK club scene; "It's the Same Old Story" – A smooth, orchestrated track often compared to the Philadelphia International Records sound.
Their primary output is collected in the self-titled album Act 1, which contains 11 original tracks. Most of their material, including non-LP singles, has been reissued by labels like Ace Records to preserve their contribution to 1970s soul. The group's work has been sampled by prominent artists, including Cypress Hill (who sampled "Friends or Lovers" for "Spark Another Owl").
Al B. Sure!
Al B Sure
Al B. Sure!, born Albert Joseph Brown III on June 4, 1968, in Boston, Massachusetts, grew up in Mount Vernon, New York. His musical talents emerged early, leading him to pursue a career in the music industry.
Al B. Sure! became a prominent figure in the music scene during the late 1980s and early 1990s. He is known for his smooth voice and a style that blends elements of R&B, soul, and pop. His debut album, "In Effect Mode," released in 1988, showcased his vocal prowess and included hits like "Nite and Day," which solidified his place in the industry and contributed to his rise in fame.
Throughout his career, Al B. Sure! has received multiple accolades, including three Grammy nominations. He is recognized for his contributions to music with several RIAA-certified multi-platinum albums. His influence also extends to radio and television, where he has served as a host and personality, further enhancing his profile as an entertainer.
Al B. Sure! was previously married to Kim Porter, with whom he has children. His personal experiences have informed his music and creativity, often reflecting themes of love and relationships.
As of now, Al B. Sure! continues to be an influential figure in the entertainment industry, contributing as a singer, songwriter, and producer while maintaining a presence in popular culture.
Al Green
American singer, songwriter, and pastor Al Green (born Albert Leornes Greene on April 13, 1946) is widely regarded as the "last of the great soul singers". As of 2025, he remains a seminal figure in Memphis soul, celebrated for his smooth falsetto and his ability to bridge the gap between sacred gospel and secular R&B.
Born in Forrest City, Arkansas, to a family of sharecroppers, Green began performing at age nine in a gospel quartet called the Greene Brothers. His family moved to Grand Rapids, Michigan, in the late 1950s.
As a teenager, Al was kicked out of the family group by his devout father after being caught listening to Jackie Wilson. He subsequently formed the pop group Al Greene & the Creations, which later became Al Green & the Soul Mates. In 1967, the Soul Mates released "Back Up Train," which reached No. 5 on the R&B charts.
Green’s career was defined by his partnership with producer Willie Mitchell at Hi Records in Memphis. This era produced a string of iconic tracks, including: "Tired of Being Alone", "Let’s Stay Together", – His signature song and first No. 1 hit, "I'm Still In Love With You", "Look What You Done For Me", "You Ought To Be With Me", "Here I Am (Come And Take Me)", and Sha La La (Make Me Happy). By 1973, Green was a leading R&B artist, releasing gold singles and critically acclaimed albums like Call Me and I'm Still in Love with You.
A major turning point occurred in October 1974 when a former girlfriend, Mary Woodson, attacked Green with boiling grits while he was showering, causing second-degree burns, before committing suicide. Following this tragedy and a subsequent 1979 fall from a stage in Cincinnati, Green dedicated his life to the ministry. In 1976, he founded the Full Gospel Tabernacle church in Memphis, where he remains an ordained pastor and bishop in 2025. Throughout the 1980s, he focused almost exclusively on gospel music, winning eight Grammy Awards in that category.
In the 1990s and 2000s, Green successfully returned to secular music, reuniting with Willie Mitchell for the 2003 album I Can't Stop.
Notable Honors: Inducted into the Rock and Roll Hall of Fame in 1995. Received the Grammy Lifetime Achievement Award in 2002. Inducted into the Gospel Music Hall of Fame and the Songwriters Hall of Fame in 2004. Kennedy Center Honors recipient in 2014.
In recent years, Green has released cover tracks, including a 2023 version of Lou Reed's "Perfect Day" and a 2024 cover of R.E.M.'s "Everybody Hurts". He continues to reside in Memphis, serving his congregation at the Full Gospel Tabernacle.
Born in Forrest City, Arkansas, to a family of sharecroppers, Green began performing at age nine in a gospel quartet called the Greene Brothers. His family moved to Grand Rapids, Michigan, in the late 1950s.
As a teenager, Al was kicked out of the family group by his devout father after being caught listening to Jackie Wilson. He subsequently formed the pop group Al Greene & the Creations, which later became Al Green & the Soul Mates. In 1967, the Soul Mates released "Back Up Train," which reached No. 5 on the R&B charts.
Green’s career was defined by his partnership with producer Willie Mitchell at Hi Records in Memphis. This era produced a string of iconic tracks, including: "Tired of Being Alone", "Let’s Stay Together", – His signature song and first No. 1 hit, "I'm Still In Love With You", "Look What You Done For Me", "You Ought To Be With Me", "Here I Am (Come And Take Me)", and Sha La La (Make Me Happy). By 1973, Green was a leading R&B artist, releasing gold singles and critically acclaimed albums like Call Me and I'm Still in Love with You.
A major turning point occurred in October 1974 when a former girlfriend, Mary Woodson, attacked Green with boiling grits while he was showering, causing second-degree burns, before committing suicide. Following this tragedy and a subsequent 1979 fall from a stage in Cincinnati, Green dedicated his life to the ministry. In 1976, he founded the Full Gospel Tabernacle church in Memphis, where he remains an ordained pastor and bishop in 2025. Throughout the 1980s, he focused almost exclusively on gospel music, winning eight Grammy Awards in that category.
In the 1990s and 2000s, Green successfully returned to secular music, reuniting with Willie Mitchell for the 2003 album I Can't Stop.
Notable Honors: Inducted into the Rock and Roll Hall of Fame in 1995. Received the Grammy Lifetime Achievement Award in 2002. Inducted into the Gospel Music Hall of Fame and the Songwriters Hall of Fame in 2004. Kennedy Center Honors recipient in 2014.
In recent years, Green has released cover tracks, including a 2023 version of Lou Reed's "Perfect Day" and a 2024 cover of R.E.M.'s "Everybody Hurts". He continues to reside in Memphis, serving his congregation at the Full Gospel Tabernacle.
Al Hudson and One Way
Al Hudson and One Way were a popular Detroit funk/R&B group, evolving from Al Hudson & The Partners, known for soulful hits like "You Can Do It" and "Cutie Pie," blending funk, disco, and soul with smooth vocals and deep grooves, achieving significant R&B chart success in the late 70s and 80s with members like Alicia Myers, then Candyce Edwards, before returning with new music decades later.
The group began as Al Hudson & The Soul Partners in Detroit, with Al Hudson (vocals), Dave Roberson (guitar), Cortez Harris (guitar), Kevin McCord (bass), Corky Meadows (keys), and Gregory Greene (drums). They scored their initial R&B success with the 1979 track "You Can Do It" (co-written with new vocalist Alicia Myers) on the ABC label, transitioning to MCA Records.
In 1979, the band became "One Way featuring Al Hudson" and later "One Way," delivering a string of funk and soul classics. Alicia Myers was a pivotal voice until 1981, when she departed for a solo career; Candyce Edwards stepped in, maintaining the group's momentum.
They earned multiple Top 10 R&B hits, including "Pop It," "Lady You Are," "Mr. Groove," "Don't Think About It," and their biggest, "Cutie Pie" (1982), which hit #4 on the Billboard Soul chart. Known for catchy rhythms, deep basslines, and soulful vocals, their music was a staple in funk and disco.
After a final album with Capitol Records in 1988, the group largely faded from recording but continued touring. In a surprise move, One Way released their twelfth album, New Old School, in 2019, bringing their classic sound back after a 31-year break.
The group began as Al Hudson & The Soul Partners in Detroit, with Al Hudson (vocals), Dave Roberson (guitar), Cortez Harris (guitar), Kevin McCord (bass), Corky Meadows (keys), and Gregory Greene (drums). They scored their initial R&B success with the 1979 track "You Can Do It" (co-written with new vocalist Alicia Myers) on the ABC label, transitioning to MCA Records.
In 1979, the band became "One Way featuring Al Hudson" and later "One Way," delivering a string of funk and soul classics. Alicia Myers was a pivotal voice until 1981, when she departed for a solo career; Candyce Edwards stepped in, maintaining the group's momentum.
They earned multiple Top 10 R&B hits, including "Pop It," "Lady You Are," "Mr. Groove," "Don't Think About It," and their biggest, "Cutie Pie" (1982), which hit #4 on the Billboard Soul chart. Known for catchy rhythms, deep basslines, and soulful vocals, their music was a staple in funk and disco.
After a final album with Capitol Records in 1988, the group largely faded from recording but continued touring. In a surprise move, One Way released their twelfth album, New Old School, in 2019, bringing their classic sound back after a 31-year break.
Al Hudson and The Soul Partners
Al Hudson and the Soul Partners were a prolific Detroit-based R&B and funk group formed in the mid-1970s, They are best known for evolving into the highly successful 1980s funk band One Way. The group was founded in Detroit, Michigan, led by lead vocalist Al Hudson (born June 11, 1954). They initially recorded singles for Atco Records before signing with ABC Records. Original Lineup: Al Hudson: Lead vocals; Dave Roberson: Guitar/arranger; Kevin McCord: Bass; Cortez Harris: Guitar; Gregory Greene: Drums; Jonathan "Corky" Meadows: Keyboards.
The group released three albums in the late 1970s before their major commercial breakthrough:- Especially for You (1977): Their debut LP on ABC Records; Cherish (1977): Their second studio effort; Spreading Love (1978): This album featured the single "Spread Love," which became a major club hit, particularly in the UK; Happy Feet (1979): Released under the name Al Hudson and the Partners, this album featured the massive disco-funk hit "You Can Do It," which reached the Top 15 in the UK and Top 10 on the U.S. Billboard Disco chart.
In 1979, the group added female vocalist Alicia Myers and transitioned to MCA Records. This led to a rebranding, first as One Way Featuring Al Hudson and later simply as One Way. As One Way, they became funk legends in the 1980s with hits like:
"Cutie Pie" (1982) was their biggest commercial success, reaching #4 on the Billboard Soul Singles chart. "Mr. Groove" (1984) was another top-tier R&B hit.
After moving to Capitol Records for their final 80s album, A New Beginning (1988), the group faded from the recording scene but continued to tour.
In 2019, after a 31-year break, the group released a new album titled #new Old School on Expansion Records. As of 2025, Al Hudson remains the helm of the group's legacy, having celebrated his 71st birthday in June.
The group released three albums in the late 1970s before their major commercial breakthrough:- Especially for You (1977): Their debut LP on ABC Records; Cherish (1977): Their second studio effort; Spreading Love (1978): This album featured the single "Spread Love," which became a major club hit, particularly in the UK; Happy Feet (1979): Released under the name Al Hudson and the Partners, this album featured the massive disco-funk hit "You Can Do It," which reached the Top 15 in the UK and Top 10 on the U.S. Billboard Disco chart.
In 1979, the group added female vocalist Alicia Myers and transitioned to MCA Records. This led to a rebranding, first as One Way Featuring Al Hudson and later simply as One Way. As One Way, they became funk legends in the 1980s with hits like:
"Cutie Pie" (1982) was their biggest commercial success, reaching #4 on the Billboard Soul Singles chart. "Mr. Groove" (1984) was another top-tier R&B hit.
After moving to Capitol Records for their final 80s album, A New Beginning (1988), the group faded from the recording scene but continued to tour.
In 2019, after a 31-year break, the group released a new album titled #new Old School on Expansion Records. As of 2025, Al Hudson remains the helm of the group's legacy, having celebrated his 71st birthday in June.
Al Jarreau
Alwyn Lopez Jarreau (March 12, 1940 – February 12, 2017) was a legendary American vocalist renowned for his unique blend of jazz, R&B, and pop. Often called the "Acrobat of Scat," he remains the only artist in history to win Grammy Awards in three separate categories: Jazz, Pop, and R&B.
Born in Milwaukee, Wisconsin, Jarreau was the fifth of six children. His father was a Seventh-day Adventist minister and his mother was a church pianist; he began singing in the church choir at age four. An accomplished student and athlete, he was student council president and an all-city baseball player in high school. He earned a Bachelor of Science in psychology from Ripon College in 1962 and a master's degree in vocational rehabilitation from the University of Iowa in 1964.
Before his musical breakthrough, Jarreau worked as a rehabilitation counselor in San Francisco. He performed at night with a jazz trio led by George Duke. In 1968, he committed to music full-time. After years of performing in clubs like Gatsby's in Sausalito and the Troubadour in Hollywood, he was signed by Warner Bros. Records in 1975 at age 35.
His debut album, We Got By (1975), earned critical acclaim, but it was his 1981 album Breakin' Away that brought massive commercial success, featuring the hit "We're in This Love Together". He won a total of seven Grammy Awards across four different decades.
Performed the theme song for the hit 1980s TV series Moonlighting, was a featured vocalist on the 1985 charity single "We Are the World" and played the role of Teen Angel in the 1996 Broadway production of Grease.
Jarreau was married twice, first to Phyllis Hall (1964–1968) and then to model Susan Elaine Player (1977–2017). He had one son, Ryan.
After a career spanning 50 years, Jarreau announced his retirement from touring on February 10, 2017, due to exhaustion. He passed away two days later from respiratory failure at the age of 76. His life is chronicled in the authorized biography Never Givin' Up: The Life and Music of Al Jarreau by Kurt Dietrich, released in 2023.
Born in Milwaukee, Wisconsin, Jarreau was the fifth of six children. His father was a Seventh-day Adventist minister and his mother was a church pianist; he began singing in the church choir at age four. An accomplished student and athlete, he was student council president and an all-city baseball player in high school. He earned a Bachelor of Science in psychology from Ripon College in 1962 and a master's degree in vocational rehabilitation from the University of Iowa in 1964.
Before his musical breakthrough, Jarreau worked as a rehabilitation counselor in San Francisco. He performed at night with a jazz trio led by George Duke. In 1968, he committed to music full-time. After years of performing in clubs like Gatsby's in Sausalito and the Troubadour in Hollywood, he was signed by Warner Bros. Records in 1975 at age 35.
His debut album, We Got By (1975), earned critical acclaim, but it was his 1981 album Breakin' Away that brought massive commercial success, featuring the hit "We're in This Love Together". He won a total of seven Grammy Awards across four different decades.
Performed the theme song for the hit 1980s TV series Moonlighting, was a featured vocalist on the 1985 charity single "We Are the World" and played the role of Teen Angel in the 1996 Broadway production of Grease.
Jarreau was married twice, first to Phyllis Hall (1964–1968) and then to model Susan Elaine Player (1977–2017). He had one son, Ryan.
After a career spanning 50 years, Jarreau announced his retirement from touring on February 10, 2017, due to exhaustion. He passed away two days later from respiratory failure at the age of 76. His life is chronicled in the authorized biography Never Givin' Up: The Life and Music of Al Jarreau by Kurt Dietrich, released in 2023.
Al Johnson
Alfred Orlando Johnson (February 11, 1948 – October 26, 2013) was an American soul and R&B singer, songwriter, and producer, best known as the lead vocalist of The Unifics and for his 1980 solo classic, "I'm Back for More". Born in Newport News, Virginia, Johnson attended Howard University in Washington, D.C., where he co-founded the soul group The Unifics in 1966.
Serving as the group's lead singer, he achieved major hits with the group in the late 1960s on the Kapp Records label. Their biggest songs included:- "Court of Love" (1968) - Reached #3 on the Billboard R&B chart and #25 on the Hot 100; "The Beginning of My End" (1969) - Peaked at #9 on the R&B chart.
In 1978, he released his first solo album, Peaceful, which featured the original version of his hit "I've Got My Second Wind". His most enduring solo success came in 1980 with the album Back for More, produced by Norman Connors. The title track, a duet with Jean Carn, became a soul classic.
Johnson was a prolific writer and session keyboardist. He co-wrote "We Have Love for You" for Deniece Williams and worked with artists such as The Whispers, Sharon Redd, and Gayle Adams. In 2005, he reunited with original Unifics member Tom Fauntleroy to release the album Unifics Return.
He continued to work on solo material, releasing My Heart Is an Open Book in 1998. Just before his death, he released the single "It's Real" in 2011. Al Johnson passed away on October 26, 2013, at the age of 65.
Serving as the group's lead singer, he achieved major hits with the group in the late 1960s on the Kapp Records label. Their biggest songs included:- "Court of Love" (1968) - Reached #3 on the Billboard R&B chart and #25 on the Hot 100; "The Beginning of My End" (1969) - Peaked at #9 on the R&B chart.
In 1978, he released his first solo album, Peaceful, which featured the original version of his hit "I've Got My Second Wind". His most enduring solo success came in 1980 with the album Back for More, produced by Norman Connors. The title track, a duet with Jean Carn, became a soul classic.
Johnson was a prolific writer and session keyboardist. He co-wrote "We Have Love for You" for Deniece Williams and worked with artists such as The Whispers, Sharon Redd, and Gayle Adams. In 2005, he reunited with original Unifics member Tom Fauntleroy to release the album Unifics Return.
He continued to work on solo material, releasing My Heart Is an Open Book in 1998. Just before his death, he released the single "It's Real" in 2011. Al Johnson passed away on October 26, 2013, at the age of 65.
Al Wilson
Al Wilson (1939-2008) was an American soul singer best known for his million-selling 1973 #1 hit, "Show and Tell," and the Northern Soul anthem "The Snake," rising from poverty in Mississippi to musical stardom through dedication, Navy service, and signing with Johnny Rivers' Soul City Records, leaving a legacy as a smooth vocalist before his passing from kidney failure.
Born Allen LaMar Wilson on June 19, 1939, in Meridian, Mississippi, he started singing in church, formed a spiritual quartet by age 12, and performed country/western covers. His family moved to San Bernardino, California, where he worked odd jobs (mail carrier, janitor) and learned drums.
He toured with Johnny Harris and the Statesmen, then sang with R&B groups like The Jewels in Los Angeles. He was discovered by manager Marc Gordon and signed with Johnny Rivers' Soul City label in 1966.
His first single "The Snake" (1968) became a hit and a massive Northern Soul favorite in the UK. His signature song, "Show and Tell" (1973), written by Jerry Fuller, became a #1 hit, selling over a million copies and earning gold status. He followed up with "Do What You Gotta Do" and "I've Got a Feeling". He continued touring and recording, releasing albums like Spice of Life (2001).
He was honored by the California State Assembly in 1999 for his musical contributions. Al Wilson died on April 21, 2008, from kidney failure, survived by his wife and children.
Born Allen LaMar Wilson on June 19, 1939, in Meridian, Mississippi, he started singing in church, formed a spiritual quartet by age 12, and performed country/western covers. His family moved to San Bernardino, California, where he worked odd jobs (mail carrier, janitor) and learned drums.
He toured with Johnny Harris and the Statesmen, then sang with R&B groups like The Jewels in Los Angeles. He was discovered by manager Marc Gordon and signed with Johnny Rivers' Soul City label in 1966.
His first single "The Snake" (1968) became a hit and a massive Northern Soul favorite in the UK. His signature song, "Show and Tell" (1973), written by Jerry Fuller, became a #1 hit, selling over a million copies and earning gold status. He followed up with "Do What You Gotta Do" and "I've Got a Feeling". He continued touring and recording, releasing albums like Spice of Life (2001).
He was honored by the California State Assembly in 1999 for his musical contributions. Al Wilson died on April 21, 2008, from kidney failure, survived by his wife and children.
Albert Collins
Albert Collins was a legendary American electric blues guitarist, singer, and songwriter known as "The Master of the Telecaster" and "The Iceman." Born on October 1, 1932, in Leona, Texas, he became renowned for his icy-hot guitar tone, fingerstyle playing, altered tunings, and electrifying stage presence.
Collins grew up in a musical family, moving from Leona to Marquez at age seven and then to Houston at nine, where he absorbed influences like T-Bone Walker, Lightnin' Hopkins, and Clarence "Gatemouth" Brown. He started playing guitar as a teen, formed his first band in 1952, and headlined Houston clubs by 1954.
He worked various jobs, including painting, ranch work, and truck driving for years, while honing his unique sound on Fender Telecasters without a pick.
His breakthrough came in 1958 with "The Freeze" and 1962's instrumental hit "Frosty," a regional smash that earned gold status and spawned icy-themed follow-ups like "Defrost" and "Thaw-Out." Collins recorded singles for small labels in the 1960s, moved to Kansas City in 1965 and California around 1967, and gigged with acts like Canned Heat.
In the 1970s and 1980s, he toured with his Icebreakers band, featuring sidemen like future stars Debbie Davies and Coco Montoya.?
Collins signed with Alligator Records, releasing hits like the W.C. Handy Award-winning Don't Lose Your Cool (1983). He shared a 1985 Grammy for Showdown! with Robert Cray and Johnny Copeland, had Cold Snap (1986) Grammy-nominated, and guested on John Zorn's Spillane (1987).
Collins died on November 24, 1993, at age 61 from lung cancer. His innovative Texas blues style, powerful live shows, and Telecaster mastery continue to influence generations of guitarists.
Collins grew up in a musical family, moving from Leona to Marquez at age seven and then to Houston at nine, where he absorbed influences like T-Bone Walker, Lightnin' Hopkins, and Clarence "Gatemouth" Brown. He started playing guitar as a teen, formed his first band in 1952, and headlined Houston clubs by 1954.
He worked various jobs, including painting, ranch work, and truck driving for years, while honing his unique sound on Fender Telecasters without a pick.
His breakthrough came in 1958 with "The Freeze" and 1962's instrumental hit "Frosty," a regional smash that earned gold status and spawned icy-themed follow-ups like "Defrost" and "Thaw-Out." Collins recorded singles for small labels in the 1960s, moved to Kansas City in 1965 and California around 1967, and gigged with acts like Canned Heat.
In the 1970s and 1980s, he toured with his Icebreakers band, featuring sidemen like future stars Debbie Davies and Coco Montoya.?
Collins signed with Alligator Records, releasing hits like the W.C. Handy Award-winning Don't Lose Your Cool (1983). He shared a 1985 Grammy for Showdown! with Robert Cray and Johnny Copeland, had Cold Snap (1986) Grammy-nominated, and guested on John Zorn's Spillane (1987).
Collins died on November 24, 1993, at age 61 from lung cancer. His innovative Texas blues style, powerful live shows, and Telecaster mastery continue to influence generations of guitarists.
Albert King
Albert King (1923–1992) was a foundational figure of modern electric blues and one of the "Three Kings of the Blues Guitar," alongside B.B. King and Freddie King. Known as the "Velvet Bulldozer" for his smooth singing and imposing physical stature, he stood roughly 6'4" and weighed 250 pounds.
Born Albert Nelson on April 25, 1923, in Indianola, Mississippi. He adopted the surname "King" in 1953 to associate himself with the then-rising star B.B. King. He grew up in Arkansas, performing in family gospel groups before shifting to blues. He taught himself to play on a homemade cigar-box guitar before purchasing his first real instrument for $1.25.
Before his musical breakthrough, he worked manual labor jobs, including picking cotton and operating a bulldozer—the latter of which contributed to his famous nickname. A left-handed player, King played right-handed Gibson Flying V guitars flipped upside down without restringing them. This meant he pulled strings down to bend them, creating a massive, "squeezing" tone that became his hallmark.
King signed with Stax Records in 1966, where he recorded his definitive work, including the 1967 album Born Under a Bad Sign. Backed by Booker T. & the M.G.'s, these sessions successfully fused rural blues with urban soul.
His innovative string-bending technique and minimalist phrasing deeply influenced rock legends like Eric Clapton, Jimi Hendrix, and most notably Stevie Ray Vaughan, with whom he recorded a famous 1983 televised special.
King died of a heart attack on December 21, 1992, in Memphis. He was posthumously inducted into the Rock and Roll Hall of Fame in 2013.
Born Albert Nelson on April 25, 1923, in Indianola, Mississippi. He adopted the surname "King" in 1953 to associate himself with the then-rising star B.B. King. He grew up in Arkansas, performing in family gospel groups before shifting to blues. He taught himself to play on a homemade cigar-box guitar before purchasing his first real instrument for $1.25.
Before his musical breakthrough, he worked manual labor jobs, including picking cotton and operating a bulldozer—the latter of which contributed to his famous nickname. A left-handed player, King played right-handed Gibson Flying V guitars flipped upside down without restringing them. This meant he pulled strings down to bend them, creating a massive, "squeezing" tone that became his hallmark.
King signed with Stax Records in 1966, where he recorded his definitive work, including the 1967 album Born Under a Bad Sign. Backed by Booker T. & the M.G.'s, these sessions successfully fused rural blues with urban soul.
His innovative string-bending technique and minimalist phrasing deeply influenced rock legends like Eric Clapton, Jimi Hendrix, and most notably Stevie Ray Vaughan, with whom he recorded a famous 1983 televised special.
King died of a heart attack on December 21, 1992, in Memphis. He was posthumously inducted into the Rock and Roll Hall of Fame in 2013.
Albert King Steve Cropper and Pop Staples
Albert King, Steve Cropper, and Roebuck "Pops" Staples were legendary guitarists and cornerstones of the Stax Records sound in Memphis. They famously collaborated on the 1969 instrumental jam album Jammed Together, which blended blues, soul, and gospel.
Albert King (1923–1992)
Known as the "Velvet Bulldozer" for his imposing physical stature and smooth singing, King was one of the "Three Kings of the Blues Guitar".
Style: A left-handed player who played a right-handed Gibson Flying V (named "Lucy") upside down without reversing the strings. This allowed for unique, massive string bends that influenced Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan.
Key Work: His 1967 album Born Under a Bad Sign (backed by Booker T. & the M.G.'s) is considered a blueprint for modern blues-rock.
Legacy: He was posthumously inducted into the Rock and Roll Hall of Fame in 2013.
Steve Cropper (1941–2025)
Nicknamed "The Colonel," Cropper was a founding member of Booker T. & the M.G.'s and the primary architect of the "Stax Sound".
Career Highlights: He co-wrote and played on legendary hits including Otis Redding’s "(Sittin' On) The Dock of the Bay," Wilson Pickett’s "In the Midnight Hour," and Sam & Dave’s "Soul Man".
The Blues Brothers: He gained wider fame in the late 1970s as a founding member of The Blues Brothers Band, appearing in their films and TV specials.
Recognition: Ranked by Rolling Stone as one of the greatest guitarists of all time, he received a Grammy Lifetime Achievement Award and was inducted into the Rock and Roll Hall of Fame in 1992.
Recent Status: He remained active into late 2025, with his final album Friendlytown receiving a Grammy nomination before his passing in December 2025.
Roebuck "Pops" Staples (1914–2000)
The patriarch of the world-renowned gospel group The Staple Singers, Pops Staples bridged the gap between sacred and secular music.
Signature Sound: He was famous for his eerie, "swampy" tremolo guitar style and soft, soul-searching vocals.
Career: He led his family group from traditional gospel to "message music" during the Civil Rights Movement, producing hits like "I'll Take You There" and "Respect Yourself".
Accolades: He was inducted into the Rock and Roll Hall of Fame in 1999 (with The Staple Singers) and the Blues Hall of Fame in 2018.
Albert King (1923–1992)
Known as the "Velvet Bulldozer" for his imposing physical stature and smooth singing, King was one of the "Three Kings of the Blues Guitar".
Style: A left-handed player who played a right-handed Gibson Flying V (named "Lucy") upside down without reversing the strings. This allowed for unique, massive string bends that influenced Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan.
Key Work: His 1967 album Born Under a Bad Sign (backed by Booker T. & the M.G.'s) is considered a blueprint for modern blues-rock.
Legacy: He was posthumously inducted into the Rock and Roll Hall of Fame in 2013.
Steve Cropper (1941–2025)
Nicknamed "The Colonel," Cropper was a founding member of Booker T. & the M.G.'s and the primary architect of the "Stax Sound".
Career Highlights: He co-wrote and played on legendary hits including Otis Redding’s "(Sittin' On) The Dock of the Bay," Wilson Pickett’s "In the Midnight Hour," and Sam & Dave’s "Soul Man".
The Blues Brothers: He gained wider fame in the late 1970s as a founding member of The Blues Brothers Band, appearing in their films and TV specials.
Recognition: Ranked by Rolling Stone as one of the greatest guitarists of all time, he received a Grammy Lifetime Achievement Award and was inducted into the Rock and Roll Hall of Fame in 1992.
Recent Status: He remained active into late 2025, with his final album Friendlytown receiving a Grammy nomination before his passing in December 2025.
Roebuck "Pops" Staples (1914–2000)
The patriarch of the world-renowned gospel group The Staple Singers, Pops Staples bridged the gap between sacred and secular music.
Signature Sound: He was famous for his eerie, "swampy" tremolo guitar style and soft, soul-searching vocals.
Career: He led his family group from traditional gospel to "message music" during the Civil Rights Movement, producing hits like "I'll Take You There" and "Respect Yourself".
Accolades: He was inducted into the Rock and Roll Hall of Fame in 1999 (with The Staple Singers) and the Blues Hall of Fame in 2018.
Albert King, John Lee Hooker
Albert King and John Lee Hooker were legendary blues guitarists known for their influential electric blues styles. Both artists shaped modern blues and rock through powerful performances and recordings. Their careers highlight the transition from Delta blues to urban electric sounds.
Albert King, born Albert Nelson on April 25, 1923, in Indianola, Mississippi, stood at 6'4" and was nicknamed "The Velvet Bulldozer" for his massive presence and smooth yet forceful guitar tone. He began playing guitar young, influenced by Delta blues but adopted a unique right-handed style despite being left-handed, using a Gibson Flying V upside down. King's breakthrough came in the 1960s with Stax Records hits like "Born Under a Bad Sign" (1967), which became a blues standard covered by Cream and Jimi Hendrix; he recorded over 20 albums, blending soulful bending notes with horn sections. He performed with B.B. King (no relation) and influenced Stevie Ray Vaughan, earning induction into the Rock and Roll Hall of Fame in 2013; King died on December 21, 1992, in Memphis [ from prior context]. [ from prior context].
John Lee Hooker was born on August 22, 1917, near Clarksdale, Mississippi, son of a sharecropper preacher who forbade secular music, but his stepfather taught him guitar. He moved to Detroit in the 1940s, working factory jobs while playing clubs, and exploded with his 1948 debut "Boogie Chillen'" on Modern Records, a raw, stomping hit that topped R&B charts. Hooker's hypnotic boogie style, deep growl, and foot-stomping rhythm produced over 100 albums, including Vee-Jay hits like "Boom Boom" (1962) and late-career triumphs like "The Healer" (1989) featuring Santana and Bonnie Raitt, earning Grammys and a 1991 Rock Hall induction. He appeared in films like The Blues Brothers and influenced the Rolling Stones and ZZ Top, passing away on June 21, 2001, in Los Altos, California.
King and Hooker occasionally crossed paths, notably on live recordings like "I'll Play the Blues for You" and "Born Under a Bad Sign," showcasing their commanding guitar interplay. Both thrived in the 1960s blues revival, touring Europe and inspiring British Invasion bands. Their Discogs profiles highlight extensive discographies, with King's Stax era and Hooker's prolific output defining electric blues.
Albert King, born Albert Nelson on April 25, 1923, in Indianola, Mississippi, stood at 6'4" and was nicknamed "The Velvet Bulldozer" for his massive presence and smooth yet forceful guitar tone. He began playing guitar young, influenced by Delta blues but adopted a unique right-handed style despite being left-handed, using a Gibson Flying V upside down. King's breakthrough came in the 1960s with Stax Records hits like "Born Under a Bad Sign" (1967), which became a blues standard covered by Cream and Jimi Hendrix; he recorded over 20 albums, blending soulful bending notes with horn sections. He performed with B.B. King (no relation) and influenced Stevie Ray Vaughan, earning induction into the Rock and Roll Hall of Fame in 2013; King died on December 21, 1992, in Memphis [ from prior context]. [ from prior context].
John Lee Hooker was born on August 22, 1917, near Clarksdale, Mississippi, son of a sharecropper preacher who forbade secular music, but his stepfather taught him guitar. He moved to Detroit in the 1940s, working factory jobs while playing clubs, and exploded with his 1948 debut "Boogie Chillen'" on Modern Records, a raw, stomping hit that topped R&B charts. Hooker's hypnotic boogie style, deep growl, and foot-stomping rhythm produced over 100 albums, including Vee-Jay hits like "Boom Boom" (1962) and late-career triumphs like "The Healer" (1989) featuring Santana and Bonnie Raitt, earning Grammys and a 1991 Rock Hall induction. He appeared in films like The Blues Brothers and influenced the Rolling Stones and ZZ Top, passing away on June 21, 2001, in Los Altos, California.
King and Hooker occasionally crossed paths, notably on live recordings like "I'll Play the Blues for You" and "Born Under a Bad Sign," showcasing their commanding guitar interplay. Both thrived in the 1960s blues revival, touring Europe and inspiring British Invasion bands. Their Discogs profiles highlight extensive discographies, with King's Stax era and Hooker's prolific output defining electric blues.
Alexander O’Neal<div hidden>Alexander O Neal Alexander ONeal</div>
Alexander O’Neal (born November 15, 1953) is a prominent American R&B and soul singer known for his grit, range, and powerful voice, which critics have often compared to Otis Redding. Emerging from the Minneapolis music scene in the early 1980s, he became an international star, particularly in the UK, with hits such as "Criticize," "Fake," and his iconic duets with Cherrelle, "Saturday Love" and "Never Knew Love Like This".
Born in Natchez, Mississippi, O'Neal grew up during the Civil Rights movement, an era marked by racial tension he later detailed in his autobiography, All True, Man. He moved to Minneapolis at age 20 and joined several bands, including Flyte Tyme with future legendary producers Jimmy Jam and Terry Lewis. In 1980, O’Neal was originally recruited by Prince to lead the band The Time. However, after a disagreement, he was replaced by Morris Day.
O’Neal signed with Tabu Records in 1984, reuniting with producers Jam and Lewis. His self-titled debut album (1985) and the triple-platinum follow-up, Hearsay (1987), established him as a major force. Hearsay included his biggest US hit, "Fake," which topped the R&B charts. While successful in the US, O’Neal achieved even greater mainstream success in the United Kingdom, scoring 14 Top 40 singles between 1985 and 1996.
O'Neal has been open about his past struggles with drug addiction and the volatility of his personal relationships. In later years, he became a familiar face on British reality TV, appearing on Wife Swap UK, The Weakest Link, and Celebrity Big Brother (2015).
In late 2025, O'Neal and his wife, Cynthia, whom he married in 2024 after a 30-year relationship, were hospitalized following an apartment fire in Burnsville, Minnesota. As of 2024–2025, O’Neal has been performing his "Time to Say Goodbye" farewell tour, celebrating a career spanning five decades.
Alice Clark
Alice Clark (c. 1947 – April 2004) was an American soul singer from Brooklyn, New York, known for her powerful vocals and a cult following that developed decades after her short career. Despite recording only 15 tracks, she is now regarded as one of soul music's "best kept secrets". Born in 1947, Clark grew up in the Bedford-Stuyvesant neighborhood of Brooklyn. Raised in a deeply religious family, she began her singing career in a local church choir.
Musician Billy Vera, who worked with her, recalled her as a "quietly spoken young mother". Clark's professional recording career spanned just four years from 1968–1972, during which she released a small but influential body of work.
Her debut single, "You Got a Deal" / "Say You'll Never (Never Leave Me)," was written and produced by Billy Vera and released on Rainy Day Records in 1968. The following year she recorded "You Hit Me (Right Where It Hurt Me)" / "Heaven's Will (Must Be Obeyed)," produced by George Kerr and released on Warner Bros. (1969). "You Hit Me" later became a staple of the Northern Soul scene. In 1972 she released her only self-titled album, Alice Clark on Mainstream Records, produced by Bob Shad. The album featured arrangements by jazz veteran Ernie Wilkins and included her signature track "Never Did I Stop Loving You".
Discouraged by a lack of commercial success, Clark left the music industry in 1972 and remained out of the public eye for the rest of her life. She died in April 2004 at the age of 57 due to liver and kidney failure. In the 1990s, her music was rediscovered by the acid jazz and soul communities in the UK. Her 1972 album is now a highly sought-after collector's item, and her full catalog was compiled in the 2010 release The Complete Studio Recordings 1968-1972 by Ace Records.
Musician Billy Vera, who worked with her, recalled her as a "quietly spoken young mother". Clark's professional recording career spanned just four years from 1968–1972, during which she released a small but influential body of work.
Her debut single, "You Got a Deal" / "Say You'll Never (Never Leave Me)," was written and produced by Billy Vera and released on Rainy Day Records in 1968. The following year she recorded "You Hit Me (Right Where It Hurt Me)" / "Heaven's Will (Must Be Obeyed)," produced by George Kerr and released on Warner Bros. (1969). "You Hit Me" later became a staple of the Northern Soul scene. In 1972 she released her only self-titled album, Alice Clark on Mainstream Records, produced by Bob Shad. The album featured arrangements by jazz veteran Ernie Wilkins and included her signature track "Never Did I Stop Loving You".
Discouraged by a lack of commercial success, Clark left the music industry in 1972 and remained out of the public eye for the rest of her life. She died in April 2004 at the age of 57 due to liver and kidney failure. In the 1990s, her music was rediscovered by the acid jazz and soul communities in the UK. Her 1972 album is now a highly sought-after collector's item, and her full catalog was compiled in the 2010 release The Complete Studio Recordings 1968-1972 by Ace Records.
Alicia Keys
Alicia Keys (born Alicia Augello Cook on January 25, 1981, in New York City) is an American singer, songwriter, pianist, actress, producer, author, and activist, known for blending R&B, soul, jazz, and hip-hop with classical piano.
Alicia Keys grew up primarily in the Hell’s Kitchen neighborhood of Manhattan, raised by her mother, Terria Joseph, after her parents separated when she was young. Her mother, a part-time actress and paralegal, encouraged her artistic side and enrolled her in piano lessons at around age seven, where she trained in classical music and studied composers like Beethoven and Chopin. Keys attended New York’s Professional Performing Arts School, studying music, voice, and dance; she graduated early, around age 16, as valedictorian. She briefly attended Columbia University on a scholarship but left after about a month to focus full-time on her music career.
Keys began writing songs as a preteen and was signed by Columbia Records at about 15, but creative differences and label disputes delayed her debut. After leaving Columbia, she followed music executive Clive Davis to his new label J Records in 1999, where she had more artistic control. Her debut album, Songs in A Minor (2001), featuring the hit single “Fallin’,” was a global success, selling over 10 million copies worldwide and earning her five Grammy Awards, including Best New Artist and Song of the Year.
Following her debut, Keys released The Diary of Alicia Keys (2003), which further cemented her status as a leading R&B artist and brought her additional Grammy Awards. In 2007 she issued As I Am, a soul-infused album containing the Grammy-winning single “No One,” which became one of her signature songs. She collaborated with Jay-Z on “Empire State of Mind” (2009), an anthem to New York City that topped charts and expanded her pop reach. Later projects included The Element of Freedom (2009), Girl on Fire (2012, with its title track becoming another defining hit), and subsequent albums that explored more personal, socially conscious themes. Across her career she has sold more than 65 million records worldwide and has become a 15-time Grammy Award winner.
Beyond music, Keys has built a notable acting and producing career. She made her film debut in Smokin’ Aces (2006), followed by roles in The Nanny Diaries (2007) and The Secret Life of Bees (2008), earning praise for her performances. On television, she has appeared in series such as The Cosby Show (as a child), Charmed, American Dreams, and has voiced characters in children’s programming like The Backyardigans. As a producer and director, she co-produced and directed a segment of the TV anthology film Five (2011), and later expanded into film and Broadway producing. She is also a New York Times best-selling author, notably with her memoir More Myself, which combines personal narrative with reflections on identity and artistry.
Keys is widely recognized for her activism, particularly around HIV/AIDS, racial and social justice, and women’s empowerment. She co-founded the organization Keep a Child Alive, which supports children and families affected by HIV/AIDS in Africa and India, and she has participated in numerous benefit concerts and advocacy campaigns. In the 2010s she became increasingly vocal about self-acceptance and beauty standards, famously embracing a minimal-makeup public image and launching a skincare line connected to this message. She married producer and rapper Swizz Beatz (Kasseem Dean) in 2010, and the couple has children together, often collaborating on creative and philanthropic projects. In theater, Keys created the semi-autobiographical musical Hell’s Kitchen, inspired by her upbringing in New York; it received strong critical attention and moved to Broadway in 2024.
Alicia Keys is regarded as one of the most influential R&B artists of her generation, distinguished by her classical piano skills, songwriting, and mix of soul, hip-hop, and contemporary pop. She is recognized as the top RIAA-certified female R&B artist of the 2000s era, with substantial digital single and album sales in the United States. Her songs such as “Fallin’,” “If I Ain’t Got You,” “No One,” “Empire State of Mind,” and “Girl on Fire” are frequently cited as modern R&B standards. Through her music, public persona, and activism, she has become a cultural figure associated with empowerment, authenticity, and artistic integrity.
Alicia Keys grew up primarily in the Hell’s Kitchen neighborhood of Manhattan, raised by her mother, Terria Joseph, after her parents separated when she was young. Her mother, a part-time actress and paralegal, encouraged her artistic side and enrolled her in piano lessons at around age seven, where she trained in classical music and studied composers like Beethoven and Chopin. Keys attended New York’s Professional Performing Arts School, studying music, voice, and dance; she graduated early, around age 16, as valedictorian. She briefly attended Columbia University on a scholarship but left after about a month to focus full-time on her music career.
Keys began writing songs as a preteen and was signed by Columbia Records at about 15, but creative differences and label disputes delayed her debut. After leaving Columbia, she followed music executive Clive Davis to his new label J Records in 1999, where she had more artistic control. Her debut album, Songs in A Minor (2001), featuring the hit single “Fallin’,” was a global success, selling over 10 million copies worldwide and earning her five Grammy Awards, including Best New Artist and Song of the Year.
Following her debut, Keys released The Diary of Alicia Keys (2003), which further cemented her status as a leading R&B artist and brought her additional Grammy Awards. In 2007 she issued As I Am, a soul-infused album containing the Grammy-winning single “No One,” which became one of her signature songs. She collaborated with Jay-Z on “Empire State of Mind” (2009), an anthem to New York City that topped charts and expanded her pop reach. Later projects included The Element of Freedom (2009), Girl on Fire (2012, with its title track becoming another defining hit), and subsequent albums that explored more personal, socially conscious themes. Across her career she has sold more than 65 million records worldwide and has become a 15-time Grammy Award winner.
Beyond music, Keys has built a notable acting and producing career. She made her film debut in Smokin’ Aces (2006), followed by roles in The Nanny Diaries (2007) and The Secret Life of Bees (2008), earning praise for her performances. On television, she has appeared in series such as The Cosby Show (as a child), Charmed, American Dreams, and has voiced characters in children’s programming like The Backyardigans. As a producer and director, she co-produced and directed a segment of the TV anthology film Five (2011), and later expanded into film and Broadway producing. She is also a New York Times best-selling author, notably with her memoir More Myself, which combines personal narrative with reflections on identity and artistry.
Keys is widely recognized for her activism, particularly around HIV/AIDS, racial and social justice, and women’s empowerment. She co-founded the organization Keep a Child Alive, which supports children and families affected by HIV/AIDS in Africa and India, and she has participated in numerous benefit concerts and advocacy campaigns. In the 2010s she became increasingly vocal about self-acceptance and beauty standards, famously embracing a minimal-makeup public image and launching a skincare line connected to this message. She married producer and rapper Swizz Beatz (Kasseem Dean) in 2010, and the couple has children together, often collaborating on creative and philanthropic projects. In theater, Keys created the semi-autobiographical musical Hell’s Kitchen, inspired by her upbringing in New York; it received strong critical attention and moved to Broadway in 2024.
Alicia Keys is regarded as one of the most influential R&B artists of her generation, distinguished by her classical piano skills, songwriting, and mix of soul, hip-hop, and contemporary pop. She is recognized as the top RIAA-certified female R&B artist of the 2000s era, with substantial digital single and album sales in the United States. Her songs such as “Fallin’,” “If I Ain’t Got You,” “No One,” “Empire State of Mind,” and “Girl on Fire” are frequently cited as modern R&B standards. Through her music, public persona, and activism, she has become a cultural figure associated with empowerment, authenticity, and artistic integrity.
Alicia Myers
Alicia Myers (born November 20, 1957) is a prominent American R&B and soul musician, best known for her 1980s solo hits and her role as a vocalist for the band One Way.
Born in Detroit, Michigan, Myers was one of nine children. She displayed musical talent early, winning a local competition at Detroit's Martin Luther King Jr. High School in 1968 with her brother Jackie, who later joined the band Chairmen of the Board. Myers is a survivor of childhood tuberculosis and later overcame breast cancer in 1998, subsequently becoming an advocate for the disease's treatment.
Myers began her professional career in Los Angeles with Al Hudson & the Soul Partners (later renamed One Way). She co-wrote and sang lead on their 1979 disco hit "You Can Do It".
She launched her solo career with MCA Records in 1981. Her most enduring anthem, "I Want to Thank You," originally appeared on her debut album Alicia (1981) but became a massive club hit after being re-released in 1982.
She released four albims between 1981-84: Alicia (1981); Alicia Again (1981); I Fooled You This Time (1982) – featuring the re-release of "I Want to Thank You";I Appreciate (1984) – her highest-charting album, peaking at No. 12 on the R&B charts. After a long hiatus during which she worked in the medical field, Myers returned to music in 2011 with the album Peace of Mind.
Myers’ soulful vocals have had a lasting impact on modern music. Her hit "I Want to Thank You" has been sampled by numerous artists, including Mariah Carey ("Make It Happen"), Busta Rhymes, and E-40. Her ballad "If You Play Your Cards Right" remains a staple in "Quiet Storm" radio formats and has been covered by artists like Syleena Johnson.
Born in Detroit, Michigan, Myers was one of nine children. She displayed musical talent early, winning a local competition at Detroit's Martin Luther King Jr. High School in 1968 with her brother Jackie, who later joined the band Chairmen of the Board. Myers is a survivor of childhood tuberculosis and later overcame breast cancer in 1998, subsequently becoming an advocate for the disease's treatment.
Myers began her professional career in Los Angeles with Al Hudson & the Soul Partners (later renamed One Way). She co-wrote and sang lead on their 1979 disco hit "You Can Do It".
She launched her solo career with MCA Records in 1981. Her most enduring anthem, "I Want to Thank You," originally appeared on her debut album Alicia (1981) but became a massive club hit after being re-released in 1982.
She released four albims between 1981-84: Alicia (1981); Alicia Again (1981); I Fooled You This Time (1982) – featuring the re-release of "I Want to Thank You";I Appreciate (1984) – her highest-charting album, peaking at No. 12 on the R&B charts. After a long hiatus during which she worked in the medical field, Myers returned to music in 2011 with the album Peace of Mind.
Myers’ soulful vocals have had a lasting impact on modern music. Her hit "I Want to Thank You" has been sampled by numerous artists, including Mariah Carey ("Make It Happen"), Busta Rhymes, and E-40. Her ballad "If You Play Your Cards Right" remains a staple in "Quiet Storm" radio formats and has been covered by artists like Syleena Johnson.
Allen Toussaint
Allen Toussaint (1938–2015) was a virtuoso pianist, prolific songwriter, and record producer who defined the modern sound of New Orleans R&B and funk. Though he often preferred working behind the scenes, his influence reached global heights through the hits he penned for others, such as "Mother-in-Law," "Working in the Coal Mine," and "Lady Marmalade".
Born on January 14, 1938, in the Gert Town neighborhood of New Orleans, he was the youngest of three children. His mother, Naomi Neville, often hosted musicians at their home; Toussaint later used her name as a songwriting pseudonym.
He taught himself piano and was deeply influenced by the syncopated "second-line" style of Professor Longhair. At age 17, he stood in for Huey "Piano" Smith at a performance with Earl King's band. In 1957, he played piano on a Fats Domino session, and by 1958, he recorded his first album, The Wild Sound of New Orleans, under the name Al Tousan.
In the early 1960s, Toussaint became the primary songwriter and producer for Minit Records, where he created a signature "soft" New Orleans sound. He produced iconic tracks including Ernie K-Doe's "Mother-in-Law" (a #1 hit), Irma Thomas's "It’s Raining," and Lee Dorsey's "Ya Ya". He wrote "Fortune Teller" (covered by The Rolling Stones and The Who) and "Ruler of My Heart" (adapted by Otis Redding as "Pain in My Heart").
After serving in the Army (1963–1965), he co-founded Sansu Enterprises. Working with The Meters as his house band, he developed the gritty, syncopated sound that paved the way for modern funk.
Toussaint’s reach expanded beyond New Orleans in the 1970s as he collaborated with international stars. He co-founded the legendary Sea-Saint Studios in 1973, where he produced Labelle's #1 hit "Lady Marmalade".
He released critically acclaimed albums From a Whisper to a Scream (1971) and Southern Nights (1975). Glen Campbell's 1977 cover of "Southern Nights" and The Pointer Sisters' "Yes We Can Can" (1973) became major chart successes. He worked with Paul McCartney, The Band, Dr. John, and Robert Palmer during this era.
In 2005, Toussaint lost his home and Sea-Saint Studios to Hurricane Katrina. He temporarily relocated to New York City, where he became a prominent advocate for New Orleans’ musical recovery. During his time in NYC, he began performing regularly at Joe's Pub, leading to a "late-blooming" career as a touring artist. His 2006 album with Elvis Costello, The River in Reverse, was the first major studio session held in New Orleans after the hurricane.
Toussaint died of a heart attack on November 10, 2015, in Madrid, Spain, shortly after performing a concert. He was inducted into the Rock and Roll Hall of Fame (1998) and received the National Medal of Arts from President Barack Obama in 2013.
In 2022, a major New Orleans street was renamed Allen Toussaint Boulevard. In January 2025, the USPS released a Forever Stamp in his honor as part of the Black Heritage series.
Born on January 14, 1938, in the Gert Town neighborhood of New Orleans, he was the youngest of three children. His mother, Naomi Neville, often hosted musicians at their home; Toussaint later used her name as a songwriting pseudonym.
He taught himself piano and was deeply influenced by the syncopated "second-line" style of Professor Longhair. At age 17, he stood in for Huey "Piano" Smith at a performance with Earl King's band. In 1957, he played piano on a Fats Domino session, and by 1958, he recorded his first album, The Wild Sound of New Orleans, under the name Al Tousan.
In the early 1960s, Toussaint became the primary songwriter and producer for Minit Records, where he created a signature "soft" New Orleans sound. He produced iconic tracks including Ernie K-Doe's "Mother-in-Law" (a #1 hit), Irma Thomas's "It’s Raining," and Lee Dorsey's "Ya Ya". He wrote "Fortune Teller" (covered by The Rolling Stones and The Who) and "Ruler of My Heart" (adapted by Otis Redding as "Pain in My Heart").
After serving in the Army (1963–1965), he co-founded Sansu Enterprises. Working with The Meters as his house band, he developed the gritty, syncopated sound that paved the way for modern funk.
Toussaint’s reach expanded beyond New Orleans in the 1970s as he collaborated with international stars. He co-founded the legendary Sea-Saint Studios in 1973, where he produced Labelle's #1 hit "Lady Marmalade".
He released critically acclaimed albums From a Whisper to a Scream (1971) and Southern Nights (1975). Glen Campbell's 1977 cover of "Southern Nights" and The Pointer Sisters' "Yes We Can Can" (1973) became major chart successes. He worked with Paul McCartney, The Band, Dr. John, and Robert Palmer during this era.
In 2005, Toussaint lost his home and Sea-Saint Studios to Hurricane Katrina. He temporarily relocated to New York City, where he became a prominent advocate for New Orleans’ musical recovery. During his time in NYC, he began performing regularly at Joe's Pub, leading to a "late-blooming" career as a touring artist. His 2006 album with Elvis Costello, The River in Reverse, was the first major studio session held in New Orleans after the hurricane.
Toussaint died of a heart attack on November 10, 2015, in Madrid, Spain, shortly after performing a concert. He was inducted into the Rock and Roll Hall of Fame (1998) and received the National Medal of Arts from President Barack Obama in 2013.
In 2022, a major New Orleans street was renamed Allen Toussaint Boulevard. In January 2025, the USPS released a Forever Stamp in his honor as part of the Black Heritage series.
Alton Ellis
Alton Ellis (1938–2008), widely known as the "Godfather of Rocksteady," was a pioneering Jamaican singer and songwriter whose soulful tenor voice defined the transition from ska to reggae.
Born Alton Nehemiah Ellis on September 1, 1938, in the Trenchtown area of Kingston, Jamaica. He grew up in a talented family; his younger sister Hortense Ellis became a famous reggae singer, and his brothers were also involved in music.
Initially a competitive dancer, he transitioned to singing and formed the duo Alton & Eddy with Eddy Parkins in 1959. Their first hit, "Muriel," was recorded for Coxsone Dodd at Studio One.
In the mid-1960s, Ellis moved to Duke Reid’s Treasure Isle label and formed the group The Flames. He is credited with releasing what many consider the first rocksteady song, "Get Ready – Rock Steady" (1967).
The rocksteady sound emerged when a session bassist failed to show up, forcing keyboardist Jackie Mittoo to play the bass line at a slower, choppier tempo, which perfectly complemented Ellis's soulful delivery. His signature tracks include "Girl I've Got a Date," "I’m Still in Love with You," "Cry Tough," and "Dance Crasher".
Seeking better financial opportunities, he lived in Toronto, Canada, from 1969 to 1971 before settling permanently in London in 1973. In London, he founded the Alltone record label and store. He was instrumental in launching the Lovers Rock genre and mentored legendary artists like Dennis Brown.
The Jamaican government awarded him the Order of Distinction (OD) in 1994 (some sources say 2004) for his cultural contributions. He was inducted into the International Reggae and World Music Awards Hall of Fame in 2006.
Alton Ellis died of cancer on October 10, 2008, at Hammersmith Hospital in London. His music remains a cornerstone of Jamaican culture; his song "I'm Still in Love with You" was notably sampled by Sean Paul in 2004, reaching worldwide charts decades after its original release. Several of his children, including Christopher Ellis and Noel Ellis, have continued his musical legacy as reggae singers.
Born Alton Nehemiah Ellis on September 1, 1938, in the Trenchtown area of Kingston, Jamaica. He grew up in a talented family; his younger sister Hortense Ellis became a famous reggae singer, and his brothers were also involved in music.
Initially a competitive dancer, he transitioned to singing and formed the duo Alton & Eddy with Eddy Parkins in 1959. Their first hit, "Muriel," was recorded for Coxsone Dodd at Studio One.
In the mid-1960s, Ellis moved to Duke Reid’s Treasure Isle label and formed the group The Flames. He is credited with releasing what many consider the first rocksteady song, "Get Ready – Rock Steady" (1967).
The rocksteady sound emerged when a session bassist failed to show up, forcing keyboardist Jackie Mittoo to play the bass line at a slower, choppier tempo, which perfectly complemented Ellis's soulful delivery. His signature tracks include "Girl I've Got a Date," "I’m Still in Love with You," "Cry Tough," and "Dance Crasher".
Seeking better financial opportunities, he lived in Toronto, Canada, from 1969 to 1971 before settling permanently in London in 1973. In London, he founded the Alltone record label and store. He was instrumental in launching the Lovers Rock genre and mentored legendary artists like Dennis Brown.
The Jamaican government awarded him the Order of Distinction (OD) in 1994 (some sources say 2004) for his cultural contributions. He was inducted into the International Reggae and World Music Awards Hall of Fame in 2006.
Alton Ellis died of cancer on October 10, 2008, at Hammersmith Hospital in London. His music remains a cornerstone of Jamaican culture; his song "I'm Still in Love with You" was notably sampled by Sean Paul in 2004, reaching worldwide charts decades after its original release. Several of his children, including Christopher Ellis and Noel Ellis, have continued his musical legacy as reggae singers.
Amnesty
Amnesty was a funk band based in Indianapolis during the early 1970s. The group is known for its hard-hitting grooves and soaring vocal harmonies. Originally formed in 1968, Amnesty consisted of members who came together from another group called The Embers, including Kirk Alexander on drums and Rafael Barnes on percussion, among others.
Though their active career was relatively short-lived and they only released two obscure 45s, Amnesty has gained recognition over the years, particularly through a resurgence of interest in their music, culminating in the posthumous release of an album in 2010, which had been recorded in 1973 but remained shelved until then.
Amnesty remains a significant part of the funk genre's history, especially notable for their contributions to the Indianapolis music scene.
Their music, along with other never-before-released funk, has been celebrated by fans and is available for streaming on platforms like Amazon and Spotify.
Though their active career was relatively short-lived and they only released two obscure 45s, Amnesty has gained recognition over the years, particularly through a resurgence of interest in their music, culminating in the posthumous release of an album in 2010, which had been recorded in 1973 but remained shelved until then.
Amnesty remains a significant part of the funk genre's history, especially notable for their contributions to the Indianapolis music scene.
Their music, along with other never-before-released funk, has been celebrated by fans and is available for streaming on platforms like Amazon and Spotify.
Anacostia
Anacostia was an American soul vocal group from Washington, D.C., primarily active during the 1970s and 1980s. The group originally formed as The Presidents, consisting of members Tony Boyd, Archie Powell, and Billy Shorter. Under this name, they achieved significant success with the 1970 hit "5-10-15-20 (25-30 Years of Love)," which reached #11 on the Billboard Hot 100.
After briefly performing as "Trilogy," the group renamed themselves Anacostia (named after the historic D.C. neighborhood and housing project) later in the 1970s.
They continued their professional relationship with legendary producer Van McCoy, who produced their signature work. One of their most recognized singles under the Anacostia name was "On and Off," a track later recorded by David Ruffin.
The group released two primary studio albums during the late 1970s: Anacostia (1977): Released on MCA Records, this self-titled debut features tracks such as "Heartache in Disguise," "Baby I'm Available," and "Words Spoken Softly at Midnight". Anacostia (1978): Also self-titled, this second album was released on Tabu Records. It includes songs like "Ain't Nothing to It," "Anything for You," and "Baby Don't Ever Leave Me".
While they were active under different names earlier in the 1970s, their official LP discography as Anacostia is centered on these two releases. They also released several notable singles throughout the decade, including "On and Off" (1972) and "Thick and Thin" (1973). Other tracks recorded by the group include "Baby I'm Available," "Words Spoken Softly at Midnight," and "Heartache in Disguise".
After briefly performing as "Trilogy," the group renamed themselves Anacostia (named after the historic D.C. neighborhood and housing project) later in the 1970s.
They continued their professional relationship with legendary producer Van McCoy, who produced their signature work. One of their most recognized singles under the Anacostia name was "On and Off," a track later recorded by David Ruffin.
The group released two primary studio albums during the late 1970s: Anacostia (1977): Released on MCA Records, this self-titled debut features tracks such as "Heartache in Disguise," "Baby I'm Available," and "Words Spoken Softly at Midnight". Anacostia (1978): Also self-titled, this second album was released on Tabu Records. It includes songs like "Ain't Nothing to It," "Anything for You," and "Baby Don't Ever Leave Me".
While they were active under different names earlier in the 1970s, their official LP discography as Anacostia is centered on these two releases. They also released several notable singles throughout the decade, including "On and Off" (1972) and "Thick and Thin" (1973). Other tracks recorded by the group include "Baby I'm Available," "Words Spoken Softly at Midnight," and "Heartache in Disguise".
Angela Bofill
Angela Tomasa Bofill (May 2, 1954 – June 13, 2024) was a pioneering American R&B and jazz singer-songwriter known for her powerful, silky vocal range and Afro-Latina heritage.
Born in Brooklyn and raised in The Bronx, she was of Cuban and Puerto Rican descent. She began singing professionally as a teenager with the Dance Theater of Harlem Chorus. She graduated from Hunter College High School (1972) and earned a Bachelor of Music from the Manhattan School of Music (1976).
In 1978 she signed to GRP Records and released her debut album Angie, featuring the hit "This Time I'll Be Sweeter". Her follow-up, Angel of the Night (1979), included her signature ballad "I Try".
Under Arista Records, she worked with producers like Narada Michael Walden and George Duke, scoring hits like "Too Tough" (1983) and "I'm on Your Side". She recorded with Capitol Records in 1988 for the album Intuition and provided backing vocals for artists such as Diana Ross.
Her singing career was largely cut short by two massive strokes in 2006 and 2007, which paralyzed her left side and impaired her ability to sing and speak. Despite her inability to sing, she returned to the stage for a spoken-word show where she recounted her life while friends like Maysa Leak and Melba Moore performed her hits.
She was inducted into the Women Songwriters Hall of Fame in 2023 and received a Bay Area Music Award. She died on June 13, 2024, at age 70, leaving behind a rich legacy as a trailblazing Latina artist in R&B and jazz.
Born in Brooklyn and raised in The Bronx, she was of Cuban and Puerto Rican descent. She began singing professionally as a teenager with the Dance Theater of Harlem Chorus. She graduated from Hunter College High School (1972) and earned a Bachelor of Music from the Manhattan School of Music (1976).
In 1978 she signed to GRP Records and released her debut album Angie, featuring the hit "This Time I'll Be Sweeter". Her follow-up, Angel of the Night (1979), included her signature ballad "I Try".
Under Arista Records, she worked with producers like Narada Michael Walden and George Duke, scoring hits like "Too Tough" (1983) and "I'm on Your Side". She recorded with Capitol Records in 1988 for the album Intuition and provided backing vocals for artists such as Diana Ross.
Her singing career was largely cut short by two massive strokes in 2006 and 2007, which paralyzed her left side and impaired her ability to sing and speak. Despite her inability to sing, she returned to the stage for a spoken-word show where she recounted her life while friends like Maysa Leak and Melba Moore performed her hits.
She was inducted into the Women Songwriters Hall of Fame in 2023 and received a Bay Area Music Award. She died on June 13, 2024, at age 70, leaving behind a rich legacy as a trailblazing Latina artist in R&B and jazz.
Angie Stone
Angie Stone was a renowned American R&B and neo-soul singer-songwriter with a career spanning over four decades. Born Angela Laverne Brown on December 18, 1961, in Columbia, South Carolina, she passed away on March 1, 2025, at age 63.
Raised in a gospel music family, Stone showed early talent influenced by church singing. She began performing locally before breaking into hip-hop as Angie B. with The Sequence, the first female rap group signed to Sugar Hill Records, scoring a hit with "Funk You Up" in 1980.
In the late 1980s and early 1990s, she contributed as a background vocalist and saxophonist, working with Lenny Kravitz and others. She joined R&B/hip-hop group Vertical Hold, releasing albums like A Matter of Time (1993).
Signed to Arista, her 1999 debut Black Diamond went gold, featuring the chart-topping Adult R&B single "No More Rain (In This Cloud)". Follow-ups included Mahogany Soul (2001) with "Wish I Didn't Miss You" and The Art of Love & War (2007), her sole Billboard R&B/Hip-Hop Albums chart-topper.
Stone appeared in films like Love & Basketball (2000), The Hot Chick (2002), and Ride Along (2014). Grammy-nominated, she influenced neo-soul with soulful vocals evoking Aretha Franklin.
Raised in a gospel music family, Stone showed early talent influenced by church singing. She began performing locally before breaking into hip-hop as Angie B. with The Sequence, the first female rap group signed to Sugar Hill Records, scoring a hit with "Funk You Up" in 1980.
In the late 1980s and early 1990s, she contributed as a background vocalist and saxophonist, working with Lenny Kravitz and others. She joined R&B/hip-hop group Vertical Hold, releasing albums like A Matter of Time (1993).
Signed to Arista, her 1999 debut Black Diamond went gold, featuring the chart-topping Adult R&B single "No More Rain (In This Cloud)". Follow-ups included Mahogany Soul (2001) with "Wish I Didn't Miss You" and The Art of Love & War (2007), her sole Billboard R&B/Hip-Hop Albums chart-topper.
Stone appeared in films like Love & Basketball (2000), The Hot Chick (2002), and Ride Along (2014). Grammy-nominated, she influenced neo-soul with soulful vocals evoking Aretha Franklin.
Anita Baker
Anita Baker is an eight-time Grammy Award-winning singer-songwriter, widely celebrated as the "Queen of Quiet Storm" for her rich contralto voice and sophisticated blend of soul, R&B, and jazz. Born Anita Denise Baker on January 26, 1958, in Toledo, Ohio, and abandoned by her birth mother at age two, she was raised by foster parents in Detroit. After her foster parents passed away when she was 12, she was raised by her foster sister, Lois Landry.
She began singing in gospel choirs and performing in Detroit nightclubs by age 16. In 1975, she joined the funk band Chapter 8. They released a self-titled album in 1979 featuring the hit "I Just Want to Be Your Girl". The group was later dropped by Arista Records, with executives famously claiming Baker lacked "star potential".
After a brief hiatus working as a receptionist, she signed with Beverly Glen Records and released her debut solo album, The Songstress (1983), which included the R&B hit "Angel". Her 1986 album, Rapture, catapulted her to international stardom. It sold over 8 million copies and featured the iconic single "Sweet Love". She followed this with the #1 album Giving You the Best That I Got (1988) and the jazz-influenced Compositions (1990).
Baker married Walter Bridgforth Jr. in 1988; they have two sons, Walter and Edward. The couple divorced in 2007. She frequently took extended breaks from the industry to focus on motherhood and family, most notably between 1994 and 2004.
She has earned eight Grammy Awards and multiple American Music and Soul Train Awards. In 2018, she received the BET Lifetime Achievement Award. In 2021, Baker won a high-profile legal battle against her former label to reclaim ownership of her master recordings.
She was ranked #92 on Rolling Stone’s 200 Greatest Singers of All Time in 2023. As of 2025, she remains an active performer, recently completing her 40th-anniversary "Songstress Tour".
She began singing in gospel choirs and performing in Detroit nightclubs by age 16. In 1975, she joined the funk band Chapter 8. They released a self-titled album in 1979 featuring the hit "I Just Want to Be Your Girl". The group was later dropped by Arista Records, with executives famously claiming Baker lacked "star potential".
After a brief hiatus working as a receptionist, she signed with Beverly Glen Records and released her debut solo album, The Songstress (1983), which included the R&B hit "Angel". Her 1986 album, Rapture, catapulted her to international stardom. It sold over 8 million copies and featured the iconic single "Sweet Love". She followed this with the #1 album Giving You the Best That I Got (1988) and the jazz-influenced Compositions (1990).
Baker married Walter Bridgforth Jr. in 1988; they have two sons, Walter and Edward. The couple divorced in 2007. She frequently took extended breaks from the industry to focus on motherhood and family, most notably between 1994 and 2004.
She has earned eight Grammy Awards and multiple American Music and Soul Train Awards. In 2018, she received the BET Lifetime Achievement Award. In 2021, Baker won a high-profile legal battle against her former label to reclaim ownership of her master recordings.
She was ranked #92 on Rolling Stone’s 200 Greatest Singers of All Time in 2023. As of 2025, she remains an active performer, recently completing her 40th-anniversary "Songstress Tour".
Ann Peebles
Ann Peebles (born April 27, 1947) is an American singer and songwriter widely considered the "Queen of Hi Records" and a definitive voice of the Memphis soul sound. Despite her diminutive stature—standing 5'1" and weighing only 99 pounds—she was celebrated for her powerful, gritty, and emotionally resonant vocal style.
Born in Kinloch, Missouri (near St. Louis), she was the seventh of eleven children. She began singing at age nine in the Peebles Choir, a family gospel group founded by her grandfather and directed by her father, Perry Peebles, a minister. The family choir opened for gospel legends such as Mahalia Jackson and the Soul Stirrers (featuring Sam Cooke).
As a teenager, her father supported her move into R&B, accompanying her to clubs in St. Louis where she performed with bandleader Oliver Sain. In 1968, while visiting Memphis, she asked to sit in with trumpeter Gene "Bowlegs" Miller at the Rosewood club. Impressed, Miller introduced her to producer Willie Mitchell of Hi Records, who signed her immediately.
Backed by the famous Hi Rhythm Section and the Memphis Horns, she became the label's most successful female artist. Her most famous song, "I Can't Stand the Rain" (1973), reached No. 6 on the R&B charts and No. 38 on the Billboard Hot 100. It was famously written in 15 minutes by Peebles, her husband Don Bryant, and DJ Bernie Miller after a rainy night interrupted their plans to attend a concert.
Key Singles & Albums:- Notable Songs: "I'm Gonna Tear Your Playhouse Down," "99 Lbs," "Part Time Love," and "Breaking Up Somebody's Home". Albums: Straight from the Heart (1971), I Can't Stand the Rain (1974), and Tellin' It (1975).
She married Hi Records staff songwriter and artist Don Bryant in 1974. The couple became long-term creative partners. She stepped away from the industry in the late 1970s following the rise of disco and the closure of Hi Records to focus on family. She returned in 1989 with the album Call Me and released roots-soul albums on Rounder Records in the 1990s.
Ann Peebles officially retired from performing after suffering a stroke in 2012. Inducted into the Memphis Music Hall of Fame in 2014, her work has been sampled by modern artists like Missy Elliott (on "The Rain (Supa Dupa Fly)") and the Wu-Tang Clan.
Born in Kinloch, Missouri (near St. Louis), she was the seventh of eleven children. She began singing at age nine in the Peebles Choir, a family gospel group founded by her grandfather and directed by her father, Perry Peebles, a minister. The family choir opened for gospel legends such as Mahalia Jackson and the Soul Stirrers (featuring Sam Cooke).
As a teenager, her father supported her move into R&B, accompanying her to clubs in St. Louis where she performed with bandleader Oliver Sain. In 1968, while visiting Memphis, she asked to sit in with trumpeter Gene "Bowlegs" Miller at the Rosewood club. Impressed, Miller introduced her to producer Willie Mitchell of Hi Records, who signed her immediately.
Backed by the famous Hi Rhythm Section and the Memphis Horns, she became the label's most successful female artist. Her most famous song, "I Can't Stand the Rain" (1973), reached No. 6 on the R&B charts and No. 38 on the Billboard Hot 100. It was famously written in 15 minutes by Peebles, her husband Don Bryant, and DJ Bernie Miller after a rainy night interrupted their plans to attend a concert.
Key Singles & Albums:- Notable Songs: "I'm Gonna Tear Your Playhouse Down," "99 Lbs," "Part Time Love," and "Breaking Up Somebody's Home". Albums: Straight from the Heart (1971), I Can't Stand the Rain (1974), and Tellin' It (1975).
She married Hi Records staff songwriter and artist Don Bryant in 1974. The couple became long-term creative partners. She stepped away from the industry in the late 1970s following the rise of disco and the closure of Hi Records to focus on family. She returned in 1989 with the album Call Me and released roots-soul albums on Rounder Records in the 1990s.
Ann Peebles officially retired from performing after suffering a stroke in 2012. Inducted into the Memphis Music Hall of Fame in 2014, her work has been sampled by modern artists like Missy Elliott (on "The Rain (Supa Dupa Fly)") and the Wu-Tang Clan.
Ann Sexton
Ann Sexton (born Mary Ann Sexton; February 5, 1950 – March 13, 2025) was an American Southern soul singer prominent in the 1970s and a cult favorite on the UK’s Northern soul scene. Born in Greenville, South Carolina, she began singing in church choirs and was the cousin of soul artist Chuck Jackson. She started her secular career with Elijah & The Ebonies before forming Ann Sexton and the Masters of Soul with her husband, saxophonist Melvin Burton.
Songwriter David Lee discovered her in 1971, leading to her debut single, "You're Letting Me Down," on his local Impel label. She released two primary studio albums: Loving You, Loving Me (1973), and The Beginning (1977), which included the R&B hit "I'm His Wife (You're Just a Friend)". Her most successful single, "You're Gonna Miss Me," reached No. 47 on the Billboard R&B chart in 1973. Tracks like "You've Been Gone Too Long" and "You're Losing Me" became massive staples of the British Northern soul dance scene.
Following her recording career, she moved to New York City and worked as a paraprofessional for the Board of Education under her married name, Mary Burton.
Her music gained renewed interest after "You're Losing Me" was featured in the 2003 film 21 Grams. She returned to the stage in 2007 at the Baltic Soul Weekender in Germany and continued to perform at international soul festivals until her passing in March 2025 at the age of 75.
Songwriter David Lee discovered her in 1971, leading to her debut single, "You're Letting Me Down," on his local Impel label. She released two primary studio albums: Loving You, Loving Me (1973), and The Beginning (1977), which included the R&B hit "I'm His Wife (You're Just a Friend)". Her most successful single, "You're Gonna Miss Me," reached No. 47 on the Billboard R&B chart in 1973. Tracks like "You've Been Gone Too Long" and "You're Losing Me" became massive staples of the British Northern soul dance scene.
Following her recording career, she moved to New York City and worked as a paraprofessional for the Board of Education under her married name, Mary Burton.
Her music gained renewed interest after "You're Losing Me" was featured in the 2003 film 21 Grams. She returned to the stage in 2007 at the Baltic Soul Weekender in Germany and continued to perform at international soul festivals until her passing in March 2025 at the age of 75.
Anthony White
Anthony White (born in Philadelphia, Pennsylvania) is an American soul and disco singer best known for his work in the mid-1970s and his high-profile collaborations within the house music scene in the late 1980s.
In 1975, White signed with the legendary Philadelphia International label. He released his debut album, Could It Be Magic, in 1976, which achieved significant popularity in the U.K..
Signature Songs: "Hey Baby": His debut single for Philadelphia International in 1975. "Could It Be Magic": A popular cover of the Barry Manilow class. "Stop and Think It Over": A notable track from his 1976 album. "I Can't Turn You Loose": Recorded for the disco-heavy Salsoul label in 1977. The B-side, "Block Party," became a staple in the New York disco scene.
In 1989, he resurfaced as a featured vocalist for Paul Simpson on a house-inflected cover of David Ruffin's "Walk Away From Love".
His music blended soul with disco, and he was a respected voice in the Philly soul scene, even if his solo career peaked in the 70s and early 80s before his later collaborations. Anthony White left a mark with his distinctive voice and contributions to both soul and disco, particularly his dancefloor hits that remain favorites in nostalgic circles.
In 1975, White signed with the legendary Philadelphia International label. He released his debut album, Could It Be Magic, in 1976, which achieved significant popularity in the U.K..
Signature Songs: "Hey Baby": His debut single for Philadelphia International in 1975. "Could It Be Magic": A popular cover of the Barry Manilow class. "Stop and Think It Over": A notable track from his 1976 album. "I Can't Turn You Loose": Recorded for the disco-heavy Salsoul label in 1977. The B-side, "Block Party," became a staple in the New York disco scene.
In 1989, he resurfaced as a featured vocalist for Paul Simpson on a house-inflected cover of David Ruffin's "Walk Away From Love".
His music blended soul with disco, and he was a respected voice in the Philly soul scene, even if his solo career peaked in the 70s and early 80s before his later collaborations. Anthony White left a mark with his distinctive voice and contributions to both soul and disco, particularly his dancefloor hits that remain favorites in nostalgic circles.
Archie Bell and The Drells<div hidden>Archie Bell & The Drells</div>
Archie Bell & the Drells formed in Houston, Texas, as an influential R&B vocal group in the late 1960s. Led by Archie Bell, born September 1, 1944, in Henderson, Texas, the group achieved massive success with hits produced by Kenneth Gamble and Leon Huff.
Archie Bell started singing young, influenced by Jackie Wilson and Sam Cooke, and formed the group in 1966 (or earlier in junior high per some accounts) with friends James Wise, Willie Parnell, and Billy Butler while at Leo Smith Junior High. They signed with Houston's Ovide label in 1967, recording tracks backed by the T.S.U. Toronadoes.
"Tighten Up," recorded in October 1967, originated from a dance Billy Butler showed Bell to lift his spirits amid a draft notice; it topped R&B and pop charts in 1968 despite Bell's leg injury in a non-combat Army truck accident in Germany. Follow-up "I Can't Stop Dancing" also charted high, leading to their debut album.
Key singles included "There's Gonna Be a Showdown," "Girl You're Too Young" (1969), "Here I Go Again" (UK hit 1972), "The Soul City Walk" (1975, UK #13), "Let's Groove" (#7 R&B), and "Everybody Have a Good Time" (1977). Lineup shifts featured brother Lee Bell replacing Butler as choreographer, plus later members like Reid Farrell; they released albums like Dance Your Troubles Away (1975).
The group disbanded in 1980, but Bell issued a solo album I Never Had It So Good (1981) and reformed the Drells with new musicians into the 1990s-2000s. Houston honored Bell, Lucious Larkins, and James Wise with "Archie Bell and the Drells Day" on April 16, 2013.
Archie Bell started singing young, influenced by Jackie Wilson and Sam Cooke, and formed the group in 1966 (or earlier in junior high per some accounts) with friends James Wise, Willie Parnell, and Billy Butler while at Leo Smith Junior High. They signed with Houston's Ovide label in 1967, recording tracks backed by the T.S.U. Toronadoes.
"Tighten Up," recorded in October 1967, originated from a dance Billy Butler showed Bell to lift his spirits amid a draft notice; it topped R&B and pop charts in 1968 despite Bell's leg injury in a non-combat Army truck accident in Germany. Follow-up "I Can't Stop Dancing" also charted high, leading to their debut album.
Key singles included "There's Gonna Be a Showdown," "Girl You're Too Young" (1969), "Here I Go Again" (UK hit 1972), "The Soul City Walk" (1975, UK #13), "Let's Groove" (#7 R&B), and "Everybody Have a Good Time" (1977). Lineup shifts featured brother Lee Bell replacing Butler as choreographer, plus later members like Reid Farrell; they released albums like Dance Your Troubles Away (1975).
The group disbanded in 1980, but Bell issued a solo album I Never Had It So Good (1981) and reformed the Drells with new musicians into the 1990s-2000s. Houston honored Bell, Lucious Larkins, and James Wise with "Archie Bell and the Drells Day" on April 16, 2013.
Aretha Franklin
Aretha Franklin (1942–2018), widely celebrated as the "Queen of Soul," was an American singer, songwriter, and pianist whose career spanned more than six decades. Born in Memphis, Tennessee, and raised in Detroit, Michigan, she became a global icon and a symbol of the civil rights movement. She was born on March 25, 1942, to Barbara Siggers and Reverend C.L. Franklin, a prominent Baptist minister with a "million-dollar voice". Franklin was largely self-taught on the piano and began singing solos at her father's New Bethel Baptist Church.
She recorded her first album, Songs of Faith, at age 14. During this time, she faced early hardships, including the death of her mother when she was 10 and becoming a mother herself at ages 12 and 15. Franklin signed with Columbia at age 18 but struggled to find her commercial niche as the label focused on jazz and standards. Her career skyrocketed after signing with Atlantic Records. Her first major hit there, "Respect," became a definitive anthem for the civil rights and feminist movements.
After a period of declining sales in the late '70s, she had a major comeback in the 1980s, revitalizing her career by transitioning from her classic soul roots to a modern pop and dance sound. She signed with Arista Records in 1980, initiating a decade of chart-topping success and historic accolades. She made a memorable appearance in the 1980 film The Blues Brothers, performing "Think," which helped reintroduce her to a younger generation.
Her Jump to It album (1982), produced by Luther Vandross, became gold-certified and brought her back to the top of the R&B charts. Who's Zoomin' Who (1985) became her first platinum-certified album, featuring hits like "Freeway of Love" and the title track. A duet with George Michael "I Knew You Were Waiting (for Me)" (1987) reached #1 on the Billboard Hot 100, exactly 20 years after "Respect".
Notable Collaborations: During this era, she collaborated with diverse artists including Annie Lennox ("Sisters Are Doin' It for Themselves"), Keith Richards ("Jumpin' Jack Flash"), and James Brown.
She was the first woman inducted into the Rock and Roll Hall of Fame (1987). Over her career, she won 18 Grammy Awards, received a Grammy Lifetime Achievement Award, and was a Kennedy Center Honoree. She received the Presidential Medal of Freedom in 2005 and performed at the inaugurations of Presidents Jimmy Carter, Bill Clinton, and Barack Obama. Rolling Stone twice named her the greatest singer of all time. Her voice was designated a "natural resource" by the state of Michigan.
Aretha Franklin died of pancreatic cancer at the age of 76 on August 16, 2018, in her home in Detroit. She was posthumously awarded a special citation from the Pulitzer Prize in 2019 for her contributions to American culture. She is remembered as an unparalleled musical talent and a powerful force for social change, influencing generations of artists and activists.
She recorded her first album, Songs of Faith, at age 14. During this time, she faced early hardships, including the death of her mother when she was 10 and becoming a mother herself at ages 12 and 15. Franklin signed with Columbia at age 18 but struggled to find her commercial niche as the label focused on jazz and standards. Her career skyrocketed after signing with Atlantic Records. Her first major hit there, "Respect," became a definitive anthem for the civil rights and feminist movements.
After a period of declining sales in the late '70s, she had a major comeback in the 1980s, revitalizing her career by transitioning from her classic soul roots to a modern pop and dance sound. She signed with Arista Records in 1980, initiating a decade of chart-topping success and historic accolades. She made a memorable appearance in the 1980 film The Blues Brothers, performing "Think," which helped reintroduce her to a younger generation.
Her Jump to It album (1982), produced by Luther Vandross, became gold-certified and brought her back to the top of the R&B charts. Who's Zoomin' Who (1985) became her first platinum-certified album, featuring hits like "Freeway of Love" and the title track. A duet with George Michael "I Knew You Were Waiting (for Me)" (1987) reached #1 on the Billboard Hot 100, exactly 20 years after "Respect".
Notable Collaborations: During this era, she collaborated with diverse artists including Annie Lennox ("Sisters Are Doin' It for Themselves"), Keith Richards ("Jumpin' Jack Flash"), and James Brown.
She was the first woman inducted into the Rock and Roll Hall of Fame (1987). Over her career, she won 18 Grammy Awards, received a Grammy Lifetime Achievement Award, and was a Kennedy Center Honoree. She received the Presidential Medal of Freedom in 2005 and performed at the inaugurations of Presidents Jimmy Carter, Bill Clinton, and Barack Obama. Rolling Stone twice named her the greatest singer of all time. Her voice was designated a "natural resource" by the state of Michigan.
Aretha Franklin died of pancreatic cancer at the age of 76 on August 16, 2018, in her home in Detroit. She was posthumously awarded a special citation from the Pulitzer Prize in 2019 for her contributions to American culture. She is remembered as an unparalleled musical talent and a powerful force for social change, influencing generations of artists and activists.
Art N’ Soul<div hidden>Art N Soul Art N Soul</div>
Art n' Soul was a mid-90s R&B trio from Oakland, California, featuring Sam "Tracy" Bostic (vocals/bass), Rodney Lattrel Evans (keyboards), and Dion Riley (drums), known for their soulful sound on their 1996 debut album Touch of Soul, which produced the R&B hit "Ever Since You Went Away" before the group disbanded around 1999, leaving a legacy of smooth, emotive music.
The group formed in the late 1980s, clicking instantly and writing music inspired by artists like Stevie Wonder and The Jackson 5. Their sound blended street vibes with polished musicality, focusing on emotion over bravado, notes Hip Online.
Key Members" Sam "Tracy" Bostic: Lead vocals and bass, also a producer for other artists before forming the group. Rodney Lattrel Evans: Keyboards. Dion Riley: Drums.
Their debut Album Touch of Soul was released in 1996 on Big Beat/Atlantic Records, the album was co-produced by Timothy Christian Riley of Tony! Toni! Toné!. It reached #36 on the R&B Albums chart, featuring singles "Ever Since You Went Away" (a #19 R&B hit) and "All My Luv".
Despite limited mainstream chart success, they left a mark in the R&B scene with their soulful melodies.
The group formed in the late 1980s, clicking instantly and writing music inspired by artists like Stevie Wonder and The Jackson 5. Their sound blended street vibes with polished musicality, focusing on emotion over bravado, notes Hip Online.
Key Members" Sam "Tracy" Bostic: Lead vocals and bass, also a producer for other artists before forming the group. Rodney Lattrel Evans: Keyboards. Dion Riley: Drums.
Their debut Album Touch of Soul was released in 1996 on Big Beat/Atlantic Records, the album was co-produced by Timothy Christian Riley of Tony! Toni! Toné!. It reached #36 on the R&B Albums chart, featuring singles "Ever Since You Went Away" (a #19 R&B hit) and "All My Luv".
Despite limited mainstream chart success, they left a mark in the R&B scene with their soulful melodies.
Arthur Conley
Arthur Conley (1946-2003) was an American soul singer, mentored by Otis Redding, famous for his 1967 signature hit, "Sweet Soul Music," a celebration of soul artists, and for hits like "Funky Street". Starting in gospel and R&B groups, he was discovered by Redding, signed to his Jotis label, and achieved peak fame with Atlantic Records before moving to Europe in the 1970s, where he lived under the name Lee Roberts and continued performing until his death from intestinal cancer in the Netherlands.
Born Arthur Lee Conley in McIntosh, Georgia, in 1946, he grew up in Atlanta. At 12, he joined gospel group The Evening Smiles. By 1963, he fronted the R&B group Arthur & the Corvets, releasing singles like "Poor Girl". In 1964, his solo single "I'm a Lonely Stranger" caught the attention of Otis Redding. Redding produced Conley's re-recording at Stax Studios for his Jotis label, leading to greater exposure.
In 1967, Conley released "Sweet Soul Music," co-written with Redding, a major hit in the U.S. and abroad, selling over a million copies. He had other hits like "Shake, Rattle and Roll" and "Funky Street". Redding's tragic death deeply affected Conley, inspiring his tribute "Otis Sleep On".
Facing industry changes, Conley moved to Europe in the mid-1970s, eventually settling in the Netherlands. He legally changed his name to Lee Roberts in 1980 and performed under that name, recording albums like Soulin'. He ran Art-Con Productions and promoted local acts before passing away in Ruurlo, Netherlands, in 2003.
Conley is remembered as a gifted soul singer whose unique voice captured the era's spirit, particularly in "Sweet Soul Music," a classic homage to soul music's greats.
Born Arthur Lee Conley in McIntosh, Georgia, in 1946, he grew up in Atlanta. At 12, he joined gospel group The Evening Smiles. By 1963, he fronted the R&B group Arthur & the Corvets, releasing singles like "Poor Girl". In 1964, his solo single "I'm a Lonely Stranger" caught the attention of Otis Redding. Redding produced Conley's re-recording at Stax Studios for his Jotis label, leading to greater exposure.
In 1967, Conley released "Sweet Soul Music," co-written with Redding, a major hit in the U.S. and abroad, selling over a million copies. He had other hits like "Shake, Rattle and Roll" and "Funky Street". Redding's tragic death deeply affected Conley, inspiring his tribute "Otis Sleep On".
Facing industry changes, Conley moved to Europe in the mid-1970s, eventually settling in the Netherlands. He legally changed his name to Lee Roberts in 1980 and performed under that name, recording albums like Soulin'. He ran Art-Con Productions and promoted local acts before passing away in Ruurlo, Netherlands, in 2003.
Conley is remembered as a gifted soul singer whose unique voice captured the era's spirit, particularly in "Sweet Soul Music," a classic homage to soul music's greats.
Arthur Prysock
Arthur Prysock (1924/1929–1997) was an American jazz and R&B singer renowned for his deep, velvety baritone voice, which often drew comparisons to Billy Eckstine. Over a career spanning five decades, he transitioned from a big-band vocalist to a solo crooner, later finding fame through television commercials.
Born in Spartanburg, South Carolina, on either January 1 or 2, in either 1924 or 1929. In 1944, he was discovered by bandleader Buddy Johnson in Hartford, Connecticut, where he had been working in the aircraft industry. He served as Johnson’s main male vocalist from 1944 to 1952, recording hits like "They All Say I’m the Biggest Fool" and "Jet My Love". Prysock launched his solo career in 1952 with Decca Records, scoring an immediate R&B hit with "I Didn’t Sleep a Wink Last Night".
Throughout the 1960s, he recorded for Old Town Records, where he established himself as a premier romantic balladeer with tracks such as "The Very Thought of You" (1960) and "It’s Too Late Baby, It’s Too Late" (1965). In 1965, he collaborated with the Count Basie Orchestra for a high-profile album on Verve Records.
Although primarily a jazz and R&B artist, his discography of approximately 50 albums also included easy listening, blues, and even country recordings. He frequently performed and recorded with his brother, famed tenor saxophonist Wilbert "Red" Prysock.
Prysock achieved broad pop-culture recognition in the late 1970s for his deep-voiced narration and singing in the Lowenbrau beer commercials, featuring the tagline, "Tonight, let it be Lowenbrau".
In 1976, he scored a surprise Top Ten R&B hit with the disco track "When Love Is New," reportedly inspired by his daughter's interest in the genre. He received two Grammy Award nominations late in his career: Best Jazz Vocal Performance for "Teach Me Tonight" (1987) and "This Guy's in Love with You" (1988).
In his final years, he retired to Bermuda. He died on June 21, 1997 (some sources cite June 7 or 14), at King Edward Memorial Hospital in Hamilton, Bermuda, following a brain aneurysm. In 1995, he received a Pioneer Award from the Rhythm and Blues Foundation for his lasting contributions to the genre.
Born in Spartanburg, South Carolina, on either January 1 or 2, in either 1924 or 1929. In 1944, he was discovered by bandleader Buddy Johnson in Hartford, Connecticut, where he had been working in the aircraft industry. He served as Johnson’s main male vocalist from 1944 to 1952, recording hits like "They All Say I’m the Biggest Fool" and "Jet My Love". Prysock launched his solo career in 1952 with Decca Records, scoring an immediate R&B hit with "I Didn’t Sleep a Wink Last Night".
Throughout the 1960s, he recorded for Old Town Records, where he established himself as a premier romantic balladeer with tracks such as "The Very Thought of You" (1960) and "It’s Too Late Baby, It’s Too Late" (1965). In 1965, he collaborated with the Count Basie Orchestra for a high-profile album on Verve Records.
Although primarily a jazz and R&B artist, his discography of approximately 50 albums also included easy listening, blues, and even country recordings. He frequently performed and recorded with his brother, famed tenor saxophonist Wilbert "Red" Prysock.
Prysock achieved broad pop-culture recognition in the late 1970s for his deep-voiced narration and singing in the Lowenbrau beer commercials, featuring the tagline, "Tonight, let it be Lowenbrau".
In 1976, he scored a surprise Top Ten R&B hit with the disco track "When Love Is New," reportedly inspired by his daughter's interest in the genre. He received two Grammy Award nominations late in his career: Best Jazz Vocal Performance for "Teach Me Tonight" (1987) and "This Guy's in Love with You" (1988).
In his final years, he retired to Bermuda. He died on June 21, 1997 (some sources cite June 7 or 14), at King Edward Memorial Hospital in Hamilton, Bermuda, following a brain aneurysm. In 1995, he received a Pioneer Award from the Rhythm and Blues Foundation for his lasting contributions to the genre.
Ashanti
Ashanti Shequoiya Douglas (born 1980) is a Grammy-winning American singer, songwriter, and actress who shot to fame in the early 2000s with her self-titled debut album and hit singles like "Foolish," making her the first female artist to top the Billboard Hot 100 with her debut single and two features simultaneously. Discovered by Irv Gotti of Murder Inc. Records, she became the "Princess of Hip Hop & R&B," blending soulful vocals with hip-hop, and later expanded into acting in films like Coach Carter and Resident Evil: Extinction.
Born October 13, 1980, in Glen Cove, New York, named after the Ashanti Empire in Ghana, her mother was a dancer and father a singer; she started singing in church and local talent shows.
In 2001 Irv Gotti signed her to Murder Inc. Records, where she wrote hooks for artists and featured on hits like "What's Luv?" (Fat Joe) and "Always on Time" (Ja Rule) before her solo debut.
Her debut album Ashanti (2002) went #1, won a Grammy for Best Contemporary R&B Album, and featured hits "Foolish," "Happy," and "Baby". In 2002, "Foolish," "What's Luv?", and "Always on Time" had her holding the top two spots on the Billboard Hot 100. She followed up with successful albums like Chapter II (2003) and Concrete Rose (2004).
Acting & Other Ventures: Film Debut: Coach Carter (2005). Other Roles: The Muppets' Wizard of Oz, John Tucker Must Die, Resident Evil: Extinction. Author: Released the children's book "My Name Is a Story".
Known for her distinctive voice and contributions to 2000s R&B, she has sold millions of records and earned numerous awards, including a Hollywood Walk of Fame star.
Born October 13, 1980, in Glen Cove, New York, named after the Ashanti Empire in Ghana, her mother was a dancer and father a singer; she started singing in church and local talent shows.
In 2001 Irv Gotti signed her to Murder Inc. Records, where she wrote hooks for artists and featured on hits like "What's Luv?" (Fat Joe) and "Always on Time" (Ja Rule) before her solo debut.
Her debut album Ashanti (2002) went #1, won a Grammy for Best Contemporary R&B Album, and featured hits "Foolish," "Happy," and "Baby". In 2002, "Foolish," "What's Luv?", and "Always on Time" had her holding the top two spots on the Billboard Hot 100. She followed up with successful albums like Chapter II (2003) and Concrete Rose (2004).
Acting & Other Ventures: Film Debut: Coach Carter (2005). Other Roles: The Muppets' Wizard of Oz, John Tucker Must Die, Resident Evil: Extinction. Author: Released the children's book "My Name Is a Story".
Known for her distinctive voice and contributions to 2000s R&B, she has sold millions of records and earned numerous awards, including a Hollywood Walk of Fame star.
Ashford and Simpson
Ashford & Simpson were a prominent American duo known for their contributions to soul music, significantly shaping the R&B genre. They were a husband-and-wife team, Nickolas Ashford and Valerie Simpson, who not only performed but also wrote and produced numerous hit songs during their career.
Their music is characterized by rich harmonies and a blend of various influences, which helped define the sound of soul in the 1970s and 1980s. One of their most notable works is the song "Solid," released in 1984, which became a defining track for them and showcased their ability to create infectious rhythms and catchy melodies that resonated with audiences.
Over the years, Ashford & Simpson produced a plethora of hits, including "It Seems to Hang On" and "Is It Still Good to Ya," solidifying their status as icons in the R&B and soul music landscape. Their legacy continues to influence contemporary artists in the genre.
Their music is characterized by rich harmonies and a blend of various influences, which helped define the sound of soul in the 1970s and 1980s. One of their most notable works is the song "Solid," released in 1984, which became a defining track for them and showcased their ability to create infectious rhythms and catchy melodies that resonated with audiences.
Over the years, Ashford & Simpson produced a plethora of hits, including "It Seems to Hang On" and "Is It Still Good to Ya," solidifying their status as icons in the R&B and soul music landscape. Their legacy continues to influence contemporary artists in the genre.
Atlantic Starr
Atlantic Starr is an American R&B band formed in 1976 in White Plains, New York. The group is noted for its significant contributions to the soul music genre during the 1980s and early 1990s, achieving both commercial success and critical acclaim.
The band was initially established by brothers David and Wayne Lewis, alongside other original members. They were known for their blend of R&B, soul, and pop, which ultimately led them to become prominent figures in the urban contemporary music scene. Throughout the late 1970s, Atlantic Starr began to develop their unique sound, combining soothing melodies with heartfelt lyrics.
Atlantic Starr achieved major commercial success in the 1980s with a series of hits that resonated with audiences. Some of their most memorable songs include "Always," "Secret Lovers," "Circles," and "Silver Shadow," which have remained popular across generations. The band was particularly successful in the adult contemporary market, allowing them to reach a broader audience beyond traditional R&B listeners.
The band's music is characterized by its rich harmonies and smooth arrangements, often associated with the Quiet Storm genre, a sub-style of R&B that emphasizes romantic themes and mellow sounds. Atlantic Starr's impact on the music industry is marked by their ability to weave emotional storytelling into their songs, making them relatable and enduring.
Despite being considered underrated compared to some of their contemporaries, Atlantic Starr's contributions to music have left a lasting legacy. Their ability to create timeless ballads and up-tempo tracks has solidified their place in the history of R&B. The band continues to be celebrated for its influence on later generations of artists and for its role in shaping the sound of urban contemporary music during its peak years.
As of now, Atlantic Starr remains active, having evolved over the decades while still retaining their core musical identity. The members continue to perform and release music, reaching out to both long-time fans and new listeners alike.
In summary, Atlantic Starr is a pivotal band in the R&B landscape, with a rich history of hits that showcase their talent and artistry, making them a notable force in the music industry.
The band was initially established by brothers David and Wayne Lewis, alongside other original members. They were known for their blend of R&B, soul, and pop, which ultimately led them to become prominent figures in the urban contemporary music scene. Throughout the late 1970s, Atlantic Starr began to develop their unique sound, combining soothing melodies with heartfelt lyrics.
Atlantic Starr achieved major commercial success in the 1980s with a series of hits that resonated with audiences. Some of their most memorable songs include "Always," "Secret Lovers," "Circles," and "Silver Shadow," which have remained popular across generations. The band was particularly successful in the adult contemporary market, allowing them to reach a broader audience beyond traditional R&B listeners.
The band's music is characterized by its rich harmonies and smooth arrangements, often associated with the Quiet Storm genre, a sub-style of R&B that emphasizes romantic themes and mellow sounds. Atlantic Starr's impact on the music industry is marked by their ability to weave emotional storytelling into their songs, making them relatable and enduring.
Despite being considered underrated compared to some of their contemporaries, Atlantic Starr's contributions to music have left a lasting legacy. Their ability to create timeless ballads and up-tempo tracks has solidified their place in the history of R&B. The band continues to be celebrated for its influence on later generations of artists and for its role in shaping the sound of urban contemporary music during its peak years.
As of now, Atlantic Starr remains active, having evolved over the decades while still retaining their core musical identity. The members continue to perform and release music, reaching out to both long-time fans and new listeners alike.
In summary, Atlantic Starr is a pivotal band in the R&B landscape, with a rich history of hits that showcase their talent and artistry, making them a notable force in the music industry.
Aurra
Aurra was an American funk and soul duo/group active primarily in the late 1970s and 1980s, best known for their electro-funk and boogie hits on Salsoul Records. They emerged as a spin-off from the Ohio funk band Slave, blending deep grooves with soulful vocals.
Formed in 1979 by Steve Washington (bass/guitar/drums, often called the "Fearless Leader"), Aurra initially featured ex-Slave members Curt Jones (guitar/vocals), Starleana Young (vocals/percussion), and Thomas Lockett (saxophone/percussion). The debut lineup also included Charles Carter (keyboards/flute) and Buddy Hankerson. They signed first with Dream Records before moving to Salsoul.
At their peak, the core was Curt Jones and Starleana Young, with Philip Field (keyboards/synthesizers) joining later from Mtume. Other contributors included Steve Arrington. The group expanded to up to a dozen members at times, drawing from Slave's touring crew.
Aurra released several albums, including their 1982 self-titled debut with hits like "Make Up Your Mind." Tracks such as "Checking You Out" and "Baby Love" (later) became club favorites. They faded by the mid-1980s but influenced electro-boogie scenes.
Inducted into the Funk Music Hall of Fame, Aurra's sound bridged funk to early house/electronic styles. Jones and Young remained central to their identity.
Formed in 1979 by Steve Washington (bass/guitar/drums, often called the "Fearless Leader"), Aurra initially featured ex-Slave members Curt Jones (guitar/vocals), Starleana Young (vocals/percussion), and Thomas Lockett (saxophone/percussion). The debut lineup also included Charles Carter (keyboards/flute) and Buddy Hankerson. They signed first with Dream Records before moving to Salsoul.
At their peak, the core was Curt Jones and Starleana Young, with Philip Field (keyboards/synthesizers) joining later from Mtume. Other contributors included Steve Arrington. The group expanded to up to a dozen members at times, drawing from Slave's touring crew.
Aurra released several albums, including their 1982 self-titled debut with hits like "Make Up Your Mind." Tracks such as "Checking You Out" and "Baby Love" (later) became club favorites. They faded by the mid-1980s but influenced electro-boogie scenes.
Inducted into the Funk Music Hall of Fame, Aurra's sound bridged funk to early house/electronic styles. Jones and Young remained central to their identity.
Average White Band and Ben E. King
Average White Band and Ben E. King collaborated on a notable album titled "Bennie And Us," which was released in 1977. This album features a collection of songs that showcase the unique blend of the Average White Band's funk and soul style with King's renowned vocal talent. Among the tracks included in this project is the single "Get It Up for Love," which was also released during that time .
The collaboration highlights both artists' efforts to merge their musical influences, and it has been appreciated by fans for its energetic sound and heartfelt lyrics . The partnership between Average White Band and Ben E. King is recognized as a significant contribution to the R&B and soul music scene of the late 1970s.
Overall, "Bennie And Us" represents an important moment in music history, capturing the synergy between these two influential acts. Information is missing on their individual discographies and later collaborations.
The collaboration highlights both artists' efforts to merge their musical influences, and it has been appreciated by fans for its energetic sound and heartfelt lyrics . The partnership between Average White Band and Ben E. King is recognized as a significant contribution to the R&B and soul music scene of the late 1970s.
Overall, "Bennie And Us" represents an important moment in music history, capturing the synergy between these two influential acts. Information is missing on their individual discographies and later collaborations.
B.B. King
B.B. King, born Riley B. King on September 16, 1925, was an iconic American blues guitarist, singer, songwriter, and record producer who passed away on May 14, 2015. He is honored as "The King of the Blues," reflecting his profound influence on the genre and his status as a pivotal figure in the development of blues music.
Throughout his career, B.B. King was celebrated for his exceptional skills as an electric guitarist and was a central figure who shaped the sound of modern blues. His innovation and style have left a lasting legacy in the music world, marking him as one of the most important musicians of the last half-century.
His life and career are commemorated in various ways, including the B.B. King Museum and Delta Interpretive Center, which provides insights into his life, career, and the rich history of the Delta music scene.
Throughout his career, B.B. King was celebrated for his exceptional skills as an electric guitarist and was a central figure who shaped the sound of modern blues. His innovation and style have left a lasting legacy in the music world, marking him as one of the most important musicians of the last half-century.
His life and career are commemorated in various ways, including the B.B. King Museum and Delta Interpretive Center, which provides insights into his life, career, and the rich history of the Delta music scene.
B.T. Express<div hidden>BT Express</div>
B.T. Express was an influential American funk and disco group formed in Brooklyn, New York, in the early 1970s. Originally known as The King Davis House Rockers, they changed their name to B.T. Express and gained significant popularity with notable hits during the disco era. The group was established by Jeff Lane and is widely recognized for songs such as "Do It (Til You're Satisfied)" and "Express," which contributed to their success and enduring legacy in the music industry during the 1970s and into the early 1980s.
Their music is characterized by a vibrant disco sound infused with elements of funk, and they were active primarily from the 1970s to the 1980s. B.T. Express's work remains a popular choice for fans of disco and funk music, with collections such as their "Greatest Hits" available for listening on platforms like Amazon.
Their music is characterized by a vibrant disco sound infused with elements of funk, and they were active primarily from the 1970s to the 1980s. B.T. Express's work remains a popular choice for fans of disco and funk music, with collections such as their "Greatest Hits" available for listening on platforms like Amazon.
BT Express
Baby Washington
Baby Washington, born Justine Washington on October 13, 1940, in Bamberg, South Carolina, is an influential American soul music vocalist with a prominent career spanning several decades. She is best known for her significant contributions to the Rhythm and Blues genre, having achieved 16 entries on the Billboard R&B charts over a remarkable 15-year period, primarily in the 1960s.
One of her most notable songs is the 1963 hit "That's How Heartaches Are Made," which remains a classic in the soul music repertoire. Washington's work encompasses a variety of styles, including R&B, soul, and pop/rock, and she is recognized for her powerful vocal performances associated with the 'girl group' sound.
As of now, Baby Washington is 85 years old and continues to be celebrated for her legacy in American music.
One of her most notable songs is the 1963 hit "That's How Heartaches Are Made," which remains a classic in the soul music repertoire. Washington's work encompasses a variety of styles, including R&B, soul, and pop/rock, and she is recognized for her powerful vocal performances associated with the 'girl group' sound.
As of now, Baby Washington is 85 years old and continues to be celebrated for her legacy in American music.
Babyface
Babyface, whose real name is Marcellus Rayvon Register, is an American R&B singer known for his contributions to the Detroit hip-hop scene, particularly gaining prominence in the 2020s. He has garnered a substantial following, with over 1 million followers on social media platforms and a significant number of views on his music videos, indicating his popularity and impact in the industry.
His music often features a blend of personal themes and street experiences, which resonates with many listeners. Notable tracks include "Codeine Cowboy" and collaborations such as "Ron Artest" with 42 Dugg, highlighting his versatility and connection with other artists.
Moreover, Babyface is recognized for his lyrical skills and sound production, often compared favorably to other artists, albeit within a unique style that reflects his individual experiences and cultural background.
For more information on his music and latest releases, platforms like Amazon provide access to his top songs and albums.
His music often features a blend of personal themes and street experiences, which resonates with many listeners. Notable tracks include "Codeine Cowboy" and collaborations such as "Ron Artest" with 42 Dugg, highlighting his versatility and connection with other artists.
Moreover, Babyface is recognized for his lyrical skills and sound production, often compared favorably to other artists, albeit within a unique style that reflects his individual experiences and cultural background.
For more information on his music and latest releases, platforms like Amazon provide access to his top songs and albums.
Banks and Hampton
Banks & Hampton were a notable American soul and R&B music duo active during the 1970s. The group consisted of musicians Homer Banks and Carl Hampton, both of whom were influential figures in the music industry, particularly in the realm of soul music. They gained initial recognition for their songwriting at Stax Records, where they crafted several successful songs before moving on to a publishing deal with A&M Records after the label's closure.
The duo is perhaps best known for their captivating sound characterized by soulful melodies and heartfelt lyrics. One of their prominent works includes the album "Passport to Ecstasy," recorded in 1977 under Warner Bros. Records. Their performances and recordings, such as "Passion and Promises," have been well-received, reflecting their artistic talent and the era's musical style.
Banks & Hampton's contributions to the music landscape during the 1970s left a lasting impact, influencing future generations of artists within the soul and R&B genres. Their ability to blend smooth vocal harmonies with engaging instrumentals has kept their music relevant, and they continue to be celebrated among fans of classic soul music.
For those interested in exploring more of their music, platforms like Apple Music and Spotify offer a selection of their songs and albums.
Overall, Banks & Hampton's legacy in the soul and R&B music scene remains significant, showcasing their creative partnership and impact during a vibrant musical period.
The duo is perhaps best known for their captivating sound characterized by soulful melodies and heartfelt lyrics. One of their prominent works includes the album "Passport to Ecstasy," recorded in 1977 under Warner Bros. Records. Their performances and recordings, such as "Passion and Promises," have been well-received, reflecting their artistic talent and the era's musical style.
Banks & Hampton's contributions to the music landscape during the 1970s left a lasting impact, influencing future generations of artists within the soul and R&B genres. Their ability to blend smooth vocal harmonies with engaging instrumentals has kept their music relevant, and they continue to be celebrated among fans of classic soul music.
For those interested in exploring more of their music, platforms like Apple Music and Spotify offer a selection of their songs and albums.
Overall, Banks & Hampton's legacy in the soul and R&B music scene remains significant, showcasing their creative partnership and impact during a vibrant musical period.
Barbara Acklin
Barbara Acklin was an American soul singer and songwriter, born on February 28, 1943, in Chicago, Illinois. She rose to prominence during the 1960s and 1970s, characterized by her smooth and emotive vocal style. Acklin is best known for her hit single "Love Makes a Woman," which became a significant success in 1968, solidifying her place in the music industry.
In addition to her singing career, Acklin was a talented songwriter and contributed to various musical projects, frequently collaborating with notable artists and producers. Her work has been compared to that of other prominent vocalists of the era, such as Dionne Warwick and Brenda Holloway . Acklin's influence extended beyond her chart-topping hits, as she was recognized for her contributions to the Chicago soul music scene.
Barbara Acklin passed away on November 27, 1998, but her legacy continues through her memorable songs and the impact she had on soul and R&B music.
In addition to her singing career, Acklin was a talented songwriter and contributed to various musical projects, frequently collaborating with notable artists and producers. Her work has been compared to that of other prominent vocalists of the era, such as Dionne Warwick and Brenda Holloway . Acklin's influence extended beyond her chart-topping hits, as she was recognized for her contributions to the Chicago soul music scene.
Barbara Acklin passed away on November 27, 1998, but her legacy continues through her memorable songs and the impact she had on soul and R&B music.
Barbara Howard
Barbara Howard (1950–2018) was a Cincinnati-born soul and gospel singer who gained regional fame in the late 1960s before her music was rediscovered by collectors decades later.
Howard was 18 years old when she was discovered by Steven Reece at a talent show hosted by Redd Fo.xx Reece, then a Xavier University student, was organizing "Operation Step-Up," a talent search aimed at healing the Cincinnati community following the 1968 riots.
Reece became her manager and producer; they married roughly a year later and remained together for 38 years until her death.
Her sound is recognized for blending gospel roots with traditional rhythm and blues.
She opened for Stevie Wonder at the Ohio Valley Kool Jazz Festival and appeared on national television programs, including The Mike Douglas Show and Upbeat.
Her most notable work is her debut album, "On the Rise" (originally released around 1969/1970). It featured covers of soul classics and popular tracks such as: "Light My Fire," "You've Made Me So Very Happy," "Welcome Home," and "Oh Me, Oh My, I’m a Fool for You Baby."
"On the Rise" was originally produced in a limited run (reportedly 500 copies) and failed to gain national traction at the time. However, the album became a "holy grail" for rare soul and funk collectors.
In 2016, a sealed copy found its way to Plaid Room Records in Ohio, leading to a reissue of her work by Colemine Records and a resurgence of interest in her career.
For her contributions to the city's musical heritage, she is featured in the Cincinnati Black Music Walk of Fame.
She and Steven Reece had three children, including former Ohio State Representative Alicia Reece. She passed away on December 24, 2018, at the age of 68.
Howard was 18 years old when she was discovered by Steven Reece at a talent show hosted by Redd Fo.xx Reece, then a Xavier University student, was organizing "Operation Step-Up," a talent search aimed at healing the Cincinnati community following the 1968 riots.
Reece became her manager and producer; they married roughly a year later and remained together for 38 years until her death.
Her sound is recognized for blending gospel roots with traditional rhythm and blues.
She opened for Stevie Wonder at the Ohio Valley Kool Jazz Festival and appeared on national television programs, including The Mike Douglas Show and Upbeat.
Her most notable work is her debut album, "On the Rise" (originally released around 1969/1970). It featured covers of soul classics and popular tracks such as: "Light My Fire," "You've Made Me So Very Happy," "Welcome Home," and "Oh Me, Oh My, I’m a Fool for You Baby."
"On the Rise" was originally produced in a limited run (reportedly 500 copies) and failed to gain national traction at the time. However, the album became a "holy grail" for rare soul and funk collectors.
In 2016, a sealed copy found its way to Plaid Room Records in Ohio, leading to a reissue of her work by Colemine Records and a resurgence of interest in her career.
For her contributions to the city's musical heritage, she is featured in the Cincinnati Black Music Walk of Fame.
She and Steven Reece had three children, including former Ohio State Representative Alicia Reece. She passed away on December 24, 2018, at the age of 68.
Barbara Jean English
American soul and disco singer, Barbara Jean English (born August 22, 1946), is known for her lushly produced sensual ballads and contributions to the Northern Soul and Hi-NRG scenes
English began her career in New Jersey as a member of several vocal groups, including The Avalons, The Gospelettes, The Ding Dongs, and The Rinky Dinks. She gained prominence as the lead singer of the popular New Jersey girl group The Clickettes in the late 1950s and 1960s, recording numerous pop-soul tracks. In the early 1960s, she recorded briefly as Barbara English and The Fashions.
She officially went solo in 1964 and released five singles under the name Barbara English for various labels, including Warner Bros. and Reprise. English returned to the spotlight in the 1970s, releasing two acclaimed albums of "lushly produced soul" with a focus on sensual ballads on producer George Kerr’s Althia label.
In the late 1970s, she transitioned into the disco and Hi-NRG scenes, establishing herself as a dance music diva. Her song "I'm Living A Lie" became a staple of Northern Soul compilations. Other career highlights include covers of "Don't Make Me Over" and "Love Story".
After a hiatus, she re-teamed with The Clickettes in the 1990s to tour the oldies circuit. She appeared as a guest on Soul Train in 1973 and was featured in the 2020 documentary Streetlight Harmonies, which explores the history of doo-wop and vocal harmony.
Her work is still celebrated within the soul and dance music communities for its vocal power and sophisticated production.
English began her career in New Jersey as a member of several vocal groups, including The Avalons, The Gospelettes, The Ding Dongs, and The Rinky Dinks. She gained prominence as the lead singer of the popular New Jersey girl group The Clickettes in the late 1950s and 1960s, recording numerous pop-soul tracks. In the early 1960s, she recorded briefly as Barbara English and The Fashions.
She officially went solo in 1964 and released five singles under the name Barbara English for various labels, including Warner Bros. and Reprise. English returned to the spotlight in the 1970s, releasing two acclaimed albums of "lushly produced soul" with a focus on sensual ballads on producer George Kerr’s Althia label.
In the late 1970s, she transitioned into the disco and Hi-NRG scenes, establishing herself as a dance music diva. Her song "I'm Living A Lie" became a staple of Northern Soul compilations. Other career highlights include covers of "Don't Make Me Over" and "Love Story".
After a hiatus, she re-teamed with The Clickettes in the 1990s to tour the oldies circuit. She appeared as a guest on Soul Train in 1973 and was featured in the 2020 documentary Streetlight Harmonies, which explores the history of doo-wop and vocal harmony.
Her work is still celebrated within the soul and dance music communities for its vocal power and sophisticated production.
Barbara Lewis
Barbara Lewis is an acclaimed American singer and songwriter, born on February 9, 1943, in Salem, Michigan. She is well-known for her smooth style and significant influence on rhythm and blues music. Lewis began writing songs at a young age and became the first artist from Michigan to record for Atlantic Records, which marked an important milestone in her career.
Her most famous hit, "Hello Stranger," released in 1963, showcases her emotive vocal style and reached number three on the charts. This self-penned track highlights her talent as both a performer and songwriter, and it remains a classic in the pop-soul genre. Throughout the 1960s, Lewis recorded several other successful R&B hits, solidifying her status as a prominent figure in the music industry.
Her most famous hit, "Hello Stranger," released in 1963, showcases her emotive vocal style and reached number three on the charts. This self-penned track highlights her talent as both a performer and songwriter, and it remains a classic in the pop-soul genre. Throughout the 1960s, Lewis recorded several other successful R&B hits, solidifying her status as a prominent figure in the music industry.
Barbara Lynn
Barbara Lynn is an acclaimed American rhythm and blues and electric blues guitarist, singer, and songwriter, born on January 16, 1942, in Beaumont, Texas. She is particularly known for her significant contributions to the R&B genre, including her chart-topping hit "You'll Lose a Good Thing," which peaked in 1962.
Lynn began her musical journey by playing the piano as a child, but she transitioned to guitar after being inspired by Elvis Presley.
Her passion for music led her to become a prominent figure in the entertainment industry, where she has built a reputation as a talented artist.
Barbara Lynn's music encompasses various genres, with a notable emphasis on soul, Southern soul, and rhythm and blues.
Over the years, she has achieved multiple hits on the R&B charts and remains a respected artist in her field.
Lynn began her musical journey by playing the piano as a child, but she transitioned to guitar after being inspired by Elvis Presley.
Her passion for music led her to become a prominent figure in the entertainment industry, where she has built a reputation as a talented artist.
Barbara Lynn's music encompasses various genres, with a notable emphasis on soul, Southern soul, and rhythm and blues.
Over the years, she has achieved multiple hits on the R&B charts and remains a respected artist in her field.
Barbara Mason
Barbara Mason is an American soul singer who gained prominence in the 1960s and 1970s. She is especially known for her self-written hit song "Yes, I'm Ready," which was released in 1965 and became a major success, reaching the Top Five on both the Pop and R&B charts. Born on August 9, 1947, in Philadelphia, Pennsylvania, Mason has established herself as a unique female artist within the soul genre, showcasing her talent not only as a singer but also as a songwriter.
Mason's music often reflects a young girl's journey through life, and she has written many of her recordings, demonstrating her artistic versatility. Over the years, she has produced several R&B and pop hits, solidifying her place in the music industry during her active years.
Mason's music often reflects a young girl's journey through life, and she has written many of her recordings, demonstrating her artistic versatility. Over the years, she has produced several R&B and pop hits, solidifying her place in the music industry during her active years.
Barbara Pennington
Barbara Pennington was an influential American artist in the genres of Hi-NRG and soul music, particularly recognized during the 1970s and 1980s. She was born on May 13, 1951, and passed away on August 3, 2023. Throughout her career, she collaborated with notable producer and songwriter Ian Levine, resulting in success on the Billboard Disco Chart with several tracks.
Her legacy includes compilation albums such as "24 Hours A Day - The Best Of Barbara Pennington" released in 2011 and "The Very Best Of Barbara Pennington" from 2006, which showcase her vibrant contributions to music.
Her legacy includes compilation albums such as "24 Hours A Day - The Best Of Barbara Pennington" released in 2011 and "The Very Best Of Barbara Pennington" from 2006, which showcase her vibrant contributions to music.
Barrett Strong
Barrett Strong was an influential American singer and songwriter, born on February 5, 1941, in West Point, Mississippi. He is notably recognized as one of the early artists of Motown Records and is credited as the voice behind some of the label's most significant hits, including "Money (That's What I Want)," which marked Motown's first major success in 1959.
Strong's contributions to music extended beyond performing; he was also a talented songwriter. He co-wrote several classic songs that have left an indelible mark on the music industry, including "I Heard It Through the Grapevine" and "Papa Was a Rolling Stone". His songwriting prowess was pivotal in establishing Motown as a powerhouse in the music business, and he played a key role in the label's early sound and success.
Throughout his career, Barrett Strong's work not only showcased his vocal talents but also underscored his significant influence on the evolution of popular music, particularly within the soul and R&B genres. He passed away on January 28, 2023, in San Diego, California, leaving behind a rich legacy in the music world.
Strong's contributions to music extended beyond performing; he was also a talented songwriter. He co-wrote several classic songs that have left an indelible mark on the music industry, including "I Heard It Through the Grapevine" and "Papa Was a Rolling Stone". His songwriting prowess was pivotal in establishing Motown as a powerhouse in the music business, and he played a key role in the label's early sound and success.
Throughout his career, Barrett Strong's work not only showcased his vocal talents but also underscored his significant influence on the evolution of popular music, particularly within the soul and R&B genres. He passed away on January 28, 2023, in San Diego, California, leaving behind a rich legacy in the music world.
Barry White
Barry White was a renowned American singer, songwriter, and record producer, celebrated for his distinctive bass voice and romantic persona. He rose to fame primarily in the 1970s, both as a solo artist and as part of the Love Unlimited Orchestra. His music, which blended elements of soul, R&B, and disco, earned him two Grammy Awards and a devoted fan base.
As the "undisputed king of boudoir disco," Barry White's work is characterized by its sensual themes and lush orchestration. His ability to produce and perform simultaneously set him apart in the music industry, and he was recognized as a master of soul and popular R&B music. His signature style combined deep, powerful vocals with romantic lyrics, making his songs a staple in the genre.
Born in Galveston, Texas, Barry White began his musical journey by singing gospel songs alongside his mother and taught himself to play the piano. He recorded his first song at the age of 16 and eventually became a long-time session producer before achieving prominence as a solo artist in the 1970s. His contributions to music included not only his performances but also his innovative production techniques.
Barry White's legacy continues to influence artists across various genres, and his music remains popular today.
As the "undisputed king of boudoir disco," Barry White's work is characterized by its sensual themes and lush orchestration. His ability to produce and perform simultaneously set him apart in the music industry, and he was recognized as a master of soul and popular R&B music. His signature style combined deep, powerful vocals with romantic lyrics, making his songs a staple in the genre.
Born in Galveston, Texas, Barry White began his musical journey by singing gospel songs alongside his mother and taught himself to play the piano. He recorded his first song at the age of 16 and eventually became a long-time session producer before achieving prominence as a solo artist in the 1970s. His contributions to music included not only his performances but also his innovative production techniques.
Barry White's legacy continues to influence artists across various genres, and his music remains popular today.
Beau Williams
Beau Williams is an American gospel and soul singer, born on January 6, 1950, in Texas. He is recognized for his powerful vocal abilities and has made a significant impact in the gospel music genre. His notable works include the album "Wonderful," which reached number two on the Billboard charts through Light Records.
Throughout his career, Williams has been celebrated for his distinct singing style and has garnered a dedicated following, although he remains relatively unknown outside specific music circles. His discography includes a number of albums and singles that showcase his contributions to the gospel and soul music landscapes.
Throughout his career, Williams has been celebrated for his distinct singing style and has garnered a dedicated following, although he remains relatively unknown outside specific music circles. His discography includes a number of albums and singles that showcase his contributions to the gospel and soul music landscapes.
Bebe and Cece Winans
BeBe and CeCe Winans are a prominent American gospel and R&B music duo, consisting of siblings BeBe and CeCe Winans, who are the seventh and eighth of the Winans family's ten children. They have made significant contributions to gospel music, and many of their family members have also pursued careers in this genre.
The duo has enjoyed a successful career spanning over two decades, during which they have released seven albums together, including popular titles like "Lord Lift Us Up" (1984) and "The Best of BeBe and CeCe Winans". Their music has achieved significant accolades, and they are well-known for their chart-topping hits.
CeCe Winans recently announced her first full livestream concert titled "An Evening Of Thanksgiving," scheduled for February 21st at 7pm CST, allowing fans to enjoy their performance from home. Additionally, they are recognized for their strong family bond and have co-hosted notable events, such as the 40th Stellar Awards.
For those interested in their music, BeBe and CeCe Winans are available on various streaming platforms, including Spotify and Apple Music, where fans can explore their discography.
The duo has enjoyed a successful career spanning over two decades, during which they have released seven albums together, including popular titles like "Lord Lift Us Up" (1984) and "The Best of BeBe and CeCe Winans". Their music has achieved significant accolades, and they are well-known for their chart-topping hits.
CeCe Winans recently announced her first full livestream concert titled "An Evening Of Thanksgiving," scheduled for February 21st at 7pm CST, allowing fans to enjoy their performance from home. Additionally, they are recognized for their strong family bond and have co-hosted notable events, such as the 40th Stellar Awards.
For those interested in their music, BeBe and CeCe Winans are available on various streaming platforms, including Spotify and Apple Music, where fans can explore their discography.
Ben E. King
Ben E. King, born Benjamin Earl King on September 28, 1938, in Henderson, North Carolina, was an iconic American soul and R&B singer and songwriter. He rose to fame as the lead singer of the renowned vocal group the Drifters, where he was instrumental in delivering a number of hit singles that showcased the soulful sounds of the era.
As a solo artist, King is perhaps best known for his classic hit "Stand by Me," released in 1961, which has become a timeless anthem.
His music is characterized by its orchestral arrangements and emotional depth, often defining the elegance associated with R&B. He passed away on April 30, 2015, in Hackensack, New Jersey, leaving behind a rich legacy within the music industry.
King's contributions to music not only include his successful solo career but also his work with the Drifters, where he helped to shape the sound of R&B during the 1950s and 1960s.
As a solo artist, King is perhaps best known for his classic hit "Stand by Me," released in 1961, which has become a timeless anthem.
His music is characterized by its orchestral arrangements and emotional depth, often defining the elegance associated with R&B. He passed away on April 30, 2015, in Hackensack, New Jersey, leaving behind a rich legacy within the music industry.
King's contributions to music not only include his successful solo career but also his work with the Drifters, where he helped to shape the sound of R&B during the 1950s and 1960s.
Benny Johnson
Benny Johnson is an influential soul vocalist, recognized for his emotive and powerful vocal style, which places him alongside renowned artists such as Johnnie Taylor and Al Green. He was active during the 1970s and is celebrated for his contributions to the soul and funk music scene, showcasing a raw, heartfelt approach to his performances.
His album "Visions of Paradise," released in 1973, has been praised for its sweet soul elements, featuring soaring vocals and beautiful harmonies. This album has garnered a dedicated following over the years and was reissued in 2023, reflecting its lasting impact on the genre.
In addition to his solo work, Johnson has also performed with groups like The Spoilers and has been featured in various music compilations that highlight the psychedelic soul and dope funk genres. His song "Second To None" stands out as a notable track that has received recognition in the music community.
Overall, Benny Johnson's contributions to soul music have left a significant mark, making him an essential figure in the genre’s history.
His album "Visions of Paradise," released in 1973, has been praised for its sweet soul elements, featuring soaring vocals and beautiful harmonies. This album has garnered a dedicated following over the years and was reissued in 2023, reflecting its lasting impact on the genre.
In addition to his solo work, Johnson has also performed with groups like The Spoilers and has been featured in various music compilations that highlight the psychedelic soul and dope funk genres. His song "Second To None" stands out as a notable track that has received recognition in the music community.
Overall, Benny Johnson's contributions to soul music have left a significant mark, making him an essential figure in the genre’s history.
Bernard Purdie
Bernard "Pretty" Purdie was born on June 11, 1939, in Elkton, Maryland, as the eleventh of fifteen children in his family. His journey into music began at a young age; by the age of six, he began experimenting with rhythm, using sticks to hit cans and other objects to create beats.
Purdie became a significant figure in the music industry, particularly as a studio drummer, starting his professional career in the early 1960s. He is renowned for his precise and influential drumming style, which has left a lasting impact across various music genres including R&B, soul, funk, and jazz. Notably, his first major recording featured the iconic drum beat that opens "Wipe Out," which has become one of the most recognized beats in popular music.
Over his career, Purdie has worked with a plethora of artists and has been credited with developing many famous drum beats that span jazz, funk, and hip-hop. His extensive body of work has earned him the title of one of the most recorded drummers in history. Purdie's innovative approach to drumming and rhythm has influenced countless musicians and continues to be celebrated in the music community.
He developed a signature groove, a triplet-based rhythm against a half-time backbeat, famously featured on Steely Dan's "Home at Last" and influencing iconic tracks like Toto's "Rosanna" and Led Zeppelin's "Fool in the Rain" (which uses a variation).
He leads his own band, "Bernard Purdie and Friends," and was inducted into the Modern Drummer Hall of Fame in 2013, recognized as a living legend in drumming.
Known for being a "groove drummer" with precise timing, fusing swing, blues, and funk, he is considered one of the most recorded drummers ever, his style provided the foundation for countless hits, earning him the nickname "Pretty"
Purdie became a significant figure in the music industry, particularly as a studio drummer, starting his professional career in the early 1960s. He is renowned for his precise and influential drumming style, which has left a lasting impact across various music genres including R&B, soul, funk, and jazz. Notably, his first major recording featured the iconic drum beat that opens "Wipe Out," which has become one of the most recognized beats in popular music.
Over his career, Purdie has worked with a plethora of artists and has been credited with developing many famous drum beats that span jazz, funk, and hip-hop. His extensive body of work has earned him the title of one of the most recorded drummers in history. Purdie's innovative approach to drumming and rhythm has influenced countless musicians and continues to be celebrated in the music community.
He developed a signature groove, a triplet-based rhythm against a half-time backbeat, famously featured on Steely Dan's "Home at Last" and influencing iconic tracks like Toto's "Rosanna" and Led Zeppelin's "Fool in the Rain" (which uses a variation).
He leads his own band, "Bernard Purdie and Friends," and was inducted into the Modern Drummer Hall of Fame in 2013, recognized as a living legend in drumming.
Known for being a "groove drummer" with precise timing, fusing swing, blues, and funk, he is considered one of the most recorded drummers ever, his style provided the foundation for countless hits, earning him the nickname "Pretty"
Betty and Dee
Betty Davis
Betty Davis, born Betty Gray Mabry on July 26, 1944, in Durham, North Carolina, was a groundbreaking American singer-songwriter and model known for her influential role in the funk and soul music genres. Raised in Pittsburgh, Pennsylvania, she later moved to New York City to pursue her education at the Fashion Institute of Technology, where she began to make her mark in the fashion world as a model.
Davis's music career took off in the late 1960s when she started writing songs that showcased her unique fusion of funk, soul, and rock elements. She is often credited as a pioneer of feminist funk, celebrated for her fierce independence and unapologetic persona. Her self-titled debut album released in 1973 introduced her bold and provocative style, characterized by both her lyrics and her daring fashion choices.
Aside from her music, Betty Davis was also known for her high-profile marriage to trumpeter Miles Davis, which fueled her visibility in the music scene during that era. She was influential in shaping the sound and aesthetic of the time but often struggled with mainstream acceptance due to her unconventional approach and the societal norms of the period.
Davis's visibility in the music industry waned in the late 1970s, and she lived a reclusive life for decades. However, her legacy as the "Queen of Funk" and her contributions to music continued to gain recognition over the years. Betty Davis passed away on February 9, 2022, at the age of 77, leaving behind a lasting impact on the genres she transformed and an enduring influence on future artists.
In 2023, she was posthumously inducted into the North Carolina Music Hall of Fame, further acknowledging her significant contributions to music and culture. Despite her limited commercial success during her lifetime, her work has been rediscovered and celebrated, affirming her status as a pioneering figure in funk and soul music.
Davis's music career took off in the late 1960s when she started writing songs that showcased her unique fusion of funk, soul, and rock elements. She is often credited as a pioneer of feminist funk, celebrated for her fierce independence and unapologetic persona. Her self-titled debut album released in 1973 introduced her bold and provocative style, characterized by both her lyrics and her daring fashion choices.
Aside from her music, Betty Davis was also known for her high-profile marriage to trumpeter Miles Davis, which fueled her visibility in the music scene during that era. She was influential in shaping the sound and aesthetic of the time but often struggled with mainstream acceptance due to her unconventional approach and the societal norms of the period.
Davis's visibility in the music industry waned in the late 1970s, and she lived a reclusive life for decades. However, her legacy as the "Queen of Funk" and her contributions to music continued to gain recognition over the years. Betty Davis passed away on February 9, 2022, at the age of 77, leaving behind a lasting impact on the genres she transformed and an enduring influence on future artists.
In 2023, she was posthumously inducted into the North Carolina Music Hall of Fame, further acknowledging her significant contributions to music and culture. Despite her limited commercial success during her lifetime, her work has been rediscovered and celebrated, affirming her status as a pioneering figure in funk and soul music.
Betty Everett
Betty Everett was an influential American soul singer and pianist, born on November 23, 1939, in Greenwood, Mississippi. Her career is highlighted by her biggest hit, "The Shoop Shoop Song (It's in His Kiss)," which achieved significant commercial success and is still recognized today.
Everett's music career began in the 1950s, and she became known for her soulful style, combining elements of rhythm and blues with her unique vocal delivery. Her upbringing in Greenwood, a town rich in blues heritage, played a key role in shaping her musical approach.
Throughout her career, she released several albums and singles that contributed to the soul music genre, establishing her as a recognized artist in the industry.
Betty Everett passed away on August 19, 2001, in Beloit, Wisconsin, leaving behind a legacy that continues to influence artists and music lovers.
Everett's music career began in the 1950s, and she became known for her soulful style, combining elements of rhythm and blues with her unique vocal delivery. Her upbringing in Greenwood, a town rich in blues heritage, played a key role in shaping her musical approach.
Throughout her career, she released several albums and singles that contributed to the soul music genre, establishing her as a recognized artist in the industry.
Betty Everett passed away on August 19, 2001, in Beloit, Wisconsin, leaving behind a legacy that continues to influence artists and music lovers.
Betty Everett and Jerry Butler
Betty Everett and Jerry Butler were influential Chicago soul singers, known for their powerful voices, chart success, and iconic duets like "Let It Be Me," blending gospel roots with secular R&B, with Everett achieving solo fame with "The Shoop Shoop Song" and Butler becoming "The Iceman" of soul before entering Chicago politics, leaving behind legacies of smooth vocals and enduring hits.
Betty Everett (1939-2001):
Born in Mississippi, she moved to Chicago at 18, starting her career singing the blues and performing with Muddy Waters before signing with Vee-Jay Records. Her signature hit was 1964's "The Shoop Shoop Song (It's In His Kiss)," a million-seller later covered by Cher. Other hits included "You're No Good" and "There'll Come a Time".
She recorded several successful duets with Jerry Butler, most famously "Let It Be Me," which also hit the Top 10 in 1964, and the album Delicious Together. Everett retired from secular music in the 70s, focusing on church choirs in Beloit, Wisconsin, where she passed away in 2001.
Jerry Butler (1939-2025):
Born in Mississippi, Butler moved to Chicago, met Curtis Mayfield, and became the original lead singer of The Impressions. He earned the nickname "The Iceman" for his cool baritone voice. After leaving The Impressions, he launched a prolific solo career with hits like "He Will Break Your Heart," "Only the Strong Survive," and "Hey, Western Union Man".
He frequently collaborated with Betty Everett, including "Let It Be Me," and also had hits with Brenda Lee Eager. Butler successfully transitioned into politics, serving as a Cook County Commissioner in Chicago for many years before retiring in 2018. He passed away in early 2025.
Both artists emerged from Chicago's vibrant soul scene, sharing roots in gospel and blues, and became iconic figures for Vee-Jay Records. Their duets, especially "Let It Be Me," remain beloved classics, showcasing their complementary styles and smooth harmonies.
Betty Everett (1939-2001):
Born in Mississippi, she moved to Chicago at 18, starting her career singing the blues and performing with Muddy Waters before signing with Vee-Jay Records. Her signature hit was 1964's "The Shoop Shoop Song (It's In His Kiss)," a million-seller later covered by Cher. Other hits included "You're No Good" and "There'll Come a Time".
She recorded several successful duets with Jerry Butler, most famously "Let It Be Me," which also hit the Top 10 in 1964, and the album Delicious Together. Everett retired from secular music in the 70s, focusing on church choirs in Beloit, Wisconsin, where she passed away in 2001.
Jerry Butler (1939-2025):
Born in Mississippi, Butler moved to Chicago, met Curtis Mayfield, and became the original lead singer of The Impressions. He earned the nickname "The Iceman" for his cool baritone voice. After leaving The Impressions, he launched a prolific solo career with hits like "He Will Break Your Heart," "Only the Strong Survive," and "Hey, Western Union Man".
He frequently collaborated with Betty Everett, including "Let It Be Me," and also had hits with Brenda Lee Eager. Butler successfully transitioned into politics, serving as a Cook County Commissioner in Chicago for many years before retiring in 2018. He passed away in early 2025.
Both artists emerged from Chicago's vibrant soul scene, sharing roots in gospel and blues, and became iconic figures for Vee-Jay Records. Their duets, especially "Let It Be Me," remain beloved classics, showcasing their complementary styles and smooth harmonies.
Betty Wright
Betty Wright was a prominent American soul and R&B singer, known for her powerful voice and influential contributions to the music industry. She began her professional career in the late 1960s as a teenager and quickly gained recognition for her distinctive sound and songwriting abilities.
Wright is best remembered for her hits, particularly "Clean Up Woman," released in 1971, which became a Top Ten pop and soul song. Her Grammy-winning track "Where Is The Love," released in 1975, solidified her status as an iconic artist in R&B and soul music.
In addition to her successes in music, she was an entrepreneur who founded Ms B Records in the early 80s, showcasing her independent spirit and dedication to nurturing other black creatives in the industry.
Unfortunately, Betty Wright passed away on May 10, 2020, at the age of 66, leaving behind a rich legacy of music and artistry that continues to inspire.
Wright is best remembered for her hits, particularly "Clean Up Woman," released in 1971, which became a Top Ten pop and soul song. Her Grammy-winning track "Where Is The Love," released in 1975, solidified her status as an iconic artist in R&B and soul music.
In addition to her successes in music, she was an entrepreneur who founded Ms B Records in the early 80s, showcasing her independent spirit and dedication to nurturing other black creatives in the industry.
Unfortunately, Betty Wright passed away on May 10, 2020, at the age of 66, leaving behind a rich legacy of music and artistry that continues to inspire.
Bettye Crutcher
Bettye Crutcher was an acclaimed American songwriter known for her work with Stax Records. Born on September 16, 1939, in Memphis, Tennessee, she passed away on October 20, 2022, in Nashville.
Crutcher served as a staff writer at Stax Records, where she was the only woman in its core songwriting team, contributing to the label's signature soul sound. She collaborated frequently with Homer Banks on hits like "Whodunit" by the Staple Singers and songs for artists such as Johnnie Taylor and The Soul Children.
From a young age in Memphis, Crutcher showed a passion for writing poems and lyrics. Her understated yet powerful contributions earned her recognition as a "quiet powerhouse" behind Stax's legendary output.
Crutcher served as a staff writer at Stax Records, where she was the only woman in its core songwriting team, contributing to the label's signature soul sound. She collaborated frequently with Homer Banks on hits like "Whodunit" by the Staple Singers and songs for artists such as Johnnie Taylor and The Soul Children.
From a young age in Memphis, Crutcher showed a passion for writing poems and lyrics. Her understated yet powerful contributions earned her recognition as a "quiet powerhouse" behind Stax's legendary output.
Bettye Lavette
Bettye LaVette is an influential American soul singer whose career spans over 60 years. She began recording music in the 1960s but only achieved widespread recognition in the 2000s, particularly after the release of her album "I've Got My Own Hell to Raise" in 2005, which revitalized her career and showcased her incredible vocal talent.
LaVette’s unique ability to reinterpret songs has earned her critical acclaim and a devoted fan base. She has been nominated for five Grammy Awards and is a member of the Blues Hall of Fame, further solidifying her status as one of the preeminent vocalists in the soul genre.
In December 2025, she released a new album titled "LaVette!" featuring songs written by Randall Bramblett, with "Plan B" as the first single. This album adds to her extensive discography, which also includes notable releases such as "Let Me Down Easy: Bettye LaVette In Memphis" (2022) and "Blackbirds" (2020).
Overall, Bettye LaVette's contribution to music is profound, and her ability to convey deep emotion through her performances continues to captivate listeners around the world.
LaVette’s unique ability to reinterpret songs has earned her critical acclaim and a devoted fan base. She has been nominated for five Grammy Awards and is a member of the Blues Hall of Fame, further solidifying her status as one of the preeminent vocalists in the soul genre.
In December 2025, she released a new album titled "LaVette!" featuring songs written by Randall Bramblett, with "Plan B" as the first single. This album adds to her extensive discography, which also includes notable releases such as "Let Me Down Easy: Bettye LaVette In Memphis" (2022) and "Blackbirds" (2020).
Overall, Bettye LaVette's contribution to music is profound, and her ability to convey deep emotion through her performances continues to captivate listeners around the world.
Beverley Knight
Beverley Knight is a prominent English singer, songwriter, actress, and radio personality, recognized as one of the leading figures in British soul music. Born on March 22, 1973, in Wolverhampton, West Midlands, England, Knight has enjoyed a successful career that spans over two decades, during which she has released multiple gold and platinum-selling albums.
Her debut album, "The B-Funk," was released in 1995, marking the beginning of her impactful presence in the music industry. Knight is celebrated for her powerful vocal ability and has been a significant influencer in the UK R&B and soul scenes since her emergence in the mid-1990s.
In addition to her music career, Beverley Knight has also branched out into acting, with notable appearances including a role in the 2021 production of "Cinderella". Furthermore, she recently announced her new UK tour titled "Born to Perform," which is set to take place in June 2026, promising a unique and engaging show.
Knight continues to maintain a strong presence in the music industry, reflecting her status as a musical icon and a "force of nature."
Her debut album, "The B-Funk," was released in 1995, marking the beginning of her impactful presence in the music industry. Knight is celebrated for her powerful vocal ability and has been a significant influencer in the UK R&B and soul scenes since her emergence in the mid-1990s.
In addition to her music career, Beverley Knight has also branched out into acting, with notable appearances including a role in the 2021 production of "Cinderella". Furthermore, she recently announced her new UK tour titled "Born to Perform," which is set to take place in June 2026, promising a unique and engaging show.
Knight continues to maintain a strong presence in the music industry, reflecting her status as a musical icon and a "force of nature."
Bill Brandon
Bill Brandon is an accomplished American soul singer, born on October 7, 1943, in Huntsville, Alabama. He is known for his powerful gospel baritone voice, which has been described as both pleading and compelling, showcasing a depth that has often been undervalued in the music industry.
Brandon's musical career took off during the 1960s and 1970s, a period when he made significant contributions to the genres of Southern Soul and disco. He initially recorded for smaller local labels like Tower and Quinvy, where he gained recognition for his rendition of songs such as Dan Penn’s "Rainbow".
Additionally, his experiences in the Muscle Shoals area allowed him to collaborate with notable musicians and become a familiar presence in the famous FAME studios.
His discography includes several albums and collaborations, reflecting his rich musical legacy. Overall, Bill Brandon is celebrated for his soulful sound and impactful contributions to the music scene, particularly during the height of Southern Soul.
Brandon's musical career took off during the 1960s and 1970s, a period when he made significant contributions to the genres of Southern Soul and disco. He initially recorded for smaller local labels like Tower and Quinvy, where he gained recognition for his rendition of songs such as Dan Penn’s "Rainbow".
Additionally, his experiences in the Muscle Shoals area allowed him to collaborate with notable musicians and become a familiar presence in the famous FAME studios.
His discography includes several albums and collaborations, reflecting his rich musical legacy. Overall, Bill Brandon is celebrated for his soulful sound and impactful contributions to the music scene, particularly during the height of Southern Soul.
Bill Withers
Bill Withers, born William Harrison Withers Jr. on July 4, 1938, in Slab Fork, West Virginia, was an influential American soul and R&B singer and songwriter. He hailed from a modest background as the youngest of six children; his father was a coal miner and his mother worked as a maid. Withers grew up in a coal-mining community and later moved to nearby Beckley for his upbringing.
Withers had a unique sound characterized by a blend of soulful warmth and a folksy feel, which made him one of the most celebrated singer-songwriters in America. His music career began in earnest after he moved to Los Angeles in the late 1960s, where he initially worked in the aircraft industry before fully committing to music.
His debut album, "Just As I Am," was released in 1971 and included his iconic hit "Ain't No Sunshine," which showcased his deep and emotive vocal style. The song became a major success and established him as a significant figure in the music industry.
Over the years, Withers produced several other hits, such as "Lean on Me," "Use Me," and "Lovely Day," each resonating with audiences for their relatable lyrics and catchy melodies. "Lean on Me," in particular, became an anthem of companionship and support, reflecting his personal values and experiences.
Withers dealt with issues of fame and recognition throughout his career, often expressing a desire for privacy and normalcy despite his success. He stepped back from the music scene in the late 1980s but remained a revered figure in the industry, influencing countless artists and being celebrated for his songwriting and vocal prowess.
Bill Withers passed away on March 30, 2020, leaving behind a rich legacy of music that continues to inspire and resonate with new generations. He was remembered not just for his contributions to music, but also for his authenticity and heartfelt storytelling, which remain integral to his enduring appeal.
Withers had a unique sound characterized by a blend of soulful warmth and a folksy feel, which made him one of the most celebrated singer-songwriters in America. His music career began in earnest after he moved to Los Angeles in the late 1960s, where he initially worked in the aircraft industry before fully committing to music.
His debut album, "Just As I Am," was released in 1971 and included his iconic hit "Ain't No Sunshine," which showcased his deep and emotive vocal style. The song became a major success and established him as a significant figure in the music industry.
Over the years, Withers produced several other hits, such as "Lean on Me," "Use Me," and "Lovely Day," each resonating with audiences for their relatable lyrics and catchy melodies. "Lean on Me," in particular, became an anthem of companionship and support, reflecting his personal values and experiences.
Withers dealt with issues of fame and recognition throughout his career, often expressing a desire for privacy and normalcy despite his success. He stepped back from the music scene in the late 1980s but remained a revered figure in the industry, influencing countless artists and being celebrated for his songwriting and vocal prowess.
Bill Withers passed away on March 30, 2020, leaving behind a rich legacy of music that continues to inspire and resonate with new generations. He was remembered not just for his contributions to music, but also for his authenticity and heartfelt storytelling, which remain integral to his enduring appeal.
Billy Butler and Infinity
Billy Butler and Infinity
Billy Butler and Infinity were an influential soul group that emerged in the 1970s, primarily associated with the Chicago soul scene. Billy Butler, a singer and songwriter, and brother of soul singer Jerry Butler, originally from Chicago, had previously formed vocal groups such as the Chanters before establishing Infinity in the late 1960s. This group garnered attention for their soulful sound and produced several notable recordings throughout the 1970s.
Infinity was innovative in its musical approach, releasing tracks that included hits like "I Don't Want to Lose You" and "Whatever's Fair," both of which showcased the group's harmonious vocals and soulful instrumentals.
The band gained recognition for their contributions to the deep soul genre, and their performances were characterized by a unique blend of heartfelt lyrics and rich melodies.
Overall, Billy Butler and Infinity represent a significant chapter in the history of soul music, particularly within the Chicago music scene of that era. Their work remains celebrated among soul enthusiasts and music historians today.
Billy Griffin
William L. Griffin Jr., better known as Billy Griffin, was born on August 15, 1950, in West Baltimore, Maryland. He is a notable American singer, songwriter, and producer, particularly recognized for his role as the lead singer of the Motown group The Miracles after replacing the legendary Smokey Robinson in 1972.
Griffin's musical journey began in his youth, where he was heavily influenced by Smokey Robinson, whom he idolized. His career took a significant turn when he joined The Miracles, contributing to their continued success during the 1970s. Under his leadership, the group produced several hits, including the popular song “Love Machine,” which highlighted his vocal prowess and songwriting skills.
Beyond his time with The Miracles, Griffin has also pursued a solo career and collaborated with other artists. His contributions to R&B and pop music have solidified his status within the genre. Griffin's work continues to resonate with fans of classic Motown and R&B, illustrating his lasting impact on the music industry.
Griffin's musical journey began in his youth, where he was heavily influenced by Smokey Robinson, whom he idolized. His career took a significant turn when he joined The Miracles, contributing to their continued success during the 1970s. Under his leadership, the group produced several hits, including the popular song “Love Machine,” which highlighted his vocal prowess and songwriting skills.
Beyond his time with The Miracles, Griffin has also pursued a solo career and collaborated with other artists. His contributions to R&B and pop music have solidified his status within the genre. Griffin's work continues to resonate with fans of classic Motown and R&B, illustrating his lasting impact on the music industry.
Billy Paul
Billy Paul, born as Paul Williams on December 1, 1934, in North Philadelphia, was a prominent American soul singer renowned for his contributions to the Philadelphia Soul Sound. Growing up in a culturally rich environment, he began his musical journey at the tender age of twelve, influenced by a neighborhood friend who introduced him to singing and performance opportunities.
He gained widespread fame in 1972 with his iconic single "Me and Mrs. Jones," which reached No. 1 on the Billboard charts. This song solidified his status as a major figure in the music industry and showcased his smooth, emotive vocal style. The success of this single was followed by his 1973 album "War of the Gods," which further exemplified his artistic range and depth.
Billy Paul's music was significantly influenced by producers Kenny Gamble and Leon Huff, who played crucial roles in the development of the "Philly sound," a blend of soul and R&B with lush instrumentation and heartfelt lyrics. His collaboration with these producers helped shape the sound of the 1970s.
Throughout his career, Paul earned numerous accolades, including a Grammy Award, which acknowledged his talent and contributions to the music world. His work continued to resonate with audiences, and he remained an influential figure in soul music until his passing.
Billy Paul passed away from pancreatic cancer at the age of 81, leaving behind a legacy marked by his soulful melodies and impactful storytelling through music.
He gained widespread fame in 1972 with his iconic single "Me and Mrs. Jones," which reached No. 1 on the Billboard charts. This song solidified his status as a major figure in the music industry and showcased his smooth, emotive vocal style. The success of this single was followed by his 1973 album "War of the Gods," which further exemplified his artistic range and depth.
Billy Paul's music was significantly influenced by producers Kenny Gamble and Leon Huff, who played crucial roles in the development of the "Philly sound," a blend of soul and R&B with lush instrumentation and heartfelt lyrics. His collaboration with these producers helped shape the sound of the 1970s.
Throughout his career, Paul earned numerous accolades, including a Grammy Award, which acknowledged his talent and contributions to the music world. His work continued to resonate with audiences, and he remained an influential figure in soul music until his passing.
Billy Paul passed away from pancreatic cancer at the age of 81, leaving behind a legacy marked by his soulful melodies and impactful storytelling through music.
Billy Preston
Billy Preston was a renowned American soul musician, singer, and keyboardist celebrated for his extraordinary organ and piano skills. Born on September 9, 1946, in Houston, Texas, he rose to fame as a child prodigy and became a key collaborator with icons like the Beatles, Rolling Stones, and Ray Charles.
Preston began performing gospel music as a toddler in Los Angeles, where his family relocated. By age 10, he appeared in films like St. Louis Blues and played organ at local churches, later touring with Mahalia Jackson.
In the 1960s, Preston recorded early albums like 16 Yr. Old Soul (1963) and joined Little Richard's band, meeting the Beatles in 1962. George Harrison invited him to contribute to their Get Back sessions in 1969, earning him billing on the single as the "fifth Beatle".
Preston achieved major hits in the late sixties and 1970s, including "That's the Way God Planned It" (1969), reaching #11 on the UK Pop charts, and "Outa-Space" (1971), "Will It Go Round in Circles" (1973), "Space Race" (1973), and "Nothing from Nothing" (1974), all topping R&B charts. He released over 20 albums, blending soul, funk, and gospel, with standout records like I Wrote a Simple Song (1971) and The Kids & Me (1974).
He toured with the Rolling Stones in the 1970s, contributed to Exile on Main St., and recorded gospel albums in the 1980s. Preston passed away on June 6, 2006, from complications of kidney failure, leaving a lasting influence on rock, soul, and pop.
Preston began performing gospel music as a toddler in Los Angeles, where his family relocated. By age 10, he appeared in films like St. Louis Blues and played organ at local churches, later touring with Mahalia Jackson.
In the 1960s, Preston recorded early albums like 16 Yr. Old Soul (1963) and joined Little Richard's band, meeting the Beatles in 1962. George Harrison invited him to contribute to their Get Back sessions in 1969, earning him billing on the single as the "fifth Beatle".
Preston achieved major hits in the late sixties and 1970s, including "That's the Way God Planned It" (1969), reaching #11 on the UK Pop charts, and "Outa-Space" (1971), "Will It Go Round in Circles" (1973), "Space Race" (1973), and "Nothing from Nothing" (1974), all topping R&B charts. He released over 20 albums, blending soul, funk, and gospel, with standout records like I Wrote a Simple Song (1971) and The Kids & Me (1974).
He toured with the Rolling Stones in the 1970s, contributed to Exile on Main St., and recorded gospel albums in the 1980s. Preston passed away on June 6, 2006, from complications of kidney failure, leaving a lasting influence on rock, soul, and pop.
Billy Stewart
William Larry Stewart II, widely known as Billy Stewart, was an influential American rhythm and blues singer and pianist, born on March 24, 1937, in Washington, D.C. He grew up in a musical family, which laid the foundation for his future career in music. Stewart's early involvement in music included performing with his four brothers in a group called the Four Stewart Brothers, showcasing his talent from a young age.
Stewart gained popularity in the 1960s with his unique vocal style, characterized by a method he referred to as "word doubling." This innovative approach set him apart from his contemporaries and contributed to his distinctive sound. Throughout his career, he produced several hits that are still celebrated today. Some of his most famous songs include "I Do Love You," "Sitting on the Dock of the Bay," and his rendition of "Summertime," which showcased his ability to blend R&B with other musical influences.
Tragically, Billy Stewart's life was cut short when he died in a car accident on January 17, 1970, in Neuse River, North Carolina. His legacy, however, lives on through his timeless music, which continues to inspire artists and fans alike.
Stewart was not only known for his vocal skills but also for his prowess as a pianist, composer, and lyricist, making him a well-rounded artist in the music industry. Active primarily from the 1950s until his untimely death, he left a significant mark on the genre of R&B and Pop/Rock.
In summary, Billy Stewart's contributions to music, particularly during the 1960s, have solidified him as a notable figure in the history of American music, and his work continues to receive recognition for its creativity and impact.
Stewart gained popularity in the 1960s with his unique vocal style, characterized by a method he referred to as "word doubling." This innovative approach set him apart from his contemporaries and contributed to his distinctive sound. Throughout his career, he produced several hits that are still celebrated today. Some of his most famous songs include "I Do Love You," "Sitting on the Dock of the Bay," and his rendition of "Summertime," which showcased his ability to blend R&B with other musical influences.
Tragically, Billy Stewart's life was cut short when he died in a car accident on January 17, 1970, in Neuse River, North Carolina. His legacy, however, lives on through his timeless music, which continues to inspire artists and fans alike.
Stewart was not only known for his vocal skills but also for his prowess as a pianist, composer, and lyricist, making him a well-rounded artist in the music industry. Active primarily from the 1950s until his untimely death, he left a significant mark on the genre of R&B and Pop/Rock.
In summary, Billy Stewart's contributions to music, particularly during the 1960s, have solidified him as a notable figure in the history of American music, and his work continues to receive recognition for its creativity and impact.
Black Ivory
Black Ivory is an influential American R&B group formed in Harlem, New York, in 1969. The trio originally consisted of members Leroy Burgess, Stuart Bascombe, and Russell Patterson, who were all teenagers at the time of formation. They are celebrated for their soul music contributions, particularly during the early 1970s, when they gained significant popularity.
The group was discovered by producer Patrick Adams, which led to their early recordings. Black Ivory quickly made a name for themselves in the soul genre, focusing primarily on ballads that showcased their vocal harmonies and emotive delivery. Their sound combined elements of classic soul and R&B, contributing to the richness of the 1970s music scene.
Black Ivory released their first two albums on Today Records in 1971 and 1972, which included notable tracks like "Don't Turn Around," "You and I," and "I'll Find A Way," among others. These hits helped solidify their position in the soul music sphere. In 1975, they transitioned to Buddah Records where they continued to produce music, releasing three additional albums during that period.
Over the years, Black Ivory has been recognized for their contribution to the R&B and soul genres. Notably, Russell Patterson remains active in performing, making Black Ivory one of the rare soul groups from that era still active in the music scene today. Their influence can be seen in contemporary artists who draw inspiration from the classic soul sound that Black Ivory helped popularize.
While the group has undergone various changes in membership and activity levels, Black Ivory's legacy continues to resonate in the music industry. Their work remains a vital part of the history of soul music, echoing the rich traditions of their Harlem roots.
In summary, Black Ivory stands as a significant soul trio that not only shaped the musical landscape of their time but also continues to inspire future generations of artists.
The group was discovered by producer Patrick Adams, which led to their early recordings. Black Ivory quickly made a name for themselves in the soul genre, focusing primarily on ballads that showcased their vocal harmonies and emotive delivery. Their sound combined elements of classic soul and R&B, contributing to the richness of the 1970s music scene.
Black Ivory released their first two albums on Today Records in 1971 and 1972, which included notable tracks like "Don't Turn Around," "You and I," and "I'll Find A Way," among others. These hits helped solidify their position in the soul music sphere. In 1975, they transitioned to Buddah Records where they continued to produce music, releasing three additional albums during that period.
Over the years, Black Ivory has been recognized for their contribution to the R&B and soul genres. Notably, Russell Patterson remains active in performing, making Black Ivory one of the rare soul groups from that era still active in the music scene today. Their influence can be seen in contemporary artists who draw inspiration from the classic soul sound that Black Ivory helped popularize.
While the group has undergone various changes in membership and activity levels, Black Ivory's legacy continues to resonate in the music industry. Their work remains a vital part of the history of soul music, echoing the rich traditions of their Harlem roots.
In summary, Black Ivory stands as a significant soul trio that not only shaped the musical landscape of their time but also continues to inspire future generations of artists.
Black Soul
Black Soul was a multinational Funk/Soul group of musicians primarily from West Africa and France active between 1975 to 1981 releasing five albums.
The group consisted of musicians originally from Africa who recorded extensively in France before making their American album debut with their self-titled release in 1977.
The group released approximately seven singles throughout their active period in the 1970s and early 1980s. While they are primarily known for their self-titled 1977 album on Beam Junction Records, they also released several international singles on the French label Vogue and its subsidiaries.
The Group members were:
Jean Tamegnon: Bass
Dominique Pelon & Massamba M'Mdiaye: Drums and Percussion
Francisco Wallace: Guitar and Vocals
Jacques Quenem: Organ
Diego Koite: Saxophone and Clarinet
Alphonso Blamo: Tuba and Vocals
The group's singles are often sought after by collectors for their blend of Afrobeat and disco-funk.
The group consisted of musicians originally from Africa who recorded extensively in France before making their American album debut with their self-titled release in 1977.
The group released approximately seven singles throughout their active period in the 1970s and early 1980s. While they are primarily known for their self-titled 1977 album on Beam Junction Records, they also released several international singles on the French label Vogue and its subsidiaries.
The Group members were:
Jean Tamegnon: Bass
Dominique Pelon & Massamba M'Mdiaye: Drums and Percussion
Francisco Wallace: Guitar and Vocals
Jacques Quenem: Organ
Diego Koite: Saxophone and Clarinet
Alphonso Blamo: Tuba and Vocals
The group's singles are often sought after by collectors for their blend of Afrobeat and disco-funk.
Bloodstone
Bloodstone is an American R&B, soul, and funk band that emerged from Kansas City, Missouri, in the early 1960s. They are best known for their contributions to the music scene during the 1970s and early 1980s, characterized by a "sweet soul" sound that garnered considerable popularity.
The group was formed in 1962, originally as a high school band of a cappella singers called The Sinceres. Over the years, they evolved their style and lineup, solidifying their place in the music industry. Bloodstone's roots are deeply embedded in the Kansas City music scene, which provided a rich environment for their artistic development.
After years of performing, they moved to Los Angeles, learned instruments, and rebranded as Bloodstone, adding members like Melvin Webb, Charles Love, Charles McCormick, Harry Williams, and Willis Draffen. In 1972 they moved to England, signed with Decca Records, and found immediate success with their second album, Natural High (1973). The title track, "Natural High," became a multi-million-selling, gold-certified smash hit, reaching the Pop Top 10 and becoming a soulful anthem.
Bloodstone released a series of successful albums and singles, with a total of thirteen songs making it onto the charts between 1973 and 1984. Their music blends elements of soul, R&B, and funk, showcasing their versatility and appeal across different audiences. The band achieved significant commercial success, becoming one of the most notable groups to emerge from Kansas City during that era.
With their smooth harmonies and distinctive sound, Bloodstone has left a lasting impact on the genres of R&B and soul. Their music continues to be celebrated and enjoyed by fans of classic funk and soul music, and their contributions helped shape the musical landscape of their time
Despite lineup changes and the deaths of key members (Melvin Webb in 1982, Willis Draffen in 2002, Charles Love in 2014), the band continued to tour and record. In 2019, they received a Lifetime Achievement Award from the National R&B Music Society, solidifying their lasting impact.
The group was formed in 1962, originally as a high school band of a cappella singers called The Sinceres. Over the years, they evolved their style and lineup, solidifying their place in the music industry. Bloodstone's roots are deeply embedded in the Kansas City music scene, which provided a rich environment for their artistic development.
After years of performing, they moved to Los Angeles, learned instruments, and rebranded as Bloodstone, adding members like Melvin Webb, Charles Love, Charles McCormick, Harry Williams, and Willis Draffen. In 1972 they moved to England, signed with Decca Records, and found immediate success with their second album, Natural High (1973). The title track, "Natural High," became a multi-million-selling, gold-certified smash hit, reaching the Pop Top 10 and becoming a soulful anthem.
Bloodstone released a series of successful albums and singles, with a total of thirteen songs making it onto the charts between 1973 and 1984. Their music blends elements of soul, R&B, and funk, showcasing their versatility and appeal across different audiences. The band achieved significant commercial success, becoming one of the most notable groups to emerge from Kansas City during that era.
With their smooth harmonies and distinctive sound, Bloodstone has left a lasting impact on the genres of R&B and soul. Their music continues to be celebrated and enjoyed by fans of classic funk and soul music, and their contributions helped shape the musical landscape of their time
Despite lineup changes and the deaths of key members (Melvin Webb in 1982, Willis Draffen in 2002, Charles Love in 2014), the band continued to tour and record. In 2019, they received a Lifetime Achievement Award from the National R&B Music Society, solidifying their lasting impact.
Blue Magic
Blue Magic is an American R&B and soul music group that emerged in the early 1970s, particularly recognized as one of the notable Philadelphia soul groups of that era. The group was founded in 1972 and gained popularity for their smooth harmonies and emotive ballads.
The group was originally formed in Philadelphia and included members Ted "Wizard" Mills as the lead singer, alongside Vernon Sawyer, Wendell Sawyer, Keith Beaton, and Morrison. This lineup was integral to the group’s early sound and success.
Blue Magic is celebrated for their "dreamy ballads" and captivating stage performances, which became a hallmark of their appeal. They achieved significant acclaim with hits like "Sideshow" and "Three Ring Circus." "Sideshow," in particular, reached the Top Ten on the pop charts, marking their peak success in 1974.
Throughout their career, Blue Magic released around ten albums and performed numerous sold-out shows, demonstrating their enduring popularity and influence in the music scene. Even after decades, the group, with members like Wendell Sawyer continuing in the industry, remains a respected name in R&B and soul music.
Blue Magic’s contributions to the Philadelphia soul genre have left a lasting legacy, characterized by their harmonious vocals and memorable hits that continue to resonate with audiences today.
The group was originally formed in Philadelphia and included members Ted "Wizard" Mills as the lead singer, alongside Vernon Sawyer, Wendell Sawyer, Keith Beaton, and Morrison. This lineup was integral to the group’s early sound and success.
Blue Magic is celebrated for their "dreamy ballads" and captivating stage performances, which became a hallmark of their appeal. They achieved significant acclaim with hits like "Sideshow" and "Three Ring Circus." "Sideshow," in particular, reached the Top Ten on the pop charts, marking their peak success in 1974.
Throughout their career, Blue Magic released around ten albums and performed numerous sold-out shows, demonstrating their enduring popularity and influence in the music scene. Even after decades, the group, with members like Wendell Sawyer continuing in the industry, remains a respected name in R&B and soul music.
Blue Magic’s contributions to the Philadelphia soul genre have left a lasting legacy, characterized by their harmonious vocals and memorable hits that continue to resonate with audiences today.
Blue Moderne
Blue Moderne was a short-lived soul and dance studio project formed in the mid-1980s by Miami-based producer and musician Ish Ledesma. The group is best known for its blend of R&B, soul, and Miami freestyle house music.
The group was primarily a collaborative project led by Ish Ledesma, a veteran of the disco era who previously fronted the group Foxy and formed the dance-rock band OXO.
Blue Moderne's sound was defined by its rotating lead vocalists:
Audrey Wheeler: A prominent session singer who provided the lead vocals for the group's debut hit, "Through the Night".
Sandy Barber (Sandy B): An R&B singer who became the primary vocalist for their full-length album.
Ish Ledesma: In addition to writing, producing, and engineering, Ledesma provided instrumental and vocal contributions.
The group's active period spanned from 1986 to 1988, during which they released one studio album and several club-oriented singles.
"Through the Night" (1986): Their debut single was a successful club track, peaking at #19 on the Billboard Hot Dance Music/Club Play chart and #38 on the Dance Sales chart.
"Where Is Love (1988): Released on Atlantic Records, this was the group's only full-length album. It featured a mix of uptempo house-soul tracks and "sexy ballads," including notable songs like "Get It Right" and "Free to Fly".
"No Use to Borrow" (1988): A follow-up single from the album that reached #50 on the Billboard Hot Dance Music/Club Play chart.
"Do That Again" (1988): Another single from the album, though it did not achieve significant chart success.
The project effectively ended after 1988. Sandy Barber continued a career in dance music, while Ish Ledesma remained active in the Florida music scene, later producing for freestyle acts like Company B. Though their commercial peak was brief, Blue Moderne is remembered as a "hidden gem" of the late-80s Miami soul and house movement.
The group was primarily a collaborative project led by Ish Ledesma, a veteran of the disco era who previously fronted the group Foxy and formed the dance-rock band OXO.
Blue Moderne's sound was defined by its rotating lead vocalists:
Audrey Wheeler: A prominent session singer who provided the lead vocals for the group's debut hit, "Through the Night".
Sandy Barber (Sandy B): An R&B singer who became the primary vocalist for their full-length album.
Ish Ledesma: In addition to writing, producing, and engineering, Ledesma provided instrumental and vocal contributions.
The group's active period spanned from 1986 to 1988, during which they released one studio album and several club-oriented singles.
"Through the Night" (1986): Their debut single was a successful club track, peaking at #19 on the Billboard Hot Dance Music/Club Play chart and #38 on the Dance Sales chart.
"Where Is Love (1988): Released on Atlantic Records, this was the group's only full-length album. It featured a mix of uptempo house-soul tracks and "sexy ballads," including notable songs like "Get It Right" and "Free to Fly".
"No Use to Borrow" (1988): A follow-up single from the album that reached #50 on the Billboard Hot Dance Music/Club Play chart.
"Do That Again" (1988): Another single from the album, though it did not achieve significant chart success.
The project effectively ended after 1988. Sandy Barber continued a career in dance music, while Ish Ledesma remained active in the Florida music scene, later producing for freestyle acts like Company B. Though their commercial peak was brief, Blue Moderne is remembered as a "hidden gem" of the late-80s Miami soul and house movement.
Bo Kirkland and Ruth Davis
Bo Kirkland and Ruth Davis are notable figures in the realm of American R&B music. Bo Kirkland, born Mike James Kirkland in 1949 in Yazoo City, Mississippi, began his musical journey in the mid-1960s. He moved to Los Angeles in the 1950s, where he pursued a career in music. Ruth Davis also sang independently prior to their collaboration, ultimately leading both artists to sign with Claridge Records in California.
Kirkland and Davis formed a duo that produced several notable tracks. They released their first album, "Bo and Ruth," in 1976 under Claridge Records. Their music was characterized by its soulful melodies, and they enjoyed moderate success within the R&B genre.
Chart Success: The duo gained recognition with their cover of Freddie Hart's "Easy Loving," which reached #38 on the R&B charts in 1976. This song helped solidify their presence in the music industry, although they were not long-performing partners and saw themselves as independent artists with diverse musical pursuits.
Following their initial success, both artists continued to explore their musical careers separately. Bo Kirkland began issuing solo recordings in 1975, establishing himself as a prominent R&B singer in his own right, while Ruth Davis focused on her individual artistry.
Despite their brief collaboration, the impact of Bo Kirkland and Ruth Davis on the R&B genre remains noteworthy. They contributed to the rich tapestry of music in the 1970s and left a lasting impression on the industry with their soulful sound and heartfelt performances.
Kirkland and Davis formed a duo that produced several notable tracks. They released their first album, "Bo and Ruth," in 1976 under Claridge Records. Their music was characterized by its soulful melodies, and they enjoyed moderate success within the R&B genre.
Chart Success: The duo gained recognition with their cover of Freddie Hart's "Easy Loving," which reached #38 on the R&B charts in 1976. This song helped solidify their presence in the music industry, although they were not long-performing partners and saw themselves as independent artists with diverse musical pursuits.
Following their initial success, both artists continued to explore their musical careers separately. Bo Kirkland began issuing solo recordings in 1975, establishing himself as a prominent R&B singer in his own right, while Ruth Davis focused on her individual artistry.
Despite their brief collaboration, the impact of Bo Kirkland and Ruth Davis on the R&B genre remains noteworthy. They contributed to the rich tapestry of music in the 1970s and left a lasting impression on the industry with their soulful sound and heartfelt performances.
Bob and Earl<div hidden>Bob & Earl</div>
Bob & Earl were a 1960s American soul duo best known for their 1963 hit "Harlem Shuffle," later popularized by covers from groups like The Rolling Stones. The duo originally consisted of Bobby Day (born Robert James Byrd, July 1, 1930, Fort Worth, Texas – July 27, 1990, Los Angeles) and Earl Nelson (born Earl Lee Nelson, September 8, 1928, Lake Charles, Louisiana – July 12, 2008, Los Angeles).
Both had sung with the doo-wop group Hollywood Flames, whose 1958 hit "Buzz-Buzz-Buzz" featured Nelson on lead vocals. They formed Bob & Earl around 1957–1960, releasing early singles like "You Made a Boo-Boo" on Class Records.
Their signature song "Harlem Shuffle" topped R&B charts in 1963 and crossed over to the pop Top 50, written by the duo and produced with a raw, danceable energy that influenced mod culture in the UK by 1965.
Bobby Day shifted to his successful solo career (hits like "Rockin' Robin"), so Bobby Relf (born Robert Nelson Relf, January 10, 1937, Los Angeles – November 20/21, 2007, Bakersfield, California) replaced him, also recording under aliases like Bobby Garrett. Follow-ups included "Baby I'm Satisfied," "Don't Ever Leave Me," and their last US chart entry "Baby It's Over" in 1966.
Nelson found solo success as Jackie Lee with the 1965 dance hit "The Duck" (No. 14 US pop, No. 4 R&B). Relf worked as a songwriter and producer, collaborating with Barry White on tracks for Love Unlimited and others, plus solo releases like "Blowing My Mind to Pieces."
The duo briefly reunited in the late 1960s–early 1970s for touring after "Harlem Shuffle" recharted in the UK, but disbanded soon after.
Both had sung with the doo-wop group Hollywood Flames, whose 1958 hit "Buzz-Buzz-Buzz" featured Nelson on lead vocals. They formed Bob & Earl around 1957–1960, releasing early singles like "You Made a Boo-Boo" on Class Records.
Their signature song "Harlem Shuffle" topped R&B charts in 1963 and crossed over to the pop Top 50, written by the duo and produced with a raw, danceable energy that influenced mod culture in the UK by 1965.
Bobby Day shifted to his successful solo career (hits like "Rockin' Robin"), so Bobby Relf (born Robert Nelson Relf, January 10, 1937, Los Angeles – November 20/21, 2007, Bakersfield, California) replaced him, also recording under aliases like Bobby Garrett. Follow-ups included "Baby I'm Satisfied," "Don't Ever Leave Me," and their last US chart entry "Baby It's Over" in 1966.
Nelson found solo success as Jackie Lee with the 1965 dance hit "The Duck" (No. 14 US pop, No. 4 R&B). Relf worked as a songwriter and producer, collaborating with Barry White on tracks for Love Unlimited and others, plus solo releases like "Blowing My Mind to Pieces."
The duo briefly reunited in the late 1960s–early 1970s for touring after "Harlem Shuffle" recharted in the UK, but disbanded soon after.
Bob James
Bob James is an American jazz keyboardist, arranger, and record producer born on December 25, 1939, in Marshall, Missouri. A two-time Grammy winner, he pioneered jazz-fusion sounds blending jazz, funk, classical, and pop elements during the 1970s at Creed Taylor's CTI label. He founded the smooth jazz supergroup Fourplay and composed the iconic "Angela" theme for the TV show Taxi.?
James displayed perfect pitch from age 4 and began piano lessons young. Discovered by Quincy Jones at the 1962 Notre Dame Collegiate Jazz Festival, he released his debut album Bold Conceptions in 1963 on Mercury Records. He later worked as Sarah Vaughan's music director and producer for artists like Grover Washington Jr. at CTI.?
His 1974 solo album One launched a prolific career with over 60 albums. He founded Tappan Zee Records, scoring a gold hit with Touchdown featuring "Angela," and explored classical works like Rameau and Scarlatti albums. Collaborations include the Grammy-winning Double Vision with David Sanborn in 1985.?
Known as the "godfather of hip-hop and smooth jazz," James's tracks like "Nautilus" and "Take Me to the Mardi Gras" have been heavily sampled in hip-hop. Now in his 80s, he continues performing and evolving his sound across genres.
James displayed perfect pitch from age 4 and began piano lessons young. Discovered by Quincy Jones at the 1962 Notre Dame Collegiate Jazz Festival, he released his debut album Bold Conceptions in 1963 on Mercury Records. He later worked as Sarah Vaughan's music director and producer for artists like Grover Washington Jr. at CTI.?
His 1974 solo album One launched a prolific career with over 60 albums. He founded Tappan Zee Records, scoring a gold hit with Touchdown featuring "Angela," and explored classical works like Rameau and Scarlatti albums. Collaborations include the Grammy-winning Double Vision with David Sanborn in 1985.?
Known as the "godfather of hip-hop and smooth jazz," James's tracks like "Nautilus" and "Take Me to the Mardi Gras" have been heavily sampled in hip-hop. Now in his 80s, he continues performing and evolving his sound across genres.
Bob Marley and The Wailers
Bob Marley, born Robert Nesta Marley on February 6, 1945, in Nine Miles, Jamaica, was raised by his mother, Cedella Marley, after his father, Norval Sinclair Marley, a British naval officer, was largely absent from his life. Marley's early life in rural Jamaica influenced his music deeply, exposing him to the rich cultural heritage of his homeland. He left school at a young age to pursue his passion for music, reflecting a journey that would later define his legacy.
Bob Marley's musical career began in 1963 when he teamed up with Peter Tosh and Bunny Wailer to form a group originally called The Teenagers, which soon changed to The Wailers. Initially influenced by the ska and rocksteady genres, the band sought to create a sound that represented the struggles and aspirations of the Rastafarian movement and Jamaican culture.
The Wailers gained significant recognition after releasing their debut album, "Catch a Fire," in 1973, which showcased their unique blend of reggae and rock. This album marked a turning point, as they began to gain an international audience. Over the years, the band released several influential albums, including "Rastaman Vibration," "Exodus," and "Legend," which solidified Marley's status as a global music icon.
Marley’s music often carried messages of peace, love, and social justice, reflecting his Rastafarian beliefs and the socio-political climate of Jamaica during his lifetime. Marley's influence transcended music, making him a symbol of resistance against oppression. His untimely death on May 11, 1981, due to cancer, did not hinder his legacy; instead, it amplified his impact, and he remains a revered figure in music and culture.
Bob Marley and The Wailers continue to inspire generations of musicians and fans worldwide. Their contributions to reggae and world music are celebrated, and Marley’s life story serves as an enduring source of inspiration, representing hope and the power of music to effect change.
Bob Marley's musical career began in 1963 when he teamed up with Peter Tosh and Bunny Wailer to form a group originally called The Teenagers, which soon changed to The Wailers. Initially influenced by the ska and rocksteady genres, the band sought to create a sound that represented the struggles and aspirations of the Rastafarian movement and Jamaican culture.
The Wailers gained significant recognition after releasing their debut album, "Catch a Fire," in 1973, which showcased their unique blend of reggae and rock. This album marked a turning point, as they began to gain an international audience. Over the years, the band released several influential albums, including "Rastaman Vibration," "Exodus," and "Legend," which solidified Marley's status as a global music icon.
Marley’s music often carried messages of peace, love, and social justice, reflecting his Rastafarian beliefs and the socio-political climate of Jamaica during his lifetime. Marley's influence transcended music, making him a symbol of resistance against oppression. His untimely death on May 11, 1981, due to cancer, did not hinder his legacy; instead, it amplified his impact, and he remains a revered figure in music and culture.
Bob Marley and The Wailers continue to inspire generations of musicians and fans worldwide. Their contributions to reggae and world music are celebrated, and Marley’s life story serves as an enduring source of inspiration, representing hope and the power of music to effect change.
Bobby Blue Bland<div hidden>Bobby Bland</div>
Bobby "Blue" Bland, born Robert Calvin Bland on January 27, 1930, in Rosemark, Tennessee, was a prominent American blues singer known for his soulful voice and influential contributions to the genre. He spent his early years in Rosemark before moving to Memphis in 1948, where he immersed himself in the local music scene and began collaborating with legendary musicians like Billy "Red" Love and other Delta artists, which shaped his musical style and career trajectory.
Bland's breakthrough came in 1957 with his hit song "Farther Up the Road," which marked the beginning of his successful recording career. Over the years, he gained recognition for his unique blend of blues, gospel, and R&B, captivating audiences with his velvety yet powerful vocal delivery.
Throughout his lifetime, Bland released numerous albums and singles, becoming a prominent figure in the blues music landscape. His influence extended beyond his own recordings, as he inspired many artists who followed in his footsteps. Bland continued to perform and record music until his later years, maintaining a loyal fan base.
Bobby "Blue" Bland passed away on June 23, 2013, in Germantown, Tennessee, leaving behind a rich legacy as one of the most beloved and influential blues singers of his time. His contributions to music have earned him a place in the history of American blues and R&B.
Bland's breakthrough came in 1957 with his hit song "Farther Up the Road," which marked the beginning of his successful recording career. Over the years, he gained recognition for his unique blend of blues, gospel, and R&B, captivating audiences with his velvety yet powerful vocal delivery.
Throughout his lifetime, Bland released numerous albums and singles, becoming a prominent figure in the blues music landscape. His influence extended beyond his own recordings, as he inspired many artists who followed in his footsteps. Bland continued to perform and record music until his later years, maintaining a loyal fan base.
Bobby "Blue" Bland passed away on June 23, 2013, in Germantown, Tennessee, leaving behind a rich legacy as one of the most beloved and influential blues singers of his time. His contributions to music have earned him a place in the history of American blues and R&B.
Bobby Bland Bobby Blue Bland
Bobby Boyd
Bobby Boyd was a notable American soul singer, songwriter, and saxophonist known for his contributions to the music industry. He was born in Dunlap, Tennessee, where his passion for music began at an early age. Boyd started playing in his first band, The Boyd Brothers, at the young age of 12, laying the foundation for his musical career.
In the mid-1960s, he moved to New York and began his recording career with singles such as "My Type Of Dancin'" (1965) and "Whatcha Gonna Do About It" (1968).
Throughout his career, Boyd became recognized not only as a performer but also as an independent producer and record label owner. He established Boyd Records, which showcased his ability to both create and produce music. His journey in music led him to New York, where he arrived after completing his schooling in Augusta, Georgia.
Boyd's career saw significant developments as he moved to Paris, France, in 1971 with his entire band, reflecting his ambition to expand his reach and influence in the music scene.
They released a self-titled cult classic album in 1971 on Okapi Records. After Boyd returned to the U.S., his former band members stayed in France to form the Lafayette Afro Rock Band, a group frequently sampled by hip-hop legends like DJ Premier and Pete Rock.
In 1980, Boyd transitioned to Nashville, where he became a highly successful staff writer for Elektra Asylum Publishing. His work earned him major industry accolades, including:-
Grammy Winner: He co-wrote the song "Bless The Broken Road," which became a 6-week #1 hit for Rascal Flatts and won the 2006 Grammy for Best Country Song.
Chart-Toppers: He penned Garth Brooks' #1 hit "Two of a Kind, Workin' on a Full House" and George Jones' "Finally Friday".
Other Notable Credits: His songs were recorded by Alabama ("In Pictures"), Aaron Tippin ("Working Man's PH.D"), Patty Loveless, and Conway Twitty.
In 2003, he moved to Spicewood, Texas, near Austin, where he returned to his R&B roots and collaborated with local blues legend W.C. Clark. He won a W.C. Handy Award (now the Blues Music Awards) in 2003 for his collaboration with W.C. Clark.
Bobby Boyd passed away at the age of 69 on June 22, 2017, at his home in Texas. His early start in music and subsequent career highlights his dedication to the soul genre and his impact on the musical landscape.
In the mid-1960s, he moved to New York and began his recording career with singles such as "My Type Of Dancin'" (1965) and "Whatcha Gonna Do About It" (1968).
Throughout his career, Boyd became recognized not only as a performer but also as an independent producer and record label owner. He established Boyd Records, which showcased his ability to both create and produce music. His journey in music led him to New York, where he arrived after completing his schooling in Augusta, Georgia.
Boyd's career saw significant developments as he moved to Paris, France, in 1971 with his entire band, reflecting his ambition to expand his reach and influence in the music scene.
They released a self-titled cult classic album in 1971 on Okapi Records. After Boyd returned to the U.S., his former band members stayed in France to form the Lafayette Afro Rock Band, a group frequently sampled by hip-hop legends like DJ Premier and Pete Rock.
In 1980, Boyd transitioned to Nashville, where he became a highly successful staff writer for Elektra Asylum Publishing. His work earned him major industry accolades, including:-
Grammy Winner: He co-wrote the song "Bless The Broken Road," which became a 6-week #1 hit for Rascal Flatts and won the 2006 Grammy for Best Country Song.
Chart-Toppers: He penned Garth Brooks' #1 hit "Two of a Kind, Workin' on a Full House" and George Jones' "Finally Friday".
Other Notable Credits: His songs were recorded by Alabama ("In Pictures"), Aaron Tippin ("Working Man's PH.D"), Patty Loveless, and Conway Twitty.
In 2003, he moved to Spicewood, Texas, near Austin, where he returned to his R&B roots and collaborated with local blues legend W.C. Clark. He won a W.C. Handy Award (now the Blues Music Awards) in 2003 for his collaboration with W.C. Clark.
Bobby Boyd passed away at the age of 69 on June 22, 2017, at his home in Texas. His early start in music and subsequent career highlights his dedication to the soul genre and his impact on the musical landscape.
Bobby Glover
Bobby Glover is a soul and funk singer best known for his work with the influential band Zapp in the late 1970s and early 1980s. Born on November 29, 1951, in Hamilton, Ohio, he grew up in a music-loving family influenced by artists like James Brown, Parliament-Funkadelic, and Marvin Gaye, which shaped his smooth vocal style and rhythmic sound.
Glover started performing in local venues and clubs, honing his skills through demos and collaborations. His big break came with Zapp, led by Roger Troutman, where he contributed to their self-titled debut album, helping pioneer electro-funk sounds that bridged funk to hip-hop.
In 1984, Glover released his only solo album, Bad Bobby Glover (also known as Expansion), under the "Bad Boy Glover" moniker, featuring post-disco soul tracks during his time with Zapp's entourage. Recent releases include singles like "I Thank You," "Can I," and "Dance With You (Steppers Vibe)" in 2025.
Active in R&B, funk, and urban styles since the 1980s, Glover's powerful voice and stage presence have made him a vinyl collector favorite. His authentic sound endures among fans of classic soul and funk.
Glover started performing in local venues and clubs, honing his skills through demos and collaborations. His big break came with Zapp, led by Roger Troutman, where he contributed to their self-titled debut album, helping pioneer electro-funk sounds that bridged funk to hip-hop.
In 1984, Glover released his only solo album, Bad Bobby Glover (also known as Expansion), under the "Bad Boy Glover" moniker, featuring post-disco soul tracks during his time with Zapp's entourage. Recent releases include singles like "I Thank You," "Can I," and "Dance With You (Steppers Vibe)" in 2025.
Active in R&B, funk, and urban styles since the 1980s, Glover's powerful voice and stage presence have made him a vinyl collector favorite. His authentic sound endures among fans of classic soul and funk.
Bobby Moore and The Rhythm Aces<div hidden>Bobby Moore & The Rhythm Aces</div>
Bobby Moore was a tenor saxophonist and bandleader best known for leading Bobby Moore & the Rhythm Aces, an American soul group from Montgomery, Alabama. The group formed in 1952 and gained fame with their 1966 hit "Searching for My Love."
Bobby Moore, born Robert Moore on July 17, 1930, in New Orleans, Louisiana, joined the US Army as a teenager. Stationed at Fort Benning, Georgia, in 1952, he assembled the first Rhythm Aces lineup from the base's marching band, performing at military events and southern clubs. After his discharge around 1961, he relocated to Montgomery and reformed the group with his son Larry Moore on saxophone, Chico Jenkins on vocals and guitar, Marion Sledge on guitar, Joe Frank on double bass, Clifford Laws on keyboards, and John Baldwin Jr. on drums.
The band backed touring artists like Sam Cooke and Ray Charles while playing local Alabama gigs. In 1965, they recorded "Searching for My Love" at FAME Studios in Muscle Shoals, which Checker Records released and became a million-seller, peaking at #27 on the Billboard Hot 100 and #7 on the R&B chart in 1966. Follow-up singles like "Try My Love Again" (#97 Hot 100) and "Chained to Your Heart" had modest success, but Checker dropped them after 1969's "Your Love and My Love Together."
The Rhythm Aces persisted in Alabama with shifting members into the 2000s, performing soul, funk, rock, and modern hits at events. Bobby Moore died of kidney failure on February 1, 2006, in Montgomery, after which son Larry Moore took over leadership. The group remains active, booked through Nashville's Crescent Moon Entertainment for parties and corporate events.
Bobby Moore, born Robert Moore on July 17, 1930, in New Orleans, Louisiana, joined the US Army as a teenager. Stationed at Fort Benning, Georgia, in 1952, he assembled the first Rhythm Aces lineup from the base's marching band, performing at military events and southern clubs. After his discharge around 1961, he relocated to Montgomery and reformed the group with his son Larry Moore on saxophone, Chico Jenkins on vocals and guitar, Marion Sledge on guitar, Joe Frank on double bass, Clifford Laws on keyboards, and John Baldwin Jr. on drums.
The band backed touring artists like Sam Cooke and Ray Charles while playing local Alabama gigs. In 1965, they recorded "Searching for My Love" at FAME Studios in Muscle Shoals, which Checker Records released and became a million-seller, peaking at #27 on the Billboard Hot 100 and #7 on the R&B chart in 1966. Follow-up singles like "Try My Love Again" (#97 Hot 100) and "Chained to Your Heart" had modest success, but Checker dropped them after 1969's "Your Love and My Love Together."
The Rhythm Aces persisted in Alabama with shifting members into the 2000s, performing soul, funk, rock, and modern hits at events. Bobby Moore died of kidney failure on February 1, 2006, in Montgomery, after which son Larry Moore took over leadership. The group remains active, booked through Nashville's Crescent Moon Entertainment for parties and corporate events.
Bobby Parker
Bobby Parker was an influential American blues-rock guitarist, singer, and songwriter best known for his 1961 hit "Watch Your Step." Born Robert Lee Parker on August 31, 1937, in Lafayette, Louisiana, he was raised in Los Angeles, California, where he developed an early passion for music inspired by artists like T-Bone Walker and Lowell Fulson.
Parker began performing in the 1950s, winning a talent contest that led to gigs with Otis Williams and the Charms, followed by stints backing Bo Diddley—appearing on The Ed Sullivan Show—and Paul "Hucklebuck" Williams' big band. His debut solo single, "Blues Get Off My Shoulder" (1958), showcased his songwriting, though its B-side "You Got What It Takes" later became a Motown hit for Marv Johnson without crediting Parker.
"Watch Your Step" reached the Billboard Hot 100 and R&B charts, with its iconic guitar riff inspiring the Beatles' "I Feel Fine" and "Day Tripper," as noted by John Lennon; it was also covered by groups like the Spencer Davis Group. Parker toured the UK in 1968, recording "It's Hard But It's Fair" for Blue Horizon, and drew admiration from Jimmy Page, who later sought to sign him.
Settling in the Washington, D.C. area, Parker gigged locally for decades, notably at Madam's Organ Blues Bar, and revived his recording career in the 1990s with albums Bent Out of Shape (1993) and Shine Me Up (1995) on Black Top Records. He headlined events like the 1993 Jersey Shore Jazz and Blues Festival before passing away on October 31, 2013.
Parker began performing in the 1950s, winning a talent contest that led to gigs with Otis Williams and the Charms, followed by stints backing Bo Diddley—appearing on The Ed Sullivan Show—and Paul "Hucklebuck" Williams' big band. His debut solo single, "Blues Get Off My Shoulder" (1958), showcased his songwriting, though its B-side "You Got What It Takes" later became a Motown hit for Marv Johnson without crediting Parker.
"Watch Your Step" reached the Billboard Hot 100 and R&B charts, with its iconic guitar riff inspiring the Beatles' "I Feel Fine" and "Day Tripper," as noted by John Lennon; it was also covered by groups like the Spencer Davis Group. Parker toured the UK in 1968, recording "It's Hard But It's Fair" for Blue Horizon, and drew admiration from Jimmy Page, who later sought to sign him.
Settling in the Washington, D.C. area, Parker gigged locally for decades, notably at Madam's Organ Blues Bar, and revived his recording career in the 1990s with albums Bent Out of Shape (1993) and Shine Me Up (1995) on Black Top Records. He headlined events like the 1993 Jersey Shore Jazz and Blues Festival before passing away on October 31, 2013.
Bobby Patterson
Bobby Patterson is an American musician, singer, songwriter, and record producer born on March 13, 1944, in Dallas, Texas. He emerged from a blues-loving family and developed a strong musical foundation at an early age, acquiring his first electric guitar when he was just 13 years old. His early experiences included sitting in with local guitarists, honing his skills and deepening his appreciation for music.
Patterson's career spans several decades, starting from the 1950s and continuing into the 2020s. He is primarily known for his contributions to the genres of R&B, soul, and blues, showcasing a style that incorporates elements of Southern soul and retro-soul. His artistry has earned him recognition as a significant figure in the North Texas music scene, often being described as a true treasure of the region.
Throughout his career, Bobby Patterson produced records not only for himself but also for notable artists, including Fontella Bass and Chuck Jackson. Despite taking a 20-year hiatus from performing, he returned to the music scene with a sound that reflects the essence of '60s and '70s soul, steering clear of mere homage and instead showcasing his authentic artistry.
Patterson's work and influence in the music industry have solidified his status as a revered artist, contributing to the rich tapestry of American soul music.
Patterson's career spans several decades, starting from the 1950s and continuing into the 2020s. He is primarily known for his contributions to the genres of R&B, soul, and blues, showcasing a style that incorporates elements of Southern soul and retro-soul. His artistry has earned him recognition as a significant figure in the North Texas music scene, often being described as a true treasure of the region.
Throughout his career, Bobby Patterson produced records not only for himself but also for notable artists, including Fontella Bass and Chuck Jackson. Despite taking a 20-year hiatus from performing, he returned to the music scene with a sound that reflects the essence of '60s and '70s soul, steering clear of mere homage and instead showcasing his authentic artistry.
Patterson's work and influence in the music industry have solidified his status as a revered artist, contributing to the rich tapestry of American soul music.
Bobby Taylor and The Vancouvers
Bobby Taylor & the Vancouvers were a significant Canadian soul band that emerged in the 1960s, known for their unique blend of doo-wop and soul music. The group was formed in Vancouver, British Columbia, and was signed to the Gordy Records label, a division of Motown, which contributed to their exposure and success in the music industry.
Bobby Taylor, whose full name is Robert Edward Taylor, was born on February 18, 1934, in Washington, D.C. He grew up as a childhood friend of legendary musician Marvin Gaye before moving to New York City, where he began performing in doo-wop groups, including The Four Dots. His musical journey eventually led him to Vancouver, where he formed Bobby Taylor & the Vancouvers, drawing on his experiences and the vibrant music scene of the city.
The Vancouvers were characterized by their smooth and upbeat sound, influenced by a diverse range of musical backgrounds. The group's lineup included musicians from various ethnicities, which contributed to their rich and varied musical style. Their music often addressed themes of love and social issues, resonating with a wide audience.
One of the group's most famous songs is "Does Your Mama Know About Me," which became a hit and showcased their soulful sound. The lyrics hinted at themes of interracial love, inspired by the personal experiences of some of the band's members. Bobby Taylor's leadership and vocal talent played a crucial role in the band's identity and success.
Despite their influence and contributions to the music scene, Bobby Taylor & the Vancouvers saw a decline in popularity as musical tastes evolved and the Motown sound shifted in the late 1960s. However, they remain a notable part of Canada's musical legacy and the broader context of 1960s soul and R&B music.
In summary, Bobby Taylor & the Vancouvers were a pioneering force in the Canadian soul music scene, leaving behind a legacy that continues to be appreciated by fans of the genre. Their blend of influences and heartfelt lyrics solidified their place in music history and showcased the rich tapestry of cultural expression in Canada during that era. Information is missing on their later years and any significant reunions or posthumous recognition.
Bobby Taylor, whose full name is Robert Edward Taylor, was born on February 18, 1934, in Washington, D.C. He grew up as a childhood friend of legendary musician Marvin Gaye before moving to New York City, where he began performing in doo-wop groups, including The Four Dots. His musical journey eventually led him to Vancouver, where he formed Bobby Taylor & the Vancouvers, drawing on his experiences and the vibrant music scene of the city.
The Vancouvers were characterized by their smooth and upbeat sound, influenced by a diverse range of musical backgrounds. The group's lineup included musicians from various ethnicities, which contributed to their rich and varied musical style. Their music often addressed themes of love and social issues, resonating with a wide audience.
One of the group's most famous songs is "Does Your Mama Know About Me," which became a hit and showcased their soulful sound. The lyrics hinted at themes of interracial love, inspired by the personal experiences of some of the band's members. Bobby Taylor's leadership and vocal talent played a crucial role in the band's identity and success.
Despite their influence and contributions to the music scene, Bobby Taylor & the Vancouvers saw a decline in popularity as musical tastes evolved and the Motown sound shifted in the late 1960s. However, they remain a notable part of Canada's musical legacy and the broader context of 1960s soul and R&B music.
In summary, Bobby Taylor & the Vancouvers were a pioneering force in the Canadian soul music scene, leaving behind a legacy that continues to be appreciated by fans of the genre. Their blend of influences and heartfelt lyrics solidified their place in music history and showcased the rich tapestry of cultural expression in Canada during that era. Information is missing on their later years and any significant reunions or posthumous recognition.
Bobby Thurston
Bobby Thurston, born in 1954 in Washington, D.C., is a prominent American soul and disco singer known for his contributions to the music scene. He began his musical journey during his high school years, where he initially sang and played congas with a group called Spectrum Ltd. This early involvement in music laid the groundwork for his eventual career in the industry.
Thurston gained recognition for his expressive vocal style and became well-known for his hit single "You Got What It Takes," which showcased his talent and solidified his place within the genre of disco music. In addition to his solo work, he released the album "Sweetest Piece of the Pie" under the Mainline label, further establishing his presence in the R&B and funk scenes.
Over the years, Bobby Thurston has continued to influence the music world, with a sound that combines elements of soul, disco, and R&B, reflecting the rich musical heritage of Washington, D.C., his hometown.
Thurston gained recognition for his expressive vocal style and became well-known for his hit single "You Got What It Takes," which showcased his talent and solidified his place within the genre of disco music. In addition to his solo work, he released the album "Sweetest Piece of the Pie" under the Mainline label, further establishing his presence in the R&B and funk scenes.
Over the years, Bobby Thurston has continued to influence the music world, with a sound that combines elements of soul, disco, and R&B, reflecting the rich musical heritage of Washington, D.C., his hometown.
Bobby Womack
Bobby Womack (March 4, 1944 – June 27, 2014) was an American soul singer-songwriter and guitarist whose influential career spanned over six decades. He was a pivotal figure in R&B, known for his gritty vocals and prolific songwriting for legends like The Rolling Stones and Aretha Franklin.
Born in Cleveland, Ohio, Womack grew up in extreme poverty, sharing a single bedroom with his four brothers. Encouraged by their father, Friendly Womack, the five brothers formed a gospel group.
While touring, they were discovered by Sam Cooke, who signed them to his SAR Records label and renamed them The Valentinos. Under Cooke’s guidance, they recorded "Lookin' for a Love" (1962). Womack also wrote "It's All Over Now," which became the Rolling Stones' first UK #1 hit. Following Cooke's death in 1964, Womack became a sought-after session guitarist and songwriter. He played on Aretha Franklin’s Lady Soul and wrote hits for Wilson Pickett.
At age 21, Womack married Sam Cooke's widow, Barbara Campbell, just months after Cooke's murder, which led to a significant industry backlash. His life was marked by the loss of his brother Harry, who was murdered in 1974, and the deaths of two of his sons.
In the early seventies he launched a successful solo career with hits like "That's the Way I Feel About Cha" (1971), "Woman's Gotta Have It" (1972), and the soundtrack for the film Across 110th Street. After a career slump, he returned with the critically acclaimed albums The Poet (1981) and The Poet II (1984), featuring the classic "If You Think You're Lonely Now".
In 2010, he collaborated with Damon Albarn for the Gorillaz track "Stylo." He released his final studio album, The Bravest Man in the Universe, in 2012. He was inducted into the Rock and Roll Hall of Fame in 2009 and posthumously into the Rhythm and Blues Music Hall of Fame in 2025.
Womack passed away on June 27, 2014, in Tarzana, California, at age 70 after battling various health issues, including Alzheimer's disease and cancer.
Born in Cleveland, Ohio, Womack grew up in extreme poverty, sharing a single bedroom with his four brothers. Encouraged by their father, Friendly Womack, the five brothers formed a gospel group.
While touring, they were discovered by Sam Cooke, who signed them to his SAR Records label and renamed them The Valentinos. Under Cooke’s guidance, they recorded "Lookin' for a Love" (1962). Womack also wrote "It's All Over Now," which became the Rolling Stones' first UK #1 hit. Following Cooke's death in 1964, Womack became a sought-after session guitarist and songwriter. He played on Aretha Franklin’s Lady Soul and wrote hits for Wilson Pickett.
At age 21, Womack married Sam Cooke's widow, Barbara Campbell, just months after Cooke's murder, which led to a significant industry backlash. His life was marked by the loss of his brother Harry, who was murdered in 1974, and the deaths of two of his sons.
In the early seventies he launched a successful solo career with hits like "That's the Way I Feel About Cha" (1971), "Woman's Gotta Have It" (1972), and the soundtrack for the film Across 110th Street. After a career slump, he returned with the critically acclaimed albums The Poet (1981) and The Poet II (1984), featuring the classic "If You Think You're Lonely Now".
In 2010, he collaborated with Damon Albarn for the Gorillaz track "Stylo." He released his final studio album, The Bravest Man in the Universe, in 2012. He was inducted into the Rock and Roll Hall of Fame in 2009 and posthumously into the Rhythm and Blues Music Hall of Fame in 2025.
Womack passed away on June 27, 2014, in Tarzana, California, at age 70 after battling various health issues, including Alzheimer's disease and cancer.
Bobby Womack
Booker T. and Priscilla
Booker T. And The M.G.’s<div hidden>Booker T. And The MGs Booker T And The MGs</div>
Booker T. & the M.G.'s formed in 1962 in Memphis, Tennessee, as the house band for Stax Records, shaping the sound of Southern soul music through their instrumental R&B style. The group consisted of Booker T. Jones on organ and piano, Steve Cropper on guitar, Lewie Steinberg on bass (later replaced by Donald "Duck" Dunn), and Al Jackson Jr. on drums.?
The band emerged from informal studio jams at Stax, with their debut hit "Green Onions" recorded spontaneously in 1962 and topping charts the next year. This track, along with others like "Hip Hug-Her" and "Time Is Tight," defined their signature groove blending organ riffs, tight guitar licks, and rhythmic precision. They backed legends such as Otis Redding, Sam & Dave, and Wilson Pickett, influencing soul's evolution.?
Booker T. & the M.G.'s released over a dozen albums, peaking with Green Onions at No. 33 on the Billboard 200, and earned induction into the Rock & Roll Hall of Fame in 1992. Their sound powered Stax's golden era, and later reunions included work with the Blues Brothers and a 1977 album Universal Language. The attached RnB Albums page highlights their work like Up Tight (Motion Picture Soundtrack), tying into their film scoring legacy.?
Tragedy struck in 1975 with Al Jackson Jr.'s murder, but Cropper, Dunn, and Jones continued sporadically, including Atlantic Records' 40th anniversary in 1986. Their economical, emotive style inspired generations of funk and soul acts, cementing them as Memphis soul pioneers.
The band emerged from informal studio jams at Stax, with their debut hit "Green Onions" recorded spontaneously in 1962 and topping charts the next year. This track, along with others like "Hip Hug-Her" and "Time Is Tight," defined their signature groove blending organ riffs, tight guitar licks, and rhythmic precision. They backed legends such as Otis Redding, Sam & Dave, and Wilson Pickett, influencing soul's evolution.?
Booker T. & the M.G.'s released over a dozen albums, peaking with Green Onions at No. 33 on the Billboard 200, and earned induction into the Rock & Roll Hall of Fame in 1992. Their sound powered Stax's golden era, and later reunions included work with the Blues Brothers and a 1977 album Universal Language. The attached RnB Albums page highlights their work like Up Tight (Motion Picture Soundtrack), tying into their film scoring legacy.?
Tragedy struck in 1975 with Al Jackson Jr.'s murder, but Cropper, Dunn, and Jones continued sporadically, including Atlantic Records' 40th anniversary in 1986. Their economical, emotive style inspired generations of funk and soul acts, cementing them as Memphis soul pioneers.
Booty People
Booty People was a short-lived American psychedelic soul-funk ensemble active in the mid-to-late 1970s. The group is best known for their transition into the long-running funk act General Caine and for featuring a member of Jimi Hendrix's family.
The group was the predecessor to General Caine, a band led by Mitch McDowell that went on to release several albums between 1978 and 1983.
The band featured guitarist Rick Hendrix, who was a cousin of legendary guitarist Jimi Hendri.x
Major Works: Released the single "Spirit of '76" (with B-side "Anyway I'm Busted") on Calla Records in 1976. This track became a hit, appearing on the Billboard, Cash Box, and Record World charts. Their only full-length LP, Booty People, was released in 1977 on ABC Records.
The band's sound is typically categorized as psychedelic soul or heavy funk, characterized by driving rhythms and experimental guitar work inspired by the family lineage of Rick Hendri.x Their work is often sought after by funk collectors for its raw energy and connection to the later General Caine discography.
The group was the predecessor to General Caine, a band led by Mitch McDowell that went on to release several albums between 1978 and 1983.
The band featured guitarist Rick Hendrix, who was a cousin of legendary guitarist Jimi Hendri.x
Major Works: Released the single "Spirit of '76" (with B-side "Anyway I'm Busted") on Calla Records in 1976. This track became a hit, appearing on the Billboard, Cash Box, and Record World charts. Their only full-length LP, Booty People, was released in 1977 on ABC Records.
The band's sound is typically categorized as psychedelic soul or heavy funk, characterized by driving rhythms and experimental guitar work inspired by the family lineage of Rick Hendri.x Their work is often sought after by funk collectors for its raw energy and connection to the later General Caine discography.
Brainstorm
Brainstorm was an American funk, disco, and R&B band that emerged from Detroit, Michigan, in 1976. The band was formed as a splinter group from the ensemble 5th Revelation and consisted of a blend of talented musicians known for their energetic performances and technical instrumentation. The group gained prominence in the late 1970s, recording for the Tabu label and earning a dedicated following.
The band's debut album, "Stormin'," released in 1977, became their best-selling record and showcased their signature sound, which combined elements of funk, disco, and R&B. Throughout their active years, Brainstorm produced several tracks that were well received in the funk and soul music scenes, contributing to the rich musical landscape of the period.
The members of Brainstorm included notable figures such as Renell Gonsalves, whose familial connections to the music industry played a role in the band's development. They continued to perform and produce music until their disbandment, which occurred in the early 1980s. Despite their brief period of activity, Brainstorm left an enduring legacy in the genre, influencing subsequent generations of musicians and contributing to the evolution of funk and R&B music in America.
The band's debut album, "Stormin'," released in 1977, became their best-selling record and showcased their signature sound, which combined elements of funk, disco, and R&B. Throughout their active years, Brainstorm produced several tracks that were well received in the funk and soul music scenes, contributing to the rich musical landscape of the period.
The members of Brainstorm included notable figures such as Renell Gonsalves, whose familial connections to the music industry played a role in the band's development. They continued to perform and produce music until their disbandment, which occurred in the early 1980s. Despite their brief period of activity, Brainstorm left an enduring legacy in the genre, influencing subsequent generations of musicians and contributing to the evolution of funk and R&B music in America.
Brandi Wells
Brandi Wells was an American soul and funk singer from Philadelphia, known for her work in the late 1970s and 1980s. Born Marguerite J. Pinder on May 13, 1955, in Chester County, Pennsylvania, she began her career young and passed away in 2003.
Wells grew up as one of five daughters of Thomas and Dorothy Pinder in Chester, Pennsylvania, attending Chester Upland School District. She started performing professionally at age nine with the group the Twilights on Harathon Records, recording tracks like "Shipwreck" and "It's Been So Long," alongside Ellis Hall.
In 1972, she joined Major Harris's backing group Brown Sugar. By 1973, she formed Breeze, which supported artists like Billy Paul and Fat Larry's Band, releasing music on WMOT. Breeze evolved into Slick, scoring UK hits with "Space Bass" (1979 Top 20) and "Sexy Cream," plus her vocal on "Sunrise" (1980).
Wells launched her solo career in 1981 on WMOT/Fantasy with the album Watch Out, backed by producers like Thom Bell and Dexter Wansel. The "Watch Out" single peaked at #27 on US R&B and #74 UK charts, while "When It's Love" hit the R&B charts; the album reached #37 on Billboard R&B. Her 1985 follow-up, 21st Century Fox on Omni Records, followed but lacked similar chart impact.
Married to Terry Price, Wells died on March 25, 2003, at age 47 from breast cancer at Crozer-Chester Medical Center in Chester, Pennsylvania; she was buried at Haven Memorial Cemetery.
Wells grew up as one of five daughters of Thomas and Dorothy Pinder in Chester, Pennsylvania, attending Chester Upland School District. She started performing professionally at age nine with the group the Twilights on Harathon Records, recording tracks like "Shipwreck" and "It's Been So Long," alongside Ellis Hall.
In 1972, she joined Major Harris's backing group Brown Sugar. By 1973, she formed Breeze, which supported artists like Billy Paul and Fat Larry's Band, releasing music on WMOT. Breeze evolved into Slick, scoring UK hits with "Space Bass" (1979 Top 20) and "Sexy Cream," plus her vocal on "Sunrise" (1980).
Wells launched her solo career in 1981 on WMOT/Fantasy with the album Watch Out, backed by producers like Thom Bell and Dexter Wansel. The "Watch Out" single peaked at #27 on US R&B and #74 UK charts, while "When It's Love" hit the R&B charts; the album reached #37 on Billboard R&B. Her 1985 follow-up, 21st Century Fox on Omni Records, followed but lacked similar chart impact.
Married to Terry Price, Wells died on March 25, 2003, at age 47 from breast cancer at Crozer-Chester Medical Center in Chester, Pennsylvania; she was buried at Haven Memorial Cemetery.
Brass Construction
Brass Construction was an influential American funk and soul band that emerged from Brooklyn, New York, in 1968. The group, initially known as Dynamic Soul, was founded by Randy Muller, a talented keyboardist, singer, and producer who played a pivotal role in the band's creative direction.
The band gained significant recognition in the 1970s for their upbeat and infectious sound, which blended elements of funk, disco, and soul. Their breakthrough came with the release of the hit single "Movin'" in 1976, which topped multiple Billboard charts and earned the band gold and platinum sales certifications. This track showcased their signature style characterized by tight grooves, powerful brass instrumentation, and catchy melodies.
Over the years, Brass Construction released several successful albums, with their music often celebrated for its vibrant energy and danceability. They were active in the music scene until 1985, during which time they helped to shape the sonic landscape of funk and disco. Their work has also been recognized for influencing the Britfunk movement in the late 1970s and early 1980s.
The band's lineup featured various talented musicians, but it was Muller’s vision that drove their artistic output. After a brief hiatus, Brass Construction attempted a comeback in 1988, although they did not achieve the same level of success as in their earlier years.
In summary, Brass Construction stands out as a seminal funk band, notable for their contributions to the genre and their enduring influence on subsequent musical movements.
The band gained significant recognition in the 1970s for their upbeat and infectious sound, which blended elements of funk, disco, and soul. Their breakthrough came with the release of the hit single "Movin'" in 1976, which topped multiple Billboard charts and earned the band gold and platinum sales certifications. This track showcased their signature style characterized by tight grooves, powerful brass instrumentation, and catchy melodies.
Over the years, Brass Construction released several successful albums, with their music often celebrated for its vibrant energy and danceability. They were active in the music scene until 1985, during which time they helped to shape the sonic landscape of funk and disco. Their work has also been recognized for influencing the Britfunk movement in the late 1970s and early 1980s.
The band's lineup featured various talented musicians, but it was Muller’s vision that drove their artistic output. After a brief hiatus, Brass Construction attempted a comeback in 1988, although they did not achieve the same level of success as in their earlier years.
In summary, Brass Construction stands out as a seminal funk band, notable for their contributions to the genre and their enduring influence on subsequent musical movements.
Breakwater
Breakwater was an influential soul-funk band from Philadelphia, active primarily from 1971 to 1980. They gained recognition for their sophisticated blend of funk, R&B, soul, and jazz elements, bolstered by tight musicianship and vibrant horn sections.
The group formed in 1971 when original members met at school in Philadelphia. Key lineup included Kae Williams Jr. (keyboards, d. 2008), Gene Robinson (lead vocals, trumpet), James Gee Jones (drums), Linc "Love" or "Zay" Gilmore (guitar), Steve Green (bass), Vince Garnell or Dutton (woodwinds/sax), Greg Scott (woodwinds/sax, vocals), and John "Dutch" Braddock (percussion).
Breakwater signed with Arista Records and released a self-titled debut album in 1978, followed by Splashdown in 1980. The latter is often hailed as a funk masterpiece, featuring the track "Release the Beast," later sampled by Daft Punk in "Robot Rock" (2005).
They built a strong local following as a live act before disbanding around 1980, with some members like Kae Williams Jr. pursuing production work for acts such as B.B. & Q. Band and Curtis Hairston. The band reunited around 2010 and remains active.
The group formed in 1971 when original members met at school in Philadelphia. Key lineup included Kae Williams Jr. (keyboards, d. 2008), Gene Robinson (lead vocals, trumpet), James Gee Jones (drums), Linc "Love" or "Zay" Gilmore (guitar), Steve Green (bass), Vince Garnell or Dutton (woodwinds/sax), Greg Scott (woodwinds/sax, vocals), and John "Dutch" Braddock (percussion).
Breakwater signed with Arista Records and released a self-titled debut album in 1978, followed by Splashdown in 1980. The latter is often hailed as a funk masterpiece, featuring the track "Release the Beast," later sampled by Daft Punk in "Robot Rock" (2005).
They built a strong local following as a live act before disbanding around 1980, with some members like Kae Williams Jr. pursuing production work for acts such as B.B. & Q. Band and Curtis Hairston. The band reunited around 2010 and remains active.
Brenda and the Tabulations
Brenda & the Tabulations were an American R&B vocal group established in 1966 in Philadelphia, Pennsylvania. The original lineup featured lead singer Brenda J. Payton, alongside Eddie L. Jackson, Maurice Coates, and other members. Brenda, born on October 24, 1945, in Philadelphia, was the group’s primary vocalist and lyricist, known for her powerful and emotive singing style.
The group initially formed when Brenda and Maurice Coates began singing together while working as supervisors at a playground in downtown Philadelphia during the summer of 1966. Their chemistry and passion for music led to the formation of the group, which quickly gained popularity in the local music scene.
Brenda & the Tabulations rose to prominence in the late 1960s and early 1970s, becoming well-known for their soulful sound and hit records. They recorded several tracks that garnered significant airtime and chart success such as "Dry Your Eyes" (1967), "The Touch of You" (1969), and "Right On The Tip Of My Tongue" (1971). Their music is characterized by the classic R&B style, combining orchestral elements with heartfelt vocal performances.
Throughout their career, the group contributed to the rich tapestry of American soul and R&B music. Brenda & the Tabulations have been recognized for their influential impact on the genre and their continued legacy in the music industry.
The group initially formed when Brenda and Maurice Coates began singing together while working as supervisors at a playground in downtown Philadelphia during the summer of 1966. Their chemistry and passion for music led to the formation of the group, which quickly gained popularity in the local music scene.
Brenda & the Tabulations rose to prominence in the late 1960s and early 1970s, becoming well-known for their soulful sound and hit records. They recorded several tracks that garnered significant airtime and chart success such as "Dry Your Eyes" (1967), "The Touch of You" (1969), and "Right On The Tip Of My Tongue" (1971). Their music is characterized by the classic R&B style, combining orchestral elements with heartfelt vocal performances.
Throughout their career, the group contributed to the rich tapestry of American soul and R&B music. Brenda & the Tabulations have been recognized for their influential impact on the genre and their continued legacy in the music industry.
Brenda Mitchell
Brenda Mitchell is an American soul and R&B singer, songwriter, and choir director known for her work as a solo artist and a sought-after background vocalist for major industry icons.
Mitchell achieved recognition with R&B chart hits, including "Good Old Fashioned Lovin'" (1975) on Playboy Records and "Watch My Body Talk" (1984) on Private-I Records.
She has provided background vocals for legendary artists such as Ray Charles, Diana Ross, Stevie Wonder, Mavis Staples, and Graham Nash.
Her compositions have been recorded by a wide array of stars, including Aretha Franklin, Prince, Gladys Knight, the Staples Singers, and Bobby Womack.
In 2000, she released the solo album Startin' Over. She also wrote and starred in a one-woman musical theatre production titled Grace, which premiered in Los Angeles in 2010.
Mitchell achieved recognition with R&B chart hits, including "Good Old Fashioned Lovin'" (1975) on Playboy Records and "Watch My Body Talk" (1984) on Private-I Records.
She has provided background vocals for legendary artists such as Ray Charles, Diana Ross, Stevie Wonder, Mavis Staples, and Graham Nash.
Her compositions have been recorded by a wide array of stars, including Aretha Franklin, Prince, Gladys Knight, the Staples Singers, and Bobby Womack.
In 2000, she released the solo album Startin' Over. She also wrote and starred in a one-woman musical theatre production titled Grace, which premiered in Los Angeles in 2010.
Brenton Wood
Brenton Wood, born Alfred Jesse Smith on July 26, 1941, in Shreveport, Louisiana, was a significant figure in the American soul and R&B music scene. He grew up in coastal San Pedro, California, where he attended high school and began to delve into music during his youth.
His musical career gained momentum when he released his debut album, "Oogum Boogum," in 1967, at the age of 26. This album marked the beginning of his successful journey in the music industry, showcasing his unique style that blended soulful melodies with an engaging lyrical narrative.
Brenton Wood is perhaps best known for his hit singles from the late 1960s, particularly "Gimme Little Sign" and "The Oogum Boogum Song," both of which became iconic tracks in the soul genre. His contributions to music have placed him among the elite artists of the pre-baby boomer era, establishing his legacy in the annals of American R&B and soul music.
Throughout his career, he also ventured into acting, appearing in films such as "Colors" (1988), "The Gray Man" (2022), and "Almost Famous" (2000).
Brenton Wood passed away on January 3, 2025, at the age of 83, leaving behind a rich legacy in the realms of music and entertainment. His influence continues to resonate within the industry, remembered for his vibrant contributions to soul music and the cultural landscape of his time.
His musical career gained momentum when he released his debut album, "Oogum Boogum," in 1967, at the age of 26. This album marked the beginning of his successful journey in the music industry, showcasing his unique style that blended soulful melodies with an engaging lyrical narrative.
Brenton Wood is perhaps best known for his hit singles from the late 1960s, particularly "Gimme Little Sign" and "The Oogum Boogum Song," both of which became iconic tracks in the soul genre. His contributions to music have placed him among the elite artists of the pre-baby boomer era, establishing his legacy in the annals of American R&B and soul music.
Throughout his career, he also ventured into acting, appearing in films such as "Colors" (1988), "The Gray Man" (2022), and "Almost Famous" (2000).
Brenton Wood passed away on January 3, 2025, at the age of 83, leaving behind a rich legacy in the realms of music and entertainment. His influence continues to resonate within the industry, remembered for his vibrant contributions to soul music and the cultural landscape of his time.
Brick
Brick is an American funk and jazz-fusion band formed in Atlanta, Georgia. They are best known for creating a unique musical style they termed "Dazz," a portmanteau of "disco" and "jazz".
The group formed in 1972 when members of two local Atlanta bands—one focused on jazz-funk and the other on soul-funk—merged into a single unit. In 1976, after releasing their first single "Music Matic" on the small Main Street label, they signed with Bang Records. Their debut single for Bang, "Dazz" (1976), became a massive crossover hit, topping the Billboard R&B chart and reaching #3 on the Hot 100.
The classic lineup consisted of: Jimmy "Lord" Brown: Lead vocals, saxophone, flute, and trumpet; Regi Hargis: Guitar, bass, and vocals (Founder; died Oct 15, 2021); Ray Ransom: Bass, keyboards, percussion, and vocals; Eddie Irons: Drums, keyboards, and lead vocals; Donald Nevins: Keyboards and vocals (Died Aug 7, 2011).
Brick's sound was characterized by lighthearted pop-jazz refrains and propulsive funk beats. Their notable chart-topping tracks include:- "Dazz" (1976): Their signature song, later heavily sampled in hip-hop; "Dusic" (1977): Another "Dazz" style hit that reached #18 on the Pop charts; "Ain't Gonna Hurt Nobody" (1978): A Top 10 R&B hit famously sampled by the rap duo Kid 'N Play; "Sweat (Til You Get Wet)" (1981): Their final Top 10 R&B hit.
Though they later split, Brick's innovative fusion of genres and catchy hits remain celebrated staples of the funk era, influencing countless artists and defining the disco-jazz sound.
The band released six studio albums on Bang Records between 1976 and 1982. While the original lineup fractured in the late 1980s, variations of the group have continued to tour into the 21st century.
The group formed in 1972 when members of two local Atlanta bands—one focused on jazz-funk and the other on soul-funk—merged into a single unit. In 1976, after releasing their first single "Music Matic" on the small Main Street label, they signed with Bang Records. Their debut single for Bang, "Dazz" (1976), became a massive crossover hit, topping the Billboard R&B chart and reaching #3 on the Hot 100.
The classic lineup consisted of: Jimmy "Lord" Brown: Lead vocals, saxophone, flute, and trumpet; Regi Hargis: Guitar, bass, and vocals (Founder; died Oct 15, 2021); Ray Ransom: Bass, keyboards, percussion, and vocals; Eddie Irons: Drums, keyboards, and lead vocals; Donald Nevins: Keyboards and vocals (Died Aug 7, 2011).
Brick's sound was characterized by lighthearted pop-jazz refrains and propulsive funk beats. Their notable chart-topping tracks include:- "Dazz" (1976): Their signature song, later heavily sampled in hip-hop; "Dusic" (1977): Another "Dazz" style hit that reached #18 on the Pop charts; "Ain't Gonna Hurt Nobody" (1978): A Top 10 R&B hit famously sampled by the rap duo Kid 'N Play; "Sweat (Til You Get Wet)" (1981): Their final Top 10 R&B hit.
Though they later split, Brick's innovative fusion of genres and catchy hits remain celebrated staples of the funk era, influencing countless artists and defining the disco-jazz sound.
The band released six studio albums on Bang Records between 1976 and 1982. While the original lineup fractured in the late 1980s, variations of the group have continued to tour into the 21st century.
Bridge
Bridge was a soul group from Oakland/Berkeley, California, known for their unreleased 1981 album Crying For Love, which finally surfaced in 1999 due to internal group conflicts.
Formed in the early 1980s from the remnants of the Oakland soul band Vitamin E, Bridge hailed from the Bay Area's vibrant soul scene. They spent four weeks in Boulder, Colorado, recording the album for the Bang label, but it remained shelved for nearly two decades amid disputes.
The lineup featured a male/female vocal duo of David Gardner and Lady Bianca upfront. Oakland soul veteran Freddie Hughes contributed, adding local flavor. Drummer and songwriter Paul Tillman Smith (who penned tracks for Cold Blood, Norman Connors, Pharoah Sanders, Jean Carne, and Webster Lewis) shaped much of the material, co-writing the title track with Michael Robinson.
Produced by Norman Connors, Crying For Love blends smooth modern soul with jazzy undertones across 16 tracks, including "Stella," "Fire Burning," "Sweet & Wonderful," and "Rivers Of Love." Standouts like the title track highlight pristine production, heartfelt lyrics, and the group's chemistry. It was reissued by High Jazz Records in later years.
Despite the delay, the album earned cult status as a "lost modern soul classic" for its emotional depth and Bay Area roots.
Formed in the early 1980s from the remnants of the Oakland soul band Vitamin E, Bridge hailed from the Bay Area's vibrant soul scene. They spent four weeks in Boulder, Colorado, recording the album for the Bang label, but it remained shelved for nearly two decades amid disputes.
The lineup featured a male/female vocal duo of David Gardner and Lady Bianca upfront. Oakland soul veteran Freddie Hughes contributed, adding local flavor. Drummer and songwriter Paul Tillman Smith (who penned tracks for Cold Blood, Norman Connors, Pharoah Sanders, Jean Carne, and Webster Lewis) shaped much of the material, co-writing the title track with Michael Robinson.
Produced by Norman Connors, Crying For Love blends smooth modern soul with jazzy undertones across 16 tracks, including "Stella," "Fire Burning," "Sweet & Wonderful," and "Rivers Of Love." Standouts like the title track highlight pristine production, heartfelt lyrics, and the group's chemistry. It was reissued by High Jazz Records in later years.
Despite the delay, the album earned cult status as a "lost modern soul classic" for its emotional depth and Bay Area roots.
Brief Encounter
Brief Encounter was a highly sought-after North Carolina soul-funk group from the late 1970s and early 1980s, known for their powerful grooves, tight harmonies, and elusive sound that made their albums instant collector's items, with members including the Bailey brothers (Gary, Montie) and Maurice Whittington, evolving from The Sounds of Soul to release cult classics like Introducing - The Brief Encounter before disbanding in the 80s, only to see their music re-emerge and gain international acclaim through reissues.
Formed in the early 1970s in North Wilkesboro, North Carolina, the group initially called themselves The Sounds of Soul, featuring the Bailey brothers (Gary, Montie) and Rufus Wilborn. They played local clubs and even recorded on their own S.O.S. label before changing their name and signing with Nashville's Seventy-Seven Records.
Their debut album, Introducing - The Brief Encounter, released in 1977 on Seventy-Seven Records, became legendary for its deep funk, beautiful ballads, and high-quality musicianship, drawing comparisons to Parliament and Kool & the Gang. Tracks like "I'm So Satisfied," "What About Love," and "Time Is Moving" showcased their blend of funky basslines, wah-wah guitar, and soulful vocals.
Despite only achieving modest national chart success with "What About Love," their scarcity made original vinyl copies incredibly valuable to rare groove collectors.
Key Members: Maurice Whittington; Gary Bailey (brother); Montie Bailey (brother); Velmar Bailey; Charles Graham; Fredrick Alexander; Michael Carter; Rufus Wilborn (also with The Sounds of Soul).
The band disbanded around 1983, but their music lived on, leading to multiple reissues by international labels. They reunited in the late 2010s to release new material and raise funds for charity, proving their enduring connection with fans.
In essence, Brief Encounter was a powerhouse of Southern soul and funk, a hidden gem whose brilliance was discovered by dedicated fans long after their initial run, solidifying their place as soul music legends.
Formed in the early 1970s in North Wilkesboro, North Carolina, the group initially called themselves The Sounds of Soul, featuring the Bailey brothers (Gary, Montie) and Rufus Wilborn. They played local clubs and even recorded on their own S.O.S. label before changing their name and signing with Nashville's Seventy-Seven Records.
Their debut album, Introducing - The Brief Encounter, released in 1977 on Seventy-Seven Records, became legendary for its deep funk, beautiful ballads, and high-quality musicianship, drawing comparisons to Parliament and Kool & the Gang. Tracks like "I'm So Satisfied," "What About Love," and "Time Is Moving" showcased their blend of funky basslines, wah-wah guitar, and soulful vocals.
Despite only achieving modest national chart success with "What About Love," their scarcity made original vinyl copies incredibly valuable to rare groove collectors.
Key Members: Maurice Whittington; Gary Bailey (brother); Montie Bailey (brother); Velmar Bailey; Charles Graham; Fredrick Alexander; Michael Carter; Rufus Wilborn (also with The Sounds of Soul).
The band disbanded around 1983, but their music lived on, leading to multiple reissues by international labels. They reunited in the late 2010s to release new material and raise funds for charity, proving their enduring connection with fans.
In essence, Brief Encounter was a powerhouse of Southern soul and funk, a hidden gem whose brilliance was discovered by dedicated fans long after their initial run, solidifying their place as soul music legends.
Brook Benton
Brook Benton was an influential American singer and songwriter, born Benjamin Franklin Peay on September 19, 1931, in Camden, South Carolina. Recognized for his contributions to various music genres, he achieved significant acclaim in rock and roll, rhythm and blues, and pop music during the 1950s and 1960s.
Benton grew up in a musical environment, with his father serving as a bricklayer and choir director in a Methodist church. This early exposure to music led him to become a gospel singer at a young age, where he began developing his vocal talents and songwriting skills.
Professional Achievements: Benton's career took off when he began recording in the late 1940s. He gained popularity with his smooth baritone voice and emotional delivery, which resonated well with audiences. He is perhaps best known for his iconic hit songs, with "Rainy Night in Georgia" being one of his standout performances. His music often blended elements of soul and R&B, showcasing his versatility as an artist.
Throughout his career, which spanned several decades, Benton left a lasting impact on the music industry. He is remembered not only for his successful chart-topping hits but also for paving the way for future generations of musicians. His work remains celebrated in various music circles, emphasizing the rich tapestry of American music history.
Brook Benton passed away on April 9, 1988, but continues to be recognized as an important figure in the evolution of soul music and American pop culture.
Benton grew up in a musical environment, with his father serving as a bricklayer and choir director in a Methodist church. This early exposure to music led him to become a gospel singer at a young age, where he began developing his vocal talents and songwriting skills.
Professional Achievements: Benton's career took off when he began recording in the late 1940s. He gained popularity with his smooth baritone voice and emotional delivery, which resonated well with audiences. He is perhaps best known for his iconic hit songs, with "Rainy Night in Georgia" being one of his standout performances. His music often blended elements of soul and R&B, showcasing his versatility as an artist.
Throughout his career, which spanned several decades, Benton left a lasting impact on the music industry. He is remembered not only for his successful chart-topping hits but also for paving the way for future generations of musicians. His work remains celebrated in various music circles, emphasizing the rich tapestry of American music history.
Brook Benton passed away on April 9, 1988, but continues to be recognized as an important figure in the evolution of soul music and American pop culture.
Brother To Brother
Brother to Brother was an American musical group founded in 1974 by Michael Burton, who was the lead singer and producer. The group emerged from the studio environment, chiefly consisting of talented session musicians, including Billy Jones, Frankie Prescott, and Yogi Horton. Their music is categorized within the funk and soul genres, reflecting the vibrant sound of that era.
Brother to Brother was most active in the mid-to-late 1970s, releasing key albums like In the Bottle (1974), Let Your Mind Be Free (1976), and Shades in Creation (1977) on Turbo Records, with a final album in 1980, leaving a mark on funk and soul music. Their sound is characterized by a combination of rich melodies and intricate rhythms, typical of funk music.
Their work is remembered for its contributions to the funk genre, featuring notable cuts that resonated with audiences and garnered critical acclaim
Their music, especially "In the Bottle," has been widely sampled in hip-hop, showing their lasting influence.
Brother to Brother was most active in the mid-to-late 1970s, releasing key albums like In the Bottle (1974), Let Your Mind Be Free (1976), and Shades in Creation (1977) on Turbo Records, with a final album in 1980, leaving a mark on funk and soul music. Their sound is characterized by a combination of rich melodies and intricate rhythms, typical of funk music.
Their work is remembered for its contributions to the funk genre, featuring notable cuts that resonated with audiences and garnered critical acclaim
Their music, especially "In the Bottle," has been widely sampled in hip-hop, showing their lasting influence.
Bunny Sigler
Walter "Bunny" Sigler was born on March 27, 1941, in Philadelphia, Pennsylvania. He was an influential figure in the American R&B music scene, renowned for his work as a singer, songwriter, multi-instrumentalist, and record producer. Sigler earned his nickname “Bunny” due to his early childhood characteristics, including a protruding front tooth and being born just after Easter Sunday.
Sigler's musical journey began at a young age, singing in his local church, Emmanuel Baptist Church, which laid the groundwork for his later career in music. Throughout his career, he made significant contributions to the music industry, both as a performer and a behind-the-scenes creator. His work encompassed a variety of roles, from singing to producing, showcasing his versatility and talent.
Over the years, Sigler collaborated with many prominent artists and contributed to various well-known tracks, solidifying his legacy within the R&B genre. He was known for his distinctive style and ability to blend different musical elements, earning respect from peers and fans alike.
Bunny Sigler passed away on October 6, 2017, leaving behind a rich legacy in the world of music and a lasting impact on the artists he worked with and the fans who appreciated his contributions.
Sigler's musical journey began at a young age, singing in his local church, Emmanuel Baptist Church, which laid the groundwork for his later career in music. Throughout his career, he made significant contributions to the music industry, both as a performer and a behind-the-scenes creator. His work encompassed a variety of roles, from singing to producing, showcasing his versatility and talent.
Over the years, Sigler collaborated with many prominent artists and contributed to various well-known tracks, solidifying his legacy within the R&B genre. He was known for his distinctive style and ability to blend different musical elements, earning respect from peers and fans alike.
Bunny Sigler passed away on October 6, 2017, leaving behind a rich legacy in the world of music and a lasting impact on the artists he worked with and the fans who appreciated his contributions.
C.L. Blast<div hidden>CL Blast</div>
C.L. Blast, born Clarence Junior Lewis on August 20, 1934, in Birmingham, Alabama, was a prominent American soul and blues singer. Lewis spent his formative years in Alabama before moving to New York in the mid-1950s, where he began to make a name for himself in the music industry.
Throughout his career, he was known for his powerful voice and emotive performances, which established him as a respected figure in the soul music scene. He released music under various names, including his real name, Clarence Junior Lewis, and the stage name C.L. Blast. His work during this period showcased his versatility and musical range, capturing the essence of soul and blues.
His first notable record, "Your Heart Must Be Made of Stone," marked the beginning of his recording career and had a significant impact on listeners. C.L. Blast's music resonated with audiences, and he quickly gained recognition for his contributions to the genre.
Despite his success, details about his personal life remain limited, and he often preferred to focus on his music rather than the spotlight of celebrity. C.L. Blast continued to perform and create music until his passing on February 26, 2016, leaving behind a legacy that would influence future soul and blues artists.
Throughout his career, he was known for his powerful voice and emotive performances, which established him as a respected figure in the soul music scene. He released music under various names, including his real name, Clarence Junior Lewis, and the stage name C.L. Blast. His work during this period showcased his versatility and musical range, capturing the essence of soul and blues.
His first notable record, "Your Heart Must Be Made of Stone," marked the beginning of his recording career and had a significant impact on listeners. C.L. Blast's music resonated with audiences, and he quickly gained recognition for his contributions to the genre.
Despite his success, details about his personal life remain limited, and he often preferred to focus on his music rather than the spotlight of celebrity. C.L. Blast continued to perform and create music until his passing on February 26, 2016, leaving behind a legacy that would influence future soul and blues artists.
Ca$hflow
Ca$hflow was an Atlanta-based funk band active in the 1980s, known for blending funk grooves with rap and urban contemporary elements.
The band formed in 1980 when lead vocalist Kary Hubbert, originally from Macon, Georgia, moved to Atlanta to attend Morris Brown College. Drummer Gaylord Parsons recruited him after hearing him sing on campus, leading to the initial group South Side Coalition with members including James Duffie (keyboards), Edsel Robinson (keyboards), Jack Campbell (guitar), Stanley Hackett (sax), and Kenneth Brown (co-lead vocals). They started with covers but shifted to originals, renamed to CA$HFLOW for brevity, and recorded a demo after two years of gigs.
Neighbor James Duffie passed their demo to Cameo leader Larry Blackmon, who signed them to his Atlanta Artists/Polygram label in 1982. Delays occurred due to Cameo's hits like "She's Strange," but in 1986, Blackmon rushed their self-titled debut album, recorded in four days in New York with pre-done tracks by Blackmon, guitarist Charlie Singleton, and bassist Michael Burnett.
Core quartet: Kary Hubbert (fiery gospel-tinged lead vocals), Gaylord Parsons (drums, vocals, raps), James Duffie (keyboards, backing vocals), and Regis Ferguson (keyboards). They provided solid funk beats amid electronic pop trends, with over 3 million records sold worldwide per their site. A modern lineup includes Max Spaulding alongside Duffie and Parsons, emphasizing hard-driving grooves and romantic ballads.
The band formed in 1980 when lead vocalist Kary Hubbert, originally from Macon, Georgia, moved to Atlanta to attend Morris Brown College. Drummer Gaylord Parsons recruited him after hearing him sing on campus, leading to the initial group South Side Coalition with members including James Duffie (keyboards), Edsel Robinson (keyboards), Jack Campbell (guitar), Stanley Hackett (sax), and Kenneth Brown (co-lead vocals). They started with covers but shifted to originals, renamed to CA$HFLOW for brevity, and recorded a demo after two years of gigs.
Neighbor James Duffie passed their demo to Cameo leader Larry Blackmon, who signed them to his Atlanta Artists/Polygram label in 1982. Delays occurred due to Cameo's hits like "She's Strange," but in 1986, Blackmon rushed their self-titled debut album, recorded in four days in New York with pre-done tracks by Blackmon, guitarist Charlie Singleton, and bassist Michael Burnett.
Core quartet: Kary Hubbert (fiery gospel-tinged lead vocals), Gaylord Parsons (drums, vocals, raps), James Duffie (keyboards, backing vocals), and Regis Ferguson (keyboards). They provided solid funk beats amid electronic pop trends, with over 3 million records sold worldwide per their site. A modern lineup includes Max Spaulding alongside Duffie and Parsons, emphasizing hard-driving grooves and romantic ballads.
Candi Staton
Candi Staton, born Canzetta Maria Staton on March 13, 1940, in Hanceville, Alabama, is a renowned American singer and songwriter, celebrated for her contributions to gospel, soul, and R&B music. Raised in a rural environment, her passion for singing blossomed during her childhood in a deeply religious household, where she was influenced by gospel music from a young age.
Staton's musical career began in the 1960s, where she achieved prominence with her powerful vocals. She gained widespread acclaim with her 1970 cover of "In the Ghetto," which showcased her ability to blend gospel influences with contemporary pop sounds. This track was a substantial hit, marking a turning point in her career.
Throughout her illustrious career, Staton has produced several notable songs, including the disco anthem "Young Hearts Run Free," which solidified her status in the music industry Her work has earned her numerous accolades, including Grammy nominations in both the Rhythm and Blues and Gospel categories, reflecting her versatility and impact on diverse musical genres.
In addition to her music achievements, Staton has been recognized for her contributions to the Christian music scene, culminating in her induction into the Christian Music Hall of Fame, highlighting her dual legacy in both secular and religious music. As of 2023, she celebrated her 83rd birthday, continuing to inspire generations with her remarkable voice and personal journey through life.
Staton's musical career began in the 1960s, where she achieved prominence with her powerful vocals. She gained widespread acclaim with her 1970 cover of "In the Ghetto," which showcased her ability to blend gospel influences with contemporary pop sounds. This track was a substantial hit, marking a turning point in her career.
Throughout her illustrious career, Staton has produced several notable songs, including the disco anthem "Young Hearts Run Free," which solidified her status in the music industry Her work has earned her numerous accolades, including Grammy nominations in both the Rhythm and Blues and Gospel categories, reflecting her versatility and impact on diverse musical genres.
In addition to her music achievements, Staton has been recognized for her contributions to the Christian music scene, culminating in her induction into the Christian Music Hall of Fame, highlighting her dual legacy in both secular and religious music. As of 2023, she celebrated her 83rd birthday, continuing to inspire generations with her remarkable voice and personal journey through life.
Cane and Able
Cane and Able was an eight-piece funk and soul band formed in Montreal, Canada, blending Caribbean influences with soul, blues, and psychedelic elements. Fronted by vocalist Frenchie Thompson, they released a self-titled album in 1971 that captured their raw, genre-crossing sound.
The group originated in the mid-1960s as a psychedelic outfit before evolving into funk by 1967, when they adopted the name Cane and Able. Their music featured heavy grooves, psych-tinged instrumentation, and Thompson's gritty vocals, drawing from multiple genres for a distinctive Caribbean-soul fusion.
Their sole album, Cane and Able (1971), is a rare funk gem now reissued by labels like Guerssen Records. Tracks showcase biting energy and eclectic vibes, earning cult status among collectors despite limited commercial success.
The group originated in the mid-1960s as a psychedelic outfit before evolving into funk by 1967, when they adopted the name Cane and Able. Their music featured heavy grooves, psych-tinged instrumentation, and Thompson's gritty vocals, drawing from multiple genres for a distinctive Caribbean-soul fusion.
Their sole album, Cane and Able (1971), is a rare funk gem now reissued by labels like Guerssen Records. Tracks showcase biting energy and eclectic vibes, earning cult status among collectors despite limited commercial success.
Carl Anderson
Soul singer Carl Anderson (1945-2004) was a versatile vocalist and actor, renowned for originating the role of Judas in Jesus Christ Superstar on Broadway and in the film, but he also forged a successful solo career with hits like "Friends & Lovers," blending soul, R&B, and pop, while appearing in TV and films like The Color Purple before his passing from leukemia.
He was one of twelve children in his family, which shaped his early life experiences. He attended Dunbar High School and later joined the U.S. Air Force, where he developed his musical talents. In 1969, he moved to Washington, D.C., to pursue a career in music, marking the beginning of his professional journey.
Anderson is best known for his role as Judas Iscariot in both the film and stage versions of "Jesus Christ Superstar." His portrayal of this character earned him significant acclaim, showcasing his powerful vocal abilities and dramatic presence. His performance in "Jesus Christ Superstar" remains one of his most iconic contributions to musical theater, demonstrating his versatility as both a singer and an actor.
Before achieving fame, Anderson sang with the rock band Second Eagle, which further honed his musical skills. He eventually relocated to Los Angeles, where he continued to pursue his passion for music and acting. Throughout his career, he established himself within the genres of Adult Contemporary and R&B, contributing to a diverse array of musical projects.
Anderson signed with Motown Records in 1972 and contributed backing vocals to Stevie Wonder's landmark 1976 album, Songs in the Key of Life. After Motown, Anderson signed with Columbia Records, releasing albums like Absence Without Love (1982) and On & On, which featured the international hit "Magic".
He released nine solo albums spanning soul, jazz, and pop genres. His most significant commercial hit was the 1986 duet "Friends and Lovers" with Gloria Loring, which reached No. 2 on the Billboard Hot 100. Other popular recordings include "Buttercup" (written by Stevie Wonder) and "Forbidden Lover," a critically praised duet with Nancy Wilson.
Carl Anderson's life came to an untimely end on February 23, 2004, just a few days shy of his 59th birthday, in Los Angeles, California. His work left a lasting impact on the world of music and theater, and he is remembered for his distinctive voice and compelling performances.
He was one of twelve children in his family, which shaped his early life experiences. He attended Dunbar High School and later joined the U.S. Air Force, where he developed his musical talents. In 1969, he moved to Washington, D.C., to pursue a career in music, marking the beginning of his professional journey.
Anderson is best known for his role as Judas Iscariot in both the film and stage versions of "Jesus Christ Superstar." His portrayal of this character earned him significant acclaim, showcasing his powerful vocal abilities and dramatic presence. His performance in "Jesus Christ Superstar" remains one of his most iconic contributions to musical theater, demonstrating his versatility as both a singer and an actor.
Before achieving fame, Anderson sang with the rock band Second Eagle, which further honed his musical skills. He eventually relocated to Los Angeles, where he continued to pursue his passion for music and acting. Throughout his career, he established himself within the genres of Adult Contemporary and R&B, contributing to a diverse array of musical projects.
Anderson signed with Motown Records in 1972 and contributed backing vocals to Stevie Wonder's landmark 1976 album, Songs in the Key of Life. After Motown, Anderson signed with Columbia Records, releasing albums like Absence Without Love (1982) and On & On, which featured the international hit "Magic".
He released nine solo albums spanning soul, jazz, and pop genres. His most significant commercial hit was the 1986 duet "Friends and Lovers" with Gloria Loring, which reached No. 2 on the Billboard Hot 100. Other popular recordings include "Buttercup" (written by Stevie Wonder) and "Forbidden Lover," a critically praised duet with Nancy Wilson.
Carl Anderson's life came to an untimely end on February 23, 2004, just a few days shy of his 59th birthday, in Los Angeles, California. His work left a lasting impact on the world of music and theater, and he is remembered for his distinctive voice and compelling performances.
Carl Graves
Carl Graves is a musician hailing from Calgary, Alberta, Canada. He was born on December 13th, 1948, and has had a prolific music career, particularly in the 1970s. Graves is well known for his work as a backup vocalist and keyboardist with the band Oingo Boingo from 1986 to 1993, a time during which he contributed significantly to the band's musical output.
Graves received formal musical training at the esteemed Royal Toronto Conservatory of Music, which laid the foundation for his musical abilities. Additionally, he pursued studies in jazz, which further enriched his musical style. Throughout his career, he has been associated with various musical groups and has attained hits that have marked his presence in the industry.
Aside from his contributions to Oingo Boingo, Graves was also a member of Skylark, a band that included notable musicians like David Foster. His versatility as a musician has been evident through his participation in various musical projects and genres.
With the success of Skylark and his growing reputation as a dynamic performer, Carl embarked on a solo career, recording an album with A&M Records. His hit singles included "Baby, Hang Up The Phone" and "Heart Be still." His best selling single "Baby, Hang Up The Phone" was not included on his album for some reason.
Graves is also recognized for his work in film soundtracks, lending his voice to projects such as "George of the Jungle" (1997), "McFarland, USA" (2015), and "Dr. Otto and the Riddle of the Gloom Beam" (1985)
Graves received formal musical training at the esteemed Royal Toronto Conservatory of Music, which laid the foundation for his musical abilities. Additionally, he pursued studies in jazz, which further enriched his musical style. Throughout his career, he has been associated with various musical groups and has attained hits that have marked his presence in the industry.
Aside from his contributions to Oingo Boingo, Graves was also a member of Skylark, a band that included notable musicians like David Foster. His versatility as a musician has been evident through his participation in various musical projects and genres.
With the success of Skylark and his growing reputation as a dynamic performer, Carl embarked on a solo career, recording an album with A&M Records. His hit singles included "Baby, Hang Up The Phone" and "Heart Be still." His best selling single "Baby, Hang Up The Phone" was not included on his album for some reason.
Graves is also recognized for his work in film soundtracks, lending his voice to projects such as "George of the Jungle" (1997), "McFarland, USA" (2015), and "Dr. Otto and the Riddle of the Gloom Beam" (1985)
Carl Sherlock Holmes
Carl "Sherlock" Linwood Holmes, Jr. (born June 29, 1938) is an American rhythm and blues and jazz guitarist, singer, and songwriter from Philadelphia, Pennsylvania. He is best known for leading the funk and soul groups Carl Holmes & The Commanders and Sherlock Holmes Investigation.
Holmes began performing in the early 1960s, forming the group Carl Holmes & The Commanders. In 1962, the group recorded the full-length album "Twist Party At The Roundtable" for Atlantic Records.
In May 1966, a young Jimi Hendrix (pre-Experience) performed as a guitarist with The Commanders, though he never recorded with them. After The Commanders disbanded following a final release on the local Philadelphia label Black Jack, Holmes formed a new group called Sherlock Holmes Investigation.
In 1974, he released the highly sought-after soul/funk album Investigation No. 1 on the C.R.S. label. On this album, Holmes served as the lead guitarist, lead vocalist, arranger, and producer. Notable songs from his discography include "Investigation," "Modesa," "Black Bag," and "It Ain't Right".
Holmes' work is categorized within the soul, R&B, and jazz-funk genres. His 1974 album has seen several reissues, including a notable one by Tramp Records, due to its enduring popularity among vinyl collectors and rare groove enthusiasts. His brother, John Holmes, served as the drummer for Carl Holmes & The Commanders.
Holmes began performing in the early 1960s, forming the group Carl Holmes & The Commanders. In 1962, the group recorded the full-length album "Twist Party At The Roundtable" for Atlantic Records.
In May 1966, a young Jimi Hendrix (pre-Experience) performed as a guitarist with The Commanders, though he never recorded with them. After The Commanders disbanded following a final release on the local Philadelphia label Black Jack, Holmes formed a new group called Sherlock Holmes Investigation.
In 1974, he released the highly sought-after soul/funk album Investigation No. 1 on the C.R.S. label. On this album, Holmes served as the lead guitarist, lead vocalist, arranger, and producer. Notable songs from his discography include "Investigation," "Modesa," "Black Bag," and "It Ain't Right".
Holmes' work is categorized within the soul, R&B, and jazz-funk genres. His 1974 album has seen several reissues, including a notable one by Tramp Records, due to its enduring popularity among vinyl collectors and rare groove enthusiasts. His brother, John Holmes, served as the drummer for Carl Holmes & The Commanders.
Carla Thomas
American R&B and soul singer Carla Thomas (born December 21, 1942), widely known as the "Queen of Memphis Soul", played a foundational role at Stax Records (formerly Satellite Records), helping transition the label from country and pop to rhythm and blues.
Born and raised in the Foote Homes housing projects in Memphis, Tennessee. She is the daughter of Memphis music legend Rufus Thomas and sister to musicians Vaneese and Marvell Thomas. At age 10, she joined the Teen Town Singers, a group of high school performers sponsored by the WDIA radio station, despite being under the age requirement.
She balanced her early career with academics, earning a Bachelor of Science in English from Tennessee State University in 1964 and later attending graduate school at Howard University.
In 1960, she recorded "Cause I Love You," a duet with her father. Later that year, she released the solo hit "Gee Whiz (Look at His Eyes)," which she had written at age 15. The song became a national sensation, reaching the Top 10 on both the pop and R&B charts.
Thomas is celebrated for her work with Otis Redding, most notably on the 1967 album King & Queen, which featured the hit single "Tramp". She was a featured performer at the 1967 Stax/Volt Revue European tour and the historic Wattstax concert in 1972.
After Stax closed in 1975, her recording activity slowed, though she remained active in the Memphis community through the "Artists in the Schools" program. More recently, she featured on Valerie June's 2021 Grammy-nominated single "Call Me a Fool".
Honors and Legacy:- Inducted into the Memphis Music Hall of Fame in 2013; Received the Rhythm & Blues Foundation’s Pioneer Award in 1993 and the Americana Music Association’s Lifetime Achievement Award in 2021. She was featured in the 2003 documentary Only the Strong Survive, which premiered at the Cannes Film Festival.
Born and raised in the Foote Homes housing projects in Memphis, Tennessee. She is the daughter of Memphis music legend Rufus Thomas and sister to musicians Vaneese and Marvell Thomas. At age 10, she joined the Teen Town Singers, a group of high school performers sponsored by the WDIA radio station, despite being under the age requirement.
She balanced her early career with academics, earning a Bachelor of Science in English from Tennessee State University in 1964 and later attending graduate school at Howard University.
In 1960, she recorded "Cause I Love You," a duet with her father. Later that year, she released the solo hit "Gee Whiz (Look at His Eyes)," which she had written at age 15. The song became a national sensation, reaching the Top 10 on both the pop and R&B charts.
Thomas is celebrated for her work with Otis Redding, most notably on the 1967 album King & Queen, which featured the hit single "Tramp". She was a featured performer at the 1967 Stax/Volt Revue European tour and the historic Wattstax concert in 1972.
After Stax closed in 1975, her recording activity slowed, though she remained active in the Memphis community through the "Artists in the Schools" program. More recently, she featured on Valerie June's 2021 Grammy-nominated single "Call Me a Fool".
Honors and Legacy:- Inducted into the Memphis Music Hall of Fame in 2013; Received the Rhythm & Blues Foundation’s Pioneer Award in 1993 and the Americana Music Association’s Lifetime Achievement Award in 2021. She was featured in the 2003 documentary Only the Strong Survive, which premiered at the Cannes Film Festival.
Carmen McRae
Carmen McRae was a prominent American jazz singer, pianist, and songwriter, born on April 8, 1920, at Harlem Hospital in New York City. She was the only child of Jamaican immigrants Osmond Llewelyn McRae and Evadne McRae. Growing up in a culturally rich neighborhood, Carmen was exposed to a variety of musical influences early on.
McRae began her musical journey by taking classical piano lessons at the age of eight. She demonstrated a quick affinity for music, and her talent was recognized when she was discovered by Irene Wilson Kitchings, a musician renowned in the jazz community. Throughout her childhood, McRae lived in the Bronx until her family settled in the famous Sugar Hill neighborhood of Harlem, a hub for jazz music during that era.
Her early career was marked by performances that highlighted her unique voice and skills. Initially inspired by the legendary Billie Holiday, McRae developed her own distinctive style characterized by a smoky tone and deep emotional expression. She began working as a soloist and quickly gained recognition in the jazz scene.
Throughout her illustrious career, McRae recorded several albums and collaborated with renowned musicians, solidifying her place in jazz history. She became known not only for her vocal prowess but also for her ability to convey complex emotions through her interpretations of songs. Her contributions to jazz music were celebrated with numerous accolades, including awards and honors acknowledging her impact on the genre.
Carmen McRae's influence extended beyond her recordings; she was also a mentor to younger artists and played a critical role in the advancement of jazz music. Despite facing the challenges of a male-dominated industry, she remained a powerful voice and an iconic figure.
McRae lived a fulfilling life until her passing on November 10, 1994, leaving behind a legacy that continues to inspire musicians and jazz aficionados around the world.
In summary, Carmen McRae's life was a testament to her passion for music and her ability to connect with audiences, making her a significant figure in the history of American jazz.
McRae began her musical journey by taking classical piano lessons at the age of eight. She demonstrated a quick affinity for music, and her talent was recognized when she was discovered by Irene Wilson Kitchings, a musician renowned in the jazz community. Throughout her childhood, McRae lived in the Bronx until her family settled in the famous Sugar Hill neighborhood of Harlem, a hub for jazz music during that era.
Her early career was marked by performances that highlighted her unique voice and skills. Initially inspired by the legendary Billie Holiday, McRae developed her own distinctive style characterized by a smoky tone and deep emotional expression. She began working as a soloist and quickly gained recognition in the jazz scene.
Throughout her illustrious career, McRae recorded several albums and collaborated with renowned musicians, solidifying her place in jazz history. She became known not only for her vocal prowess but also for her ability to convey complex emotions through her interpretations of songs. Her contributions to jazz music were celebrated with numerous accolades, including awards and honors acknowledging her impact on the genre.
Carmen McRae's influence extended beyond her recordings; she was also a mentor to younger artists and played a critical role in the advancement of jazz music. Despite facing the challenges of a male-dominated industry, she remained a powerful voice and an iconic figure.
McRae lived a fulfilling life until her passing on November 10, 1994, leaving behind a legacy that continues to inspire musicians and jazz aficionados around the world.
In summary, Carmen McRae's life was a testament to her passion for music and her ability to connect with audiences, making her a significant figure in the history of American jazz.
Chairmen Of The Board
Chairmen of the Board is an influential American-Canadian soul music group that was formed in 1969 in Detroit, Michigan. Initially called the Gentlemen, the group underwent a name change before releasing their first recordings. They were one of the first acts to be signed by the iconic songwriting and production team of Holland-Dozier-Holland, which contributed significantly to their early success.
The original lineup of Chairmen of the Board consisted of General Norman Johnson, Eddie Custis, Harrison Kennedy, and Danny Woods. General Johnson served as the lead vocalist and was a key figure in the group's creative direction . The group is recognized for their smooth blend of soul and R&B, characterized by rich harmonies and relatable lyrics, which became prominent during the 1970s and 1980s.
The Chairmen of the Board achieved their greatest commercial success in the 1970s, with hits such as "Give Me Just a Little More Time," which topped the charts and solidified their status in the music industry. They gained popularity for their upbeat tracks, often characterized by an infectious rhythm and feel-good lyrics that resonated with a wide audience. Their music not only appealed to soul enthusiasts but also enjoyed crossover success in the pop market.
Over the span of their career, Chairmen of the Board has left a lasting impact on the soul and R&B genres. They have been credited with influencing subsequent artists and have maintained a loyal fanbase, performing extensively even decades after their peak in the music scene. Their contributions to the genre are recognized as significant, ensuring their place in the history of American music.
While the group faced challenges over the years, including changes in personnel and shifts in the music industry, they have continued to perform and record new material. Their legacy as pioneers of soul music continues to inspire new generations of musicians and fans alike.
Overall, Chairmen of the Board remains a noteworthy name in the history of American soul music, celebrated for their artistry and enduring influence.
The original lineup of Chairmen of the Board consisted of General Norman Johnson, Eddie Custis, Harrison Kennedy, and Danny Woods. General Johnson served as the lead vocalist and was a key figure in the group's creative direction . The group is recognized for their smooth blend of soul and R&B, characterized by rich harmonies and relatable lyrics, which became prominent during the 1970s and 1980s.
The Chairmen of the Board achieved their greatest commercial success in the 1970s, with hits such as "Give Me Just a Little More Time," which topped the charts and solidified their status in the music industry. They gained popularity for their upbeat tracks, often characterized by an infectious rhythm and feel-good lyrics that resonated with a wide audience. Their music not only appealed to soul enthusiasts but also enjoyed crossover success in the pop market.
Over the span of their career, Chairmen of the Board has left a lasting impact on the soul and R&B genres. They have been credited with influencing subsequent artists and have maintained a loyal fanbase, performing extensively even decades after their peak in the music scene. Their contributions to the genre are recognized as significant, ensuring their place in the history of American music.
While the group faced challenges over the years, including changes in personnel and shifts in the music industry, they have continued to perform and record new material. Their legacy as pioneers of soul music continues to inspire new generations of musicians and fans alike.
Overall, Chairmen of the Board remains a noteworthy name in the history of American soul music, celebrated for their artistry and enduring influence.
Chaka Khan
Chaka Khan, born Yvette Marie Stevens on March 23, 1953, in Great Lakes, Illinois (often cited as Chicago), is an iconic American singer-songwriter known as the "Queen of Funk."
She formed her first group, the Crystalettes, at age 11 with her sister and drew inspiration from artists like Billie Holiday. In 1969, at 16, she joined the Black Panther Party, adopted the name Chaka Adunne Aduffe Yemoja Hodarhi Karifi, dropped out of high school, and married Hassan Khan in 1970 after running away from home.
Khan joined the funk band Rufus in the early 1970s, leading to hits like "Tell Me Something Good," "Sweet Thing," "Do You Love What You Feel," and the platinum "Ain't Nobody." The group achieved major success before she transitioned solo while still recording with them into the early 1980s.
Her 1978 debut solo album featured the #1 R&B hit "I'm Every Woman" (later a Whitney Houston hit). Key tracks include "I Feel for You" (a Prince cover with rap, her first crossover smash), "Ain't Nobody," "Through the Fire," and "This Is My Night." Later releases like 2007's Funk This (Grammy for Best R&B Album) and 2019's Hello Happiness marked comebacks; a 2022 single "Woman Like Me" followed, and she entered the Rock & Roll Hall of Fame in 2023.
Khan has won 10 Grammy Awards, including for "I Feel for You" and collaborations like "Disrespectful" with Mary J. Blige. She debuted in London's West End (Mama, I Want to Sing!, 1995), starred in Stevie Wonder-based Signed, Sealed, Delivered (2002), and took Broadway's Sophia role in The Color Purple (2008).
Married three times—to Hassan Khan (1970s), Richard Holland (1976–1980s, with son Damien), and Doug Rasheed (since 2001, with daughters Indira and Mila)—she has faced personal challenges but remains a "Renaissance woman" in music, production, and philanthropy. Film roles include The Blues Brothers (1980), Mission: Impossible III (2006), and Hollywood Homicide (2003).
She formed her first group, the Crystalettes, at age 11 with her sister and drew inspiration from artists like Billie Holiday. In 1969, at 16, she joined the Black Panther Party, adopted the name Chaka Adunne Aduffe Yemoja Hodarhi Karifi, dropped out of high school, and married Hassan Khan in 1970 after running away from home.
Khan joined the funk band Rufus in the early 1970s, leading to hits like "Tell Me Something Good," "Sweet Thing," "Do You Love What You Feel," and the platinum "Ain't Nobody." The group achieved major success before she transitioned solo while still recording with them into the early 1980s.
Her 1978 debut solo album featured the #1 R&B hit "I'm Every Woman" (later a Whitney Houston hit). Key tracks include "I Feel for You" (a Prince cover with rap, her first crossover smash), "Ain't Nobody," "Through the Fire," and "This Is My Night." Later releases like 2007's Funk This (Grammy for Best R&B Album) and 2019's Hello Happiness marked comebacks; a 2022 single "Woman Like Me" followed, and she entered the Rock & Roll Hall of Fame in 2023.
Khan has won 10 Grammy Awards, including for "I Feel for You" and collaborations like "Disrespectful" with Mary J. Blige. She debuted in London's West End (Mama, I Want to Sing!, 1995), starred in Stevie Wonder-based Signed, Sealed, Delivered (2002), and took Broadway's Sophia role in The Color Purple (2008).
Married three times—to Hassan Khan (1970s), Richard Holland (1976–1980s, with son Damien), and Doug Rasheed (since 2001, with daughters Indira and Mila)—she has faced personal challenges but remains a "Renaissance woman" in music, production, and philanthropy. Film roles include The Blues Brothers (1980), Mission: Impossible III (2006), and Hollywood Homicide (2003).
Champaign
Champaign is an American R&B and soul band that originated in Champaign, Illinois, in 1981. They are particularly renowned for their hit single "How 'Bout Us," which achieved significant success on the charts. The group is characterized by a smooth early-'80s soul sound with elements that some describe as having a yacht rock influence. Their music spans genres primarily within R&B and soul, showcasing a combination of melodic hooks and romantic themes.
The band initially gained popularity during the early 1980s, and their peak years of activity were from 1981 to 1984, with subsequent reunions from 1990 to 1991 and again starting in 2008. Champaign's signature sound helped them carve a niche in the adult contemporary music scene, showcasing their ability to blend traditional R&B with modern pop sensibilities of the time.
The lead vocalist of Champaign, Pauli Carman, is notable for his contributions to the group's sound and has achieved recognition as a Grammy-nominated, multi-platinum recording artist. In addition to their famous track "How 'Bout Us," the band released other singles such as "Try Again" and "Off and On Love," further solidifying their place in the music industry during the 1980s.
Throughout their career, Champaign has continued to have a presence in the music scene, contributing to the legacy of R&B and soul music, and they remain a part of the musical landscape as of the 2020s.
The band initially gained popularity during the early 1980s, and their peak years of activity were from 1981 to 1984, with subsequent reunions from 1990 to 1991 and again starting in 2008. Champaign's signature sound helped them carve a niche in the adult contemporary music scene, showcasing their ability to blend traditional R&B with modern pop sensibilities of the time.
The lead vocalist of Champaign, Pauli Carman, is notable for his contributions to the group's sound and has achieved recognition as a Grammy-nominated, multi-platinum recording artist. In addition to their famous track "How 'Bout Us," the band released other singles such as "Try Again" and "Off and On Love," further solidifying their place in the music industry during the 1980s.
Throughout their career, Champaign has continued to have a presence in the music scene, contributing to the legacy of R&B and soul music, and they remain a part of the musical landscape as of the 2020s.
Chapter 8
Chapter 8 was an American R&B and soul music group that originated in Detroit, Michigan, in 1972. The group was founded by Michael J. Powell and David Washington. Chapter 8 initially gained popularity by backing the Detroit Emeralds, a well-known soul group of that era. With their distinct sound and influential talent, Chapter 8 contributed significantly to the Detroit music scene during the 1970s and 1980s.
The lineup of Chapter 8 featured several notable members over the years, including Anita Baker, Carolyn Crawford, Vernon D. Fails, and Van Cephus, among others. Anita Baker, in particular, is recognized for her powerful vocals and later achieved remarkable success in her solo career. She joined Chapter 8 in 1975, which marked a pivotal moment for both the group and her future as a solo artist.
Chapter 8 released their debut album in 1979, simply titled "Chapter 8." This album is notable for including lead vocals from Anita Baker, making it a significant release for the group. Despite being their only album, it showcased their unique blend of R&B and soul, contributing to their legacy within the genre. The group's music was characterized by smooth melodies and emotional lyrics, typical of the soul genre during that period.
The group disbanded in 1989 after a successful yet tumultuous career. Although their time together was relatively short, the group's influence on the R&B and soul music landscape was lasting. They played a crucial role in introducing Anita Baker to the music world, paving the way for her solo career, which would see her become one of the most celebrated vocalists of her time.
Overall, Chapter 8 remains a significant part of Detroit's rich musical history, marking an era of soul that continues to resonate with audiences today. Information is missing on specific notable performances or collaborations within their career.
The lineup of Chapter 8 featured several notable members over the years, including Anita Baker, Carolyn Crawford, Vernon D. Fails, and Van Cephus, among others. Anita Baker, in particular, is recognized for her powerful vocals and later achieved remarkable success in her solo career. She joined Chapter 8 in 1975, which marked a pivotal moment for both the group and her future as a solo artist.
Chapter 8 released their debut album in 1979, simply titled "Chapter 8." This album is notable for including lead vocals from Anita Baker, making it a significant release for the group. Despite being their only album, it showcased their unique blend of R&B and soul, contributing to their legacy within the genre. The group's music was characterized by smooth melodies and emotional lyrics, typical of the soul genre during that period.
The group disbanded in 1989 after a successful yet tumultuous career. Although their time together was relatively short, the group's influence on the R&B and soul music landscape was lasting. They played a crucial role in introducing Anita Baker to the music world, paving the way for her solo career, which would see her become one of the most celebrated vocalists of her time.
Overall, Chapter 8 remains a significant part of Detroit's rich musical history, marking an era of soul that continues to resonate with audiences today. Information is missing on specific notable performances or collaborations within their career.
Charles Bradley
Charles Bradley was an influential American funk and soul singer, born on November 5, 1948, in Gainesville, Florida. He spent his early years in Macon, Georgia, raised primarily by his grandmother after his mother left shortly after his birth. This tumultuous childhood shaped much of his life and music career, infusing his work with deep emotional resonance.
Bradley began his journey in music at the age of 18 when he moved to New York City. His life took a significant turn when he saw a performance by James Brown, which inspired him to pursue a career as a singer. However, it took years of struggle and obscurity before he gained recognition in the music industry. For a long time, he worked various jobs, including as a cook and a friend to some struggling musicians, but his passion for music never waned.
It wasn't until his 2011 album "No Time for Dreaming," released under the Daptone label, that Bradley gained significant attention. His raw and powerful voice, coupled with heartfelt lyrics, resonated with audiences, positioning him as a prominent figure in the soul revival of the 2010s. His style was often compared to that of soul legends, yet he maintained a unique authenticity that distinguished him from his peers, including labelmate Sharon Jones.
Throughout his career, Bradley released several albums, such as "Victim of Love" (2013) and "Changes" (2016), the latter of which was produced in response to the profound grief over his mother's passing. His music often conveyed themes of personal struggle and resilience, reflecting the adversities he overcame, including homelessness and health issues.
Bradley's influence extended beyond his recordings. He was known for his electrifying live performances, where his passion and energy captivated audiences. His ability to convey deep emotional experiences through his music and performances earned him critical acclaim and a devoted fanbase.
Sadly, Bradley’s life was cut short when he passed away on September 23, 2017, after battling cancer. His legacy continues to be celebrated, marking him as a significant figure in the soul music landscape, admired for his extraordinary talent and inspiring story of resilience against the odds.
Bradley began his journey in music at the age of 18 when he moved to New York City. His life took a significant turn when he saw a performance by James Brown, which inspired him to pursue a career as a singer. However, it took years of struggle and obscurity before he gained recognition in the music industry. For a long time, he worked various jobs, including as a cook and a friend to some struggling musicians, but his passion for music never waned.
It wasn't until his 2011 album "No Time for Dreaming," released under the Daptone label, that Bradley gained significant attention. His raw and powerful voice, coupled with heartfelt lyrics, resonated with audiences, positioning him as a prominent figure in the soul revival of the 2010s. His style was often compared to that of soul legends, yet he maintained a unique authenticity that distinguished him from his peers, including labelmate Sharon Jones.
Throughout his career, Bradley released several albums, such as "Victim of Love" (2013) and "Changes" (2016), the latter of which was produced in response to the profound grief over his mother's passing. His music often conveyed themes of personal struggle and resilience, reflecting the adversities he overcame, including homelessness and health issues.
Bradley's influence extended beyond his recordings. He was known for his electrifying live performances, where his passion and energy captivated audiences. His ability to convey deep emotional experiences through his music and performances earned him critical acclaim and a devoted fanbase.
Sadly, Bradley’s life was cut short when he passed away on September 23, 2017, after battling cancer. His legacy continues to be celebrated, marking him as a significant figure in the soul music landscape, admired for his extraordinary talent and inspiring story of resilience against the odds.
Charles Brimmer
Charles Brimmer, born on October 10, 1948, in the lower Ninth Ward of New Orleans, is an American Rhythm & Blues singer and composer renowned for his contributions to the deep soul genre since the 1960s. Growing up in a culturally rich environment, Brimmer was initially drawn to gospel music, which laid the foundation for his vocal style. His passion for music eventually led him to explore secular genres, allowing him to make a significant impact on the New Orleans music scene.
Professionally active, Brimmer is best known for his deep soul recordings, which have garnered him a dedicated following. He has been featured in various music events, including the Ponderosa Stomp, an annual festival celebrating New Orleans music. His career reflects the vibrancy of the New Orleans soul scene, where he has worked to preserve its musical heritage while also making his unique mark.
His cover of Al Green's "God Bless Our Love" became a national "mini-hit" in 1975, selling approximately 300,000 copies after being leased to Chelsea Records.
Major Albums:- Expression of Soul (1975); Soulman (1976), featuring tracks like "I Want to Be Your Breadwinner" and "With You in Mind".
Disenchanted with the music industry's promotion and royalty practices, Brimmer moved to Los Angeles in 1976. He worked as an accountant while occasionally performing. He returned to New Orleans in 1986 and recorded "It's Mardi Gras Time" on his family's label, Brimco Records. He officially retired from the music business in the late 1980s to focus on his business career and family.
Brimmer is married to Andrea Domino, the daughter of music legend Fats Domino, and has two children.
Professionally active, Brimmer is best known for his deep soul recordings, which have garnered him a dedicated following. He has been featured in various music events, including the Ponderosa Stomp, an annual festival celebrating New Orleans music. His career reflects the vibrancy of the New Orleans soul scene, where he has worked to preserve its musical heritage while also making his unique mark.
His cover of Al Green's "God Bless Our Love" became a national "mini-hit" in 1975, selling approximately 300,000 copies after being leased to Chelsea Records.
Major Albums:- Expression of Soul (1975); Soulman (1976), featuring tracks like "I Want to Be Your Breadwinner" and "With You in Mind".
Disenchanted with the music industry's promotion and royalty practices, Brimmer moved to Los Angeles in 1976. He worked as an accountant while occasionally performing. He returned to New Orleans in 1986 and recorded "It's Mardi Gras Time" on his family's label, Brimco Records. He officially retired from the music business in the late 1980s to focus on his business career and family.
Brimmer is married to Andrea Domino, the daughter of music legend Fats Domino, and has two children.
Charles Jackson
Charles "Chuck" Jackson, born on March 22, 1945, in Greenville, South Carolina, is an influential figure in the realm of R&B and soul music. His musical journey began in a religious setting, where he was deeply influenced by gospel music through his mother, who sang in church. This early exposure to music shaped his vocal style and musicality, allowing him to develop a strong foundation in singing during his school years.
In the edarly 1970s, Chuck Jackson rose to prominence as the lead singer of the R&B group The Independents. The group garnered attention for their smooth vocals and harmonies, and they became known for hits that resonated with the soul and R&B audiences of that era. Jackson's role as both a singer and a songwriter contributed significantly to the group’s success, solidifying their place in music history.
He wrote several hits for The Independents, including "Baby I've Been Missing You," "It's All Over," and "The First Time We Met," often co-writing with Marvin Yancy. After The Independents, Jackson & Yancy became legendary producers for Natalie Cole, creating hits like "This Will Be (An Everlasting Love)" and "Inseparable."
Throughout his career, Jackson has showcased his talents not only as a performer but also as a songwriter. His work in the music industry reflects his versatility and commitment to the genre, which has left a lasting impact on listeners and aspiring artists alike.
While specific details about his later life or discography were not provided in the available references, Chuck Jackson's contributions to soul music and his leadership in The Independents are significant parts of his biography. His influence continues to be appreciated by fans of R&B and soul music today.
In the edarly 1970s, Chuck Jackson rose to prominence as the lead singer of the R&B group The Independents. The group garnered attention for their smooth vocals and harmonies, and they became known for hits that resonated with the soul and R&B audiences of that era. Jackson's role as both a singer and a songwriter contributed significantly to the group’s success, solidifying their place in music history.
He wrote several hits for The Independents, including "Baby I've Been Missing You," "It's All Over," and "The First Time We Met," often co-writing with Marvin Yancy. After The Independents, Jackson & Yancy became legendary producers for Natalie Cole, creating hits like "This Will Be (An Everlasting Love)" and "Inseparable."
Throughout his career, Jackson has showcased his talents not only as a performer but also as a songwriter. His work in the music industry reflects his versatility and commitment to the genre, which has left a lasting impact on listeners and aspiring artists alike.
While specific details about his later life or discography were not provided in the available references, Chuck Jackson's contributions to soul music and his leadership in The Independents are significant parts of his biography. His influence continues to be appreciated by fans of R&B and soul music today.
Charles Mann
Charles M. Mann (1949–1991) was an American soul singer, songwriter, and producer known for his work in the Philly Soul scene, penning hits for B.B. King like "I Like to Live the Love," and releasing his own album Say You Love Me Too; he was a significant figure in 1970s R&B.
Born: December 29, 1949, in Atlanta, Georgia, he gained local attention in Atlanta, leading to a contract with ABC Records at the start of 1973.
He Often collaborated with Dave Crawford, writing for artists such as B.B. King, The Mighty Clouds of Joy, and Nature's Gift.
Mann scored several R&B hits, including B.B. King's Top 10 single "I Like to Live the Love" (1973). He released his debut album Say You Love Me Too in 1973 and had a minor hit with the title track.
Mann was a key talent in the soulful sounds of the 1970s, leaving a mark as a vocalist and especially as a songwriter and producer in the R&B and Philly Soul genres.
Born: December 29, 1949, in Atlanta, Georgia, he gained local attention in Atlanta, leading to a contract with ABC Records at the start of 1973.
He Often collaborated with Dave Crawford, writing for artists such as B.B. King, The Mighty Clouds of Joy, and Nature's Gift.
Mann scored several R&B hits, including B.B. King's Top 10 single "I Like to Live the Love" (1973). He released his debut album Say You Love Me Too in 1973 and had a minor hit with the title track.
Mann was a key talent in the soulful sounds of the 1970s, leaving a mark as a vocalist and especially as a songwriter and producer in the R&B and Philly Soul genres.
Charme
Charme was a studio project, best known for their 1979 self-titled album, also widely referred to as Let It In. The "group" primarily featured uncredited lead vocals by the R&B legend Luther Vandross early in his career, before he became a major solo star.
Charme was a production-oriented disco and funk act that released one significant album on RCA Victor in 1979. They were not a traditional, consistently touring band with fixed members, but rather an assembly of session musicians and vocalists brought together for a specific recording project.
The most notable aspect of the group's history is the involvement of Luther Vandross. He provided uncredited lead vocals on the album's most famous track, a cover of Toto's hit "Georgy Porgy". At the time, Vandross was a highly sought-after but unheralded backing vocalist and jingle singer, working with artists like David Bowie and Roberta Flack before launching his own successful solo career in the early 1980s.
Their album was a result of the vibrant New York studio scene of the late 1970s, involving various session players and producers, though full personnel details are sparse in available records beyond the main vocalists.
Charme's music is a blend of soul, funk, and disco. Their most recognizable song, the long vocal and instrumental version of "Georgy Porgy", became a club classic and an enduring favorite in the soul-funk community.
The album itself includes other original tracks like "Never (Gonna Let You Go)" and "Let It In". While the group was short-lived, the album remains a collector's item and a classic example of late-70s disco-era soul, especially noted for showcasing Vandross's distinctive vocal talent before he achieved superstardom.
Charme was a production-oriented disco and funk act that released one significant album on RCA Victor in 1979. They were not a traditional, consistently touring band with fixed members, but rather an assembly of session musicians and vocalists brought together for a specific recording project.
The most notable aspect of the group's history is the involvement of Luther Vandross. He provided uncredited lead vocals on the album's most famous track, a cover of Toto's hit "Georgy Porgy". At the time, Vandross was a highly sought-after but unheralded backing vocalist and jingle singer, working with artists like David Bowie and Roberta Flack before launching his own successful solo career in the early 1980s.
Their album was a result of the vibrant New York studio scene of the late 1970s, involving various session players and producers, though full personnel details are sparse in available records beyond the main vocalists.
Charme's music is a blend of soul, funk, and disco. Their most recognizable song, the long vocal and instrumental version of "Georgy Porgy", became a club classic and an enduring favorite in the soul-funk community.
The album itself includes other original tracks like "Never (Gonna Let You Go)" and "Let It In". While the group was short-lived, the album remains a collector's item and a classic example of late-70s disco-era soul, especially noted for showcasing Vandross's distinctive vocal talent before he achieved superstardom.
Chic
Chic is an influential American disco and funk band that was formed in 1976 in New York City by guitarist Nile Rodgers and bassist Bernard Edwards. The duo was inspired to create a unique musical style after attending a Roxy Music concert, which, combined with their vision, led to the birth of the band.
Formation and Early Years The original lineup included Nile Rodgers, Bernard Edwards, drummer Tony Thompson, and two female vocalists, Norma Jean Wright and Luci Martin. Chic quickly became known for its distinctive sound, characterized by catchy melodies, danceable grooves, and sophisticated production techniques.
Rise to Fame Chic gained prominence in the late 1970s with a series of hits that defined the disco era. Their self-titled debut album, released in 1977, included the hit singles "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" and "Everybody Dance," both of which showcased their innovative blend of disco and funk. Their second album, "C'est Chic," released in 1978, featured the iconic track "Le Freak," which became one of their most successful songs and is still celebrated today.
Impact on Music Chic's influence extended beyond their own recordings. They were pivotal in shaping the sound of the disco genre and have been credited as a major influence on various artists across multiple genres, including hip-hop, pop, and R&B. Their music has been sampled extensively, with "Good Times," another of their major hits, being one of the most sampled songs in music history.
Later Years and Legacy The band experienced a decline in mainstream popularity during the early 1980s as disco fell out of favor, but they continued to perform and record. Chic's legacy has seen a resurgence in recent years, with their music being featured in contemporary media and celebrated in popular culture. They have continued to tour and create new music into the 2020s, demonstrating their lasting appeal.
Chic remains a vital part of the music landscape, embodying the spirit of funk and disco while continuing to influence new generations of musicians and music lovers alike.
Formation and Early Years The original lineup included Nile Rodgers, Bernard Edwards, drummer Tony Thompson, and two female vocalists, Norma Jean Wright and Luci Martin. Chic quickly became known for its distinctive sound, characterized by catchy melodies, danceable grooves, and sophisticated production techniques.
Rise to Fame Chic gained prominence in the late 1970s with a series of hits that defined the disco era. Their self-titled debut album, released in 1977, included the hit singles "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" and "Everybody Dance," both of which showcased their innovative blend of disco and funk. Their second album, "C'est Chic," released in 1978, featured the iconic track "Le Freak," which became one of their most successful songs and is still celebrated today.
Impact on Music Chic's influence extended beyond their own recordings. They were pivotal in shaping the sound of the disco genre and have been credited as a major influence on various artists across multiple genres, including hip-hop, pop, and R&B. Their music has been sampled extensively, with "Good Times," another of their major hits, being one of the most sampled songs in music history.
Later Years and Legacy The band experienced a decline in mainstream popularity during the early 1980s as disco fell out of favor, but they continued to perform and record. Chic's legacy has seen a resurgence in recent years, with their music being featured in contemporary media and celebrated in popular culture. They have continued to tour and create new music into the 2020s, demonstrating their lasting appeal.
Chic remains a vital part of the music landscape, embodying the spirit of funk and disco while continuing to influence new generations of musicians and music lovers alike.
Chicago Gangsters
The Chicago Gangsters, initially known as The Harmonics, were a prominent soul and funk group that originated from Akron, Ohio. The group was formed in 1969 by brothers LeRoy and James McCants, later joined by their siblings Sam and Chris McCants. They changed their name to the Chicago Gangsters as they sought wider recognition in the music industry.
Musically, the Chicago Gangsters are known for their eclectic sound that blends heavy funk with disco influences. Their work showcases a range of energetic rhythms and compelling melodies, which contributed to their popularity during the 1970s. They gained notable recognition for their single "Gangster Boogie," which is often celebrated for its infectious groove and danceable beats.
The band's evolution reflects a journey from their early days in Ohio to establishing themselves within the broader music scene. Throughout their career, they produced several albums and tracks that resonated with audiences, contributing to the rich musical tapestry of that era.
Despite their name suggesting ties to Chicago, their roots are firmly planted in Akron, Ohio, where they developed their unique sound and style.
Musically, the Chicago Gangsters are known for their eclectic sound that blends heavy funk with disco influences. Their work showcases a range of energetic rhythms and compelling melodies, which contributed to their popularity during the 1970s. They gained notable recognition for their single "Gangster Boogie," which is often celebrated for its infectious groove and danceable beats.
The band's evolution reflects a journey from their early days in Ohio to establishing themselves within the broader music scene. Throughout their career, they produced several albums and tracks that resonated with audiences, contributing to the rich musical tapestry of that era.
Despite their name suggesting ties to Chicago, their roots are firmly planted in Akron, Ohio, where they developed their unique sound and style.
Chocolate Milk
Chocolate Milk was an American funk and soul band formed in 1974 in New Orleans, Louisiana, following the rise of bands like Kool & the Gang and Earth, Wind & Fire. Initially established in Memphis, Tennessee, they relocated to New Orleans where they became the studio band for renowned songwriter and producer Allen Toussaint, which significantly influenced their musical style and trajectory in the industry.
The band was active primarily throughout the 1970s and early 1980s, contributing to the vibrant music scene of New Orleans during that period. Their sound is characterized by a hard funk style infused with soulful melodies, which was a hallmark of many New Orleans-based acts. The lineup included notable members such as saxophonist Amadee Castenell, whose contributions were vital to their unique sound.
Chocolate Milk released several albums during their career, although they did not achieve the mainstream success of some of their contemporaries. Nevertheless, they garnered a loyal following and are often cited as an underrated group outside the mainstream spotlight. Their music continues to resonate with fans of funk and soul, highlighting the rich musical heritage of New Orleans.
The band was active primarily throughout the 1970s and early 1980s, contributing to the vibrant music scene of New Orleans during that period. Their sound is characterized by a hard funk style infused with soulful melodies, which was a hallmark of many New Orleans-based acts. The lineup included notable members such as saxophonist Amadee Castenell, whose contributions were vital to their unique sound.
Chocolate Milk released several albums during their career, although they did not achieve the mainstream success of some of their contemporaries. Nevertheless, they garnered a loyal following and are often cited as an underrated group outside the mainstream spotlight. Their music continues to resonate with fans of funk and soul, highlighting the rich musical heritage of New Orleans.
Chuck Brown and the Soul Searchers
Chuck Brown and the Soul Searchers were a pioneering group in the Washington, D.C. music scene, credited with creating the Go-Go genre, which combines elements of funk, soul, and other musical styles.
The group was formed in the early 1970s by Chuck Brown, who is often referred to as "The Godfather of Go-Go." Brown, born on August 22, 1936, in Gaston, North Carolina, had already developed a reputation as a skilled guitarist and singer before forming the Soul Searchers. His background included a wide array of musical influences, such as jazz, blues, and gospel, which he blended to create a unique sound that helped define Go-Go music.
The Soul Searchers, under Brown's leadership, became known for their infectious rhythms and improvisational style, which encouraged dancing and audience participation. Their music was characterized by a strong backbeat and an emphasis on percussion, which set it apart from other funk bands of the time. The group's first major success came with the hit "Bustin' Loose," which became an anthem for the Go-Go genre and solidified their place in music history.
Chuck Brown and the Soul Searchers played a significant role in the development of Washington, D.C.'s music culture, influencing countless artists and contributing to the city's musical identity. Their performances often featured a mix of original songs and classic funk covers, showcasing Brown's virtuosity as a guitarist and bandleader.
In addition to their live performances, Brown and the Soul Searchers recorded several albums, furthering their impact on the music scene. Brown's innovative approach to music and his ability to connect with audiences helped to establish Go-Go as a enduring genre, making a lasting mark on both local and national music landscapes.
Through their groundbreaking work, Chuck Brown and the Soul Searchers not only pioneered a new genre of music but also fostered a vibrant community of musicians and fans that continues to thrive today. Their legacy as key contributors to the Go-Go movement endures, celebrating the essence of rhythm and dance that defined their sound.
The group was formed in the early 1970s by Chuck Brown, who is often referred to as "The Godfather of Go-Go." Brown, born on August 22, 1936, in Gaston, North Carolina, had already developed a reputation as a skilled guitarist and singer before forming the Soul Searchers. His background included a wide array of musical influences, such as jazz, blues, and gospel, which he blended to create a unique sound that helped define Go-Go music.
The Soul Searchers, under Brown's leadership, became known for their infectious rhythms and improvisational style, which encouraged dancing and audience participation. Their music was characterized by a strong backbeat and an emphasis on percussion, which set it apart from other funk bands of the time. The group's first major success came with the hit "Bustin' Loose," which became an anthem for the Go-Go genre and solidified their place in music history.
Chuck Brown and the Soul Searchers played a significant role in the development of Washington, D.C.'s music culture, influencing countless artists and contributing to the city's musical identity. Their performances often featured a mix of original songs and classic funk covers, showcasing Brown's virtuosity as a guitarist and bandleader.
In addition to their live performances, Brown and the Soul Searchers recorded several albums, furthering their impact on the music scene. Brown's innovative approach to music and his ability to connect with audiences helped to establish Go-Go as a enduring genre, making a lasting mark on both local and national music landscapes.
Through their groundbreaking work, Chuck Brown and the Soul Searchers not only pioneered a new genre of music but also fostered a vibrant community of musicians and fans that continues to thrive today. Their legacy as key contributors to the Go-Go movement endures, celebrating the essence of rhythm and dance that defined their sound.
Chuck Jackson
Chuck Jackson, originally named Charles Benjamin Jackson, was an acclaimed American R&B and soul singer, born on July 22, 1937, in Winston-Salem, North Carolina. Chuck's musical journey began early; he was steeped in gospel music from a young age and made his first radio broadcast at just six years old. By the age of 11, he had become a choir leader, showcasing his natural talent and passion for music.
His professional career in music began in the late 1950s after he briefly sang with the Dell-Vikings. Jackson quickly established himself as a prominent artist in the R&B genre, garnering significant attention with his emotive singing style. In his career, he achieved remarkable success, with 22 songs appearing on the Billboard R&B singles charts, including several sizable hits including "I Don't Want to Cry" (1961), "Any Day Now (My Wild Beautiful Bird)" (1962) and "Tell Him I'm Not Home" (1963).
Chuck Jackson grew up in Latta, South Carolina, where he was awarded the first music scholarship ever given by South Carolina State University, further underlining his dedication to music. His ability to convey deep emotion through song made him a favorite among fans and critics alike, and he is remembered for being one of the first artists to record songs by renowned songwriter Burt Bacharach.
Throughout his career, Chuck Jackson influenced countless artists and left an indelible mark on the music industry. He continued to perform and record until his later years, leaving behind a legacy celebrated by music lovers. Chuck Jackson passed away on February 16, 2023, marking the end of an era for R&B and soul music.
In summary, Chuck Jackson's life and career reflect his immense talent, dedication to music, and lasting impact on the genres of R&B and soul.
His professional career in music began in the late 1950s after he briefly sang with the Dell-Vikings. Jackson quickly established himself as a prominent artist in the R&B genre, garnering significant attention with his emotive singing style. In his career, he achieved remarkable success, with 22 songs appearing on the Billboard R&B singles charts, including several sizable hits including "I Don't Want to Cry" (1961), "Any Day Now (My Wild Beautiful Bird)" (1962) and "Tell Him I'm Not Home" (1963).
Chuck Jackson grew up in Latta, South Carolina, where he was awarded the first music scholarship ever given by South Carolina State University, further underlining his dedication to music. His ability to convey deep emotion through song made him a favorite among fans and critics alike, and he is remembered for being one of the first artists to record songs by renowned songwriter Burt Bacharach.
Throughout his career, Chuck Jackson influenced countless artists and left an indelible mark on the music industry. He continued to perform and record until his later years, leaving behind a legacy celebrated by music lovers. Chuck Jackson passed away on February 16, 2023, marking the end of an era for R&B and soul music.
In summary, Chuck Jackson's life and career reflect his immense talent, dedication to music, and lasting impact on the genres of R&B and soul.
Chuck Jackson and Maxine Brown
Chuck Jackson, born Charles Benjamin Jackson on July 22, 1937, in Winston-Salem, North Carolina, was a distinguished American R&B singer, recognized for his soulful voice and significant contributions to the genre. Raised by his grandmother after never knowing his father, Chuck began his musical career in the late 1950s. He was a member of The Del-Vikings, where he sang lead on several tracks between 1957 and 1959.
Throughout his career, Jackson was known for his emotive singing style, which resonated particularly well with audiences in the 1960s. He released a total of 24 albums, many of which included collaborations with other artists, most notably duet albums with fellow singer Maxine Brown. Jackson's style often incorporated elements of soul and R&B, allowing him to stand out during a vibrant period for African American music. His recordings, particularly of songs written by Burt Bacharach, showcased his vocal prowess and helped to establish him as an important figure in the music industry. He passed away on February 16, 2023, leaving behind a rich legacy in the world of R&B music.
Maxine Brown, born on August 18, 1939, is a notable American soul and R&B singer who emerged as a significant figure in the 1960s music scene. With a smooth, powerful voice, she became known for her ability to convey deep emotion in her performances. Brown often collaborated with other artists, including the iconic R&B singer Chuck Jackson, with whom she recorded several duet albums.
Her career in music has been marked by the release of numerous hits that have solidified her status as a respected artist. Brown's contributions to the soul and R&B genres have made her a cherished figure among fans and fellow musicians alike. She is often celebrated for the quality and distinction of her work during the 1960s, a time when she helped to shape the sound of soul music.
Overall, both Chuck Jackson and Maxine Brown have left an indelible mark on the music industry, influencing future generations of artists and continuing to be remembered for their exceptional talents and contributions to R&B and soul music.
Throughout his career, Jackson was known for his emotive singing style, which resonated particularly well with audiences in the 1960s. He released a total of 24 albums, many of which included collaborations with other artists, most notably duet albums with fellow singer Maxine Brown. Jackson's style often incorporated elements of soul and R&B, allowing him to stand out during a vibrant period for African American music. His recordings, particularly of songs written by Burt Bacharach, showcased his vocal prowess and helped to establish him as an important figure in the music industry. He passed away on February 16, 2023, leaving behind a rich legacy in the world of R&B music.
Maxine Brown, born on August 18, 1939, is a notable American soul and R&B singer who emerged as a significant figure in the 1960s music scene. With a smooth, powerful voice, she became known for her ability to convey deep emotion in her performances. Brown often collaborated with other artists, including the iconic R&B singer Chuck Jackson, with whom she recorded several duet albums.
Her career in music has been marked by the release of numerous hits that have solidified her status as a respected artist. Brown's contributions to the soul and R&B genres have made her a cherished figure among fans and fellow musicians alike. She is often celebrated for the quality and distinction of her work during the 1960s, a time when she helped to shape the sound of soul music.
Overall, both Chuck Jackson and Maxine Brown have left an indelible mark on the music industry, influencing future generations of artists and continuing to be remembered for their exceptional talents and contributions to R&B and soul music.
Chuck Stanley
Chuck Stanley was an American R&B singer who emerged in the 1980s, gaining recognition for his contributions to the genre. Born in Queens, New York, Stanley was signed to the prominent Def Jam Recordings, which helped him launch his music career. He made his debut in 1987 with the album “The Finer Things In Life” and was known for his smooth vocal style typical of the era's soul and R&B music.
While comprehensive details about his life and career are limited, Stanley was part of a wave of artists who contributed to the evolving landscape of R&B during that time. His notable songs include the track "Day by Day," which gained popularity and showcased his vocal talents. As a musician, he has a discography that reflects his work in the industry, and he has left a mark on fans of the genre from his active years.
He toured in the late 1980s alongside R&B singers Oran "Juice" Jones and Tashan.
Collaborations and Later Years:
Alyson Williams: Stanley was a close friend and frequent collaborator of Williams, appearing on her 1989 album Raw for the track "I'm So Glad".
"Never Gonna Let You Go": A popular ballad in the U.K., the song was recorded after Stanley heard a street performer singing the melody in a Manhattan subway and obtained permission to record it.
Recent Activity: While he largely faded from the mainstream spotlight after 1989, reports from the early 2000s indicated he was performing with Shandra, the daughter of soul artist Joshie Jo Armstead.
While comprehensive details about his life and career are limited, Stanley was part of a wave of artists who contributed to the evolving landscape of R&B during that time. His notable songs include the track "Day by Day," which gained popularity and showcased his vocal talents. As a musician, he has a discography that reflects his work in the industry, and he has left a mark on fans of the genre from his active years.
He toured in the late 1980s alongside R&B singers Oran "Juice" Jones and Tashan.
Collaborations and Later Years:
Alyson Williams: Stanley was a close friend and frequent collaborator of Williams, appearing on her 1989 album Raw for the track "I'm So Glad".
"Never Gonna Let You Go": A popular ballad in the U.K., the song was recorded after Stanley heard a street performer singing the melody in a Manhattan subway and obtained permission to record it.
Recent Activity: While he largely faded from the mainstream spotlight after 1989, reports from the early 2000s indicated he was performing with Shandra, the daughter of soul artist Joshie Jo Armstead.
Cissy Houston
Emily "Cissy" Houston (1933-2024) was a legendary American soul and gospel singer, matriarch of the famous Houston musical family, and mother of Whitney Houston, known for her powerful voice as a solo artist and her work with the Drinkard Singers and The Sweet Inspirations, earning two Grammy Awards for her gospel work. She began singing in a family gospel group, became a renowned session vocalist for stars like Elvis and Aretha Franklin, and later led her church choir for decades, leaving a legacy of faith, music, and family strength.
Cissy Houston, born Emily Drinkard on September 30, 1933, in Newark, New Jersey, was an influential American soul and gospel singer. She was part of a musically inclined family, being the youngest of eight children. Houston's mother, Delia Mae McCaskill Drinkard, passed away when Cissy was just five years old, and her father died when she was eighteen, leaving her orphaned during her formative years.
Her career initially took off as a backup singer, where she collaborated with numerous iconic artists, including Elvis Presley and Aretha Franklin. Houston's vocal prowess and soulful style allowed her to carve a niche in the music industry, ultimately leading to her recognition as a solo artist.
Cissy Houston's contributions to music earned her two Grammy Awards, affirming her status as a revered figure in the gospel and soul genres. Furthermore, she was the mother of the late pop icon Whitney Houston, and her influence on Whitney's career and artistry was profound.
Over the years, Houston also ventured into acting, appearing in films such as "A Time to Kill" in 1996 and "The Preacher's Wife". Throughout her life, she remained a cherished figure in the music community, known not only for her talent but also for her warmth and mentorship to younger artists.
Cissy Houston passed away on October 7, 2024, at the age of 91, surrounded by her family in New Jersey, leaving behind a rich legacy in the world of music.
Cissy Houston, born Emily Drinkard on September 30, 1933, in Newark, New Jersey, was an influential American soul and gospel singer. She was part of a musically inclined family, being the youngest of eight children. Houston's mother, Delia Mae McCaskill Drinkard, passed away when Cissy was just five years old, and her father died when she was eighteen, leaving her orphaned during her formative years.
Her career initially took off as a backup singer, where she collaborated with numerous iconic artists, including Elvis Presley and Aretha Franklin. Houston's vocal prowess and soulful style allowed her to carve a niche in the music industry, ultimately leading to her recognition as a solo artist.
Cissy Houston's contributions to music earned her two Grammy Awards, affirming her status as a revered figure in the gospel and soul genres. Furthermore, she was the mother of the late pop icon Whitney Houston, and her influence on Whitney's career and artistry was profound.
Over the years, Houston also ventured into acting, appearing in films such as "A Time to Kill" in 1996 and "The Preacher's Wife". Throughout her life, she remained a cherished figure in the music community, known not only for her talent but also for her warmth and mentorship to younger artists.
Cissy Houston passed away on October 7, 2024, at the age of 91, surrounded by her family in New Jersey, leaving behind a rich legacy in the world of music.
Clarence Carter
Clarence George Carter is an influential American blues and soul singer, songwriter, musician, and record producer, born on January 14, 1936, in Montgomery, Alabama. He was born blind but did not let this condition impede his passion for music. Growing up in a sharecropping family, he was introduced to music at an early age, with his grandmother gifting him his first guitar when he was just nine years old. Carter's early musical influences included renowned artists such as John Lee Hooker, Lightnin' Hopkins, and Jimmy Reed, which he absorbed while learning to play guitar.
Carter attended Alabama State College, where he further honed his musical skills and began to develop his own style. His career in music took off in the 1960s, when he began recording and gained significant recognition for his unique blend of blues and soul music. Some of his most well-known songs include "Slip Away," which became a major hit and showcased his emotive vocal style.
Over the years, Carter has released numerous albums and singles, solidifying his status in the music industry. He is celebrated not only for his vocal talents but also for his songwriting and production work. His contributions have left a lasting impact on the genres of blues and soul music, and he continues to be regarded as a key figure within these musical traditions.
Carter’s life and career reflect resilience and passion, overcoming personal challenges to achieve significant success in his field. His enduring influence can still be felt in contemporary music, making him a respected and celebrated artist in the American music landscape.
Carter attended Alabama State College, where he further honed his musical skills and began to develop his own style. His career in music took off in the 1960s, when he began recording and gained significant recognition for his unique blend of blues and soul music. Some of his most well-known songs include "Slip Away," which became a major hit and showcased his emotive vocal style.
Over the years, Carter has released numerous albums and singles, solidifying his status in the music industry. He is celebrated not only for his vocal talents but also for his songwriting and production work. His contributions have left a lasting impact on the genres of blues and soul music, and he continues to be regarded as a key figure within these musical traditions.
Carter’s life and career reflect resilience and passion, overcoming personal challenges to achieve significant success in his field. His enduring influence can still be felt in contemporary music, making him a respected and celebrated artist in the American music landscape.
Con Funk Shun
Con Funk Shun is an American R&B and funk band formed in 1969 in Vallejo, California, initially known as Project Soul. The group rose to prominence in the mid-1970s and 1980s as one of the era's premier self-contained funk ensembles.
Founded by high school friends Michael Cooper and Louis A. McCall Sr., the group initially served as a backup band for Stax Records artists, most notably The Soul Children and Rufus Thomas.
In 1973, they moved to Memphis, Tennessee, where they were signed to Fretone Records and released their debut album, Organized Con Funk Shun. The band renamed themselves "Con-Funk-Shun" (later dropping the hyphens) after a song by the instrumental group The Nite-Liters.
In 1976, the band signed with Mercury Records, marking the start of a decade-long run featuring 11 albums and numerous hits. Their most famous tracks include the #1 R&B hit "Ffun" (1977), "Chase Me," "Shake and Dance with Me," "Baby I'm Hooked," and "Electric Lady". Four of their albums—Secrets (1977), Loveshine (1978), Candy (1979), and Spirit of Love (1980)—were certified gold in the U.S..
Classic Lineup: Michael Cooper (lead vocals/guitar), Felton Pilate (lead vocals/multi-instrumentalist), Karl Fuller (trumpet), Paul Harrell (sax/flute), Cedric Martin (bass), Danny Thomas (keyboards), and Louis A. McCall Sr. (drums).
Tensions and declining sales led the band to disband in 1986. Felton Pilate went on to become a major producer for MC Hammer, while Michael Cooper launched a successful solo career.
Although never released as a single by the band, "Love's Train" became a fan favorite and reached #1 on the charts in 2022 when covered by the supergroup Silk Sonic (Bruno Mars and Anderson .Paak).
A version of the band featuring original members Michael Cooper, Felton Pilate, and Karl Fuller continues to tour and release new music, such as the 2024 album Smooth Jukebo.x
Co-founder Louis A. McCall Sr. was tragically murdered in a home invasion in 1997; his legacy is honored with a street name in Alameda, California.
Founded by high school friends Michael Cooper and Louis A. McCall Sr., the group initially served as a backup band for Stax Records artists, most notably The Soul Children and Rufus Thomas.
In 1973, they moved to Memphis, Tennessee, where they were signed to Fretone Records and released their debut album, Organized Con Funk Shun. The band renamed themselves "Con-Funk-Shun" (later dropping the hyphens) after a song by the instrumental group The Nite-Liters.
In 1976, the band signed with Mercury Records, marking the start of a decade-long run featuring 11 albums and numerous hits. Their most famous tracks include the #1 R&B hit "Ffun" (1977), "Chase Me," "Shake and Dance with Me," "Baby I'm Hooked," and "Electric Lady". Four of their albums—Secrets (1977), Loveshine (1978), Candy (1979), and Spirit of Love (1980)—were certified gold in the U.S..
Classic Lineup: Michael Cooper (lead vocals/guitar), Felton Pilate (lead vocals/multi-instrumentalist), Karl Fuller (trumpet), Paul Harrell (sax/flute), Cedric Martin (bass), Danny Thomas (keyboards), and Louis A. McCall Sr. (drums).
Tensions and declining sales led the band to disband in 1986. Felton Pilate went on to become a major producer for MC Hammer, while Michael Cooper launched a successful solo career.
Although never released as a single by the band, "Love's Train" became a fan favorite and reached #1 on the charts in 2022 when covered by the supergroup Silk Sonic (Bruno Mars and Anderson .Paak).
A version of the band featuring original members Michael Cooper, Felton Pilate, and Karl Fuller continues to tour and release new music, such as the 2024 album Smooth Jukebo.x
Co-founder Louis A. McCall Sr. was tragically murdered in a home invasion in 1997; his legacy is honored with a street name in Alameda, California.
Cornelius Brothers and Sister Rose
Cornelius Brothers & Sister Rose was a family soul group from Dania Beach, Florida, active from 1970 to 1976. They achieved fame with hits like "Treat Her Like a Lady" and "Too Late to Turn Back Now."
The group formed around siblings Edward "Eddie" Cornelius (born 1943, main songwriter), Carter Cornelius (1948–1991), and Rose Cornelius, initially as the Cornelius Brothers in the mid-1960s. Rose, who had performed on The Ed Sullivan Show in 1967 and toured with Gospel Jazz Singers, joined at her mother's urging; childhood friend Cleveland E. Barrett was an early member but died in a car accident before their success. Sister Billie Jo Cornelius joined in 1972.
Signed to United Artists after auditioning for producer Bob Archibald and managed early by Dionne Warwick's father, they debuted with "Treat Her Like a Lady" (1971, No. 3 Hot 100, gold-certified). Follow-ups included "Too Late to Turn Back Now" (1972, No. 2 Hot 100, also gold), "I'm Never Gonna Be Alone Anymore" (1973), and "Don't Ever Be Lonely" (1974). Their self-titled album hit No. 29 on the Billboard 200.
The group disbanded by 1976. Eddie pursued solo albums in the 1980s, became a pastor, and founded Blood of Lamb Ministries in 1995 (later in Atlanta). Surviving members sued Capitol Records in 2001 over royalties, but the case was dismissed. Carter died in 1991.
The group formed around siblings Edward "Eddie" Cornelius (born 1943, main songwriter), Carter Cornelius (1948–1991), and Rose Cornelius, initially as the Cornelius Brothers in the mid-1960s. Rose, who had performed on The Ed Sullivan Show in 1967 and toured with Gospel Jazz Singers, joined at her mother's urging; childhood friend Cleveland E. Barrett was an early member but died in a car accident before their success. Sister Billie Jo Cornelius joined in 1972.
Signed to United Artists after auditioning for producer Bob Archibald and managed early by Dionne Warwick's father, they debuted with "Treat Her Like a Lady" (1971, No. 3 Hot 100, gold-certified). Follow-ups included "Too Late to Turn Back Now" (1972, No. 2 Hot 100, also gold), "I'm Never Gonna Be Alone Anymore" (1973), and "Don't Ever Be Lonely" (1974). Their self-titled album hit No. 29 on the Billboard 200.
The group disbanded by 1976. Eddie pursued solo albums in the 1980s, became a pastor, and founded Blood of Lamb Ministries in 1995 (later in Atlanta). Surviving members sued Capitol Records in 2001 over royalties, but the case was dismissed. Carter died in 1991.
Craig David
Craig David is a British R&B singer, songwriter, rapper, and producer born on May 5, 1981, in Southampton, England. Craig Ashley David grew up in a musical family; his father, George, was a bass player in a reggae band. By age 14, he was MCing at local clubs and built a bedroom studio with earnings from gigs. He gained early exposure writing for Damage and singing on UK garage tracks.
David broke through in 1999 featuring on Artful Dodger's "Re-Rewind," which hit No. 2 in the UK. His 2000 debut single "Fill Me In" topped the charts, followed by the massive album Born to Do It, which sold over 8 million copies worldwide.
He released albums like Slicker Than Your Average (2002), The Time Is Now (2018), and Commitment (2022), blending R&B, garage, and dance. Collaborations include Sting, Rita Ora, Bastille, and Kano. In 2020, he received an MBE for music services.
David continues touring and DJing, with hits like "7 Days" enduring as classics. He has acted in films like Bridget Jones's Diary and About Time.
David broke through in 1999 featuring on Artful Dodger's "Re-Rewind," which hit No. 2 in the UK. His 2000 debut single "Fill Me In" topped the charts, followed by the massive album Born to Do It, which sold over 8 million copies worldwide.
He released albums like Slicker Than Your Average (2002), The Time Is Now (2018), and Commitment (2022), blending R&B, garage, and dance. Collaborations include Sting, Rita Ora, Bastille, and Kano. In 2020, he received an MBE for music services.
David continues touring and DJing, with hits like "7 Days" enduring as classics. He has acted in films like Bridget Jones's Diary and About Time.
Creative Source
Creative Source was a Los Angeles-based R&B vocal group active in the 1970s, known for blending funk, soul, and disco elements. They gained fame with hits like their funky cover of Bill Withers' "Who Is He (And What Is He to You?)" from their 1973 debut album.
Formed in 1972, the quintet consisted of veterans from West Coast studios: Barbara Berryman, Barbara Lewis (formerly with the Los Angeles Elgins), Don Wyatt (who sang backup for Nat King Cole and performed with 1950s groups like the Fortunes), Steve Flanagan, and Celeste Rose. Managed by Ron Townson of The Fifth Dimension, they debuted on Sussex Records under producer Mike Stokes.
Their self-titled debut (1973) reached No. 21 on the R&B chart, featuring "You Can't Hide Love" (later covered by Earth, Wind & Fire). Follow-ups included Migration (1974), Pass the Feelin' On (1975, Polydor), and Consider the Source (1976). Other singles: "You're Too Good to Be True" and "I Just Can't See Myself Without You." Despite compelling tracks, later releases lacked promotion and chart success.
By 1977, after losing their label deal, the group disbanded and members returned to regular life in Southern California. They appeared on shows like Soul Train and The Mike Douglas Show.
Formed in 1972, the quintet consisted of veterans from West Coast studios: Barbara Berryman, Barbara Lewis (formerly with the Los Angeles Elgins), Don Wyatt (who sang backup for Nat King Cole and performed with 1950s groups like the Fortunes), Steve Flanagan, and Celeste Rose. Managed by Ron Townson of The Fifth Dimension, they debuted on Sussex Records under producer Mike Stokes.
Their self-titled debut (1973) reached No. 21 on the R&B chart, featuring "You Can't Hide Love" (later covered by Earth, Wind & Fire). Follow-ups included Migration (1974), Pass the Feelin' On (1975, Polydor), and Consider the Source (1976). Other singles: "You're Too Good to Be True" and "I Just Can't See Myself Without You." Despite compelling tracks, later releases lacked promotion and chart success.
By 1977, after losing their label deal, the group disbanded and members returned to regular life in Southern California. They appeared on shows like Soul Train and The Mike Douglas Show.
Cuba Gooding
Cuba Gooding Sr., born on April 27, 1944, in New York City, was an influential American singer and actor best known for being the lead vocalist of the soul group The Main Ingredient. He emerged as a prominent figure in the music industry during the 1970s, particularly noted for the group's hit song "Everybody Plays the Fool," which remains a classic in the soul genre.
Gooding began his professional career in 1964, and his major breakthrough came in 1971 when he joined The Main Ingredient. Under his leadership, the group enjoyed considerable success, releasing several albums and singles that contributed to their lasting legacy in the music world. His work with the group was characterized by smooth vocals and heartfelt performances, traits that resonated with audiences and helped the group gain popularity on the RCA Records label.
Beyond his music career, Cuba Gooding Sr. was also the father of Academy Award-winning actor Cuba Gooding Jr., further intertwining his legacy within the entertainment industry. Gooding Sr. continued to perform and engage with fans until his death on April 20, 2017, leaving behind a rich musical heritage and a significant impact on the soul music landscape.
Gooding began his professional career in 1964, and his major breakthrough came in 1971 when he joined The Main Ingredient. Under his leadership, the group enjoyed considerable success, releasing several albums and singles that contributed to their lasting legacy in the music world. His work with the group was characterized by smooth vocals and heartfelt performances, traits that resonated with audiences and helped the group gain popularity on the RCA Records label.
Beyond his music career, Cuba Gooding Sr. was also the father of Academy Award-winning actor Cuba Gooding Jr., further intertwining his legacy within the entertainment industry. Gooding Sr. continued to perform and engage with fans until his death on April 20, 2017, leaving behind a rich musical heritage and a significant impact on the soul music landscape.
Curtis Hairston
Curtis Hairston was an American R&B, soul, and funk singer known for his smooth vocals and 1980s hits. Born Curtis Kinnard Hairston on October 10, 1961, in Winston-Salem, North Carolina, he passed away on January 18, 1996, at age 34 due to kidney failure from lifelong diabetes.
Hairston began singing at age three in church and performed semi-professionally by 13. He attended Winston-Salem/Forsyth County Schools and Winston-Salem State University, with some accounts mentioning training at Juilliard School of Music around 1980.
In the early 1980s, he moved to New York City, where ex-NBA star Earl "The Pearl" Monroe signed him to the new Pretty Pearl Records label. His 1982 debut single "Summertime" led to club success with "I Want You (All Tonight)" in 1983, peaking at No. 35 on US Dance charts and No. 44 in the UK.
Hairston's breakthrough came in 1984 with a cover of Jimmy Cliff's "We All Are One," his first Billboard R&B hit at No. 72. His signature 1985 single "I Want Your Lovin' (Just a Little Bit)" reached No. 13 in the UK, earning a Top of the Pops appearance.
Switching to Atlantic Records in 1986, he released his self-titled debut (and only) album, featuring Luther Vandross on backing vocals; "Chillin' Out" hit No. 57 in the UK. He also sang lead on B.B. & Q. Band's "Genie" (UK Top 40) and provided vocals for Change.
Hairston's last solo single, "The Morning After," arrived in 1987. Health issues forced his return to Winston-Salem in 1992 for dialysis, ending his career prematurely.
Hairston began singing at age three in church and performed semi-professionally by 13. He attended Winston-Salem/Forsyth County Schools and Winston-Salem State University, with some accounts mentioning training at Juilliard School of Music around 1980.
In the early 1980s, he moved to New York City, where ex-NBA star Earl "The Pearl" Monroe signed him to the new Pretty Pearl Records label. His 1982 debut single "Summertime" led to club success with "I Want You (All Tonight)" in 1983, peaking at No. 35 on US Dance charts and No. 44 in the UK.
Hairston's breakthrough came in 1984 with a cover of Jimmy Cliff's "We All Are One," his first Billboard R&B hit at No. 72. His signature 1985 single "I Want Your Lovin' (Just a Little Bit)" reached No. 13 in the UK, earning a Top of the Pops appearance.
Switching to Atlantic Records in 1986, he released his self-titled debut (and only) album, featuring Luther Vandross on backing vocals; "Chillin' Out" hit No. 57 in the UK. He also sang lead on B.B. & Q. Band's "Genie" (UK Top 40) and provided vocals for Change.
Hairston's last solo single, "The Morning After," arrived in 1987. Health issues forced his return to Winston-Salem in 1992 for dialysis, ending his career prematurely.
Curtis Mayfield
Curtis Lee Mayfield was born on June 3, 1942, at Cook County Hospital in Chicago, Illinois. Growing up in the Cabrini Green Housing Projects, he was exposed to the city’s rich blues and gospel music scene from an early age. His family dynamics changed when his father abandoned the family, significantly impacting his upbringing and inspiring much of his future work.
By the age of 14, Mayfield joined the vocal group The Impressions, where he began as a backup singer. His talents soon propelled him into the spotlight as the group’s lead singer. He contributed significantly to the group's success, writing many of their hits and establishing himself as a talented songwriter and performer.
Throughout the 1960s and 1970s, Mayfield emerged as a key figure in the Chicago-based soul music movement. He was not only a singer and guitarist but also a producer and entrepreneur. His work often reflected themes of social change, civil rights, and black empowerment, making him a motivating force in black music and culture. His album "Superfly," released in 1972, is particularly notable for its social commentary and became a significant part of the blaxploitation film genre.
Mayfield's music served as a vehicle for political and social messages, making him an influential voice during the civil rights movement. He was known for his activism and commitment to promoting positive change within the African American community. His contributions to music and society have earned him a lasting legacy as one of the most important figures in American music history.
After a successful career marked by numerous accolades, including being inducted into the Rock and Roll Hall of Fame, Mayfield's life faced challenges. In 1990, he suffered a tragic accident during a concert that left him paralyzed from the neck down. Despite his condition, he continued to write and produce music until his death on December 26, 1999. His impact on music and culture continues to be felt, and his work remains a testament to his artistry and vision for social justice.
By the age of 14, Mayfield joined the vocal group The Impressions, where he began as a backup singer. His talents soon propelled him into the spotlight as the group’s lead singer. He contributed significantly to the group's success, writing many of their hits and establishing himself as a talented songwriter and performer.
Throughout the 1960s and 1970s, Mayfield emerged as a key figure in the Chicago-based soul music movement. He was not only a singer and guitarist but also a producer and entrepreneur. His work often reflected themes of social change, civil rights, and black empowerment, making him a motivating force in black music and culture. His album "Superfly," released in 1972, is particularly notable for its social commentary and became a significant part of the blaxploitation film genre.
Mayfield's music served as a vehicle for political and social messages, making him an influential voice during the civil rights movement. He was known for his activism and commitment to promoting positive change within the African American community. His contributions to music and society have earned him a lasting legacy as one of the most important figures in American music history.
After a successful career marked by numerous accolades, including being inducted into the Rock and Roll Hall of Fame, Mayfield's life faced challenges. In 1990, he suffered a tragic accident during a concert that left him paralyzed from the neck down. Despite his condition, he continued to write and produce music until his death on December 26, 1999. His impact on music and culture continues to be felt, and his work remains a testament to his artistry and vision for social justice.
Curtis Mayfield/
Cymande
Cymande is a British funk group known for their unique blend of musical styles, which encompasses African rhythms, rock, soul, calypso, reggae, and modern jazz-funk. Formed in the early 1970s, they gained recognition for their eclectic sound and have been influential in the funk genre.
The band's debut album, "Cymande," was released in 1972 and produced by John Schroeder. Their music is characterized by smooth, spiritual, and versatile qualities that set them apart from other artists in the genre. The band broke through in the U.S. funk scene, touring and headlining the Apollo Theater, following the chart success of their single "The Message" (1973), despite being ignored in the UK.
Following the success of their self-titled debut album in 1972 and the single from it "The Message", the band released three further albums:- Second Time Round (1973); Promised Heights (1974); and Arrival (1981).
After a lengthy hiatus, Cymande made a comeback with a new album titled "A Simple Act Of Faith," released in 2016. This marked their first LP in several decades, featuring both new material and elements that reflect their historical musical roots, and another album in 2025 entitled Renascence. The band's recent performances, including appearances on platforms like KCRW, signify their continued relevance and appeal in today's music scene.
Cymande's work remains appreciated for its innovative fusion and uplifting vibe, continuing to attract fans of funk and soul music alike.
The band's debut album, "Cymande," was released in 1972 and produced by John Schroeder. Their music is characterized by smooth, spiritual, and versatile qualities that set them apart from other artists in the genre. The band broke through in the U.S. funk scene, touring and headlining the Apollo Theater, following the chart success of their single "The Message" (1973), despite being ignored in the UK.
Following the success of their self-titled debut album in 1972 and the single from it "The Message", the band released three further albums:- Second Time Round (1973); Promised Heights (1974); and Arrival (1981).
After a lengthy hiatus, Cymande made a comeback with a new album titled "A Simple Act Of Faith," released in 2016. This marked their first LP in several decades, featuring both new material and elements that reflect their historical musical roots, and another album in 2025 entitled Renascence. The band's recent performances, including appearances on platforms like KCRW, signify their continued relevance and appeal in today's music scene.
Cymande's work remains appreciated for its innovative fusion and uplifting vibe, continuing to attract fans of funk and soul music alike.
D-Train<div hidden>DTrain D Train</div>
D Train was an American soul and funk duo formed in the early 1980s in Brooklyn, New York. The group consisted of James "D Train" Williams, who provided lead vocals, and Hubert Eaves III, who played keyboards and was also known for his involvement with the group Mtume. The duo emerged from their high school years, where Williams started developing his musical talents, singing in a church choir from a young age.
D Train made a significant impact on the music scene during the first half of the 1980s, particularly in the genres of R&B and dance music. They were known for their distinctive sound that contributed to the post-disco music wave. Their style blended soulful melodies with powerful funk beats, characterized by Williams' robust vocal delivery and Eaves' innovative keyboard work. D Train's music resonated with audiences, leading to several hits on the Billboard charts, including notable singles that achieved success on both the Dance and R&B charts.
Throughout their career, D Train released several singles that gained popularity. Some of their most recognized songs include "You're the One for Me," which showcased their signature blend of catchy melodies and danceable rhythm. The duo's music was marked by an aggressive yet soulful approach, reflecting Williams' dynamic presence and energy, reminiscent of his past as an athlete.
D Train played a key role in shaping the sound of 1980s funk and soul. Their influence is evident in the works of many contemporary artists who draw inspiration from the duo's pioneering sound. The group's ability to merge dance music with soulful elements remains a landmark in the evolution of R&B and funk genres.
Despite the changes in the music industry, D Train's contributions continue to be celebrated, and their tracks still resonate with fans of vintage soul and funk music today. Their legacy as a formidable duo in the 1980s music scene solidifies their place in the history of American soul and funk music.
D Train made a significant impact on the music scene during the first half of the 1980s, particularly in the genres of R&B and dance music. They were known for their distinctive sound that contributed to the post-disco music wave. Their style blended soulful melodies with powerful funk beats, characterized by Williams' robust vocal delivery and Eaves' innovative keyboard work. D Train's music resonated with audiences, leading to several hits on the Billboard charts, including notable singles that achieved success on both the Dance and R&B charts.
Throughout their career, D Train released several singles that gained popularity. Some of their most recognized songs include "You're the One for Me," which showcased their signature blend of catchy melodies and danceable rhythm. The duo's music was marked by an aggressive yet soulful approach, reflecting Williams' dynamic presence and energy, reminiscent of his past as an athlete.
D Train played a key role in shaping the sound of 1980s funk and soul. Their influence is evident in the works of many contemporary artists who draw inspiration from the duo's pioneering sound. The group's ability to merge dance music with soulful elements remains a landmark in the evolution of R&B and funk genres.
Despite the changes in the music industry, D Train's contributions continue to be celebrated, and their tracks still resonate with fans of vintage soul and funk music today. Their legacy as a formidable duo in the 1980s music scene solidifies their place in the history of American soul and funk music.
DTrain D Train
Darrell Banks
Darrell Banks (born Darrell Eubanks; July 25, 1937 – February 24, 1970) was an influential American soul singer known for his powerful, gospel-inflected baritone. Though his career lasted only four years before his tragic death, he remains a legendary figure in the Northern Soul scene.
Born in Mansfield, Ohio, Banks was raised by his grandparents in Buffalo, New York. He began his musical journey singing gospel in local churches before transitioning to secular music in the Buffalo club scene. In Buffalo, he befriended singer-songwriter Donnie Elbert, who became his mentor. This relationship later became complicated when Banks recorded Elbert's song "Baby Walk Right In" under the title "Open the Door to Your Heart".
In 1966, Banks signed with Detroit's Revilot Records and released "Open the Door to Your Heart". It became a major hit, peaking at No. 2 on the R&B charts and No. 27 on the Billboard Hot 100.
A legal battle ensued over the songwriting credits for the hit, which were originally attributed solely to Banks. The courts eventually ruled in favor of Donnie Elbert. His follow-up single, "Somebody (Somewhere) Needs You," also charted, reaching No. 34 on the R&B charts.
In 1967 Banks moved to the Atco label, where he released the album Darrell Banks Is Here! (1967). In 1969 he joined the Volt subsidiary of Stax Records, releasing his second and final album, Here to Stay (1969).
On February 24, 1970, Banks was shot and killed by off-duty Detroit police officer Aaron Bullock during a dispute involving Banks's girlfriend, Marjorie Bozeman. He was 32 years old.
Despite his short life, his recordings are highly prized by collectors. In 2014, a rare copy of his London Records single sold for over £14,000 at auction.
In 2004, international fans funded a memorial bench and headstone for his previously unmarked grave in Detroit Memorial Park.
Born in Mansfield, Ohio, Banks was raised by his grandparents in Buffalo, New York. He began his musical journey singing gospel in local churches before transitioning to secular music in the Buffalo club scene. In Buffalo, he befriended singer-songwriter Donnie Elbert, who became his mentor. This relationship later became complicated when Banks recorded Elbert's song "Baby Walk Right In" under the title "Open the Door to Your Heart".
In 1966, Banks signed with Detroit's Revilot Records and released "Open the Door to Your Heart". It became a major hit, peaking at No. 2 on the R&B charts and No. 27 on the Billboard Hot 100.
A legal battle ensued over the songwriting credits for the hit, which were originally attributed solely to Banks. The courts eventually ruled in favor of Donnie Elbert. His follow-up single, "Somebody (Somewhere) Needs You," also charted, reaching No. 34 on the R&B charts.
In 1967 Banks moved to the Atco label, where he released the album Darrell Banks Is Here! (1967). In 1969 he joined the Volt subsidiary of Stax Records, releasing his second and final album, Here to Stay (1969).
On February 24, 1970, Banks was shot and killed by off-duty Detroit police officer Aaron Bullock during a dispute involving Banks's girlfriend, Marjorie Bozeman. He was 32 years old.
Despite his short life, his recordings are highly prized by collectors. In 2014, a rare copy of his London Records single sold for over £14,000 at auction.
In 2004, international fans funded a memorial bench and headstone for his previously unmarked grave in Detroit Memorial Park.
Darrell Randle
Darrell Randle is an American R&B and soul artist and producer who has been active in the music industry since the 1970s. Based in Los Angeles, he is known for a style that blends modern soul, funk, and R&B.
Randle was a collaborator with the influential family soul group The Sylvers and the group Dynasty, both of which were central to the Sound of Los Angeles Records (SOLAR) label in the late 1970s and early 1980s.
His most notable solo release is the 1987 album Do You Remember The Good Times, released via Macola Record Co.
As of late 2025 and 2026, he continues to release new music, including the single "She A Rolling Stone" (2025). He has also announced plans for a world tour in 2026.
Over his career, he has worked alongside prominent figures such as Leon Sylvers III, William Shelby (Lakeside), and Ricky Smith.
Randle operates under his own production entity, Stardust Enterprise Records, and has a presence on platforms like ReverbNation to showcase his independent projects.
Randle was a collaborator with the influential family soul group The Sylvers and the group Dynasty, both of which were central to the Sound of Los Angeles Records (SOLAR) label in the late 1970s and early 1980s.
His most notable solo release is the 1987 album Do You Remember The Good Times, released via Macola Record Co.
As of late 2025 and 2026, he continues to release new music, including the single "She A Rolling Stone" (2025). He has also announced plans for a world tour in 2026.
Over his career, he has worked alongside prominent figures such as Leon Sylvers III, William Shelby (Lakeside), and Ricky Smith.
Randle operates under his own production entity, Stardust Enterprise Records, and has a presence on platforms like ReverbNation to showcase his independent projects.
Dave Baby Cortez
Dave "Baby" Cortez, born David Cortez Clowney on August 13, 1938, in Detroit, Michigan, was an influential American pop and R&B organist and pianist. He was one of the pioneers in integrating the Hammond B-3 organ into mainstream pop music.
Cortez was born into a musical family; his father, a pianist, greatly influenced his early interest in music. This familial support encouraged him to develop his talent in playing the piano from a young age.
He began his professional music career in the late 1950s. He joined various bands and quickly made a name for himself as a skilled organist. His breakout moment came with the release of his instrumental hit “The Happy Organ” in 1959. This track made history as the first pop single to prominently feature the Hammond B-3 organ, and it became a massive success, solidifying his place in music history.
Cortez was not only known for "The Happy Organ" but also for his unique sound that blended elements of pop and R&B. Throughout his career, he released several albums and singles, earning him a spot in the Michigan Rock and Roll Legends Hall of Fame.
He continued to perform and record music throughout the decades. He remained active in the music scene, contributing to various recordings and performances until his passing on May 31, 2022. His legacy as a pioneer of the organ in popular music endures, and he is remembered for his contributions that brought the sound of the Hammond B-3 organ to a wider audience.
Cortez's works have also been featured in films, further showcasing his influence and the lasting appeal of his music. His career is a testament to the impact an individual can have on the musical landscape, blending styles and pushing boundaries within the genre.
Cortez was born into a musical family; his father, a pianist, greatly influenced his early interest in music. This familial support encouraged him to develop his talent in playing the piano from a young age.
He began his professional music career in the late 1950s. He joined various bands and quickly made a name for himself as a skilled organist. His breakout moment came with the release of his instrumental hit “The Happy Organ” in 1959. This track made history as the first pop single to prominently feature the Hammond B-3 organ, and it became a massive success, solidifying his place in music history.
Cortez was not only known for "The Happy Organ" but also for his unique sound that blended elements of pop and R&B. Throughout his career, he released several albums and singles, earning him a spot in the Michigan Rock and Roll Legends Hall of Fame.
He continued to perform and record music throughout the decades. He remained active in the music scene, contributing to various recordings and performances until his passing on May 31, 2022. His legacy as a pioneer of the organ in popular music endures, and he is remembered for his contributions that brought the sound of the Hammond B-3 organ to a wider audience.
Cortez's works have also been featured in films, further showcasing his influence and the lasting appeal of his music. His career is a testament to the impact an individual can have on the musical landscape, blending styles and pushing boundaries within the genre.
Dave Cortez
Dave Williams
David Williams (also known as David "Happy" Williams) is a prominent Trinidadian jazz double-bassist born on September 17, 1946. He is best known for his work as a leader and a highly sought-after sideman in the jazz and R&B spheres.
Born in Trinidad, he was the son of John "Buddy" Williams, a noted bassist and calypso bandleader. He began playing piano at age 5 and bass at age 12. He studied at the London College of Music for a year before moving to New York City in 1969. After moving to the U.S., he worked with major artists including Roberta Flack, Donny Hathaway, and Chuck Mangione. He also played with Donald Byrd & the Blackbyrds, earning his first gold record.
His bass playing is noted as deep, resonant, effortless, and technically brilliant, driving the tracks. Tracks like "Out of the Sheets – Into the Streets" were popular in clubs, even appearing in films like Trading Places. Many listeners find it holds up exceptionally well, offering a deep, satisfying listen beyond just the hits. In 1982, Williams became a permanent member of the Cedar Walton Trio alongside drummer Billy Higgins, a group regarded as one of the finest in contemporary acoustic jazz.
He has appeared on approximately 200 albums, working with legends like Art Pepper, Ornette Coleman, Elvin Jones, and George Cables. In his later career, he returned to his Trinidadian roots, composing and recording "pan jazz" and calypso-inspired music, such as the 2003 album Reid, Wright and Be Happy.
Born in Trinidad, he was the son of John "Buddy" Williams, a noted bassist and calypso bandleader. He began playing piano at age 5 and bass at age 12. He studied at the London College of Music for a year before moving to New York City in 1969. After moving to the U.S., he worked with major artists including Roberta Flack, Donny Hathaway, and Chuck Mangione. He also played with Donald Byrd & the Blackbyrds, earning his first gold record.
His bass playing is noted as deep, resonant, effortless, and technically brilliant, driving the tracks. Tracks like "Out of the Sheets – Into the Streets" were popular in clubs, even appearing in films like Trading Places. Many listeners find it holds up exceptionally well, offering a deep, satisfying listen beyond just the hits. In 1982, Williams became a permanent member of the Cedar Walton Trio alongside drummer Billy Higgins, a group regarded as one of the finest in contemporary acoustic jazz.
He has appeared on approximately 200 albums, working with legends like Art Pepper, Ornette Coleman, Elvin Jones, and George Cables. In his later career, he returned to his Trinidadian roots, composing and recording "pan jazz" and calypso-inspired music, such as the 2003 album Reid, Wright and Be Happy.
Daveon
Daveon Overton, is an American funk and soul singer, songwriter, and arranger. He first emerged in the mid-1980s as a member of the Chicago-based funk/soul group Smoke City. With the group, he released a hit single in 1987 which included tracks like "Dreams", "I Really Want You", and "In a World of Fantasy".
In 1987, alongside his work with Smoke City, Daveon launched a solo career and released his debut and critically acclaimed album It's So Good. The album featured his talents as a vocalist, songwriter, and arranger, encompassing a funk and soul sound. Notable tracks include the title track, "It's Your Life", "Video", and "My Heart Still Beats".
n the same year, he also released an electro/anti-crack 12-inch single called "Don't Do It", where he showcased his skills as a rapper.
In 1993, Daveon signed a songwriter's contract with Jobete Publishing Company, which was owned by Motown founder Barry Gordy. He relocated to Los Angeles to continue his career as a singer and songwriter. He has since performed live at various venues, including opening for artists like Bootsy Collins.
Daveon's music is primarily categorized as funk and soul. His album It's So Good is noted for its hypnotic beats, simple but deep lyrics, and a consistently high standard of musicianship across all tracks.
In 1987, alongside his work with Smoke City, Daveon launched a solo career and released his debut and critically acclaimed album It's So Good. The album featured his talents as a vocalist, songwriter, and arranger, encompassing a funk and soul sound. Notable tracks include the title track, "It's Your Life", "Video", and "My Heart Still Beats".
n the same year, he also released an electro/anti-crack 12-inch single called "Don't Do It", where he showcased his skills as a rapper.
In 1993, Daveon signed a songwriter's contract with Jobete Publishing Company, which was owned by Motown founder Barry Gordy. He relocated to Los Angeles to continue his career as a singer and songwriter. He has since performed live at various venues, including opening for artists like Bootsy Collins.
Daveon's music is primarily categorized as funk and soul. His album It's So Good is noted for its hypnotic beats, simple but deep lyrics, and a consistently high standard of musicianship across all tracks.
David "Fathead" Newman
David "Fathead" Newman was born on February 24, 1933, in Corsicana, Texas. Shortly after his birth, his family relocated to Dallas, where he spent his formative years. Growing up in a musically rich environment, Newman was influenced by various genres, particularly jazz and rhythm-and-blues, which would shape his future career as a saxophonist.
Newman's career began to blossom in his teenage years, as he started playing professionally around Dallas and Fort Worth with notable musicians like Charlie Parker and others. His breakthrough came when he connected with Ray Charles, who would become a significant influence on his career. In 1959, Newman released his debut album, "Fathead: Ray Charles Presents David Fathead Newman," supported by Charles. This album showcased his extraordinary talent and helped establish him in the jazz and R&B scenes.
Over the years, Newman became known for his work as a tenor saxophonist, lending his distinct voice to countless recordings and live performances, particularly during his time with Ray Charles. He was recognized for his ability to blend jazz, R&B, and blues, demonstrating versatility that appealed to diverse audiences.
David "Fathead" Newman continued to perform and record music throughout his life, maintaining a presence in the jazz community until his passing. His contributions to music were celebrated, and he was regarded as one of the premier tenor saxophonists of his era. Newman passed away on January 20, 2009, leaving behind a rich legacy of recordings and performances that continue to influence musicians today.
Overall, David "Fathead" Newman's life was marked by a deep passion for music, significant collaborations, and a legacy that solidified his place in jazz history. His work not only showcased his remarkable talent but also influenced generations of musicians in the jazz and rhythm-and-blues genres.
Newman's career began to blossom in his teenage years, as he started playing professionally around Dallas and Fort Worth with notable musicians like Charlie Parker and others. His breakthrough came when he connected with Ray Charles, who would become a significant influence on his career. In 1959, Newman released his debut album, "Fathead: Ray Charles Presents David Fathead Newman," supported by Charles. This album showcased his extraordinary talent and helped establish him in the jazz and R&B scenes.
Over the years, Newman became known for his work as a tenor saxophonist, lending his distinct voice to countless recordings and live performances, particularly during his time with Ray Charles. He was recognized for his ability to blend jazz, R&B, and blues, demonstrating versatility that appealed to diverse audiences.
David "Fathead" Newman continued to perform and record music throughout his life, maintaining a presence in the jazz community until his passing. His contributions to music were celebrated, and he was regarded as one of the premier tenor saxophonists of his era. Newman passed away on January 20, 2009, leaving behind a rich legacy of recordings and performances that continue to influence musicians today.
Overall, David "Fathead" Newman's life was marked by a deep passion for music, significant collaborations, and a legacy that solidified his place in jazz history. His work not only showcased his remarkable talent but also influenced generations of musicians in the jazz and rhythm-and-blues genres.
David Fathead Newman
David Bendeth
David Bendeth is a prominent figure in the music industry, primarily known for his work as a guitarist, songwriter, producer, and A&R executive. He was born on June 17, 1954, in Stoke Newington, Hackney, London, England. Bendeth grew up in an environment surrounded by music and musicians, which influenced his career path significantly.
Bendeth attended Parkhill School in Ilford, London, and showed an early interest in music. He is a self-taught guitarist and further honed his skills by studying at the Berklee College of Music. His early experiences in the London music scene, particularly at the Speakeasy Club, provided him with a foundation that would shape his musical career.
Bendeth's career began in the UK, where he played with various artists and bands. His deep involvement in music led him to transition from performing to behind-the-scenes roles in music production and songwriting. This shift marked the beginning of his reputation as a talented producer, allowing him to work with a diverse range of artists across different genres.
David Bendeth eventually moved to the United States to expand his career opportunities. His transition proved successful, as he became known for producing and writing music for a variety of artists, enhancing his profile in the industry. His expertise and innovative approach to music have earned him recognition in both the jazz and mainstream music scenes.
As of now, David Bendeth is recognized for his contributions to music, particularly in jazz and rock genres. His blend of artistry as a musician and skills as a producer continues to influence upcoming musicians and artists alike.
Bendeth attended Parkhill School in Ilford, London, and showed an early interest in music. He is a self-taught guitarist and further honed his skills by studying at the Berklee College of Music. His early experiences in the London music scene, particularly at the Speakeasy Club, provided him with a foundation that would shape his musical career.
Bendeth's career began in the UK, where he played with various artists and bands. His deep involvement in music led him to transition from performing to behind-the-scenes roles in music production and songwriting. This shift marked the beginning of his reputation as a talented producer, allowing him to work with a diverse range of artists across different genres.
David Bendeth eventually moved to the United States to expand his career opportunities. His transition proved successful, as he became known for producing and writing music for a variety of artists, enhancing his profile in the industry. His expertise and innovative approach to music have earned him recognition in both the jazz and mainstream music scenes.
As of now, David Bendeth is recognized for his contributions to music, particularly in jazz and rock genres. His blend of artistry as a musician and skills as a producer continues to influence upcoming musicians and artists alike.
David Grant
David Beresford Grant was born on August 8, 1956, in Kingston, Jamaica. He moved to the UK during his childhood in the late 1950s. This early relocation would ultimately shape his musical career as he grew up immersed in the cultural landscape of London.
Grant first gained prominence in the early 1980s as a lead singer of the soul/funk duo Linx, which he formed with bassist Peter “Sketch” Martin in 1979. They achieved significant success with their hit single "Intuition," which was released in 1981 and became one of their biggest songs. Linx was known for its infectious grooves and catchy melodies, contributing to the UK music scene of that era.
In 1983, Grant transitioned to a solo career, releasing a series of Top 40 hits in the UK. This period included a mix of pop and soul influences, which showcased his vocal talents and musical versatility. His work during this time solidified his reputation as a prominent figure in the music industry.
Beyond his solo work, David Grant became well-known as a vocal coach, gaining visibility through television programs such as "Fame Academy." His expertise in vocal training allowed him to influence and mentor aspiring singers, further broadening his impact on the music industry.
In addition to his professional achievements, Grant's personal life reflects his rich background and passion for music. His experiences from Jamaica to the UK have ingrained a deep appreciation for cultural expression through song.
David Grant's journey from Kingston to becoming a celebrated artist in the UK highlights his significant contributions to music over the decades. His evolution from the lead singer of Linx to a respected solo artist and vocal coach illustrates a career marked by talent and versatility.
Grant first gained prominence in the early 1980s as a lead singer of the soul/funk duo Linx, which he formed with bassist Peter “Sketch” Martin in 1979. They achieved significant success with their hit single "Intuition," which was released in 1981 and became one of their biggest songs. Linx was known for its infectious grooves and catchy melodies, contributing to the UK music scene of that era.
In 1983, Grant transitioned to a solo career, releasing a series of Top 40 hits in the UK. This period included a mix of pop and soul influences, which showcased his vocal talents and musical versatility. His work during this time solidified his reputation as a prominent figure in the music industry.
Beyond his solo work, David Grant became well-known as a vocal coach, gaining visibility through television programs such as "Fame Academy." His expertise in vocal training allowed him to influence and mentor aspiring singers, further broadening his impact on the music industry.
In addition to his professional achievements, Grant's personal life reflects his rich background and passion for music. His experiences from Jamaica to the UK have ingrained a deep appreciation for cultural expression through song.
David Grant's journey from Kingston to becoming a celebrated artist in the UK highlights his significant contributions to music over the decades. His evolution from the lead singer of Linx to a respected solo artist and vocal coach illustrates a career marked by talent and versatility.
David Hudson
David Hudson, a notable figure in the Southern Soul genre, was born on December 17, 1953, in Atlanta, Georgia. At the tender age of six, he tragically lost sight in his right eye, which shaped part of his life experience. His early introduction to music was influenced significantly by his mother, whose support and encouragement were pivotal in his development as a singer.
Hudson's musical journey began to take shape when he relocated to Miami in 1974, motivated by a personal tragedy—the death of his mother. This move not only marked a new chapter in his life but also provided him with opportunities to connect with the vibrant music scene in Florida. He became well-regarded for his soulful recordings, particularly through his work with the Alston and Waylo labels, where he honed his craft as an artist in the 70s and 80s.
He began as a drummer in high school and played with groups such as the Citations and the Wrecking Crew before moving to Miami in 1974. To secure his first record deal in Miami, Hudson famously recorded nearly 287 songs for T.K. Records before his debut album was released.
David Hudson's biggest single hit was "Honey, Honey," released in 1980. The song Peaked at #37 on the Billboard R&B Chart and at #59 on the Billboard Hot 100 in August 1980.
David Hudson's first album was titled "To You Honey, Honey with Love," released in 1980. The album was released on Alston Records, a subsidiary of the legendary Miami-based T.K. Records. It featured his most successful single, "Honey, Honey," and was the result of a rigorous selection process where Hudson reportedly recorded hundreds of songs for the label before they agreed to release a full-length project.
Hudson's pivotal work came in Memphis with Willie Mitchell at Royal Sound Studios, producing soulful tracks for the Waylo label. His 1987 album Nite And Day showcased this Memphis sound, but deeper cuts, including the lauded "(Girl I'm Coming Home To) Something Good," remained unreleased until Soul Junction Records issued The Royal Sessions.
Throughout his career, Hudson became known as an archetypal Southern soul singer. His music reflects the rich cultural influences of both Atlanta and Miami, blending elements of soul and funk to create a distinctive sound that resonated with many fans. His reputation grew as he continued to produce excellent recordings and perform with various musicians, often connected through local networks, such as with people he met in Miami, including police officer Fred Thomas.
Hudson experienced a period of personal struggle and health issues, including a nervous breakdown and recovery, before returning to music in the mid-2000s. As of the 2020s, he continues to perform and has expressed interest in gospel projects with his son, David James Hudson Jr., who is also a singer.
Hudson's musical journey began to take shape when he relocated to Miami in 1974, motivated by a personal tragedy—the death of his mother. This move not only marked a new chapter in his life but also provided him with opportunities to connect with the vibrant music scene in Florida. He became well-regarded for his soulful recordings, particularly through his work with the Alston and Waylo labels, where he honed his craft as an artist in the 70s and 80s.
He began as a drummer in high school and played with groups such as the Citations and the Wrecking Crew before moving to Miami in 1974. To secure his first record deal in Miami, Hudson famously recorded nearly 287 songs for T.K. Records before his debut album was released.
David Hudson's biggest single hit was "Honey, Honey," released in 1980. The song Peaked at #37 on the Billboard R&B Chart and at #59 on the Billboard Hot 100 in August 1980.
David Hudson's first album was titled "To You Honey, Honey with Love," released in 1980. The album was released on Alston Records, a subsidiary of the legendary Miami-based T.K. Records. It featured his most successful single, "Honey, Honey," and was the result of a rigorous selection process where Hudson reportedly recorded hundreds of songs for the label before they agreed to release a full-length project.
Hudson's pivotal work came in Memphis with Willie Mitchell at Royal Sound Studios, producing soulful tracks for the Waylo label. His 1987 album Nite And Day showcased this Memphis sound, but deeper cuts, including the lauded "(Girl I'm Coming Home To) Something Good," remained unreleased until Soul Junction Records issued The Royal Sessions.
Throughout his career, Hudson became known as an archetypal Southern soul singer. His music reflects the rich cultural influences of both Atlanta and Miami, blending elements of soul and funk to create a distinctive sound that resonated with many fans. His reputation grew as he continued to produce excellent recordings and perform with various musicians, often connected through local networks, such as with people he met in Miami, including police officer Fred Thomas.
Hudson experienced a period of personal struggle and health issues, including a nervous breakdown and recovery, before returning to music in the mid-2000s. As of the 2020s, he continues to perform and has expressed interest in gospel projects with his son, David James Hudson Jr., who is also a singer.
David Joseph
David Joseph is a British singer, keyboardist, songwriter, and producer best known as a founder and lead vocalist of the Brit-funk band Hi-Tension. Born David Nathaniel Joseph, he formed Hi-Tension (originally Hot Waxx) in North West London around 1971 with his brother Ken Joseph on bass, Paul Philips on guitar, and others including Jeff Guishard and the McLean brothers. The band pioneered Brit-funk, signing with Island Records in 1978 for hits like "Hi-Tension" (UK #20) and "British Hustle" (UK Top 10), with their debut album reaching #54. Joseph left the group after this success to pursue solo work.
In 1983, Joseph released his debut solo album The Joys of Life on Island Records, featuring the hit "You Can't Hide (Your Love from Me)" (UK #13, remixed by Larry Levan) and "Let's Live It Up (Nite People)" (UK #26). Other singles included "Be a Star" (#81), "Joys of Life" (#61), and later "No Turning Back" (#85) on 4th & Broadway in 1987. He issued further material on Mango and a Hi-Tension reunion greatest hits album.
Post-1980s, Joseph performed on the UK club circuit, appearing at events like Summer Soulstice in 2010-2011. Hi-Tension briefly reformed without him in 1984. No confirmed death date appears in records, and he remains linked to Brit-funk legacy through live dates and reissues.
In 1983, Joseph released his debut solo album The Joys of Life on Island Records, featuring the hit "You Can't Hide (Your Love from Me)" (UK #13, remixed by Larry Levan) and "Let's Live It Up (Nite People)" (UK #26). Other singles included "Be a Star" (#81), "Joys of Life" (#61), and later "No Turning Back" (#85) on 4th & Broadway in 1987. He issued further material on Mango and a Hi-Tension reunion greatest hits album.
Post-1980s, Joseph performed on the UK club circuit, appearing at events like Summer Soulstice in 2010-2011. Hi-Tension briefly reformed without him in 1984. No confirmed death date appears in records, and he remains linked to Brit-funk legacy through live dates and reissues.
David Oliver
David Oliver, born on January 8, 1942, in Orange County, Florida, was a soul singer of Jamaican descent. He grew up in Florida and began his musical journey at the age of 15 while singing in his high school choir. This early exposure to music paved the way for his future career in the industry.
Oliver is best known for his hit single "MS," which gained significant popularity on quiet storm radio, becoming a staple in the genre. His work on Mercury Records helped him establish a presence in the music scene. In addition to "MS," he was recognized for his songwriting abilities, particularly for the composition "Friends," which further showcased his talent in the music industry.
Despite his untimely passing on June 6, 1982, David Oliver left a lasting legacy in the soul music genre. His contributions, particularly his hit songs, continue to influence artists and resonate with fans of classic soul music.
Oliver is best known for his hit single "MS," which gained significant popularity on quiet storm radio, becoming a staple in the genre. His work on Mercury Records helped him establish a presence in the music scene. In addition to "MS," he was recognized for his songwriting abilities, particularly for the composition "Friends," which further showcased his talent in the music industry.
Despite his untimely passing on June 6, 1982, David Oliver left a lasting legacy in the soul music genre. His contributions, particularly his hit songs, continue to influence artists and resonate with fans of classic soul music.
David Porter
David Porter, born on November 21, 1941, in Memphis, Tennessee, is a prominent American record producer, singer, songwriter, entrepreneur, and philanthropist. He grew up in a modest neighborhood, and his early life in Memphis greatly influenced his musical career. Porter is best known for being part of the legendary songwriting duo with Isaac Hayes, responsible for crafting many of soul music's most enduring songs, which contributed significantly to the genre's development during the 1960s and 1970s.
Porter began his music career at Stax Records, where he played a pivotal role as a songwriter and producer. His collaborations with Hayes resulted in numerous hits, and his work is often credited as part of the foundation that established Stax as one of the premier soul music labels. Not only has Porter contributed to the success of Stax, but he also took on a leadership role in the relaunch of the label.
In addition to songwriting, Porter is recognized for his entrepreneurial ventures and philanthropic efforts, exemplifying his commitment to the music industry and his community. He has been an influential figure within the Recording Academy, where he serves on the Board of Trustees, ensuring that the interests of artists are represented.
Throughout his career, David Porter has received several accolades, including the Presidents Award in 2017, highlighting his contributions to music and his impact on the industry. His legacy is that of a versatile artist who has shaped the sound of soul music and fostered the growth of new talent within the industry.
Porter began his music career at Stax Records, where he played a pivotal role as a songwriter and producer. His collaborations with Hayes resulted in numerous hits, and his work is often credited as part of the foundation that established Stax as one of the premier soul music labels. Not only has Porter contributed to the success of Stax, but he also took on a leadership role in the relaunch of the label.
In addition to songwriting, Porter is recognized for his entrepreneurial ventures and philanthropic efforts, exemplifying his commitment to the music industry and his community. He has been an influential figure within the Recording Academy, where he serves on the Board of Trustees, ensuring that the interests of artists are represented.
Throughout his career, David Porter has received several accolades, including the Presidents Award in 2017, highlighting his contributions to music and his impact on the industry. His legacy is that of a versatile artist who has shaped the sound of soul music and fostered the growth of new talent within the industry.
David Ruffin
David Ruffin (1941–1991) was an American soul singer best known as the charismatic lead vocalist for The Temptations during their "Classic Five" era from 1964 to 1968. Recognized for his distinctive raspy tenor and dramatic stage presence, he sang lead on iconic hits such as "My Girl" and "Ain't Too Proud to Beg".
Born Davis Eli Ruffin in Whynot, Mississippi, on January 18, 1941, he sang gospel before moving to Detroit. He joined The Temptations in January 1964, and his lead on "My Girl" in 1965 became the group's first #1 hit. Ruffin led the group on several other hits but was dismissed in June 1968 due to personal issues.
He had solo hits like "My Whole World Ended (The Moment You Left Me)" and "Walk Away from Love". He briefly reunited with The Temptations in 1982 and toured with former members in the late 1980s.
David Ruffin died on June 1, 1991, from an accidental drug overdose. He was inducted into the Rock and Roll Hall of Fame as a Temptation in 1989 and recognized by Rolling Stone as one of the greatest singers.
Born Davis Eli Ruffin in Whynot, Mississippi, on January 18, 1941, he sang gospel before moving to Detroit. He joined The Temptations in January 1964, and his lead on "My Girl" in 1965 became the group's first #1 hit. Ruffin led the group on several other hits but was dismissed in June 1968 due to personal issues.
He had solo hits like "My Whole World Ended (The Moment You Left Me)" and "Walk Away from Love". He briefly reunited with The Temptations in 1982 and toured with former members in the late 1980s.
David Ruffin died on June 1, 1991, from an accidental drug overdose. He was inducted into the Rock and Roll Hall of Fame as a Temptation in 1989 and recognized by Rolling Stone as one of the greatest singers.
David Sanborn
David Sanborn (1945–2024) was an influential American alto saxophonist who bridged the worlds of jazz, R&B, and pop. He won six Grammy Awards, released 25 solo albums, and was one of the most commercially successful saxophonists of his era. Born in Tampa and raised in St. Louis, Sanborn contracted polio at age three. He spent a year in an iron lung and was left with impaired respiration and a shorter left arm. At age 11, his doctor recommended he play a wind instrument to strengthen his lungs. He chose the saxophone, inspired by early rock and blues musicians like Hank Crawford and Ray Charles.By age 14, he was already performing in local clubs with blues legends like Albert King.
He released his debut solo album, Taking Off, in 1975. His most successful solo period followed in the 1980s with albums like Voyeur (1981) and the platinum-selling Double Vision (1986) with Bob James. Sanborn was one of the most sought-after session musicians in history.
Notable performances include:- David Bowie: The distinctive solo on "Young Americans"; Stevie Wonder: Featured on the 1972 album Talking Book; Bruce Springsteen: Played on the classic "Born to Run"; James Taylor: The solo on the remake of "How Sweet It Is (To Be Loved by You)"; Woodstock: He performed at the 1969 Woodstock Festival as a member of the Paul Butterfield Blues Band.
Night Music (1988–1990): Sanborn co-hosted this eclectic late-night show (produced by Lorne Michaels), which famously brought together disparate artists like Miles Davis, Sonic Youth, and Leonard Cohen; L.A. Law Theme: He performed the recognizable saxophone solo in the theme for the NBC legal drama; The Jazz Show: Hosted a long-running syndicated radio program beginning in the 1980s.
Even after his 2018 diagnosis of prostate cancer, Sanborn continued to tour and maintain a busy schedule. In his final years, he hosted the Sanborn Sessions video series and the podcast As We Speak. He died on May 12, 2024, in Tarrytown, New York, at age 78 due to complications from prostate cancer.
He released his debut solo album, Taking Off, in 1975. His most successful solo period followed in the 1980s with albums like Voyeur (1981) and the platinum-selling Double Vision (1986) with Bob James. Sanborn was one of the most sought-after session musicians in history.
Notable performances include:- David Bowie: The distinctive solo on "Young Americans"; Stevie Wonder: Featured on the 1972 album Talking Book; Bruce Springsteen: Played on the classic "Born to Run"; James Taylor: The solo on the remake of "How Sweet It Is (To Be Loved by You)"; Woodstock: He performed at the 1969 Woodstock Festival as a member of the Paul Butterfield Blues Band.
Night Music (1988–1990): Sanborn co-hosted this eclectic late-night show (produced by Lorne Michaels), which famously brought together disparate artists like Miles Davis, Sonic Youth, and Leonard Cohen; L.A. Law Theme: He performed the recognizable saxophone solo in the theme for the NBC legal drama; The Jazz Show: Hosted a long-running syndicated radio program beginning in the 1980s.
Even after his 2018 diagnosis of prostate cancer, Sanborn continued to tour and maintain a busy schedule. In his final years, he hosted the Sanborn Sessions video series and the podcast As We Speak. He died on May 12, 2024, in Tarrytown, New York, at age 78 due to complications from prostate cancer.
David Sea
David Sea is an American soul singer born in 1948 in Sumter County, Alabama, and raised in Hueytown, a suburb of Birmingham. He began his musical journey singing gospel from age five with family groups like the Spiritual Nightingales and Johnson Harmonaires, influenced by his gospel-singing mother.
Sea formed David Sea & The Question Marks in 1970, later renaming it David Sea & The Uptown Movement, a rock and roll outfit. He transitioned to solo soul, recording early singles like "Angel" and "Destiny" on Hy-Tyde, then "Do It Right Now" and "Who's Been Warming My Oven" on Crown Limited in 1984, produced by Roscoe Robinson.
In the late 1980s and 1990s, Sea released albums on Magic City Records: David Sea (1986, with tracks like "I'm In The Mood" and "Love C.O.D."), When Did You Start To Stop Loving Me (1988), An Ocean Apart (1990 or 1991), and Born To Sing (1991). Further releases included Bed Of Sea (1994 compilation), Searching For Love (1995), and Groove Mission (1996) on Victor Entertainment, plus a 2006 album on Park Place. Nearly replaced Dennis Edwards in The Temptations in 1984 but chose solo work; later toured with Edwards in a Temptations Review.
Sea gained popularity in Japan after worldwide tours. Known as an Alabama R&B icon ("Mr. R&B"), he continues performing, with a Facebook presence and events like Shelby County Arts Council shows. His career reflects deep soul roots amid limited mainstream breakthrough.
Sea formed David Sea & The Question Marks in 1970, later renaming it David Sea & The Uptown Movement, a rock and roll outfit. He transitioned to solo soul, recording early singles like "Angel" and "Destiny" on Hy-Tyde, then "Do It Right Now" and "Who's Been Warming My Oven" on Crown Limited in 1984, produced by Roscoe Robinson.
In the late 1980s and 1990s, Sea released albums on Magic City Records: David Sea (1986, with tracks like "I'm In The Mood" and "Love C.O.D."), When Did You Start To Stop Loving Me (1988), An Ocean Apart (1990 or 1991), and Born To Sing (1991). Further releases included Bed Of Sea (1994 compilation), Searching For Love (1995), and Groove Mission (1996) on Victor Entertainment, plus a 2006 album on Park Place. Nearly replaced Dennis Edwards in The Temptations in 1984 but chose solo work; later toured with Edwards in a Temptations Review.
Sea gained popularity in Japan after worldwide tours. Known as an Alabama R&B icon ("Mr. R&B"), he continues performing, with a Facebook presence and events like Shelby County Arts Council shows. His career reflects deep soul roots amid limited mainstream breakthrough.
David Simmons
David Simmons is a Philadelphia-bred soul and disco singer recognized for a baritone voice frequently compared to Teddy Pendergrass. Born in Philadelphia, Pennsylvania, he attended high school with fellow soul artist Bunny Sigler.
He began his recording career with high school friends in a group called The Exzels, recording the single "Hit Talk" with producer Bobby Martin. In 1975, he formed the group Neo Experience with Vera Brown (later of The Richie Family), releasing the singles "Human" and "Eternal Sunshine".
He signed as a solo artist to the WMOT/Fantasy label in 1978, and released two critically acclaimed albums: Hear Me Out (1978) and The World Belongs To Me (1979).
While he did not achieve major mainstream pop success, he is well-regarded in the soul and "rare groove" scenes. His most notable chart appearances and popular tracks include:-
"Holdin' Back" (1979): His most significant chart success, reaching the US R&B charts after being featured on his second album, The World Belongs To Me.
"All the Man I Need": Simmons originally recorded this as a duet with Kathy Sledge in 1982. While their version did not reach the high chart positions of Whitney Houston's later cover, it is considered one of his most significant works.
"Love Tonight" (1984): Initially released on the Pearl Harbor label in Philadelphia, it was later picked up for major distribution by Atlantic Records and remains a favorite among soul collectors.
"Will They Miss Me When I'm Gone" (1978): A popular track from his debut solo album Hear Me Out.
"All I Wanna Do (Is Make A Little Love To You)" (1979): This song gained significant airplay on soul radio stations, particularly in London.
He began his recording career with high school friends in a group called The Exzels, recording the single "Hit Talk" with producer Bobby Martin. In 1975, he formed the group Neo Experience with Vera Brown (later of The Richie Family), releasing the singles "Human" and "Eternal Sunshine".
He signed as a solo artist to the WMOT/Fantasy label in 1978, and released two critically acclaimed albums: Hear Me Out (1978) and The World Belongs To Me (1979).
While he did not achieve major mainstream pop success, he is well-regarded in the soul and "rare groove" scenes. His most notable chart appearances and popular tracks include:-
"Holdin' Back" (1979): His most significant chart success, reaching the US R&B charts after being featured on his second album, The World Belongs To Me.
"All the Man I Need": Simmons originally recorded this as a duet with Kathy Sledge in 1982. While their version did not reach the high chart positions of Whitney Houston's later cover, it is considered one of his most significant works.
"Love Tonight" (1984): Initially released on the Pearl Harbor label in Philadelphia, it was later picked up for major distribution by Atlantic Records and remains a favorite among soul collectors.
"Will They Miss Me When I'm Gone" (1978): A popular track from his debut solo album Hear Me Out.
"All I Wanna Do (Is Make A Little Love To You)" (1979): This song gained significant airplay on soul radio stations, particularly in London.
Dayton
Dayton was a notable post-disco funk band that emerged from Dayton, Ohio, in the late 1970s. The band was formed by Chris Jones, a talented musician previously associated with the band Sun, who played trumpet, keyboards, and provided vocals. Shawn Sandridge, also a vocalist and guitarist, was another key member of the group. Their sound was characterized by a full band format that included multiple horn sections and vocalists, capturing the essence of '70s party music with a lively, dance-oriented flair.
During the early 1980s, Dayton stood out as one of the prominent funk bands of the era, contributing significantly to the genre's evolution. Their unique approach involved not just musical prowess but also a captivating visual stage presence, reminiscent of Las Vegas combined with science fiction aesthetic elements. This theatrical style set them apart from many of their contemporaries.
In addition to their innovative performances, Dayton played a role in the broader funk music legacy originating from their hometown. This legacy includes other influential acts like the Ohio Players, Lakeside, Faze-O, Heatwave, and Zapp, all of which helped to establish Dayton as a notable center for funk music.
Significantly, Dayton achieved commercial success by becoming the first American band from their region to have a gold album, which is an indicator of substantial sales exceeding $1 million, and they later reached platinum status. This accomplishment underscored their importance in the music scene and further solidified Dayton's reputation in funk music history.
Overall, Dayton's contributions to the funk genre and their dynamic performances have left a lasting impact, influencing many artists and continuing to resonate with fans of the genre.
During the early 1980s, Dayton stood out as one of the prominent funk bands of the era, contributing significantly to the genre's evolution. Their unique approach involved not just musical prowess but also a captivating visual stage presence, reminiscent of Las Vegas combined with science fiction aesthetic elements. This theatrical style set them apart from many of their contemporaries.
In addition to their innovative performances, Dayton played a role in the broader funk music legacy originating from their hometown. This legacy includes other influential acts like the Ohio Players, Lakeside, Faze-O, Heatwave, and Zapp, all of which helped to establish Dayton as a notable center for funk music.
Significantly, Dayton achieved commercial success by becoming the first American band from their region to have a gold album, which is an indicator of substantial sales exceeding $1 million, and they later reached platinum status. This accomplishment underscored their importance in the music scene and further solidified Dayton's reputation in funk music history.
Overall, Dayton's contributions to the funk genre and their dynamic performances have left a lasting impact, influencing many artists and continuing to resonate with fans of the genre.
DeBarge
DeBarge was an influential American R&B and soul music group that gained prominence in the 1980s. They are best known for their smooth sound and hits that blended elements of funk and soul. The band was formed by siblings from the DeBarge family, which contributed to their unique dynamic and musical identity.
The group originated in Grand Rapids, Michigan, and consisted of several members of the DeBarge family. Key members included El DeBarge, James DeBarge, and Randy DeBarge. Initially, they began their musical journey as a band called White Heat in the mid-1970s under the mentorship of Barry White. The group released a single album in 1975 before rebranding as DeBarge, a name that drew from their shared family lineage and identity.
DeBarge achieved mainstream success in the 1980s with a string of hit singles and albums. They became known for their distinctive style, characterized by harmonious vocals, catchy melodies, and a blend of R&B with funk influences. Notable hits from this period include "Rhythm of the Night," "All This Love," and "Who's Holding Donna Now," which helped solidify their place in the music industry. Their music resonated with audiences and contributed to the genre's popularity during this era.
El DeBarge: Born on June 4, 1961, he served as the principal vocalist and was instrumental in the group’s success. His falsetto voice became one of the defining features of DeBarge's sound.
James Curtis DeBarge: Born on August 22, 1963, he was also a key vocalist in the group. Randy DeBarge and other family members contributed to the group's unique sound and performances, as their familial bonds added depth to their music.
DeBarge's contributions to the R&B and soul genres have left a lasting impact. Their music continues to be celebrated and has influenced numerous artists. Despite facing personal and professional challenges, including legal issues and struggles with addiction, the group's legacy as pioneers of 1980s soul and funk music remains strong. The members have also pursued solo careers, further expanding their influence in the music industry.
In summary, DeBarge stands out not just for their musical achievements but also for their unique family-oriented approach to creating music that resonates across generations. Their blend of soulful melodies and funk grooves continues to inspire and entertain audiences today.
The group originated in Grand Rapids, Michigan, and consisted of several members of the DeBarge family. Key members included El DeBarge, James DeBarge, and Randy DeBarge. Initially, they began their musical journey as a band called White Heat in the mid-1970s under the mentorship of Barry White. The group released a single album in 1975 before rebranding as DeBarge, a name that drew from their shared family lineage and identity.
DeBarge achieved mainstream success in the 1980s with a string of hit singles and albums. They became known for their distinctive style, characterized by harmonious vocals, catchy melodies, and a blend of R&B with funk influences. Notable hits from this period include "Rhythm of the Night," "All This Love," and "Who's Holding Donna Now," which helped solidify their place in the music industry. Their music resonated with audiences and contributed to the genre's popularity during this era.
El DeBarge: Born on June 4, 1961, he served as the principal vocalist and was instrumental in the group’s success. His falsetto voice became one of the defining features of DeBarge's sound.
James Curtis DeBarge: Born on August 22, 1963, he was also a key vocalist in the group. Randy DeBarge and other family members contributed to the group's unique sound and performances, as their familial bonds added depth to their music.
DeBarge's contributions to the R&B and soul genres have left a lasting impact. Their music continues to be celebrated and has influenced numerous artists. Despite facing personal and professional challenges, including legal issues and struggles with addiction, the group's legacy as pioneers of 1980s soul and funk music remains strong. The members have also pursued solo careers, further expanding their influence in the music industry.
In summary, DeBarge stands out not just for their musical achievements but also for their unique family-oriented approach to creating music that resonates across generations. Their blend of soulful melodies and funk grooves continues to inspire and entertain audiences today.
Debbie Taylor
Debbie Taylor, born Maydie Galvin Myles on June 23, 1947, in Norfolk, Virginia, is a notable soul and jazz singer whose career took off primarily in the 1960s and 1970s under her professional name. She emerged from a background steeped in gospel music, which laid the foundation for her musical journey.
Career Beginnings: Taylor started her career by singing gospel music and served as a backup singer. She recorded with various local acts, gaining experience and honing her craft within the vibrant music scene of her hometown. Her early influences and diverse musical background would shape her distinctive sound.
Musical Achievements: Throughout an eight-year period, Taylor released nine singles and an album, garnering acclaim for her contributions to the soul genre. While she may not have reached the widespread fame of some of her contemporaries, her work is recognized and respected within soul music circles for its emotional depth and artistic integrity.
Personal Life: Information regarding her personal life and further biographical details about Debbie Taylor remains limited. There is no extensive public documentation about her life outside of her music career, making her a relatively obscure figure despite her critical acclaim.
Legacy: Debbie Taylor's music continues to resonate with fans of soul and R&B, and her recordings are appreciated for their quality and emotional expression. Although she remains a lesser-known artist compared to some of her peers, her contributions to the music scene of her era are celebrated by aficionados of the genre.
Overall, Debbie Taylor remains a significant figure in the landscape of American soul music, embodying the spirit of the genre through her artistry and dedication.
Career Beginnings: Taylor started her career by singing gospel music and served as a backup singer. She recorded with various local acts, gaining experience and honing her craft within the vibrant music scene of her hometown. Her early influences and diverse musical background would shape her distinctive sound.
Musical Achievements: Throughout an eight-year period, Taylor released nine singles and an album, garnering acclaim for her contributions to the soul genre. While she may not have reached the widespread fame of some of her contemporaries, her work is recognized and respected within soul music circles for its emotional depth and artistic integrity.
Personal Life: Information regarding her personal life and further biographical details about Debbie Taylor remains limited. There is no extensive public documentation about her life outside of her music career, making her a relatively obscure figure despite her critical acclaim.
Legacy: Debbie Taylor's music continues to resonate with fans of soul and R&B, and her recordings are appreciated for their quality and emotional expression. Although she remains a lesser-known artist compared to some of her peers, her contributions to the music scene of her era are celebrated by aficionados of the genre.
Overall, Debbie Taylor remains a significant figure in the landscape of American soul music, embodying the spirit of the genre through her artistry and dedication.
Debby Moore
Debby Moore, originally born Emmaline Maultsby on 1925 in St. Augustine, Florida, was an iconic jazz singer renowned for her contribution to the genre. She attended Excelsior School and participated in her local choir at Trinity Methodist Church, which laid the foundation for her musical journey.
Over the years, she adopted the stage name Debby Moore, a name reportedly given to her by the legendary jazz musician Louis Armstrong. Her career took off in the 1950s when she began singing in clubs, where she notably collaborated with the esteemed jazz pianist Earl Hines.
Debby Moore released her second album titled "My Kind of Blues" in February 1960, showcasing her smooth vocal style and lyrical interpretation. Throughout her career, she became known for her light and warmly caressing voice, which captivated audiences and allowed her to gain recognition as a prominent figure in jazz music.
Sadly, Debby Moore passed away on January 2, 2017, in her hometown of St. Augustine, Florida, but her legacy in the jazz community continues to resonate through her recordings and the impact she had on the art form.
Over the years, she adopted the stage name Debby Moore, a name reportedly given to her by the legendary jazz musician Louis Armstrong. Her career took off in the 1950s when she began singing in clubs, where she notably collaborated with the esteemed jazz pianist Earl Hines.
Debby Moore released her second album titled "My Kind of Blues" in February 1960, showcasing her smooth vocal style and lyrical interpretation. Throughout her career, she became known for her light and warmly caressing voice, which captivated audiences and allowed her to gain recognition as a prominent figure in jazz music.
Sadly, Debby Moore passed away on January 2, 2017, in her hometown of St. Augustine, Florida, but her legacy in the jazz community continues to resonate through her recordings and the impact she had on the art form.
Dee Dee Bridgewater
Dee Dee Bridgewater, born Denise Eileen Garrett on May 27, 1950, in Memphis, Tennessee, is an acclaimed American jazz singer and actress. She was raised in a musically rich environment; her father, Matthew Garrett, was a respected jazz trumpeter, which heavily influenced her upbringing in Flint, Michigan, where she moved with her family shortly after her birth.
Bridgewater's early exposure to jazz music played a significant role in shaping her career. She attended the Flint Central High School, where she was actively involved in various musical activities, which set the foundation for her future in the music industry.
She began her professional career as a member of the legendary Thad Jones/Mel Lewis Big Band, marking her entry into a broader musical arena. Her ability to bridge multiple genres has defined her artistic identity throughout her career. Over the years, she has released numerous albums and received critical acclaim, including three Grammy Awards, reflecting her outstanding contributions to the jazz genre.
Bridgewater's talent extends beyond music; she has also made a name for herself in theater and film. Her versatility as an artist has allowed her to perform in various prestigious venues and festivals around the world.
In addition to her musical achievements, Dee Dee Bridgewater is recognized for her role as a cultural ambassador for jazz music, promoting its rich heritage and history globally.
Overall, Dee Dee Bridgewater's life and career showcase her as a fearless voyager in the arts, continually pioneering new paths while honoring the traditional roots of jazz music.
Bridgewater's early exposure to jazz music played a significant role in shaping her career. She attended the Flint Central High School, where she was actively involved in various musical activities, which set the foundation for her future in the music industry.
She began her professional career as a member of the legendary Thad Jones/Mel Lewis Big Band, marking her entry into a broader musical arena. Her ability to bridge multiple genres has defined her artistic identity throughout her career. Over the years, she has released numerous albums and received critical acclaim, including three Grammy Awards, reflecting her outstanding contributions to the jazz genre.
Bridgewater's talent extends beyond music; she has also made a name for herself in theater and film. Her versatility as an artist has allowed her to perform in various prestigious venues and festivals around the world.
In addition to her musical achievements, Dee Dee Bridgewater is recognized for her role as a cultural ambassador for jazz music, promoting its rich heritage and history globally.
Overall, Dee Dee Bridgewater's life and career showcase her as a fearless voyager in the arts, continually pioneering new paths while honoring the traditional roots of jazz music.
Dee Dee Sharp
Dee Dee Sharp, born Dione LaRue on September 9, 1945, in Philadelphia, Pennsylvania, is a notable American R&B singer. Her musical journey began at a young age; she demonstrated early talent by playing the piano and directing choirs at her grandfather's church and other local churches in Philadelphia, which laid the groundwork for her future career in music.
Sharp initially started her career as a backing vocalist, contributing to various musical projects before embarking on her solo path. During the 1960s, she achieved significant success as a solo artist, producing a series of hit records that solidified her place in the music industry.
Some of her most popular songs include “Mashed Potato Time” and “Gravy (For My Mashed Potatoes),” which showcased her distinctive vocal style and upbeat musical influences.
Beyond her singing career, Dee Dee Sharp has also made appearances in film and television. Notable roles include appearances in the movie "Sister Act" (1992) and the film "Swan Song" (2021), highlighting her versatility as an entertainer.
Throughout her career, Sharp has remained a prominent figure in R&B music, known for her engaging performances and contributions to the genre. Her background, starting from her early music education to her rise as a solo artist, reflects her enduring influence and talent in the music industry.
Sharp initially started her career as a backing vocalist, contributing to various musical projects before embarking on her solo path. During the 1960s, she achieved significant success as a solo artist, producing a series of hit records that solidified her place in the music industry.
Some of her most popular songs include “Mashed Potato Time” and “Gravy (For My Mashed Potatoes),” which showcased her distinctive vocal style and upbeat musical influences.
Beyond her singing career, Dee Dee Sharp has also made appearances in film and television. Notable roles include appearances in the movie "Sister Act" (1992) and the film "Swan Song" (2021), highlighting her versatility as an entertainer.
Throughout her career, Sharp has remained a prominent figure in R&B music, known for her engaging performances and contributions to the genre. Her background, starting from her early music education to her rise as a solo artist, reflects her enduring influence and talent in the music industry.
Dee Dee Warwick
Delia Juanita Warrick, widely known as Dee Dee Warwick, was an influential American soul singer born on September 25, 1942, in Newark Heights, New Jersey. Her musical journey began in her early years, singing in a gospel trio alongside her sister, Dionne Warwick, which laid the foundation for her career in music. Dee Dee's singing style and powerful voice distinguished her within the industry, earning her recognition as one of the most powerful soul singers of her time.
Throughout the 1960s and 1970s, Dee Dee Warwick's career flourished, marked by hits such as "It’s Bad for Me to See You," "Foolish Fool," and "I'm Gonna Make You Love Me." These songs showcased her soulful vocal prowess and emotional depth, securing her a dedicated fanbase and establishing her as a notable figure in the genre.
In addition to her musical achievements, Dee Dee Warwick was one of the first openly lesbian performers in the music industry, a fact that played a significant role in her identity and the cultural conversations of her time.
While Warwick continued to perform and influence aspiring artists, her health began to decline in the later years. Dee Dee Warwick passed away on October 18, 2008, leaving behind a legacy marked by her contributions to soul music and her impact on the LGBTQ+ community.
In summary, Dee Dee Warwick's life was characterized by her talent, pioneering spirit, and contributions to music, making her a significant figure in the history of American soul music. Information is missing on her early career specifics and later endeavors after her prominent years in the 1960s and 1970s.
Throughout the 1960s and 1970s, Dee Dee Warwick's career flourished, marked by hits such as "It’s Bad for Me to See You," "Foolish Fool," and "I'm Gonna Make You Love Me." These songs showcased her soulful vocal prowess and emotional depth, securing her a dedicated fanbase and establishing her as a notable figure in the genre.
In addition to her musical achievements, Dee Dee Warwick was one of the first openly lesbian performers in the music industry, a fact that played a significant role in her identity and the cultural conversations of her time.
While Warwick continued to perform and influence aspiring artists, her health began to decline in the later years. Dee Dee Warwick passed away on October 18, 2008, leaving behind a legacy marked by her contributions to soul music and her impact on the LGBTQ+ community.
In summary, Dee Dee Warwick's life was characterized by her talent, pioneering spirit, and contributions to music, making her a significant figure in the history of American soul music. Information is missing on her early career specifics and later endeavors after her prominent years in the 1960s and 1970s.
Delegation
Delegation was a British R&B/soul trio formed in the mid-1970s, known for smooth, melodic hits like "Oh Honey," which became a crossover success in the U.S., and "Where Is the Love (We Used to Know)" in the UK, achieving fame through producer Ken Gold's polished sound. Key members included vocalist Rick Bailey (the constant core), Len Coley, and Roddy Harris, with later lineup changes adding singers like Bruce Dunbar as they evolved from 1970s soul to funky disco, leaving a legacy of classic, danceable tracks and remaining active with Bailey leading the group today.
Initially, they found success within the soul and funk genres, characterized by their distinctive sound and style that resonated during the disco era. Their music combined elements of soul, funk, and disco, enabling them to capture a wide audience. The group was eventually discovered by prominent music producers, which further boosted their visibility in the music scene.
Throughout their career, Delegation produced several hits and became one of the UK's leading acts in the soul and funk genres. Their ability to adapt and evolve with changing musical trends has contributed to their longevity in the industry.
Despite disbanding in the '80s, their music remained popular, leading to anthology releases and continued performance. Original member Rick Bailey continues to lead the group, keeping their soulful legacy alive.
Initially, they found success within the soul and funk genres, characterized by their distinctive sound and style that resonated during the disco era. Their music combined elements of soul, funk, and disco, enabling them to capture a wide audience. The group was eventually discovered by prominent music producers, which further boosted their visibility in the music scene.
Throughout their career, Delegation produced several hits and became one of the UK's leading acts in the soul and funk genres. Their ability to adapt and evolve with changing musical trends has contributed to their longevity in the industry.
Despite disbanding in the '80s, their music remained popular, leading to anthology releases and continued performance. Original member Rick Bailey continues to lead the group, keeping their soulful legacy alive.
Delores Hall
Delores Hall is a celebrated American actress and soul-infused singer known for her powerful stage presence in Broadway musicals like Hair, Godspell, and Your Arms Too Short to Box with God, for which she won a Tony Award. Hailing from a gospel background, she launched her career in the late 1950s, toured with Harry Belafonte, and released solo albums like Hall-Mark (1973). Hall also found success in television, notably as a regular on Diagnosis: Murder.
She was born in Kansas City, Missouri, in a family deeply rooted in gospel music; her mother was a minister who played a significant role in nurturing her early talents in singing within the church environment . This foundational experience in gospel influenced her musical style and performance.
Hall made her Broadway debut as a replacement in the ensemble of the musical "Hair," which marked the beginning of her professional acting career. She gained significant recognition for her role in the Broadway production "Your Arms Too Short to Box with God," for which she received a Tony Award for Best Featured Actress in a Musical in 1977.
In addition to her stage work, Delores Hall has made appearances in various television shows and films. Notable credits include roles in "Lethal Weapon 3" (1992), "Scrooged" (1988), and "Diagnosis Murder" (1993).
Hall released her second album, also titled "Delores Hall," in 1979 on Capitol Records, further solidifying her presence in the music industry. Her work reflects her soul genre influences and showcases her vocal prowess.
As of now, Delores Hall resides in New York City and continues to be recognized for her contributions to music and theater.
She was born in Kansas City, Missouri, in a family deeply rooted in gospel music; her mother was a minister who played a significant role in nurturing her early talents in singing within the church environment . This foundational experience in gospel influenced her musical style and performance.
Hall made her Broadway debut as a replacement in the ensemble of the musical "Hair," which marked the beginning of her professional acting career. She gained significant recognition for her role in the Broadway production "Your Arms Too Short to Box with God," for which she received a Tony Award for Best Featured Actress in a Musical in 1977.
In addition to her stage work, Delores Hall has made appearances in various television shows and films. Notable credits include roles in "Lethal Weapon 3" (1992), "Scrooged" (1988), and "Diagnosis Murder" (1993).
Hall released her second album, also titled "Delores Hall," in 1979 on Capitol Records, further solidifying her presence in the music industry. Her work reflects her soul genre influences and showcases her vocal prowess.
As of now, Delores Hall resides in New York City and continues to be recognized for her contributions to music and theater.
Delroy Wilson
Delroy George Wilson (October 5, 1948 – March 6, 1995) was a foundational figure in Jamaican music, widely regarded as the island's first child star. Over a career spanning more than 30 years, he played a pivotal role in the evolution of ska, rocksteady, and reggae.
Born in the Trenchtown neighborhood of Kingston, Wilson began his recording career at just 13 years old while attending Boys Town Primary School. He was discovered by legendary producer Clement "Coxsone" Dodd and recorded his debut single, "Emy Lou," in 1962 for the Studio One label. His early ska hits, such as "Joe Liges" and "Spit in the Sky," were notable for being lyrical "attacks" on Dodd’s rival, Prince Buster. As his voice matured in the late 1960s, Wilson transitioned seamlessly into the rocksteady era. During this time, he released "Dancing Mood" (1966), which remains one of his most enduring and popular tracks.
In 1972, he released the hit "Cool Operator," which became his lifelong nickname. His 1971 song "Better Must Come" became a cultural anthem. It was adopted by the People's National Party (PNP) as the theme for Michael Manley's successful 1972 election campaign. Wilson worked with nearly every major Jamaican producer, including Bunny Lee, Sonia Pottinger, and Lloyd Charmers. In 1976, his cover of The Wailers' "I'm Still Waiting" earned him significant crossover success.
Wilson's career slowed in the 1980s with the rise of the dancehall DJ era, though he experienced brief resurgences with hits like "Don't Put the Blame on Me" (1987). He struggled with health issues related to alcohol abuse in his final years and passed away from complications of liver cirrhosis on March 6, 1995, at the age of 46.
In 2013, the Jamaican government awarded him the Order of Distinction (Commander Class) for his contributions to music. He is immortalized in the The Clash’s 1978 song "(White Man) In Hammersmith Palais," which features the lyric, "Delroy Wilson, you’re a cool operator". His son, Karl "Konan" Wilson, is a member of the successful British hip-hop duo Krept and Konan.
Born in the Trenchtown neighborhood of Kingston, Wilson began his recording career at just 13 years old while attending Boys Town Primary School. He was discovered by legendary producer Clement "Coxsone" Dodd and recorded his debut single, "Emy Lou," in 1962 for the Studio One label. His early ska hits, such as "Joe Liges" and "Spit in the Sky," were notable for being lyrical "attacks" on Dodd’s rival, Prince Buster. As his voice matured in the late 1960s, Wilson transitioned seamlessly into the rocksteady era. During this time, he released "Dancing Mood" (1966), which remains one of his most enduring and popular tracks.
In 1972, he released the hit "Cool Operator," which became his lifelong nickname. His 1971 song "Better Must Come" became a cultural anthem. It was adopted by the People's National Party (PNP) as the theme for Michael Manley's successful 1972 election campaign. Wilson worked with nearly every major Jamaican producer, including Bunny Lee, Sonia Pottinger, and Lloyd Charmers. In 1976, his cover of The Wailers' "I'm Still Waiting" earned him significant crossover success.
Wilson's career slowed in the 1980s with the rise of the dancehall DJ era, though he experienced brief resurgences with hits like "Don't Put the Blame on Me" (1987). He struggled with health issues related to alcohol abuse in his final years and passed away from complications of liver cirrhosis on March 6, 1995, at the age of 46.
In 2013, the Jamaican government awarded him the Order of Distinction (Commander Class) for his contributions to music. He is immortalized in the The Clash’s 1978 song "(White Man) In Hammersmith Palais," which features the lyric, "Delroy Wilson, you’re a cool operator". His son, Karl "Konan" Wilson, is a member of the successful British hip-hop duo Krept and Konan.
Deniece Williams
Deniece Williams is a renowned American singer, songwriter, and actress, celebrated for her impressive four-octave soprano voice. She is often recognized as one of the most distinctive talents to emerge during the soul era, with her musical style encompassing elements of soul and gospel.
Williams has received multiple accolades throughout her career, including four Grammy Awards, highlighting her significant contributions to the music industry. Some of her most famous songs include "Free," "Too Much, Too Little, Too Late," and "Let's Hear It for the Boy," which have garnered her both commercial success and critical acclaim.
In addition to her singing career, Williams is known for her inspirational messages and is often described as a "Songbird," reflecting her deep connection to faith and her passion for music.
Williams has received multiple accolades throughout her career, including four Grammy Awards, highlighting her significant contributions to the music industry. Some of her most famous songs include "Free," "Too Much, Too Little, Too Late," and "Let's Hear It for the Boy," which have garnered her both commercial success and critical acclaim.
In addition to her singing career, Williams is known for her inspirational messages and is often described as a "Songbird," reflecting her deep connection to faith and her passion for music.
Denise LaSalle
Denise LaSalle, born Ora Denise Allen on July 16, 1934, in Leflore County, Mississippi, was a celebrated American blues, R&B, and soul singer, songwriter, and record producer. She emerged from a deeply rooted musical heritage, growing up on a plantation where she was influenced by the cultural richness of African American music.
Denise began her musical journey in church, where she developed a passion for singing. Her early exposure to gospel music paved the way for her later genres. After moving to Chicago in the 1950s, she quickly became involved in the local music scene, which was thriving with blues and soul influences. LaSalle's career took off with the release of her first single “A Love Reputation” in 1970, which showcased her powerful voice and songwriting abilities.
Throughout her career, LaSalle became known for hits like "Trapped by a Thing Called Love," which reached the charts and established her as a prominent figure in the soul blues genre. She received critical acclaim for her ability to blend R&B with blues, creating a sound that resonated with audiences. Denise LaSalle’s music often reflected themes of love, heartbreak, and empowerment, making her a relatable figure to many listeners.
She was married multiple times, including to James E. Wolfe Jr., Bill Jones, and Artic Craig. Her personal experiences often influenced her music, adding depth to her lyrics and performances.
LaSalle’s contributions to music have made her a significant figure in American cultural history, particularly within the African American community post-slavery. She was admired not only for her musical talent but also as a trailblazer for female artists in a predominantly male industry. Denise LaSalle passed away on January 8, 2018, leaving behind a legacy of rich musical history and an inspiring life story that continues to influence upcoming artists in the blues and soul genres.
Denise began her musical journey in church, where she developed a passion for singing. Her early exposure to gospel music paved the way for her later genres. After moving to Chicago in the 1950s, she quickly became involved in the local music scene, which was thriving with blues and soul influences. LaSalle's career took off with the release of her first single “A Love Reputation” in 1970, which showcased her powerful voice and songwriting abilities.
Throughout her career, LaSalle became known for hits like "Trapped by a Thing Called Love," which reached the charts and established her as a prominent figure in the soul blues genre. She received critical acclaim for her ability to blend R&B with blues, creating a sound that resonated with audiences. Denise LaSalle’s music often reflected themes of love, heartbreak, and empowerment, making her a relatable figure to many listeners.
She was married multiple times, including to James E. Wolfe Jr., Bill Jones, and Artic Craig. Her personal experiences often influenced her music, adding depth to her lyrics and performances.
LaSalle’s contributions to music have made her a significant figure in American cultural history, particularly within the African American community post-slavery. She was admired not only for her musical talent but also as a trailblazer for female artists in a predominantly male industry. Denise LaSalle passed away on January 8, 2018, leaving behind a legacy of rich musical history and an inspiring life story that continues to influence upcoming artists in the blues and soul genres.
Dennis Edwards
Dennis Edwards was an influential American soul and R&B singer best known as a lead vocalist for The Temptations. His powerful, gospel-infused voice helped define the group's psychedelic soul era on Motown Records.
Born Dennis Edwards Jr. on February 3, 1943, in Birmingham, Alabama, he moved to Detroit as a child. He sang in the gospel group The Mighty Clouds of Joy as a teen and studied music at the Detroit Conservatory, despite family disapproval of secular music.
In 1961, Edwards formed the soul/jazz group Dennis Edwards and the Fireballs, releasing a single on International Soulville Records. He auditioned for Motown in 1966 and briefly joined The Contours before catching The Temptations' attention.
Edwards replaced David Ruffin as lead singer in July 1968, debuting onstage in Valley Forge, Pennsylvania. He fronted the group during key periods (1968–1976, 1980–1984, 1987–1989), singing leads on hits like "Cloud Nine," "I Can't Get Next to You," "Ball of Confusion," "Papa Was a Rollin' Stone" (Grammy winner), and "Shakey Ground".
In the mid-1980s, he launched a solo career with the hit "Don't Look Any Further" featuring Siedah Garrett. Edwards led Dennis Edwards & The Temptations Review until his death, continuing the group's legacy.
Edwards died on February 1, 2018, in Chicago, Illinois, at age 74 from complications of meningitis.
Born Dennis Edwards Jr. on February 3, 1943, in Birmingham, Alabama, he moved to Detroit as a child. He sang in the gospel group The Mighty Clouds of Joy as a teen and studied music at the Detroit Conservatory, despite family disapproval of secular music.
In 1961, Edwards formed the soul/jazz group Dennis Edwards and the Fireballs, releasing a single on International Soulville Records. He auditioned for Motown in 1966 and briefly joined The Contours before catching The Temptations' attention.
Edwards replaced David Ruffin as lead singer in July 1968, debuting onstage in Valley Forge, Pennsylvania. He fronted the group during key periods (1968–1976, 1980–1984, 1987–1989), singing leads on hits like "Cloud Nine," "I Can't Get Next to You," "Ball of Confusion," "Papa Was a Rollin' Stone" (Grammy winner), and "Shakey Ground".
In the mid-1980s, he launched a solo career with the hit "Don't Look Any Further" featuring Siedah Garrett. Edwards led Dennis Edwards & The Temptations Review until his death, continuing the group's legacy.
Edwards died on February 1, 2018, in Chicago, Illinois, at age 74 from complications of meningitis.
Deon Jackson
Deon Jackson was an American soul singer and songwriter born on January 26, 1946, in Ann Arbor, Michigan. Jackson grew up in Ann Arbor, where he studied clarinet and drums as a child and performed in vocal groups and as a soloist at Ann Arbor High School. He caught the attention of producer Ollie McLaughlin during a talent show while still in school.
His debut single, the self-written "You Said You Love Me," released in 1963 on Atlantic Records, became a regional hit in Michigan, followed by "Come Back Home." Jackson's breakthrough came with "Love Makes the World Go 'Round" in 1965 on Carla Records, peaking at #11 on the Billboard Hot 100 and #3 on R&B charts, leading to an album on Atco Records. Other hits included "Love Takes a Long Time Growing" (#77 pop, 1966), "I Can't Do Without You Baby" (bubbling under Hot 100, 1967), and "Ooh Baby" (#65 pop, #28 R&B, 1967).
By the late 1960s, Jackson moved to Chicago, released final singles like "I'll Always Love You" in 1972, and retired from music to work with special needs students. He passed away on April 18, 2014, in Arlington Heights, Illinois, at age 68. His records later gained popularity in the Northern soul scene.
His debut single, the self-written "You Said You Love Me," released in 1963 on Atlantic Records, became a regional hit in Michigan, followed by "Come Back Home." Jackson's breakthrough came with "Love Makes the World Go 'Round" in 1965 on Carla Records, peaking at #11 on the Billboard Hot 100 and #3 on R&B charts, leading to an album on Atco Records. Other hits included "Love Takes a Long Time Growing" (#77 pop, 1966), "I Can't Do Without You Baby" (bubbling under Hot 100, 1967), and "Ooh Baby" (#65 pop, #28 R&B, 1967).
By the late 1960s, Jackson moved to Chicago, released final singles like "I'll Always Love You" in 1972, and retired from music to work with special needs students. He passed away on April 18, 2014, in Arlington Heights, Illinois, at age 68. His records later gained popularity in the Northern soul scene.
Desmond Dekker
Desmond Dekker was a pioneering Jamaican ska, rocksteady, and reggae singer-songwriter. Born Desmond Adolphus Dacres on July 16, 1941, in Kingston, Jamaica, he rose to international fame before Bob Marley's global breakthrough. Dekker grew up in Kingston after his mother's death, later moving to St. Mary and St. Thomas parishes. He trained as a tailor and welder, where coworkers encouraged his singing talent spotted at work.
In 1961, auditions with Coxsone Dodd and Duke Reid failed, but Leslie Kong signed him at Beverley's label. His 1963 debut "Honour Your Father and Mother" launched hits like "King of Ska" with The Cherrypies (The Maytals).
With backing group The Aces (Wilson James, Easton Barrington Howard, later the four Howard brothers), Dekker scored Jamaica's first global reggae smash "Israelites" (1968), plus "007 (Shanty Town)" (1967) and "It Mek" (1969). These rude boy anthems reflected ghetto struggles without extreme violence.
In the 1970s-80s, he signed with Stiff Records for albums like Black & Dekker (1980), amid financial woes including 1984 bankruptcy. Dekker influenced punk (Sex Pistols, Clash) and ska revivals; he died May 25, 2006, in London.
In 1961, auditions with Coxsone Dodd and Duke Reid failed, but Leslie Kong signed him at Beverley's label. His 1963 debut "Honour Your Father and Mother" launched hits like "King of Ska" with The Cherrypies (The Maytals).
With backing group The Aces (Wilson James, Easton Barrington Howard, later the four Howard brothers), Dekker scored Jamaica's first global reggae smash "Israelites" (1968), plus "007 (Shanty Town)" (1967) and "It Mek" (1969). These rude boy anthems reflected ghetto struggles without extreme violence.
In the 1970s-80s, he signed with Stiff Records for albums like Black & Dekker (1980), amid financial woes including 1984 bankruptcy. Dekker influenced punk (Sex Pistols, Clash) and ska revivals; he died May 25, 2006, in London.
Diana Ross
Diana Ross, born Diane Ernestine Earle Ross on March 26, 1944, in Detroit, Michigan, is an iconic American singer and actress, renowned for her powerful influence in the music industry, particularly as the lead singer of the Supremes, one of the most successful vocal groups of the 1960s.
Ross grew up in a working-class neighborhood in Detroit. She attended the Cass Technical High School, where she developed her passion for music and performance. During her teenage years, she began her singing career in a girl group called the Primettes, which eventually evolved into the Supremes when they signed with Motown Records in 1961.
The Supremes quickly became a dominant force in the music scene, thanks to a string of chart-topping hits such as "Where Did Our Love Go," "Baby Love," and "Stop! In the Name of Love." Under the leadership of producer Berry Gordy, the group's polished image and catchy songs helped them achieve unprecedented success, leading them to become the most commercially successful girl group in music history.
After leaving the Supremes in 1970, Diana Ross launched a highly successful solo career. Her debut album, "Diana Ross," included hits like "Ain't No Mountain High Enough" and helped solidify her status as a solo superstar. Over the years, she has released numerous albums and singles across various genres, including soul, pop, and jazz, earning her multiple Grammy Awards and other accolades.
In addition to her music career, Ross has made significant contributions to film and television. She starred in the film "Lady Sings the Blues," a biopic about the legendary jazz singer Billie Holiday, for which she received an Academy Award nomination for Best Actress. Her other notable film appearances include "Mahogany" and "The Wiz."
Ross has continued to perform and record music, remaining a beloved figure in the entertainment industry. Her contributions have earned her the title of the "Queen of Motown." She is regarded not only for her musical prowess but also for her influence on various artists and her role as a cultural icon. In recognition of her impact, she has received numerous honors, including the Presidential Medal of Freedom.
Diana Ross's enduring career, marked by her dynamic performances and timeless music, has left an indelible mark on the landscape of American music and culture.
Ross grew up in a working-class neighborhood in Detroit. She attended the Cass Technical High School, where she developed her passion for music and performance. During her teenage years, she began her singing career in a girl group called the Primettes, which eventually evolved into the Supremes when they signed with Motown Records in 1961.
The Supremes quickly became a dominant force in the music scene, thanks to a string of chart-topping hits such as "Where Did Our Love Go," "Baby Love," and "Stop! In the Name of Love." Under the leadership of producer Berry Gordy, the group's polished image and catchy songs helped them achieve unprecedented success, leading them to become the most commercially successful girl group in music history.
After leaving the Supremes in 1970, Diana Ross launched a highly successful solo career. Her debut album, "Diana Ross," included hits like "Ain't No Mountain High Enough" and helped solidify her status as a solo superstar. Over the years, she has released numerous albums and singles across various genres, including soul, pop, and jazz, earning her multiple Grammy Awards and other accolades.
In addition to her music career, Ross has made significant contributions to film and television. She starred in the film "Lady Sings the Blues," a biopic about the legendary jazz singer Billie Holiday, for which she received an Academy Award nomination for Best Actress. Her other notable film appearances include "Mahogany" and "The Wiz."
Ross has continued to perform and record music, remaining a beloved figure in the entertainment industry. Her contributions have earned her the title of the "Queen of Motown." She is regarded not only for her musical prowess but also for her influence on various artists and her role as a cultural icon. In recognition of her impact, she has received numerous honors, including the Presidential Medal of Freedom.
Diana Ross's enduring career, marked by her dynamic performances and timeless music, has left an indelible mark on the landscape of American music and culture.
Diana Ross and Marvin Gaye<div hidden>Diana Ross & Marvin Gaye Diana & Marvin Diana and Marvin</div>
Diana Ross and Marvin Gaye are iconic Motown artists whose careers shaped soul, R&B, and pop music. Diana rose to fame as the lead singer of The Supremes before launching a successful solo career, while Marvin became known for his socially conscious and emotionally raw solo work after early group and duet successes.
Born Diane Earle on March 26, 1944, in Detroit, Michigan, Diana Ross began her career as the lead vocalist of The Supremes, Motown's most successful act with hits like "Where Did Our Love Go" and "Baby Love." The group achieved 12 number-one singles from 1964 to 1969, earning her the nickname "Queen of Motown."
She went solo in 1970, topping charts with "Ain't No Mountain High Enough" and starring in the 1972 film Lady Sings the Blues as Billie Holiday, which earned her an Oscar nomination. Ross released over 25 solo albums, won a Grammy, received the Presidential Medal of Freedom in 2016, and was inducted into the Rock and Roll Hall of Fame in 1988.
Her personal life includes three children, notably actress Tracee Ellis Ross, and high-profile relationships like with Berry Gordy. Now 81, she continues touring and influencing artists like Beyoncé.
Marvin Gaye, born Marvin Pentz Gay Jr. on April 2, 1939, in Washington, D.C., started as a drummer and vocalist with groups like The Rainbows before signing with Motown in 1961. Early hits included duets like "Ain't No Mountain High Enough" with Tammi Terrell.[ from prior context, extrapolated]
His 1971 album What's Going On marked a shift to socially conscious music addressing war, poverty, and environment, followed by the erotic Let's Get It On (1973). I Want You (1976) and the 1982 hit "Sexual Healing" solidified his legacy before his tragic death.[ extrapolated]
Gaye won Grammys posthumously, influenced countless artists, and was inducted into the Rock Hall in 1987. He was killed by his father on April 1, 1984, at age 44 amid personal struggles.
Diana & Marvin is a duet album by Diana Ross and Marvin Gaye, released on October 26, 1973, by Motown. It features soulful collaborations recorded separately between 1971 and 1973 at Motown studios in Hollywood, amid reported tensions like Gaye's marijuana use during sessions.
The project aimed to blend Ross's sophisticated ballads with Gaye's introspective soul, produced by figures like Berry Gordy Jr. Despite their star power post-hits like "Touch Me in the Morning" and "Let's Get It On," the separate vocals led to uneven chemistry. It sold over 2 million copies worldwide and was reissued on CD in 2001 with bonus tracks.
Born Diane Earle on March 26, 1944, in Detroit, Michigan, Diana Ross began her career as the lead vocalist of The Supremes, Motown's most successful act with hits like "Where Did Our Love Go" and "Baby Love." The group achieved 12 number-one singles from 1964 to 1969, earning her the nickname "Queen of Motown."
She went solo in 1970, topping charts with "Ain't No Mountain High Enough" and starring in the 1972 film Lady Sings the Blues as Billie Holiday, which earned her an Oscar nomination. Ross released over 25 solo albums, won a Grammy, received the Presidential Medal of Freedom in 2016, and was inducted into the Rock and Roll Hall of Fame in 1988.
Her personal life includes three children, notably actress Tracee Ellis Ross, and high-profile relationships like with Berry Gordy. Now 81, she continues touring and influencing artists like Beyoncé.
Marvin Gaye, born Marvin Pentz Gay Jr. on April 2, 1939, in Washington, D.C., started as a drummer and vocalist with groups like The Rainbows before signing with Motown in 1961. Early hits included duets like "Ain't No Mountain High Enough" with Tammi Terrell.[ from prior context, extrapolated]
His 1971 album What's Going On marked a shift to socially conscious music addressing war, poverty, and environment, followed by the erotic Let's Get It On (1973). I Want You (1976) and the 1982 hit "Sexual Healing" solidified his legacy before his tragic death.[ extrapolated]
Gaye won Grammys posthumously, influenced countless artists, and was inducted into the Rock Hall in 1987. He was killed by his father on April 1, 1984, at age 44 amid personal struggles.
Diana & Marvin is a duet album by Diana Ross and Marvin Gaye, released on October 26, 1973, by Motown. It features soulful collaborations recorded separately between 1971 and 1973 at Motown studios in Hollywood, amid reported tensions like Gaye's marijuana use during sessions.
The project aimed to blend Ross's sophisticated ballads with Gaye's introspective soul, produced by figures like Berry Gordy Jr. Despite their star power post-hits like "Touch Me in the Morning" and "Let's Get It On," the separate vocals led to uneven chemistry. It sold over 2 million copies worldwide and was reissued on CD in 2001 with bonus tracks.
Diana Ross and The Supremes
Diana Ross, born on March 26, 1944, in Detroit, Michigan, is an iconic American singer and actress, often referred to as the "Queen of Motown." She is best known as the lead singer of the influential vocal group The Supremes. Ross’s career began in the early 1960s, and she quickly established herself as a prominent figure in the music industry, contributing significantly to the Motown sound.
Ross's impact on music is immense; she has sold more than 100 million albums, both as a member of The Supremes and as a solo artist, which positions her as one of the most successful female entertainers of the 20th century . In 1967, when the group was rebranded as "Diana Ross and the Supremes," she became the focal point of the act, showcasing her vocal talent and stage presence.
Throughout her career, Ross has been celebrated not only for her powerful voice but also for her contributions to the arts and her activism. Her ability to connect with audiences and her influential style contributed to The Supremes' longstanding success in the music landscape.
The Supremes were formed in 1959 and originally comprised Diana Ross, Mary Wilson, and Florence Ballard. Initially known as "The Primettes," the group signed with Motown Records and soon became one of the label's flagship acts. Their music played a pivotal role in the popularization of the Motown sound, which blended soul, pop, and rhythm and blues.
The Supremes achieved remarkable success through the 1960s, producing numerous chart-topping hits, including "Where Did Our Love Go," "Baby Love," and "Stop! In the Name of Love." Their seamless harmonies and distinctive style captivated audiences, allowing them to become one of the best-selling girl groups in music history. Ross's leadership contributed significantly to this success, as she often took center stage with her charismatic performances.
However, internal dynamics within the group and changes in the music industry posed challenges over time. After Ross left the group in 1970 to pursue a solo career, The Supremes continued to perform with various lineup changes until their dissolution in the 1970s. Despite this, the legacy of The Supremes endures, influencing countless artists across generations.
In summary, Diana Ross and The Supremes represent a significant chapter in the history of American music, exemplifying the cultural shifts of their era and leaving a lasting impact that continues to resonate today. Their contributions to music and popular culture remain significant, with Ross celebrated both for her solo endeavors and as a member of one of the most iconic groups in music history.
Ross's impact on music is immense; she has sold more than 100 million albums, both as a member of The Supremes and as a solo artist, which positions her as one of the most successful female entertainers of the 20th century . In 1967, when the group was rebranded as "Diana Ross and the Supremes," she became the focal point of the act, showcasing her vocal talent and stage presence.
Throughout her career, Ross has been celebrated not only for her powerful voice but also for her contributions to the arts and her activism. Her ability to connect with audiences and her influential style contributed to The Supremes' longstanding success in the music landscape.
The Supremes were formed in 1959 and originally comprised Diana Ross, Mary Wilson, and Florence Ballard. Initially known as "The Primettes," the group signed with Motown Records and soon became one of the label's flagship acts. Their music played a pivotal role in the popularization of the Motown sound, which blended soul, pop, and rhythm and blues.
The Supremes achieved remarkable success through the 1960s, producing numerous chart-topping hits, including "Where Did Our Love Go," "Baby Love," and "Stop! In the Name of Love." Their seamless harmonies and distinctive style captivated audiences, allowing them to become one of the best-selling girl groups in music history. Ross's leadership contributed significantly to this success, as she often took center stage with her charismatic performances.
However, internal dynamics within the group and changes in the music industry posed challenges over time. After Ross left the group in 1970 to pursue a solo career, The Supremes continued to perform with various lineup changes until their dissolution in the 1970s. Despite this, the legacy of The Supremes endures, influencing countless artists across generations.
In summary, Diana Ross and The Supremes represent a significant chapter in the history of American music, exemplifying the cultural shifts of their era and leaving a lasting impact that continues to resonate today. Their contributions to music and popular culture remain significant, with Ross celebrated both for her solo endeavors and as a member of one of the most iconic groups in music history.
Dionne Warwick
Dionne Warwick, born Marie Dionne Warrick on December 12, 1940, in East Orange, New Jersey, is a distinguished American singer, actress, and television host. She is widely known for her significant contributions to the pop and rhythm and blues (R&B) genres, where her distinctive soulful sound has earned her a prominent place in music history.
Warwick grew up in a musical environment as the daughter of a record promoter and a gospel group manager. This early exposure to music had a profound influence on her career. She was raised in a deeply religious family and was the oldest of three siblings, which fostered her appreciation for music from a young age.
Dionne Warwick's professional career spans over five decades and has established her as an international music icon. She first gained prominence in the 1960s with a series of hit songs that featured collaborations with legendary songwriters Burt Bacharach and Hal David. Some of her most iconic tracks include "Walk On By," "I Say a Little Prayer," and "Do You Know the Way to San Jose?" Her unique voice and emotive delivery have garnered her numerous accolades, including six Grammy Awards.
Throughout her career, Warwick has not only focused on music but has also made her mark as an actress and television producer. She starred in various television projects and has been a popular figure on TV game shows and talk shows. In 2020, she celebrated her 80th birthday, a milestone that highlights her enduring legacy in the music industry.
Warwick continues to tour and perform, maintaining her relevance in the music world and inspiring new generations of artists. Her impact on both music and culture is significant, making her a revered figure in the entertainment landscape.
Warwick grew up in a musical environment as the daughter of a record promoter and a gospel group manager. This early exposure to music had a profound influence on her career. She was raised in a deeply religious family and was the oldest of three siblings, which fostered her appreciation for music from a young age.
Dionne Warwick's professional career spans over five decades and has established her as an international music icon. She first gained prominence in the 1960s with a series of hit songs that featured collaborations with legendary songwriters Burt Bacharach and Hal David. Some of her most iconic tracks include "Walk On By," "I Say a Little Prayer," and "Do You Know the Way to San Jose?" Her unique voice and emotive delivery have garnered her numerous accolades, including six Grammy Awards.
Throughout her career, Warwick has not only focused on music but has also made her mark as an actress and television producer. She starred in various television projects and has been a popular figure on TV game shows and talk shows. In 2020, she celebrated her 80th birthday, a milestone that highlights her enduring legacy in the music industry.
Warwick continues to tour and perform, maintaining her relevance in the music world and inspiring new generations of artists. Her impact on both music and culture is significant, making her a revered figure in the entertainment landscape.
Don Blackman
Don Blackman was an influential American jazz-funk, R&B, and soul musician known for his work as a pianist, singer, and songwriter. Born on September 1, 1953, in Jamaica, Queens, New York, he passed away on April 11, 2013, at age 59 after battling cancer.
Blackman grew up immersed in jazz, with neighbor Charles McPherson—a saxophonist linked to McCoy Tyner—mentoring him as a teen. By age 15, he performed with McPherson alongside bassist Sam Jones and drummer Louis Hayes.
In the early 1970s, he toured with Parliament-Funkadelic on electric piano and contributed to Earth, Wind & Fire and Roy Ayers. He later joined Lenny White's jazz-funk band Twennynine, writing hits like "Peanut Butter" and "Morning Sunrise."
His 1982 self-titled debut album on Arista/GRP featured European hits "Holding You, Loving You" and "Heart's Desire," blending jazz-funk with R&B. As a prolific session player, he worked with artists including Sting, Mary J. Blige, Janet Jackson (remixing "That's the Way Love Goes"), Kurtis Blow, and 2Pac (composing "Live to Kick It").
Blackman grew up immersed in jazz, with neighbor Charles McPherson—a saxophonist linked to McCoy Tyner—mentoring him as a teen. By age 15, he performed with McPherson alongside bassist Sam Jones and drummer Louis Hayes.
In the early 1970s, he toured with Parliament-Funkadelic on electric piano and contributed to Earth, Wind & Fire and Roy Ayers. He later joined Lenny White's jazz-funk band Twennynine, writing hits like "Peanut Butter" and "Morning Sunrise."
His 1982 self-titled debut album on Arista/GRP featured European hits "Holding You, Loving You" and "Heart's Desire," blending jazz-funk with R&B. As a prolific session player, he worked with artists including Sting, Mary J. Blige, Janet Jackson (remixing "That's the Way Love Goes"), Kurtis Blow, and 2Pac (composing "Live to Kick It").
Don Covay and the Jefferson Lemon Blues Band
Don Covay, born Donald Randolph on March 24, 1936, in Orangeburg, South Carolina, was an influential American R&B, rock and roll, and soul singer-songwriter. Covay grew up in a musical environment, being the son of a Baptist preacher who died when he was eight years old. His early exposure to music significantly shaped his career path.
Covay's musical journey began in the early 1950s, where he gained recognition as a talented songwriter. His work has been recorded by numerous prominent artists, including Aretha Franklin, Bonnie Raitt, and Lena Horne, showcasing his versatility and impact on the music industry. He was known for his dynamic stage presence and compelling vocal style, which earned him a loyal fan base throughout his career.
He released several notable albums, with one of his more adventurous works titled "The House of Blue Lights," released in 1969. This album was aimed at reaching a broader underground audience and highlighted his eclectic musical influences. Covay's songwriting contributions and performances solidified his reputation as a key figure in the genres of soul and R&B until his passing on January 31, 2015.
At the end of the 1960s, Don Covay formed the Jefferson Lemon Blues Band, a project that allowed him to explore more diverse musical styles. Despite the name, the band was characterized by a fine-tuned funk sound, showcasing Covay's ability to adapt and innovate within the changing musical landscape.
The band aimed to expand on Covay's already established presence in the music scene, blending elements of blues, funk, and rock, thus continuing to evolve his artistic expression. The Jefferson Lemon Blues Band contributed to Covay's legacy as an artist who continually sought to push creative boundaries throughout his career.
Covay formed the Jefferson Lemon Blues Band (JLBB) around 1969 with members like John Hammond Jr. and Joe Richardson, releasing albums like The House of Blue Lights and Different Strokes for Different Folks, blending blues with funk and soul, before Covay found major solo success with tracks like "Superdude" and "Rumble in the Jungle". The band showcased Covay's gritty vocals and songwriting, featuring blues and funk grooves, and served as a bridge in his career between his Soul Clan project and his major solo hits in the 1970s, establishing a distinctive sound before disbanding.
Covay's musical journey began in the early 1950s, where he gained recognition as a talented songwriter. His work has been recorded by numerous prominent artists, including Aretha Franklin, Bonnie Raitt, and Lena Horne, showcasing his versatility and impact on the music industry. He was known for his dynamic stage presence and compelling vocal style, which earned him a loyal fan base throughout his career.
He released several notable albums, with one of his more adventurous works titled "The House of Blue Lights," released in 1969. This album was aimed at reaching a broader underground audience and highlighted his eclectic musical influences. Covay's songwriting contributions and performances solidified his reputation as a key figure in the genres of soul and R&B until his passing on January 31, 2015.
At the end of the 1960s, Don Covay formed the Jefferson Lemon Blues Band, a project that allowed him to explore more diverse musical styles. Despite the name, the band was characterized by a fine-tuned funk sound, showcasing Covay's ability to adapt and innovate within the changing musical landscape.
The band aimed to expand on Covay's already established presence in the music scene, blending elements of blues, funk, and rock, thus continuing to evolve his artistic expression. The Jefferson Lemon Blues Band contributed to Covay's legacy as an artist who continually sought to push creative boundaries throughout his career.
Covay formed the Jefferson Lemon Blues Band (JLBB) around 1969 with members like John Hammond Jr. and Joe Richardson, releasing albums like The House of Blue Lights and Different Strokes for Different Folks, blending blues with funk and soul, before Covay found major solo success with tracks like "Superdude" and "Rumble in the Jungle". The band showcased Covay's gritty vocals and songwriting, featuring blues and funk grooves, and served as a bridge in his career between his Soul Clan project and his major solo hits in the 1970s, establishing a distinctive sound before disbanding.
Donald Byrd
Donald Byrd was an acclaimed American jazz trumpeter, composer, and educator known for his hard bop style and later fusion experiments. He bridged jazz traditions with funk and soul while mentoring young musicians and teaching at universities.
Donaldson Toussaint L’Ouverture Byrd II was born on December 9, 1932, in Detroit, Michigan, to a Methodist minister father who was also an amateur musician. He attended Cass Technical High School, served in the US Air Force, and pursued higher education at Wayne State University, earning a master’s in music education from the Manhattan School of Music. Byrd later obtained a law degree from Howard University and a doctorate in music education from Columbia University in 1982.
Byrd arrived in New York in 1955 at age 23 and quickly joined Art Blakey's Jazz Messengers, replacing Clifford Brown. He recorded extensively with Blue Note Records for 19 years, collaborating with giants like John Coltrane, Dexter Gordon, Hank Mobley, and Herbie Hancock, whom he mentored early on. In the 1970s, he pioneered jazz-funk fusion, forming The Blackbyrds with Howard University students; hits included "Walking in Rhythm" and "Rock Creek Park."
A trailblazing jazz educator, Byrd taught at institutions like Rutgers, Howard, Hampton, and Delaware State University, pioneering college-level jazz courses and a "music+math=art" method. He studied with Nadia Boulanger in Paris and earned NEA Jazz Master status in 2000. Byrd died on February 4, 2013.
Donaldson Toussaint L’Ouverture Byrd II was born on December 9, 1932, in Detroit, Michigan, to a Methodist minister father who was also an amateur musician. He attended Cass Technical High School, served in the US Air Force, and pursued higher education at Wayne State University, earning a master’s in music education from the Manhattan School of Music. Byrd later obtained a law degree from Howard University and a doctorate in music education from Columbia University in 1982.
Byrd arrived in New York in 1955 at age 23 and quickly joined Art Blakey's Jazz Messengers, replacing Clifford Brown. He recorded extensively with Blue Note Records for 19 years, collaborating with giants like John Coltrane, Dexter Gordon, Hank Mobley, and Herbie Hancock, whom he mentored early on. In the 1970s, he pioneered jazz-funk fusion, forming The Blackbyrds with Howard University students; hits included "Walking in Rhythm" and "Rock Creek Park."
A trailblazing jazz educator, Byrd taught at institutions like Rutgers, Howard, Hampton, and Delaware State University, pioneering college-level jazz courses and a "music+math=art" method. He studied with Nadia Boulanger in Paris and earned NEA Jazz Master status in 2000. Byrd died on February 4, 2013.
Donna Summer
Donna Summer, born LaDonna Adrian Gaines on December 31, 1948, in Boston, Massachusetts, grew up in a musical environment. She was raised in the Mission Hill neighborhood, where her mother, a homemaker, had a significant influence on her early musical aspirations. Summer's father, Andrew Gaines, worked as a butcher. From a young age, she began singing in church choirs, inspired by gospel music, particularly the works of Mahalia Jackson, which shaped her vocal style and passion for music.
Summer's career took off after she dropped out of high school. She initially performed as the lead singer of a blues rock band called Crow, gaining early exposure in the music scene.
In the late 1960s, she moved to Europe, where she pursued acting and singing, including roles in various productions such as the German version of the musical "Hair."
The 1970s marked the apex of Summer's career as she emerged as a leading figure in the disco movement. She is often referred to as the "Queen of Disco" due to her significant contributions to the genre. Hits like "Love to Love You Baby," "Hot Stuff," and "Last Dance" showcased her powerful voice and innovative sound. Summer's work spanned various genres including rhythm and blues, rock, and funk, which further diversified her appeal and solidified her status as a pop icon.
Throughout her life, Donna Summer experienced ups and downs in her personal life, including three marriages, with the most notable being to Bruce Sudano, a songwriter whom she married in 1980. They collaborated on various music projects and had two daughters together. Summer was known for her strong Christian faith, which played a significant role in her life and career.
Donna Summer passed away on May 17, 2012, from cancer at the age of 63. Her contributions to music have left a lasting impact, influencing countless artists and earning her several awards, including multiple Grammy Awards. Summer's unique voice and innovative style have ensured her place in music history as one of the greatest female artists of her time.
In summary, Donna Summer's life was a remarkable journey from a young girl in Boston to a global music sensation, celebrated for her talent and contributions to the arts.
Summer's career took off after she dropped out of high school. She initially performed as the lead singer of a blues rock band called Crow, gaining early exposure in the music scene.
In the late 1960s, she moved to Europe, where she pursued acting and singing, including roles in various productions such as the German version of the musical "Hair."
The 1970s marked the apex of Summer's career as she emerged as a leading figure in the disco movement. She is often referred to as the "Queen of Disco" due to her significant contributions to the genre. Hits like "Love to Love You Baby," "Hot Stuff," and "Last Dance" showcased her powerful voice and innovative sound. Summer's work spanned various genres including rhythm and blues, rock, and funk, which further diversified her appeal and solidified her status as a pop icon.
Throughout her life, Donna Summer experienced ups and downs in her personal life, including three marriages, with the most notable being to Bruce Sudano, a songwriter whom she married in 1980. They collaborated on various music projects and had two daughters together. Summer was known for her strong Christian faith, which played a significant role in her life and career.
Donna Summer passed away on May 17, 2012, from cancer at the age of 63. Her contributions to music have left a lasting impact, influencing countless artists and earning her several awards, including multiple Grammy Awards. Summer's unique voice and innovative style have ensured her place in music history as one of the greatest female artists of her time.
In summary, Donna Summer's life was a remarkable journey from a young girl in Boston to a global music sensation, celebrated for her talent and contributions to the arts.
Donnie Elbert
Donnie Elbert was an American soul singer and songwriter with a career spanning from the mid-1950s to the late 1970s.
Born on May 25, 1936, in New Orleans, Louisiana, Elbert moved to Buffalo, New York, at age three. He learned guitar and piano as a child and was influenced by Clyde McPhatter of the Drifters.
In 1955, he co-founded the doo-wop group Vibraharps, contributing as guitarist, songwriter, arranger, and background vocalist on their debut "Walk Beside Me." He went solo in 1957, signing with DeLuxe Records; his debut "What Can I Do?" hit No. 12 on the U.S. R&B chart, followed by regional successes like "Have I Sinned?"
Elbert recorded for labels including Red Top, Vee-Jay, and All Platinum, with regional hits like "Will You Ever Be Mine?" (selling 250,000 in Philadelphia). His U.S. chart success came in 1971 with a cover of "Where Did Our Love Go?"; in the UK, "A Little Piece of Leather" became a Northern soul favorite for his falsetto.
By the mid-1970s, frustrated with the industry—including disputes over song credits like "Shame, Shame, Shame"—he started his own label and later worked in A&R for Polygram's Canadian division. Elbert died on January 26, 1989, at age 52 (or 53 per some sources) after a stroke.
Born on May 25, 1936, in New Orleans, Louisiana, Elbert moved to Buffalo, New York, at age three. He learned guitar and piano as a child and was influenced by Clyde McPhatter of the Drifters.
In 1955, he co-founded the doo-wop group Vibraharps, contributing as guitarist, songwriter, arranger, and background vocalist on their debut "Walk Beside Me." He went solo in 1957, signing with DeLuxe Records; his debut "What Can I Do?" hit No. 12 on the U.S. R&B chart, followed by regional successes like "Have I Sinned?"
Elbert recorded for labels including Red Top, Vee-Jay, and All Platinum, with regional hits like "Will You Ever Be Mine?" (selling 250,000 in Philadelphia). His U.S. chart success came in 1971 with a cover of "Where Did Our Love Go?"; in the UK, "A Little Piece of Leather" became a Northern soul favorite for his falsetto.
By the mid-1970s, frustrated with the industry—including disputes over song credits like "Shame, Shame, Shame"—he started his own label and later worked in A&R for Polygram's Canadian division. Elbert died on January 26, 1989, at age 52 (or 53 per some sources) after a stroke.
Donny Hathaway
Donny Hathaway was born Donny Edward Pitts on October 1, 1945, in Chicago, Illinois. He was raised in a Black American family and spent a significant part of his childhood in St. Louis, Missouri, under the care of his grandmother, Martha Pitts, who was a gospel singer. This early exposure to music influenced Hathaway's artistic development, leading him to perform in church as a child.
Hathaway's musical career began to take shape when he attended Howard University, where he studied music. However, he decided to leave the university in 1967 to fully pursue his music career. He emerged as a significant figure in the soul music genre, blending elements of rhythm and blues (R&B) and jazz, which distinguished his work from that of his contemporaries.
Hathaway is especially known for his emotive singing style and exceptional songwriting abilities. He gained widespread recognition for his hit songs, including "A Song for You," "This Christmas," and classic duets with the renowned singer Roberta Flack. His collaborations and solo efforts established him as a pivotal artist in R&B music during the 1970s.
Despite his relatively short life, Hathaway left an indelible mark on the music industry. He is remembered as a consummate artist, whose technical skill and emotional depth in his music set a standard in the genre. Hathaway’s struggles with mental health were evident, and he faced many obstacles throughout his career, which tragically culminated in his death in 1979 at the age of 33. His legacy continues to influence a new generation of musicians and is celebrated for his contributions to American music.
Overall, Donny Hathaway's life and work exemplify the profound impact that an artist can have through their music, combining technical prowess with deep emotional resonance.
Hathaway's musical career began to take shape when he attended Howard University, where he studied music. However, he decided to leave the university in 1967 to fully pursue his music career. He emerged as a significant figure in the soul music genre, blending elements of rhythm and blues (R&B) and jazz, which distinguished his work from that of his contemporaries.
Hathaway is especially known for his emotive singing style and exceptional songwriting abilities. He gained widespread recognition for his hit songs, including "A Song for You," "This Christmas," and classic duets with the renowned singer Roberta Flack. His collaborations and solo efforts established him as a pivotal artist in R&B music during the 1970s.
Despite his relatively short life, Hathaway left an indelible mark on the music industry. He is remembered as a consummate artist, whose technical skill and emotional depth in his music set a standard in the genre. Hathaway’s struggles with mental health were evident, and he faced many obstacles throughout his career, which tragically culminated in his death in 1979 at the age of 33. His legacy continues to influence a new generation of musicians and is celebrated for his contributions to American music.
Overall, Donny Hathaway's life and work exemplify the profound impact that an artist can have through their music, combining technical prowess with deep emotional resonance.
Doris Duke
Doris Duke, originally named Doris Curry, was an influential American gospel and soul singer born on May 18, 1941, in Sandersville, Georgia. She was known for her deep and emotive vocal style that made a significant impact on the music scene.
She began her singing career at an early age, performing with various gospel groups, which laid the foundation for her musical journey. She sang in choirs and gained experience in different gospel ensembles, including notable collaborations with groups such as the Raspberry Singers.
She transitioned from gospel music to a broader musical career as she migrated to New York City, where she worked as a session and backing singer. Notably, Duke was employed by Motown and performed backing vocals for prominent artists, including Nina Simone. In 1968, she took part in a tour of Europe alongside Simone, further solidifying her reputation as a talented vocalist.
Doris Duke's most renowned and critically successful album is her 1969 debut, "I'm a Loser," produced by Swamp Dogg, considered a landmark deep soul masterpiece, though its initial release was hampered by record label issues; it's celebrated for its raw emotion and storytelling about difficult relationships, making it her definitive work despite modest initial sales.
Her contributions to the soul genre are marked by her powerful voice and emotional depth. She is remembered for her ability to convey profound feelings through her music, influencing many artists who followed.
Doris Duke passed away on March 21, 2019, leaving behind a legacy that continues to inspire and resonate within the gospel and soul music communities. Information is missing on her later works and specific achievements in her solo career.
She began her singing career at an early age, performing with various gospel groups, which laid the foundation for her musical journey. She sang in choirs and gained experience in different gospel ensembles, including notable collaborations with groups such as the Raspberry Singers.
She transitioned from gospel music to a broader musical career as she migrated to New York City, where she worked as a session and backing singer. Notably, Duke was employed by Motown and performed backing vocals for prominent artists, including Nina Simone. In 1968, she took part in a tour of Europe alongside Simone, further solidifying her reputation as a talented vocalist.
Doris Duke's most renowned and critically successful album is her 1969 debut, "I'm a Loser," produced by Swamp Dogg, considered a landmark deep soul masterpiece, though its initial release was hampered by record label issues; it's celebrated for its raw emotion and storytelling about difficult relationships, making it her definitive work despite modest initial sales.
Her contributions to the soul genre are marked by her powerful voice and emotional depth. She is remembered for her ability to convey profound feelings through her music, influencing many artists who followed.
Doris Duke passed away on March 21, 2019, leaving behind a legacy that continues to inspire and resonate within the gospel and soul music communities. Information is missing on her later works and specific achievements in her solo career.
Dorothy Moore
Dorothy Moore is an acclaimed American soul and R&B singer best known for her 1976 hit "Misty Blue." Born on October 13, 1946, in Jackson, Mississippi, she rose to prominence with her powerful, emotive vocals rooted in gospel traditions.
Moore was raised by her great-grandmother after being born to parents J.B. Mance and Mary Mance. Her mother discovered her vocal vibrato at age three, and by five, she sang in the church choir at New Strangers’ Home Baptist Church, later becoming a soloist. She attended Smith Robinson Elementary, Mary C. Jones Elementary, and Lanier High School, frequently winning talent shows at the Alamo Theater.
She started professionally in the 1960s with the girl group The Poppies, signing with Epic Records in 1966. She shifted to background vocals in the early 1970s before launching a solo career with Malaco Records in 1976, where "Misty Blue" hit #2 on R&B charts and #3 on Billboard Hot 100. Follow-ups like "Funny How Time Slips Away" and "I Believe You" (a #1 R&B hit) solidified her success; she has released over 16 albums, many featuring country songwriters.
After a 1978 hiatus, Moore returned in 1982, releasing gospel album Giving It Straight to You in 1986 and touring Japan in 1989. She founded Farish Street Records in 2002 and continued recording, including I'm Doing Alright in 2005. Nominated for four Grammys, she won an Image Award, NATRA Female R&B Vocalist of the Year, Billboard Magazine Award, and Governor's Award for Excellence in the Arts; she also served on the Blues Foundation board.
Moore is a mother of two—a son and a daughter—and remains active in music and volunteering as of recent years.
Moore was raised by her great-grandmother after being born to parents J.B. Mance and Mary Mance. Her mother discovered her vocal vibrato at age three, and by five, she sang in the church choir at New Strangers’ Home Baptist Church, later becoming a soloist. She attended Smith Robinson Elementary, Mary C. Jones Elementary, and Lanier High School, frequently winning talent shows at the Alamo Theater.
She started professionally in the 1960s with the girl group The Poppies, signing with Epic Records in 1966. She shifted to background vocals in the early 1970s before launching a solo career with Malaco Records in 1976, where "Misty Blue" hit #2 on R&B charts and #3 on Billboard Hot 100. Follow-ups like "Funny How Time Slips Away" and "I Believe You" (a #1 R&B hit) solidified her success; she has released over 16 albums, many featuring country songwriters.
After a 1978 hiatus, Moore returned in 1982, releasing gospel album Giving It Straight to You in 1986 and touring Japan in 1989. She founded Farish Street Records in 2002 and continued recording, including I'm Doing Alright in 2005. Nominated for four Grammys, she won an Image Award, NATRA Female R&B Vocalist of the Year, Billboard Magazine Award, and Governor's Award for Excellence in the Arts; she also served on the Blues Foundation board.
Moore is a mother of two—a son and a daughter—and remains active in music and volunteering as of recent years.
Double Exposure
Double Exposure is an influential American soul and disco vocal quartet that originated in Philadelphia. They are primarily recognized for their contributions to the disco genre during the 1970s, particularly for their hit singles on the Sal-Soul Record Label.
Originally formed in 1961, the group was known as United Image before eventually adopting the name Double Exposure. The founding members included Leonard "Butch" Davis, Chuck Whittington, Jimmy Williams, and Joe Harris. They began their musical journey by performing at local parties and talent competitions in the Philadelphia area, where they built a reputation for their vocal abilities and stage presence.
Double Exposure gained prominence in the 1970s with several notable hits. Their most famous song, "Ten Percent," released in 1976, is often regarded as a disco classic. Other significant tracks include "My Love Is Free," "Everyman," and "Perfect Lover," which showcased their distinctive harmonies and energetic style. Their music is characterized by a compelling blend of soul and disco rhythms that resonated with audiences of the time.
The group was associated with the Sal-Soul Record Label, which was pivotal in their recording career. Their work not only contributed to the disco movement but also left an enduring impact on the genre, influencing many artists who followed.
Throughout their career, Double Exposure has remained active in the music scene, performing and recording over the decades. Their contributions have solidified their status as a powerful vocal quartet within the soul and disco genres. They continue to be celebrated for their innovative sound and their role in the evolution of disco music.
In summary, Double Exposure's journey from local performers to recognized disco icons reflects their talent and adaptability within the changing landscape of American music. Their legacy endures, making them a significant part of the history of disco.
Originally formed in 1961, the group was known as United Image before eventually adopting the name Double Exposure. The founding members included Leonard "Butch" Davis, Chuck Whittington, Jimmy Williams, and Joe Harris. They began their musical journey by performing at local parties and talent competitions in the Philadelphia area, where they built a reputation for their vocal abilities and stage presence.
Double Exposure gained prominence in the 1970s with several notable hits. Their most famous song, "Ten Percent," released in 1976, is often regarded as a disco classic. Other significant tracks include "My Love Is Free," "Everyman," and "Perfect Lover," which showcased their distinctive harmonies and energetic style. Their music is characterized by a compelling blend of soul and disco rhythms that resonated with audiences of the time.
The group was associated with the Sal-Soul Record Label, which was pivotal in their recording career. Their work not only contributed to the disco movement but also left an enduring impact on the genre, influencing many artists who followed.
Throughout their career, Double Exposure has remained active in the music scene, performing and recording over the decades. Their contributions have solidified their status as a powerful vocal quartet within the soul and disco genres. They continue to be celebrated for their innovative sound and their role in the evolution of disco music.
In summary, Double Exposure's journey from local performers to recognized disco icons reflects their talent and adaptability within the changing landscape of American music. Their legacy endures, making them a significant part of the history of disco.
Dusty Springfield
Dusty Springfield, born Mary Isobel Catherine Bernadette O'Brien on April 16, 1939, in West Hampstead, London, rose to fame as one of Britain's most iconic singers of the 1960s, known for her emotive blue-eyed soul voice. She passed away on March 2, 1999, in Henley-on-Thames, Oxfordshire, at age 59 after battling breast cancer.
Dusty grew up in a music-loving family with Irish roots; her father was a pub owner, and her older brother Dion (later Tom Springfield) shared her passion for singing. As a child, she performed with her brother in their garage and developed an early love for American soul and Motown artists like Aretha Franklin and the Supremes.
In 1958, she joined the all-girl vocal group the Lana Sisters, honing her harmonizing and stage skills through UK tours and US Air Force base shows. By 1960, she reunited with her brother and Tim Feild to form the folk-pop trio The Springfields, adopting her stage name Dusty; the group scored hits like "Island of Dreams" before she went solo in 1963.
Springfield's breakthrough came with "I Only Want to Be with You," a UK No. 4 hit that crossed to the US Top 10, followed by smashes like "You Don't Have to Say You Love Me" (UK No. 1, 1966) and "Son of a Preacher Man" (1968) from her acclaimed album Dusty in Memphis, produced by Jerry Wexler at Atlantic Records. Her signature beehive hairstyle, heavy eyeliner, and dramatic gowns made her a Swinging Sixties icon during the British Invasion.
Struggles with addiction and personal challenges led to a career dip in the 1970s, but she revived in the 1980s with Pet Shop Boys' "What Have I Done to Deserve This?" (1987, UK No. 2) and the Scandal soundtrack. Rolling Stone later hailed her as Britain's best pop singer ever.
She earned the nickname "White Queen of Soul" for her ability to master American soul and R&B. She was openly bisexual (though often identified as a lesbian), challenging norms in the music industry. Springfield died of breast cancer in 1999 and was inducted into the Rock and Roll Hall of Fame shortly after,.
Dusty grew up in a music-loving family with Irish roots; her father was a pub owner, and her older brother Dion (later Tom Springfield) shared her passion for singing. As a child, she performed with her brother in their garage and developed an early love for American soul and Motown artists like Aretha Franklin and the Supremes.
In 1958, she joined the all-girl vocal group the Lana Sisters, honing her harmonizing and stage skills through UK tours and US Air Force base shows. By 1960, she reunited with her brother and Tim Feild to form the folk-pop trio The Springfields, adopting her stage name Dusty; the group scored hits like "Island of Dreams" before she went solo in 1963.
Springfield's breakthrough came with "I Only Want to Be with You," a UK No. 4 hit that crossed to the US Top 10, followed by smashes like "You Don't Have to Say You Love Me" (UK No. 1, 1966) and "Son of a Preacher Man" (1968) from her acclaimed album Dusty in Memphis, produced by Jerry Wexler at Atlantic Records. Her signature beehive hairstyle, heavy eyeliner, and dramatic gowns made her a Swinging Sixties icon during the British Invasion.
Struggles with addiction and personal challenges led to a career dip in the 1970s, but she revived in the 1980s with Pet Shop Boys' "What Have I Done to Deserve This?" (1987, UK No. 2) and the Scandal soundtrack. Rolling Stone later hailed her as Britain's best pop singer ever.
She earned the nickname "White Queen of Soul" for her ability to master American soul and R&B. She was openly bisexual (though often identified as a lesbian), challenging norms in the music industry. Springfield died of breast cancer in 1999 and was inducted into the Rock and Roll Hall of Fame shortly after,.
Dynamic Five
The Dynamic Five was a local Nashville soul/R&B group known for live performances and for recording the rare 1978 album Love Is The Key. They were known for their energetic soul/funk sound and for playing at local venues on Historic Jefferson Street, such as the Modern New Era Club and Club Baron. They opened for several well-known national acts, including the Isley Brothers, The Stylistics, and the Dells. In 1972, they made history as the first R&B group to perform at the Opryland theme park.
The group is primarily known for their highly sought-after album Love Is The Key, released in 1978 on the Manhattan Records (and United Artists Records) label. The album features a mix of soul, funk, disco, and R&B styles.
The original LP pressing of Love Is The Key is considered a rare collector's item, with copies often selling for over a thousand dollars.
The members of the Dynamic Five who recorded this album included Don Patton, James D. Clemmons (J.D. Clemmons), Robert Alred, Robert Ursery, and Wayne Stevens. J.D. Clemmons and Don Patton were also involved in songwriting for the album.
The group is primarily known for their highly sought-after album Love Is The Key, released in 1978 on the Manhattan Records (and United Artists Records) label. The album features a mix of soul, funk, disco, and R&B styles.
The original LP pressing of Love Is The Key is considered a rare collector's item, with copies often selling for over a thousand dollars.
The members of the Dynamic Five who recorded this album included Don Patton, James D. Clemmons (J.D. Clemmons), Robert Alred, Robert Ursery, and Wayne Stevens. J.D. Clemmons and Don Patton were also involved in songwriting for the album.
Dynasty
Dynasty is an American R&B/soul and funk band from Los Angeles, California, formed in 1979 by SOLAR Records head Dick Griffey and producer-bassist Leon Sylvers III, and best known for late-1970s and 1980s dance-oriented hits like “I Don’t Want to Be a Freak (But I Can’t Help Myself)” and “I’ve Just Begun to Love You.”
Dynasty was created as part of the “Sound of Los Angeles Records” (SOLAR) stable, with Griffey and Leon Sylvers III deliberately assembling a new vocal group to showcase the label’s signature blend of R&B, funk, and pop. Dynasty specialized in light funk and clever dance-pop/R&B, marked by tight rhythm sections, prominent bass and keyboards, layered group harmonies, and polished production—a hallmark of Leon Sylvers III’s work at SOLAR.
Core and principal members over the group’s classic period included: Nidra Beard – lead and background vocals; Linda Carriere – lead and background vocals; Kevin Spencer – keyboards, synthesizer, vocals (often cited as bassist/keyboardist in later summaries); William Shelby – keyboards and vocals, joined as the lineup expanded; Richard Randolph – guitar; Leon Sylvers III – bass, production, songwriting; he formally joined as a performing member around 1981 after already serving as SOLAR’s in-house producer.
These musicians were closely intertwined with other SOLAR acts such as The Sylvers, Shalamar, and The Whispers, often sharing writers, producers, and backing players.
Dynasty’s debut album, Your Piece of the Rock (1979), introduced their mix of R&B, funk, and disco; it reached the Billboard R&B Albums chart and firmly established them within the SOLAR roster. The album’s standout single “I Don’t Want to Be a Freak (But I Can’t Help Myself)” became their first R&B and dance hit, charting on the U.S. soul and disco charts and reaching the UK Singles Chart (top 40, peaking around No. 20).
Their second album, Adventures in the Land of Music (1980), continued the dance-soul direction and included “I’ve Just Begun to Love You,” which became their biggest R&B hit, reaching the U.S. R&B Top 10 (around No. 6).
In 1981, Dynasty released their third album, The Second Adventure, which further refined the SOLAR sound and coincided with Leon Sylvers III formally joining the performing lineup. The Second Adventure generated R&B chart singles such as “Here I Am” and “Love in the Fast Lane,” both making the U.S. R&B Top 40 and receiving significant club play.
Across the first half of the 1980s, Dynasty released a total of five albums on SOLAR, blending upbeat dance tracks, mid-tempo grooves, and ballads, and they remained label mainstays even as overall commercial momentum softened. Despite the early hits, later singles did not duplicate their initial chart success, and the group’s presence became more identified with the broader SOLAR sound than with constant mainstream radio hits.
Dynasty stayed with SOLAR Records through roughly 1988, after which releases and activity slowed as musical tastes shifted toward new jack swing and emerging hip-hop-infused R&B. Some members continued working in music as writers, producers, or performers, particularly within the extended SOLAR and Sylvers creative circle, though Dynasty as a recording group effectively became inactive by the late 1980s.
Their songs, especially “I’ve Just Begun to Love You” and tracks from Adventures in the Land of Music, have been widely sampled and referenced by later R&B and hip-hop artists, helping preserve their reputation among crate-diggers and soul/funk fans. Within the history of West Coast R&B, Dynasty are often cited as one of the groups that helped define the classic SOLAR Records sound alongside acts like Shalamar and The Whispers, even if they had fewer mainstream hits.
Dynasty was created as part of the “Sound of Los Angeles Records” (SOLAR) stable, with Griffey and Leon Sylvers III deliberately assembling a new vocal group to showcase the label’s signature blend of R&B, funk, and pop. Dynasty specialized in light funk and clever dance-pop/R&B, marked by tight rhythm sections, prominent bass and keyboards, layered group harmonies, and polished production—a hallmark of Leon Sylvers III’s work at SOLAR.
Core and principal members over the group’s classic period included: Nidra Beard – lead and background vocals; Linda Carriere – lead and background vocals; Kevin Spencer – keyboards, synthesizer, vocals (often cited as bassist/keyboardist in later summaries); William Shelby – keyboards and vocals, joined as the lineup expanded; Richard Randolph – guitar; Leon Sylvers III – bass, production, songwriting; he formally joined as a performing member around 1981 after already serving as SOLAR’s in-house producer.
These musicians were closely intertwined with other SOLAR acts such as The Sylvers, Shalamar, and The Whispers, often sharing writers, producers, and backing players.
Dynasty’s debut album, Your Piece of the Rock (1979), introduced their mix of R&B, funk, and disco; it reached the Billboard R&B Albums chart and firmly established them within the SOLAR roster. The album’s standout single “I Don’t Want to Be a Freak (But I Can’t Help Myself)” became their first R&B and dance hit, charting on the U.S. soul and disco charts and reaching the UK Singles Chart (top 40, peaking around No. 20).
Their second album, Adventures in the Land of Music (1980), continued the dance-soul direction and included “I’ve Just Begun to Love You,” which became their biggest R&B hit, reaching the U.S. R&B Top 10 (around No. 6).
In 1981, Dynasty released their third album, The Second Adventure, which further refined the SOLAR sound and coincided with Leon Sylvers III formally joining the performing lineup. The Second Adventure generated R&B chart singles such as “Here I Am” and “Love in the Fast Lane,” both making the U.S. R&B Top 40 and receiving significant club play.
Across the first half of the 1980s, Dynasty released a total of five albums on SOLAR, blending upbeat dance tracks, mid-tempo grooves, and ballads, and they remained label mainstays even as overall commercial momentum softened. Despite the early hits, later singles did not duplicate their initial chart success, and the group’s presence became more identified with the broader SOLAR sound than with constant mainstream radio hits.
Dynasty stayed with SOLAR Records through roughly 1988, after which releases and activity slowed as musical tastes shifted toward new jack swing and emerging hip-hop-infused R&B. Some members continued working in music as writers, producers, or performers, particularly within the extended SOLAR and Sylvers creative circle, though Dynasty as a recording group effectively became inactive by the late 1980s.
Their songs, especially “I’ve Just Begun to Love You” and tracks from Adventures in the Land of Music, have been widely sampled and referenced by later R&B and hip-hop artists, helping preserve their reputation among crate-diggers and soul/funk fans. Within the history of West Coast R&B, Dynasty are often cited as one of the groups that helped define the classic SOLAR Records sound alongside acts like Shalamar and The Whispers, even if they had fewer mainstream hits.
Earth Wind and Fire<div hidden>EW&F EWF</div>
Earth, Wind & Fire, often abbreviated as EW&F or EWF, is a renowned American band established in Chicago, Illinois, in 1969. The ensemble is celebrated for its innovative fusion of various genres, including soul, funk, R&B, and jazz. Their music is characterized by rich harmonies, dynamic rhythms, and vibrant instrumental arrangements, making them one of the most critically acclaimed and commercially successful bands of the '70s and '80s.
The band's influence on the music industry is significant, as they were instrumental in popularizing the funk genre and maintaining a lasting legacy through their timeless hits like "September" and "Let's Groove" . Earth, Wind & Fire has also been recognized for their stunning live performances and the ability to connect with audiences across generations.
As of recent updates, the band is set to perform live and has announced upcoming tour dates, including a return to Australia after a long hiatus of 14 years . Their enduring popularity is a testament to their artistic contributions and captivating stage presence.
Overall, Earth, Wind & Fire remains a seminal force in the landscape of modern music, with a diverse catalog that continues to inspire new generations of artists and fans alike.
The band's influence on the music industry is significant, as they were instrumental in popularizing the funk genre and maintaining a lasting legacy through their timeless hits like "September" and "Let's Groove" . Earth, Wind & Fire has also been recognized for their stunning live performances and the ability to connect with audiences across generations.
As of recent updates, the band is set to perform live and has announced upcoming tour dates, including a return to Australia after a long hiatus of 14 years . Their enduring popularity is a testament to their artistic contributions and captivating stage presence.
Overall, Earth, Wind & Fire remains a seminal force in the landscape of modern music, with a diverse catalog that continues to inspire new generations of artists and fans alike.
EWF Earth Wind & Fire Earth, Wind & Fire
Ebonee Webb
Ebonee Webb was an American funk and soul band that originated in Memphis, Tennessee, in the early 1970s. Initially formed under the name Ebony Web, the group was founded by Perry Michael Allen along with other talented musicians. Over the years, Ebonee Webb evolved into an octet that included prominent members such as lead vocalist Michael Winston and guitarist Thomas Brown.
The band gained notable recognition in the late 1970s, particularly for their contributions to the Japanese music scene. They served as a backing act on two disco albums released in Japan under the Seven Seas label during 1978 and 1979. This opportunity allowed them to reach a wider audience and showcased their unique blend of funk and soul music.
Despite their relatively modest success in the United States, Ebonee Webb's music resonated strongly overseas, especially in Japan, where they enjoyed a devoted fan base. Their sound was characterized by groove-driven rhythms and soulful melodies, making them a notable act within the Memphis funk scene of their time.
As the 1980s progressed, Ebonee Webb continued to create music, producing several decent funk and soul tracks that contributed to their legacy. However, they faced challenges in an evolving music landscape, which impacted their prominence in the industry.
Overall, Ebonee Webb represents a significant chapter in the history of funk and soul music, illustrating the impact of regional sounds on a global scale.
The band gained notable recognition in the late 1970s, particularly for their contributions to the Japanese music scene. They served as a backing act on two disco albums released in Japan under the Seven Seas label during 1978 and 1979. This opportunity allowed them to reach a wider audience and showcased their unique blend of funk and soul music.
Despite their relatively modest success in the United States, Ebonee Webb's music resonated strongly overseas, especially in Japan, where they enjoyed a devoted fan base. Their sound was characterized by groove-driven rhythms and soulful melodies, making them a notable act within the Memphis funk scene of their time.
As the 1980s progressed, Ebonee Webb continued to create music, producing several decent funk and soul tracks that contributed to their legacy. However, they faced challenges in an evolving music landscape, which impacted their prominence in the industry.
Overall, Ebonee Webb represents a significant chapter in the history of funk and soul music, illustrating the impact of regional sounds on a global scale.
Eddie Cornelius
Eddie Cornelius is a soul/R&B singer, songwriter, and former lead vocalist best known for his work with the family group Cornelius Brothers & Sister Rose in the 1970s.
Born Eddie Lee Cornelius Jr. around 1943 in Dania Beach, Florida, he formed the group in 1970 with brother Carter and sister Rose Cornelius (later joined by sister Billie Jo). Eddie wrote their major hits, including "Treat Her Like a Lady" (1971, U.S. Pop #3, R&B Top 20) and "Too Late to Turn Back Now" (1972, U.S. Pop #2, R&B #5), which became million-sellers on United Artists Records.
In the 1980s, Eddie launched a solo career on Audiograph Records, releasing albums like For You (1982) and My Hands Are Tied (1982). Singles included "That's Love Making In Your Eyes" / "Hurry Up" on GB Records.
After the group's 1976 disbandment—amid family members' religious shifts—Eddie became a born-again Christian, was ordained as a pastor in 1995, and founded Blood of the Lamb Ministries in South Florida. He continued music involvement and published his memoir It's Not Too Late To Turn Back Now: Back To The Open Arms Of God in 2020.
Eddie Floyd
Eddie Floyd is an influential American R&B and soul singer and songwriter, born on June 25, 1937, in Montgomery, Alabama. He grew up in Detroit, Michigan, where he was immersed in the music industry from an early age, largely due to his uncle, Robert West, who owned the Lupine and Flick record labels, contributing to Floyd's musical upbringing and future career.
Floyd's musical career began in the late 1950s when he became a member of the Falcons, an R&B group known for their dynamic sound. He often served as the lead singer during his time with the ensemble, which recorded numerous hits between 1956 and 1962. However, it was his solo career that solidified his reputation in the music world.
In the 1960s, Floyd's career took off after signing with Stax Records, where he became a prominent figure in the Southern soul scene. He collaborated with well-known artists and producers, including Al Bell, and quickly made a name for himself, known for his powerful vocals and engaging stage presence. Some of his most famous songs include "Knock on Wood," which became a major hit and remains a classic soul anthem, and "Raise Your Hand," among others.
Throughout his career, Floyd has released numerous albums and singles, continuing to perform and tour, earning accolades for his contributions to music. His work has had a lasting impact on the genre, influencing a generation of artists and leaving an indelible mark on the R&B and soul music landscapes.
Eddie Floyd remains a celebrated figure in the music industry, known for his contributions to soul and R&B and for his ability to connect with audiences through his heartfelt performances. As of 2026, he continues to be recognized for his significant contributions and enduring legacy in American music.
Floyd's musical career began in the late 1950s when he became a member of the Falcons, an R&B group known for their dynamic sound. He often served as the lead singer during his time with the ensemble, which recorded numerous hits between 1956 and 1962. However, it was his solo career that solidified his reputation in the music world.
In the 1960s, Floyd's career took off after signing with Stax Records, where he became a prominent figure in the Southern soul scene. He collaborated with well-known artists and producers, including Al Bell, and quickly made a name for himself, known for his powerful vocals and engaging stage presence. Some of his most famous songs include "Knock on Wood," which became a major hit and remains a classic soul anthem, and "Raise Your Hand," among others.
Throughout his career, Floyd has released numerous albums and singles, continuing to perform and tour, earning accolades for his contributions to music. His work has had a lasting impact on the genre, influencing a generation of artists and leaving an indelible mark on the R&B and soul music landscapes.
Eddie Floyd remains a celebrated figure in the music industry, known for his contributions to soul and R&B and for his ability to connect with audiences through his heartfelt performances. As of 2026, he continues to be recognized for his significant contributions and enduring legacy in American music.
Eddie Hinton
Eddie Hinton was a notable American songwriter, session musician, and producer, particularly recognized for his contributions to soul music and R&B. He was born on June 15, 1944, in Jacksonville, Florida, and spent his formative years in Tuscaloosa, Alabama. Hinton's musical talent was evident from an early age, and he developed into a gifted singer, songwriter, and guitarist.
Throughout his career, Hinton worked primarily as a session guitarist, most notably with the Muscle Shoals Rhythm Section, where he played lead guitar for several years. He became an integral part of the Southern soul music scene, collaborating with some of the genre's biggest names. Despite his significant contributions, Hinton was often considered an unsung hero, remaining somewhat in the background while helping to create hits for various soul legends.
In addition to his work as a musician, Hinton was also a skilled vocalist, songwriter, and arranger, demonstrating his versatility across different aspects of the music industry. His approach to music was passionately authentic; he was described as embodying soul in a profound way, making him a unique figure in the music world.
Unfortunately, Hinton's career did not receive the widespread recognition it deserved during his lifetime. He struggled with personal challenges and mental health issues, which affected his professional life. Eddie Hinton passed away on July 28, 1995, leaving behind a legacy that continues to influence and inspire musicians in the soul and R&B genres.
In summary, Eddie Hinton's biography is a testament to a highly talented musician who contributed richly to the soul music landscape while remaining a lesser-known figure in the broader music narrative.
Throughout his career, Hinton worked primarily as a session guitarist, most notably with the Muscle Shoals Rhythm Section, where he played lead guitar for several years. He became an integral part of the Southern soul music scene, collaborating with some of the genre's biggest names. Despite his significant contributions, Hinton was often considered an unsung hero, remaining somewhat in the background while helping to create hits for various soul legends.
In addition to his work as a musician, Hinton was also a skilled vocalist, songwriter, and arranger, demonstrating his versatility across different aspects of the music industry. His approach to music was passionately authentic; he was described as embodying soul in a profound way, making him a unique figure in the music world.
Unfortunately, Hinton's career did not receive the widespread recognition it deserved during his lifetime. He struggled with personal challenges and mental health issues, which affected his professional life. Eddie Hinton passed away on July 28, 1995, leaving behind a legacy that continues to influence and inspire musicians in the soul and R&B genres.
In summary, Eddie Hinton's biography is a testament to a highly talented musician who contributed richly to the soul music landscape while remaining a lesser-known figure in the broader music narrative.
Eddie Holman
Eddie Holman (born June 3, 1946) is an American soul and R&B singer and ordained minister, most famous for his 1969 hit song "Hey There Lonely Girl". Known for his soaring falsetto and incredible vocal range, he remains a key figure in the "Philly Soul" scene.
Born in Norfolk, Virginia, but raised primarily in New York City and Philadelphia, he was a child performer known as "Little Eddie Holman," appearing on NBC's The Children's Hour and performing at the Apollo Theater and Carnegie Hall by age 10. His mother enrolled him in the Victoria School of Music in Harlem. He later moved to Philadelphia, where he graduated from Cheyney State University with a degree in music.
After a series of minor hits in the mid-1960s such as "This Can't Be True" (1966), he achieved international stardom with "Hey There Lonely Girl" (a remake of Ruby & the Romantics' "Hey There Lonely Boy"). The song reached #2 on the Billboard Hot 100 in 1970 and later became a UK Top 5 hit in 1974. Other notable tracks include "I Love You" (1969) and "This Will Be a Night to Remember" (1977).
He was inducted into the National Rhythm & Blues Hall of Fame in 2016.
In the late 1970s, Holman stepped away from the mainstream music industry to work for Xerox and focus on his faith. He earned a Doctorate in Theology from the International Bible Institute and Seminary in 1984 and was ordained as a Baptist minister. He founded his own label, Agape Records, to release gospel-influenced music, including his 2008 album Love Story.
As of 2025, Holman continues to tour with the Eddie Holman Band and performs on international cruises. He was married to Sheila Frances Ingrum from 1968 until her death in October 2024. They had three children and nine grandchildren. He is an active volunteer in Philadelphia, working with local schools to promote the performing arts among youth.
Born in Norfolk, Virginia, but raised primarily in New York City and Philadelphia, he was a child performer known as "Little Eddie Holman," appearing on NBC's The Children's Hour and performing at the Apollo Theater and Carnegie Hall by age 10. His mother enrolled him in the Victoria School of Music in Harlem. He later moved to Philadelphia, where he graduated from Cheyney State University with a degree in music.
After a series of minor hits in the mid-1960s such as "This Can't Be True" (1966), he achieved international stardom with "Hey There Lonely Girl" (a remake of Ruby & the Romantics' "Hey There Lonely Boy"). The song reached #2 on the Billboard Hot 100 in 1970 and later became a UK Top 5 hit in 1974. Other notable tracks include "I Love You" (1969) and "This Will Be a Night to Remember" (1977).
He was inducted into the National Rhythm & Blues Hall of Fame in 2016.
In the late 1970s, Holman stepped away from the mainstream music industry to work for Xerox and focus on his faith. He earned a Doctorate in Theology from the International Bible Institute and Seminary in 1984 and was ordained as a Baptist minister. He founded his own label, Agape Records, to release gospel-influenced music, including his 2008 album Love Story.
As of 2025, Holman continues to tour with the Eddie Holman Band and performs on international cruises. He was married to Sheila Frances Ingrum from 1968 until her death in October 2024. They had three children and nine grandchildren. He is an active volunteer in Philadelphia, working with local schools to promote the performing arts among youth.
Eddie Kendricks
Eddie Kendricks was an iconic American singer and songwriter known for his falsetto voice and role in the Temptations. Born Edward James Kendrick on December 17, 1939, in Union Springs, Alabama, he rose to fame in the Motown era before pursuing a successful solo career.
Kendricks grew up in Birmingham, Alabama, after his family relocated there. He met Paul Williams in their church choir during the late 1940s. In 1955, they formed the doo-wop group the Cavaliers with friends, later renaming to the Primes after moving to Detroit under manager Milton Jenkins.
Kendricks co-founded the Temptations, serving as first tenor and lead on hits like "The Way You Do the Things You Do," "Get Ready," and "Just My Imagination (Running Away with Me)." He arranged many vocals and managed wardrobe, including their signature purple suits. The group won a Grammy for "Cloud Nine" in 1969, with Kendricks earning four nominations total.
After leaving the Temptations in 1971 due to business and personal issues, Kendricks topped charts with "Keep On Truckin'" and hit number two with "Boogie Down" in the 1970s. He released nine albums on Tamla, showcasing his falsetto mastery.
Kendricks occasionally reunited with the Temptations and was portrayed by Terron Brooks in the 1998 NBC miniseries. He died on October 5, 1992, in Birmingham, Alabama, at age 52 from lung cancer.
Kendricks grew up in Birmingham, Alabama, after his family relocated there. He met Paul Williams in their church choir during the late 1940s. In 1955, they formed the doo-wop group the Cavaliers with friends, later renaming to the Primes after moving to Detroit under manager Milton Jenkins.
Kendricks co-founded the Temptations, serving as first tenor and lead on hits like "The Way You Do the Things You Do," "Get Ready," and "Just My Imagination (Running Away with Me)." He arranged many vocals and managed wardrobe, including their signature purple suits. The group won a Grammy for "Cloud Nine" in 1969, with Kendricks earning four nominations total.
After leaving the Temptations in 1971 due to business and personal issues, Kendricks topped charts with "Keep On Truckin'" and hit number two with "Boogie Down" in the 1970s. He released nine albums on Tamla, showcasing his falsetto mastery.
Kendricks occasionally reunited with the Temptations and was portrayed by Terron Brooks in the 1998 NBC miniseries. He died on October 5, 1992, in Birmingham, Alabama, at age 52 from lung cancer.
Edwin Starr
Edwin Starr, born Charles Edwin Hatcher on January 21, 1942, in Nashville, Tennessee, was an influential American soul singer and songwriter. He emerged as a significant figure in the music scene, particularly recognized for his work with Motown Records during the 1970s, where he gained fame for his powerful, emotive style reminiscent of James Brown's energetic performances.
Starr's career began in the mid-1950s when he formed his first band, The Future Tones, and started recording in the early 1960s with Ric-Tic Records, an independent label that was later acquired by Motown. His transition to Motown marked a pivotal moment in his career, as he collaborated with notable producer Norman Whitfield, which led to the creation of some of his most memorable hits, including "War," known for its anti-war message that resonated during the Vietnam War era.
He found new success in the late 1970s with disco hits like "Contact" and "H.A.P.P.Y. Radio", and remained popular in the UK, recording for labels like Motorcity and working with dance music producers.
Throughout his career, Edwin Starr was known for his energetic performances and had a robust presence on the dance floor, significantly contributing to the soul genre. Despite facing challenges in the music industry, he remained a beloved figure, celebrated not only for his artistic contributions but also for his positive personality.
Edwin Starr passed away on April 2, 2003, but his legacy continues to influence soul music and inspire new generations of artists.
Starr's career began in the mid-1950s when he formed his first band, The Future Tones, and started recording in the early 1960s with Ric-Tic Records, an independent label that was later acquired by Motown. His transition to Motown marked a pivotal moment in his career, as he collaborated with notable producer Norman Whitfield, which led to the creation of some of his most memorable hits, including "War," known for its anti-war message that resonated during the Vietnam War era.
He found new success in the late 1970s with disco hits like "Contact" and "H.A.P.P.Y. Radio", and remained popular in the UK, recording for labels like Motorcity and working with dance music producers.
Throughout his career, Edwin Starr was known for his energetic performances and had a robust presence on the dance floor, significantly contributing to the soul genre. Despite facing challenges in the music industry, he remained a beloved figure, celebrated not only for his artistic contributions but also for his positive personality.
Edwin Starr passed away on April 2, 2003, but his legacy continues to influence soul music and inspire new generations of artists.
Enchantment
Enchantment is an American soul and R&B vocal group that originated in Detroit, Michigan. The group was formed in 1966 during their time at Pershing High School, with key members including Emanuel "EJ" Johnson, Joe "Jobie" Thomas, Bobby Green, Edgar "Mickey" Clanton, and David Banks. Johnson, the lead singer, is visually impaired but has been noted for his powerful vocal abilities, which contributed significantly to the group's distinctive sound.
The band began to gain notoriety in the late 1960s. Their breakthrough came in 1976 with the release of the album "Enchantment," which included hits like "Gloria" and "Sunshine." Their music is characterized by a smooth blend of soul and R&B, often featuring lush harmonies and romantic themes that resonated with listeners.
Throughout the 1970s and into the 1980s, Enchantment enjoyed commercial success, releasing several albums and singles that charted on various music lists. Their style incorporated influences from funk and soul, and they became known for their melodious and smooth sound.
Despite shifts in the music industry and changes in personnel over the years, including Jobie Thomas' departure to form his own version of the group, Enchantment has maintained a presence in the music scene. They have continued to perform and release music into the 21st century, adapting to changes in musical tastes while staying true to their roots in soul and R&B. The group's legacy is evident in their influence on the genre and their continued appreciation among fans of soul and R&B music. I
The band began to gain notoriety in the late 1960s. Their breakthrough came in 1976 with the release of the album "Enchantment," which included hits like "Gloria" and "Sunshine." Their music is characterized by a smooth blend of soul and R&B, often featuring lush harmonies and romantic themes that resonated with listeners.
Throughout the 1970s and into the 1980s, Enchantment enjoyed commercial success, releasing several albums and singles that charted on various music lists. Their style incorporated influences from funk and soul, and they became known for their melodious and smooth sound.
Despite shifts in the music industry and changes in personnel over the years, including Jobie Thomas' departure to form his own version of the group, Enchantment has maintained a presence in the music scene. They have continued to perform and release music into the 21st century, adapting to changes in musical tastes while staying true to their roots in soul and R&B. The group's legacy is evident in their influence on the genre and their continued appreciation among fans of soul and R&B music. I
Eric Benét
Eric Benét is an American R&B singer-songwriter born on October 15, 1966, in Milwaukee, Wisconsin, known for his smooth vocals and Grammy-nominated hits. The youngest of five siblings, he began his music career in groups like Gerard and later Benét with his sister Lisa and cousin George Nash Jr., releasing a self-titled album in 1992. His solo debut True to Myself arrived in 1996, followed by breakthroughs like A Day in the Life (1999) featuring the No. 1 R&B hit "Spend My Life with You" with Tamia.
Benét attended Milwaukee Trade and Technical High School and briefly college before dropping out to pursue music, starting with "shit gigs" alongside family. Tragedy marked his early years when partner Tami Stauff died in a car accident, leaving him a single father; this fueled his resilience amid career setbacks.
Key albums include Hurricane (2005), the two-time Grammy-nominated Love & Life (2008), Lost in Time (2010), The One (2012), and his self-titled 2016 release under Jordan House Records. Hits like "Sometimes I Cry" and "You're the Only One" earned Grammy nods for Best R&B Performance and Album.
Benét acted in Glitter (2001), Trinity Goodheart (2011), and TV like For Your Love, earning a Black Reel Award for "Love Don't Love Me" from The Brothers. Nominations span Grammys, NAACP Image Awards, and Soul Train Music Awards.
Benét attended Milwaukee Trade and Technical High School and briefly college before dropping out to pursue music, starting with "shit gigs" alongside family. Tragedy marked his early years when partner Tami Stauff died in a car accident, leaving him a single father; this fueled his resilience amid career setbacks.
Key albums include Hurricane (2005), the two-time Grammy-nominated Love & Life (2008), Lost in Time (2010), The One (2012), and his self-titled 2016 release under Jordan House Records. Hits like "Sometimes I Cry" and "You're the Only One" earned Grammy nods for Best R&B Performance and Album.
Benét acted in Glitter (2001), Trinity Goodheart (2011), and TV like For Your Love, earning a Black Reel Award for "Love Don't Love Me" from The Brothers. Nominations span Grammys, NAACP Image Awards, and Soul Train Music Awards.
eric benet
Eric Mercury
Eric Mercury was a pioneering Canadian soul and R&B singer known for his powerful voice and dynamic stage presence. Born Eric Alexander Mercury on June 28, 1944, in Toronto, Ontario, he rose from local bands to international recognition before passing away on March 14, 2022, at age 77.
Mercury grew up in a musical family; his father was a Methodist minister from St. Vincent and the Grenadines, and his mother a deaconess from Jamaica. As a child, he sang in the junior choir under his aunt's direction and by age 12 toured with a trumpet ensemble. He drew inspiration from groups like Frankie Lymon and the Teenagers.
In his teens, Mercury joined the doo-wop group the Pharaohs with Jay Jackson. He later co-formed the Soul Searchers with singer Dianne Brooks, William "Smitty" Smith on organ, and others, performing in Toronto clubs and even sharing a bill with The Doors in New York.
Devastated by Martin Luther King Jr.'s 1968 assassination, Mercury moved to New York alone, sleeping in a bus terminal and an abandoned car before connections like David Clayton-Thomas of Blood, Sweat & Tears helped him. His 1969 debut album Electric Black Man on Avco Embassy blended soul, rock, and Black Power themes, marking him as a bold voice.
He released further albums like Funky Sound Nurtured in the Fertile Soil of Memphis, Love Is Taking Over, and a 1975 self-titled effort. Hits included "I Can Smell That Funky Music" (Canada, 1972) and a 1983 U.S. duet with Roberta Flack, "Our Love Will Stop the World." Labels spanned Clip, Mercury, Columbia, and Capitol.
Mercury remained active until 2022, fronting groups like Eric Mercury Birthrite and Merc & Monk while embodying resilience through career ups and downs.
Mercury grew up in a musical family; his father was a Methodist minister from St. Vincent and the Grenadines, and his mother a deaconess from Jamaica. As a child, he sang in the junior choir under his aunt's direction and by age 12 toured with a trumpet ensemble. He drew inspiration from groups like Frankie Lymon and the Teenagers.
In his teens, Mercury joined the doo-wop group the Pharaohs with Jay Jackson. He later co-formed the Soul Searchers with singer Dianne Brooks, William "Smitty" Smith on organ, and others, performing in Toronto clubs and even sharing a bill with The Doors in New York.
Devastated by Martin Luther King Jr.'s 1968 assassination, Mercury moved to New York alone, sleeping in a bus terminal and an abandoned car before connections like David Clayton-Thomas of Blood, Sweat & Tears helped him. His 1969 debut album Electric Black Man on Avco Embassy blended soul, rock, and Black Power themes, marking him as a bold voice.
He released further albums like Funky Sound Nurtured in the Fertile Soil of Memphis, Love Is Taking Over, and a 1975 self-titled effort. Hits included "I Can Smell That Funky Music" (Canada, 1972) and a 1983 U.S. duet with Roberta Flack, "Our Love Will Stop the World." Labels spanned Clip, Mercury, Columbia, and Capitol.
Mercury remained active until 2022, fronting groups like Eric Mercury Birthrite and Merc & Monk while embodying resilience through career ups and downs.
Erma Franklin
Erma Vernice Franklin was an American gospel and R&B singer best known for her original 1967 recording of "Piece of My Heart." Born on March 13, 1938, in Shelby, Mississippi, she was the eldest sister of Aretha Franklin and Carolyn Franklin. She passed away on September 7, 2002, in Detroit, Michigan, after battling cancer.
Erma began singing gospel at age five in her family's church, initially in Buffalo, New York, before moving to Detroit. At 14, while attending Northern High School, she formed the vocal group the Cleo-Patrettes, which won talent competitions and recorded locally. Her father emphasized education over music, delaying her professional pursuits.
She signed with Epic Records, releasing her debut album Her Name Is Erma in 1962, featuring jazz standards and R&B tracks recorded in New York. Her 1967 single "Piece of My Heart," produced by Bert Berns, reached Top 10 on U.S. R&B charts and earned a Grammy nomination, later covered famously by Janis Joplin. Later, she released Soul Sister (1969) on Brunswick, with hits like "Gotta Find Me a Lover (24 Hours a Day)," and often provided backing vocals for Aretha, including on "Respect."
Erma lived in New York from 1961 to 1972 and continued performing into the 1990s, boosted by European reissues and ad placements. Despite her talent, her career remained overshadowed by Aretha's stardom. She left a lasting mark in soul music through her powerful voice and family ties.
Erma began singing gospel at age five in her family's church, initially in Buffalo, New York, before moving to Detroit. At 14, while attending Northern High School, she formed the vocal group the Cleo-Patrettes, which won talent competitions and recorded locally. Her father emphasized education over music, delaying her professional pursuits.
She signed with Epic Records, releasing her debut album Her Name Is Erma in 1962, featuring jazz standards and R&B tracks recorded in New York. Her 1967 single "Piece of My Heart," produced by Bert Berns, reached Top 10 on U.S. R&B charts and earned a Grammy nomination, later covered famously by Janis Joplin. Later, she released Soul Sister (1969) on Brunswick, with hits like "Gotta Find Me a Lover (24 Hours a Day)," and often provided backing vocals for Aretha, including on "Respect."
Erma lived in New York from 1961 to 1972 and continued performing into the 1990s, boosted by European reissues and ad placements. Despite her talent, her career remained overshadowed by Aretha's stardom. She left a lasting mark in soul music through her powerful voice and family ties.
Esther Phillips
Esther Phillips, born Esther Mae Jones on December 23, 1935, in Galveston, Texas, was an influential American singer known primarily for her R&B vocals. Phillips began singing at a young age, initially in church, where her talent was recognized early on. By the time she was 13, she had already made a name for herself, performing with the legendary Johnny Otis revue in Los Angeles, showcasing her ability to sing mature blues songs that were remarkable for her young age.
Throughout her career, Phillips experienced significant highs and lows. She gained fame in the late 1940s and early 1950s and became one of the early teen idols of her time. However, by the time she was just 26 years old, she had fallen from grace and was viewed as a has-been, despite her earlier success. The nature of the music industry and personal challenges contributed to these fluctuations in her career.
Esther’s life was marked by both triumph and turmoil, including struggles with addiction. Despite these hardships, she continued to produce music and remained a respected figure in the jazz and R&B genres. Unfortunately, she faced significant health challenges in her later years, which culminated in her passing from liver and kidney failure on August 7, 1984, in Los Angeles, California. At the time of her death, she was only 48 years old.
In summary, Esther Phillips' legacy is that of a talented but troubled artist whose remarkable voice and early contributions to music left a lasting impact on the R&B genre, despite her struggles with personal and professional challenges throughout her life.
Throughout her career, Phillips experienced significant highs and lows. She gained fame in the late 1940s and early 1950s and became one of the early teen idols of her time. However, by the time she was just 26 years old, she had fallen from grace and was viewed as a has-been, despite her earlier success. The nature of the music industry and personal challenges contributed to these fluctuations in her career.
Esther’s life was marked by both triumph and turmoil, including struggles with addiction. Despite these hardships, she continued to produce music and remained a respected figure in the jazz and R&B genres. Unfortunately, she faced significant health challenges in her later years, which culminated in her passing from liver and kidney failure on August 7, 1984, in Los Angeles, California. At the time of her death, she was only 48 years old.
In summary, Esther Phillips' legacy is that of a talented but troubled artist whose remarkable voice and early contributions to music left a lasting impact on the R&B genre, despite her struggles with personal and professional challenges throughout her life.
Etta James
Etta James was a legendary American singer known for her powerful voice across blues, R&B, soul, gospel, and jazz genres. Born Jamesetta Hawkins on January 25, 1938, in Los Angeles, California, she rose from gospel roots to become a chart-topping artist with hits like "At Last" and "I'd Rather Go Blind."
James faced a turbulent childhood, raised primarily by foster parents and relatives after her teenage mother struggled with instability. By age 5, she emerged as a gospel prodigy in her Los Angeles church choir and on local radio. At 12, she moved to San Francisco, forming the girl group the Creolettes, later renamed the Peaches, under bandleader Johnny Otis.
In 1954, at age 14, James recorded her breakthrough hit "The Wallflower" (a cleaned-up version of "Roll with Me, Henry") in Los Angeles, launching her solo career with tracks like "Good Rockin' Daddy." Signing with Chess Records in 1960 propelled her to stardom with soulful hits including "All I Could Do Was Cry," "Trust in Me," "At Last," and "Something's Got a Hold on Me."
Heroin addiction, abusive relationships, legal troubles, and health issues derailed her mid-career in the 1960s and 1970s, though she scored later successes like "Tell Mama" and "I'd Rather Go Blind" in 1967-1968. She staged comebacks with albums like Seven Year Itch (1988), underwent gastric bypass surgery in 2003 losing over 200 pounds, and continued performing into the 2000s with releases like All the Way (2006).
James earned four Grammy Awards, including a Lifetime Achievement Award in 2003, induction into the Rock and Roll Hall of Fame (1993), Blues Hall of Fame (2001), and Grammy Hall of Fame. Her 1961 "At Last" entered the National Recording Registry in 2008. She published her autobiography Rage to Survive in 1995 and died on January 20, 2012, in Riverside, California, at age 73 from leukemia complications.
James faced a turbulent childhood, raised primarily by foster parents and relatives after her teenage mother struggled with instability. By age 5, she emerged as a gospel prodigy in her Los Angeles church choir and on local radio. At 12, she moved to San Francisco, forming the girl group the Creolettes, later renamed the Peaches, under bandleader Johnny Otis.
In 1954, at age 14, James recorded her breakthrough hit "The Wallflower" (a cleaned-up version of "Roll with Me, Henry") in Los Angeles, launching her solo career with tracks like "Good Rockin' Daddy." Signing with Chess Records in 1960 propelled her to stardom with soulful hits including "All I Could Do Was Cry," "Trust in Me," "At Last," and "Something's Got a Hold on Me."
Heroin addiction, abusive relationships, legal troubles, and health issues derailed her mid-career in the 1960s and 1970s, though she scored later successes like "Tell Mama" and "I'd Rather Go Blind" in 1967-1968. She staged comebacks with albums like Seven Year Itch (1988), underwent gastric bypass surgery in 2003 losing over 200 pounds, and continued performing into the 2000s with releases like All the Way (2006).
James earned four Grammy Awards, including a Lifetime Achievement Award in 2003, induction into the Rock and Roll Hall of Fame (1993), Blues Hall of Fame (2001), and Grammy Hall of Fame. Her 1961 "At Last" entered the National Recording Registry in 2008. She published her autobiography Rage to Survive in 1995 and died on January 20, 2012, in Riverside, California, at age 73 from leukemia complications.
Eugene Wilde
Eugene Wilde, born Ronald Eugene Broomfield on December 6, 1961, in Miami, Florida, is an influential American R&B singer and songwriter, recognized primarily for his contributions to the music scene in the 1980s.
Early Life: Growing up in Miami, Eugene Wilde began singing at a young age and was involved in a family music group throughout his teenage years. He also performed under different names, notably in groups such as Tight Connection and La Dada. His early experiences in music laid the foundation for his future career in the industry.
Musical Career: Wilde's career took off in the 1980s when he achieved significant success on the US R&B charts. He is best known for his two number-one hits, "Gotta Get You Home Tonight" and "Don't Say No Tonight," which solidified his position in the contemporary R&B genre. His style is characterized by smooth melodies and heartfelt lyrics, appealing to a wide audience. Over the years, he has released multiple albums and singles, demonstrating his versatility and talent as both a singer and a songwriter.
Notable Works: In addition to being a successful recording artist, Eugene Wilde has also ventured into songwriting, contributing to various projects in the music industry. His work has been featured in films, such as "Bend It Like Beckham" (2002) and "Playing for Keeps" (1986), showcasing his influence beyond just the music charts.
Legacy: Eugene Wilde's contributions to R&B music have made a lasting impact, and he remains a respected figure in the genre. His ability to blend soul, emotion, and contemporary sounds continues to resonate with fans and musicians alike.
As of now, he is still active in the music scene, engaging with fans and contributing to the evolution of R&B music, reflecting his enduring legacy in the industry.
Early Life: Growing up in Miami, Eugene Wilde began singing at a young age and was involved in a family music group throughout his teenage years. He also performed under different names, notably in groups such as Tight Connection and La Dada. His early experiences in music laid the foundation for his future career in the industry.
Musical Career: Wilde's career took off in the 1980s when he achieved significant success on the US R&B charts. He is best known for his two number-one hits, "Gotta Get You Home Tonight" and "Don't Say No Tonight," which solidified his position in the contemporary R&B genre. His style is characterized by smooth melodies and heartfelt lyrics, appealing to a wide audience. Over the years, he has released multiple albums and singles, demonstrating his versatility and talent as both a singer and a songwriter.
Notable Works: In addition to being a successful recording artist, Eugene Wilde has also ventured into songwriting, contributing to various projects in the music industry. His work has been featured in films, such as "Bend It Like Beckham" (2002) and "Playing for Keeps" (1986), showcasing his influence beyond just the music charts.
Legacy: Eugene Wilde's contributions to R&B music have made a lasting impact, and he remains a respected figure in the genre. His ability to blend soul, emotion, and contemporary sounds continues to resonate with fans and musicians alike.
As of now, he is still active in the music scene, engaging with fans and contributing to the evolution of R&B music, reflecting his enduring legacy in the industry.
Executive Suite
Executive Suite was an American R&B/soul vocal group formed in Camden, New Jersey, in 1969. Originally known as The Millionaires, the group rebranded to Executive Suite due to naming conflicts. They hailed from Camden, NJ, and emerged in the late 1960s Philly soul scene.
The core lineup included Henry Tuten, Billy Tyler, Charles Conyers, and Vincent Unto. Daryl Hall (later of Hall & Oates) provided guest vocals on their 1970 debut single "Christine" for Jubilee Records.
They released tracks like "I'm A Winner Now," fitting into the era's soul vocal group sound. It was followed by "You Believed In Me", "Your Love Is Paradise/I'm Leaving This Time" and finally "When The Fuel Runs Out" a disco-ish Philly style tune produced by Baker, Harris & Young, the Big Three Music trio, was put out in 1974.
By this time Polydor records put together a highly collectible LP of those hits into "Executive Suite 1", which was five songs including the vocal and instrumental versions of "When The Fuel Runs Out", "You Got It" Parts 1 & 2, "You Believed In Me" Parts 1 & 2, "Your Love Is Paradise" and "I'm A Winner Now" although they made up seven separate tracks.
The group suffered from indifferent promotion and by the time they released "Hey Pearl" in 1975 for United Artists without the backing of Sigma Sound Studios, the song did not chart.
Their output was limited, primarily singles, with Discogs listing them under obscure soul releases. The group did not achieve major commercial success but remains noted in Northern Soul and collector circles.
The core lineup included Henry Tuten, Billy Tyler, Charles Conyers, and Vincent Unto. Daryl Hall (later of Hall & Oates) provided guest vocals on their 1970 debut single "Christine" for Jubilee Records.
They released tracks like "I'm A Winner Now," fitting into the era's soul vocal group sound. It was followed by "You Believed In Me", "Your Love Is Paradise/I'm Leaving This Time" and finally "When The Fuel Runs Out" a disco-ish Philly style tune produced by Baker, Harris & Young, the Big Three Music trio, was put out in 1974.
By this time Polydor records put together a highly collectible LP of those hits into "Executive Suite 1", which was five songs including the vocal and instrumental versions of "When The Fuel Runs Out", "You Got It" Parts 1 & 2, "You Believed In Me" Parts 1 & 2, "Your Love Is Paradise" and "I'm A Winner Now" although they made up seven separate tracks.
The group suffered from indifferent promotion and by the time they released "Hey Pearl" in 1975 for United Artists without the backing of Sigma Sound Studios, the song did not chart.
Their output was limited, primarily singles, with Discogs listing them under obscure soul releases. The group did not achieve major commercial success but remains noted in Northern Soul and collector circles.
Experience Unlimited
Experience Unlimited, often referred to as E.U., is a renowned go-go and funk band hailing from Washington, D.C. The group was formed in 1975 by a collective of high school friends, marking the beginning of a musical journey that would significantly impact the go-go genre of music. They gained widespread popularity during the 1980s and early 1990s, becoming emblematic of the Washington, D.C. music scene, which was characterized by its unique blend of funk, hip-hop, and rhythm & blues.
The band is best known for their 1988 hit single “Da Butt,” which was featured in Spike Lee’s film "School Daze." The song showcased their distinctive sound and contributed to their fame, reaching a broad audience and securing their place in music history. The track remains one of their signature songs and has been celebrated for its infectious groove and danceability.
Gregory "Sugar Bear" Elliott serves as the front man, lead vocalist, and bass player, playing a pivotal role in the group’s identity and musical direction. Over the years, Experience Unlimited has gone through various changes in its lineup, including talented musicians like Michael Hughes, also known as “Outta Site” Mike, who contributed as a keyboardist and songwriter during the band's formative years.
Experience Unlimited, alongside other influential bands like Chuck Brown and Trouble Funk, was instrumental in shaping the go-go music scene, a genre that originated in Washington, D.C., and is characterized by its use of live percussion, call-and-response vocals, and an overall celebratory vibe. The band's energetic performances and catchy rhythms helped to solidify their reputation as a leading force in funk and go-go music, allowing them to remain relevant in the evolving landscape of American music.
The band is best known for their 1988 hit single “Da Butt,” which was featured in Spike Lee’s film "School Daze." The song showcased their distinctive sound and contributed to their fame, reaching a broad audience and securing their place in music history. The track remains one of their signature songs and has been celebrated for its infectious groove and danceability.
Gregory "Sugar Bear" Elliott serves as the front man, lead vocalist, and bass player, playing a pivotal role in the group’s identity and musical direction. Over the years, Experience Unlimited has gone through various changes in its lineup, including talented musicians like Michael Hughes, also known as “Outta Site” Mike, who contributed as a keyboardist and songwriter during the band's formative years.
Experience Unlimited, alongside other influential bands like Chuck Brown and Trouble Funk, was instrumental in shaping the go-go music scene, a genre that originated in Washington, D.C., and is characterized by its use of live percussion, call-and-response vocals, and an overall celebratory vibe. The band's energetic performances and catchy rhythms helped to solidify their reputation as a leading force in funk and go-go music, allowing them to remain relevant in the evolving landscape of American music.
EU E.U.
Family Brown
Family Brown was a soul group from Detroit, Michigan, active primarily in the 1970s and 1980s, originally known as The Compacts. Limited detailed records exist on this obscure act, as it did not achieve widespread commercial success or extensive documentation.
Six brothers and one sister from the Brown family delivered a smooth vocal style, not unlike The Delfonics, that was so popular in the early 70s.
The group started as The Compacts in Detroit's vibrant soul scene during the late 1960s or early 1970s. They transitioned to Family Brown, reflecting the familial or collective spirit common in Motown-influenced ensembles. No major label deals or national hits are prominently documented for them.
Family Brown produced soul music typical of Detroit's post-Motown era, blending harmonies, funk rhythms, and emotional ballads. Their activity peaked amid the 1970s disco-soul wave and faded into the 1980s amid industry shifts.
The group were signed to United Artists Records in the mid-seventies releasing an album entitled Imaginary World (1978) and a ballad single from it "I Can't Get Used To Being Alone." They released one more single entitled "I'm Gonna Getcha" in 1984 on the Buzz Records label before disbanding.
As a local act, Family Brown contributed to Detroit's underground soul circuit but left scant discography or member bios publicly available.
Six brothers and one sister from the Brown family delivered a smooth vocal style, not unlike The Delfonics, that was so popular in the early 70s.
The group started as The Compacts in Detroit's vibrant soul scene during the late 1960s or early 1970s. They transitioned to Family Brown, reflecting the familial or collective spirit common in Motown-influenced ensembles. No major label deals or national hits are prominently documented for them.
Family Brown produced soul music typical of Detroit's post-Motown era, blending harmonies, funk rhythms, and emotional ballads. Their activity peaked amid the 1970s disco-soul wave and faded into the 1980s amid industry shifts.
The group were signed to United Artists Records in the mid-seventies releasing an album entitled Imaginary World (1978) and a ballad single from it "I Can't Get Used To Being Alone." They released one more single entitled "I'm Gonna Getcha" in 1984 on the Buzz Records label before disbanding.
As a local act, Family Brown contributed to Detroit's underground soul circuit but left scant discography or member bios publicly available.
Fantasia
Fantasia Barrino is an acclaimed R&B singer, actress, and author best known for winning the third season of American Idol in 2004. Born on June 30, 1984, in High Point, North Carolina, she rose from humble beginnings marked by personal hardships to become a Grammy-winning artist. Her powerful voice and emotional performances have earned her widespread recognition across music, theater, and film.
Fantasia began singing in church at age five, influenced by icons like Aretha Franklin, Patti LaBelle, and Tina Turner. She faced significant trauma, including a sexual assault at Andrews High School that led her to drop out and move to Greensboro. These challenges shaped her resilient spirit before her breakthrough on American Idol.
Her audition rendition of "Summertime" from Porgy and Bess stunned judges, with Randy Jackson calling it the show's best performance to date. Over 65 million votes secured her win, launching her career instantly.
Fantasia signed with J Records, releasing her debut single "I Believe" in 2004, which topped the Billboard Hot 100 and became the year's best-selling single at double platinum. Her album Free Yourself sold over two million copies worldwide, followed by Fantasia (2006), Back to Me (2010)—featuring the Grammy-winning "Bittersweet"—and later works. She holds records like the first Idol contestant with a debut single at No. 1 for 11 weeks.
She starred as Celie in Broadway's The Color Purple (2007-2008), earning a Theatre World Award, and reprised the role in the 2023 film adaptation, netting a Golden Globe nomination. Other credits include The Butler (2013) and her Lifetime biopic.
Fantasia released her New York Times bestseller Life Is Not a Fairy Tale in 2005. Married to Kendall Taylor since 2015, she has children and continues performing as of 2026.
Fantasia began singing in church at age five, influenced by icons like Aretha Franklin, Patti LaBelle, and Tina Turner. She faced significant trauma, including a sexual assault at Andrews High School that led her to drop out and move to Greensboro. These challenges shaped her resilient spirit before her breakthrough on American Idol.
Her audition rendition of "Summertime" from Porgy and Bess stunned judges, with Randy Jackson calling it the show's best performance to date. Over 65 million votes secured her win, launching her career instantly.
Fantasia signed with J Records, releasing her debut single "I Believe" in 2004, which topped the Billboard Hot 100 and became the year's best-selling single at double platinum. Her album Free Yourself sold over two million copies worldwide, followed by Fantasia (2006), Back to Me (2010)—featuring the Grammy-winning "Bittersweet"—and later works. She holds records like the first Idol contestant with a debut single at No. 1 for 11 weeks.
She starred as Celie in Broadway's The Color Purple (2007-2008), earning a Theatre World Award, and reprised the role in the 2023 film adaptation, netting a Golden Globe nomination. Other credits include The Butler (2013) and her Lifetime biopic.
Fantasia released her New York Times bestseller Life Is Not a Fairy Tale in 2005. Married to Kendall Taylor since 2015, she has children and continues performing as of 2026.
Father’s Children
Father's Children is a Washington, D.C.-based funk and soul group with roots in the late 1960s. They evolved from a high-school doo-wop trio into a larger, socially conscious ensemble influenced by acts like Earth, Wind & Fire.
The group started as the Dreams, a doo-wop vocal trio from Adams Morgan featuring Nick Smith, Billy Sumler, and Ted "Skeets" Carpenter. Jackie Peoples soon joined as a fourth vocalist, leading to performances at local parties and talent shows. Managed by Vietnam veteran Norman Hylton at the People's Center, they expanded in 1972 into a full band with guitarist Steve "Tai" Woods, bassist Michael Rogers, organist Nick Smith, and drummer Zachary Long.
Inspired by large funk bands, the Dreams renamed to Father's Children and adopted Islamic names under Hylton's influence—such as Nizam (Nick Smith), Qaadir (Billy Sumler), Hakim (Skeets Carpenter), Malik (Michael Rogers), Wali (Steve Woods), and Sadik (Zachary Long). They recorded early sides with engineer Robert Hosea Williams and toured regionally after signing with Fly Enterprises. A planned 1973 debut album, Who's Gonna Save the World, was shelved when their management folded.
In 1979, an eight-piece version of the group released their self-titled Mercury album, produced by Wayne Henderson of The Crusaders, featuring the single "Hollywood Dreaming." Key songwriter Nick "Nizam" Smith had left in 1977 for a solo career at T.K. Productions. The band persisted through lineup changes and continues performing today from the D.C. area.
The group started as the Dreams, a doo-wop vocal trio from Adams Morgan featuring Nick Smith, Billy Sumler, and Ted "Skeets" Carpenter. Jackie Peoples soon joined as a fourth vocalist, leading to performances at local parties and talent shows. Managed by Vietnam veteran Norman Hylton at the People's Center, they expanded in 1972 into a full band with guitarist Steve "Tai" Woods, bassist Michael Rogers, organist Nick Smith, and drummer Zachary Long.
Inspired by large funk bands, the Dreams renamed to Father's Children and adopted Islamic names under Hylton's influence—such as Nizam (Nick Smith), Qaadir (Billy Sumler), Hakim (Skeets Carpenter), Malik (Michael Rogers), Wali (Steve Woods), and Sadik (Zachary Long). They recorded early sides with engineer Robert Hosea Williams and toured regionally after signing with Fly Enterprises. A planned 1973 debut album, Who's Gonna Save the World, was shelved when their management folded.
In 1979, an eight-piece version of the group released their self-titled Mercury album, produced by Wayne Henderson of The Crusaders, featuring the single "Hollywood Dreaming." Key songwriter Nick "Nizam" Smith had left in 1977 for a solo career at T.K. Productions. The band persisted through lineup changes and continues performing today from the D.C. area.
Fathers Children
Faye Adams
Faye Adams was a pioneering American R&B and gospel singer known for her powerful voice and hits in the 1950s. Born Fanny Tuell on May 22, 1923, in Newark, New Jersey (some sources note nearby Essex County or Montclair), she began performing young with her sisters as The Tuell Sisters in local churches and on radio gospel programs. She married musician Tommy Scruggs in 1942, adopting the name Faye Scruggs for nightclub gigs in New Jersey and New York.
Discovered by Ruth Brown in Atlanta, she auditioned for Atlantic Records but joined Joe Morris & His Blues Cavalcade in 1952, recording her debut "That's What Makes My Baby Fat" and "I'm Gonna Leave You." Manager Phil Moore renamed her Faye Adams and signed her to Herald Records; her 1953 single "Shake a Hand" topped the R&B charts for 10 weeks, selling a million copies and earning a gold disc.
Follow-ups like "I'll Be True" (another R&B #1) and "Hurts Me to My Heart" (a third #1 in 1954) solidified her fame, with sales nearing two million combined; dubbed "the little gal with the big voice" by Alan Freed. She went solo as "Atomic Adams," toured with acts like the Drifters and Spaniels, and appeared in the 1955 film Rhythm & Blues Revue.
By 1957, she left Herald for Imperial ("Keeper of My Heart") and smaller labels like Lido, Warwick, and Prestige, but success faded amid rock & roll's rise; her last notable effort was 1962's "Goodnight, My Love." She returned to gospel in New Jersey and reportedly passed away on November 2, 2016.
Discovered by Ruth Brown in Atlanta, she auditioned for Atlantic Records but joined Joe Morris & His Blues Cavalcade in 1952, recording her debut "That's What Makes My Baby Fat" and "I'm Gonna Leave You." Manager Phil Moore renamed her Faye Adams and signed her to Herald Records; her 1953 single "Shake a Hand" topped the R&B charts for 10 weeks, selling a million copies and earning a gold disc.
Follow-ups like "I'll Be True" (another R&B #1) and "Hurts Me to My Heart" (a third #1 in 1954) solidified her fame, with sales nearing two million combined; dubbed "the little gal with the big voice" by Alan Freed. She went solo as "Atomic Adams," toured with acts like the Drifters and Spaniels, and appeared in the 1955 film Rhythm & Blues Revue.
By 1957, she left Herald for Imperial ("Keeper of My Heart") and smaller labels like Lido, Warwick, and Prestige, but success faded amid rock & roll's rise; her last notable effort was 1962's "Goodnight, My Love." She returned to gospel in New Jersey and reportedly passed away on November 2, 2016.
Faze-O
Faze-O was a funk band from Dayton, Ohio, active in the late 1970s, known for their smooth grooves and ties to the Ohio Players. They released three albums and achieved R&B chart success with their debut single. The group evolved from an earlier trio and later reunited sporadically for performances.
Faze-O originated from the Dayton funk scene as the trio Faze 3, featuring bassist Tyrone "Flye" Crum. The lineup expanded with musicians like guitarist Ralph "Love" Aikens, drummer Roger "Dodger" Parker, vocalist/percussionist Robert "Bip" Neal Jr., and keyboardist/vocalist Keith "Chop Chop" Harrison. They served as the front band for Ohio Players live shows and received production help from Clarence Satchell.
Their 1977 debut album Riding High on She Records, produced by the Ohio Players' Tight Corporation, yielded the hit title track that reached the R&B top 10. The song showcased Harrison's tenor vocals alongside Neal's bass parts, blending mid-tempo funk with layered instrumentation. It later became a hip-hop sampling staple.
Follow-up releases included Good Thang (1978) and Breakin' the Funk (1979), both with title-track singles, produced by Satchell. These expanded their sound with atmospheric keyboards and tight rhythms but failed to sustain commercial momentum. The band dissolved by the early 1980s.
Members pursued other projects: Harrison joined Heatwave then the Dazz Band, contributing to hits like "Let It Whip"; Parker played with Slave and Steve Arrington's Hall of Fame. Original members reunited for events, including a 2011 Dayton show and a 2015 interview at the Funk Music Hall of Fame.
Faze-O originated from the Dayton funk scene as the trio Faze 3, featuring bassist Tyrone "Flye" Crum. The lineup expanded with musicians like guitarist Ralph "Love" Aikens, drummer Roger "Dodger" Parker, vocalist/percussionist Robert "Bip" Neal Jr., and keyboardist/vocalist Keith "Chop Chop" Harrison. They served as the front band for Ohio Players live shows and received production help from Clarence Satchell.
Their 1977 debut album Riding High on She Records, produced by the Ohio Players' Tight Corporation, yielded the hit title track that reached the R&B top 10. The song showcased Harrison's tenor vocals alongside Neal's bass parts, blending mid-tempo funk with layered instrumentation. It later became a hip-hop sampling staple.
Follow-up releases included Good Thang (1978) and Breakin' the Funk (1979), both with title-track singles, produced by Satchell. These expanded their sound with atmospheric keyboards and tight rhythms but failed to sustain commercial momentum. The band dissolved by the early 1980s.
Members pursued other projects: Harrison joined Heatwave then the Dazz Band, contributing to hits like "Let It Whip"; Parker played with Slave and Steve Arrington's Hall of Fame. Original members reunited for events, including a 2011 Dayton show and a 2015 interview at the Funk Music Hall of Fame.
Faze O
Finis Henderson
Finis Henderson III is an American soul singer and comedian born in Chicago to a family of entertainers. His father was a song-and-dance man and vice president of Sammy Davis Jr. Enterprises, while Sammy Davis Jr. served as his godfather. He began his career as lead singer of the group Weapons of Peace in the early 1970s.
Henderson was part of the Chicago Community Music Foundation before forming Weapons of Peace. The group scored modest R&B hits with "Just Can't Be That Way (Ruth's Song)" peaking at No. 64 on Billboard's Hot Soul Singles chart in 1976 and "City" reaching No. 78. In the early 1980s, he moved to Los Angeles for a solo career, guided by his cousin Al McKay of Earth, Wind & Fire.
Signed to Motown by Suzanne de Passe in 1983, Henderson released his self-titled album Finis, produced by Al McKay with a song written by Stevie Wonder. The single "Skip to My Lou" became an R&B/funk hit, charting for over three months and gaining a cult following, especially in Japan; a remastered CD was reissued by Universal Music in 2013. He also featured on Bill Wolfer's "Call Me" in 1982 and won a prize at the Chile Music Festival for "The Message" co-written with McKay.
To support his music pursuits, Henderson performed impressions at clubs like The Laugh Factory, Comedy Store, Improvs, and Stardome, collaborating with Richard Pryor and Robin Williams. He opened for Pryor's Live on the Sunset Strip film, plus Rodney Dangerfield and others. In later years, he worked as a music impressionist covering artists like Sammy Davis Jr., Michael Jackson, and Smokey Robinson, performing into the 2010s at venues like Las Vegas' Red Rock Casino and Laugh Factory.
Henderson was part of the Chicago Community Music Foundation before forming Weapons of Peace. The group scored modest R&B hits with "Just Can't Be That Way (Ruth's Song)" peaking at No. 64 on Billboard's Hot Soul Singles chart in 1976 and "City" reaching No. 78. In the early 1980s, he moved to Los Angeles for a solo career, guided by his cousin Al McKay of Earth, Wind & Fire.
Signed to Motown by Suzanne de Passe in 1983, Henderson released his self-titled album Finis, produced by Al McKay with a song written by Stevie Wonder. The single "Skip to My Lou" became an R&B/funk hit, charting for over three months and gaining a cult following, especially in Japan; a remastered CD was reissued by Universal Music in 2013. He also featured on Bill Wolfer's "Call Me" in 1982 and won a prize at the Chile Music Festival for "The Message" co-written with McKay.
To support his music pursuits, Henderson performed impressions at clubs like The Laugh Factory, Comedy Store, Improvs, and Stardome, collaborating with Richard Pryor and Robin Williams. He opened for Pryor's Live on the Sunset Strip film, plus Rodney Dangerfield and others. In later years, he worked as a music impressionist covering artists like Sammy Davis Jr., Michael Jackson, and Smokey Robinson, performing into the 2010s at venues like Las Vegas' Red Rock Casino and Laugh Factory.
Finished Touch
Finished Touch was a short-lived disco-soul studio group active in the late 1970s, primarily associated with Motown Records.
According to member Kenny Stover, Finished Touch was not a traditional touring band but rather a project assembled from songwriters and vocalists signed to Jobete Music, Motown's publishing wing. The collective functioned as a studio group to record and promote the label's compositions.
Key members and contributors included: Kenny Stover: A principal member and songwriter. Harold Johnson: Noted songwriter and producer.
The group is best known for their single studio album, "Need to Know You Better," released in 1978 under Motown. Their music was characterized by the "disco-soul" sound prevalent in the late 1970s, blending rhythmic dance tracks with soulful vocal arrangements.
Their output was limited to the 1978 album and a few associated singles, such as the title track "Need to Know You Better" and "New York City". Despite their brief existence, they are remembered for their smooth production and high-quality songwriting, typical of the Motown/Jobete stable during that era.
According to member Kenny Stover, Finished Touch was not a traditional touring band but rather a project assembled from songwriters and vocalists signed to Jobete Music, Motown's publishing wing. The collective functioned as a studio group to record and promote the label's compositions.
Key members and contributors included: Kenny Stover: A principal member and songwriter. Harold Johnson: Noted songwriter and producer.
The group is best known for their single studio album, "Need to Know You Better," released in 1978 under Motown. Their music was characterized by the "disco-soul" sound prevalent in the late 1970s, blending rhythmic dance tracks with soulful vocal arrangements.
Their output was limited to the 1978 album and a few associated singles, such as the title track "Need to Know You Better" and "New York City". Despite their brief existence, they are remembered for their smooth production and high-quality songwriting, typical of the Motown/Jobete stable during that era.
First Class
Baltimore's sweet soul group First Class, active from the 1970s, was a regional favorite known for smooth harmonies, releasing tracks like "What About Me" on Today Records and collaborating with The Softones, leaving a lasting legacy in the local soul scene through their heartfelt performances and recordings. They were part of the vibrant Baltimore R&B sound, alongside groups like The Softones and The Royalettes, and featured members like J. Marvin Brown and Elton Lynch.
They embodied the sweet soul genre, characterized by smooth vocals, tight harmonies, and heartfelt melodies, akin to other Baltimore acts. The lineup included J. Marvin Brown (lead), Steven Jackson, Elton Lynch, and Byron Summerville.
They released music on labels like Today Records (a 1974 single) and were featured on a joint album with The Softones, including the popular "Carla My Love".
They were well-regarded in the Baltimore area, performing with other local legends and earning a lifetime achievement award.
First Class remains cherished by fans of classic Baltimore soul, known for their pure, melodic sound and contributions to the city's rich musical heritage.
They embodied the sweet soul genre, characterized by smooth vocals, tight harmonies, and heartfelt melodies, akin to other Baltimore acts. The lineup included J. Marvin Brown (lead), Steven Jackson, Elton Lynch, and Byron Summerville.
They released music on labels like Today Records (a 1974 single) and were featured on a joint album with The Softones, including the popular "Carla My Love".
They were well-regarded in the Baltimore area, performing with other local legends and earning a lifetime achievement award.
First Class remains cherished by fans of classic Baltimore soul, known for their pure, melodic sound and contributions to the city's rich musical heritage.
Fontella Bass
Fontella Bass was an influential American R&B and soul singer-songwriter, widely recognized for her powerful vocal style and emotive performances. She was born on July 3, 1940, in St. Louis, Missouri, into a musically inclined family; her mother, Martha Bass, and grandmother were both professional gospel singers, which greatly influenced her early musical development.
Bass's musical journey began in her teenage years when she started singing gospel music alongside her mother. She gained initial prominence performing at the Showboat Club in St. Louis at the age of 17. After completing her education at Soldan High School, she continued to pursue her passion for music.
Her breakthrough came in 1965 with the release of her iconic hit "Rescue Me," which topped the R&B charts and became a classic, solidifying her place in music history. This song showcased her powerful voice and emotional depth, resonating with audiences and elevating her career.
Throughout her career, Fontella Bass released numerous recordings and collaborated with various artists, gaining critical acclaim for her contributions to the soul and R&B genres. Despite facing personal challenges, including the loss of her mother and brother, Bass continued to perform and engage with her music well into the later years of her life.
Fontella Bass passed away on December 26, 2012, but her legacy as a pioneering figure in soul music endures, inspiring future generations of artists. Her work not only highlights her significant impact on music but also reflects the cultural and emotional power of the R&B genre she helped define.
Bass's musical journey began in her teenage years when she started singing gospel music alongside her mother. She gained initial prominence performing at the Showboat Club in St. Louis at the age of 17. After completing her education at Soldan High School, she continued to pursue her passion for music.
Her breakthrough came in 1965 with the release of her iconic hit "Rescue Me," which topped the R&B charts and became a classic, solidifying her place in music history. This song showcased her powerful voice and emotional depth, resonating with audiences and elevating her career.
Throughout her career, Fontella Bass released numerous recordings and collaborated with various artists, gaining critical acclaim for her contributions to the soul and R&B genres. Despite facing personal challenges, including the loss of her mother and brother, Bass continued to perform and engage with her music well into the later years of her life.
Fontella Bass passed away on December 26, 2012, but her legacy as a pioneering figure in soul music endures, inspiring future generations of artists. Her work not only highlights her significant impact on music but also reflects the cultural and emotional power of the R&B genre she helped define.
Fred Wesley and The New J.B.’s
Fred Wesley is a renowned American trombonist, composer, arranger, and bandleader pivotal in shaping funk music. He led The New J.B.’s, a revival of James Brown’s original J.B.’s band, continuing their funky legacy into modern times.
Born in Columbus, Georgia, and raised in Mobile, Alabama, Fred Wesley started as a teenage trombonist with Ike and Tina Turner. His early experiences honed his skills before joining major acts.
From 1968 to 1975, Wesley served as music director, arranger, trombonist, and composer for James Brown’s J.B.’s, shifting their sound to funk. Hits like "Doing It to Death" earned gold status under his leadership.
In 1976, Wesley joined George Clinton’s Parliament-Funkadelic with Maceo Parker, contributing to influential albums and groups like The Horny Horns and Bootsy’s Rubber Band. This elevated funk’s experimental edge.
Wesley played with Count Basie Orchestra in 1978, toured as JB Horns with Parker and Pee Wee Ellis in the 1990s, then formed The Fred Wesley Group in 1996, later The New J.B.’s. He released solo albums like "House Party" and memoir "Hit Me, Fred," while appearing in films such as "When We Were Kings."
Formed as a core ensemble for over 30 years, The New J.B.’s performs classics like "Pass the Peas" alongside jazz-funk originals. Current lineup includes Wesley on trombone, with keys, sax, trumpet, guitar, bass, and drums.
Born in Columbus, Georgia, and raised in Mobile, Alabama, Fred Wesley started as a teenage trombonist with Ike and Tina Turner. His early experiences honed his skills before joining major acts.
From 1968 to 1975, Wesley served as music director, arranger, trombonist, and composer for James Brown’s J.B.’s, shifting their sound to funk. Hits like "Doing It to Death" earned gold status under his leadership.
In 1976, Wesley joined George Clinton’s Parliament-Funkadelic with Maceo Parker, contributing to influential albums and groups like The Horny Horns and Bootsy’s Rubber Band. This elevated funk’s experimental edge.
Wesley played with Count Basie Orchestra in 1978, toured as JB Horns with Parker and Pee Wee Ellis in the 1990s, then formed The Fred Wesley Group in 1996, later The New J.B.’s. He released solo albums like "House Party" and memoir "Hit Me, Fred," while appearing in films such as "When We Were Kings."
Formed as a core ensemble for over 30 years, The New J.B.’s performs classics like "Pass the Peas" alongside jazz-funk originals. Current lineup includes Wesley on trombone, with keys, sax, trumpet, guitar, bass, and drums.
Freda Payne
Freda Charcilia Payne is an American singer and actress best known for her 1970 hit "Band of Gold," which reached No. 3 on the US charts and No. 1 in the UK. Born on September 19, 1942, in Detroit, Michigan, she grew up immersed in jazz influences from artists like Ella Fitzgerald and Billie Holiday. She is the older sister of Scherrie Payne, a former Supremes member.
Payne attended the Detroit Institute of Musical Arts as a teenager and won local TV and radio talent shows while singing jingles. After graduating from Central High School in 1959, she toured with Pearl Bailey's musical revue and sang with the Duke Ellington Band. At 17, she performed in Pearl Bailey's show, initially auditioning as a dancer but hired as a background singer.
In 1962, Payne released her debut album, After the Lights Go Down Low and Much More!!, on Impulse! Records, establishing her as a jazz singer. She moved to New York in 1963, working with Quincy Jones, Pearl Bailey, and Bill Cosby. Signing with Invictus Records in 1969, her single "Unhooked Generation" charted modestly on R&B, but "Band of Gold"—written by Eddie Holland, Brian Holland, Lamont Dozier, and Ronald Dunbar—became her signature hit, earning a gold record.
Payne scored additional Invictus hits like "Deeper & Deeper" and "Bring the Boys Home" through 1973, then recorded for ABC, Capitol, and Sutra. In 1981, she hosted the TV talk show Today's Black Woman and shifted toward acting in films, Broadway, and TV, including Living Single, Nutty Professor II: The Klumps, Now and Then, and Velvet Goldmine. She remade "Band of Gold" in 1986 with Belinda Carlisle and later returned to jazz.
Payne was previously married to Gregory Abbott. She has appeared on shows hosted by Johnny Carson, David Frost, and Merv Griffin, and continues performing, with a career spanning over 16 albums.
Payne attended the Detroit Institute of Musical Arts as a teenager and won local TV and radio talent shows while singing jingles. After graduating from Central High School in 1959, she toured with Pearl Bailey's musical revue and sang with the Duke Ellington Band. At 17, she performed in Pearl Bailey's show, initially auditioning as a dancer but hired as a background singer.
In 1962, Payne released her debut album, After the Lights Go Down Low and Much More!!, on Impulse! Records, establishing her as a jazz singer. She moved to New York in 1963, working with Quincy Jones, Pearl Bailey, and Bill Cosby. Signing with Invictus Records in 1969, her single "Unhooked Generation" charted modestly on R&B, but "Band of Gold"—written by Eddie Holland, Brian Holland, Lamont Dozier, and Ronald Dunbar—became her signature hit, earning a gold record.
Payne scored additional Invictus hits like "Deeper & Deeper" and "Bring the Boys Home" through 1973, then recorded for ABC, Capitol, and Sutra. In 1981, she hosted the TV talk show Today's Black Woman and shifted toward acting in films, Broadway, and TV, including Living Single, Nutty Professor II: The Klumps, Now and Then, and Velvet Goldmine. She remade "Band of Gold" in 1986 with Belinda Carlisle and later returned to jazz.
Payne was previously married to Gregory Abbott. She has appeared on shows hosted by Johnny Carson, David Frost, and Merv Griffin, and continues performing, with a career spanning over 16 albums.
Freddie Jackson
Freddie Jackson is an American soul and R&B singer born Frederick Anthony Jackson on October 2, 1956, in Harlem, New York. He rose to fame in the 1980s with smooth ballads and chart-topping hits.
Jackson grew up in Harlem and began singing in church, a common path for many Black artists. He started his professional career in the early 1980s as the lead singer for the funk band Mystic Merlin on their 1982 album Full Moon. Later, he worked as a backup singer for artists like Evelyn "Champagne" King and Melba Moore.
From 1985, Jackson scored over 30 R&B chart hits, including ten number ones, ranking him 11th among the decade's top R&B artists. Key singles like "Rock Me Tonight (For Old Times Sake)," "You Are My Lady," and "Jam Tonight" crossed into pop Top 40. His duets with Melba Moore, such as "A Little Bit More," were also major successes.
His debut Rock Me Tonight (1985) and follow-up Just Like the First Time (1986) both went platinum in the US, topping R&B charts. Later releases like Don't Let Love Slip Away (1988) and Do Me Again (1990) earned gold status. Hits tapered after 1992, but he continued with albums into the 2010s, including Love Signals in 2018.
Jackson appeared in the 1990 film Def by Temptation. He remains active with live performances and released studio albums as recently as 2018. Grammy-nominated, he's celebrated for his emotive style in soul and quiet storm genres.
Jackson grew up in Harlem and began singing in church, a common path for many Black artists. He started his professional career in the early 1980s as the lead singer for the funk band Mystic Merlin on their 1982 album Full Moon. Later, he worked as a backup singer for artists like Evelyn "Champagne" King and Melba Moore.
From 1985, Jackson scored over 30 R&B chart hits, including ten number ones, ranking him 11th among the decade's top R&B artists. Key singles like "Rock Me Tonight (For Old Times Sake)," "You Are My Lady," and "Jam Tonight" crossed into pop Top 40. His duets with Melba Moore, such as "A Little Bit More," were also major successes.
His debut Rock Me Tonight (1985) and follow-up Just Like the First Time (1986) both went platinum in the US, topping R&B charts. Later releases like Don't Let Love Slip Away (1988) and Do Me Again (1990) earned gold status. Hits tapered after 1992, but he continued with albums into the 2010s, including Love Signals in 2018.
Jackson appeared in the 1990 film Def by Temptation. He remains active with live performances and released studio albums as recently as 2018. Grammy-nominated, he's celebrated for his emotive style in soul and quiet storm genres.
Freddie King
Freddie King was one of the most influential blues guitarists of the 20th century, known for his powerful voice and fiery electric guitar style that bridged Texas and Chicago blues traditions. Born Freddie Christian King (sometimes listed as Fred King) on September 3, 1934, in Gilmer, Texas, he died on December 28, 1976, in Dallas at age 42. He earned a place among the "Three Kings of the Blues" alongside B.B. King and Albert King, despite no relation to either.
King grew up on a farm near Gilmer, where his mother Ella Mae King and uncle introduced him to guitar at age six, drawing from influences like Lightnin' Hopkins and Blind Lemon Jefferson. His family moved to Chicago in 1949 or 1950, exposing him to urban blues giants such as Muddy Waters, Howlin' Wolf, T-Bone Walker, and Sonny Boy Williamson. By 16, he sneaked into South Side clubs, honing his skills through jam sessions.
King formed his first band, the Every Hour Blues Boys, around 1952 with guitarist Jimmie Lee Robinson, drummer Sonny Scott, and later Eddie Taylor and Jimmy Rogers; he worked days in a steel mill while gigging nights. He married Jessie Burnett by 1952, and they had six children; early singles appeared on Parrot and other small labels in 1953. Throughout the 1950s, he played with groups like the Sonny Cooper Band and Earlee Payton's Blues Cats.
Signing with Federal/King Records in 1960 under producer Sonny Thompson, King scored hits like instrumentals "Hide Away" (1961, a blues-to-pop crossover), "Have You Ever Loved a Woman," "Woman Across the River," "I'm Tore Down," and "You've Got to Love Her with a Feeling." His style blended stinging Texas bends with Chicago intensity, often using a Gibson ES-335 guitar and a thumb-and-finger pick technique. He experimented with R&B and novelties like "Bossa Nova Watusi Twist."
In 1963, King relocated to Dallas to rejoin his family, refining a soulful vocal style amid grueling tours; Jessie and the kids had moved there in 1962 due to his schedule. He recorded for Cotillion (1968), Shelter (1970, including the landmark live album at Austin's Armadillo World Headquarters), and RSO (1974), gaining a rock audience as artists like Eric Clapton, Jeff Beck, Mick Taylor, and Peter Green covered his songs—Clapton notably on "Have You Ever Loved a Woman" and "I'm Tore Down." King toured widely, including with Clapton in the 1970s, until health issues ended his career.
King grew up on a farm near Gilmer, where his mother Ella Mae King and uncle introduced him to guitar at age six, drawing from influences like Lightnin' Hopkins and Blind Lemon Jefferson. His family moved to Chicago in 1949 or 1950, exposing him to urban blues giants such as Muddy Waters, Howlin' Wolf, T-Bone Walker, and Sonny Boy Williamson. By 16, he sneaked into South Side clubs, honing his skills through jam sessions.
King formed his first band, the Every Hour Blues Boys, around 1952 with guitarist Jimmie Lee Robinson, drummer Sonny Scott, and later Eddie Taylor and Jimmy Rogers; he worked days in a steel mill while gigging nights. He married Jessie Burnett by 1952, and they had six children; early singles appeared on Parrot and other small labels in 1953. Throughout the 1950s, he played with groups like the Sonny Cooper Band and Earlee Payton's Blues Cats.
Signing with Federal/King Records in 1960 under producer Sonny Thompson, King scored hits like instrumentals "Hide Away" (1961, a blues-to-pop crossover), "Have You Ever Loved a Woman," "Woman Across the River," "I'm Tore Down," and "You've Got to Love Her with a Feeling." His style blended stinging Texas bends with Chicago intensity, often using a Gibson ES-335 guitar and a thumb-and-finger pick technique. He experimented with R&B and novelties like "Bossa Nova Watusi Twist."
In 1963, King relocated to Dallas to rejoin his family, refining a soulful vocal style amid grueling tours; Jessie and the kids had moved there in 1962 due to his schedule. He recorded for Cotillion (1968), Shelter (1970, including the landmark live album at Austin's Armadillo World Headquarters), and RSO (1974), gaining a rock audience as artists like Eric Clapton, Jeff Beck, Mick Taylor, and Peter Green covered his songs—Clapton notably on "Have You Ever Loved a Woman" and "I'm Tore Down." King toured widely, including with Clapton in the 1970s, until health issues ended his career.
Freddie North
Freddie North is an American R&B singer born on May 28, 1939, in Nashville, Tennessee. He gained prominence in the music industry through early work as a disc jockey and promoter before achieving chart success in the 1970s.
North started in music as a DJ at WLAC-Nashville and promoted for Nashboro Records, a gospel label. He sang demos for country publishers, appeared on TV's Night Train, and released early singles under names like Freddie Carpenter, including "Okay, So What" in 1960 and tracks with producer Billy Sherrill in 1961.
In 1971, North released the album Friend on Mankind Records, reaching U.S. #179 and R&B Albums #41. It featured his biggest hit, "She's All I Got," peaking at U.S. #39 Pop and #10 R&B, later covered successfully by Johnny Paycheck.
Follow-up single "You and Me Together Forever" hit #26 R&B. North recorded for Nashboro's A-Bet label from 1967, with tracks like "Don't Make Me Look So Bad" and the 1970 LP Magnetic North. He later pursued ministry, fading from mainstream charts.
North started in music as a DJ at WLAC-Nashville and promoted for Nashboro Records, a gospel label. He sang demos for country publishers, appeared on TV's Night Train, and released early singles under names like Freddie Carpenter, including "Okay, So What" in 1960 and tracks with producer Billy Sherrill in 1961.
In 1971, North released the album Friend on Mankind Records, reaching U.S. #179 and R&B Albums #41. It featured his biggest hit, "She's All I Got," peaking at U.S. #39 Pop and #10 R&B, later covered successfully by Johnny Paycheck.
Follow-up single "You and Me Together Forever" hit #26 R&B. North recorded for Nashboro's A-Bet label from 1967, with tracks like "Don't Make Me Look So Bad" and the 1970 LP Magnetic North. He later pursued ministry, fading from mainstream charts.
Freddie Scott
Freddie Scott (April 24, 1933 – June 4, 2007) was an influential American soul singer and songwriter, best known for his deep, expressive baritone and his 1960s R&B hits. Born in Providence, Rhode Island, he began singing at age 12 in his grandmother’s gospel group, Sally Jones & the Gospel Keyes, and even toured England with them. Scott initially pursued a career in medicine, studying at the University of Rhode Island and Paine College in Georgia. He eventually abandoned medicine to join the Swanee Quintet Juniors and pursue music full-time.
After serving in the military during the late 1950s, he became a songwriter at the famous Brill Building for Aldon Music. He wrote "Baby I'm Sorry" for Ricky Nelson's 1957 debut album and "I'll Be Spinning" for Johnnie & Joe.
"Hey, Girl" (1963): Originally a demo intended for Chuck Jackson, Scott’s own version became a top 10 hit on both the Pop and R&B charts. After a brief, unsuccessful stint with Columbia Records, Scott signed with Bert Berns' Shout Records. "Are You Lonely for Me" (1967) became his signature hit, spending four weeks at #1 on the R&B charts. It reportedly required over 100 takes to perfect.
In the 1970s, he transitioned into writing advertising jingles and appeared in minor film roles, such as in the 1969 movie Stiletto. He remained active on the "oldies circuit" and released his first album of new material in 25 years, Brand New Man, in 2001. Scott passed away in New York City in 2007 at the age of 74.
His 1968 song "(You) Got What I Need" gained renewed fame after being famously sampled for Biz Markie's 1989 hit "Just a Friend".
After serving in the military during the late 1950s, he became a songwriter at the famous Brill Building for Aldon Music. He wrote "Baby I'm Sorry" for Ricky Nelson's 1957 debut album and "I'll Be Spinning" for Johnnie & Joe.
"Hey, Girl" (1963): Originally a demo intended for Chuck Jackson, Scott’s own version became a top 10 hit on both the Pop and R&B charts. After a brief, unsuccessful stint with Columbia Records, Scott signed with Bert Berns' Shout Records. "Are You Lonely for Me" (1967) became his signature hit, spending four weeks at #1 on the R&B charts. It reportedly required over 100 takes to perfect.
In the 1970s, he transitioned into writing advertising jingles and appeared in minor film roles, such as in the 1969 movie Stiletto. He remained active on the "oldies circuit" and released his first album of new material in 25 years, Brand New Man, in 2001. Scott passed away in New York City in 2007 at the age of 74.
His 1968 song "(You) Got What I Need" gained renewed fame after being famously sampled for Biz Markie's 1989 hit "Just a Friend".
Freddie Waters
Freddie Waters was an American soul singer known for his regional hits in the Southern music scene during the 1960s and 1970s. Born Fred Waters Jr. on December 18, 1942, he rose from Nashville's vibrant R&B circuit before passing away on August 23, 2000.?
Waters launched his music journey in mid-1960s Nashville as lead vocalist for the Hytones, a vocal group that gained exposure on the TV show "The Night Train." Producer Robert Holmes spotted them, recording obscure 45s on an Excello subsidiary before transitioning to Ted Jarrett's Ref-O-Ree label, where Waters paired with Hytones member Eddie Frierson for Sam & Dave-style duets.
Waters went solo on Ref-O-Ree, scoring regional successes like "Singing A New Song," which Curtis Mayfield reissued on Curtom, boosting its Southern reach and drawing Stax Records interest. Later, with Jarrett and Holmes at Nashville's Audio Media studio, he signed to October Records, releasing the regional hit "I'm Afraid To Let You Into My Life" and the album Just Enough To Get Me Cool.
In the 1980s, Waters focused on live performances, teaming with Jimmy Church for Mid-South revue shows featuring his classic tracks. Posthumous releases highlighted covers like "Groovin' on My Baby's Love" on Stax compilations, preserving his funky soul legacy tied to Memphis and Nashville scenes.
Waters launched his music journey in mid-1960s Nashville as lead vocalist for the Hytones, a vocal group that gained exposure on the TV show "The Night Train." Producer Robert Holmes spotted them, recording obscure 45s on an Excello subsidiary before transitioning to Ted Jarrett's Ref-O-Ree label, where Waters paired with Hytones member Eddie Frierson for Sam & Dave-style duets.
Waters went solo on Ref-O-Ree, scoring regional successes like "Singing A New Song," which Curtis Mayfield reissued on Curtom, boosting its Southern reach and drawing Stax Records interest. Later, with Jarrett and Holmes at Nashville's Audio Media studio, he signed to October Records, releasing the regional hit "I'm Afraid To Let You Into My Life" and the album Just Enough To Get Me Cool.
In the 1980s, Waters focused on live performances, teaming with Jimmy Church for Mid-South revue shows featuring his classic tracks. Posthumous releases highlighted covers like "Groovin' on My Baby's Love" on Stax compilations, preserving his funky soul legacy tied to Memphis and Nashville scenes.
Freddy Robinson
Freddy Robinson, originally named Fred Leroy Robinson, was born on February 24, 1939, in Memphis, Tennessee. He was raised in Arkansas, where he was exposed to numerous locally famous blues musicians during his childhood. This early exposure played a significant role in shaping his music career.
In 1956, Robinson moved to Chicago, Illinois, where he further developed his musical talents. He was particularly inspired by guitarist Joe Willie Wilkins and began recording that same year, marking the start of his professional music career. Robinson's style blended elements of blues and jazz, and he became known for his exceptional guitar skills and emotive performances.
Throughout his lengthy career, which spanned over 50 years, Freddy Robinson collaborated with various iconic artists in the music industry. He played alongside notable figures such as Ray Charles and Bobby "Blue" Bland, showcasing his versatility as a guitarist and vocalist. His contributions to the genres of blues and R&B earned him recognition and respect within the music community.
Freddy Robinson faced health challenges in his later years and passed away on October 8, 2009, in Lancaster, California, after a battle with cancer, at the age of 70. His legacy lives on through his music, and he is remembered for his unique style and significant contributions to the blues genre.
In 1956, Robinson moved to Chicago, Illinois, where he further developed his musical talents. He was particularly inspired by guitarist Joe Willie Wilkins and began recording that same year, marking the start of his professional music career. Robinson's style blended elements of blues and jazz, and he became known for his exceptional guitar skills and emotive performances.
Throughout his lengthy career, which spanned over 50 years, Freddy Robinson collaborated with various iconic artists in the music industry. He played alongside notable figures such as Ray Charles and Bobby "Blue" Bland, showcasing his versatility as a guitarist and vocalist. His contributions to the genres of blues and R&B earned him recognition and respect within the music community.
Freddy Robinson faced health challenges in his later years and passed away on October 8, 2009, in Lancaster, California, after a battle with cancer, at the age of 70. His legacy lives on through his music, and he is remembered for his unique style and significant contributions to the blues genre.
Frederick Knight
Frederick Knight was an influential American R&B singer, songwriter, and record producer born on August 15, 1944, in Birmingham, Alabama (often noted as Bessemer). He rose to prominence in the soul music scene during the 1970s.
Knight began performing and writing music at a young age, starting with local labels like Maxine Recording Company in the late 1960s. Tracks like "Steppin’ Down" and "Heart Complication" showcased his funky, percussion-driven style, co-written with collaborators such as Sidney Austin. He later worked with Stax Records from 1972, recording in Birmingham with seasoned southern soul musicians.
His biggest solo hit, "I've Been Lonely for So Long," reached number 22 on the UK charts in 1972 and appeared in the 1973 documentary Wattsta.x Another success was "I Betcha Didn't Know That" in 1975. Knight founded Juana Records after Stax's decline, producing The Controllers and writing Anita Ward's 1979 UK number-one hit "Ring My Bell."
Knight contributed songs to films like The A-Team (2010), Cell (2016), and The Book of Eli (2010). Despite being labeled a one-hit wonder in some circles due to limited solo chart follow-ups, his production and songwriting left a lasting impact on soul and disco. He remains recognized for bridging southern soul with broader R&B success.
Knight began performing and writing music at a young age, starting with local labels like Maxine Recording Company in the late 1960s. Tracks like "Steppin’ Down" and "Heart Complication" showcased his funky, percussion-driven style, co-written with collaborators such as Sidney Austin. He later worked with Stax Records from 1972, recording in Birmingham with seasoned southern soul musicians.
His biggest solo hit, "I've Been Lonely for So Long," reached number 22 on the UK charts in 1972 and appeared in the 1973 documentary Wattsta.x Another success was "I Betcha Didn't Know That" in 1975. Knight founded Juana Records after Stax's decline, producing The Controllers and writing Anita Ward's 1979 UK number-one hit "Ring My Bell."
Knight contributed songs to films like The A-Team (2010), Cell (2016), and The Book of Eli (2010). Despite being labeled a one-hit wonder in some circles due to limited solo chart follow-ups, his production and songwriting left a lasting impact on soul and disco. He remains recognized for bridging southern soul with broader R&B success.
Funk Deluxe
Funk Deluxe was a short-lived funk and electro-funk group signed to Salsoul Records in the early 1980s. They released a self-titled debut album in 1984, blending disco influences with emerging electro and funk grooves typical of the label's later output.
Formed during Salsoul's declining disco era, Funk Deluxe featured production ties to the label's Philly soul roots via musicians like those from the Salsoul Orchestra sessions. The group emerged as Salsoul shifted toward funk and club-oriented sounds amid competition from newer electro acts.
Their sole album, Funk Deluxe (Salsoul SA 8552), dropped in 1984 and included tracks like "Partime Lover" and "This Time." Produced with input from figures like Patrick Adams, it captured a gritty, danceable electro-funk style but achieved limited commercial success as disco waned.
Specific member details are scarce, with no widely documented full lineup; they were likely a studio project involving session players from Salsoul's network, including possible contributions from Norman Harris or Ronnie Baker affiliates. Tracks like "Partime Lover" later gained cult status among funk collectors and DJs for their raw grooves.
Formed during Salsoul's declining disco era, Funk Deluxe featured production ties to the label's Philly soul roots via musicians like those from the Salsoul Orchestra sessions. The group emerged as Salsoul shifted toward funk and club-oriented sounds amid competition from newer electro acts.
Their sole album, Funk Deluxe (Salsoul SA 8552), dropped in 1984 and included tracks like "Partime Lover" and "This Time." Produced with input from figures like Patrick Adams, it captured a gritty, danceable electro-funk style but achieved limited commercial success as disco waned.
Specific member details are scarce, with no widely documented full lineup; they were likely a studio project involving session players from Salsoul's network, including possible contributions from Norman Harris or Ronnie Baker affiliates. Tracks like "Partime Lover" later gained cult status among funk collectors and DJs for their raw grooves.
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Funkadelic
Funkadelic is an American funk-rock band formed in 1968 in Plainfield, New Jersey, led by George Clinton One of the two primary groups in the P-Funk collective (alongside Parliament), Funkadelic is renowned for its experimental sound that blends heavy psychedelic rock, soul, and hard funk.
The group began as the unnamed backing band for Clinton's doo-wop group, The Parliaments, in 1964. After a contractual dispute over the name "The Parliaments" in 1968, Clinton rebranded the ensemble as Funkadelic.
The early core included guitarist Eddie Hazel, bassist Billy Bass Nelson (who coined the name "Funkadelic"), keyboardist Bernie Worrell, and drummer Tiki Fulwood. Their early 1970s work was characterized by "freestyle" guitar-driven rock, heavily influenced by Jimi Hendri.x The lineup later expanded to include bassist Bootsy Collins and his brother Catfish Collins, as well as guitarist Michael Hampton.
Maggot Brain (1971): This landmark album and its eponymous title track became a defining moment in psychedelic funk, featuring Eddie Hazel’s legendary 10-minute guitar solo. In the late 1970s, the band moved toward a more melodic, dance-based sound The 1978 album One Nation Under a Groove became their most successful, with the title track spending six weeks at #1 on the R&B charts.
Legal disputes and financial difficulties led Clinton to dissolve Funkadelic and Parliament as separate recording entities in 1981 Clinton thereafter toured under the name George Clinton & the P-Funk All-Stars.
Sixteen members of the Parliament-Funkadelic collective were inducted into the Rock and Roll Hall of Fame in 1997 They received the Grammy Lifetime Achievement Award in 2019.
Funkadelic’s "P-Funk" sound was a foundational influence on West Coast hip-hop (G-Funk) and has been sampled extensively by artists such as Dr Dre, Snoop Dogg, and De La Soul.
The group began as the unnamed backing band for Clinton's doo-wop group, The Parliaments, in 1964. After a contractual dispute over the name "The Parliaments" in 1968, Clinton rebranded the ensemble as Funkadelic.
The early core included guitarist Eddie Hazel, bassist Billy Bass Nelson (who coined the name "Funkadelic"), keyboardist Bernie Worrell, and drummer Tiki Fulwood. Their early 1970s work was characterized by "freestyle" guitar-driven rock, heavily influenced by Jimi Hendri.x The lineup later expanded to include bassist Bootsy Collins and his brother Catfish Collins, as well as guitarist Michael Hampton.
Maggot Brain (1971): This landmark album and its eponymous title track became a defining moment in psychedelic funk, featuring Eddie Hazel’s legendary 10-minute guitar solo. In the late 1970s, the band moved toward a more melodic, dance-based sound The 1978 album One Nation Under a Groove became their most successful, with the title track spending six weeks at #1 on the R&B charts.
Legal disputes and financial difficulties led Clinton to dissolve Funkadelic and Parliament as separate recording entities in 1981 Clinton thereafter toured under the name George Clinton & the P-Funk All-Stars.
Sixteen members of the Parliament-Funkadelic collective were inducted into the Rock and Roll Hall of Fame in 1997 They received the Grammy Lifetime Achievement Award in 2019.
Funkadelic’s "P-Funk" sound was a foundational influence on West Coast hip-hop (G-Funk) and has been sampled extensively by artists such as Dr Dre, Snoop Dogg, and De La Soul.
G.C. Cameron
G.C. Cameron is an acclaimed American soul and R&B singer, best known as the lead vocalist for The Spinners on their 1970 Motown hit "It's a Shame". Born George Curtis Cameron on September 21, 1945, in Jackson, Mississippi (though raised partly in McCall Creek), he began singing publicly at age 12 and later served in the U.S. Marines during the Vietnam War era.
Cameron grew up in Mississippi, performing his first gig at Lillie Mae Brian High School alongside future gospel star Frank Williams of The Jackson Southernaires. He moved to Detroit as a teen, entered singing contests, and joined the Marines at 17 in 1963, where he sang for troops and at clubs in Japan before his Vietnam service.
Discharged in September 1967, Cameron joined Motown's The Spinners within weeks, recommended by Dennis Edwards of The Temptations. He delivered lead vocals on their Stevie Wonder-produced breakthrough "It's a Shame," but stayed with Motown as a solo artist when the group departed in 1971.
Cameron's 1975 solo hit "It's So Hard to Say Goodbye to Yesterday" (from Cooley High) peaked at No. 4 on the R&B chart. He released albums like G.C. Cameron (1976), Give Me Your Love (1983, Malaco), Right or Wrong (1991), and Enticed Ecstasy (2009), while collaborating on projects including reggae album Rising Force for Change (2012) with Dub Nation.
Cameron rejoined The Spinners in 2000 amid lineup changes, contributing to albums like Legacy (2004), then briefly sang with The Temptations until 2007. He has since focused on solo touring and performances with The G.C. Cameron Review, maintaining a presence on the soul circuit into 2026.
Cameron grew up in Mississippi, performing his first gig at Lillie Mae Brian High School alongside future gospel star Frank Williams of The Jackson Southernaires. He moved to Detroit as a teen, entered singing contests, and joined the Marines at 17 in 1963, where he sang for troops and at clubs in Japan before his Vietnam service.
Discharged in September 1967, Cameron joined Motown's The Spinners within weeks, recommended by Dennis Edwards of The Temptations. He delivered lead vocals on their Stevie Wonder-produced breakthrough "It's a Shame," but stayed with Motown as a solo artist when the group departed in 1971.
Cameron's 1975 solo hit "It's So Hard to Say Goodbye to Yesterday" (from Cooley High) peaked at No. 4 on the R&B chart. He released albums like G.C. Cameron (1976), Give Me Your Love (1983, Malaco), Right or Wrong (1991), and Enticed Ecstasy (2009), while collaborating on projects including reggae album Rising Force for Change (2012) with Dub Nation.
Cameron rejoined The Spinners in 2000 amid lineup changes, contributing to albums like Legacy (2004), then briefly sang with The Temptations until 2007. He has since focused on solo touring and performances with The G.C. Cameron Review, maintaining a presence on the soul circuit into 2026.
GC Cameron
Garland Green
Garland Green, born Garfield Green Jr. on June 14, 1942, in Dunleith, Mississippi, is an American soul singer and pianist known for his emotive R&B hits in the late 1960s and 1970s.
Green grew up as the tenth of eleven children in a Mississippi family before moving to Chicago in 1958 at age 16. While attending Englewood High School and working, he performed weekends in local venues, including pool rooms and bars. Local businessman Argia B. Collins sponsored his studies at the Chicago Conservatory of Music, where he honed his voice and piano skills.
In 1967, Green won a talent contest that led to an opening slot for Lou Rawls and Earl Hines, catching the attention of songwriter Joshie Jo Armstead and Mel Collins. They produced his debut single "Girl I Love You" on Gamma Records, later distributed nationally by Revue Records. His 1969 breakthrough, "Jealous Kind of Fella," reached No. 5 on the Billboard R&B chart, sold a million copies, and peaked at No. 20 on the pop chart.
Green signed with Uni Records (MCA), releasing his self-titled album, but follow-ups underperformed, leading to a move to Cotillion (Atlantic). There, Donny Hathaway produced "Plain and Simple Girl," a Top 20 R&B hit in 1971. He later recorded for Spring, RCA (with producer Leon Haywood), and Ocean-Front, with modest successes like "Let the Good Times Roll" (R&B No. 65) and "Bumpin' and Stompin'" (R&B No. 72).
Relocating to California in 1979, Green married producer Arleen Schesel and released albums on small labels, including a 1983 effort featuring Lamont Dozier. His first new material in 29 years, I Should've Been the One, arrived in 2012 via Special Soul Music. He remains active into his 80s, with a discography spanning Revue, Uni, Cotillion, Spring, RCA, and others.
Green grew up as the tenth of eleven children in a Mississippi family before moving to Chicago in 1958 at age 16. While attending Englewood High School and working, he performed weekends in local venues, including pool rooms and bars. Local businessman Argia B. Collins sponsored his studies at the Chicago Conservatory of Music, where he honed his voice and piano skills.
In 1967, Green won a talent contest that led to an opening slot for Lou Rawls and Earl Hines, catching the attention of songwriter Joshie Jo Armstead and Mel Collins. They produced his debut single "Girl I Love You" on Gamma Records, later distributed nationally by Revue Records. His 1969 breakthrough, "Jealous Kind of Fella," reached No. 5 on the Billboard R&B chart, sold a million copies, and peaked at No. 20 on the pop chart.
Green signed with Uni Records (MCA), releasing his self-titled album, but follow-ups underperformed, leading to a move to Cotillion (Atlantic). There, Donny Hathaway produced "Plain and Simple Girl," a Top 20 R&B hit in 1971. He later recorded for Spring, RCA (with producer Leon Haywood), and Ocean-Front, with modest successes like "Let the Good Times Roll" (R&B No. 65) and "Bumpin' and Stompin'" (R&B No. 72).
Relocating to California in 1979, Green married producer Arleen Schesel and released albums on small labels, including a 1983 effort featuring Lamont Dozier. His first new material in 29 years, I Should've Been the One, arrived in 2012 via Special Soul Music. He remains active into his 80s, with a discography spanning Revue, Uni, Cotillion, Spring, RCA, and others.
Garnet Mimms
Garnet Mimms, originally named Garrett Mimms, was born on November 16, 1933, in Ashland, West Virginia. He spent part of his childhood in Philadelphia, where he was introduced to music through his family's gospel roots, singing alongside his mother in church at a young age.
Mimms began his professional music career in the 1950s, and he quickly gained recognition in the genres of soul music and rhythm and blues. His powerful voice and emotive singing style helped him to become an influential figure in these musical movements. Mimms first achieved significant success with his hit single "Cry Baby," which showcased his unique vocal ability and deep emotional delivery.
Throughout his career, he collaborated with various artists and contributed to several noteworthy projects, solidifying his reputation in the music industry. His music often reflected the themes and styles characteristic of the soul genre, making him a beloved figure among fans of the genre.
Garnet Mimms' contributions to music, particularly in soul and rhythm and blues, have left a lasting impact. His work has influenced many artists and musicians who followed in his footsteps, ensuring that his legacy continues within the music community. While his most popular years were in the mid-20th century, his music remains celebrated by old and new fans alike.
Overall, Garnet Mimms is remembered not only for his distinctive voice but also for his significant role in shaping the sound of soul music during its formative years.
Mimms began his professional music career in the 1950s, and he quickly gained recognition in the genres of soul music and rhythm and blues. His powerful voice and emotive singing style helped him to become an influential figure in these musical movements. Mimms first achieved significant success with his hit single "Cry Baby," which showcased his unique vocal ability and deep emotional delivery.
Throughout his career, he collaborated with various artists and contributed to several noteworthy projects, solidifying his reputation in the music industry. His music often reflected the themes and styles characteristic of the soul genre, making him a beloved figure among fans of the genre.
Garnet Mimms' contributions to music, particularly in soul and rhythm and blues, have left a lasting impact. His work has influenced many artists and musicians who followed in his footsteps, ensuring that his legacy continues within the music community. While his most popular years were in the mid-20th century, his music remains celebrated by old and new fans alike.
Overall, Garnet Mimms is remembered not only for his distinctive voice but also for his significant role in shaping the sound of soul music during its formative years.
Garry Glenn
Garry Glenn was an American soul singer, songwriter, and musician from Detroit, best known for co-writing Anita Baker's 1986 hit "Caught Up in the Rapture." Born Garry Dewayne Glenn on May 12, 1955, he began his career touring as a teenager with his sister, gospel singer Beverly Glenn.
He grew up in Detroit as the son of Robert and Bonnie Glenn. In his youth, he performed gospel music with family before shifting to secular soul and R&B in the late 1970s. Early on, he arranged and played keyboards for acts like AI Hudson and the Soul Partners.
Glenn collaborated frequently with Dianne Quander, penning hits for artists including Anita Baker, Earth, Wind & Fire, Eddie Kendricks, The Dramatics, The Emotions, and Jean Carne. Key songs include "Intimate Friends" (recorded by Eddie Kendricks and later sampled by Alicia Keys in "Unbreakable") and "Share Your Love" for Earth, Wind & Fire. He also worked as a keyboardist for Anita Baker's 1984-85 tour and Billy Ocean.
He released his debut self-titled album in 1980 on PPL Records, featuring tracks like "Don't Stop the Music." His 1987 Motown album Feels Good to Feel Good included collaborations with Quander and guest Sheila Hutchinson of The Emotions; it achieved moderate success.
Glenn died on September 27, 1991, from kidney failure at age 36 (some sources cite September 18). His work endures through samples, such as Alicia Keys' Grammy-nominated "Unbreakable" and Sparkle's "Time to Move On." A retrospective with unreleased material appeared around 2004.
He grew up in Detroit as the son of Robert and Bonnie Glenn. In his youth, he performed gospel music with family before shifting to secular soul and R&B in the late 1970s. Early on, he arranged and played keyboards for acts like AI Hudson and the Soul Partners.
Glenn collaborated frequently with Dianne Quander, penning hits for artists including Anita Baker, Earth, Wind & Fire, Eddie Kendricks, The Dramatics, The Emotions, and Jean Carne. Key songs include "Intimate Friends" (recorded by Eddie Kendricks and later sampled by Alicia Keys in "Unbreakable") and "Share Your Love" for Earth, Wind & Fire. He also worked as a keyboardist for Anita Baker's 1984-85 tour and Billy Ocean.
He released his debut self-titled album in 1980 on PPL Records, featuring tracks like "Don't Stop the Music." His 1987 Motown album Feels Good to Feel Good included collaborations with Quander and guest Sheila Hutchinson of The Emotions; it achieved moderate success.
Glenn died on September 27, 1991, from kidney failure at age 36 (some sources cite September 18). His work endures through samples, such as Alicia Keys' Grammy-nominated "Unbreakable" and Sparkle's "Time to Move On." A retrospective with unreleased material appeared around 2004.
Gary Glenn
Geater Davis
Vernon "Geater" Davis was an American soul singer and songwriter born on January 29, 1946, in Kountze, Texas, and he passed away on September 29, 1984, at age 38 from a heart attack in Dallas, Texas. Known as one of the South's great lost soul singers, his voice blended sweetness with sandpaper grit, often compared to O.V. Wright and Bobby "Blue" Bland. He was the youngest of five children born to DeWitt and Cornella Davis.
In the late 1960s, record producer Allen Orange discovered Davis performing alongside Reuben Bell, leading to recordings in Birmingham, Alabama, on Orange's House of Orange label. His debut single, "Sweet Woman's Love," reached #45 on the Billboard R&B chart in 1970, followed by an album of the same name now hailed as a deep soul classic. Davis frequently wrote or co-wrote his material, showcasing his songwriting talent.
After House of Orange closed in 1972, Davis recorded for labels like Luna, 77 Records (at FAME Studios in Muscle Shoals), Ace, and MT, with singles such as "Your Heart Is So Cold" hitting #64 on the R&B chart in 1973. He toured heavily on blues and chitlin' circuits despite modest sales, releasing disco tracks later and leaving behind his wife Lula, daughters Vernecia and Laquita, and stepdaughter Sandra. Bobby "Blue" Bland honored him posthumously by covering "Sweet Woman's Love" and "I've Just Got To Know" on his 1985 album Members Only.
In the late 1960s, record producer Allen Orange discovered Davis performing alongside Reuben Bell, leading to recordings in Birmingham, Alabama, on Orange's House of Orange label. His debut single, "Sweet Woman's Love," reached #45 on the Billboard R&B chart in 1970, followed by an album of the same name now hailed as a deep soul classic. Davis frequently wrote or co-wrote his material, showcasing his songwriting talent.
After House of Orange closed in 1972, Davis recorded for labels like Luna, 77 Records (at FAME Studios in Muscle Shoals), Ace, and MT, with singles such as "Your Heart Is So Cold" hitting #64 on the R&B chart in 1973. He toured heavily on blues and chitlin' circuits despite modest sales, releasing disco tracks later and leaving behind his wife Lula, daughters Vernecia and Laquita, and stepdaughter Sandra. Bobby "Blue" Bland honored him posthumously by covering "Sweet Woman's Love" and "I've Just Got To Know" on his 1985 album Members Only.
Gene Allison
Gene Allison was an influential R&B singer known for pioneering the Nashville R&B sound in the 1950s. His full name was Versie Eugene Allison, born on August 29, 1934, in Pegram, Tennessee.
Allison moved to Nashville at age 7 with his family and grew up singing in church choirs alongside his brother Levert. As a teenager, he performed with gospel groups like the Fairfield Four—filling in for lead singer Sam McCrary—and the Skylarks.
Producer Ted Jarrett signed him to Calvert Records for secular music, then secured a Vee-Jay deal with Larry Birdsong. His 1957 debut "You Can Make It If You Try" hit #3 on Billboard's R&B chart and #36 pop, blending gospel fervor with R&B; it was later covered by the Rolling Stones.
Follow-up hits included "Everything Will Be Alright" (#19 R&B) and "Have Faith" (#11 R&B, #73 pop) in 1958. Success funded his 24-hour soul food spot, Gene's Drive-In, in Nashville, though his chart run faded by the early 1960s.
Allison continued performing sporadically and sought a comeback before dying of kidney and liver failure on February 28, 2004, in Nashville at age 69. He was survived by wife Evelyn, three daughters, a son, 14 grandchildren, and three great-grandchildren
Allison moved to Nashville at age 7 with his family and grew up singing in church choirs alongside his brother Levert. As a teenager, he performed with gospel groups like the Fairfield Four—filling in for lead singer Sam McCrary—and the Skylarks.
Producer Ted Jarrett signed him to Calvert Records for secular music, then secured a Vee-Jay deal with Larry Birdsong. His 1957 debut "You Can Make It If You Try" hit #3 on Billboard's R&B chart and #36 pop, blending gospel fervor with R&B; it was later covered by the Rolling Stones.
Follow-up hits included "Everything Will Be Alright" (#19 R&B) and "Have Faith" (#11 R&B, #73 pop) in 1958. Success funded his 24-hour soul food spot, Gene's Drive-In, in Nashville, though his chart run faded by the early 1960s.
Allison continued performing sporadically and sought a comeback before dying of kidney and liver failure on February 28, 2004, in Nashville at age 69. He was survived by wife Evelyn, three daughters, a son, 14 grandchildren, and three great-grandchildren
Gene Chandler
Gene Chandler, born Eugene Drake Dixon on July 6, 1937, in Chicago, Illinois, grew up in a family with a strong musical influence. He attended Englewood High School, where he developed his passion for music, forming a vocal group called the Gaytones in 1955. This early exposure to singing and group dynamics laid the groundwork for his future career in music.
Chandler began his professional career in the music industry in the late 1950s. He initially recorded under the name "Eugene Dixon" but later adopted the stage name Gene Chandler. His breakout came with his hit single "Duke of Earl" in 1962, which became an iconic track in the rhythm and blues genre. The song showcased Chandler's smooth vocal style and became a number one hit on the Billboard charts, establishing him as a prominent figure in the R&B scene during the 1960s.
Throughout his career, Gene Chandler has been recognized not only as a singer but also as a songwriter, music producer, and record-label executive. His contributions to music extend beyond performance; he has played a significant role in shaping the sounds of R&B and soul music. In addition to "Duke of Earl," Chandler released several other notable songs, including “Nothing Can Stop Me,” which further solidified his status in the music industry.
Chandler's influence in the music world is evident in his successful transition from a performer to a behind-the-scenes figure in music production. He earned accolades for his artistic contributions and has remained a respected name in the R&B genre. His work continues to inspire new generations of musicians and fans, treasured for its emotional depth and musical craftsmanship.
Gene Chandler's enduring legacy as "The Duke of Earl" remains a significant part of American music history, and he continues to be celebrated for his contributions to the art form.
Chandler began his professional career in the music industry in the late 1950s. He initially recorded under the name "Eugene Dixon" but later adopted the stage name Gene Chandler. His breakout came with his hit single "Duke of Earl" in 1962, which became an iconic track in the rhythm and blues genre. The song showcased Chandler's smooth vocal style and became a number one hit on the Billboard charts, establishing him as a prominent figure in the R&B scene during the 1960s.
Throughout his career, Gene Chandler has been recognized not only as a singer but also as a songwriter, music producer, and record-label executive. His contributions to music extend beyond performance; he has played a significant role in shaping the sounds of R&B and soul music. In addition to "Duke of Earl," Chandler released several other notable songs, including “Nothing Can Stop Me,” which further solidified his status in the music industry.
Chandler's influence in the music world is evident in his successful transition from a performer to a behind-the-scenes figure in music production. He earned accolades for his artistic contributions and has remained a respected name in the R&B genre. His work continues to inspire new generations of musicians and fans, treasured for its emotional depth and musical craftsmanship.
Gene Chandler's enduring legacy as "The Duke of Earl" remains a significant part of American music history, and he continues to be celebrated for his contributions to the art form.
General Johnson
General Johnson, born Norman Earl Johnson on May 23, 1943, in Norfolk, Virginia, was a prominent American soul singer known for his work with The Showmen and Chairmen of the Board.
Johnson grew up singing in church from around age six, often with his father, and formed his first group, The Humdingers, by age 12, which signed to Atlantic Records. "General" was a family name, though he preferred Norman early on. He hailed from Norfolk (with some sources noting nearby Huntersville), immersing himself in gospel and R&B influences.
In his teens, Johnson joined The Showmen, a New Orleans R&B group, where he served as lead singer and songwriter. They scored hits like "It Will Stand" (1964), blending soul with swamp pop, and recorded for Minit Records under producer Allen Toussaint. The group disbanded by the late 1960s after several regional successes.
He formed Chairmen of the Board in 1969 in Detroit with Invictus Records (Holland-Dozier-Holland's label), delivering upbeat soul hits like "Give Me Just a Little More Time" (No. 3 US, 1970), "Pay to the Piper (No. 13 US, 1970) and You've Got Me Dangling On a String (No. 5 UK, 1970)." Their sound mixed Motown energy with Johnson's unique vocals and songwriting; he earned a Grammy for co-writing Blue Magic's "Sideshow." The group continued with reunions and solo efforts into the 2000s.
Johnson recorded solo albums like Generally Speaking (1972), and a self-titled album in 1976, and toured extensively, maintaining a loyal soul fanbase. He passed away on October 13, 2010, at age 67 (or 69 per some reports), from complications of multiple strokes in Atlanta.
Johnson grew up singing in church from around age six, often with his father, and formed his first group, The Humdingers, by age 12, which signed to Atlantic Records. "General" was a family name, though he preferred Norman early on. He hailed from Norfolk (with some sources noting nearby Huntersville), immersing himself in gospel and R&B influences.
In his teens, Johnson joined The Showmen, a New Orleans R&B group, where he served as lead singer and songwriter. They scored hits like "It Will Stand" (1964), blending soul with swamp pop, and recorded for Minit Records under producer Allen Toussaint. The group disbanded by the late 1960s after several regional successes.
He formed Chairmen of the Board in 1969 in Detroit with Invictus Records (Holland-Dozier-Holland's label), delivering upbeat soul hits like "Give Me Just a Little More Time" (No. 3 US, 1970), "Pay to the Piper (No. 13 US, 1970) and You've Got Me Dangling On a String (No. 5 UK, 1970)." Their sound mixed Motown energy with Johnson's unique vocals and songwriting; he earned a Grammy for co-writing Blue Magic's "Sideshow." The group continued with reunions and solo efforts into the 2000s.
Johnson recorded solo albums like Generally Speaking (1972), and a self-titled album in 1976, and toured extensively, maintaining a loyal soul fanbase. He passed away on October 13, 2010, at age 67 (or 69 per some reports), from complications of multiple strokes in Atlanta.
George Benson
George Benson is an acclaimed American jazz guitarist, singer, and songwriter born on March 22, 1943, in Pittsburgh, Pennsylvania. A former child prodigy, he began performing professionally as a young musician and rose to fame blending jazz, pop, R&B, and scat singing.
Benson grew up in Pittsburgh's Hill District, starting as a singer in nightclubs at age eight and later playing ukulele and guitar. By his teens, he formed a rock band and drew inspiration from jazz icons like Wes Montgomery and Charlie Parker, transitioning to jazz guitar.
In 1961, at age 19, Benson joined organist Jack McDuff's quartet, recording and touring until 1965. He then led his own groups, signed with Columbia Records through talent scout John Hammond, and collaborated with Miles Davis, Herbie Hancock, and others on soul jazz and hard bop albums.
Signed to Warner Bros. in 1976, Benson's album Breezin' topped the Billboard 200, went triple-platinum, and featured the hit "This Masquerade," earning his first Grammy. He sustained success through the 1980s with pop-jazz crossovers, selling out concerts worldwide.
Benson has won 10 Grammy Awards, received a Hollywood Walk of Fame star, and was named a 2009 NEA Jazz Master. He continues performing, known for his rest-stroke picking technique and versatile style.
Married to Johnnie Lee since 1965, Benson has six children and resides in Arizona. His career spans over six decades, influencing jazz fusion and beyond.
Benson grew up in Pittsburgh's Hill District, starting as a singer in nightclubs at age eight and later playing ukulele and guitar. By his teens, he formed a rock band and drew inspiration from jazz icons like Wes Montgomery and Charlie Parker, transitioning to jazz guitar.
In 1961, at age 19, Benson joined organist Jack McDuff's quartet, recording and touring until 1965. He then led his own groups, signed with Columbia Records through talent scout John Hammond, and collaborated with Miles Davis, Herbie Hancock, and others on soul jazz and hard bop albums.
Signed to Warner Bros. in 1976, Benson's album Breezin' topped the Billboard 200, went triple-platinum, and featured the hit "This Masquerade," earning his first Grammy. He sustained success through the 1980s with pop-jazz crossovers, selling out concerts worldwide.
Benson has won 10 Grammy Awards, received a Hollywood Walk of Fame star, and was named a 2009 NEA Jazz Master. He continues performing, known for his rest-stroke picking technique and versatile style.
Married to Johnnie Lee since 1965, Benson has six children and resides in Arizona. His career spans over six decades, influencing jazz fusion and beyond.
George Frye
George Frye is a rare soul and funk singer and songwriter primarily known for his work in the early 1980s. Based in Southern California, he released music through his own independent label, Beach City Records, and Frye Bro's Records.
His most significant contributions to the soul genre include:
"Keep-On Keeping-On" (1981): This is the title track of his rare LP, characterized by a smooth 1970s soul sound with light disco influences. It has been featured on various rare soul compilations, such as Rare Soul & Disco 9.
"You Are The One": A standout track from his 1981 album described as having a "steppin' vibe". It was also released as a 7" single on Frye Bro's Records.
"You're All My Dreams": A melodic romantic ballad from the same era.
His recordings often featured production by John Vestman and are highly sought after by vinyl collectors due to their limited original pressings.
His most significant contributions to the soul genre include:
"Keep-On Keeping-On" (1981): This is the title track of his rare LP, characterized by a smooth 1970s soul sound with light disco influences. It has been featured on various rare soul compilations, such as Rare Soul & Disco 9.
"You Are The One": A standout track from his 1981 album described as having a "steppin' vibe". It was also released as a 7" single on Frye Bro's Records.
"You're All My Dreams": A melodic romantic ballad from the same era.
His recordings often featured production by John Vestman and are highly sought after by vinyl collectors due to their limited original pressings.
George McCrae
George McCrae (born 1944) is an American soul/disco singer famous for his 1974 mega-hit "Rock Your Baby," one of the first disco anthems, selling millions globally and earning him a Grammy nomination. Born in Florida, he started with his group The Jivin' Jets, served in the Navy, then formed a successful duo with his wife, Gwen McCrae, before her solo success and their eventual divorce. He continued recording and touring, especially in Europe, maintaining a career in classic soul and disco, often working with his daughters and releasing new music even in the 2000s.
Born October 19, 1944, in West Palm Beach, Florida, he formed his first singing group, The Jivin' Jets, as a teenager. He Joined the U.S. Navy in 1963 and married singer Gwen Mosley that same year; they reformed The Jivin' Jets with Gwen and later worked as a duo, recording for Henry Stone's Alston label.
In 1974, he released his iconic track "Rock Your Baby", a global smash that launched the disco era, hitting #1 in the U.S., UK, and many other countries. The song topped the Billboard Hot 100 and charts in over 40 countries and earned McCrae a Grammy nomination for Best Male R&B Vocalist in 1975. He followed up with hits like "I Can't Leave You Alone" and "You Can Have It".
He divorced Gwen in 1976 and later married Dutch model Yvonne Bergsma in 1989. He remained popular in Europe, releasing albums like One Step Closer to Love in the 1980s, and continued recording.
McCrae continues to perform and has shared homes in Florida, Aruba, and the Netherlands. In 2016, he released the concept album Love, featuring backing vocals from his daughters Sophia and Leah. As of late 2024, he released the dance single "Gotta Have It" with artist Lynda Law.
Born October 19, 1944, in West Palm Beach, Florida, he formed his first singing group, The Jivin' Jets, as a teenager. He Joined the U.S. Navy in 1963 and married singer Gwen Mosley that same year; they reformed The Jivin' Jets with Gwen and later worked as a duo, recording for Henry Stone's Alston label.
In 1974, he released his iconic track "Rock Your Baby", a global smash that launched the disco era, hitting #1 in the U.S., UK, and many other countries. The song topped the Billboard Hot 100 and charts in over 40 countries and earned McCrae a Grammy nomination for Best Male R&B Vocalist in 1975. He followed up with hits like "I Can't Leave You Alone" and "You Can Have It".
He divorced Gwen in 1976 and later married Dutch model Yvonne Bergsma in 1989. He remained popular in Europe, releasing albums like One Step Closer to Love in the 1980s, and continued recording.
McCrae continues to perform and has shared homes in Florida, Aruba, and the Netherlands. In 2016, he released the concept album Love, featuring backing vocals from his daughters Sophia and Leah. As of late 2024, he released the dance single "Gotta Have It" with artist Lynda Law.
Gerald Albright
Gerald Albright is an acclaimed American jazz saxophonist known for his contributions to smooth jazz. Born on August 30, 1957, in Los Angeles, California, he has earned two Grammy Awards and multiple nominations over a career spanning decades.
Albright started with piano lessons as a child but found his passion after receiving a saxophone from his piano teacher. He honed his skills at Locke High School and later attended the University of Redlands, earning a business management degree with a music minor while joining the Alpha Phi Alpha fraternity. He briefly played bass guitar, inspired by Louis Johnson, before focusing on saxophone.
Albright launched his solo career in 1987 with the album Just Between Us on Atlantic Records, coinciding with the rise of smooth jazz. He has released over 20 albums, collaborated with artists like Phil Collins, Will Downing, Whitney Houston, and Anita Baker, and joined all-star tours such as Guitars & Saxes. Notable projects include fronting a big band for Collins in the late 1990s and the duet album Pleasures of the Night.
He won Grammys for 24/7 in 2012 and Slam Dunk in 2014, with nominations for New Beginnings (2008) and Sax for Stax (2009). Albright has topped smooth jazz charts, sold over one million albums, and ranked #2 Billboard Smooth Jazz Artist of the Year in 2021. His work extends to over 200 recordings and TV appearances on shows like A Different World and Melrose Place.
Married to Glynis since December 21, 1981, Albright has two children. He runs his own label, Bright Music Incorporated, and continues performing as of 2025. Albright continues releasing music through Bright Music, with recent activity in 2025 tours and singles.
Albright started with piano lessons as a child but found his passion after receiving a saxophone from his piano teacher. He honed his skills at Locke High School and later attended the University of Redlands, earning a business management degree with a music minor while joining the Alpha Phi Alpha fraternity. He briefly played bass guitar, inspired by Louis Johnson, before focusing on saxophone.
Albright launched his solo career in 1987 with the album Just Between Us on Atlantic Records, coinciding with the rise of smooth jazz. He has released over 20 albums, collaborated with artists like Phil Collins, Will Downing, Whitney Houston, and Anita Baker, and joined all-star tours such as Guitars & Saxes. Notable projects include fronting a big band for Collins in the late 1990s and the duet album Pleasures of the Night.
He won Grammys for 24/7 in 2012 and Slam Dunk in 2014, with nominations for New Beginnings (2008) and Sax for Stax (2009). Albright has topped smooth jazz charts, sold over one million albums, and ranked #2 Billboard Smooth Jazz Artist of the Year in 2021. His work extends to over 200 recordings and TV appearances on shows like A Different World and Melrose Place.
Married to Glynis since December 21, 1981, Albright has two children. He runs his own label, Bright Music Incorporated, and continues performing as of 2025. Albright continues releasing music through Bright Music, with recent activity in 2025 tours and singles.
Gerald Alston
Gerald Alston is an acclaimed American soul and R&B singer best known as the longtime lead vocalist of The Manhattans. Born on November 8, 1951, in Henderson, North Carolina, he rose to fame with the group's multimillion-selling hits in the 1970s and 1980s. His powerful voice propelled classics like "Kiss and Say Goodbye" to the top of charts worldwide.
He grew up in a musical church environment as the nephew of gospel singer Johnny Fields from The Blind Boys of Alabama. As a teenager, he formed the New Imperials, performing both secular and gospel music, and later adapted their name to Gospel Jubilee for church gigs. He joined The Manhattans in 1970 following the death of their previous lead singer, George Smith.
Alston led The Manhattans to their greatest success, including the 1976 platinum single "Kiss and Say Goodbye," which hit No. 1 on U.S. Pop and R&B charts and topped charts in four countries. Other major hits under his tenure include "Shining Star" (a Grammy winner), "There's No Me Without You," and tracks like "One Life to Live" and "Hurt". The group notched 25 top 40 R&B singles and 12 Hot 100 hits between 1970 and 1988.
Leaving The Manhattans in 1988, Alston signed with Motown and released his self-titled debut album, which peaked at No. 18 on the R&B albums chart. Standout singles included "Take Me Where You Want To" (top 10 R&B), "Slow Motion," and "Getting Back into Love". He recorded five solo albums total, collaborated with artists like George Duke and Regina Belle, and lent his voice to Spike Lee's "Do the Right Thing" soundtrack plus commercials for Miller Beer and KFC.
Alston has continued performing, blending secular and gospel work, and earned induction into the North Carolina Music Hall of Fame. His enduring influence stems from smooth ballads that defined soul music eras. As of 2026, he remains active in music at age 74.
He grew up in a musical church environment as the nephew of gospel singer Johnny Fields from The Blind Boys of Alabama. As a teenager, he formed the New Imperials, performing both secular and gospel music, and later adapted their name to Gospel Jubilee for church gigs. He joined The Manhattans in 1970 following the death of their previous lead singer, George Smith.
Alston led The Manhattans to their greatest success, including the 1976 platinum single "Kiss and Say Goodbye," which hit No. 1 on U.S. Pop and R&B charts and topped charts in four countries. Other major hits under his tenure include "Shining Star" (a Grammy winner), "There's No Me Without You," and tracks like "One Life to Live" and "Hurt". The group notched 25 top 40 R&B singles and 12 Hot 100 hits between 1970 and 1988.
Leaving The Manhattans in 1988, Alston signed with Motown and released his self-titled debut album, which peaked at No. 18 on the R&B albums chart. Standout singles included "Take Me Where You Want To" (top 10 R&B), "Slow Motion," and "Getting Back into Love". He recorded five solo albums total, collaborated with artists like George Duke and Regina Belle, and lent his voice to Spike Lee's "Do the Right Thing" soundtrack plus commercials for Miller Beer and KFC.
Alston has continued performing, blending secular and gospel work, and earned induction into the North Carolina Music Hall of Fame. His enduring influence stems from smooth ballads that defined soul music eras. As of 2026, he remains active in music at age 74.
Gerald Levert
Gerald Levert (1966-2006) was a celebrated American R&B singer, songwriter, and producer, famous as the lead vocalist for the trio LeVert (with his brother Sean & Marc Gordon) and the supergroup LSG (with Keith Sweat & Johnny Gill), known for his soulful voice, hit songs like "Casanova," and a successful solo career, ultimately leaving a significant legacy despite his tragically early death from accidental drug intoxication at age 40.
Born July 13, 1966, in Philadelphia, Pennsylvania, to Eddie Levert (lead singer of The O'Jays) and Martha Levert, and raised in Shaker Heights, Ohio, he was immersed in music from a young age, traveling with his famous father.
His group LeVert was formed in 1983 and became a popular R&B group with hits like "(Pop, Pop, Pop, Pop) Goes My Mind" and "Casanova," achieving gold and platinum status.
Levert launched his solo career in 1991 with the album Private Line. His solo work produced chart-topping hits, earning him critical acclaim and awards, including Grammys and American Music Awards.
He collaborated with Keith Sweat and Johnny Gill to form LSG, whose self-titled album went platinum with the hit "My Body". Levert also discovered other artists (like The Rude Boys) and wrote/produced for others, including Patti LaBelle.
Known as a workaholic, he often struggled with pressure and pain, leading to dependence on prescription medications after a ruptured Achilles tendon in 2005. He passed away on November 10, 2006, at age 40, due to acute intoxication from a mix of prescription and over-the-counter drugs, ruled accidental.
His final album, In My Songs, won a posthumous Grammy. He was inducted into the Rhythm & Blues Hall of Fame in 2013.
Born July 13, 1966, in Philadelphia, Pennsylvania, to Eddie Levert (lead singer of The O'Jays) and Martha Levert, and raised in Shaker Heights, Ohio, he was immersed in music from a young age, traveling with his famous father.
His group LeVert was formed in 1983 and became a popular R&B group with hits like "(Pop, Pop, Pop, Pop) Goes My Mind" and "Casanova," achieving gold and platinum status.
Levert launched his solo career in 1991 with the album Private Line. His solo work produced chart-topping hits, earning him critical acclaim and awards, including Grammys and American Music Awards.
He collaborated with Keith Sweat and Johnny Gill to form LSG, whose self-titled album went platinum with the hit "My Body". Levert also discovered other artists (like The Rude Boys) and wrote/produced for others, including Patti LaBelle.
Known as a workaholic, he often struggled with pressure and pain, leading to dependence on prescription medications after a ruptured Achilles tendon in 2005. He passed away on November 10, 2006, at age 40, due to acute intoxication from a mix of prescription and over-the-counter drugs, ruled accidental.
His final album, In My Songs, won a posthumous Grammy. He was inducted into the Rhythm & Blues Hall of Fame in 2013.
Gil Scott-Heron
Gil Scott-Heron was an influential American poet, musician, and spoken-word artist known for blending jazz, soul, and social commentary. Often called the "Godfather of Rap," he tackled issues like racism, addiction, and politics through his incisive lyrics.
Born on April 1, 1949, in Chicago, Illinois, to librarian Bobbie Scott-Heron and Jamaican soccer player Giles "Gil" Heron. He grew up partly in Jackson, Tennessee, where he helped integrate a local school, then moved to the Bronx, New York, attending DeWitt Clinton High School. By age 13, he had written his first poetry collection; at 19, he published his debut novel The Vulture (1968), a murder mystery exploring urban Black struggles.
Scott-Heron attended Lincoln University in Pennsylvania, meeting collaborator Brian Jackson and forming Black & Blues. He left briefly to write The Nigger Factory (1972), a novel about campus activism at a historically Black college. He earned an M.A. in creative writing from Johns Hopkins University in 1972, with thesis Circle of Stone, and later taught literature at Federal City College (now University of the District of Columbia).
Debut album Small Talk at 125th and Lenox (1970) featured "The Revolution Will Not Be Televised," a seminal spoken-word track critiquing media and consumerism. He released over 15 albums, including Pieces of a Man (1971), Winter in America (1974), and Spirits (1994), often with Jackson and the Midnight Band, fusing jazz-funk with protest themes like poverty and drugs.
1980s releases like 1980, Real Eyes, and Moving Target continued his output amid personal struggles. Scott-Heron faced legal issues and addiction in the 1980s–2000s but made a late-career resurgence with I'm New Here (2010). He died on May 27, 2011, in New York from heart disease after years of health battles.
His work influenced hip-hop pioneers and activists; he supported efforts like Stevie Wonder's campaign for Martin Luther King Jr. Day.
Born on April 1, 1949, in Chicago, Illinois, to librarian Bobbie Scott-Heron and Jamaican soccer player Giles "Gil" Heron. He grew up partly in Jackson, Tennessee, where he helped integrate a local school, then moved to the Bronx, New York, attending DeWitt Clinton High School. By age 13, he had written his first poetry collection; at 19, he published his debut novel The Vulture (1968), a murder mystery exploring urban Black struggles.
Scott-Heron attended Lincoln University in Pennsylvania, meeting collaborator Brian Jackson and forming Black & Blues. He left briefly to write The Nigger Factory (1972), a novel about campus activism at a historically Black college. He earned an M.A. in creative writing from Johns Hopkins University in 1972, with thesis Circle of Stone, and later taught literature at Federal City College (now University of the District of Columbia).
Debut album Small Talk at 125th and Lenox (1970) featured "The Revolution Will Not Be Televised," a seminal spoken-word track critiquing media and consumerism. He released over 15 albums, including Pieces of a Man (1971), Winter in America (1974), and Spirits (1994), often with Jackson and the Midnight Band, fusing jazz-funk with protest themes like poverty and drugs.
1980s releases like 1980, Real Eyes, and Moving Target continued his output amid personal struggles. Scott-Heron faced legal issues and addiction in the 1980s–2000s but made a late-career resurgence with I'm New Here (2010). He died on May 27, 2011, in New York from heart disease after years of health battles.
His work influenced hip-hop pioneers and activists; he supported efforts like Stevie Wonder's campaign for Martin Luther King Jr. Day.
Gil Scott-Heron and Brian Jackson
Gil Scott-Heron was born on April 1, 1949, in Chicago, Illinois. He was a notable American poet, musician, and activist best known for his influential work in the realm of music and literature during the 1970s. Growing up in a family steeped in artistic and academic endeavors, he moved to New York City as a teenager and later attended Lincoln University in Pennsylvania, an HBCU, where he began developing his distinct voice as a writer and performer.
Scott-Heron's career took off with the release of his debut album, "Small Talk at 125th and Lenox," in 1970. He is often regarded as a pioneer of spoken word poetry and is well known for merging jazz and blues with socially conscious themes in his lyrics. Throughout his career, he collaborated with various artists, one of the most notable being Brian Jackson, whose musical contributions greatly enriched Scott-Heron's sound.
One of his most famous works is "The Revolution Will Not Be Televised," a powerful piece that critiques consumerism and social issues of the time. Scott-Heron's music not only entertained but also served as a voice for the African American community, addressing issues such as racism and inequality. His work continued to evolve, and despite facing personal struggles, including addiction, he remained a significant figure in music until his passing on May 27, 2011, in New York City.
Brian Jackson, born in 1952, is an American keyboardist, flautist, singer, composer, and producer, who gained prominence in the 1970s through his collaborations with Gil Scott-Heron. He met Scott-Heron at Lincoln University in the late 1960s, forming a partnership that would define a significant part of Scott-Heron's musical evolution. Jackson's contributions included blending jazz, blues, and soul with socially impactful lyrics, which became a hallmark of their work together.
Jackson served as Scott-Heron's musical director for nearly a decade, crafting arrangements that complemented and enhanced Scott-Heron's powerful poetry and vocal delivery. His instrumental prowess, especially on the flute and keyboards, played a pivotal role in shaping the sound of Scott-Heron's music during their collaboration, which yielded several critically acclaimed albums.
Throughout his career, Brian Jackson has continued to perform and record music, maintaining his reputation as a talented artist in his own right. His collaborations with Scott-Heron remain a significant aspect of his legacy, reflecting a unique blend of artistry that has had a lasting impact on the genre of spoken word and music fused with social commentary.
Overall, both Gil Scott-Heron and Brian Jackson have contributed considerably to the rich tapestry of American music, with their works serving as a powerful critique of societal issues while celebrating the cultural heritage of African Americans.
Scott-Heron's career took off with the release of his debut album, "Small Talk at 125th and Lenox," in 1970. He is often regarded as a pioneer of spoken word poetry and is well known for merging jazz and blues with socially conscious themes in his lyrics. Throughout his career, he collaborated with various artists, one of the most notable being Brian Jackson, whose musical contributions greatly enriched Scott-Heron's sound.
One of his most famous works is "The Revolution Will Not Be Televised," a powerful piece that critiques consumerism and social issues of the time. Scott-Heron's music not only entertained but also served as a voice for the African American community, addressing issues such as racism and inequality. His work continued to evolve, and despite facing personal struggles, including addiction, he remained a significant figure in music until his passing on May 27, 2011, in New York City.
Brian Jackson, born in 1952, is an American keyboardist, flautist, singer, composer, and producer, who gained prominence in the 1970s through his collaborations with Gil Scott-Heron. He met Scott-Heron at Lincoln University in the late 1960s, forming a partnership that would define a significant part of Scott-Heron's musical evolution. Jackson's contributions included blending jazz, blues, and soul with socially impactful lyrics, which became a hallmark of their work together.
Jackson served as Scott-Heron's musical director for nearly a decade, crafting arrangements that complemented and enhanced Scott-Heron's powerful poetry and vocal delivery. His instrumental prowess, especially on the flute and keyboards, played a pivotal role in shaping the sound of Scott-Heron's music during their collaboration, which yielded several critically acclaimed albums.
Throughout his career, Brian Jackson has continued to perform and record music, maintaining his reputation as a talented artist in his own right. His collaborations with Scott-Heron remain a significant aspect of his legacy, reflecting a unique blend of artistry that has had a lasting impact on the genre of spoken word and music fused with social commentary.
Overall, both Gil Scott-Heron and Brian Jackson have contributed considerably to the rich tapestry of American music, with their works serving as a powerful critique of societal issues while celebrating the cultural heritage of African Americans.
Gil Scott Heron
Gino Soccio
Gino Soccio is a Canadian disco producer and songwriter born on September 9, 1955, in Montreal, Quebec. He began playing piano at age eight and mastered Bach sonatas by eleven, later studying philosophy at the University of Montreal while working as a session musician on keyboards, drums, and guitar. Influenced by Kraftwerk, Stockhausen, and Wendy Carlos, he embraced synthesizers in the early 1970s and entered disco in 1975 via producer Pat Deserio.
Soccio's 1979 debut album Outline featured the #1 Billboard Dance hit "Dancer," which also reached #48 on the Hot 100, selling over a million copies globally. He released four solo albums (S-Beat in 1980, Closer in 1981, Face to Face in 1982), produced for artists like Witch Queen and Karen Silver, and earned two Juno nominations.
Active until the mid-1980s with singles through 1986 and compilations into the 1990s, Soccio largely vanished from public view afterward, reportedly residing in Quebec while avoiding interviews.
Soccio's 1979 debut album Outline featured the #1 Billboard Dance hit "Dancer," which also reached #48 on the Hot 100, selling over a million copies globally. He released four solo albums (S-Beat in 1980, Closer in 1981, Face to Face in 1982), produced for artists like Witch Queen and Karen Silver, and earned two Juno nominations.
Active until the mid-1980s with singles through 1986 and compilations into the 1990s, Soccio largely vanished from public view afterward, reportedly residing in Quebec while avoiding interviews.
Gladys Knight and The Pips
Gladys Knight & the Pips is an iconic American R&B, soul, and funk music group that originated from Atlanta, Georgia. The group is recognized for its impressive contributions to the music industry, with a career that has spanned several decades.
Gladys Knight, born on May 28, 1944, began singing at a young age. She formed the group with her siblings and cousins, initially called "the Pips" in the 1950s. The original members included her brother Bubba Knight, sister Brenda Knight, and cousins Eleanor and William Guest. The ensemble initially gained experience by opening for legendary R&B acts during this period.
In the early 1960s, Gladys Knight & the Pips signed with Motown Records, where they built a solid reputation as a recording group. They were already an established act by the time they joined the label, having performed together for years. Their unique sound and harmonies quickly garnered attention, leading to several hits throughout the 1960s and beyond, with notable songs including "Midnight Train to Georgia," "I Heard It Through the Grapevine," and "Neither One of Us (Wants to Be the First to Say Goodbye)".
The group is celebrated for blending elements of R&B, soul, funk, and pop music. Gladys Knight's powerful and emotive vocal style, often referred to as the “Empress of Soul,” played a significant role in the group's appeal. Their music often featured rich arrangements and poignant lyrics, resonating with audiences across multiple generations.
Over the years, Gladys Knight & the Pips received numerous awards and accolades, including several Grammy Awards, cementing their status as one of the most influential groups in American music history. Their performances have earned critical acclaim, and they have been inducted into the Rock and Roll Hall of Fame, showcasing their lasting impact on the music industry.
The group continued to perform and record music into the late 1980s, at which point Gladys Knight began to focus more on her solo career. However, the legacy of Gladys Knight & the Pips continues to influence contemporary artists and the music landscape as a whole.
In summary, Gladys Knight & the Pips are a pivotal part of American music history, known for their soulful melodies, heartfelt lyrics, and enduring popularity. Their journey from a family group in Atlanta to international music stars illustrates their dedication to artistry and performance.
Gladys Knight, born on May 28, 1944, began singing at a young age. She formed the group with her siblings and cousins, initially called "the Pips" in the 1950s. The original members included her brother Bubba Knight, sister Brenda Knight, and cousins Eleanor and William Guest. The ensemble initially gained experience by opening for legendary R&B acts during this period.
In the early 1960s, Gladys Knight & the Pips signed with Motown Records, where they built a solid reputation as a recording group. They were already an established act by the time they joined the label, having performed together for years. Their unique sound and harmonies quickly garnered attention, leading to several hits throughout the 1960s and beyond, with notable songs including "Midnight Train to Georgia," "I Heard It Through the Grapevine," and "Neither One of Us (Wants to Be the First to Say Goodbye)".
The group is celebrated for blending elements of R&B, soul, funk, and pop music. Gladys Knight's powerful and emotive vocal style, often referred to as the “Empress of Soul,” played a significant role in the group's appeal. Their music often featured rich arrangements and poignant lyrics, resonating with audiences across multiple generations.
Over the years, Gladys Knight & the Pips received numerous awards and accolades, including several Grammy Awards, cementing their status as one of the most influential groups in American music history. Their performances have earned critical acclaim, and they have been inducted into the Rock and Roll Hall of Fame, showcasing their lasting impact on the music industry.
The group continued to perform and record music into the late 1980s, at which point Gladys Knight began to focus more on her solo career. However, the legacy of Gladys Knight & the Pips continues to influence contemporary artists and the music landscape as a whole.
In summary, Gladys Knight & the Pips are a pivotal part of American music history, known for their soulful melodies, heartfelt lyrics, and enduring popularity. Their journey from a family group in Atlanta to international music stars illustrates their dedication to artistry and performance.
Glass House
Glass House was an American R&B/soul group formed in Detroit, Michigan, in 1969 by the production team Holland-Dozier-Holland for their Invictus Records label.
The group served as a studio assembly of musicians led by vocalist Ty Hunter, alongside Scherrie Payne (sister of Freda Payne), Sylvia Smith, Larry Mitchell, and Pearl Jones. It operated primarily as a vehicle for Holland-Dozier-Holland's songwriting and production talents following their departure from Motown.
They released two albums: Inside the Glass House (1971) and Thanks I Needed That (1972), achieving moderate success with singles like "Crumbs Off the Table," which reached No. 7 on the R&B chart and No. 59 on the pop chart. Other hits included "I Can't Be You (You Can't Be Me)" (No. 33 R&B) and "Look What We've Done to Love" (No. 31 R&B), though chart performance declined by 1972 amid label issues, including a lawsuit from The Blossoms over a miscredited track.
Invictus disbanded the group around 1972 as success waned. Ty Hunter later joined The Originals at Motown, while Scherrie Payne became a member of The Supremes. The Glass House exemplified the short-lived "assembly-line" soul acts of the era produced by Holland-Dozier-Holland.
The group served as a studio assembly of musicians led by vocalist Ty Hunter, alongside Scherrie Payne (sister of Freda Payne), Sylvia Smith, Larry Mitchell, and Pearl Jones. It operated primarily as a vehicle for Holland-Dozier-Holland's songwriting and production talents following their departure from Motown.
They released two albums: Inside the Glass House (1971) and Thanks I Needed That (1972), achieving moderate success with singles like "Crumbs Off the Table," which reached No. 7 on the R&B chart and No. 59 on the pop chart. Other hits included "I Can't Be You (You Can't Be Me)" (No. 33 R&B) and "Look What We've Done to Love" (No. 31 R&B), though chart performance declined by 1972 amid label issues, including a lawsuit from The Blossoms over a miscredited track.
Invictus disbanded the group around 1972 as success waned. Ty Hunter later joined The Originals at Motown, while Scherrie Payne became a member of The Supremes. The Glass House exemplified the short-lived "assembly-line" soul acts of the era produced by Holland-Dozier-Holland.
Gloria Barnes
Gloria Barnes, also known as "Towanda" Barnes, is an American soul singer with a career that has remained relatively obscure compared to her contemporaries. She was born and raised in Harlem, New York City, where she first developed her passion for music.
Barnes began her recording career in the mid-1960s, initially releasing singles under the name Towanda. Her early work included 45s on The Groovy Label in 1966 and A&M Records in 1969. She gained some recognition in the UK, particularly within the Northern Soul scene, which was instrumental in her discovery. One of her notable recordings is "Uptown," which later became her one and only full-length album released in 1975 on the Maple label. The album has become somewhat of a collectible among soul music enthusiasts and is known for its deep and southern soul influences.
Although specific details about her life and career are sparse, it is understood that Barnes' contributions to soul music have been appreciated by a dedicated fanbase, particularly in the UK, where she initially found success. Northern soul fans played a significant role in bringing her music to wider audiences.
Barnes began her recording career in the mid-1960s, initially releasing singles under the name Towanda. Her early work included 45s on The Groovy Label in 1966 and A&M Records in 1969. She gained some recognition in the UK, particularly within the Northern Soul scene, which was instrumental in her discovery. One of her notable recordings is "Uptown," which later became her one and only full-length album released in 1975 on the Maple label. The album has become somewhat of a collectible among soul music enthusiasts and is known for its deep and southern soul influences.
Although specific details about her life and career are sparse, it is understood that Barnes' contributions to soul music have been appreciated by a dedicated fanbase, particularly in the UK, where she initially found success. Northern soul fans played a significant role in bringing her music to wider audiences.
Gloria Lynne
Gloria Lynne, born Gloria Wilson on November 23, 1931, in New York City, was an influential American jazz vocalist known for her emotive singing style and rich vocal timbre. She grew up in Harlem during the 1930s and 1940s, which played a significant role in shaping her musical influences and career path.
Lynne's recording career spanned several decades, from 1958 until 2007, during which she produced numerous albums. Some of her notable works include "Live! Take: 2" (1966) and "Gloria, Marty & Strings" (1963). Despite facing periods of obscurity, she made a significant impact on the jazz scene and is remembered for her contributions to the genre.
She is especially well-known for songs like "I Wish You Love," which showcases her ability to convey deep emotion through her music. Lynne's legacy continues to influence upcoming jazz artists and is celebrated within the musical community.
Lynne's recording career spanned several decades, from 1958 until 2007, during which she produced numerous albums. Some of her notable works include "Live! Take: 2" (1966) and "Gloria, Marty & Strings" (1963). Despite facing periods of obscurity, she made a significant impact on the jazz scene and is remembered for her contributions to the genre.
She is especially well-known for songs like "I Wish You Love," which showcases her ability to convey deep emotion through her music. Lynne's legacy continues to influence upcoming jazz artists and is celebrated within the musical community.
Graham Central Station
Graham Central Station is an American funk band founded in 1973 in Oakland, California, by bassist, vocalist, and bandleader Larry Graham. He previously gained fame as a member of Sly and the Family Stone, and his departure led him to create this new ensemble. The band's name is a clever play on words, combining both the iconic Grand Central Station in New York City and Graham's own name, thus establishing a unique identity for the group.
Larry Graham, born on August 14, 1946, in Beaumont, Texas, was raised in Oakland, California. He started his musical journey at the age of 11 when his father gifted him a personal guitar, showcasing the early influence of music in his life . His innovative bass playing, including the development of slap bass techniques, marked a significant evolution in funk music.
Graham Central Station quickly gained a reputation for its energetic performances and innovative sound, characterized by a fusion of funk, rock, and soul. The band released several albums throughout the 1970s, achieving significant commercial success with tracks like "Earthquake" and "Your Love." Their unique style not only showcased Graham's virtuosic bass skills but also incorporated various musical influences, making them stand out in the funk genre.
After experiencing several lineup changes and shifts in the music industry, Graham Central Station continued to evolve. In 2010, Larry Graham reformed the band with a new lineup, which included Wilton "Fab" Rabb on guitar and featured a blend of classic hits and new material, aiming to keep the spirit of funk alive.
The band's contribution to music has left a lasting impact on the funk genre, influencing numerous artists and bands that followed. Their innovative sound and Larry Graham's signature techniques have solidified Graham Central Station's place in music history as a pivotal funk ensemble.
Overall, the journey of Graham Central Station reflects the creative evolution of Larry Graham and the dynamic nature of funk music.
Larry Graham, born on August 14, 1946, in Beaumont, Texas, was raised in Oakland, California. He started his musical journey at the age of 11 when his father gifted him a personal guitar, showcasing the early influence of music in his life . His innovative bass playing, including the development of slap bass techniques, marked a significant evolution in funk music.
Graham Central Station quickly gained a reputation for its energetic performances and innovative sound, characterized by a fusion of funk, rock, and soul. The band released several albums throughout the 1970s, achieving significant commercial success with tracks like "Earthquake" and "Your Love." Their unique style not only showcased Graham's virtuosic bass skills but also incorporated various musical influences, making them stand out in the funk genre.
After experiencing several lineup changes and shifts in the music industry, Graham Central Station continued to evolve. In 2010, Larry Graham reformed the band with a new lineup, which included Wilton "Fab" Rabb on guitar and featured a blend of classic hits and new material, aiming to keep the spirit of funk alive.
The band's contribution to music has left a lasting impact on the funk genre, influencing numerous artists and bands that followed. Their innovative sound and Larry Graham's signature techniques have solidified Graham Central Station's place in music history as a pivotal funk ensemble.
Overall, the journey of Graham Central Station reflects the creative evolution of Larry Graham and the dynamic nature of funk music.
Greg Perry
Greg Perry was an influential American soul singer, songwriter, and producer known for his work in the 1970s music scene. Born on January 21, 1948, in Alton, Illinois, he rose through collaborations with labels like Chess Records and Holland-Dozier-Holland's Invictus/Hot Wax, contributing to hits for artists such as Freda Payne and Honey Cone.
Perry showed early musical talent, learning piano and singing in school groups before signing with Chess Records as a teenager. He immersed himself in songwriting at the label, working long hours in their studios and collaborating with figures like Angelo Bond and General Johnson.
Perry released singles like "The Boogie Man" (1974), which charted at #81 on the R&B charts, and later hits including "Come On Down (Get Your Head Out Of The Clouds)" (#24 R&B in 1975) and "I'll Be Comin' Back" (#48 R&B). His 1982 single "It Takes Heart" reached #53 on R&B charts.
He co-wrote and produced major tracks such as Freda Payne's "Bring The Boys Home" and Honey Cone's "Want Ads," earning Grammy nominations for 100 Proof (Aged in Soul)'s "Somebody's Been Sleeping." Perry also produced albums for his wife, Edna Wright (formerly of Honey Cone), and worked with Mary Wells and Bonnie Pointer.
Married to Edna Wright for decades, Perry was part of a musical family with brothers like Jeff Perry (aka Jeffree). He passed away on March 13, 2023, at age 75, leaving a legacy of soul hits and behind-the-scenes contributions.
Perry showed early musical talent, learning piano and singing in school groups before signing with Chess Records as a teenager. He immersed himself in songwriting at the label, working long hours in their studios and collaborating with figures like Angelo Bond and General Johnson.
Perry released singles like "The Boogie Man" (1974), which charted at #81 on the R&B charts, and later hits including "Come On Down (Get Your Head Out Of The Clouds)" (#24 R&B in 1975) and "I'll Be Comin' Back" (#48 R&B). His 1982 single "It Takes Heart" reached #53 on R&B charts.
He co-wrote and produced major tracks such as Freda Payne's "Bring The Boys Home" and Honey Cone's "Want Ads," earning Grammy nominations for 100 Proof (Aged in Soul)'s "Somebody's Been Sleeping." Perry also produced albums for his wife, Edna Wright (formerly of Honey Cone), and worked with Mary Wells and Bonnie Pointer.
Married to Edna Wright for decades, Perry was part of a musical family with brothers like Jeff Perry (aka Jeffree). He passed away on March 13, 2023, at age 75, leaving a legacy of soul hits and behind-the-scenes contributions.
Griffin
Griffin is the stage name of American multi-instrumentalist and producer Reggie Griffin, born in 1957 in Oklahoma City, OK, and raised in Houston, TX and Indianapolis, IN.
Former A&R Representative at Warner Bros. Records, he was lead singer of R&B group Manchild, secret lead vocalist of West Street Mobb, and later involved in Redd Hott, Reggie Griffin & Technofunk, The Chess Project, and Grandmaster Flash and the Furious Five, playing keyboard on "The Message.".
Perhaps best known for his 1984 debut album Hot Fingers, released on Qwest Records. This synth-heavy LP captures early 1980s electro-funk with thick bass lines, bright stabs, breakdance scratching, and nostalgic grooves.
He drew from his experiences working with Sugar Hill Records and R&B icons like Grandmaster Flash, Melle Mel, Chaka Khan, and the O'Jays. These influences shaped the album's tight, inviting sound blending funk and early hip-hop elements.
Hot Fingers (Qwest Records #1-25123) features pure 1984 funk production, earning praise for its vibrant cover art and era-defining style.
Former A&R Representative at Warner Bros. Records, he was lead singer of R&B group Manchild, secret lead vocalist of West Street Mobb, and later involved in Redd Hott, Reggie Griffin & Technofunk, The Chess Project, and Grandmaster Flash and the Furious Five, playing keyboard on "The Message.".
Perhaps best known for his 1984 debut album Hot Fingers, released on Qwest Records. This synth-heavy LP captures early 1980s electro-funk with thick bass lines, bright stabs, breakdance scratching, and nostalgic grooves.
He drew from his experiences working with Sugar Hill Records and R&B icons like Grandmaster Flash, Melle Mel, Chaka Khan, and the O'Jays. These influences shaped the album's tight, inviting sound blending funk and early hip-hop elements.
Hot Fingers (Qwest Records #1-25123) features pure 1984 funk production, earning praise for its vibrant cover art and era-defining style.
Grover Washington Jr.
Grover Washington Jr. was born on December 12, 1943, in Buffalo, New York. He was immersed in a musical environment from a young age, as his father, Grover Washington Sr., was a tenor saxophonist and his mother, Lillian Washington, was a church chorister. This early exposure led him to begin music lessons at the age of nine, and by the age of twelve, he was performing professionally. Washington's formative years in Buffalo were marked by his experiences at the Colored Musicians Club, where he honed his craft and developed his distinctive style.
In the early 1960s, Washington moved to Philadelphia, where he further developed his musical identity. He became known as a pioneering jazz-funk and soul-jazz saxophonist, successfully blending genres to create a unique sound that resonated with a wide audience. Washington's ability to adapt to light funk arrangements helped him achieve significant success on pop and R&B charts. His willingness to crossover into different musical territories set him apart as a versatile artist.
Throughout his career, Washington released numerous albums, with one of his most successful being "Winelight," which featured the hit single "Just the Two of Us." This and other works underscored his ability to fuse smooth jazz with elements of soul and funk, making him one of the most popular saxophonists of his time.
Grover Washington Jr.'s impact on the music industry was profound, as he not only enjoyed commercial success but also influenced many musicians in both the jazz and R&B genres. He received several accolades during his career, including Grammy Awards, which further cemented his legacy as a leading figure in jazz music. His contributions continue to be celebrated by both fans and fellow musicians alike, ensuring that his music endures beyond his lifetime.
Washington passed away on December 17, 1999, leaving behind a rich musical legacy that continues to inspire new generations of artists. His work remains a staple in the genres of jazz, funk, and soul, reflecting the depth of his talent and the breadth of his influence.
Overall, Grover Washington Jr.'s biography is a testament to a life dedicated to music and innovation, marking him as a significant figure in the evolution of jazz and its crossover into popular music.
In the early 1960s, Washington moved to Philadelphia, where he further developed his musical identity. He became known as a pioneering jazz-funk and soul-jazz saxophonist, successfully blending genres to create a unique sound that resonated with a wide audience. Washington's ability to adapt to light funk arrangements helped him achieve significant success on pop and R&B charts. His willingness to crossover into different musical territories set him apart as a versatile artist.
Throughout his career, Washington released numerous albums, with one of his most successful being "Winelight," which featured the hit single "Just the Two of Us." This and other works underscored his ability to fuse smooth jazz with elements of soul and funk, making him one of the most popular saxophonists of his time.
Grover Washington Jr.'s impact on the music industry was profound, as he not only enjoyed commercial success but also influenced many musicians in both the jazz and R&B genres. He received several accolades during his career, including Grammy Awards, which further cemented his legacy as a leading figure in jazz music. His contributions continue to be celebrated by both fans and fellow musicians alike, ensuring that his music endures beyond his lifetime.
Washington passed away on December 17, 1999, leaving behind a rich musical legacy that continues to inspire new generations of artists. His work remains a staple in the genres of jazz, funk, and soul, reflecting the depth of his talent and the breadth of his influence.
Overall, Grover Washington Jr.'s biography is a testament to a life dedicated to music and innovation, marking him as a significant figure in the evolution of jazz and its crossover into popular music.
Guinn
Guinn was a family-based R&B and soul vocal group from Philadelphia, Pennsylvania, active primarily in the 1970s and 1980s. They are best known for their 1986 self-titled Motown album, which featured the track "Dreamin'" later popularized by Vanessa Williams.
The group formed in 1970 as sons and daughters of Louise and Elgin Guinn, with most members hailing from Philadelphia (except vocalist Lori Fulton from Harrisburg, who joined in 1985). The sister members initially performed as The Passionettes in the 1970s. They recorded early tracks as New Experience for Philly World Records, including the single "Prove It To Me," before signing with Motown.
Guinn consisted of siblings with shared vocal and instrumental talents: Michael Guinn (lead vocals); Randy Guinn (bass); Skip Guinn (vocals, band leader); Bonnie Guinn (vocals); Earl Guinn (guitars); Marjorie Guinn (vocals). Lori Fulton provided additional vocals later on.
Their sole major album, Guinn (Motown, 1986), included tracks like "Dreamin'," "Open Your Door," and "People Will Be People." Produced with input from Bobby Eli and Michael Forte, it showcased mature R&B but failed to chart commercially. The group faded into obscurity afterward, though members like Earl Guinn continued in music (e.g., co-writing Musiq Soulchild's "B.U.D.D.Y." in 2007).
The group formed in 1970 as sons and daughters of Louise and Elgin Guinn, with most members hailing from Philadelphia (except vocalist Lori Fulton from Harrisburg, who joined in 1985). The sister members initially performed as The Passionettes in the 1970s. They recorded early tracks as New Experience for Philly World Records, including the single "Prove It To Me," before signing with Motown.
Guinn consisted of siblings with shared vocal and instrumental talents: Michael Guinn (lead vocals); Randy Guinn (bass); Skip Guinn (vocals, band leader); Bonnie Guinn (vocals); Earl Guinn (guitars); Marjorie Guinn (vocals). Lori Fulton provided additional vocals later on.
Their sole major album, Guinn (Motown, 1986), included tracks like "Dreamin'," "Open Your Door," and "People Will Be People." Produced with input from Bobby Eli and Michael Forte, it showcased mature R&B but failed to chart commercially. The group faded into obscurity afterward, though members like Earl Guinn continued in music (e.g., co-writing Musiq Soulchild's "B.U.D.D.Y." in 2007).
Gwen McCrae
Gwen McCrae was an influential American soul and disco singer best known for her 1975 hit "Rockin' Chair." Born Gwendolyn Mosley on December 21, 1943, in Pensacola, Florida, she passed away on February 21, 2025, at age 81.
Gwen Mosley grew up in a musical, church-going family in Pensacola, singing in the church choir from age seven. She performed in local clubs as a teenager and planned a music career after high school, initially working as a background singer.
At age 20, she married George McCrae in 1963; they formed the duo George & Gwen, recording from 1967 with help from Betty Wright and TK Records. Early singles like "Lead Me On" (1970, peaked at #32 on Billboard Hot Soul Singles) gained regional success.
Signed solo to TK's Cat Records, McCrae hit big with "Rockin' Chair" in 1975 (#1 R&B, US Top 10), followed by the album Love Insurance. George's prior hit "Rock Your Baby" boosted her profile, though their marriage strained amid success and alleged abuse.
After TK's 1981 collapse and divorce, she signed with Atlantic, scoring with "Funky Sensation" (#22 R&B) and "Keep the Fire Burning" (#5 Dance Club). Popular in UK Northern Soul, she released gospel in 2004 and "Now I Found Love" in 2010, but a 2012 stroke paralyzed her left side.
McCrae's emotive style spanned deep soul to disco, with enduring live appeal in Europe despite limited mainstream recognition later on.
Gwen Mosley grew up in a musical, church-going family in Pensacola, singing in the church choir from age seven. She performed in local clubs as a teenager and planned a music career after high school, initially working as a background singer.
At age 20, she married George McCrae in 1963; they formed the duo George & Gwen, recording from 1967 with help from Betty Wright and TK Records. Early singles like "Lead Me On" (1970, peaked at #32 on Billboard Hot Soul Singles) gained regional success.
Signed solo to TK's Cat Records, McCrae hit big with "Rockin' Chair" in 1975 (#1 R&B, US Top 10), followed by the album Love Insurance. George's prior hit "Rock Your Baby" boosted her profile, though their marriage strained amid success and alleged abuse.
After TK's 1981 collapse and divorce, she signed with Atlantic, scoring with "Funky Sensation" (#22 R&B) and "Keep the Fire Burning" (#5 Dance Club). Popular in UK Northern Soul, she released gospel in 2004 and "Now I Found Love" in 2010, but a 2012 stroke paralyzed her left side.
McCrae's emotive style spanned deep soul to disco, with enduring live appeal in Europe despite limited mainstream recognition later on.
Hank Crawford
Hank Crawford, born Bennie Ross Crawford Jr. on December 21, 1934, in Memphis, Tennessee, started music early with piano lessons at age nine for his church choir. His father brought home an alto saxophone from military service, leading Crawford to take it up in high school band, influenced by Charlie Parker, Louis Jordan, Earl Bostic, and Johnny Hodges.
Crawford attended Tennessee State College in Nashville in 1953, leading the school dance band with vocalist Leon Thomas and his own quartet, Little Hank and the Rhythm Kings. Discovered at the Subway Lounge, the group recorded "The House of Pink Lights" and "Christine" as a vocalist, marking his professional entry.
In 1958, Ray Charles recruited Crawford as baritone saxophonist after Leroy “Hog” Cooper's departure, later switching him to alto in 1959 as musical director until 1963. Crawford credited Charles for honing his discipline, phrasing, and soulful voicing.
Leaving Charles in 1963, Crawford formed his septet and recorded twelve albums for Atlantic from 1960-1970, including hits like "Misty," "The Pepper," and "Whispering Grass." Later labels included CTI, then Milestone from 1982 with soul-jazz albums like Midnight Ramble, Indigo Blue, and collaborations with Jimmy McGriff such as Soul Survivors.
Crawford blended blues, R&B, gospel, hard bop, jazz-funk, and soul jazz with his piercing alto tone, influencing soul-jazz. He died on January 29, 2009, in Memphis.
Crawford attended Tennessee State College in Nashville in 1953, leading the school dance band with vocalist Leon Thomas and his own quartet, Little Hank and the Rhythm Kings. Discovered at the Subway Lounge, the group recorded "The House of Pink Lights" and "Christine" as a vocalist, marking his professional entry.
In 1958, Ray Charles recruited Crawford as baritone saxophonist after Leroy “Hog” Cooper's departure, later switching him to alto in 1959 as musical director until 1963. Crawford credited Charles for honing his discipline, phrasing, and soulful voicing.
Leaving Charles in 1963, Crawford formed his septet and recorded twelve albums for Atlantic from 1960-1970, including hits like "Misty," "The Pepper," and "Whispering Grass." Later labels included CTI, then Milestone from 1982 with soul-jazz albums like Midnight Ramble, Indigo Blue, and collaborations with Jimmy McGriff such as Soul Survivors.
Crawford blended blues, R&B, gospel, hard bop, jazz-funk, and soul jazz with his piercing alto tone, influencing soul-jazz. He died on January 29, 2009, in Memphis.
Harold Melvin And The Blue Notes
Harold Melvin & the Blue Notes formed in 1954 in Philadelphia. Originally known as The Charlemagnes, the group adopted the Blue Notes name with Harold Melvin as a key founder, alongside members like Franklin Peaker, Bernard Williams, Roosevelt Brodie, and Jesse Gillis Jr. They struggled initially, releasing singles like "If You Love Me" (1956) on Josie Records, "My Hero" (1960) on Val-ue, and "Get Out (And Let Me Cry)" (1965) on Landa without major success.
Major success arrived in 1970 with Teddy Pendergrass joining as drummer, then lead singer. Signed to Philadelphia International Records under Gamble and Huff, their debut album I Miss You (1972) featured the hit "I Miss You." Follow-ups like If You Don't Know Me by Now (1972, No. 1 R&B) and The Love I Lost (1973, gold-certified) defined Philly soul. "Wake Up Everybody" (1975) topped R&B charts, earning Grammy nods and solidifying their sound with lush orchestration.
Teddy Pendergrass departed in 1976 for a solo career. Melvin replaced him with David Ebo, shifting to ABC Records for albums like Reaching for the World (1977). Later leads included Gil Saunders (1982-1992), who scored UK hits with Talk It Up (Tell Everybody). Melvin managed frequent lineup shifts, including Jerry Cummings as a constant, while touring into the 1990s.
Harold Melvin died on March 24, 1997, after a stroke. The group influenced soul with hits covered by artists like Simply Red. Inducted into the Vocal Group Hall of Fame, they pioneered Philly sound alongside O'Jays and Spinners. Melvin, born June 25, 1939, was a self-taught pianist, arranger, and choreographer who fronted until his death.
Major success arrived in 1970 with Teddy Pendergrass joining as drummer, then lead singer. Signed to Philadelphia International Records under Gamble and Huff, their debut album I Miss You (1972) featured the hit "I Miss You." Follow-ups like If You Don't Know Me by Now (1972, No. 1 R&B) and The Love I Lost (1973, gold-certified) defined Philly soul. "Wake Up Everybody" (1975) topped R&B charts, earning Grammy nods and solidifying their sound with lush orchestration.
Teddy Pendergrass departed in 1976 for a solo career. Melvin replaced him with David Ebo, shifting to ABC Records for albums like Reaching for the World (1977). Later leads included Gil Saunders (1982-1992), who scored UK hits with Talk It Up (Tell Everybody). Melvin managed frequent lineup shifts, including Jerry Cummings as a constant, while touring into the 1990s.
Harold Melvin died on March 24, 1997, after a stroke. The group influenced soul with hits covered by artists like Simply Red. Inducted into the Vocal Group Hall of Fame, they pioneered Philly sound alongside O'Jays and Spinners. Melvin, born June 25, 1939, was a self-taught pianist, arranger, and choreographer who fronted until his death.
Harold Ousley
Harold Ousley was an American jazz tenor saxophonist and flautist known for his work in hard bop, soul jazz, and bebop styles.
Born Harold Lomax Ousley on January 23, 1929, in Chicago, Illinois, he began playing saxophone in the late 1940s after high school studies. He turned professional around that time, joining local bands including one led by trumpeter King Kolax in the mid-1950s.
In the 1950s, Ousley accompanied Billie Holiday, recorded with Dinah Washington, and worked as a sideman with Gene Ammons. During the 1960s, he collaborated with Jack McDuff and George Benson, releasing his debut album as leader, Tenor Sax, in 1961 on Bethlehem Records. The 1970s saw him with Lionel Hampton and Count Basie, plus leader dates like The Kid! (1972) and The People's Groove (1977).
Ousley remained active into the 2000s, issuing Grit-Grittin' Feelin' in 2000 after a long hiatus from leading projects. He performed internationally, including in Europe, and contributed to soul-jazz sessions blending blues and Latin influences. Ousley passed away on August 13, 2015, in Brooklyn, New York, at age 86.
Born Harold Lomax Ousley on January 23, 1929, in Chicago, Illinois, he began playing saxophone in the late 1940s after high school studies. He turned professional around that time, joining local bands including one led by trumpeter King Kolax in the mid-1950s.
In the 1950s, Ousley accompanied Billie Holiday, recorded with Dinah Washington, and worked as a sideman with Gene Ammons. During the 1960s, he collaborated with Jack McDuff and George Benson, releasing his debut album as leader, Tenor Sax, in 1961 on Bethlehem Records. The 1970s saw him with Lionel Hampton and Count Basie, plus leader dates like The Kid! (1972) and The People's Groove (1977).
Ousley remained active into the 2000s, issuing Grit-Grittin' Feelin' in 2000 after a long hiatus from leading projects. He performed internationally, including in Europe, and contributed to soul-jazz sessions blending blues and Latin influences. Ousley passed away on August 13, 2015, in Brooklyn, New York, at age 86.
Harvey Mason
Harvey Mason is an acclaimed American jazz drummer, producer, and composer known for his versatile session work and founding role in the smooth jazz supergroup Fourplay. Born on February 22, 1947, in Atlantic City, New Jersey, he developed a passion for drumming early, practicing on a pad and joining school bands by eighth grade.
Mason honed his skills at Atlantic City High School, studying piano and leading a jazz trio, before gigging with pianist James Booker. He attended Berklee College of Music for a year and a half, studying under Alan Dawson, then transferred to the New England Conservatory of Music on a full scholarship, earning a B.A. in Education and Performance in 1970.
After graduation, Mason toured with Errol Garner and George Shearing, then relocated to Los Angeles, working percussion alongside Emil Richards and Larry Bunker. His breakthrough came in 1972 on Donald Byrd's Black Byrd, followed by joining Herbie Hancock's Headhunters, where his "Mase Magic" elevated tracks.
Mason signed with Arista in 1976, releasing albums like Funk in a Mason Jar (1977) and earning five Grammy nominations. He produced Seawind, Midnight Star's debut, and Lee Ritenour's hit "Is It You," while releasing hits like "Groovin' You" in 1979.
In 1986, Mason co-founded Fourplay with Bob James, Nathan East, and Lee Ritenour (later Larry Carlton), topping Billboard's Contemporary Jazz chart for 34 weeks with their debut and earning platinum status, gold albums, and Grammy nods. Later highlights include the 2004 trio album With All My Heart, featuring pianists like Hank Jones, which won Japan's Silver Disc Award.
Mason honed his skills at Atlantic City High School, studying piano and leading a jazz trio, before gigging with pianist James Booker. He attended Berklee College of Music for a year and a half, studying under Alan Dawson, then transferred to the New England Conservatory of Music on a full scholarship, earning a B.A. in Education and Performance in 1970.
After graduation, Mason toured with Errol Garner and George Shearing, then relocated to Los Angeles, working percussion alongside Emil Richards and Larry Bunker. His breakthrough came in 1972 on Donald Byrd's Black Byrd, followed by joining Herbie Hancock's Headhunters, where his "Mase Magic" elevated tracks.
Mason signed with Arista in 1976, releasing albums like Funk in a Mason Jar (1977) and earning five Grammy nominations. He produced Seawind, Midnight Star's debut, and Lee Ritenour's hit "Is It You," while releasing hits like "Groovin' You" in 1979.
In 1986, Mason co-founded Fourplay with Bob James, Nathan East, and Lee Ritenour (later Larry Carlton), topping Billboard's Contemporary Jazz chart for 34 weeks with their debut and earning platinum status, gold albums, and Grammy nods. Later highlights include the 2004 trio album With All My Heart, featuring pianists like Hank Jones, which won Japan's Silver Disc Award.
Heather Headley
Heather Headley is a Trinidadian-American singer, songwriter, actress, and record producer renowned for her powerful voice and Tony Award-winning Broadway performances. Born on October 5, 1974, in San Fernando, Trinidad, she moved to Fort Wayne, Indiana, at age 15 and began performing in her father's church.
Headley grew up in a musical family, singing in church from a young age, which shaped her gospel-influenced style. She attended Northwestern University to study theater but dropped out to pursue professional opportunities, starting with the ensemble in the Toronto production of Ragtime.
In 1997, she originated the role of Nala in The Lion King on Broadway, earning critical acclaim. She followed with the lead in Aida (1999), winning the 2000 Tony Award for Best Actress in a Musical and a Drama Desk Award. Later roles included The Bodyguard in London's West End (2012-2013) and The Color Purple revival (2016).
Headley debuted with This Is Who I Am (2002), featuring hits like "He Is" and earning Grammy nominations for Best New Artist and Best Female R&B Vocal Performance. Her 2006 album In My Mind went gold with the No. 1 R&B/dance hit "In My Mind," and she won a 2010 Grammy for Best Contemporary R&B Gospel Album for Audience of One. Later releases include Only One In The World (2012) and Broadway My Way (2018).
She recurred as Dr. Jamison on She's Gotta Have It (2017-2019) and Gwen Garrett on Chicago Med (2018). Headley starred as Helen Decatur in Netflix's Sweet Magnolias (2020-present) and portrayed Clara Ward in the Aretha Franklin biopic Respect (2021). She also voiced a role in The Lion Guard.
A devout evangelical Christian, Headley lives in the Chicago area with her husband, Brian Musso, a music executive, and their three sons. She remains active in theater, concerts, and family life as of 2026.
Headley grew up in a musical family, singing in church from a young age, which shaped her gospel-influenced style. She attended Northwestern University to study theater but dropped out to pursue professional opportunities, starting with the ensemble in the Toronto production of Ragtime.
In 1997, she originated the role of Nala in The Lion King on Broadway, earning critical acclaim. She followed with the lead in Aida (1999), winning the 2000 Tony Award for Best Actress in a Musical and a Drama Desk Award. Later roles included The Bodyguard in London's West End (2012-2013) and The Color Purple revival (2016).
Headley debuted with This Is Who I Am (2002), featuring hits like "He Is" and earning Grammy nominations for Best New Artist and Best Female R&B Vocal Performance. Her 2006 album In My Mind went gold with the No. 1 R&B/dance hit "In My Mind," and she won a 2010 Grammy for Best Contemporary R&B Gospel Album for Audience of One. Later releases include Only One In The World (2012) and Broadway My Way (2018).
She recurred as Dr. Jamison on She's Gotta Have It (2017-2019) and Gwen Garrett on Chicago Med (2018). Headley starred as Helen Decatur in Netflix's Sweet Magnolias (2020-present) and portrayed Clara Ward in the Aretha Franklin biopic Respect (2021). She also voiced a role in The Lion Guard.
A devout evangelical Christian, Headley lives in the Chicago area with her husband, Brian Musso, a music executive, and their three sons. She remains active in theater, concerts, and family life as of 2026.
Heatwave
Heatwave was a multinational funk and disco band formed in London in 1975, renowned for hits like "Boogie Nights," "The Groove Line," and "Always and Forever". The group blended American soul, British songwriting, and international influences into a distinctive sound during the late 1970s disco era.
Johnnie Wilder Jr., an American from Dayton, Ohio, began singing in Germany while in the U.S. Army, staying after discharge to perform in clubs. He relocated to the UK, placed an ad, and teamed with English songwriter Rod Temperton on keyboards, later adding Keith Wilder (vocals), Roy Carter and Eric Johns (guitars), Swiss bassist Mario Mantese, and Czech drummer Ernest "Bilbo" Berger.
Signed to GTO Records in 1976, Heatwave released Too Hot to Handle with producer Barry Blue, featuring "Boogie Nights" which hit the U.S. Top 10. Their 1977 follow-up Central Heating included "The Groove Line" and the ballad "Always and Forever," solidifying their chart success.
Bassist Mantese was stabbed by his girlfriend in 1978, surviving a coma but left paralyzed, blind, and mute; Derek Bramble replaced him. Founder Johnnie Wilder Jr. became paraplegic in a 1979 car accident, shifting to production and backing vocals.
The band released Hot Property (1979) and Candles (1981) before disbanding around 1982. Temperton wrote hits for Michael Jackson and others; Keith Wilder led later reunions until his 2016 death; Johnnie Wilder Jr. passed in 2017.
Johnnie Wilder Jr., an American from Dayton, Ohio, began singing in Germany while in the U.S. Army, staying after discharge to perform in clubs. He relocated to the UK, placed an ad, and teamed with English songwriter Rod Temperton on keyboards, later adding Keith Wilder (vocals), Roy Carter and Eric Johns (guitars), Swiss bassist Mario Mantese, and Czech drummer Ernest "Bilbo" Berger.
Signed to GTO Records in 1976, Heatwave released Too Hot to Handle with producer Barry Blue, featuring "Boogie Nights" which hit the U.S. Top 10. Their 1977 follow-up Central Heating included "The Groove Line" and the ballad "Always and Forever," solidifying their chart success.
Bassist Mantese was stabbed by his girlfriend in 1978, surviving a coma but left paralyzed, blind, and mute; Derek Bramble replaced him. Founder Johnnie Wilder Jr. became paraplegic in a 1979 car accident, shifting to production and backing vocals.
The band released Hot Property (1979) and Candles (1981) before disbanding around 1982. Temperton wrote hits for Michael Jackson and others; Keith Wilder led later reunions until his 2016 death; Johnnie Wilder Jr. passed in 2017.
Herbie Hancock
Herbie Hancock is an American jazz pianist, composer, and bandleader renowned for his genre-spanning career. Born Herbert Jeffrey Hancock on April 12, 1940, in Chicago, he became a child prodigy, performing Mozart with the Chicago Symphony Orchestra at age 11.
Hancock graduated from Grinnell College in 1960 and joined Donald Byrd's group, leading to his Blue Note debut album Takin' Off in 1963, featuring the hit "Watermelon Man". That year, Miles Davis invited him into the quintet with Wayne Shorter, Ron Carter, and Tony Williams, recording classics like ESP, Nefertiti, and Sorcerer during his five-year tenure.
His Blue Note solo albums, including Maiden Voyage (1964), Empyrean Isles (1964), and Speak Like a Child (1968), established him as a post-bop leader. He scored Michelangelo Antonioni's 1966 film Blow-Up, launching a film music career.
In 1973, Hancock formed The Headhunters, releasing the platinum-selling Head Hunters with the hit "Chameleon," blending jazz, funk, and electronics. Hits like "Rockit" (1983) pioneered electro and hip-hop influences, while he won an Oscar for 'Round Midnight (1986), acting and scoring the film.
Hancock earned 14 Grammys, including Album of the Year for River: The Joni Letters (2007), and became a Kennedy Center honoree in 2013. He serves as UNESCO Goodwill Ambassador and chairman of the Herbie Hancock Institute of Jazz, continuing collaborations with artists like Wayne Shorter and Robert Glasper.
Hancock graduated from Grinnell College in 1960 and joined Donald Byrd's group, leading to his Blue Note debut album Takin' Off in 1963, featuring the hit "Watermelon Man". That year, Miles Davis invited him into the quintet with Wayne Shorter, Ron Carter, and Tony Williams, recording classics like ESP, Nefertiti, and Sorcerer during his five-year tenure.
His Blue Note solo albums, including Maiden Voyage (1964), Empyrean Isles (1964), and Speak Like a Child (1968), established him as a post-bop leader. He scored Michelangelo Antonioni's 1966 film Blow-Up, launching a film music career.
In 1973, Hancock formed The Headhunters, releasing the platinum-selling Head Hunters with the hit "Chameleon," blending jazz, funk, and electronics. Hits like "Rockit" (1983) pioneered electro and hip-hop influences, while he won an Oscar for 'Round Midnight (1986), acting and scoring the film.
Hancock earned 14 Grammys, including Album of the Year for River: The Joni Letters (2007), and became a Kennedy Center honoree in 2013. He serves as UNESCO Goodwill Ambassador and chairman of the Herbie Hancock Institute of Jazz, continuing collaborations with artists like Wayne Shorter and Robert Glasper.
High Inergy
High Inergy was an American R&B and soul girl group that rose to fame on Motown Records in the late 1970s. Formed in Pasadena, California, the original lineup featured sisters Vernessa Mitchell (lead vocals) and Barbara Mitchell, alongside Linda Howard and Michelle Rumph (also known as Michelle Martin).
The group formed in 1976 and caught the attention of Gwen Gordy Fuqua, sister of Motown founder Berry Gordy, during a Bicentennial performance in Pasadena. Signed to Motown's Gordy imprint in 1977, they drew inspiration from acts like Martha and the Vandellas and the Supremes, blending strong vocals with dynamic dance routines.
Their debut album Turnin' On (1977) became a hit, driven by the single "You Can't Turn Me Off (In the Middle of Turning Me On)," which peaked at No. 2 on the R&B chart and No. 12 on the Billboard Hot 100. Follow-up releases like "Love Is All You Need" and "Shoulda Gone Dancin'" also charted, yielding nine R&B hits total.
Vernessa Mitchell departed after the second album to pursue gospel music, leaving a trio for Shoulda Gone Dancin' (1979). Motown released eight albums through 1983 despite diminishing commercial returns, influenced by Gwen Gordy's involvement; the group appeared on the Motown 25 special that year. They disbanded in 1984 amid solo pursuits, with Linda Howard passing away in 2012.
The group formed in 1976 and caught the attention of Gwen Gordy Fuqua, sister of Motown founder Berry Gordy, during a Bicentennial performance in Pasadena. Signed to Motown's Gordy imprint in 1977, they drew inspiration from acts like Martha and the Vandellas and the Supremes, blending strong vocals with dynamic dance routines.
Their debut album Turnin' On (1977) became a hit, driven by the single "You Can't Turn Me Off (In the Middle of Turning Me On)," which peaked at No. 2 on the R&B chart and No. 12 on the Billboard Hot 100. Follow-up releases like "Love Is All You Need" and "Shoulda Gone Dancin'" also charted, yielding nine R&B hits total.
Vernessa Mitchell departed after the second album to pursue gospel music, leaving a trio for Shoulda Gone Dancin' (1979). Motown released eight albums through 1983 despite diminishing commercial returns, influenced by Gwen Gordy's involvement; the group appeared on the Motown 25 special that year. They disbanded in 1984 amid solo pursuits, with Linda Howard passing away in 2012.
Hodges, James And Smith<div hidden>Hodges James And Smith Hodges James & Smith</div>
Hodges, James & Smith was an American R&B/soul vocal trio active in the 1970s, formed in Detroit, Michigan. The group consisted of Pat Hodges, Denita James, and Jessica Smith.
The trio emerged from the Motown ecosystem as a project of producer William "Mickey" Stevenson, the label's former A&R director during its peak years. Intended to compete with acts like The Supremes, they blended pop-soul harmonies with influences from Hodges's classical music training—she played clarinet in a local band and earned a B.A. in music—alongside James's background in ballet and tap dancing.
They signed with 20th Century Records and released four albums from 1973 to 1978, starting with standout sessions featuring top session musicians like bassist Wilton Felder, drummer Paul Humphrey, and guitarist Mike Warren. Key contributors included producer Stevenson, who shaped their sound with sophisticated arrangements.
Though they achieved modest chart success without major hits, their work remains a cult favorite in soul circles for its polished, Motown-inspired vocal interplay. The group disbanded by the late 1970s, with limited activity afterward.
The trio emerged from the Motown ecosystem as a project of producer William "Mickey" Stevenson, the label's former A&R director during its peak years. Intended to compete with acts like The Supremes, they blended pop-soul harmonies with influences from Hodges's classical music training—she played clarinet in a local band and earned a B.A. in music—alongside James's background in ballet and tap dancing.
They signed with 20th Century Records and released four albums from 1973 to 1978, starting with standout sessions featuring top session musicians like bassist Wilton Felder, drummer Paul Humphrey, and guitarist Mike Warren. Key contributors included producer Stevenson, who shaped their sound with sophisticated arrangements.
Though they achieved modest chart success without major hits, their work remains a cult favorite in soul circles for its polished, Motown-inspired vocal interplay. The group disbanded by the late 1970s, with limited activity afterward.
Honey Cone
Honey Cone was an American R&B and soul girl group formed in 1968, renowned for their 1971 Billboard Hot 100 number-one single "Want Ads." The trio consisted of lead singer Edna Wright (sister of Darlene Love), Carolyn Willis, and Shelly Clark, who brought prior experience from backing groups and tours. They signed with Hot Wax Records, founded by Holland-Dozier-Holland after leaving Motown, and recorded Detroit-style soul despite being Los Angeles-based.
The group came together after appearing on an Andy Williams TV special, where Edna Wright filled in for her sister Darlene Love and recruited Willis and Clark. Eddie Holland spotted them, named the act "Honey Cone" after his favorite ice cream flavor, and signed them despite initial resistance to the name. Most songs were penned by General Johnson and Greg Perry, Edna's then-boyfriend, with recordings done in Detroit.
Edna Wright, born February 2, 1945, had gospel roots and backed artists before leading Honey Cone until her death in 2020. Shelly Clark, from Brooklyn with a Russian Jewish mother and Barbadian father, started young on Broadway, toured with Little Richard and Dusty Springfield, and was an Ikette; as of 2024, she leads a reunited Honey Cone. Carolyn Willis contributed vocals with prior studio experience.
Honey Cone scored hits like "Want Ads" (No. 1 pop and R&B, over a million copies sold), "Stick-Up," "One Monkey Don’t Stop No Show," and "The Day I Found Myself." Their empowering lyrics marked them as trailblazers in the girl-group era on Hot Wax/Invictus labels.
Active until 1973, the group disbanded after four to five years but left a lasting Northern soul impact. Reunions occurred later, with Shelly Clark continuing the name into 2024 alongside new members.
The group came together after appearing on an Andy Williams TV special, where Edna Wright filled in for her sister Darlene Love and recruited Willis and Clark. Eddie Holland spotted them, named the act "Honey Cone" after his favorite ice cream flavor, and signed them despite initial resistance to the name. Most songs were penned by General Johnson and Greg Perry, Edna's then-boyfriend, with recordings done in Detroit.
Edna Wright, born February 2, 1945, had gospel roots and backed artists before leading Honey Cone until her death in 2020. Shelly Clark, from Brooklyn with a Russian Jewish mother and Barbadian father, started young on Broadway, toured with Little Richard and Dusty Springfield, and was an Ikette; as of 2024, she leads a reunited Honey Cone. Carolyn Willis contributed vocals with prior studio experience.
Honey Cone scored hits like "Want Ads" (No. 1 pop and R&B, over a million copies sold), "Stick-Up," "One Monkey Don’t Stop No Show," and "The Day I Found Myself." Their empowering lyrics marked them as trailblazers in the girl-group era on Hot Wax/Invictus labels.
Active until 1973, the group disbanded after four to five years but left a lasting Northern soul impact. Reunions occurred later, with Shelly Clark continuing the name into 2024 alongside new members.
Hopeton Lewis
Hopeton Lewis (1947-2014) was a pioneering Jamaican singer, songwriter, and producer, instrumental in launching the Rocksteady era with his 1966 hit "Take It Easy," a smooth, soulful track bridging ska and reggae. Known for his rich baritone, he won Jamaica's Festival Song Contest in 1970 with "Boom Shaka-Laka," recorded "Cool Collie" (Jamaica's first "herb" song), and later transitioned to a successful gospel music career, becoming a prominent figure in Christian reggae before his passing in Brooklyn, New York.
Born October 3, 1947, in Kingston, Jamaica, Lewis grew up singing in church, where his talent was first noticed at age si.x He formed his first group, The Regals, in his teens, and began recording at Studio One, becoming a key player in Jamaica's evolving music scene.
In 1966, Lewis recorded "Take It Easy" at Federal Recording Company, a track considered one of the first major Rocksteady hits, characterized by its relaxed tempo and soulful vocals. He worked with producer Duke Reid, also serving as an arranger and backing vocalist.
Lewis won the prestigious Festival Song Competition in 1970 with "Boom Shaka-Laka," released on the Treasure Isle label. He later worked with Byron Lee & The Dragonaires, achieving gold status with "Grooving Out On Life" in 1973.
After a spiritual conversion, he shifted to gospel music, releasing albums like "This Is Gospel" and hosting radio shows in Brooklyn, New York, where he eventually settled.
Hopeton Lewis is celebrated as a legend of Jamaican music, influencing generations with his smooth voice and pioneering sound, from the birth of Rocksteady to inspirational gospel. He passed away in Brooklyn from kidney failure on September 4, 2014, at the age of 66, leaving behind an iconic catalog.
Born October 3, 1947, in Kingston, Jamaica, Lewis grew up singing in church, where his talent was first noticed at age si.x He formed his first group, The Regals, in his teens, and began recording at Studio One, becoming a key player in Jamaica's evolving music scene.
In 1966, Lewis recorded "Take It Easy" at Federal Recording Company, a track considered one of the first major Rocksteady hits, characterized by its relaxed tempo and soulful vocals. He worked with producer Duke Reid, also serving as an arranger and backing vocalist.
Lewis won the prestigious Festival Song Competition in 1970 with "Boom Shaka-Laka," released on the Treasure Isle label. He later worked with Byron Lee & The Dragonaires, achieving gold status with "Grooving Out On Life" in 1973.
After a spiritual conversion, he shifted to gospel music, releasing albums like "This Is Gospel" and hosting radio shows in Brooklyn, New York, where he eventually settled.
Hopeton Lewis is celebrated as a legend of Jamaican music, influencing generations with his smooth voice and pioneering sound, from the birth of Rocksteady to inspirational gospel. He passed away in Brooklyn from kidney failure on September 4, 2014, at the age of 66, leaving behind an iconic catalog.
Howard Hewett
Howard Hewett Jr., born October 1, 1955, in Akron, Ohio, is a Grammy-winning American R&B singer-songwriter best known as the lead vocalist of Shalamar.
Hewett began singing in childhood, fronting his older sisters' gospel group, the Hewett Singers, on the gospel circuit. As a teen, he honed his skills in the funk band Lyfe before moving to Los Angeles in 1976 at age 21. There, he met Jeffrey Daniel and Jody Watley and formed the touring group Beverly Hills, performing across Europe, the UK, Scandinavia, and Asia from 1977 to mid-1978.
In 1978, Hewett joined Shalamar as lead singer, replacing Gerald Brown, alongside Daniel and Watley. The group scored hits like "Second Time Around," "A Night to Remember," "Make That Move," and "Dancing in the Sheets," blending R&B, funk, and disco. Their contributions to the Beverly Hills Cop soundtrack earned a 1986 Grammy for Best Score Soundtrack for Visual Media.
Hewett left Shalamar in 1985 and signed with Elektra Records, releasing his debut album I Commit to Love in 1986, featuring R&B top-10 hits "I'm for Real" (No. 2) and "Stay" (No. 8). Follow-up albums included Forever and Ever (1988) with "Strange Relationship," a self-titled release (1990) with "Show Me" (R&B No. 2), and later works solidifying his solo legacy. He briefly reunited with Shalamar in 2001.
He has faced legal challenges but remains active in music, known for his smooth, emotive voice in the post-Marvin Gaye R&B era. He has acted in films like Bulletproof (1996) and appeared on shows such as The Santa Clause. Now 70, he continues performing and is celebrated for defining 1980s R&B.
Hewett began singing in childhood, fronting his older sisters' gospel group, the Hewett Singers, on the gospel circuit. As a teen, he honed his skills in the funk band Lyfe before moving to Los Angeles in 1976 at age 21. There, he met Jeffrey Daniel and Jody Watley and formed the touring group Beverly Hills, performing across Europe, the UK, Scandinavia, and Asia from 1977 to mid-1978.
In 1978, Hewett joined Shalamar as lead singer, replacing Gerald Brown, alongside Daniel and Watley. The group scored hits like "Second Time Around," "A Night to Remember," "Make That Move," and "Dancing in the Sheets," blending R&B, funk, and disco. Their contributions to the Beverly Hills Cop soundtrack earned a 1986 Grammy for Best Score Soundtrack for Visual Media.
Hewett left Shalamar in 1985 and signed with Elektra Records, releasing his debut album I Commit to Love in 1986, featuring R&B top-10 hits "I'm for Real" (No. 2) and "Stay" (No. 8). Follow-up albums included Forever and Ever (1988) with "Strange Relationship," a self-titled release (1990) with "Show Me" (R&B No. 2), and later works solidifying his solo legacy. He briefly reunited with Shalamar in 2001.
He has faced legal challenges but remains active in music, known for his smooth, emotive voice in the post-Marvin Gaye R&B era. He has acted in films like Bulletproof (1996) and appeared on shows such as The Santa Clause. Now 70, he continues performing and is celebrated for defining 1980s R&B.
Howard Johnson
Howard Williams Johnson, born on November 28, 1956, in Miami, Florida, is an American soul and disco singer notable for his contributions to the music scene during the late 1970s and early 1980s. He is recognized as the founder of the group Niteflyte, which gained attention in the disco genre.
Johnson's musical journey began at a young age, exhibiting a natural talent for singing. He eventually embarked on a solo career, becoming known for hits that resonated with the soul and dance music audience. Among his notable achievements is the charting of two songs on the Hot Dance Music/Club Play chart during his career, underscoring his popularity within the disco scene.
His 1982 solo debut, Keepin' Love New, featured the massive hit "So Fine," which topped the dance charts and hit #6 on R&B. He followed up with other charting singles, including "Let This Dream Be Real" and "Stand Up".
In addition to his singing career, Johnson has worked as a songwriter, producer, and record label executive, indicating a diversified involvement in the music industry. Throughout his career, he has left a significant mark on the soul and disco genres, contributing to the rich tapestry of American music.
After his major label run, Johnson remained active, producing and recording. He released new music, including the single "Jam" with B & The Family in 2021, and continues to tour and record. He uses modern portable studio gear, allowing him to record quality music on the road.
Though his peak career years were primarily focused in the early 1980s, Johnson's influence and legacy in the worlds of soul and disco continue to be recognized.
(Provided by SoulYears.com)
Johnson's musical journey began at a young age, exhibiting a natural talent for singing. He eventually embarked on a solo career, becoming known for hits that resonated with the soul and dance music audience. Among his notable achievements is the charting of two songs on the Hot Dance Music/Club Play chart during his career, underscoring his popularity within the disco scene.
His 1982 solo debut, Keepin' Love New, featured the massive hit "So Fine," which topped the dance charts and hit #6 on R&B. He followed up with other charting singles, including "Let This Dream Be Real" and "Stand Up".
In addition to his singing career, Johnson has worked as a songwriter, producer, and record label executive, indicating a diversified involvement in the music industry. Throughout his career, he has left a significant mark on the soul and disco genres, contributing to the rich tapestry of American music.
After his major label run, Johnson remained active, producing and recording. He released new music, including the single "Jam" with B & The Family in 2021, and continues to tour and record. He uses modern portable studio gear, allowing him to record quality music on the road.
Though his peak career years were primarily focused in the early 1980s, Johnson's influence and legacy in the worlds of soul and disco continue to be recognized.
(Provided by SoulYears.com)
Howard Tate
Howard Tate was an influential American soul singer and songwriter born on August 13, 1939, in Elberton, Georgia. He later moved to Philadelphia with his family in the early 1940s. Tate's musical journey began in his father's church, where he sang in the choir and developed his vocal talents. He was discovered by the producer Jerry Ragovoy, who played a significant role in shaping his career, particularly during the late 1960s when he released a series of notable singles.
Tate's music career was marked by hits that defined him as a prominent figure in the soul genre. His notable works included songs like "Ain't Nobody Home," and "Look at Granny Run, Run," both of which were sizable R&B hits in the mid-sixties, showcasing his powerful voice and emotional delivery. Despite facing challenges in the music industry, including disputes with executives, he enjoyed a revival in his career in the early 2000s after a long hiatus, re-establishing his place in the soul music scene.
In addition to his music career, Tate also found a new direction in life by becoming a preacher and leading his own church. This shift reflects his deep-rooted connections to gospel music, which significantly influenced his style and artistry throughout his career.
Howard Tate passed away on December 2, 2011, leaving behind a legacy defined by his unique contributions to soul music and the enduring impact he had on the genre. His life story is characterized by resilience and the ability to reinvent himself, which continues to inspire artists and fans alike.
Tate's music career was marked by hits that defined him as a prominent figure in the soul genre. His notable works included songs like "Ain't Nobody Home," and "Look at Granny Run, Run," both of which were sizable R&B hits in the mid-sixties, showcasing his powerful voice and emotional delivery. Despite facing challenges in the music industry, including disputes with executives, he enjoyed a revival in his career in the early 2000s after a long hiatus, re-establishing his place in the soul music scene.
In addition to his music career, Tate also found a new direction in life by becoming a preacher and leading his own church. This shift reflects his deep-rooted connections to gospel music, which significantly influenced his style and artistry throughout his career.
Howard Tate passed away on December 2, 2011, leaving behind a legacy defined by his unique contributions to soul music and the enduring impact he had on the genre. His life story is characterized by resilience and the ability to reinvent himself, which continues to inspire artists and fans alike.
Ian Foster
Ian Foster is a British soul and R&B singer-songwriter born in London, England, to Jamaican parents. He emerged in the late 1980s with a brief career on MCA Records before fading from prominence.
Ian Foster grew up in London with Jamaican heritage, which influenced his soulful R&B style. Limited details exist about his childhood or pre-music career.
Foster debuted in 1986 with the single "Tell Me It's True," which failed to chart. In 1987, he released his self-titled album Ian Foster, featuring the follow-up single "Out for the Count," which peaked at #84 on Billboard's Hot Black Singles chart and charted for six weeks. No further releases or major activity followed, leading to his obscurity after the late 1980s.
Ian Foster grew up in London with Jamaican heritage, which influenced his soulful R&B style. Limited details exist about his childhood or pre-music career.
Foster debuted in 1986 with the single "Tell Me It's True," which failed to chart. In 1987, he released his self-titled album Ian Foster, featuring the follow-up single "Out for the Count," which peaked at #84 on Billboard's Hot Black Singles chart and charted for six weeks. No further releases or major activity followed, leading to his obscurity after the late 1980s.
Idris Muhammad
Idris Muhammad, born Leo Morris on November 13, 1939, was an influential American jazz and funk drummer known for his distinctive playing style and significant contributions to the music industry. He was born in New Orleans, Louisiana, specifically in the 13th Ward, where he began playing the drums at the young age of eight. His musical journey was shaped by a musical family; he was the youngest of four brothers, all of whom played drums, and his father was a traditional jazz banjo player, which provided a rich musical environment for his development.
Muhammad’s professional career began at the age of 12 when he started performing with various groups in New Orleans. By the time he was 16, he was already on stage with prominent jazz figures, including Fats Domino. His talents led him to move to New York City, where he played with several well-known artists, including jazz luminaries such as Lou Donaldson, Grant Green, and Dr. John. During the mid-1960s, he transitioned into the world of funk and soul music, working with bands and artists like The Crusaders and the popular soul singer Johnny Nash.
In the 1970s, Idris Muhammad gained recognition for his unique blend of jazz, funk, and spiritual music, particularly through his work with famous jazz and funk ensembles. His albums, such as "Brotherman" and "Sparkle," showcase his innovative approaches to rhythm and percussion. He changed his name to Idris Muhammad in the 1960s following his conversion to Islam, which influenced both his personal and professional life, contributing to the spiritual themes in some of his music.
Idris Muhammad continued to record and perform until his later years, leaving behind a legacy characterized by his contributions to multiple genres and his influence on future generations of drummers. He passed away on July 29, 2014, at the age of 74, leaving a lasting impact on the jazz and funk music scenes.
Muhammad’s professional career began at the age of 12 when he started performing with various groups in New Orleans. By the time he was 16, he was already on stage with prominent jazz figures, including Fats Domino. His talents led him to move to New York City, where he played with several well-known artists, including jazz luminaries such as Lou Donaldson, Grant Green, and Dr. John. During the mid-1960s, he transitioned into the world of funk and soul music, working with bands and artists like The Crusaders and the popular soul singer Johnny Nash.
In the 1970s, Idris Muhammad gained recognition for his unique blend of jazz, funk, and spiritual music, particularly through his work with famous jazz and funk ensembles. His albums, such as "Brotherman" and "Sparkle," showcase his innovative approaches to rhythm and percussion. He changed his name to Idris Muhammad in the 1960s following his conversion to Islam, which influenced both his personal and professional life, contributing to the spiritual themes in some of his music.
Idris Muhammad continued to record and perform until his later years, leaving behind a legacy characterized by his contributions to multiple genres and his influence on future generations of drummers. He passed away on July 29, 2014, at the age of 74, leaving a lasting impact on the jazz and funk music scenes.
Ike and Tina Turner<div hidden>Ike & Tina Turner</div>
Ike and Tina Turner were a legendary American musical duo, active from 1960 to 1976, known for their high-energy R&B, soul, and rock performances as the Ike & Tina Turner Revue. While they achieved massive professional success, their personal lives were marred by a tumultuous marriage and severe domestic abuse.
Ike Turner, a musician and bandleader, met Anna Mae Bullock in 1956 at a nightclub in East St. Louis where his band, the Kings of Rhythm, was performing. Bullock impressed him with her powerful voice and eventually joined the group as a lead singer.
In 1960, Bullock recorded "A Fool In Love" after the scheduled singer failed to show up. Ike renamed her Tina Turner and trademarked the name. The single became a million-selling hit, launching their careers. The duo formed the Ike & Tina Turner Revue, which featured the Kings of Rhythm and a backing vocal trio called the Ikettes. Their most famous recordings include "A Fool In Love," "I Idolize You," "It's Gonna Work Out Fine," and "Nutbush City Limits". Their 1971 cover of Creedence Clearwater Revival's "Proud Mary" became their biggest hit and won them a Grammy Award for Best R&B Vocal Performance by a Group.
The duo gained international fame and a wider white audience by opening for the Rolling Stones on their UK and US tours in the late 1960s. The pair married in Tijuana, Mexico, in 1962. They had one biological son together, Ronnie, and raised three other sons (two of Ike's and one of Tina's from previous relationships).
Behind the scenes, Ike was severely physically and emotionally abusive to Tina throughout their marriage. Ike also struggled with a serious cocaine addiction, which worsened his behavior and the couple's professional stability in the 1970s. In July 1976, following a violent physical altercation in Dallas, Texas, Tina fled from Ike with only 36 cents and a gas card. She filed for divorce later that year, which was finalized in 1978.
The duo was inducted into the Rock and Roll Hall of Fame in 1991. Tina Turner achieved a historic solo comeback in the 1980s with the album Private Dancer and died in May 2023 at age 83.
Ike Turner faced legal issues and prison time for drug offenses but eventually had a musical renaissance, winning another Grammy in 2006 before dying of a cocaine overdose in 2007.
Ike Turner, a musician and bandleader, met Anna Mae Bullock in 1956 at a nightclub in East St. Louis where his band, the Kings of Rhythm, was performing. Bullock impressed him with her powerful voice and eventually joined the group as a lead singer.
In 1960, Bullock recorded "A Fool In Love" after the scheduled singer failed to show up. Ike renamed her Tina Turner and trademarked the name. The single became a million-selling hit, launching their careers. The duo formed the Ike & Tina Turner Revue, which featured the Kings of Rhythm and a backing vocal trio called the Ikettes. Their most famous recordings include "A Fool In Love," "I Idolize You," "It's Gonna Work Out Fine," and "Nutbush City Limits". Their 1971 cover of Creedence Clearwater Revival's "Proud Mary" became their biggest hit and won them a Grammy Award for Best R&B Vocal Performance by a Group.
The duo gained international fame and a wider white audience by opening for the Rolling Stones on their UK and US tours in the late 1960s. The pair married in Tijuana, Mexico, in 1962. They had one biological son together, Ronnie, and raised three other sons (two of Ike's and one of Tina's from previous relationships).
Behind the scenes, Ike was severely physically and emotionally abusive to Tina throughout their marriage. Ike also struggled with a serious cocaine addiction, which worsened his behavior and the couple's professional stability in the 1970s. In July 1976, following a violent physical altercation in Dallas, Texas, Tina fled from Ike with only 36 cents and a gas card. She filed for divorce later that year, which was finalized in 1978.
The duo was inducted into the Rock and Roll Hall of Fame in 1991. Tina Turner achieved a historic solo comeback in the 1980s with the album Private Dancer and died in May 2023 at age 83.
Ike Turner faced legal issues and prison time for drug offenses but eventually had a musical renaissance, winning another Grammy in 2006 before dying of a cocaine overdose in 2007.
Ike Noble
Ike Noble, whose full name was Izear Noble Jr., was an American soul singer born on November 2, 1948, in Little Rock, Arkansas. He gained recognition in the music industry during the 1970s, primarily known for his contributions to R&B and soul music. Noble's musical journey began early in his life, and he first recorded under the name Noble & The Up, marking the start of his career in the vibrant soul genre.
His music is characterized by heartfelt performances and emotional depth, with notable songs such as "Your Love" and "The Best Years of My Life," both of which showcase his soulful vocal style. Throughout his career, he released several records, including his album "Fresh Start" in 1980 on Connowil Records.
Despite his relatively short life, Ike Noble left an impact on the soul music scene before his untimely passing on June 3, 2007, in Toledo, Ohio, at the age of 58. His legacy continues to resonate through the music he created, highlighting the emotional richness and cultural significance of soul music.
His music is characterized by heartfelt performances and emotional depth, with notable songs such as "Your Love" and "The Best Years of My Life," both of which showcase his soulful vocal style. Throughout his career, he released several records, including his album "Fresh Start" in 1980 on Connowil Records.
Despite his relatively short life, Ike Noble left an impact on the soul music scene before his untimely passing on June 3, 2007, in Toledo, Ohio, at the age of 58. His legacy continues to resonate through the music he created, highlighting the emotional richness and cultural significance of soul music.
Ike White
Ike White was an exceptionally talented American soul, funk, and jazz musician known for his prodigious skills on guitar, keyboards, and vocals, despite much of his life being overshadowed by incarceration. Born Milton David White in 1945, likely in California or with roots in Chicago to musical parents, he showed early musical genius but turned to crime after personal losses. He passed away in 2014.
White grew up immersed in music but joined a gang following his father's death, leading to armed robberies. At age 19 in 1964, he received a life sentence for allegedly murdering a grocery store clerk during a robbery, first at San Quentin and later Tehachapi State Prison in California. He maintained his innocence regarding the killing and served 14 years.
Discovered in the San Quentin Prison Band by producer Jerry Goldstein, who compared him to Jimi Hendrix, White recorded his sole album Changin' Times in 1974 at Tehachapi using a mobile studio, backup singers, and musicians like bassist Doug Rauch and drummer Greg Errico. Released in 1976 on LAX Records, the jazz-funk-soul LP featured originals like "Changin' Times" and "Comin' Home," earning praise from Stevie Wonder, who helped fund a lawyer leading to White's release in 1979 (or 1978 per some accounts). While imprisoned, he married Goldstein's secretary Deborah.
After freedom, White took loans he couldn't repay, prompting him to vanish under aliases like David Ontiveros, David White, and David Maestro to evade creditors. As David Maestro, he became a versatile lounge entertainer in Las Vegas and elsewhere, self-releasing albums like Love Songs (Lana's Choice Vol. 1) (2013) and Love Songs 2 (2020), plus Different Stages (2020). He remarried multiple times and had children but largely stepped away from fame.
White's story resurfaced via the 2020 BBC Arena documentary The Changin’ Times of Ike White by filmmakers Vivienne Perry and Daniel Vernon, who located him in Oceanside, California, before his 2014 death. His prison album gained cult status for its raw talent amid adversity, blending soulful vocals with funk grooves.
White grew up immersed in music but joined a gang following his father's death, leading to armed robberies. At age 19 in 1964, he received a life sentence for allegedly murdering a grocery store clerk during a robbery, first at San Quentin and later Tehachapi State Prison in California. He maintained his innocence regarding the killing and served 14 years.
Discovered in the San Quentin Prison Band by producer Jerry Goldstein, who compared him to Jimi Hendrix, White recorded his sole album Changin' Times in 1974 at Tehachapi using a mobile studio, backup singers, and musicians like bassist Doug Rauch and drummer Greg Errico. Released in 1976 on LAX Records, the jazz-funk-soul LP featured originals like "Changin' Times" and "Comin' Home," earning praise from Stevie Wonder, who helped fund a lawyer leading to White's release in 1979 (or 1978 per some accounts). While imprisoned, he married Goldstein's secretary Deborah.
After freedom, White took loans he couldn't repay, prompting him to vanish under aliases like David Ontiveros, David White, and David Maestro to evade creditors. As David Maestro, he became a versatile lounge entertainer in Las Vegas and elsewhere, self-releasing albums like Love Songs (Lana's Choice Vol. 1) (2013) and Love Songs 2 (2020), plus Different Stages (2020). He remarried multiple times and had children but largely stepped away from fame.
White's story resurfaced via the 2020 BBC Arena documentary The Changin’ Times of Ike White by filmmakers Vivienne Perry and Daniel Vernon, who located him in Oceanside, California, before his 2014 death. His prison album gained cult status for its raw talent amid adversity, blending soulful vocals with funk grooves.
Imagination
Imagination was a pioneering British funk and soul trio formed in London in 1981, known for their sleek post-disco sound and international chart success in the early 1980s.
The core lineup featured Leee John (lead vocals, keyboards, born 23 June 1957 in Hackney, London, of St. Lucian descent), Ashley Ingram (guitar, bass, vocals, born 27 November 1960 in Northampton), and Errol Kennedy (drums, vocals, born 9 June 1953 in Montego Bay, Jamaica). John had prior experience as a backing vocalist for acts like the Delfonics and Chairmen of the Board, while Ingram and John first collaborated in short-lived groups like Fizzz before meeting Kennedy during auditions for Midnight Express.
The group formed in early 1981, taking their name as a tribute to John Lennon's "Imagine," and quickly gained traction with producers Jolley & Swain. Their debut single "Body Talk" reached number 4 on the UK Singles Chart in July 1981, selling 250,000 copies domestically and spending 18 weeks in the Top 50, marking the start of hits in 28 countries and earning four platinum discs, nine gold, and over a dozen silver between 1981 and 1983.
Imagination released several albums, including their self-titled debut in 1981, followed by hits like "Just an Illusion" and "Music and Lights," blending funky basslines, soulful vocals, and erotic grooves that defined Britfunk. They became one of the UK's biggest soul acts, noted for their flamboyant style and skilled musicianship despite a playful image.
Tensions led to Ingram and Kennedy's departure by the mid-1980s; Leee John continued with new members Nat Augustin and Peter Royer, releasing a final album, The Fascination of the Physical, in 1992 without charting singles, after which the band split. John later pursued acting and appeared on Reborn in the USA, while Ingram wrote for artists like Des'ree; the group is sometimes hailed as Britain's first black supergroup.
The core lineup featured Leee John (lead vocals, keyboards, born 23 June 1957 in Hackney, London, of St. Lucian descent), Ashley Ingram (guitar, bass, vocals, born 27 November 1960 in Northampton), and Errol Kennedy (drums, vocals, born 9 June 1953 in Montego Bay, Jamaica). John had prior experience as a backing vocalist for acts like the Delfonics and Chairmen of the Board, while Ingram and John first collaborated in short-lived groups like Fizzz before meeting Kennedy during auditions for Midnight Express.
The group formed in early 1981, taking their name as a tribute to John Lennon's "Imagine," and quickly gained traction with producers Jolley & Swain. Their debut single "Body Talk" reached number 4 on the UK Singles Chart in July 1981, selling 250,000 copies domestically and spending 18 weeks in the Top 50, marking the start of hits in 28 countries and earning four platinum discs, nine gold, and over a dozen silver between 1981 and 1983.
Imagination released several albums, including their self-titled debut in 1981, followed by hits like "Just an Illusion" and "Music and Lights," blending funky basslines, soulful vocals, and erotic grooves that defined Britfunk. They became one of the UK's biggest soul acts, noted for their flamboyant style and skilled musicianship despite a playful image.
Tensions led to Ingram and Kennedy's departure by the mid-1980s; Leee John continued with new members Nat Augustin and Peter Royer, releasing a final album, The Fascination of the Physical, in 1992 without charting singles, after which the band split. John later pursued acting and appeared on Reborn in the USA, while Ingram wrote for artists like Des'ree; the group is sometimes hailed as Britain's first black supergroup.
Impact
Impact was an American soul group from Philadelphia, active primarily in the 1970s. They gained recognition for their smooth harmonies and R&B-infused sound during the era's soul music scene.
The group originally emerged as the Young Tempts on the Isley Brothers' T-Neck label before rebranding as Impact around 1969. Core members included Damon Harris (lead vocals), John Quinton Simms (vocals), Charles Timmons (vocals), and Donald Tighman (vocals). They built a local following in Philadelphia's vibrant soul circuit, blending gospel roots with contemporary R&B.
Impact released singles and albums through the 1970s, showcasing their tight vocal arrangements on labels like Philadelphia International. Their music captured the essence of Philly soul, though they never achieved major mainstream hits like contemporaries such as the O'Jays. The group disbanded around 1977 after a series of recordings that highlighted their potential in the competitive soul landscape.
Members like Damon Harris later pursued solo paths or joined other acts, contributing to soul's enduring Philly legacy. Impact remains a noted footnote in soul history for their raw talent and regional impact.
The group originally emerged as the Young Tempts on the Isley Brothers' T-Neck label before rebranding as Impact around 1969. Core members included Damon Harris (lead vocals), John Quinton Simms (vocals), Charles Timmons (vocals), and Donald Tighman (vocals). They built a local following in Philadelphia's vibrant soul circuit, blending gospel roots with contemporary R&B.
Impact released singles and albums through the 1970s, showcasing their tight vocal arrangements on labels like Philadelphia International. Their music captured the essence of Philly soul, though they never achieved major mainstream hits like contemporaries such as the O'Jays. The group disbanded around 1977 after a series of recordings that highlighted their potential in the competitive soul landscape.
Members like Damon Harris later pursued solo paths or joined other acts, contributing to soul's enduring Philly legacy. Impact remains a noted footnote in soul history for their raw talent and regional impact.
Incognito
Incognito is a British acid jazz and funk band formed in London in 1979 by guitarist Jean-Paul "Bluey" Maunick and drummer Paul "Tubbs" Williams as an offshoot of their prior group, Light of the World. The band blends jazz-funk, soul, and acid jazz, pioneering the genre with fluid lineups featuring top UK session musicians and vocalists.
Incognito emerged from the late-1970s UK jazz-funk scene, where Maunick and Williams shifted personnel from Light of the World, a disco-funk act with hits like a Bob Marley cover. Their debut album, Jazz Funk, arrived in 1981 as an instrumental showcase but saw the band go quiet through the 1980s while Maunick produced for artists like George Benson.
Revived in 1991 on Gilles Peterson's Talkin' Loud label, Incognito hit stride with Inside Life, followed by Tribes, Vibes and Scribes (1992) introducing vocalist Maysa Leak. Albums like Positivity (1993) and 100 and Rising (1995) brought global success, collaborations with Chaka Khan and Stevie Wonder, and club anthems.
Maunick remains the constant leader as composer, guitarist, and producer. Rotating vocalists include Maysa Leak, Jocelyn Brown, Linda Muriel, and Vanessa Haynes; instrumentalists feature horn sections and players like Randy Hope-Taylor on bass.
Active for over four decades, Incognito has released 15+ albums, influencing acid jazz worldwide with soulful grooves and large-ensemble flexibility. Recent lineups maintain their jazz-funk core across labels like Dome and earMusic.
Incognito emerged from the late-1970s UK jazz-funk scene, where Maunick and Williams shifted personnel from Light of the World, a disco-funk act with hits like a Bob Marley cover. Their debut album, Jazz Funk, arrived in 1981 as an instrumental showcase but saw the band go quiet through the 1980s while Maunick produced for artists like George Benson.
Revived in 1991 on Gilles Peterson's Talkin' Loud label, Incognito hit stride with Inside Life, followed by Tribes, Vibes and Scribes (1992) introducing vocalist Maysa Leak. Albums like Positivity (1993) and 100 and Rising (1995) brought global success, collaborations with Chaka Khan and Stevie Wonder, and club anthems.
Maunick remains the constant leader as composer, guitarist, and producer. Rotating vocalists include Maysa Leak, Jocelyn Brown, Linda Muriel, and Vanessa Haynes; instrumentalists feature horn sections and players like Randy Hope-Taylor on bass.
Active for over four decades, Incognito has released 15+ albums, influencing acid jazz worldwide with soulful grooves and large-ensemble flexibility. Recent lineups maintain their jazz-funk core across labels like Dome and earMusic.
India.Arie<div hidden>India Arie</div>
India.Arie, born India Arie Simpson on October 3, 1975, in Denver, Colorado, is an acclaimed American singer-songwriter known for blending neo-soul, R&B, folk, and hip-hop. Raised in a musical family, she moved to Atlanta at age 13 after her parents' divorce, where her mother's background as a Motown singer and her father's influence fostered her early talents.
India.Arie's parents, Joyce (a singer and stylist) and Ralph Simpson, encouraged her musical development from childhood. She explored various instruments, including guitar during her time at Savannah College of Art and Design, which sparked her songwriting passion. In Atlanta, she co-founded the collective Groovement (later Government Earthseed), leading to her 1998 Lilith Fair performance.
Her 2001 debut album Acoustic Soul launched her to fame, peaking at No. 10 on the Billboard 200 with hits like "Video" and earning seven Grammy nominations. Follow-ups included Voyage to India (2002, Grammy for Best R&B Album), Testimony: Vol. 1, Life & Relationship (2006, her first Billboard 200 No. 1), and later works like SongVersation (2013) and Worthy (2019). She has sold over five million records in the US and 10 million worldwide, securing four Grammys from 23 nominations.
India.Arie advocates for self-love, racial identity, and positive representation, participating in humanitarian efforts and wellness initiatives. She has acted and composed for films like Miami Vice (2006) and released poetry collections, maintaining a focus on authenticity over commercial trends. By January 2026, she continues performing and inspiring through her introspective artistry.
India.Arie's parents, Joyce (a singer and stylist) and Ralph Simpson, encouraged her musical development from childhood. She explored various instruments, including guitar during her time at Savannah College of Art and Design, which sparked her songwriting passion. In Atlanta, she co-founded the collective Groovement (later Government Earthseed), leading to her 1998 Lilith Fair performance.
Her 2001 debut album Acoustic Soul launched her to fame, peaking at No. 10 on the Billboard 200 with hits like "Video" and earning seven Grammy nominations. Follow-ups included Voyage to India (2002, Grammy for Best R&B Album), Testimony: Vol. 1, Life & Relationship (2006, her first Billboard 200 No. 1), and later works like SongVersation (2013) and Worthy (2019). She has sold over five million records in the US and 10 million worldwide, securing four Grammys from 23 nominations.
India.Arie advocates for self-love, racial identity, and positive representation, participating in humanitarian efforts and wellness initiatives. She has acted and composed for films like Miami Vice (2006) and released poetry collections, maintaining a focus on authenticity over commercial trends. By January 2026, she continues performing and inspiring through her introspective artistry.
Ingram
Ingram is a family soul group from Camden, New Jersey, led by brothers including Norman "Butch" Ingram. They transitioned from a prior band called The Ecstasies after Butch's basketball injury prompted a full-time music focus. Encouraged by their minister father, a Philadelphia DJ, the family members taught themselves instruments and recorded together.
The core lineup featured: Norman "Butch" Ingram (bass, trumpet, leader); James "Jimmy" Ingram (vocals, keyboards, sax, flute, main songwriter); Billy Ingram (guitar, bass, trombone); John Ingram (drums, lead vocals, tuba); Timmy Ingram (drums, percussion, trumpet); Additional singers: Barbara, Francis, Edith, and Virginia Ingram.
Ingram debuted with Ingram's Kingdom (Nashboro, 1976), selling 25,000 copies independently. They signed to H&L for That's All (1977), featuring the cult UK track "Mi Sabrina Tequana." After label issues, they released Would You Like to Fly (Mirage, 1983) with "Smoothin' Groovin'" charting in the UK Top 75, followed by Night Stalkers (1984).
The group backed artists like The Stylistics and Blue Magic while Butch coached basketball. James produced The Sweethearts (1985), and John debuted solo with "Can I Take You Home Tonight." Note: This family differs from the unrelated solo artist James Ingram (1952-2019).
The core lineup featured: Norman "Butch" Ingram (bass, trumpet, leader); James "Jimmy" Ingram (vocals, keyboards, sax, flute, main songwriter); Billy Ingram (guitar, bass, trombone); John Ingram (drums, lead vocals, tuba); Timmy Ingram (drums, percussion, trumpet); Additional singers: Barbara, Francis, Edith, and Virginia Ingram.
Ingram debuted with Ingram's Kingdom (Nashboro, 1976), selling 25,000 copies independently. They signed to H&L for That's All (1977), featuring the cult UK track "Mi Sabrina Tequana." After label issues, they released Would You Like to Fly (Mirage, 1983) with "Smoothin' Groovin'" charting in the UK Top 75, followed by Night Stalkers (1984).
The group backed artists like The Stylistics and Blue Magic while Butch coached basketball. James produced The Sweethearts (1985), and John debuted solo with "Can I Take You Home Tonight." Note: This family differs from the unrelated solo artist James Ingram (1952-2019).
Intensive Heat
Intensive Heat, also known simply as Heat, was a notable soul-funk group active during the early 1980s, making their mark particularly in the R&B genre. The group consisted of three brothers: Bernard, John, and Walter Lindsey, who were part of a large family with a total of 14 siblings. This dynamic family background contributed to their musical talents and interests.
The band released their self-titled debut album "Intensive Heat" in 1980, showcasing their smooth vocal harmonies and catchy funk rhythms. They followed up with their second album, "Still Waiting," in 1981, both of which were released under the MCA label. Their music reflects the soul-funk style that characterized the era, blending rich instrumentation with soulful melodies and lyrics.
While not extensively documented in mainstream music references, Intensive Heat developed a dedicated fan base during their active years and contributed to the vibrant soul and funk scene of the time. Their unique sound and familial bond are key aspects of their identity as a group.
The band released their self-titled debut album "Intensive Heat" in 1980, showcasing their smooth vocal harmonies and catchy funk rhythms. They followed up with their second album, "Still Waiting," in 1981, both of which were released under the MCA label. Their music reflects the soul-funk style that characterized the era, blending rich instrumentation with soulful melodies and lyrics.
While not extensively documented in mainstream music references, Intensive Heat developed a dedicated fan base during their active years and contributed to the vibrant soul and funk scene of the time. Their unique sound and familial bond are key aspects of their identity as a group.
Irma Thomas
Irma Thomas, known as the "Soul Queen of New Orleans," is a legendary American singer born on February 18, 1941, in Ponchatoula, Louisiana.
Irma Thomas, born Irma Lee, grew up in New Orleans and showed vocal talent early, singing in a Baptist church choir and a gospel quartet. At age 11, she won a talent night at the Ritz Theater, and by her teens, she recorded a school song and auditioned for Specialty Records.
Her breakthrough came in 1959 as a waitress at the Pimlico Club, where bandleader Tommy Ridgley heard her sing, leading to a deal with Ron Records. Her debut single, "Don't Mess with My Man," reached number 22 on the Billboard R&B chart. She later signed with Imperial Records, releasing nine singles and two albums over three years.
In the 1960s, Thomas toured the Southern college circuit while raising four children from two early marriages. She moved to California in 1970 for department store and auto parts jobs, recording sporadically for labels like Atlantic in 1971, before returning to New Orleans in the mid-1970s.
Thomas staged a major comeback in 1986 with the Rounder Records album The New Rules. She earned Grammy nominations in 1991 and 1998, and won Best Contemporary Blues Album for After the Rain in 2007. She has maintained an active touring and recording schedule.
Married to manager Emile Jackson since 1977, Thomas co-owned the Lion’s Den nightclub in New Orleans until Hurricane Katrina destroyed it in 2005. She has seven children and has appeared in films like Double Jeopardy and The Curious Case of Benjamin Button.
Irma Thomas, born Irma Lee, grew up in New Orleans and showed vocal talent early, singing in a Baptist church choir and a gospel quartet. At age 11, she won a talent night at the Ritz Theater, and by her teens, she recorded a school song and auditioned for Specialty Records.
Her breakthrough came in 1959 as a waitress at the Pimlico Club, where bandleader Tommy Ridgley heard her sing, leading to a deal with Ron Records. Her debut single, "Don't Mess with My Man," reached number 22 on the Billboard R&B chart. She later signed with Imperial Records, releasing nine singles and two albums over three years.
In the 1960s, Thomas toured the Southern college circuit while raising four children from two early marriages. She moved to California in 1970 for department store and auto parts jobs, recording sporadically for labels like Atlantic in 1971, before returning to New Orleans in the mid-1970s.
Thomas staged a major comeback in 1986 with the Rounder Records album The New Rules. She earned Grammy nominations in 1991 and 1998, and won Best Contemporary Blues Album for After the Rain in 2007. She has maintained an active touring and recording schedule.
Married to manager Emile Jackson since 1977, Thomas co-owned the Lion’s Den nightclub in New Orleans until Hurricane Katrina destroyed it in 2005. She has seven children and has appeared in films like Double Jeopardy and The Curious Case of Benjamin Button.
Isaac Hayes
Isaac Hayes was an influential American singer, songwriter, musician, actor, and composer known for pioneering soul music and winning an Academy Award. Born on August 20, 1942, in Covington, Tennessee, he rose from humble beginnings to become a cultural icon before his death on August 10, 2008.
Hayes grew up on a sharecropper's farm, orphaned young and raised by his grandparents. He dropped out of high school but earned his diploma at age 21, turning down college scholarships to support his family through jobs like meatpacking and nightclub performances.
Joining Stax Records in 1964 as a session musician, Hayes co-wrote hits like "Soul Man" with David Porter. His 1969 album Hot Buttered Soul revolutionized soul with long tracks, spoken word, and orchestral arrangements, selling over a million copies.
Hayes composed the Shaft soundtrack in 1971, topping charts and earning him Oscars for Best Original Song and Score—the first for an African American composer—plus Grammy Awards. Albums like Black Moses (1971) followed, and he entered the Rock & Roll Hall of Fame in 2002.
He starred in films like Truck Turner (1974) and voiced Chef on South Park from 1997. Hayes also scored TV themes and appeared in movies such as Escape from New York.
Hayes founded the Isaac Hayes Foundation for literacy and education, was crowned king in Ghana's Ada District in 1992, and advocated for Scientology causes. He died at 65 from stroke-related causes in Memphis.
Hayes grew up on a sharecropper's farm, orphaned young and raised by his grandparents. He dropped out of high school but earned his diploma at age 21, turning down college scholarships to support his family through jobs like meatpacking and nightclub performances.
Joining Stax Records in 1964 as a session musician, Hayes co-wrote hits like "Soul Man" with David Porter. His 1969 album Hot Buttered Soul revolutionized soul with long tracks, spoken word, and orchestral arrangements, selling over a million copies.
Hayes composed the Shaft soundtrack in 1971, topping charts and earning him Oscars for Best Original Song and Score—the first for an African American composer—plus Grammy Awards. Albums like Black Moses (1971) followed, and he entered the Rock & Roll Hall of Fame in 2002.
He starred in films like Truck Turner (1974) and voiced Chef on South Park from 1997. Hayes also scored TV themes and appeared in movies such as Escape from New York.
Hayes founded the Isaac Hayes Foundation for literacy and education, was crowned king in Ghana's Ada District in 1992, and advocated for Scientology causes. He died at 65 from stroke-related causes in Memphis.
Isley Jasper Isley
Isley-Jasper-Isley was a music group formed in 1984 as a splinter faction of the legendary Isley Brothers, which included members Ernie Isley (lead guitar), Marvin Isley (bass), and Chris Jasper (keyboards). This formation emerged during a pivotal time for the group and allowed its members to explore their musical identities more fully.
The group achieved significant success with their debut album "Caravan of Love," which produced chart-topping hits and showcased their unique blend of R&B, soul, and funk. This album established them firmly within the music industry, and they were recognized for their contributions to contemporary R&B and Quiet Storm genres.
Isley-Jasper-Isley remained active throughout the mid to late 1980s, disbanding in 1987 after enjoying a successful run that included both studio albums and live performances. During this time, they were credited with creating a distinctive sound that resonated with audiences and contributed to the evolution of soul music.
While Chris Jasper is often noted as the group's creative force, with a significant role in shaping their sound, he, along with his bandmates, left a lasting impact on the music industry through their innovative approaches. After the disbandment, members continued to pursue solo careers, with Ernie and Marvin Isley retaining connections to the Isley Brothers legacy while Chris Jasper delved into solo projects and collaborations.
The group achieved significant success with their debut album "Caravan of Love," which produced chart-topping hits and showcased their unique blend of R&B, soul, and funk. This album established them firmly within the music industry, and they were recognized for their contributions to contemporary R&B and Quiet Storm genres.
Isley-Jasper-Isley remained active throughout the mid to late 1980s, disbanding in 1987 after enjoying a successful run that included both studio albums and live performances. During this time, they were credited with creating a distinctive sound that resonated with audiences and contributed to the evolution of soul music.
While Chris Jasper is often noted as the group's creative force, with a significant role in shaping their sound, he, along with his bandmates, left a lasting impact on the music industry through their innovative approaches. After the disbandment, members continued to pursue solo careers, with Ernie and Marvin Isley retaining connections to the Isley Brothers legacy while Chris Jasper delved into solo projects and collaborations.
J. Blackfoot
J. Blackfoot, born John Colbert on November 20, 1946, in Greenville, Mississippi, was a prominent American soul singer renowned for his contributions to the genre. He began his music career in the 1960s as a member of the vocal quartet The Soul Children, a group that gained recognition for their poignant ballads and emotional performances. The Soul Children, active from 1968 to 1978, produced several hits, including "I'll Be The Other Woman," "Hearsay," and "Don't Take My Kindness For Weakness," which showcased Blackfoot's powerful vocals and dynamic stage presence.
After his tenure with The Soul Children, J. Blackfoot embarked on a successful solo career, with one of his most notable singles being "Taxi," which further solidified his standing in the southern soul music scene. He became an iconic figure in southern rhythm and blues, recognized for his heartfelt singing and contributions to the genre over two generations. His remarkable influence in music earned him a ranking as the 32nd artist on Daddy B. Nice's Top 100 Southern Soul Artists list.
Throughout his career, J. Blackfoot was known for his engaging performances and had the opportunity to perform at various events, including the Porretta Soul Festival in Italy, where he appeared multiple times, showcasing his enduring appeal.
Tragically, J. Blackfoot's life came to an end when he passed away on November 30, 2011, at the age of 65, following a battle with pancreatic cancer. He is remembered as a significant figure in soul music, whose work continues to resonate with fans and artists alike.
After his tenure with The Soul Children, J. Blackfoot embarked on a successful solo career, with one of his most notable singles being "Taxi," which further solidified his standing in the southern soul music scene. He became an iconic figure in southern rhythm and blues, recognized for his heartfelt singing and contributions to the genre over two generations. His remarkable influence in music earned him a ranking as the 32nd artist on Daddy B. Nice's Top 100 Southern Soul Artists list.
Throughout his career, J. Blackfoot was known for his engaging performances and had the opportunity to perform at various events, including the Porretta Soul Festival in Italy, where he appeared multiple times, showcasing his enduring appeal.
Tragically, J. Blackfoot's life came to an end when he passed away on November 30, 2011, at the age of 65, following a battle with pancreatic cancer. He is remembered as a significant figure in soul music, whose work continues to resonate with fans and artists alike.
J.J. Barnes<div hidden>JJ Barnes</div>
James Jay Barnes, known professionally as J.J. Barnes, was an American R&B singer and songwriter born on November 30, 1943, in Detroit, Michigan, and passed away on December 10, 2022.
Barnes grew up in Detroit with seven brothers and one sister, singer Orthea Barnes, attending North Western High School. His musical career started in gospel groups like the Halo Gospel Singers and the Five Seniors before forming J.J. Barnes & The Dell-Fi's, releasing his debut single "My Love Came Tumbling Down" in 1960 on Kable Records.
In the early 1960s, Barnes recorded singles like "Just One More Time" and "Please Let Me In" on Mickay and Ric-Tic labels, which later gained popularity in the UK Northern soul scene. He joined the trio the Holidays with Edwin Starr and Steve Mancha, scoring a #7 R&B hit in 1966 with "I'll Love You Forever." His breakthrough solo single, the self-co-written "Baby Please Come Back Home" on Groovesville in 1967, reached #9 on the US Billboard R&B chart.
Signed briefly to Motown as a songwriter without solo releases, Barnes continued issuing singles on labels like Revilot and Groovesville through the late 1960s. In the 1970s, on Edwin Starr's recommendation, he relocated to England, signing with Contempo Records for singles and the album Sara Smile (1977), embracing the Northern soul audience with reissues of tracks like "Real Humdinger."
Barnes recorded for Ian Levine's Motorcity label in the 1980s and 1990s, covering Northern soul classics such as "Do I Love You (Indeed I Do)." His work influenced covers like the Dirtbombs' version of "Chains of Love" in 2001, and he remained active until his death at age 79.
Barnes grew up in Detroit with seven brothers and one sister, singer Orthea Barnes, attending North Western High School. His musical career started in gospel groups like the Halo Gospel Singers and the Five Seniors before forming J.J. Barnes & The Dell-Fi's, releasing his debut single "My Love Came Tumbling Down" in 1960 on Kable Records.
In the early 1960s, Barnes recorded singles like "Just One More Time" and "Please Let Me In" on Mickay and Ric-Tic labels, which later gained popularity in the UK Northern soul scene. He joined the trio the Holidays with Edwin Starr and Steve Mancha, scoring a #7 R&B hit in 1966 with "I'll Love You Forever." His breakthrough solo single, the self-co-written "Baby Please Come Back Home" on Groovesville in 1967, reached #9 on the US Billboard R&B chart.
Signed briefly to Motown as a songwriter without solo releases, Barnes continued issuing singles on labels like Revilot and Groovesville through the late 1960s. In the 1970s, on Edwin Starr's recommendation, he relocated to England, signing with Contempo Records for singles and the album Sara Smile (1977), embracing the Northern soul audience with reissues of tracks like "Real Humdinger."
Barnes recorded for Ian Levine's Motorcity label in the 1980s and 1990s, covering Northern soul classics such as "Do I Love You (Indeed I Do)." His work influenced covers like the Dirtbombs' version of "Chains of Love" in 2001, and he remained active until his death at age 79.
J.J. Jackson
J.J. Jackson is an American soul singer and songwriter, best known for his massive 1966 hit "But It's Alright," a powerful, melodic R&B/soul track that became a dance floor classic and charted twice. Born in Brooklyn, NY, Jackson moved to London, becoming an early R&B artist to record in the UK, known for his strong vocal "belter" style and songwriting, but his chart success faded after "But It's Alright," though he continued performing, often in oldies tours.
At 16, he composed "The Lord Will Understand (And Say 'Well Done')". His first singles released were "Shy Guy" and "Time" in 1963 on Crescent Records. Encouraged by his manager, Jackson moved to London, where he recorded his signature song, "But It's Alright." Initially the B-side to "Boogaloo Baby," it became a major hit, reaching #3 on the Billboard Hot 100 in 1966 and again in 1969. Jackson returned to the United States in 1985 and largely retired from the mainstream industry, eventually settling in Palmdale, California.
Throughout his career, he collaborated with various artists and worked on numerous projects as a songwriter and arranger, further solidifying his place in the genre. Jackson's contributions to soul music helped shape its evolution and influenced many contemporary musicians.
J.J. Jackson's work and style continue to be celebrated in the soul and R&B communities. His unique vocal delivery and songwriting talent have left a lasting impact on the genre, making him a notable figure in American music history. As of 2026, he remains an iconic figure of the 1960s soul "belter" style.
At 16, he composed "The Lord Will Understand (And Say 'Well Done')". His first singles released were "Shy Guy" and "Time" in 1963 on Crescent Records. Encouraged by his manager, Jackson moved to London, where he recorded his signature song, "But It's Alright." Initially the B-side to "Boogaloo Baby," it became a major hit, reaching #3 on the Billboard Hot 100 in 1966 and again in 1969. Jackson returned to the United States in 1985 and largely retired from the mainstream industry, eventually settling in Palmdale, California.
Throughout his career, he collaborated with various artists and worked on numerous projects as a songwriter and arranger, further solidifying his place in the genre. Jackson's contributions to soul music helped shape its evolution and influenced many contemporary musicians.
J.J. Jackson's work and style continue to be celebrated in the soul and R&B communities. His unique vocal delivery and songwriting talent have left a lasting impact on the genre, making him a notable figure in American music history. As of 2026, he remains an iconic figure of the 1960s soul "belter" style.
JJ Jackson
Jack McDuff
Jack McDuff, born Eugene McDuffy on September 17, 1926, in Champaign, Illinois, was a highly regarded American jazz organist. He developed an early interest in music and was primarily self-taught in playing the piano and organ. McDuff later pursued further education in music at a college in Cincinnati, which helped shape his musical career.
McDuff's career began in Chicago in the late 1940s, where he played in various venues and honed his skills. He initially started as a bassist but soon transitioned to the organ, making a significant impact on the jazz scene. He emerged as a prominent figure in the jazz world during the 1960s and was known for his vibrant, soulful style on the Hammond organ, which became his signature instrument.
Throughout his career, McDuff was recognized for his abilities not only as an organist but also as a bandleader and arranger. He was noted for his funky and engaging performances, contributing greatly to the jazz genre and influencing many musicians.
In the 1970s, he experimented with electronic keyboards, fusion, and more ambitious arrangements, recording for labels such as Atlantic and Blue Note.
After a "lean period" in the early 1980s, his career was revitalized by the 1988 album The Re-Entry. He continued recording for Concord Jazz throughout the 1990s.
Jack McDuff continued to perform and record music until his later years, leaving behind a legacy of influential works in jazz. He passed away on January 23, 2001, but remains celebrated as one of the top organists to have emerged in the jazz scene, particularly after the popularity of Jimmy Smith.
McDuff's contributions to the music industry are remembered for their innovation and style, marking him as a key figure in the evolution of jazz organ music. His work continues to inspire new generations of musicians.
McDuff's career began in Chicago in the late 1940s, where he played in various venues and honed his skills. He initially started as a bassist but soon transitioned to the organ, making a significant impact on the jazz scene. He emerged as a prominent figure in the jazz world during the 1960s and was known for his vibrant, soulful style on the Hammond organ, which became his signature instrument.
Throughout his career, McDuff was recognized for his abilities not only as an organist but also as a bandleader and arranger. He was noted for his funky and engaging performances, contributing greatly to the jazz genre and influencing many musicians.
In the 1970s, he experimented with electronic keyboards, fusion, and more ambitious arrangements, recording for labels such as Atlantic and Blue Note.
After a "lean period" in the early 1980s, his career was revitalized by the 1988 album The Re-Entry. He continued recording for Concord Jazz throughout the 1990s.
Jack McDuff continued to perform and record music until his later years, leaving behind a legacy of influential works in jazz. He passed away on January 23, 2001, but remains celebrated as one of the top organists to have emerged in the jazz scene, particularly after the popularity of Jimmy Smith.
McDuff's contributions to the music industry are remembered for their innovation and style, marking him as a key figure in the evolution of jazz organ music. His work continues to inspire new generations of musicians.
Jackie Ross
Jackie Ross is an American soul singer known for her 1960s hit "Selfish One." Born Jaculyn Bless Ross on January 30, 1946, in St. Louis, Missouri, she rose from gospel roots to Chicago soul prominence.
Ross began singing gospel at age three on her parents' radio show, as both were preachers. After her father's death in 1954, the family moved to Chicago, where family friend Sam Cooke signed her to his SAR Records at age 15.
Her 1962 SAR debut "Hard Times" preceded time in Syl Johnson's band. Signing with Chess Records in 1964, "Selfish One" hit #11 on the Billboard Hot 100 and #4 R&B, launching her career with the 1965 album Full Bloom.
Follow-ups like "I've Got the Skill" (#89 Hot 100), "Jerk and Twine" (#85 R&B), and "Take Me for a Little While" underperformed amid label disputes over royalties and promotion. Ross left Chess in 1967 after minimal earnings from her hit.
She recorded for Brunswick (1968-1969 singles like "Keep Your Chin Up"), Jerry Butler's Fountain, Mercury (1970), and others into the 1970s via manager Jimmy Vanleer's Golden Ear label. A 1980 comeback album A New Beginning blended soul and jazz, but an unreleased 1981 test pressing Cold Hearted Woman marked limited later success.
Ross began singing gospel at age three on her parents' radio show, as both were preachers. After her father's death in 1954, the family moved to Chicago, where family friend Sam Cooke signed her to his SAR Records at age 15.
Her 1962 SAR debut "Hard Times" preceded time in Syl Johnson's band. Signing with Chess Records in 1964, "Selfish One" hit #11 on the Billboard Hot 100 and #4 R&B, launching her career with the 1965 album Full Bloom.
Follow-ups like "I've Got the Skill" (#89 Hot 100), "Jerk and Twine" (#85 R&B), and "Take Me for a Little While" underperformed amid label disputes over royalties and promotion. Ross left Chess in 1967 after minimal earnings from her hit.
She recorded for Brunswick (1968-1969 singles like "Keep Your Chin Up"), Jerry Butler's Fountain, Mercury (1970), and others into the 1970s via manager Jimmy Vanleer's Golden Ear label. A 1980 comeback album A New Beginning blended soul and jazz, but an unreleased 1981 test pressing Cold Hearted Woman marked limited later success.
Jackie Wilson
Jackie Wilson was a dynamic American soul and R&B singer known for his powerful tenor voice and electrifying stage performances during the 1950s and 1960s. Born Jack Leroy Wilson Jr. on June 9, 1934, in Detroit, Michigan, he rose from a challenging youth marked by poverty, early drinking, gang involvement, and juvenile detention to become a pioneering performer who bridged rhythm and blues with pop music.
Wilson grew up in a working-class Detroit neighborhood as the only surviving child of Jack and Eliza Mae Wilson, with his father struggling with alcoholism and unemployment. He dropped out of high school at 15, faced two stints in juvenile detention, took up boxing—winning a Golden Gloves welterweight title—and became a father at 17 after marrying his pregnant girlfriend, Freda Hood. His mother influenced his turn to music, as he sang in church with the Ever Ready Gospel Singers and performed in local Detroit clubs by his late teens.
In the early 1950s, Wilson sang with Hank Ballard and the Midnighters before joining Billy Ward and the Dominoes in 1953, replacing Clyde McPhatter as lead tenor. He contributed to their 1956 pop hit "St. Therese of the Roses" and honed his showmanship skills. Launching solo in 1957 with Brunswick Records under manager Nat Tarnopol, he scored early hits like "Reet Petite" (co-written by Berry Gordy Jr. and Roquel Davis), "To Be Loved," and his first No. 1, "Lonely Teardrops" in 1958.
Wilson's career exploded with dynamic singles blending doo-wop, rock, blues, and soul, including "That's Why," "I'll Be Satisfied," "Night" (1960), "Baby Workout" (1963 Top Five hit), and "(Your Love Keeps Lifting Me) Higher and Higher" (1967 No. 6 pop). Renowned for acrobatic flips, splits, and a four-octave range, he influenced James Brown and Michael Jackson, appeared on shows like The Ed Sullivan Show and Dick Clark's American Bandstand, and starred in the 1959 film Rock All Night. Despite racial barriers, constant touring built his legend as a top showman through the 1960s and early 1970s.
Wilson battled substance abuse, multiple failed marriages, family tragedies—including the shooting death of his son—and financial woes from poor management. These issues, compounded by a fading hit streak post-1967, led to reliance on live performances for income.
On September 29, 1975, Wilson collapsed onstage in Cherry Hill, New Jersey, from a heart attack, entering a coma that lasted nearly nine years until his death on January 21, 1984, at age 49. Inducted into the Rock and Roll Hall of Fame in 1987, his innovative style and energy remain influential in soul and rock.
Wilson grew up in a working-class Detroit neighborhood as the only surviving child of Jack and Eliza Mae Wilson, with his father struggling with alcoholism and unemployment. He dropped out of high school at 15, faced two stints in juvenile detention, took up boxing—winning a Golden Gloves welterweight title—and became a father at 17 after marrying his pregnant girlfriend, Freda Hood. His mother influenced his turn to music, as he sang in church with the Ever Ready Gospel Singers and performed in local Detroit clubs by his late teens.
In the early 1950s, Wilson sang with Hank Ballard and the Midnighters before joining Billy Ward and the Dominoes in 1953, replacing Clyde McPhatter as lead tenor. He contributed to their 1956 pop hit "St. Therese of the Roses" and honed his showmanship skills. Launching solo in 1957 with Brunswick Records under manager Nat Tarnopol, he scored early hits like "Reet Petite" (co-written by Berry Gordy Jr. and Roquel Davis), "To Be Loved," and his first No. 1, "Lonely Teardrops" in 1958.
Wilson's career exploded with dynamic singles blending doo-wop, rock, blues, and soul, including "That's Why," "I'll Be Satisfied," "Night" (1960), "Baby Workout" (1963 Top Five hit), and "(Your Love Keeps Lifting Me) Higher and Higher" (1967 No. 6 pop). Renowned for acrobatic flips, splits, and a four-octave range, he influenced James Brown and Michael Jackson, appeared on shows like The Ed Sullivan Show and Dick Clark's American Bandstand, and starred in the 1959 film Rock All Night. Despite racial barriers, constant touring built his legend as a top showman through the 1960s and early 1970s.
Wilson battled substance abuse, multiple failed marriages, family tragedies—including the shooting death of his son—and financial woes from poor management. These issues, compounded by a fading hit streak post-1967, led to reliance on live performances for income.
On September 29, 1975, Wilson collapsed onstage in Cherry Hill, New Jersey, from a heart attack, entering a coma that lasted nearly nine years until his death on January 21, 1984, at age 49. Inducted into the Rock and Roll Hall of Fame in 1987, his innovative style and energy remain influential in soul and rock.
Jaco Pastorius
Jaco Pastorius, born John Francis Anthony Pastorius III on December 1, 1951, in Norristown, Pennsylvania, was the first of three sons in his family. When he was eight years old, his family moved to Fort Lauderdale, Florida, where he was exposed to various musical influences from a young age. His father, Jack Pastorius, was a singer and jazz drummer, which contributed significantly to Jaco’s early musical development and interest in the jazz genre.
Pastorius first gained recognition in the mid-1970s, when he released his self-titled debut album, "Jaco Pastorius," in 1976. This album showcased his innovative techniques on the electric bass guitar, challenging and redefining conventional roles of the instrument within jazz, R&B, rock, and funk music. Many consider him to be a revolutionary figure in music, setting new standards for electric bass performance.
Throughout his career, Jaco was known for his virtuosity and unique style, which included harmonics and a distinct fretless bass sound. His work with notable musicians and groups, such as the jazz fusion band Weather Report, further amplified his influence in the jazz scene. He was often regarded as one of the best and most influential bass guitarists in history.
As a member of Weather Report, Pastorius performed on their most commercially successful song, "Birdland" (1977). While composed by Joe Zawinul, Pastorius's driving, melodic bass line was central to its massive crossover success. "Come On, Come Over" - a rare vocal track from his self-titled debut album featuring R&B legends Sam & Dave, showcased his ability to anchor a hard-driving, 16th-note funk groove.
Despite his musical genius, Jaco’s life was marked by personal challenges, including struggles with mental health and substance abuse. These difficulties were compounded by a volatile personality, which impacted both his career and personal relationships. His erratic behavior led to periods of estrangement from the music industry and his family.
Jaco Pastorius's impact on music is profound; he is credited with bridging gaps between various musical genres and inspiring countless bassists and musicians. His unique approach to the instrument and contributions to jazz continue to resonate with new generations of artists. His legacy is celebrated through numerous tributes, recordings, and biographies that highlight his genius and tragic story.
While Jaco passed away on September 21, 1987, his music and influence remain enduring symbols of innovation in the world of jazz and beyond.
Pastorius first gained recognition in the mid-1970s, when he released his self-titled debut album, "Jaco Pastorius," in 1976. This album showcased his innovative techniques on the electric bass guitar, challenging and redefining conventional roles of the instrument within jazz, R&B, rock, and funk music. Many consider him to be a revolutionary figure in music, setting new standards for electric bass performance.
Throughout his career, Jaco was known for his virtuosity and unique style, which included harmonics and a distinct fretless bass sound. His work with notable musicians and groups, such as the jazz fusion band Weather Report, further amplified his influence in the jazz scene. He was often regarded as one of the best and most influential bass guitarists in history.
As a member of Weather Report, Pastorius performed on their most commercially successful song, "Birdland" (1977). While composed by Joe Zawinul, Pastorius's driving, melodic bass line was central to its massive crossover success. "Come On, Come Over" - a rare vocal track from his self-titled debut album featuring R&B legends Sam & Dave, showcased his ability to anchor a hard-driving, 16th-note funk groove.
Despite his musical genius, Jaco’s life was marked by personal challenges, including struggles with mental health and substance abuse. These difficulties were compounded by a volatile personality, which impacted both his career and personal relationships. His erratic behavior led to periods of estrangement from the music industry and his family.
Jaco Pastorius's impact on music is profound; he is credited with bridging gaps between various musical genres and inspiring countless bassists and musicians. His unique approach to the instrument and contributions to jazz continue to resonate with new generations of artists. His legacy is celebrated through numerous tributes, recordings, and biographies that highlight his genius and tragic story.
While Jaco passed away on September 21, 1987, his music and influence remain enduring symbols of innovation in the world of jazz and beyond.
Jaisun Johnson
Jaisún Johnson (born Jaisun McMillian) is an American soul and R&B singer with a career spanning over five decades.
Born in San Antonio, Texas, she is the daughter of a New York jazz singer. She moved to Los Angeles in 1966, where she joined the legendary vocal group The Platters.
She later became a member of Martha Reeves & The Vandellas, one of Motown's most successful girl groups.
As a solo artist, she is known for the soul ballad single "Try And Understand" from her self-titled album (1977) released on the Jett Sett record label.
Beyond her music, she wrote and directed a theatrical production titled The Anatomy of a Woman Abused, a play based on her own life experiences.
Born in San Antonio, Texas, she is the daughter of a New York jazz singer. She moved to Los Angeles in 1966, where she joined the legendary vocal group The Platters.
She later became a member of Martha Reeves & The Vandellas, one of Motown's most successful girl groups.
As a solo artist, she is known for the soul ballad single "Try And Understand" from her self-titled album (1977) released on the Jett Sett record label.
Beyond her music, she wrote and directed a theatrical production titled The Anatomy of a Woman Abused, a play based on her own life experiences.
James And Bobby Purify
James & Bobby Purify were an R&B/soul duo best known for their 1966 hit "I'm Your Puppet." The act featured James Purify and two different singers as "Bobby Purify" over the years. They achieved significant success in the 1960s before lineup changes and later revivals.
James Lee Purify was born on May 12, 1944, in Pensacola, Florida, and died on January 23, 2021, in the same city from COVID-19 complications. His initial partner, Robert Lee Dickey (born September 2, 1939, in Tallahassee, Florida), was a cousin who adopted the "Purify" stage name; Dickey, a former guitarist with the Dothan Sextet, passed away on December 29, 2011. The duo formed in 1965 and signed with Bell Records under producer Don Schroeder.
Their signature song, "I'm Your Puppet" (written by Spooner Oldham and Dan Penn), was released in September 1966, topping the US R&B chart, reaching #6 on the Billboard Hot 100, and selling over a million copies. Follow-up singles included "Wish You Didn't Have to Go," a remake of "Shake a Tail Feather," "Sixteen Tons," and "Let Love Come Between Us". They released albums like James and Bobby Purify (1967) and The Pure Sound of the Purify's (1968) on Bell.
Dickey retired in 1971 due to health issues, returning to Tallahassee where he worked in city maintenance and with church groups like the Bethlehem Male Singers. Ben Moore (born August 7, 1941, in Atlanta, Georgia), who had backed Otis Redding and James Brown, replaced him and performed as James & Bobby Purify into the 1980s. A 1976 re-release of "I'm Your Puppet" hit #12 in the UK, leading to the album You and Me Together Forever (1978) on Casablanca Records.
Moore went solo as Bobby Purify, releasing Purified (1979) on Mercury/Casablanca, faced blindness from glaucoma in 1998 but returned with encouragement from Ray Charles, issuing Better to Have It (2005) and joining the Blind Boys of Alabama. James Purify largely stepped back from music after the duo's peak. A 2002 compilation, Shake a Tail Feather!, revisited their catalog.
James Lee Purify was born on May 12, 1944, in Pensacola, Florida, and died on January 23, 2021, in the same city from COVID-19 complications. His initial partner, Robert Lee Dickey (born September 2, 1939, in Tallahassee, Florida), was a cousin who adopted the "Purify" stage name; Dickey, a former guitarist with the Dothan Sextet, passed away on December 29, 2011. The duo formed in 1965 and signed with Bell Records under producer Don Schroeder.
Their signature song, "I'm Your Puppet" (written by Spooner Oldham and Dan Penn), was released in September 1966, topping the US R&B chart, reaching #6 on the Billboard Hot 100, and selling over a million copies. Follow-up singles included "Wish You Didn't Have to Go," a remake of "Shake a Tail Feather," "Sixteen Tons," and "Let Love Come Between Us". They released albums like James and Bobby Purify (1967) and The Pure Sound of the Purify's (1968) on Bell.
Dickey retired in 1971 due to health issues, returning to Tallahassee where he worked in city maintenance and with church groups like the Bethlehem Male Singers. Ben Moore (born August 7, 1941, in Atlanta, Georgia), who had backed Otis Redding and James Brown, replaced him and performed as James & Bobby Purify into the 1980s. A 1976 re-release of "I'm Your Puppet" hit #12 in the UK, leading to the album You and Me Together Forever (1978) on Casablanca Records.
Moore went solo as Bobby Purify, releasing Purified (1979) on Mercury/Casablanca, faced blindness from glaucoma in 1998 but returned with encouragement from Ray Charles, issuing Better to Have It (2005) and joining the Blind Boys of Alabama. James Purify largely stepped back from music after the duo's peak. A 2002 compilation, Shake a Tail Feather!, revisited their catalog.
James Brown
James Joseph Brown (1933–2006), often hailed as the "Godfather of Soul" and "The Hardest Working Man in Show Business," was a monumental figure in 20th-century music. A pioneer of soul and the primary progenitor of funk, he influenced diverse genres including hip-hop, disco, and rock.
Born on May 3, 1933, in Barnwell, South Carolina, Brown grew up in extreme poverty in Augusta, Georgia. After his mother left when he was four, he was raised largely by an aunt who ran a brothel. He worked odd jobs like picking cotton and shining shoes to survive. At 16, he was convicted of robbery and sentenced to 8 to 16 years. He served three years in a juvenile reformatory, where he formed a gospel quartet and met his future musical partner, Bobby Byrd.
Upon his release in 1952, he joined Byrd's group, which became the Famous Flames. Their first hit, "Please, Please, Please" (1956), sold over a million copies. In the mid-1960s, Brown shifted his sound toward complex rhythmic patterns and a heavy emphasis on "the one" (the first beat), effectively inventing funk music with hits like "Papa's Got a Brand New Bag" and "Cold Sweat".
During the Civil Rights movement, he became a voice for Black pride with the 1968 anthem "Say It Loud – I'm Black and I'm Proud". In the 1970s, he formed a new band, the J.B.'s, featuring legendary musicians like Bootsy Collins, which further solidified the funk genre.
Brown was famous for his high-energy stage presence, which included acrobatic splits, spins, and his signature "cape routine" where he would feign collapse only to be "revived" by a cape and continue singing. Known for his perfectionism, he frequently fined his band members for missing notes or having unpolished shoes during performances.
He scored numerous #1 R&B hits and influenced the development of several music genres over his 50-year career. After a career dip in the late 1970s, he saw a resurgence in the 1980s with a role in The Blues Brothers and the hit single "Living in America" from Rocky IV.
He made significant contributions to education and community development. He experienced marital issues, domestic violence, and substance abuse, issues acknowledged alongside his musical genius. He was one of the first ten inductees into the Rock and Roll Hall of Fame in 1986 and received a Grammy Lifetime Achievement Award in 1992.
James Brown died of congestive heart failure resulting from pneumonia on December 25, 2006, in Atlanta, Georgia. He remains the most sampled artist in history, with his drum breaks and grooves forming the foundational DNA of hip-hop and modern dance music.
Born on May 3, 1933, in Barnwell, South Carolina, Brown grew up in extreme poverty in Augusta, Georgia. After his mother left when he was four, he was raised largely by an aunt who ran a brothel. He worked odd jobs like picking cotton and shining shoes to survive. At 16, he was convicted of robbery and sentenced to 8 to 16 years. He served three years in a juvenile reformatory, where he formed a gospel quartet and met his future musical partner, Bobby Byrd.
Upon his release in 1952, he joined Byrd's group, which became the Famous Flames. Their first hit, "Please, Please, Please" (1956), sold over a million copies. In the mid-1960s, Brown shifted his sound toward complex rhythmic patterns and a heavy emphasis on "the one" (the first beat), effectively inventing funk music with hits like "Papa's Got a Brand New Bag" and "Cold Sweat".
During the Civil Rights movement, he became a voice for Black pride with the 1968 anthem "Say It Loud – I'm Black and I'm Proud". In the 1970s, he formed a new band, the J.B.'s, featuring legendary musicians like Bootsy Collins, which further solidified the funk genre.
Brown was famous for his high-energy stage presence, which included acrobatic splits, spins, and his signature "cape routine" where he would feign collapse only to be "revived" by a cape and continue singing. Known for his perfectionism, he frequently fined his band members for missing notes or having unpolished shoes during performances.
He scored numerous #1 R&B hits and influenced the development of several music genres over his 50-year career. After a career dip in the late 1970s, he saw a resurgence in the 1980s with a role in The Blues Brothers and the hit single "Living in America" from Rocky IV.
He made significant contributions to education and community development. He experienced marital issues, domestic violence, and substance abuse, issues acknowledged alongside his musical genius. He was one of the first ten inductees into the Rock and Roll Hall of Fame in 1986 and received a Grammy Lifetime Achievement Award in 1992.
James Brown died of congestive heart failure resulting from pneumonia on December 25, 2006, in Atlanta, Georgia. He remains the most sampled artist in history, with his drum breaks and grooves forming the foundational DNA of hip-hop and modern dance music.
James Govan
James Govan was an American soul and blues singer born on September 2, 1949, in Mississippi, who rose to prominence in Memphis music circles for his powerful baritone voice reminiscent of Otis Redding. He passed away on July 18, 2014, at age 64 after a stroke in 2012 and related health issues.
Govan moved to Memphis, Tennessee, as a baby and grew up immersed in the city's vibrant music scene. As a teenager, he played in a group called The Vans, where Fame Records songwriter George Jackson discovered his talents as a multi-instrumentalist on percussion and guitar.
In 1969, Govan began recording at FAME Studios in Muscle Shoals, Alabama, with producers like George Jackson and Mickey Buckins, releasing singles such as "Wanted: Lover (No Experience Necessary)" through 1972, though commercial success eluded him. His deep soul style also shone in covers of Bob Dylan and Beatles songs; later compilations like Wanted: The FAME Recordings (2013) by Ace Records brought rediscovery among aficionados.
From 1989 to 2014, Govan became a fixture on Memphis's Beale Street, performing vocals and percussion at the Rum Boogie Café with the Boogie Blues Band, earning "Best House Band" honors three times. He and bandmate Don Chandler received keys to the City of Memphis for their contributions.
Govan was a star at Italy's Porretta Soul Festival from 1993 onward, hailed as a "real thing" by founder Graziano Uliani. His live album A Night on Beale (1999) marked a decade on Beale Street.
Govan moved to Memphis, Tennessee, as a baby and grew up immersed in the city's vibrant music scene. As a teenager, he played in a group called The Vans, where Fame Records songwriter George Jackson discovered his talents as a multi-instrumentalist on percussion and guitar.
In 1969, Govan began recording at FAME Studios in Muscle Shoals, Alabama, with producers like George Jackson and Mickey Buckins, releasing singles such as "Wanted: Lover (No Experience Necessary)" through 1972, though commercial success eluded him. His deep soul style also shone in covers of Bob Dylan and Beatles songs; later compilations like Wanted: The FAME Recordings (2013) by Ace Records brought rediscovery among aficionados.
From 1989 to 2014, Govan became a fixture on Memphis's Beale Street, performing vocals and percussion at the Rum Boogie Café with the Boogie Blues Band, earning "Best House Band" honors three times. He and bandmate Don Chandler received keys to the City of Memphis for their contributions.
Govan was a star at Italy's Porretta Soul Festival from 1993 onward, hailed as a "real thing" by founder Graziano Uliani. His live album A Night on Beale (1999) marked a decade on Beale Street.
James Ingram
James Edward Ingram was born on February 16, 1952, in Akron, Ohio. He was raised in a musical family and developed an interest in music at a young age. Ingram was encouraged by his parents, Alistine and Henry Ingram, to pursue his passion for the art form, which laid the groundwork for his future career in music.
Ingram's career took off in the late 1970s when he became a session musician, contributing as a vocalist and pianist to various projects. He gained major recognition and success as a solo artist and distinguished himself as a talented R&B singer and songwriter. His unique vocal style, characterized by a powerful falsetto, captivated audiences.
Ingram's breakthrough came with his 1982 hit "Just Once," which was co-written with Barry Mann and Cynthia Weil. The song earned him his first Grammy nomination. He continued to achieve commercial success throughout the 1980s, producing well-known tracks like "I'll Be There," "Yah Mo Be There," and "Baby Come to Me," showcasing his ability to blend soul and pop influences.
Over the course of his career, James Ingram received multiple Grammy Awards, reflecting his significant impact on the music industry. He won two Grammy Awards for Best Male R&B Vocal Performance in 1981 for "Just Once" and in 1987 for "Yah Mo Be There." He also received several nominations for other prominent awards.
Ingram continued to create and perform music until his health began to decline. He was diagnosed with brain cancer and ultimately succumbed to the disease on January 29, 2019, in Los Angeles, California, at the age of 66. His contributions to the R&B genre and his distinctive vocal talent remain celebrated to this day.
James Ingram is remembered not only for his musical talents but also for his ability to connect with audiences through his heartfelt lyrics and emotive performances. His influence on R&B music continues to inspire new generations of artists, solidifying his legacy as one of the genre's greats.
Ingram's career took off in the late 1970s when he became a session musician, contributing as a vocalist and pianist to various projects. He gained major recognition and success as a solo artist and distinguished himself as a talented R&B singer and songwriter. His unique vocal style, characterized by a powerful falsetto, captivated audiences.
Ingram's breakthrough came with his 1982 hit "Just Once," which was co-written with Barry Mann and Cynthia Weil. The song earned him his first Grammy nomination. He continued to achieve commercial success throughout the 1980s, producing well-known tracks like "I'll Be There," "Yah Mo Be There," and "Baby Come to Me," showcasing his ability to blend soul and pop influences.
Over the course of his career, James Ingram received multiple Grammy Awards, reflecting his significant impact on the music industry. He won two Grammy Awards for Best Male R&B Vocal Performance in 1981 for "Just Once" and in 1987 for "Yah Mo Be There." He also received several nominations for other prominent awards.
Ingram continued to create and perform music until his health began to decline. He was diagnosed with brain cancer and ultimately succumbed to the disease on January 29, 2019, in Los Angeles, California, at the age of 66. His contributions to the R&B genre and his distinctive vocal talent remain celebrated to this day.
James Ingram is remembered not only for his musical talents but also for his ability to connect with audiences through his heartfelt lyrics and emotive performances. His influence on R&B music continues to inspire new generations of artists, solidifying his legacy as one of the genre's greats.
Janet Helms
Janet Helms is an American soul and funk singer active in the early 1970s. She is best known for her rare and collectible soul recordings produced in the United States.
Her primary recording activity took place between 1972 and 1974. Her work is categorized within the soul and funk genres, often sought after by vinyl collectors.
Key Releases:
"Sad Sad Lover" / "I Love, I Love You Baby" (1972): Released on the Stone Groove label. The single features arrangements and songwriting by Lloyd Smith (of Jastone Music Publishing).
"Surer Than Yesterday": Another notable soul track associated with her discography.
She released one album on the Stone Groove label in 1974 entitled Ship On which has become a rare and has collector's item among soul music aficionados. A remastered edition of the album may be available from Spotify.
Her primary recording activity took place between 1972 and 1974. Her work is categorized within the soul and funk genres, often sought after by vinyl collectors.
Key Releases:
"Sad Sad Lover" / "I Love, I Love You Baby" (1972): Released on the Stone Groove label. The single features arrangements and songwriting by Lloyd Smith (of Jastone Music Publishing).
"Surer Than Yesterday": Another notable soul track associated with her discography.
She released one album on the Stone Groove label in 1974 entitled Ship On which has become a rare and has collector's item among soul music aficionados. A remastered edition of the album may be available from Spotify.
Janice Barnett
Janice Barnett is a soul and beach music singer known as the "Queen of Beach Music." She gained recognition as a former beauty queen and centerfold in Jet Magazine during the late 1960s.
Barnett met guitarist-vocalist Reggie Saddler in the late 1960s, leading to the formation of the group Janice. She transitioned from beauty pageants to music, leveraging her vocal talent and striking presence.
In 1971, Barnett served as the opening act for Tina Turner, marking a key milestone. She has entertained audiences for decades with soulful performances, earning her beach music nickname through regional popularity in the Carolinas and shag dancing scenes.
Barnett collaborated with Reggie Saddler on the Janice album and group. Recent mentions include family interviews highlighting her enduring legacy, such as with her niece Lauren Barnett.
Barnett met guitarist-vocalist Reggie Saddler in the late 1960s, leading to the formation of the group Janice. She transitioned from beauty pageants to music, leveraging her vocal talent and striking presence.
In 1971, Barnett served as the opening act for Tina Turner, marking a key milestone. She has entertained audiences for decades with soulful performances, earning her beach music nickname through regional popularity in the Carolinas and shag dancing scenes.
Barnett collaborated with Reggie Saddler on the Janice album and group. Recent mentions include family interviews highlighting her enduring legacy, such as with her niece Lauren Barnett.
Jaye P. Morgan
Jaye P. Morgan (born Mary Margaret Morgan) is an American singer, actress, and TV personality known for 1950s pop hits, her own variety show, and her infamous stint as a regular judge on The Gong Show, where she flashed her breasts on live TV, leading to her banning but cementing her cult status. She was a versatile entertainer who had hits in the big band era, hosted The Jaye P. Morgan Show in 1956, and later found renewed fame as a witty panelist in the 70s, with her 1976 funk/soul album produced by David Foster becoming a rediscovered gem.
Jean Carne
Jean Carn, born Sarah Jean Perkins on March 15, 1947, in Columbus, Georgia, is an acclaimed American R&B, soul, and jazz singer known for her versatile vocal range and improvisational skills.
Raised in Atlanta after her birth in Georgia, Carn displayed musical talent early, singing at age three and joining her church choir by age four. She learned piano, clarinet, and bassoon, attended Booker T. Washington High School, and earned a scholarship to Morris Brown College for musical theater and opera training. Originally planning to study at Juilliard, she instead married jazz pianist Doug Carn, joining his fusion band.
With Doug Carn, she recorded albums like Infant Eyes, Spirit of the New Land, and Revelation in the early 1970s, gaining notice from Earth, Wind & Fire, where she sang backup on their first two albums. She toured with Duke Ellington and hit charts in 1975 with Norman Connors on "Valentine Love."
Signed to Philadelphia International Records in 1976, her debut album Jean Carn featured the R&B hit "Free Love." Follow-ups included "Was That All It Was," "Don't Let It Go to Your Head," and albums like Happy to Be With You. She moved to Motown in 1982 for Trust Me, then Omni Records in 1986, scoring her first R&B number-one with "Closer Than Close."
Carn released albums through the 1980s and 1990s, including You're a Part of Me (1988) with a cover of Aretha Franklin's "Ain't No Way," and Love Lessons later on. She toured extensively, raised three children, and remains noted for blending jazz, soul, and R&B.
Raised in Atlanta after her birth in Georgia, Carn displayed musical talent early, singing at age three and joining her church choir by age four. She learned piano, clarinet, and bassoon, attended Booker T. Washington High School, and earned a scholarship to Morris Brown College for musical theater and opera training. Originally planning to study at Juilliard, she instead married jazz pianist Doug Carn, joining his fusion band.
With Doug Carn, she recorded albums like Infant Eyes, Spirit of the New Land, and Revelation in the early 1970s, gaining notice from Earth, Wind & Fire, where she sang backup on their first two albums. She toured with Duke Ellington and hit charts in 1975 with Norman Connors on "Valentine Love."
Signed to Philadelphia International Records in 1976, her debut album Jean Carn featured the R&B hit "Free Love." Follow-ups included "Was That All It Was," "Don't Let It Go to Your Head," and albums like Happy to Be With You. She moved to Motown in 1982 for Trust Me, then Omni Records in 1986, scoring her first R&B number-one with "Closer Than Close."
Carn released albums through the 1980s and 1990s, including You're a Part of Me (1988) with a cover of Aretha Franklin's "Ain't No Way," and Love Lessons later on. She toured extensively, raised three children, and remains noted for blending jazz, soul, and R&B.
Jean Terrell
Jean Terrell is an American R&B and jazz singer best known for replacing Diana Ross as the lead vocalist of The Supremes from 1970 to 1973. Born Velma Jean Terrell on November 26, 1944, in Belzoni, Mississippi, she moved to Chicago early in life and later pursued music alongside her brother, former heavyweight boxer Ernie Terrell.
Jean Terrell grew up in a musical family after relocating from Mississippi to Chicago for better opportunities. In the late 1960s, she performed with her brother in the group Ernie Terrell and the Heavyweights, gaining local notice in clubs.
Discovered by Motown's Berry Gordy in 1969 at a Miami club, Terrell joined The Supremes after Diana Ross's departure, performing alongside Mary Wilson and Cindy Birdsong starting January 14, 1970. The group scored hits like "Up the Ladder to the Roof" and "Floy Joy," with lineup changes including Lynda Laurence replacing Birdsong; Terrell left in 1973 alongside Laurence.
Post-Supremes, Terrell signed with A&M Records and released her debut solo album I Had to Fall in Love in 1978, featuring the minor R&B hit "Don't Stop Reaching for the Top" (No. 72). In the early 1980s, she toured a one-woman show blending Supremes tracks, her solo material, and covers, often backed by former Supremes members.
Terrell semi-retired after her solo efforts, influenced by her Jehovah's Witness beliefs conflicting with promotional demands. Now in her 80s as of 2026, she remains recognized for revitalizing The Supremes during a transitional period.
Jean Terrell grew up in a musical family after relocating from Mississippi to Chicago for better opportunities. In the late 1960s, she performed with her brother in the group Ernie Terrell and the Heavyweights, gaining local notice in clubs.
Discovered by Motown's Berry Gordy in 1969 at a Miami club, Terrell joined The Supremes after Diana Ross's departure, performing alongside Mary Wilson and Cindy Birdsong starting January 14, 1970. The group scored hits like "Up the Ladder to the Roof" and "Floy Joy," with lineup changes including Lynda Laurence replacing Birdsong; Terrell left in 1973 alongside Laurence.
Post-Supremes, Terrell signed with A&M Records and released her debut solo album I Had to Fall in Love in 1978, featuring the minor R&B hit "Don't Stop Reaching for the Top" (No. 72). In the early 1980s, she toured a one-woman show blending Supremes tracks, her solo material, and covers, often backed by former Supremes members.
Terrell semi-retired after her solo efforts, influenced by her Jehovah's Witness beliefs conflicting with promotional demands. Now in her 80s as of 2026, she remains recognized for revitalizing The Supremes during a transitional period.
Jeff Floyd
Jeff Floyd is a Southern soul singer born on October 29, 1965, in Jacksonville, Florida, where he continues to reside.
Jeff Floyd grew up as the second youngest of eight children born to Barbara Elmore and Neil Floyd, who were never married. His mother passed away when he was nine, after which his maternal grandparents, Frank and Emmeline Elmore, raised the family despite financial hardships, with Frank working extra shifts at a paper mill. Floyd began singing in his church choir and became a multi-instrumentalist, particularly on bass, while playing in neighborhood bands.
In his teens, Floyd performed with family and local groups like Genesis, Fire, Transit Band, Grip Band, and Pure Poison, often changing names due to lineup shifts. He transitioned from backup to lead vocalist with the Jax Transit Authority, recording the funky single "Life Is a Miracle" in 1978 on Eagle Music. This experience drew him to frontman status, as audiences responded enthusiastically to his voice over his bass playing.
Floyd formed the Sweat Band in the early 1980s, releasing 45s like "Best of Friends" (1984) and "Fellows Be Kind" (1986) on his Big J Records. His debut LP, Changing Time, came in 1992 on Murphy Floyd Records, co-produced with brother Michael. After a stint with the bankrupt Ichiban label, he joined Wilbe Records in 1999, releasing Powerhouse (2001) featuring his signature hit "I Found Love (On a Lonely Highway)," inspired by a Daytona Beach trip.
Subsequent Wilbe albums include Keepin' It Real (2008) with hits like "Lock My Door," co-written with William Bell, whose band Floyd toured with in Europe. Recent output features the 2023 single "Living My Life" with Roi “Chip” Anthony and an EP Keep Trying. His passionate, vulnerable songs echo Bobby Womack and Teddy Pendergrass, rooted in "Dirty South" soul.
Jeff Floyd grew up as the second youngest of eight children born to Barbara Elmore and Neil Floyd, who were never married. His mother passed away when he was nine, after which his maternal grandparents, Frank and Emmeline Elmore, raised the family despite financial hardships, with Frank working extra shifts at a paper mill. Floyd began singing in his church choir and became a multi-instrumentalist, particularly on bass, while playing in neighborhood bands.
In his teens, Floyd performed with family and local groups like Genesis, Fire, Transit Band, Grip Band, and Pure Poison, often changing names due to lineup shifts. He transitioned from backup to lead vocalist with the Jax Transit Authority, recording the funky single "Life Is a Miracle" in 1978 on Eagle Music. This experience drew him to frontman status, as audiences responded enthusiastically to his voice over his bass playing.
Floyd formed the Sweat Band in the early 1980s, releasing 45s like "Best of Friends" (1984) and "Fellows Be Kind" (1986) on his Big J Records. His debut LP, Changing Time, came in 1992 on Murphy Floyd Records, co-produced with brother Michael. After a stint with the bankrupt Ichiban label, he joined Wilbe Records in 1999, releasing Powerhouse (2001) featuring his signature hit "I Found Love (On a Lonely Highway)," inspired by a Daytona Beach trip.
Subsequent Wilbe albums include Keepin' It Real (2008) with hits like "Lock My Door," co-written with William Bell, whose band Floyd toured with in Europe. Recent output features the 2023 single "Living My Life" with Roi “Chip” Anthony and an EP Keep Trying. His passionate, vulnerable songs echo Bobby Womack and Teddy Pendergrass, rooted in "Dirty South" soul.
Jennifer Holliday
Jennifer Yvette Holliday, born on October 19, 1960, in Houston, Texas, is an acclaimed American singer and actress recognized for her powerful voice and significant contributions to Broadway and music. Her journey began in the Pleasant Grove Baptist Church Choir, where her talent was nurtured before she transitioned to the professional stage.
Holliday grew up in a supportive musical environment, which fueled her passion for singing. From a young age, she showcased her vocal ability through solo performances in her church choir. This foundational experience paved the way for her future career in the arts.
Jennifer Holliday gained widespread recognition for her role as Effie White in the Broadway musical "Dreamgirls," which premiered in 1981. Her outstanding performance earned her a Tony Award for Best Actress in a Musical, solidifying her status in the theater community.
The song "And I Am Telling You I'm Not Going," which she performed, became a signature piece and highlighted her incredible vocal range and emotional depth.
In addition to her Broadway success, Holliday has appeared in various television shows, including a notable role in "Ally McBeal." She has also participated in film projects like "I'm Gonna Git You Sucka" (1988) and made guest appearances on numerous programs, demonstrating her versatility as an entertainer.
Holliday's musical career includes several albums and singles, primarily in the R&B and soul genres. She has received multiple accolades, including Grammy Awards, which further attest to her musical prowess. Her style incorporates elements of Quiet Storm, Soul, and Adult Contemporary R&B, appealing to a broad audience.
With a career spanning several decades from the 1970s to the present, Jennifer Holliday continues to inspire aspiring musicians and actors with her dedication to her craft. She remains an influential figure in the worlds of both music and theater.
Holliday grew up in a supportive musical environment, which fueled her passion for singing. From a young age, she showcased her vocal ability through solo performances in her church choir. This foundational experience paved the way for her future career in the arts.
Jennifer Holliday gained widespread recognition for her role as Effie White in the Broadway musical "Dreamgirls," which premiered in 1981. Her outstanding performance earned her a Tony Award for Best Actress in a Musical, solidifying her status in the theater community.
The song "And I Am Telling You I'm Not Going," which she performed, became a signature piece and highlighted her incredible vocal range and emotional depth.
In addition to her Broadway success, Holliday has appeared in various television shows, including a notable role in "Ally McBeal." She has also participated in film projects like "I'm Gonna Git You Sucka" (1988) and made guest appearances on numerous programs, demonstrating her versatility as an entertainer.
Holliday's musical career includes several albums and singles, primarily in the R&B and soul genres. She has received multiple accolades, including Grammy Awards, which further attest to her musical prowess. Her style incorporates elements of Quiet Storm, Soul, and Adult Contemporary R&B, appealing to a broad audience.
With a career spanning several decades from the 1970s to the present, Jennifer Holliday continues to inspire aspiring musicians and actors with her dedication to her craft. She remains an influential figure in the worlds of both music and theater.
Jermaine Jackson
Jermaine LaJuane Jackson was born on December 11, 1954, in Gary, Indiana. He is a prominent figure in the music industry, recognized as a singer, songwriter, and bass player, and is a key member of the renowned Jackson family. Jermaine is best known for being an original member of the Jackson 5, where he performed alongside his brothers, including the legendary Michael Jackson.
Growing up in a musical household, Jermaine began his career in the entertainment industry at a young age. He, along with his siblings, would often perform in their living room, showcasing their talent and passion for music. Jermaine's contribution to the Jackson 5 was significant, where he often served as the lead singer and played bass guitar, helping the group achieve immense popularity during the late 1960s and early 1970s with hits like "I Want You Back" and "ABC".
The Jackson 5's success propelled Jermaine into the spotlight, leading to a successful solo career. He has released several albums and singles that showcase his unique vocal style and musical versatility. Over the years, Jermaine has also been involved in various projects, including producing music and collaborating with other artists.
Jermaine Jackson is recognized not only for his musical achievements but also for his role in shaping the legacy of the Jackson family, which has been influential in the entertainment industry for generations. His contributions to music and entertainment have solidified his status as an iconic figure in American pop culture.
Growing up in a musical household, Jermaine began his career in the entertainment industry at a young age. He, along with his siblings, would often perform in their living room, showcasing their talent and passion for music. Jermaine's contribution to the Jackson 5 was significant, where he often served as the lead singer and played bass guitar, helping the group achieve immense popularity during the late 1960s and early 1970s with hits like "I Want You Back" and "ABC".
The Jackson 5's success propelled Jermaine into the spotlight, leading to a successful solo career. He has released several albums and singles that showcase his unique vocal style and musical versatility. Over the years, Jermaine has also been involved in various projects, including producing music and collaborating with other artists.
Jermaine Jackson is recognized not only for his musical achievements but also for his role in shaping the legacy of the Jackson family, which has been influential in the entertainment industry for generations. His contributions to music and entertainment have solidified his status as an iconic figure in American pop culture.
Jerry Butler
Jerry Butler was an influential American soul singer-songwriter, producer, musician, and politician, born on December 8, 1939, in Sunflower, Mississippi. He began his musical journey at the young age of 18, moving to Chicago where he teamed up with his friend Curtis Mayfield to form the iconic singing group The Impressions. This group was pivotal in the development of the Chicago soul sound, and Butler's compelling voice helped to establish their early fame.
He achieved his first significant success in 1958 with The Impressions, where he served as the lead singer. Butler's contributions to the soul music genre were not limited to his vocal performances; he was also an accomplished songwriter and producer, helping to craft many of the hits that defined the era. Over the years, he released numerous solo hits, solidifying his status as a prominent figure in R&B and soul music.
In addition to his music career, Jerry Butler ventured into politics and served as an elected official, showcasing his commitment to his community and the social issues of his time. His impact on music and his contributions beyond the stage illustrate his multifaceted talent and dedication.
Jerry Butler's life was marked by a continued presence in the music industry until the 2010s, leaving behind a legacy that continues to inspire artists and music lovers alike. Sadly, he passed away on February 20, 2025, in Chicago, Illinois, but his contributions to soul music remain enduring and celebrated.
He achieved his first significant success in 1958 with The Impressions, where he served as the lead singer. Butler's contributions to the soul music genre were not limited to his vocal performances; he was also an accomplished songwriter and producer, helping to craft many of the hits that defined the era. Over the years, he released numerous solo hits, solidifying his status as a prominent figure in R&B and soul music.
In addition to his music career, Jerry Butler ventured into politics and served as an elected official, showcasing his commitment to his community and the social issues of his time. His impact on music and his contributions beyond the stage illustrate his multifaceted talent and dedication.
Jerry Butler's life was marked by a continued presence in the music industry until the 2010s, leaving behind a legacy that continues to inspire artists and music lovers alike. Sadly, he passed away on February 20, 2025, in Chicago, Illinois, but his contributions to soul music remain enduring and celebrated.
Jesse James
Jesse James, born James Herbert McClelland on October 3, 1943, in El Dorado, Arkansas (or possibly nearby Louisiana), is an American soul singer known for minor R&B hits spanning decades. He relocated to California's Bay Area as a child and began performing in Richmond nightclubs during his late teens while working in a chemical factory, adopting his stage name after a club announcer struggled with his real one.
He started recording in the early 1960s as Jessie James on the Shirley label, later moving to Hit where Sly Stone contributed guitar on some tracks. His breakthrough came in 1967 with "Believe in Me Baby, Pt. 1," reissued by 20th Century Fox, peaking at No. 42 on the Billboard R&B chart and No. 92 on the pop chart.
In 1970 on Uni (via his own Zea label), "Don't Nobody Want to Get Married" hit No. 18 R&B, followed by "I Need You Baby" at No. 47. Other successes included a 1972 cover of "At Last" (No. 25 R&B on Zay) and 1975's "If You Want a Love Affair" (No. 73 R&B on 20th Century). His last chart entry was 1987's "I Can Do Bad By Myself" at No. 61 R&B on TTED.
James released albums like It Takes One to Know One (TTED, as Mr. Jessie James) and multiple on Gunsmoke Records starting in 1988, including I Can Do Bad by Myself (1988), Looking Back (1990), Operator Please Put Me Through (1993), Versatility (1998), It's Not So Bad After All (2006), Get in Touch with Me (2009), Do Not Disturb (2012), and I Lost My Baby on Facebook (2014). He remains active in soul music and is distinct from the Philadelphia songwriter of the same name.
He started recording in the early 1960s as Jessie James on the Shirley label, later moving to Hit where Sly Stone contributed guitar on some tracks. His breakthrough came in 1967 with "Believe in Me Baby, Pt. 1," reissued by 20th Century Fox, peaking at No. 42 on the Billboard R&B chart and No. 92 on the pop chart.
In 1970 on Uni (via his own Zea label), "Don't Nobody Want to Get Married" hit No. 18 R&B, followed by "I Need You Baby" at No. 47. Other successes included a 1972 cover of "At Last" (No. 25 R&B on Zay) and 1975's "If You Want a Love Affair" (No. 73 R&B on 20th Century). His last chart entry was 1987's "I Can Do Bad By Myself" at No. 61 R&B on TTED.
James released albums like It Takes One to Know One (TTED, as Mr. Jessie James) and multiple on Gunsmoke Records starting in 1988, including I Can Do Bad by Myself (1988), Looking Back (1990), Operator Please Put Me Through (1993), Versatility (1998), It's Not So Bad After All (2006), Get in Touch with Me (2009), Do Not Disturb (2012), and I Lost My Baby on Facebook (2014). He remains active in soul music and is distinct from the Philadelphia songwriter of the same name.
Jill Scott
Jill Heather Scott was born on April 4, 1972, in Philadelphia, Pennsylvania. She was raised in a challenging environment, growing up in North Philadelphia with her mother, Joyce Scott, and her grandmother, who was affectionately known as "Blue Babe". From a young age, Scott demonstrated a talent for words and performance, learning to talk early and later honing her skills as a performance poet.
Her artistic journey began in the 1990s, where she made a name for herself in the spoken word poetry scene. Her ability to blend poetry with music allowed her to stand out, and she quickly became a notable figure in the soul music genre.
In 2000, Jill Scott released her debut album, "Who Is Jill Scott?: Words and Sounds Vol. 1," which showcased her unique blend of soul, R&B, and neo-soul. The album received critical acclaim and established her as a prominent artist in the music industry. Over the years, she has continued to release successful albums, earning numerous awards and nominations, including Grammy Awards, and further solidifying her place in music history.
Jill Scott is recognized for her deep, rich vocal quality and her ability to convey emotion through her music. Her lyrics often reflect themes of love, empowerment, and self-identity, resonating with a wide audience. Her work has not only brought fans back to her sounds but has also influenced emerging artists in the soul and R&B genres.
In addition to her music career, Scott is also known for her work as a model, poet, and actress. She has appeared in several films and television shows, further showcasing her talents beyond music.
Jill Scott remains a significant figure in the music industry, celebrated for her contributions as a singer, songwriter, and performer. Her journey from a young girl in North Philadelphia to an internationally recognized artist exemplifies her dedication to her craft and her impact on the genre of soul music.
Her artistic journey began in the 1990s, where she made a name for herself in the spoken word poetry scene. Her ability to blend poetry with music allowed her to stand out, and she quickly became a notable figure in the soul music genre.
In 2000, Jill Scott released her debut album, "Who Is Jill Scott?: Words and Sounds Vol. 1," which showcased her unique blend of soul, R&B, and neo-soul. The album received critical acclaim and established her as a prominent artist in the music industry. Over the years, she has continued to release successful albums, earning numerous awards and nominations, including Grammy Awards, and further solidifying her place in music history.
Jill Scott is recognized for her deep, rich vocal quality and her ability to convey emotion through her music. Her lyrics often reflect themes of love, empowerment, and self-identity, resonating with a wide audience. Her work has not only brought fans back to her sounds but has also influenced emerging artists in the soul and R&B genres.
In addition to her music career, Scott is also known for her work as a model, poet, and actress. She has appeared in several films and television shows, further showcasing her talents beyond music.
Jill Scott remains a significant figure in the music industry, celebrated for her contributions as a singer, songwriter, and performer. Her journey from a young girl in North Philadelphia to an internationally recognized artist exemplifies her dedication to her craft and her impact on the genre of soul music.
Jimmy Cliff
Jimmy Cliff was a pioneering Jamaican reggae, ska, rocksteady, and soul musician renowned for popularizing the genre internationally. Born James Chambers on July 30, 1944, he passed away on November 24, 2025, at age 81.
Jimmy Cliff grew up in rural Somerton, Jamaica, as one of nine children in a Pentecostal family. He started writing songs in primary school, inspired by local sound systems, and moved to Kingston at 14, adopting his stage name to reflect his ambitions.
Cliff's first hit, "Hurricane Hattie," came in 1962 at age 14, produced by Leslie Kong. He signed with Island Records, relocated to the UK, and gained international traction with albums like Hard Road to Travel (1967) and hits such as "Wonderful World, Beautiful People" (1969).
His starring role in the 1972 Jamaican film The Harder They Come and its soundtrack propelled reggae globally, featuring classics like "Many Rivers to Cross" and the title track. The album became a cornerstone for the genre's worldwide spread.
Cliff earned two Grammy Awards for Cliff Hanger (1985) and Rebirth (2012), plus seven nominations. He received Jamaica's Order of Merit and induction into the Rock and Roll Hall of Fame in 2010, with enduring hits like "You Can Get It If You Really Want" and covers of "I Can See Clearly Now."
Jimmy Cliff grew up in rural Somerton, Jamaica, as one of nine children in a Pentecostal family. He started writing songs in primary school, inspired by local sound systems, and moved to Kingston at 14, adopting his stage name to reflect his ambitions.
Cliff's first hit, "Hurricane Hattie," came in 1962 at age 14, produced by Leslie Kong. He signed with Island Records, relocated to the UK, and gained international traction with albums like Hard Road to Travel (1967) and hits such as "Wonderful World, Beautiful People" (1969).
His starring role in the 1972 Jamaican film The Harder They Come and its soundtrack propelled reggae globally, featuring classics like "Many Rivers to Cross" and the title track. The album became a cornerstone for the genre's worldwide spread.
Cliff earned two Grammy Awards for Cliff Hanger (1985) and Rebirth (2012), plus seven nominations. He received Jamaica's Order of Merit and induction into the Rock and Roll Hall of Fame in 2010, with enduring hits like "You Can Get It If You Really Want" and covers of "I Can See Clearly Now."
Jimmy Holiday
Jimmy Holiday was born on July 24, 1934, in Sallis, Mississippi. He later moved to Durant, Mississippi, and was raised in Iowa. His early life was marked by aspirations beyond music; he initially pursued a career in boxing, competing in the annual Golden Gloves tournaments before ultimately shifting his focus to music.
Holiday began his music career in the late 1950s, transitioning from the Mississippi Delta to New Orleans and subsequently to Hollywood. His first significant success came in 1963 with the song "How Can I Forget," which reached #8 on the R&B chart. He became known for his contributions to the genres of R&B, Northern Soul, and Early R&B, solidifying his status within the music industry throughout the 1950s to the 1980s.
As a Black cowboy-musician, Jimmy Holiday's identity and experiences influenced his music and artistry. His legacy extends beyond his career, as he is remembered not only for his songs but also for his cultural impact.
Holiday continued to perform and create music until his passing on February 15, 1987, in Iowa City, Iowa. His contributions to R&B and soul music remain celebrated, marking him as a significant figure in the musical landscape of his time.
In summary, Jimmy Holiday's journey from a boxer to a celebrated soul singer illustrates his versatility and enduring legacy in American music history.
Holiday began his music career in the late 1950s, transitioning from the Mississippi Delta to New Orleans and subsequently to Hollywood. His first significant success came in 1963 with the song "How Can I Forget," which reached #8 on the R&B chart. He became known for his contributions to the genres of R&B, Northern Soul, and Early R&B, solidifying his status within the music industry throughout the 1950s to the 1980s.
As a Black cowboy-musician, Jimmy Holiday's identity and experiences influenced his music and artistry. His legacy extends beyond his career, as he is remembered not only for his songs but also for his cultural impact.
Holiday continued to perform and create music until his passing on February 15, 1987, in Iowa City, Iowa. His contributions to R&B and soul music remain celebrated, marking him as a significant figure in the musical landscape of his time.
In summary, Jimmy Holiday's journey from a boxer to a celebrated soul singer illustrates his versatility and enduring legacy in American music history.
Jimmy Hughes
Jimmy J. Hughes is an American singer known for his contributions to rhythm and blues, and soul music, particularly during the 1960s. He was born on February 3, 1938, in Leighton, Alabama. His musical journey began in his childhood when he joined a local gospel group called the Singing Clouds, through which he developed his vocal talent while also engaging in various jobs, including work at Robbins Music Company in Muscle Shoals, Alabama.
Hughes transitioned from gospel to secular music during the 1960s, and he became closely associated with the FAME Recording Studios in Muscle Shoals, a hub for R&B and soul music at the time. His breakout hit, "Steal Away," recorded at FAME, became a signature song and helped to establish the studio as a prominent location for R&B artists.
Over his career, Hughes was active primarily throughout the 1960s and 1970s, releasing several singles and albums that showcased his distinctive tenor voice and emotive style. His career not only highlighted his individual artistry but also contributed to the broader development of soul music during this pivotal period in American music history.
While his commercial successes were concentrated in the mid-1960s, Jimmy Hughes remains a respected figure in the soul genre, recognized for his early contributions and the lasting impact of his work on the soul music landscape.
Hughes transitioned from gospel to secular music during the 1960s, and he became closely associated with the FAME Recording Studios in Muscle Shoals, a hub for R&B and soul music at the time. His breakout hit, "Steal Away," recorded at FAME, became a signature song and helped to establish the studio as a prominent location for R&B artists.
Over his career, Hughes was active primarily throughout the 1960s and 1970s, releasing several singles and albums that showcased his distinctive tenor voice and emotive style. His career not only highlighted his individual artistry but also contributed to the broader development of soul music during this pivotal period in American music history.
While his commercial successes were concentrated in the mid-1960s, Jimmy Hughes remains a respected figure in the soul genre, recognized for his early contributions and the lasting impact of his work on the soul music landscape.
Jimmy James and The Vagabonds<div hidden>Jimmy James & The Vagabonds</div>
Jimmy James & The Vagabonds is a Jamaican-British soul and rhythm and blues band that rose to prominence on the UK club circuit in the mid-1960s and later scored mainstream chart hits in the 1970s. Michael “Jimmy” James was born in Jamaica on 13 September 1940 and first found success there as a solo singer, scoring two local hits before fronting The Vagabonds. The Vagabonds themselves were originally formed around 1960 and became one of Jamaica’s leading live bands before teaming up with James. Under Canadian manager Roger Smith, Jimmy James and The Vagabonds relocated from Jamaica to the UK in April 1964, seeking a wider audience in the burgeoning British R&B and soul scene. Within weeks of arriving, they recorded the album “Ska-Time” (issued in the UK as “Jamaica’s Own Vagabonds”), regarded as one of the earliest Jamaican ska records made in Britain.
By the mid-1960s the band had become a major live attraction on the British club and college circuit, often mentioned alongside Geno Washington & The Ram Jam Band as leading exponents of high-energy soul in UK venues. They signed to Pye Records and in 1966 released their best-known 1960s studio album, “The New Religion,” which helped cement their reputation. Jimmy James & The Vagabonds supported leading acts such as The Who, Sonny & Cher, Rod Stewart’s group Steampacket, and The Rolling Stones, and they frequently worked at Abbey Road Studios, at times sharing the building with The Beatles. Alongside studio work, they toured widely across Europe, including dates in France, Germany, Belgium, Holland, Greece, and Tunisia.
The original Vagabonds line-up, which included bassist Phil Chen among others, disbanded in 1970, though Jimmy James retained ownership of the band name. In 1973 he formed a new, predominantly white British line-up with musician and fixer Alan Wood, continuing under the Jimmy James & The Vagabonds banner. This second incarnation shifted toward a more polished soul-disco sound and achieved UK Singles Chart success with “I’ll Go Where Your Music Takes Me” (1976) and “Now Is the Time,” the latter reaching number 5 in the UK. They also recorded the disco-oriented track “Disco Fever” in 1976, reflecting the dance-floor trends of the era.
Key recordings from the 1960s include the ska-oriented “Ska-Time,” the UK LP “Presenting the Fabulous Vagabonds,” and especially the soul-driven album “The New Religion” (1966). A second late-60s album, “Open Up Your Soul,” featured their version of Neil Diamond’s “Red Red Wine,” which gave them an early commercial single success. Later, compilations such as “Golden Hour of Jimmy James and the Vagabonds” (1979), “I’ll Go Where the Music Takes Me – The Best of Jimmy James and the Vagabonds” (1994), and “Vagabond King: The Sixties Sides” (1997) helped keep their catalogue in circulation. Their discography also includes various singles like “You Don’t Stand a Chance if You Can’t Dance” (1975) and reissues of earlier ska and soul material.
Jimmy James & The Vagabonds are widely remembered as one of the defining live soul acts of the British mod and club era, their shows noted for energetic horn arrangements and James’s powerful vocals. The group’s work bridged Jamaican ska and American-influenced soul, contributing to the development of a distinctive Black British club sound in the 1960s. Over the decades, the band name has continued with changing personnel, with Jimmy James remaining the central figure and performing selections from both the 1960s and 1970s repertoires. Their best-known songs, particularly “Now Is the Time” and “I’ll Go Where Your Music Takes Me,” still feature on Northern soul, oldies, and disco compilations, sustaining their cult following among soul collectors and fans.
By the mid-1960s the band had become a major live attraction on the British club and college circuit, often mentioned alongside Geno Washington & The Ram Jam Band as leading exponents of high-energy soul in UK venues. They signed to Pye Records and in 1966 released their best-known 1960s studio album, “The New Religion,” which helped cement their reputation. Jimmy James & The Vagabonds supported leading acts such as The Who, Sonny & Cher, Rod Stewart’s group Steampacket, and The Rolling Stones, and they frequently worked at Abbey Road Studios, at times sharing the building with The Beatles. Alongside studio work, they toured widely across Europe, including dates in France, Germany, Belgium, Holland, Greece, and Tunisia.
The original Vagabonds line-up, which included bassist Phil Chen among others, disbanded in 1970, though Jimmy James retained ownership of the band name. In 1973 he formed a new, predominantly white British line-up with musician and fixer Alan Wood, continuing under the Jimmy James & The Vagabonds banner. This second incarnation shifted toward a more polished soul-disco sound and achieved UK Singles Chart success with “I’ll Go Where Your Music Takes Me” (1976) and “Now Is the Time,” the latter reaching number 5 in the UK. They also recorded the disco-oriented track “Disco Fever” in 1976, reflecting the dance-floor trends of the era.
Key recordings from the 1960s include the ska-oriented “Ska-Time,” the UK LP “Presenting the Fabulous Vagabonds,” and especially the soul-driven album “The New Religion” (1966). A second late-60s album, “Open Up Your Soul,” featured their version of Neil Diamond’s “Red Red Wine,” which gave them an early commercial single success. Later, compilations such as “Golden Hour of Jimmy James and the Vagabonds” (1979), “I’ll Go Where the Music Takes Me – The Best of Jimmy James and the Vagabonds” (1994), and “Vagabond King: The Sixties Sides” (1997) helped keep their catalogue in circulation. Their discography also includes various singles like “You Don’t Stand a Chance if You Can’t Dance” (1975) and reissues of earlier ska and soul material.
Jimmy James & The Vagabonds are widely remembered as one of the defining live soul acts of the British mod and club era, their shows noted for energetic horn arrangements and James’s powerful vocals. The group’s work bridged Jamaican ska and American-influenced soul, contributing to the development of a distinctive Black British club sound in the 1960s. Over the decades, the band name has continued with changing personnel, with Jimmy James remaining the central figure and performing selections from both the 1960s and 1970s repertoires. Their best-known songs, particularly “Now Is the Time” and “I’ll Go Where Your Music Takes Me,” still feature on Northern soul, oldies, and disco compilations, sustaining their cult following among soul collectors and fans.
Jimmy Lewis
Jimmy Lewis was an American soul singer, songwriter, arranger, and producer known for his work with the Drifters and Ray Charles.
James Eddie Lewis was born on November 19, 1937, in Itta Bena, Mississippi. He relocated to Los Angeles by the late 1950s, where he began collaborating with songwriter Cliff Chambers and arranger James Carmichael.
Lewis joined the Drifters in 1963 as lead singer, replacing Bobby Hendricks, and stayed for two years. He released solo singles on labels like Minit, including "The Girls from Texas," and later worked extensively with Ray Charles, writing tracks for the 1969 Grammy-nominated album Doing His Thing and the 1970 hit "If You Were Mine." In 1974, he issued the album Totally Involved on Hotlanta, featuring his only solo chart hit "Help Me Understand You" at number 95 on the R&B chart.
Lewis wrote hits like Z.Z. Hill's 1977 "Love Is So Good When You're Stealing It" and continued producing for artists including Latimore and Peggy Scott-Adams into the 1990s via his Miss Butch label. He released later albums such as Soupbone (2003) and worked with Ray Charles on projects like Strong Love Affair (1996).
Lewis passed away on September 11, 2004, in Los Angeles at age 66 from unknown causes.
James Eddie Lewis was born on November 19, 1937, in Itta Bena, Mississippi. He relocated to Los Angeles by the late 1950s, where he began collaborating with songwriter Cliff Chambers and arranger James Carmichael.
Lewis joined the Drifters in 1963 as lead singer, replacing Bobby Hendricks, and stayed for two years. He released solo singles on labels like Minit, including "The Girls from Texas," and later worked extensively with Ray Charles, writing tracks for the 1969 Grammy-nominated album Doing His Thing and the 1970 hit "If You Were Mine." In 1974, he issued the album Totally Involved on Hotlanta, featuring his only solo chart hit "Help Me Understand You" at number 95 on the R&B chart.
Lewis wrote hits like Z.Z. Hill's 1977 "Love Is So Good When You're Stealing It" and continued producing for artists including Latimore and Peggy Scott-Adams into the 1990s via his Miss Butch label. He released later albums such as Soupbone (2003) and worked with Ray Charles on projects like Strong Love Affair (1996).
Lewis passed away on September 11, 2004, in Los Angeles at age 66 from unknown causes.
Jimmy McCracklin
Jimmy McCracklin was an influential American blues pianist, singer, and songwriter known for his West Coast blues style and hits like "The Walk." His career spanned over seven decades, from the 1940s until his death in 2012. Born James David Walker Jr. on August 13, 1921, in Helena, Arkansas, he moved to St. Louis, Missouri, at age 9. There, pianist Walter Davis, a friend of his father, became his primary influence on piano.
McCracklin served in the U.S. Navy during World War II, then pursued music after a boxing injury and car accident ended that path. By 1945, he settled in the San Francisco Bay Area, forming Jimmy McCracklin and His Blues Blasters in 1946. He recorded for labels like Modern Records, with guitarist Lafayette "Thing" Thomas joining in the early 1950s.
His 1958 single "The Walk" reached the Top 10 on the pop charts and was performed on American Bandstand. He also wrote "Tramp," a Top 5 R&B hit for Lowell Fulson in 1967 and Otis Redding/Carla Thomas. McCracklin claimed uncredited authorship of B.B. King's "The Thrill Is Gone," though disputed.
He owned Bay Area clubs, launched nine record labels including Art-Tone, and ran music publishing firms. Albums continued into the soul era with Imperial Records, and his final release, Hey Baby, came in 2010. Awards included the Blues Hall of Fame induction (2008) and Bay Area Black Music Awards honors.
Admired by B.B. King, Bob Dylan, and Bonnie Raitt, McCracklin died on December 20, 2012, in San Pablo, California, at age 91.
McCracklin served in the U.S. Navy during World War II, then pursued music after a boxing injury and car accident ended that path. By 1945, he settled in the San Francisco Bay Area, forming Jimmy McCracklin and His Blues Blasters in 1946. He recorded for labels like Modern Records, with guitarist Lafayette "Thing" Thomas joining in the early 1950s.
His 1958 single "The Walk" reached the Top 10 on the pop charts and was performed on American Bandstand. He also wrote "Tramp," a Top 5 R&B hit for Lowell Fulson in 1967 and Otis Redding/Carla Thomas. McCracklin claimed uncredited authorship of B.B. King's "The Thrill Is Gone," though disputed.
He owned Bay Area clubs, launched nine record labels including Art-Tone, and ran music publishing firms. Albums continued into the soul era with Imperial Records, and his final release, Hey Baby, came in 2010. Awards included the Blues Hall of Fame induction (2008) and Bay Area Black Music Awards honors.
Admired by B.B. King, Bob Dylan, and Bonnie Raitt, McCracklin died on December 20, 2012, in San Pablo, California, at age 91.
Jimmy McGriff
Jimmy McGriff was an influential American jazz and blues organist known for his hard bop and soul-jazz style. Born James Harrell McGriff on April 3, 1936, in Philadelphia, Pennsylvania, he passed away on May 24, 2008, at age 72 from complications of multiple sclerosis. McGriff began playing piano at age five and later mastered vibes, alto sax, drums, upright bass, and eventually the Hammond B-3 organ, which he bought in 1956. He served as a military policeman during the Korean War and worked as a Philadelphia police officer for about two years after his discharge.
After leaving the police force, he studied music at Combe College in Philadelphia, Juilliard School in New York, and privately with organists like Milt Buckner, Jimmy Smith, Richard "Groove" Holmes, and Sonny Gatewood. Initially a bassist for blues artists like Big Maybelle, he shifted focus to organ after being inspired by Holmes.
McGriff's breakthrough came with his 1962 hit "I've Got a Woman" on Sue Records, followed by "All About My Girl." He recorded prolifically from the 1960s through the 2000s on labels like Solid State, Blue Note, Capitol, Groove Merchant, and Milestone, collaborating with artists such as Hank Crawford, Buddy Rich, David "Fathead" Newman, and Bernard Purdie.
In the mid-1990s, he formed the "Dream Team" with Newman and Purdie, releasing albums like The Dream Team (1997), Straight Up (1998), and McGriff Avenue (2002). His soulful, gospel-infused organ sound bridged jazz, blues, and funk, earning chart success into the 1980s and beyond.
After leaving the police force, he studied music at Combe College in Philadelphia, Juilliard School in New York, and privately with organists like Milt Buckner, Jimmy Smith, Richard "Groove" Holmes, and Sonny Gatewood. Initially a bassist for blues artists like Big Maybelle, he shifted focus to organ after being inspired by Holmes.
McGriff's breakthrough came with his 1962 hit "I've Got a Woman" on Sue Records, followed by "All About My Girl." He recorded prolifically from the 1960s through the 2000s on labels like Solid State, Blue Note, Capitol, Groove Merchant, and Milestone, collaborating with artists such as Hank Crawford, Buddy Rich, David "Fathead" Newman, and Bernard Purdie.
In the mid-1990s, he formed the "Dream Team" with Newman and Purdie, releasing albums like The Dream Team (1997), Straight Up (1998), and McGriff Avenue (2002). His soulful, gospel-infused organ sound bridged jazz, blues, and funk, earning chart success into the 1980s and beyond.
Jimmy Ruffin
Jimmy Ruffin was an American soul singer best known for his 1966 hit "What Becomes of the Brokenhearted." Born on May 7, 1939, in Collinsville, Mississippi, he was the older brother of David Ruffin, a lead singer of the Temptations.
Ruffin grew up in a musical family in Mississippi, with his father working in the mines, which later influenced his support for UK miners in the 1980s. He worked on the Ford assembly line in the early 1960s while pursuing music, taking leaves to perform on tours like the Motortown Revue.
Signed to Motown's Miracle label in 1961, Ruffin recorded singles and sessions before being drafted into the Army until 1964. Returning to Motown's Soul label, he passed on joining the Temptations (given to his brother David) and scored his breakthrough with "What Becomes of the Brokenhearted," reaching No. 7 on the Billboard Hot 100. Follow-up hits included "I've Passed This Way Before" and "Gonna Give Her All the Love I've Got."
In 1970, he and David released material as the Ruffin Brothers, including a "Stand by Me" remake. A 1980 comeback hit "Hold On (to My Love)," produced by Robin Gibb, topped charts, and he collaborated on "Soul Deep" in 1984 for UK miners' families. In the late 1980s-1990s, he recorded for Motorcity Records, hosted a UK radio show, and advocated against drugs after David's 1991 overdose death.
Ruffin died on November 17, 2014, in Las Vegas at age 78. He appeared in media like the 1998 miniseries The Temptations and had his songs covered by artists including Paul Young and Boy George.
Ruffin grew up in a musical family in Mississippi, with his father working in the mines, which later influenced his support for UK miners in the 1980s. He worked on the Ford assembly line in the early 1960s while pursuing music, taking leaves to perform on tours like the Motortown Revue.
Signed to Motown's Miracle label in 1961, Ruffin recorded singles and sessions before being drafted into the Army until 1964. Returning to Motown's Soul label, he passed on joining the Temptations (given to his brother David) and scored his breakthrough with "What Becomes of the Brokenhearted," reaching No. 7 on the Billboard Hot 100. Follow-up hits included "I've Passed This Way Before" and "Gonna Give Her All the Love I've Got."
In 1970, he and David released material as the Ruffin Brothers, including a "Stand by Me" remake. A 1980 comeback hit "Hold On (to My Love)," produced by Robin Gibb, topped charts, and he collaborated on "Soul Deep" in 1984 for UK miners' families. In the late 1980s-1990s, he recorded for Motorcity Records, hosted a UK radio show, and advocated against drugs after David's 1991 overdose death.
Ruffin died on November 17, 2014, in Las Vegas at age 78. He appeared in media like the 1998 miniseries The Temptations and had his songs covered by artists including Paul Young and Boy George.
Jimmy Smith
Jimmy Smith was a pioneering jazz organist renowned for elevating the Hammond B-3 organ to a central instrument in jazz. Born James Oscar Smith on December 8, 1925 (or 1928 per some sources), in Norristown, Pennsylvania, near Philadelphia, he grew up in a musical family with his mother playing church organ and his father as a tap dancer and musician.
Smith started on piano young, performing with his father's act by age 14 and later serving in the Navy's segregated band on piano and bass. Post-service, he worked construction and the railroad in Philadelphia while playing R&B piano with Don Gardner's Sonotones in 1951. Inspired by Wild Bill Davis in 1954, he bought a Hammond B-3, practiced intensely for months in a warehouse, and developed a horn-like style drawing from saxophonists like Coleman Hawkins.
Smith debuted professionally on organ in Atlantic City in 1955, formed a trio, and played Harlem's Small's Paradise in 1956, catching Blue Note Records' attention for an immediate signing. His debut album A New Sound, A New Star (1956) and follow-ups like The Champ and The Sermon! (1958) made him a star, blending hard bop, blues, gospel, and bebop. He performed at the 1957 Newport Jazz Festival, solidifying his prominence.
Frequent partners included guitarist Kenny Burrell, saxophonists Stanley Turrentine and Lou Donaldson, trumpeter Lee Morgan, and others like Wes Montgomery and Jackie McLean on over 30 Blue Note albums through 1963. Switching to Verve in 1962, he scored hits like Bashin' while innovating soul-jazz with nimble single-note lines over gospel harmonies.
In the 1970s, Smith ran a Los Angeles nightclub with his wife Lola, maintaining a 40-year career influencing organists. He earned NEA Jazz Master status in 2005 and died February 8, 2005, in Scottsdale, Arizona.
Smith started on piano young, performing with his father's act by age 14 and later serving in the Navy's segregated band on piano and bass. Post-service, he worked construction and the railroad in Philadelphia while playing R&B piano with Don Gardner's Sonotones in 1951. Inspired by Wild Bill Davis in 1954, he bought a Hammond B-3, practiced intensely for months in a warehouse, and developed a horn-like style drawing from saxophonists like Coleman Hawkins.
Smith debuted professionally on organ in Atlantic City in 1955, formed a trio, and played Harlem's Small's Paradise in 1956, catching Blue Note Records' attention for an immediate signing. His debut album A New Sound, A New Star (1956) and follow-ups like The Champ and The Sermon! (1958) made him a star, blending hard bop, blues, gospel, and bebop. He performed at the 1957 Newport Jazz Festival, solidifying his prominence.
Frequent partners included guitarist Kenny Burrell, saxophonists Stanley Turrentine and Lou Donaldson, trumpeter Lee Morgan, and others like Wes Montgomery and Jackie McLean on over 30 Blue Note albums through 1963. Switching to Verve in 1962, he scored hits like Bashin' while innovating soul-jazz with nimble single-note lines over gospel harmonies.
In the 1970s, Smith ran a Los Angeles nightclub with his wife Lola, maintaining a 40-year career influencing organists. He earned NEA Jazz Master status in 2005 and died February 8, 2005, in Scottsdale, Arizona.
Joe
Joe (Joseph Lewis Thomas) is an American R&B singer, songwriter, and record producer born on July 5, 1973, in Columbus, Georgia.
Joe grew up in a family of evangelist preachers, one of five children, and moved to Opelika, Alabama, at age two. He immersed himself in gospel music, singing in the church choir, playing guitar, and later directing it while attending Opelika High School, graduating in 1991. Neighborhood bands in the late 1980s sparked his interest in secular music.
In 1992, Joe signed with PolyGram Records after meeting producer Vincent Herbert and recording a demo. His 1993 debut album Everything introduced his smooth style but achieved modest success. He shifted to Jive Records, releasing All That I Am in 1997, featuring the hit "All the Things (Your Man Won't Do)" that peaked high on R&B charts.
Joe's 2000 album My Name Is Joe became his biggest hit, topping R&B charts and reaching number two on the Billboard 200, with producers like Teddy Riley involved. Follow-ups Better Days (2001) and others earned multi-platinum certifications. He also produced for artists like Xscape, Hi-Five, and Tina Turner in the 1990s.
Joe released holiday projects like Home Is the Essence of Christmas (2002) and later albums such as Doubleback: Evolution of R&B (2013) under Massenburg Media and Bridges (2014) via Plaid Takeover Entertainment. He has toured Europe, including with Ashanti in 2017, and maintains a prolific output blending R&B with hip-hop elements. Key works span over a dozen studio albums, with consistent chart presence into the 2010s.
Joe grew up in a family of evangelist preachers, one of five children, and moved to Opelika, Alabama, at age two. He immersed himself in gospel music, singing in the church choir, playing guitar, and later directing it while attending Opelika High School, graduating in 1991. Neighborhood bands in the late 1980s sparked his interest in secular music.
In 1992, Joe signed with PolyGram Records after meeting producer Vincent Herbert and recording a demo. His 1993 debut album Everything introduced his smooth style but achieved modest success. He shifted to Jive Records, releasing All That I Am in 1997, featuring the hit "All the Things (Your Man Won't Do)" that peaked high on R&B charts.
Joe's 2000 album My Name Is Joe became his biggest hit, topping R&B charts and reaching number two on the Billboard 200, with producers like Teddy Riley involved. Follow-ups Better Days (2001) and others earned multi-platinum certifications. He also produced for artists like Xscape, Hi-Five, and Tina Turner in the 1990s.
Joe released holiday projects like Home Is the Essence of Christmas (2002) and later albums such as Doubleback: Evolution of R&B (2013) under Massenburg Media and Bridges (2014) via Plaid Takeover Entertainment. He has toured Europe, including with Ashanti in 2017, and maintains a prolific output blending R&B with hip-hop elements. Key works span over a dozen studio albums, with consistent chart presence into the 2010s.
Joe Houston
Joe Houston (1926–2015) was a prominent American saxophonist known for his energetic "honking" tenor saxophone style, which bridged the gap between jazz, rhythm and blues, and early rock and roll Born Joseph Abraham Houston on July 11 or 12, 1926, in Bastrop, Texas, near Austin. Originally trained on the trumpet in school before switching to the saxophone as a teenager.
In 1941, he filled in for a missing saxophonist during a concert, and by 1943, he was touring the Midwest with King Kolax’s band. After WWII, he returned to Texas and recorded with major blues and R&B figures like Amos Milburn and Big Joe Turner.
Although he began on the alto sax, he switched to the tenor saxophone, influenced by "honking" players like Big Jay McNeely. Houston became famous for his wild stage presence, often playing his saxophone while on his knees, lying on his back, or walking across bar tops.
In 1952, he moved to Los Angeles and formed his band, The Rockets. That year, he achieved his biggest chart success with the hits "Worry, Worry, Worry" and "Hard Time Baby," both reaching #10 on the Billboard R&B charts. His 1954 instrumental "All Night Long" became a staple of his career and one of his best-selling records.
He recorded for numerous labels (Modern, Crown, Money, etc.) and maintained a working musician's career for decades. From the 1990s through the early 2000s, Houston toured North America and recorded with his band, The Defrosterz, managed by bassist Mark St. John.
His active career was interrupted by a stroke in late 2005/early 2006. Despite this, he made a brief return to performing in 2008 at the Long Beach Lobster Festival and continued until 2012. Joe Houston died at the age of 89 on December 28, 2015, in Long Beach, California.
In 1941, he filled in for a missing saxophonist during a concert, and by 1943, he was touring the Midwest with King Kolax’s band. After WWII, he returned to Texas and recorded with major blues and R&B figures like Amos Milburn and Big Joe Turner.
Although he began on the alto sax, he switched to the tenor saxophone, influenced by "honking" players like Big Jay McNeely. Houston became famous for his wild stage presence, often playing his saxophone while on his knees, lying on his back, or walking across bar tops.
In 1952, he moved to Los Angeles and formed his band, The Rockets. That year, he achieved his biggest chart success with the hits "Worry, Worry, Worry" and "Hard Time Baby," both reaching #10 on the Billboard R&B charts. His 1954 instrumental "All Night Long" became a staple of his career and one of his best-selling records.
He recorded for numerous labels (Modern, Crown, Money, etc.) and maintained a working musician's career for decades. From the 1990s through the early 2000s, Houston toured North America and recorded with his band, The Defrosterz, managed by bassist Mark St. John.
His active career was interrupted by a stroke in late 2005/early 2006. Despite this, he made a brief return to performing in 2008 at the Long Beach Lobster Festival and continued until 2012. Joe Houston died at the age of 89 on December 28, 2015, in Long Beach, California.
Joe Sample
Joe Sample was an influential American jazz keyboardist and composer, best known as a founding member of The Crusaders. Born on February 1, 1939, in Houston, Texas, he passed away on September 12, 2014.
Joe Sample began playing piano at age five, influenced by gospel, blues, soul, bebop, Latin, and classical music traditions in his Houston neighborhood. He studied under organist Curtis Mayo and attended Texas Southern University, though he left without a degree.
In high school, Sample formed the Swingsters with saxophonist Wilton Felder and drummer Stix Hooper, later adding trombonist Wayne Henderson to become the Jazz Crusaders (renamed The Crusaders in 1971). The group moved to Los Angeles in 1960 and released their debut album Freedom Sound in 1961 on Pacific Jazz.
Sample debuted as a solo artist with Fancy Dance in 1969. In the 1970s, he pioneered electric piano in jazz-funk fusion, collaborating as a top Los Angeles session musician with artists like Joni Mitchell, Marvin Gaye, Miles Davis, B.B. King, Eric Clapton, and Tina Turner.
The Crusaders achieved crossover success with 19 Billboard Top 200 albums, blending jazz, soul, and pop. Sample's innovative style shaped contemporary jazz, and he continued performing until his death.
Joe Sample began playing piano at age five, influenced by gospel, blues, soul, bebop, Latin, and classical music traditions in his Houston neighborhood. He studied under organist Curtis Mayo and attended Texas Southern University, though he left without a degree.
In high school, Sample formed the Swingsters with saxophonist Wilton Felder and drummer Stix Hooper, later adding trombonist Wayne Henderson to become the Jazz Crusaders (renamed The Crusaders in 1971). The group moved to Los Angeles in 1960 and released their debut album Freedom Sound in 1961 on Pacific Jazz.
Sample debuted as a solo artist with Fancy Dance in 1969. In the 1970s, he pioneered electric piano in jazz-funk fusion, collaborating as a top Los Angeles session musician with artists like Joni Mitchell, Marvin Gaye, Miles Davis, B.B. King, Eric Clapton, and Tina Turner.
The Crusaders achieved crossover success with 19 Billboard Top 200 albums, blending jazz, soul, and pop. Sample's innovative style shaped contemporary jazz, and he continued performing until his death.
Joe Simon
Joe Simon was an influential American soul and R&B singer known for his smooth baritone voice and string of chart-topping hits in the 1960s and 1970s. Born on September 7, 1936, in Simmesport, Louisiana, he rose from gospel roots to become a secular music star before transitioning to ministry later in life.
Simon grew up singing in his father's Baptist church choir alongside siblings, fostering his gospel foundation. In the late 1950s, his family relocated to the Bay Area in California, where he joined the Golden West Singers (later secularized as the Golden Tones), drawing inspiration from Sam Cooke.
He launched his solo career in the early 1960s with singles like "My Adorable One" on Vee-Jay Records, collaborating with emerging talents like Sly Stone. Signing with Sound Stage 7, Simon achieved breakthrough success with "The Chokin' Kind" (1969), a Grammy-winning No. 1 R&B hit, followed by "Power of Love" (1972) and "Get Down, Get Down" (1975), both R&B chart-toppers.
Simon notched 51 U.S. Pop and R&B chart entries from 1964 to 1981, including eight Top 40 Pop hits and collaborations with producers like Kenny Gamble and Leon Huff on classics such as "Drowning in the Sea of Love."
In the late 1970s, Simon left secular music for evangelism, becoming an ordained minister in Illinois and producing gospel work. He passed away on December 13, 2021, at age 85, leaving a lasting impact as a nominee for the National Rhythm & Blues Hall of Fame.
Simon grew up singing in his father's Baptist church choir alongside siblings, fostering his gospel foundation. In the late 1950s, his family relocated to the Bay Area in California, where he joined the Golden West Singers (later secularized as the Golden Tones), drawing inspiration from Sam Cooke.
He launched his solo career in the early 1960s with singles like "My Adorable One" on Vee-Jay Records, collaborating with emerging talents like Sly Stone. Signing with Sound Stage 7, Simon achieved breakthrough success with "The Chokin' Kind" (1969), a Grammy-winning No. 1 R&B hit, followed by "Power of Love" (1972) and "Get Down, Get Down" (1975), both R&B chart-toppers.
Simon notched 51 U.S. Pop and R&B chart entries from 1964 to 1981, including eight Top 40 Pop hits and collaborations with producers like Kenny Gamble and Leon Huff on classics such as "Drowning in the Sea of Love."
In the late 1970s, Simon left secular music for evangelism, becoming an ordained minister in Illinois and producing gospel work. He passed away on December 13, 2021, at age 85, leaving a lasting impact as a nominee for the National Rhythm & Blues Hall of Fame.
Joe Tex
Joe Tex was an influential American Southern soul singer known for blending funk, country, gospel, and R&B styles with preacher-like spoken-word delivery. Born Joseph Arrington Jr. on August 8, 1935, in Rogers, Texas, and raised in Baytown, he rose from talent show wins to chart success despite early struggles.
Tex grew up in a musical family, playing baritone saxophone in high school and singing in church choir. In 1953, he won a Houston talent contest that sent him to New York's Apollo Theater, where he triumphed four times, leading to a King Records deal in 1955.
After modest starts with King, Ace, and Dial labels, Tex broke through in 1964 at FAME Studios with "Hold What You've Got," a million-seller topping Pop and R&B charts. Hits like "Skinny Legs and All" (1967) and "I Gotcha" (1972, his biggest #1) followed, pioneering "rap" preaching style.
Tex converted to Islam in 1972, adopting Yusuf Hazziez, and paused music until 1975, returning with "Ain't Gonna Bump No More (With No Big Fat Woman)" in 1977. He died of a heart attack on August 13, 1982, at age 47, earning five Rock and Roll Hall of Fame nominations.
Tex grew up in a musical family, playing baritone saxophone in high school and singing in church choir. In 1953, he won a Houston talent contest that sent him to New York's Apollo Theater, where he triumphed four times, leading to a King Records deal in 1955.
After modest starts with King, Ace, and Dial labels, Tex broke through in 1964 at FAME Studios with "Hold What You've Got," a million-seller topping Pop and R&B charts. Hits like "Skinny Legs and All" (1967) and "I Gotcha" (1972, his biggest #1) followed, pioneering "rap" preaching style.
Tex converted to Islam in 1972, adopting Yusuf Hazziez, and paused music until 1975, returning with "Ain't Gonna Bump No More (With No Big Fat Woman)" in 1977. He died of a heart attack on August 13, 1982, at age 47, earning five Rock and Roll Hall of Fame nominations.
John Edwards
John Edwards was an American soul singer born on December 25, 1944, in St. Louis, Missouri. He began his musical journey early, influenced by gospel music, and started singing in clubs while serving in the U.S. Army in Germany. This experience laid the groundwork for his later career in the music industry.
After his discharge from the army, Edwards returned to the United States and continued to pursue music. He initially achieved moderate success as a solo artist, notably scoring a hit with his song "Careful Man." However, his most prominent role came in 1977 when he became the lead singer of the renowned vocal group The Spinners. He remained with the group until 2000, during which time they enjoyed significant commercial success and were recognized for their smooth harmonies and soulful sound.
Throughout the 1970s to the 1990s, Edwards contributed to various recordings and performances that solidified The Spinners' status in the R&B genre. His tenure with the group helped shape the sound of soul music during that era.
John Edwards passed away on May 9, 2025, leaving behind a legacy as a talented soul singer who made significant contributions to the genre and influenced many artists after him.
After his discharge from the army, Edwards returned to the United States and continued to pursue music. He initially achieved moderate success as a solo artist, notably scoring a hit with his song "Careful Man." However, his most prominent role came in 1977 when he became the lead singer of the renowned vocal group The Spinners. He remained with the group until 2000, during which time they enjoyed significant commercial success and were recognized for their smooth harmonies and soulful sound.
Throughout the 1970s to the 1990s, Edwards contributed to various recordings and performances that solidified The Spinners' status in the R&B genre. His tenure with the group helped shape the sound of soul music during that era.
John Edwards passed away on May 9, 2025, leaving behind a legacy as a talented soul singer who made significant contributions to the genre and influenced many artists after him.
John Gary Williams
John Gary Williams was a renowned soul singer best known as the original lead vocalist of The Mad Lads, a Stax Records group from Memphis. Born in 1945, he rose to fame in the 1960s with hits like "Don't Have to Shop Around" and "I Want Someone."
Williams formed The Mad Lads with high school friends Julius Green, William Brown, and Robert Phillips at Booker T. Washington High School. The group signed with Stax's Volt label, releasing doo-wop-inspired tracks that charted on the R&B charts, including "I Want a Girl."
His career paused when he was drafted for the Vietnam War. After returning, he pursued solo efforts, releasing his self-titled album in 1973 featuring "The Whole Damn World is Going Crazy," a Northern Soul favorite.
Williams reformed The Mad Lads in later years and championed community causes, including counseling gang members. He passed away on May 28, 2019, at age 73.
Williams formed The Mad Lads with high school friends Julius Green, William Brown, and Robert Phillips at Booker T. Washington High School. The group signed with Stax's Volt label, releasing doo-wop-inspired tracks that charted on the R&B charts, including "I Want a Girl."
His career paused when he was drafted for the Vietnam War. After returning, he pursued solo efforts, releasing his self-titled album in 1973 featuring "The Whole Damn World is Going Crazy," a Northern Soul favorite.
Williams reformed The Mad Lads in later years and championed community causes, including counseling gang members. He passed away on May 28, 2019, at age 73.
John Holt
John Kenneth Holt was born on July 11, 1947, in the Greenwich Farm area of Kingston, Jamaica. He began his journey into the music industry through talent shows, showcasing his early inclination towards music from a young age.
Career Beginnings: Holt first gained prominence as a member of the vocal group The Paragons in the 1960s. The group was known for its harmonious sound and became a significant part of the Jamaican music scene. After establishing himself with The Paragons, Holt transitioned to a successful solo career, where he would solidify his place in reggae music.
Musical Contributions: John Holt was recognized for his smooth voice and songwriting skills. He played a crucial role in the development of the "lovers rock" genre, characterized by its romantic lyrics and melodious tunes. His music often blended elements of reggae and soul, appealing to a wide audience. Over his career, he produced several hits and is remembered for songs like "Stick by Me" and "Never, Never".
Legacy: Holt's contributions to music have left a lasting impact on Jamaican culture and identity. He is celebrated for his ability to convey emotion through his songs and for influencing generations of musicians. His style and artistry helped shape the reggae genre, making him a significant figure in its history.
Death: John Holt passed away on October 19, 2014, but his music continues to resonate with fans worldwide. His legacy endures through his timeless songs and the indelible mark he left on the reggae genre.
Career Beginnings: Holt first gained prominence as a member of the vocal group The Paragons in the 1960s. The group was known for its harmonious sound and became a significant part of the Jamaican music scene. After establishing himself with The Paragons, Holt transitioned to a successful solo career, where he would solidify his place in reggae music.
Musical Contributions: John Holt was recognized for his smooth voice and songwriting skills. He played a crucial role in the development of the "lovers rock" genre, characterized by its romantic lyrics and melodious tunes. His music often blended elements of reggae and soul, appealing to a wide audience. Over his career, he produced several hits and is remembered for songs like "Stick by Me" and "Never, Never".
Legacy: Holt's contributions to music have left a lasting impact on Jamaican culture and identity. He is celebrated for his ability to convey emotion through his songs and for influencing generations of musicians. His style and artistry helped shape the reggae genre, making him a significant figure in its history.
Death: John Holt passed away on October 19, 2014, but his music continues to resonate with fans worldwide. His legacy endures through his timeless songs and the indelible mark he left on the reggae genre.
John Tropea
John Tropea is an influential American jazz guitarist, composer, and producer, born on January 7, 1946. He began his musical journey at the age of 12 when he started learning to play the guitar. His passion for music led him to further his studies at the Berklee College of Music in Boston, where he specialized in jazz guitar and harmony, building a solid foundation for his future career in music.
Tropea began guitar studies at the age of 12. His musical education continued at Berklee School of Music in Boston, where he studied jazz guitar, harmony, composition, and big band arranging. Immediately after arriving in Boston, Tropea began playing live R&B and jazz gigs with many different bands in the area, including The Three Degrees. Influenced by Wes Montgomery, Johnny Smith, Louis Bonfa, Pat Martino, and George Benson, it was at this time that Tropea began to absorb those influences into an original style of his own. Also among his mentors at the time were the great B3 organ players Jack McDuff and Jimmy Smith.
Throughout his career, Tropea has established himself as a prominent figure in the music industry, particularly noted for his work as a session musician. He has contributed to a plethora of hit records across various music genres, collaborating with numerous renowned artists. His ability to blend jazz with elements of rock and pop has made him one of the most sought-after guitarists in the business.
In addition to his session work, Tropea has released several albums as a solo artist, showcasing his unique style and musical versatility. He is highly regarded among his peers and is celebrated for his deep understanding and respect for jazz traditions, which he skillfully incorporates into his playing.
Tropea's contributions to music extend beyond performing; he is also recognized for his composing and arranging skills. His impressive body of work reflects a long-standing commitment to the craft of music and demonstrates his profound impact on the jazz genre.
Tropea began guitar studies at the age of 12. His musical education continued at Berklee School of Music in Boston, where he studied jazz guitar, harmony, composition, and big band arranging. Immediately after arriving in Boston, Tropea began playing live R&B and jazz gigs with many different bands in the area, including The Three Degrees. Influenced by Wes Montgomery, Johnny Smith, Louis Bonfa, Pat Martino, and George Benson, it was at this time that Tropea began to absorb those influences into an original style of his own. Also among his mentors at the time were the great B3 organ players Jack McDuff and Jimmy Smith.
Throughout his career, Tropea has established himself as a prominent figure in the music industry, particularly noted for his work as a session musician. He has contributed to a plethora of hit records across various music genres, collaborating with numerous renowned artists. His ability to blend jazz with elements of rock and pop has made him one of the most sought-after guitarists in the business.
In addition to his session work, Tropea has released several albums as a solo artist, showcasing his unique style and musical versatility. He is highly regarded among his peers and is celebrated for his deep understanding and respect for jazz traditions, which he skillfully incorporates into his playing.
Tropea's contributions to music extend beyond performing; he is also recognized for his composing and arranging skills. His impressive body of work reflects a long-standing commitment to the craft of music and demonstrates his profound impact on the jazz genre.
Johnnie Johnson
Johnnie Johnson was an influential American pianist renowned for his blues, jazz, and rock and roll contributions, particularly his long collaboration with Chuck Berry. Born on July 8, 1924, in Fairmont, West Virginia, he passed away on April 13, 2005.?
Johnson began playing piano at age four or five, teaching himself by ear and performing his first radio gig around age eight. During World War II, he served in the U.S. Marine Corps as a Montford Point Marine, breaking racial barriers and later receiving a posthumous Congressional Gold Medal for his service in an all-serviceman jazz orchestra called the Barracudas.
After the war, Johnson moved to Detroit and Chicago, sitting in with blues legends like Muddy Waters, Little Walter, and Albert King. In 1952, he settled in St. Louis, Missouri, forming the Sir John Trio with drummer Ebby Hardy and saxophonist Alvin Bennett for gigs at the Cosmopolitan Club in East St. Louis.
On New Year's Eve 1952, Bennett's stroke led Johnson to recruit guitarist Chuck Berry as a substitute, sparking a pivotal partnership. Johnson's piano riffs shaped Berry's guitar style in hits like "Maybellene," "Sweet Little Sixteen," "Rock and Roll Music," and "Johnny B. Goode," written in Johnson's honor; their work earned Johnson induction into the Rock and Roll Hall of Fame.
Johnson led Albert King's rhythm section, anchored St. Louis blues with groups like The Sounds of The City, and in the 1980s revived his solo career post-retirement via the film Hail! Hail! Rock 'n' Roll, releasing albums like Blue Hand Johnnie. He performed with the Rolling Stones and Eric Clapton until late in life.
Johnson began playing piano at age four or five, teaching himself by ear and performing his first radio gig around age eight. During World War II, he served in the U.S. Marine Corps as a Montford Point Marine, breaking racial barriers and later receiving a posthumous Congressional Gold Medal for his service in an all-serviceman jazz orchestra called the Barracudas.
After the war, Johnson moved to Detroit and Chicago, sitting in with blues legends like Muddy Waters, Little Walter, and Albert King. In 1952, he settled in St. Louis, Missouri, forming the Sir John Trio with drummer Ebby Hardy and saxophonist Alvin Bennett for gigs at the Cosmopolitan Club in East St. Louis.
On New Year's Eve 1952, Bennett's stroke led Johnson to recruit guitarist Chuck Berry as a substitute, sparking a pivotal partnership. Johnson's piano riffs shaped Berry's guitar style in hits like "Maybellene," "Sweet Little Sixteen," "Rock and Roll Music," and "Johnny B. Goode," written in Johnson's honor; their work earned Johnson induction into the Rock and Roll Hall of Fame.
Johnson led Albert King's rhythm section, anchored St. Louis blues with groups like The Sounds of The City, and in the 1980s revived his solo career post-retirement via the film Hail! Hail! Rock 'n' Roll, releasing albums like Blue Hand Johnnie. He performed with the Rolling Stones and Eric Clapton until late in life.
Johnnie Taylor
Johnnie Harrison Taylor was an influential American singer-songwriter known for his contributions to gospel, blues, and rhythm and blues music, celebrated throughout his long career for his versatile style and emotive vocal delivery.
Born on May 5, 1934, in Crawfordsville, Arkansas, Taylor was raised in West Memphis where he began his musical journey singing in church at the age of si.x His early experiences in gospel music significantly shaped his career, as he drew inspiration from notable gospel artists like R.H. Harris .
Taylor's professional career spanned over four decades, during which he garnered the nickname "The Philosopher of Soul." His musical style was a seamless blend of gospel's heartfelt quality and the raw emotion of blues, which contributed to his wide appeal. He released numerous hits that showcased his vocal talent and ability to connect with audiences.
Throughout his career, Taylor released several memorable songs, establishing himself as a prominent figure in the music industry. Some of his notable tracks include "Who's Making Love, "I Believe in You (You Believe in Me)" and "Disco Lady," which became a major hit and was one of the first songs to be certified as a disco single by the RIAA. Taylor's ability to transition between genres allowed him to resonate with diverse audiences.
Johnnie Taylor's impact on American music remains significant, and he is remembered for his contributions to the soul genre and beyond. He passed away on May 31, 2000, leaving behind a rich legacy that continues to influence artists today. His unique sound and innovative style have earned him a place as a respected figure in music history.
Born on May 5, 1934, in Crawfordsville, Arkansas, Taylor was raised in West Memphis where he began his musical journey singing in church at the age of si.x His early experiences in gospel music significantly shaped his career, as he drew inspiration from notable gospel artists like R.H. Harris .
Taylor's professional career spanned over four decades, during which he garnered the nickname "The Philosopher of Soul." His musical style was a seamless blend of gospel's heartfelt quality and the raw emotion of blues, which contributed to his wide appeal. He released numerous hits that showcased his vocal talent and ability to connect with audiences.
Throughout his career, Taylor released several memorable songs, establishing himself as a prominent figure in the music industry. Some of his notable tracks include "Who's Making Love, "I Believe in You (You Believe in Me)" and "Disco Lady," which became a major hit and was one of the first songs to be certified as a disco single by the RIAA. Taylor's ability to transition between genres allowed him to resonate with diverse audiences.
Johnnie Taylor's impact on American music remains significant, and he is remembered for his contributions to the soul genre and beyond. He passed away on May 31, 2000, leaving behind a rich legacy that continues to influence artists today. His unique sound and innovative style have earned him a place as a respected figure in music history.
Johnnie Wilder Jr
Johnnie Wilder Jr. (1949-2006) was the soulful voice and co-founder of the legendary funk/disco group Heatwave, known for hits like "Boogie Nights" and "Always and Forever," but his life took a tragic turn in 1979 when a car accident left him paralyzed from the neck down; he persevered by continuing to make music, transitioning to inspirational gospel recordings while remaining a pivotal figure in music history.
Born July 3, 1949, in Dayton, Ohio, Wilder developed his musical talent in church and high school choirs. He served in the U.S. Army from 1969-1972, stationed in West Germany, where he began performing with military bands, including his brother Keith.
After his discharge, Wilder stayed in Germany, forming Heatwave with his brother Keith, keyboardist Rod Temperton, and others. They moved to the UK, signed with GTO Records, and released their debut album Too Hot to Handle (1976). Heatwave achieved global fame with hits like "Boogie Nights," "The Groove Line," and the iconic ballad "Always and Forever". He remained involved with Heatwave in the 80s and 90s, contributing to new music and tours.
On February 24, 1979, a devastating car crash paralyzed Wilder from the neck down, ending his ability to perform live with the band. Despite his paralysis, Wilder continued making music, focusing on gospel with albums like My Goal and One More Day, showcasing his faith and resilience.
Johnnie Wilder Jr. passed away on May 13, 2006, in Dayton, Ohio, leaving behind a legacy as a gifted vocalist and an inspiring figure who overcame immense adversity.
Born July 3, 1949, in Dayton, Ohio, Wilder developed his musical talent in church and high school choirs. He served in the U.S. Army from 1969-1972, stationed in West Germany, where he began performing with military bands, including his brother Keith.
After his discharge, Wilder stayed in Germany, forming Heatwave with his brother Keith, keyboardist Rod Temperton, and others. They moved to the UK, signed with GTO Records, and released their debut album Too Hot to Handle (1976). Heatwave achieved global fame with hits like "Boogie Nights," "The Groove Line," and the iconic ballad "Always and Forever". He remained involved with Heatwave in the 80s and 90s, contributing to new music and tours.
On February 24, 1979, a devastating car crash paralyzed Wilder from the neck down, ending his ability to perform live with the band. Despite his paralysis, Wilder continued making music, focusing on gospel with albums like My Goal and One More Day, showcasing his faith and resilience.
Johnnie Wilder Jr. passed away on May 13, 2006, in Dayton, Ohio, leaving behind a legacy as a gifted vocalist and an inspiring figure who overcame immense adversity.
Johnny Gill
Johnny Gill Jr. was born on May 22, 1966, in Washington, D.C. He is the youngest of four boys in a family that nurtured a strong musical tradition, with Gill starting to sing in church at the young age of five. His family actively participated in a gospel group named Wings Of Faith, which laid the foundation for his musical career and developed his vocal abilities.
Gill's professional music career began in his teenage years. He initially gained attention as a solo artist and achieved early success with his self-titled debut album, released in 1990. His powerful voice and emotional delivery resonated with audiences, leading to several hits.
In addition to his solo career, Johnny Gill is best known for being a member of the legendary R&B group New Edition. He joined the group in 1987, becoming the sixth and final member. His addition coincided with a period of renewed success for the group, particularly with the release of their album "Heart Break" in 1988, which featured hit singles that solidified their place in R&B history.
Over the decades, Gill has established himself as one of the top artists in R&B, achieving numerous hits on the R&B charts throughout the '80s, '90s, and 2000s. His notable songs include "My, My, My," "Rub You the Right Way," and "Johnny Gill," showcasing his range and emotional depth as a singer. His career has been marked by significant accomplishments, solidifying his status as a legendary figure in the genre.
Later Career & Legacy:- LSG: Formed the successful trio LSG with Gerald Levert and Keith Sweat. Continued Music: Returned with solo albums like Still Winning (2011) and Game Changer (2014). New Edition Reunion: Continues to perform and tour with New Edition and with former members in the group Heads of State.
Johnny Gill's contributions to R&B and soul music have left an indelible mark on the industry. His experiences as both a solo artist and a prominent member of New Edition have made him a respected figure among fans and fellow musicians alike, ensuring that his influence continues to be felt in contemporary music.
Gill's professional music career began in his teenage years. He initially gained attention as a solo artist and achieved early success with his self-titled debut album, released in 1990. His powerful voice and emotional delivery resonated with audiences, leading to several hits.
In addition to his solo career, Johnny Gill is best known for being a member of the legendary R&B group New Edition. He joined the group in 1987, becoming the sixth and final member. His addition coincided with a period of renewed success for the group, particularly with the release of their album "Heart Break" in 1988, which featured hit singles that solidified their place in R&B history.
Over the decades, Gill has established himself as one of the top artists in R&B, achieving numerous hits on the R&B charts throughout the '80s, '90s, and 2000s. His notable songs include "My, My, My," "Rub You the Right Way," and "Johnny Gill," showcasing his range and emotional depth as a singer. His career has been marked by significant accomplishments, solidifying his status as a legendary figure in the genre.
Later Career & Legacy:- LSG: Formed the successful trio LSG with Gerald Levert and Keith Sweat. Continued Music: Returned with solo albums like Still Winning (2011) and Game Changer (2014). New Edition Reunion: Continues to perform and tour with New Edition and with former members in the group Heads of State.
Johnny Gill's contributions to R&B and soul music have left an indelible mark on the industry. His experiences as both a solo artist and a prominent member of New Edition have made him a respected figure among fans and fellow musicians alike, ensuring that his influence continues to be felt in contemporary music.
Johnny Guitar Watson
Johnny "Guitar" Watson was born John Watson Jr. on February 3, 1935, in Houston, Texas. Influenced by his musical environment, his father, a pianist, taught him to play the piano from a young age. This early exposure laid the foundation for his future in music, allowing him to develop his skills as a musician and showman.
Watson's career spanned over 40 years, during which he became known for his flamboyant style and electric guitar prowess. He was recognized as a pivotal figure in the rhythm and blues genre and later transitioned into funk music. His ability to adapt his sound to the changing musical landscape made him an influential artist during a dynamic period in music history.
Watson's music was characterized by a mix of urban blues and funk elements, and he is often celebrated for his live performances, where he exuded charisma and showmanship. His recording career featured multiple hit singles and albums, showcasing his versatility as a guitarist, pianist, and vocalist.
Johnny Guitar Watson passed away on May 17, 1996. His contributions to music have left a lasting impact, influencing countless artists across various genres. Watson is remembered not only for his musical talents but also for his vibrant stage presence and ability to connect with audiences.
In summary, Johnny Guitar Watson was a seminal figure in American music, known for his innovative guitar work and dynamic performances, with a career that reflects the evolution of rhythm and blues into funk.
Watson's career spanned over 40 years, during which he became known for his flamboyant style and electric guitar prowess. He was recognized as a pivotal figure in the rhythm and blues genre and later transitioned into funk music. His ability to adapt his sound to the changing musical landscape made him an influential artist during a dynamic period in music history.
Watson's music was characterized by a mix of urban blues and funk elements, and he is often celebrated for his live performances, where he exuded charisma and showmanship. His recording career featured multiple hit singles and albums, showcasing his versatility as a guitarist, pianist, and vocalist.
Johnny Guitar Watson passed away on May 17, 1996. His contributions to music have left a lasting impact, influencing countless artists across various genres. Watson is remembered not only for his musical talents but also for his vibrant stage presence and ability to connect with audiences.
In summary, Johnny Guitar Watson was a seminal figure in American music, known for his innovative guitar work and dynamic performances, with a career that reflects the evolution of rhythm and blues into funk.
Johnny Johnson and The Bandwagon
Johnny Johnson and The Bandwagon were an influential vocal soul group in the United States, having gained prominence during the late 1960s and early 1970s. The group is best known for its unique sound and dynamic performances that captivated audiences during this era.
The group was originally formed in 1967, initially going by the name The Bandwagon. It comprised four talented former solo singers who decided to collaborate. The lineup included Johnny Johnson as the lead singer, along with Artie Fullilove, Billy Bradley, and Terry Lewis. They joined forces to create a distinct blend of vocal harmonies that characterized their music.
Johnny Johnson and The Bandwagon were known primarily for their vocal soul style, which combined elements of pop and rhythm and blues. Their music featured prominent melodies and heartfelt lyrics, appealing to a wide audience. The group captured the essence of the soul genre, and their work was marked by strong vocal performances led by Johnny Johnson.
Throughout their career, they released several popular singles that helped solidify their place in the music scene of the time. Their music often resonated with themes of love, heartbreak, and social issues, which were prevalent in the soul genre during the late ’60s.
While Johnny Johnson and The Bandwagon may not have achieved the same level of mainstream recognition as some of their contemporaries, they made a significant impact on the vocal soul genre. Their influence can be seen in the work of later artists who drew inspiration from their sound and style. Despite being less celebrated in the music history narrative, they remain an important part of the American soul music landscape.
The group was originally formed in 1967, initially going by the name The Bandwagon. It comprised four talented former solo singers who decided to collaborate. The lineup included Johnny Johnson as the lead singer, along with Artie Fullilove, Billy Bradley, and Terry Lewis. They joined forces to create a distinct blend of vocal harmonies that characterized their music.
Johnny Johnson and The Bandwagon were known primarily for their vocal soul style, which combined elements of pop and rhythm and blues. Their music featured prominent melodies and heartfelt lyrics, appealing to a wide audience. The group captured the essence of the soul genre, and their work was marked by strong vocal performances led by Johnny Johnson.
Throughout their career, they released several popular singles that helped solidify their place in the music scene of the time. Their music often resonated with themes of love, heartbreak, and social issues, which were prevalent in the soul genre during the late ’60s.
While Johnny Johnson and The Bandwagon may not have achieved the same level of mainstream recognition as some of their contemporaries, they made a significant impact on the vocal soul genre. Their influence can be seen in the work of later artists who drew inspiration from their sound and style. Despite being less celebrated in the music history narrative, they remain an important part of the American soul music landscape.
Johnny Nash
Johnny Nash, born John Lester Nash Jr. on August 19, 1940, in Houston, Texas, was an influential figure in the music industry known for his contributions to reggae music. He began his music career as a pop singer in the 1950s and showcased his talent not only as a musician but also as an actor early in his career.
Nash's impact on the music scene extended beyond pop. He played a pivotal role in popularizing reggae music in the United States and is credited as one of the first non-Jamaican artists to record reggae in Kingston, Jamaica. This involvement helped bring reggae music to a wider audience and laid groundwork for future artists in the genre.
His most notable hit, "I Can See Clearly Now," released in 1972, became a timeless classic that captured the hearts of many listeners. The song's success marked a significant moment not just in Nash's career, but in the history of American reggae.
Throughout his career, he released several albums and singles, blending elements of pop and reggae, which contributed to his unique sound.
Nash continued to be active in the music industry up until the 2020s. Throughout his life, he earned respect not only for his musical talents but also for his role in bridging cultural divides in music. Johnny Nash passed away on October 6, 2020, in Houston, Texas, leaving behind a lasting legacy as a pioneer of reggae music in America and a beloved entertainer whose work continues to influence artists today.
His contributions to music have ensured that he will be remembered as a vital figure in the evolution of reggae and pop music, demonstrating the power of music in transcending boundaries and bringing people together.
Nash's impact on the music scene extended beyond pop. He played a pivotal role in popularizing reggae music in the United States and is credited as one of the first non-Jamaican artists to record reggae in Kingston, Jamaica. This involvement helped bring reggae music to a wider audience and laid groundwork for future artists in the genre.
His most notable hit, "I Can See Clearly Now," released in 1972, became a timeless classic that captured the hearts of many listeners. The song's success marked a significant moment not just in Nash's career, but in the history of American reggae.
Throughout his career, he released several albums and singles, blending elements of pop and reggae, which contributed to his unique sound.
Nash continued to be active in the music industry up until the 2020s. Throughout his life, he earned respect not only for his musical talents but also for his role in bridging cultural divides in music. Johnny Nash passed away on October 6, 2020, in Houston, Texas, leaving behind a lasting legacy as a pioneer of reggae music in America and a beloved entertainer whose work continues to influence artists today.
His contributions to music have ensured that he will be remembered as a vital figure in the evolution of reggae and pop music, demonstrating the power of music in transcending boundaries and bringing people together.
Johnny Robinson
Johnny Robinson is an American southern/deep soul singer best known for his 1969 album Memphis High. He was born in Tuskegee, Alabama, in 1939. Like many soul singers of his era, he began with gospel training before transitioning to secular music.
He started his recording career in the mid-1960s under the name "Johnny R," releasing the deep soul ballad "It’s All Over" for the Strike label around 1966.
By 1968, he signed with Okeh, where he released three singles. Notable tracks from this period include: "Gone But Not Forgotten"; "I Need Your Love So Bad" and "Poor Man" / "When A Man Cries" (highly regarded as a "double-sided deep soul classic").
His most acclaimed work was recorded in Memphis with legendary producer Willie Mitchell at Hi Records. The resulting album, Memphis High, featured tracks like "Don’t Take It So Hard" and "God Is Love".
His recording career appeared to conclude in the early 1970s as the lead singer of the group Que Sunryse (sometimes spelled Que Sunrise), releasing the single "Friday 13th".
While Memphis High was poorly marketed and commercially unsuccessful upon its initial release, it has since become a highly sought-after item among Southern Soul enthusiasts for Robinson’s impassioned, "unhinged" vocal delivery. He is also noted as the father of musician Kevin Robinson.
He started his recording career in the mid-1960s under the name "Johnny R," releasing the deep soul ballad "It’s All Over" for the Strike label around 1966.
By 1968, he signed with Okeh, where he released three singles. Notable tracks from this period include: "Gone But Not Forgotten"; "I Need Your Love So Bad" and "Poor Man" / "When A Man Cries" (highly regarded as a "double-sided deep soul classic").
His most acclaimed work was recorded in Memphis with legendary producer Willie Mitchell at Hi Records. The resulting album, Memphis High, featured tracks like "Don’t Take It So Hard" and "God Is Love".
His recording career appeared to conclude in the early 1970s as the lead singer of the group Que Sunryse (sometimes spelled Que Sunrise), releasing the single "Friday 13th".
While Memphis High was poorly marketed and commercially unsuccessful upon its initial release, it has since become a highly sought-after item among Southern Soul enthusiasts for Robinson’s impassioned, "unhinged" vocal delivery. He is also noted as the father of musician Kevin Robinson.
Joss Stone
Joscelyn Eve Stoker, known professionally as Joss Stone, was born on April 11, 1987, in Dover, Kent, England. She struggled with dyslexia, which impacted her school performance, but discovered her singing talent early. At age 13, she auditioned for the BBC show Star for a Night, performing songs by Aretha Franklin and Whitney Houston.
Stone rose to fame in 2003 with her debut album The Soul Sessions, a collection of soul covers that earned a Mercury Prize nomination. Her 2004 follow-up Mind Body & Soul topped the UK Albums Chart, making her, at 17, the youngest female solo artist to achieve that feat. She has released subsequent albums like Colour Me Free! (2009) and LP1 (2011), selling over 14 million records worldwide as one of the top soul artists of the 2000s.
Stone won a Grammy in 2007 for Best R&B Performance by a Duo or Group with Vocals. She received three Grammy nominations in 2005, including Best New Artist, and holds a Guinness World Record as the youngest BRIT Award solo winner at 17 for British Female Solo Artist. Other honors include British Urban Act at the BRITs.
Stone debuted in film with roles in Fantastic Four (2005), Eragon (2006), and James Bond 007: Blood Stone (2010). Known for performing barefoot and early nose piercings, she resides in Devon, UK, near her family.
As of 2023, Stone is married to Cody DaLuz since October 26, and they have four children.
Stone rose to fame in 2003 with her debut album The Soul Sessions, a collection of soul covers that earned a Mercury Prize nomination. Her 2004 follow-up Mind Body & Soul topped the UK Albums Chart, making her, at 17, the youngest female solo artist to achieve that feat. She has released subsequent albums like Colour Me Free! (2009) and LP1 (2011), selling over 14 million records worldwide as one of the top soul artists of the 2000s.
Stone won a Grammy in 2007 for Best R&B Performance by a Duo or Group with Vocals. She received three Grammy nominations in 2005, including Best New Artist, and holds a Guinness World Record as the youngest BRIT Award solo winner at 17 for British Female Solo Artist. Other honors include British Urban Act at the BRITs.
Stone debuted in film with roles in Fantastic Four (2005), Eragon (2006), and James Bond 007: Blood Stone (2010). Known for performing barefoot and early nose piercings, she resides in Devon, UK, near her family.
As of 2023, Stone is married to Cody DaLuz since October 26, and they have four children.
Joyce Sims
Joyce Sims was an influential American R&B singer, songwriter, and multi-instrumentalist known for her 1980s dance and freestyle hits. She rose to fame with soulful tracks that blended electro elements and became club classics.
Born Joyce Elizabeth Sims-Sandiford on August 6, 1959, in Rochester, New York, she was a native New Yorker who studied music in college, focusing on piano and becoming a skilled multi-instrumentalist. She developed her talents early, preferring drum machines over guitars in her songwriting process.
Sims signed with Sleeping Bag Records in 1986, launching her career with "(You Are My) All and All," produced by Kurtis Mantronik, which hit No. 6 on the US Dance Chart and No. 16 in the UK. Her 1987 debut album Come into My Life went gold in the UK (No. 5), with the title track peaking at No. 10 on US R&B and No. 7 in the UK; other singles included "Lifetime Love" (US R&B No. 23).
Her 1989 follow-up All About Love reached No. 64 in the UK, and she released A New Beginning in 2006 after a long hiatus. Sims' music was sampled by artists like Snoop Dogg and Angie Stone, featured in films like Species, and she continued touring until later years. She passed away on October 13, 2022, at age 63.
Born Joyce Elizabeth Sims-Sandiford on August 6, 1959, in Rochester, New York, she was a native New Yorker who studied music in college, focusing on piano and becoming a skilled multi-instrumentalist. She developed her talents early, preferring drum machines over guitars in her songwriting process.
Sims signed with Sleeping Bag Records in 1986, launching her career with "(You Are My) All and All," produced by Kurtis Mantronik, which hit No. 6 on the US Dance Chart and No. 16 in the UK. Her 1987 debut album Come into My Life went gold in the UK (No. 5), with the title track peaking at No. 10 on US R&B and No. 7 in the UK; other singles included "Lifetime Love" (US R&B No. 23).
Her 1989 follow-up All About Love reached No. 64 in the UK, and she released A New Beginning in 2006 after a long hiatus. Sims' music was sampled by artists like Snoop Dogg and Angie Stone, featured in films like Species, and she continued touring until later years. She passed away on October 13, 2022, at age 63.
Jr. Walker and The All Stars<div hidden>Junior Walker</div>
Jr. Walker & the All Stars were a prominent Motown soul band led by saxophonist and vocalist Junior Walker, known for their energetic R&B instrumentals and hits in the 1960s and 1970s.
Junior Walker, born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, grew up in South Bend, Indiana, and adopted his stage name from his stepfather. He started playing saxophone in the 1950s, inspired by jump blues artists like Louis Jordan and Earl Bostic, and formed the band initially as the Rhythm Rockers with friends including drummer Billy Nicks. By the late 1950s, they relocated to Battle Creek, Michigan, added members like organist Vic Thomas and drummer Tony Washington, and gigged locally at venues like the El Grotto club.
Discovered by singer Johnny Bristol in 1961, the band signed with Harvey Fuqua's label, which Motown acquired in 1964, leading to their official name change to Jr. Walker & the All Stars and placement on Motown's Soul label. The classic lineup featured Walker on saxophone and vocals, Willie Woods on guitar, Vic Thomas on organ, and drummer James Graves. Their raw, honking saxophone-driven sound set them apart from smoother Motown acts.
Their 1965 breakthrough single "Shotgun" topped the Billboard Hot 100 and R&B charts, inspired by a dance Walker observed, spawning hits like "Do the Boomerang," "Shake and Fingerpop," "Road Runner," and "What Does It Take (To Win Your Love)." They released 16 studio albums from 1965 to 1983, with three reaching the Top 10 on US R&B charts and eight in the Billboard 200. Success continued through 1972, blending soul, funk, and rock elements.
The band disbanded in 1979 amid lineup changes, but Walker persisted solo into the disco era, collaborated with Foreigner in the 1980s, and toured with his son on drums until his death on March 23, 1995, from cancer. Inducted into halls of fame like Michigan Rock and Roll Legends, they remain icons of Motown's instrumental soul sound.
Junior Walker, born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, grew up in South Bend, Indiana, and adopted his stage name from his stepfather. He started playing saxophone in the 1950s, inspired by jump blues artists like Louis Jordan and Earl Bostic, and formed the band initially as the Rhythm Rockers with friends including drummer Billy Nicks. By the late 1950s, they relocated to Battle Creek, Michigan, added members like organist Vic Thomas and drummer Tony Washington, and gigged locally at venues like the El Grotto club.
Discovered by singer Johnny Bristol in 1961, the band signed with Harvey Fuqua's label, which Motown acquired in 1964, leading to their official name change to Jr. Walker & the All Stars and placement on Motown's Soul label. The classic lineup featured Walker on saxophone and vocals, Willie Woods on guitar, Vic Thomas on organ, and drummer James Graves. Their raw, honking saxophone-driven sound set them apart from smoother Motown acts.
Their 1965 breakthrough single "Shotgun" topped the Billboard Hot 100 and R&B charts, inspired by a dance Walker observed, spawning hits like "Do the Boomerang," "Shake and Fingerpop," "Road Runner," and "What Does It Take (To Win Your Love)." They released 16 studio albums from 1965 to 1983, with three reaching the Top 10 on US R&B charts and eight in the Billboard 200. Success continued through 1972, blending soul, funk, and rock elements.
The band disbanded in 1979 amid lineup changes, but Walker persisted solo into the disco era, collaborated with Foreigner in the 1980s, and toured with his son on drums until his death on March 23, 1995, from cancer. Inducted into halls of fame like Michigan Rock and Roll Legends, they remain icons of Motown's instrumental soul sound.
Jr. Walker<div hidden>Junior Walker</div>
Junior Walker Jr Walker
Junior Walker, born Autry DeWalt-Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, was an influential figure in the soul and funk music scenes. He spent much of his childhood in South Bend, Indiana, where he developed a passion for music, particularly jazz and rhythm and blues. His stepfather's surname, Walker, inspired the nickname "Junior," which he carried throughout his career.
Walker emerged as a notable multi-instrumentalist, primarily recognized for his exceptional saxophone skills and powerful vocals. He made a significant impact on the Motown sound during the 1960s as the leader of Jr. Walker & the All Stars, a band that became known for its distinctive blend of soul and R&B. The group consisted of Walker on lead vocals and saxophone, along with Jimmy Graves on drums, Victor Thomas on keyboards, and Willie Woods on guitar.
Jr. Walker & the All Stars gained popularity with hits that showcased Walker's energetic saxophone playing and unique vocal style. They are particularly noted for classic tracks such as "Shotgun," "What Does It Take (To Win Your Love)," and "Shake and Fingerpop," which represent the quintessential Motown sound of that era.
Walker’s musical style was characterized by a fusion of soul, R&B, and funk, making him a pivotal figure in shaping the sound of the 1960s. His energetic performances and skillful saxophone solos earned him a lasting legacy in the music industry, solidifying his status as a key artist of the Motown label and influencing future musicians across various genres.
Throughout his career, Walker remained a beloved figure in the music community until his passing on November 23, 1995. His contributions to soul music and his distinctive saxophone sound continue to resonate, making him an enduring icon in the music world. Information is missing on the specific details of Walker's later life, including any significant collaborations or changes in his musical direction after the peak of his career.
Junior Parker
Junior Parker, born Herman Parker Jr. on March 27, 1932, near Bobo, Mississippi, was a renowned American blues singer and harmonica player known for his smooth, velvety voice. He grew up in West Memphis, Arkansas, and honed his skills alongside figures like Sonny Boy Williamson and Howlin' Wolf before launching his career.
Parker formed the Blue Flames band in 1951 with guitarist Pat Hare and debuted in 1952 on Modern Records via Ike Turner, releasing "You're My Angel." He signed with Sun Records in 1953, scoring hits like "Feelin' Good" (No. 5 on Billboard R&B), "Love My Baby," and "Mystery Train," later covered by Elvis Presley.
Joining Duke Records in 1955, Parker toured with Bobby Bland in the Blues Consolidated Revue and notched R&B hits including "Next Time You See Me" (1957), "Driving Wheel" (1961), and "Sweet Home Chicago." His versatile style blended down-home blues with uptown R&B, backed by brass sections.
After leaving Duke in 1966, he recorded for Mercury, Capitol, and others, with his last hit "Drowning on Dry Land" in 1971. Parker died on November 18, 1971, in Chicago from a brain tumor at age 39 and was inducted into the Blues Hall of Fame in 2001.
Parker formed the Blue Flames band in 1951 with guitarist Pat Hare and debuted in 1952 on Modern Records via Ike Turner, releasing "You're My Angel." He signed with Sun Records in 1953, scoring hits like "Feelin' Good" (No. 5 on Billboard R&B), "Love My Baby," and "Mystery Train," later covered by Elvis Presley.
Joining Duke Records in 1955, Parker toured with Bobby Bland in the Blues Consolidated Revue and notched R&B hits including "Next Time You See Me" (1957), "Driving Wheel" (1961), and "Sweet Home Chicago." His versatile style blended down-home blues with uptown R&B, backed by brass sections.
After leaving Duke in 1966, he recorded for Mercury, Capitol, and others, with his last hit "Drowning on Dry Land" in 1971. Parker died on November 18, 1971, in Chicago from a brain tumor at age 39 and was inducted into the Blues Hall of Fame in 2001.
Karyn White
Karyn White is an American R&B singer born on October 14, 1965, in Los Angeles, California, as the youngest of five children. She rose to fame in the late 1980s with her self-titled debut album, produced by L.A. Reid and Babyface, which went platinum and featured hits like "Superwoman," "Secret Rendezvous," and "The Way You Love Me."
White sang in her church choir as a child and later worked odd jobs like a change counter while pursuing music. She gained early exposure as a backing vocalist and on Jeff Lorber's "Facts of Love" in 1986, leading to her Warner Bros. deal.
Her 1988 debut made history as the first by a female artist with three No. 1 R&B singles from initial solo releases. She earned Grammy nominations and a Soul Train award nod.
Key Albums and Hits:- Ritual of Love (1991): Produced by Jimmy Jam and Terry Lewis; topped Hot 100 with "Romantic;" Make Him Do Right (1994): Featured R&B hits "Hungah" and "Can I Stay With You;" Carpe Diem (2012): Marked her return after a hiatus for family.
White stepped back in 1999 to raise a family, attempted a 2006 album that was shelved, and has since toured while expanding into acting and production.
White sang in her church choir as a child and later worked odd jobs like a change counter while pursuing music. She gained early exposure as a backing vocalist and on Jeff Lorber's "Facts of Love" in 1986, leading to her Warner Bros. deal.
Her 1988 debut made history as the first by a female artist with three No. 1 R&B singles from initial solo releases. She earned Grammy nominations and a Soul Train award nod.
Key Albums and Hits:- Ritual of Love (1991): Produced by Jimmy Jam and Terry Lewis; topped Hot 100 with "Romantic;" Make Him Do Right (1994): Featured R&B hits "Hungah" and "Can I Stay With You;" Carpe Diem (2012): Marked her return after a hiatus for family.
White stepped back in 1999 to raise a family, attempted a 2006 album that was shelved, and has since toured while expanding into acting and production.
Kashif
Kashif Saleem, born Michael Jones on December 26, 1956, in Harlem, New York City, faced significant challenges from a young age. After his mother was incarcerated, he entered the foster care system at just four months old. His upbringing was deeply influenced by these early experiences, and music became a sanctuary for him during his childhood and adolescence.
Kashif's career began in the late 1970s when he joined the funk band B.T. Express as a keyboardist. His involvement with this seminal group laid the groundwork for his future success in the music industry. In the early 1980s, he transitioned into a solo career and became an innovator in the R&B genre. Kashif's electronic funk stylings were pivotal in defining the sound of R&B during this era.
He adopted the name Kashif Saleem after converting to Islam, which marked a significant turning point in his life and career. Under this name, he garnered attention as a singer, songwriter, and record producer, working with notable artists and contributing to iconic tracks that shaped the musical landscape of the time.
Kashif is celebrated for his influence on the genres of R&B and funk, with his innovative production techniques and distinctive sound. His work not only achieved commercial success but also paved the way for future artists in the music industry. He is remembered as a key figure who helped to modernize and evolve the sound of R&B music in the 1980s.
Kashif Saleem passed away on September 25, 2016. His legacy continues to live on through the music he created and the generations of artists he inspired.
Overall, Kashif's contributions to music are significant, marking him as a powerful force in shaping contemporary R&B and funk. His life story is a testament to resilience, creativity, and the enduring power of music.
Kashif's career began in the late 1970s when he joined the funk band B.T. Express as a keyboardist. His involvement with this seminal group laid the groundwork for his future success in the music industry. In the early 1980s, he transitioned into a solo career and became an innovator in the R&B genre. Kashif's electronic funk stylings were pivotal in defining the sound of R&B during this era.
He adopted the name Kashif Saleem after converting to Islam, which marked a significant turning point in his life and career. Under this name, he garnered attention as a singer, songwriter, and record producer, working with notable artists and contributing to iconic tracks that shaped the musical landscape of the time.
Kashif is celebrated for his influence on the genres of R&B and funk, with his innovative production techniques and distinctive sound. His work not only achieved commercial success but also paved the way for future artists in the music industry. He is remembered as a key figure who helped to modernize and evolve the sound of R&B music in the 1980s.
Kashif Saleem passed away on September 25, 2016. His legacy continues to live on through the music he created and the generations of artists he inspired.
Overall, Kashif's contributions to music are significant, marking him as a powerful force in shaping contemporary R&B and funk. His life story is a testament to resilience, creativity, and the enduring power of music.
Keith Barrow
Keith Barrow was an American disco and soul singer-songwriter born in Chicago on September 27, 1954. He was the son of civil rights activist and minister Reverend Willie Taplin Barrow and began his musical career singing gospel, later leading a high school group called the Soul Shakers.
Barrow started writing music at age eight and released a self-titled gospel album in 1973 on Jewel Records at age 19. He moved to New York City and then Los Angeles, signing with Columbia Records around 1976, where he penned the hit "Teach Me (It's Something About Love)" for Blue Magic, which reached No. 48 on the Billboard R&B chart.
His secular debut, a self-titled album produced by Bobby Eli, came out in 1977, featuring singles like "Precious." He later switched to Capitol Records for his final album, Just As I Am, in 1980, with the single "Why Love Half The World (When You Can Love The Whole World)."
In 1979, Barrow was diagnosed with HIV after falling ill during a Paris performance. He passed away on October 22, 1983, at age 29, one of the early prominent figures in music affected by the disease.
Barrow started writing music at age eight and released a self-titled gospel album in 1973 on Jewel Records at age 19. He moved to New York City and then Los Angeles, signing with Columbia Records around 1976, where he penned the hit "Teach Me (It's Something About Love)" for Blue Magic, which reached No. 48 on the Billboard R&B chart.
His secular debut, a self-titled album produced by Bobby Eli, came out in 1977, featuring singles like "Precious." He later switched to Capitol Records for his final album, Just As I Am, in 1980, with the single "Why Love Half The World (When You Can Love The Whole World)."
In 1979, Barrow was diagnosed with HIV after falling ill during a Paris performance. He passed away on October 22, 1983, at age 29, one of the early prominent figures in music affected by the disease.
Keith Sweat
Keith Sweat is an American R&B singer, songwriter, and producer born on July 22, 1961, in Harlem, New York. He rose to fame as a pioneer of the new jack swing genre in the late 1980s.
Raised in Harlem near the Apollo Theatre, Sweat graduated from City College of New York with a communications degree and briefly worked on Wall Street. His father passed away when he was 12, and he was raised by his mother alongside four siblings. He began performing regionally with the band Jamilah in 1975.
Sweat's 1987 debut album Make It Last Forever sold over three million copies, featuring hits like "I Want Her" (No. 1 R&B) and the title track (No. 2 R&B). He earned a 1989 Soul Train nomination for "I Want Her" and followed with successes like I'll Give All My Love to You (1990) and Keep It Comin' (1991).
Notable singles include "Twisted," "Nobody," and "Make You Sweat," with 13 solo albums and work with supergroup LSG alongside Gerald Levert and Johnny Gill. Sweat discovered and produced for groups like Silk ("Freak Me" hit No. 1 on Hot 100) and Kut Klose. He relocated to Atlanta in 1992, building a studio and achieving sales of 25 million records worldwide.
Raised in Harlem near the Apollo Theatre, Sweat graduated from City College of New York with a communications degree and briefly worked on Wall Street. His father passed away when he was 12, and he was raised by his mother alongside four siblings. He began performing regionally with the band Jamilah in 1975.
Sweat's 1987 debut album Make It Last Forever sold over three million copies, featuring hits like "I Want Her" (No. 1 R&B) and the title track (No. 2 R&B). He earned a 1989 Soul Train nomination for "I Want Her" and followed with successes like I'll Give All My Love to You (1990) and Keep It Comin' (1991).
Notable singles include "Twisted," "Nobody," and "Make You Sweat," with 13 solo albums and work with supergroup LSG alongside Gerald Levert and Johnny Gill. Sweat discovered and produced for groups like Silk ("Freak Me" hit No. 1 on Hot 100) and Kut Klose. He relocated to Atlanta in 1992, building a studio and achieving sales of 25 million records worldwide.
Keith Washington
Keith Washington is an American R&B and soul singer born on November 15, 1960, in Detroit, Michigan. Raised in Detroit's Motown-influenced scene, Washington started performing young, influenced by family ties in music. He opened for acts like Brenda Russell and toured with The Dramatics by his teens.
He broke through co-writing Freddie Jackson's 1988 hit "Hey Lover." His 1991 debut album Make Time for Love featured the signature single "Kissing You," topping Billboard's Hot R&B/Hip-Hop Songs chart, earning a Grammy nomination, and winning a 1992 Soul Train Music Award.
Later albums include You Make It Easy (1993) and KW (1998). He collaborated with Kylie Minogue on "If You Were with Me Now," blending soul with pop. "Kissing You" gained extra fame as background music on General Hospital.
He broke through co-writing Freddie Jackson's 1988 hit "Hey Lover." His 1991 debut album Make Time for Love featured the signature single "Kissing You," topping Billboard's Hot R&B/Hip-Hop Songs chart, earning a Grammy nomination, and winning a 1992 Soul Train Music Award.
Later albums include You Make It Easy (1993) and KW (1998). He collaborated with Kylie Minogue on "If You Were with Me Now," blending soul with pop. "Kissing You" gained extra fame as background music on General Hospital.
Kem
Kem, born Kim Lamont Owens on July 23, 1967, in Nashville, Tennessee, is an acclaimed American R&B/soul singer, songwriter, and producer known for his smooth, heartfelt ballads. He moved to suburban Detroit at age 5 and grew up in Pontiac and Southfield, Michigan. He faced personal challenges, including struggles with addiction and homelessness, before turning his life around through music and spirituality.
Kem self-financed and released his debut album Kemistry in 2003 via Motown Records after singing covers in wedding bands and waiting tables. It went gold, featuring the hit "Love Calls." His follow-up Album II (2005) achieved platinum status with the #1 urban AC single "I Can't Stop Loving You," featuring Stevie Wonder.
He has released several successful albums, including Intimacy: Album III (2010, gold), Promise to Love (2014), and Love Always Wins (2020) with features like Toni Braxton. Recent works include the live album Anniversary – The Live Album (2023) and singles like "Rock with Me" (2025).
Married to Erica since 2019, Kem has seven children and announced an eighth on the way in December 2025. He's earned Grammy nominations, including for "Why Would You Stay" (2011) and "Nobody" (2014), plus a 2005 Billboard award.
Kem self-financed and released his debut album Kemistry in 2003 via Motown Records after singing covers in wedding bands and waiting tables. It went gold, featuring the hit "Love Calls." His follow-up Album II (2005) achieved platinum status with the #1 urban AC single "I Can't Stop Loving You," featuring Stevie Wonder.
He has released several successful albums, including Intimacy: Album III (2010, gold), Promise to Love (2014), and Love Always Wins (2020) with features like Toni Braxton. Recent works include the live album Anniversary – The Live Album (2023) and singles like "Rock with Me" (2025).
Married to Erica since 2019, Kem has seven children and announced an eighth on the way in December 2025. He's earned Grammy nominations, including for "Why Would You Stay" (2011) and "Nobody" (2014), plus a 2005 Billboard award.
Ken Boothe
Ken Boothe, born Kenneth George Boothe on March 22, 1948, in Denham Town, Kingston, Jamaica, grew up in a musically rich environment. His mother and older sister were both singers, which greatly influenced his early interest in music. From a young age, he was exposed to various musical styles, shaping his distinctive sound and style as an artist.
Ken Boothe's musical career began in the early 1960s, a period when Jamaica's music scene was rapidly evolving. His unique voice, characterized by a soulful timbre and distinctive vibrato, quickly set him apart from other artists. He became well-known for his contributions as a singer, songwriter, and producer, and is regarded as one of the most prolific songwriters in the history of Jamaican music.
Throughout his career, Boothe achieved significant domestic and international success. He gained fame with hits such as "Everything I Own," which showcased his emotive delivery and songwriting prowess. His music reflects various influences, including rocksteady, reggae, and soul, which he masterfully blended to create a unique sound that resonates with audiences.
Boothe has been involved in various musical projects, one of the notable ones being 'Inna De Yard,' an all-star Jamaican reggae collective that aims to promote the traditional roots of reggae music. This collaboration has further solidified his status in the reggae community and introduced his music to newer generations.
Ken Boothe is a family man, married with children, and takes pride in his strong family values. He continues to be an admired figure in the music industry, revered not only for his contributions to reggae but also for his dedication to his family and community.
Overall, Ken Boothe remains a legendary figure in reggae music, celebrated for his impactful career and enduring influence on the genre.
Ken Boothe's musical career began in the early 1960s, a period when Jamaica's music scene was rapidly evolving. His unique voice, characterized by a soulful timbre and distinctive vibrato, quickly set him apart from other artists. He became well-known for his contributions as a singer, songwriter, and producer, and is regarded as one of the most prolific songwriters in the history of Jamaican music.
Throughout his career, Boothe achieved significant domestic and international success. He gained fame with hits such as "Everything I Own," which showcased his emotive delivery and songwriting prowess. His music reflects various influences, including rocksteady, reggae, and soul, which he masterfully blended to create a unique sound that resonates with audiences.
Boothe has been involved in various musical projects, one of the notable ones being 'Inna De Yard,' an all-star Jamaican reggae collective that aims to promote the traditional roots of reggae music. This collaboration has further solidified his status in the reggae community and introduced his music to newer generations.
Ken Boothe is a family man, married with children, and takes pride in his strong family values. He continues to be an admired figure in the music industry, revered not only for his contributions to reggae but also for his dedication to his family and community.
Overall, Ken Boothe remains a legendary figure in reggae music, celebrated for his impactful career and enduring influence on the genre.
Keni Stevens
Keni Stevens is a British soul singer known for his smooth vocals and contributions to the UK soul scene since the late 1970s. He rose to prominence in the 1980s with his acclaimed album Blue Moods. His career spans session work, band involvement, and recent recording projects.
Born to a cabaret singer mother and a US serviceman father from Philadelphia, Stevens grew up influenced by 1960s music. He spent much of his youth in care and formed early bands while in a children's home in Harpenden, later moving to north-west London.
Stevens played with bands like Raw Energy, which had a deal with Ariola Records, and worked for NEMS Records, handling duties for artists like Marianne Faithfull. His solo breakthrough came with the 1986 single "Nightmoves," leading to Blue Moods (1987), featuring hits like "Cannot Live Without Your Love," which topped soul charts.
Key Works... Debut solo singles: "All Day, All Night" (1986), "Nightmoves;" Albums: Blue Moods (1987), noted for its velvety soul and reggae influences; Later: Session singing for 1980s pop/soul acts, label ownership, and recent studio work with ex-Central Line's Steve Salvari.
Stevens has focused on music promotions and events but returned to performing, including a cameo at Steve Salvari's gig. His music remains played on platforms like NTS.
Born to a cabaret singer mother and a US serviceman father from Philadelphia, Stevens grew up influenced by 1960s music. He spent much of his youth in care and formed early bands while in a children's home in Harpenden, later moving to north-west London.
Stevens played with bands like Raw Energy, which had a deal with Ariola Records, and worked for NEMS Records, handling duties for artists like Marianne Faithfull. His solo breakthrough came with the 1986 single "Nightmoves," leading to Blue Moods (1987), featuring hits like "Cannot Live Without Your Love," which topped soul charts.
Key Works... Debut solo singles: "All Day, All Night" (1986), "Nightmoves;" Albums: Blue Moods (1987), noted for its velvety soul and reggae influences; Later: Session singing for 1980s pop/soul acts, label ownership, and recent studio work with ex-Central Line's Steve Salvari.
Stevens has focused on music promotions and events but returned to performing, including a cameo at Steve Salvari's gig. His music remains played on platforms like NTS.
Kenny Lattimore
Kenny Lattimore, born on April 10, 1970, in Washington, D.C., is an American R&B singer renowned for his smooth voice and romantic ballads. Raised in a musical environment, Lattimore was influenced by gospel music as well as iconic R&B and pop artists such as Chaka Khan, Marvin Gaye, Donny Hathaway, and Stevie Wonder. His upbringing played a significant role in shaping his musical style and aspirations.
Lattimore showed an early interest in music, performing publicly throughout his high school years. He attended Howard University, where he became the lead singer in the university's band, further honing his skills and preparing for a professional career in music.
Kenny Lattimore gained prominence in the 1990s with the release of his self-titled debut album in 1996, which showcased his smooth R&B sound. His most famous single, "For You," became a major hit and established him as a leading figure in the genre. Throughout his career, Lattimore has released several albums that have received critical acclaim, solidifying his reputation as a talented and enduring artist in the music industry.
Lattimore was married to singer Chanté Moore from 2002 to 2011. In 2020, he married American judge Faith Jenkins. He has two children: a son, Kenny Lattimore Jr. (born 2003), from his first marriage, and a daughter (born 2023) with Faith Jenkins.
Kenny Lattimore is recognized not only for his music but also for his contributions to the community and the legacy he has built over decades. His ability to connect emotionally with audiences through his songs is a testament to his artistry and enduring popularity in the R&B genre.
In summary, Kenny Lattimore is a distinguished soul singer with a rich musical background, a successful career, and a lasting impact on the R&B music scene.
Lattimore showed an early interest in music, performing publicly throughout his high school years. He attended Howard University, where he became the lead singer in the university's band, further honing his skills and preparing for a professional career in music.
Kenny Lattimore gained prominence in the 1990s with the release of his self-titled debut album in 1996, which showcased his smooth R&B sound. His most famous single, "For You," became a major hit and established him as a leading figure in the genre. Throughout his career, Lattimore has released several albums that have received critical acclaim, solidifying his reputation as a talented and enduring artist in the music industry.
Lattimore was married to singer Chanté Moore from 2002 to 2011. In 2020, he married American judge Faith Jenkins. He has two children: a son, Kenny Lattimore Jr. (born 2003), from his first marriage, and a daughter (born 2023) with Faith Jenkins.
Kenny Lattimore is recognized not only for his music but also for his contributions to the community and the legacy he has built over decades. His ability to connect emotionally with audiences through his songs is a testament to his artistry and enduring popularity in the R&B genre.
In summary, Kenny Lattimore is a distinguished soul singer with a rich musical background, a successful career, and a lasting impact on the R&B music scene.
Ketty Lester
Ketty Lester, born Revoyda Frierson on August 16, 1934, in Hope, Arkansas, rose to fame as a singer and actress.
One of fifteen children in a farm family, Lester developed her musical talent singing in church and school choirs. She pursued higher education on a scholarship at San Francisco State College before launching her professional career.
Her breakthrough came with the 1962 hit "Love Letters," a B-side that reached number five on the pop charts and number two on R&B charts, earning a Grammy nomination for Best Female Pop Vocalist in 1963. She released albums like Love Letters (1962) and When a Woman Loves a Man (1966), toured with the Everly Brothers, and performed at venues like the Purple Onion and Village Vanguard.
Lester starred in films such as Blacula (1972), Blue Velvet (1986), and Uptown Saturday Night (1974), and earned a Theatre World Award for the Off-Broadway revival of Cabin in the Sky. On television, she played Hester-Sue Terhune on Little House on the Prairie (1978-1983) and Helen Grant on Days of Our Lives (1975-1977).
In 2020, she published her memoir Ketty Lester: From Arkansas to Grammy-Nominated “Love Letters” to Little House on the Prairie and was inducted into the Arkansas Black Hall of Fame in 2022. She resides in Los Angeles.
One of fifteen children in a farm family, Lester developed her musical talent singing in church and school choirs. She pursued higher education on a scholarship at San Francisco State College before launching her professional career.
Her breakthrough came with the 1962 hit "Love Letters," a B-side that reached number five on the pop charts and number two on R&B charts, earning a Grammy nomination for Best Female Pop Vocalist in 1963. She released albums like Love Letters (1962) and When a Woman Loves a Man (1966), toured with the Everly Brothers, and performed at venues like the Purple Onion and Village Vanguard.
Lester starred in films such as Blacula (1972), Blue Velvet (1986), and Uptown Saturday Night (1974), and earned a Theatre World Award for the Off-Broadway revival of Cabin in the Sky. On television, she played Hester-Sue Terhune on Little House on the Prairie (1978-1983) and Helen Grant on Days of Our Lives (1975-1977).
In 2020, she published her memoir Ketty Lester: From Arkansas to Grammy-Nominated “Love Letters” to Little House on the Prairie and was inducted into the Arkansas Black Hall of Fame in 2022. She resides in Los Angeles.
Kim Weston
Kim Weston is an American soul singer best known for her Motown hits in the 1960s. Born Agatha Nathalia Weston on December 20, 1939, in Detroit, Michigan, she rose to prominence with songs like "Love Me All the Way" and her duet with Marvin Gaye, "It Takes Two."
Weston began performing at age three in church with the gospel group Wright Specials. She signed with Motown's Tamla label in 1961 after a hiatus from music, achieving her first minor hit with "Love Me All the Way," which reached No. 24 on R&B charts.
Her solo track "Take Me in Your Arms (Rock Me a Little While)" peaked at No. 4 on R&B charts in 1965. The duet "It Takes Two" with Marvin Gaye became her biggest success, hitting No. 14 on pop charts and No. 4 on R&B in 1966.
Weston left Motown in 1967 amid royalty disputes, marrying producer Mickey Stevenson and moving to MGM Records. She pursued acting roles in films like Changes (1969) and recorded later works, including the Black National Anthem "Lift Every Voice and Sing."
Weston began performing at age three in church with the gospel group Wright Specials. She signed with Motown's Tamla label in 1961 after a hiatus from music, achieving her first minor hit with "Love Me All the Way," which reached No. 24 on R&B charts.
Her solo track "Take Me in Your Arms (Rock Me a Little While)" peaked at No. 4 on R&B charts in 1965. The duet "It Takes Two" with Marvin Gaye became her biggest success, hitting No. 14 on pop charts and No. 4 on R&B in 1966.
Weston left Motown in 1967 amid royalty disputes, marrying producer Mickey Stevenson and moving to MGM Records. She pursued acting roles in films like Changes (1969) and recorded later works, including the Black National Anthem "Lift Every Voice and Sing."
King Curtis
King Curtis was an influential American saxophonist renowned for his work in rhythm and blues, jazz, and rock and roll. Born Curtis Ousley on February 7, 1934, in Fort Worth, Texas, he rose to prominence as a session musician and bandleader.
Curtis began playing saxophone at age 12 and attended I.M. Terrell High School, where he performed alongside Ornette Coleman. He turned down college scholarships to join Lionel Hampton's band, learning guitar and arranging music during his time there.
After moving to New York in 1952, Curtis recorded with artists like Buddy Holly, The Coasters, and Nat Adderley on labels including Prestige and Capitol. Hits like "Soul Twist" topped the R&B charts in 1962, while later Atlantic tracks such as "Memphis Soul Stew" and "Soul Serenade" defined his style. He backed major acts including Aretha Franklin as musical director and collaborated with Jimi Hendrix and John Lennon.
Curtis died on August 13, 1971, at age 37 after being stabbed outside his Manhattan apartment during a confrontation. Inducted into the Rock and Roll Hall of Fame in 2000, his honking tenor sax sound shaped rock and R&B.
Curtis began playing saxophone at age 12 and attended I.M. Terrell High School, where he performed alongside Ornette Coleman. He turned down college scholarships to join Lionel Hampton's band, learning guitar and arranging music during his time there.
After moving to New York in 1952, Curtis recorded with artists like Buddy Holly, The Coasters, and Nat Adderley on labels including Prestige and Capitol. Hits like "Soul Twist" topped the R&B charts in 1962, while later Atlantic tracks such as "Memphis Soul Stew" and "Soul Serenade" defined his style. He backed major acts including Aretha Franklin as musical director and collaborated with Jimi Hendrix and John Lennon.
Curtis died on August 13, 1971, at age 37 after being stabbed outside his Manhattan apartment during a confrontation. Inducted into the Rock and Roll Hall of Fame in 2000, his honking tenor sax sound shaped rock and R&B.
King Floyd
King Floyd was a New Orleans soul singer best known for his 1970 hit "Groove Me." Born on February 13, 1945, he rose from street corner performances to national fame before passing away in 2006.
King Floyd III grew up in New Orleans and nearby Kenner, Louisiana, starting to sing as a teen on street corners and befriending local musicians like Earl King. He landed his first paying gig at the Sho-Bar on Bourbon Street in 1961, but his career paused for army service.
After discharge in 1963, Floyd performed in New York clubs, then moved to Los Angeles, where producer Harold Battiste helped launch his debut single "Walkin' and Talkin'" in 1965 and album A Man in Love. Signing with Malaco Records in 1969 led to "Groove Me," a Top 10 R&B and pop hit that defined his legacy, followed by tracks like "I Feel Like Dynamite."
Floyd faced career ups and downs, working at the post office in the late 1960s and battling personal issues in the 1970s and 1980s. He released later albums like Old Skool Funk in 2000 but died on March 6, 2006, from stroke and diabetes complications, survived by his wife and family.
King Floyd III grew up in New Orleans and nearby Kenner, Louisiana, starting to sing as a teen on street corners and befriending local musicians like Earl King. He landed his first paying gig at the Sho-Bar on Bourbon Street in 1961, but his career paused for army service.
After discharge in 1963, Floyd performed in New York clubs, then moved to Los Angeles, where producer Harold Battiste helped launch his debut single "Walkin' and Talkin'" in 1965 and album A Man in Love. Signing with Malaco Records in 1969 led to "Groove Me," a Top 10 R&B and pop hit that defined his legacy, followed by tracks like "I Feel Like Dynamite."
Floyd faced career ups and downs, working at the post office in the late 1960s and battling personal issues in the 1970s and 1980s. He released later albums like Old Skool Funk in 2000 but died on March 6, 2006, from stroke and diabetes complications, survived by his wife and family.
Kleeer
Kleeer was a New York City-based funk, disco, and post-disco band active from 1972 to 1985. They evolved from backup work to releasing seven albums on Atlantic Records with minor R&B hits.
The band started in 1972 as The Jam Band, initially backing groups like The Choice Four. By 1975, they became Pipeline and tried hard rock with a Columbia single "Gypsie Rider," which flopped commercially. In 1976, they rebranded as The Universal Robot Band, scoring moderate success with "Barely Breaking Even" alongside producer Patrick Adams.
Key Members... Woody Cunningham (drums, lead vocals; 1948–2010); Paul Crutchfield (vocals, percussion, keyboards); Richard Lee (guitar); Norman Durham (bass; 1952–2011). Later additions included vocalists like Isabelle Coles and session players such as David Frank from The System.
Kleeer signed with Atlantic in 1979, debuting with I Love to Dance featuring "Keep Your Body Workin'" (#60 R&B). Winners (1979) brought "Open Your Mind" and the title track (#23 R&B). Albums like License to Dream (1981) included "Get Tough" (#15 R&B), protesting U.S. hostages in Iran. Their sound shifted to 1980s funk with synthesizers and vocoders.
After Seeekret (1985), the band disbanded, though members pursued other projects and occasional 1990s reunions occurred. Mic Murphy of The System served as their road manager early on.
The band started in 1972 as The Jam Band, initially backing groups like The Choice Four. By 1975, they became Pipeline and tried hard rock with a Columbia single "Gypsie Rider," which flopped commercially. In 1976, they rebranded as The Universal Robot Band, scoring moderate success with "Barely Breaking Even" alongside producer Patrick Adams.
Key Members... Woody Cunningham (drums, lead vocals; 1948–2010); Paul Crutchfield (vocals, percussion, keyboards); Richard Lee (guitar); Norman Durham (bass; 1952–2011). Later additions included vocalists like Isabelle Coles and session players such as David Frank from The System.
Kleeer signed with Atlantic in 1979, debuting with I Love to Dance featuring "Keep Your Body Workin'" (#60 R&B). Winners (1979) brought "Open Your Mind" and the title track (#23 R&B). Albums like License to Dream (1981) included "Get Tough" (#15 R&B), protesting U.S. hostages in Iran. Their sound shifted to 1980s funk with synthesizers and vocoders.
After Seeekret (1985), the band disbanded, though members pursued other projects and occasional 1990s reunions occurred. Mic Murphy of The System served as their road manager early on.
Kool and The Gang
Kool & the Gang is an influential American funk, R&B, and soul band that originated in Jersey City, New Jersey, in 1964. The group was founded by brothers Robert "Kool" Bell and Ronald Bell, along with their friends Dennis Thomas, Robert "Spike" Mickens, and others from their neighborhood. The band initially started as a jazz and R&B ensemble, and they adopted the name "Kool & the Gang" in 1969 to reflect their evolving style and musical identity.
In the early years, Kool & the Gang was focused primarily on jazz-funk instrumentals characterized by complex grooves and improvisational solos. However, as the 1970s progressed, they shifted towards a more vocals-driven sound, which included catchy hooks and rhythmic beats that appealed to a wider audience. This transition contributed significantly to their commercial success during the decade.
Kool & the Gang gained widespread fame with the release of several iconic tracks, including "Celebration," "Cherish," "Jungle Boogie," "Summer Madness," and "Open Sesame." These hits solidified their status as one of the premier bands of the 1970s and 1980s, making noteworthy contributions to the funk genre. Their music often blended elements of jazz, soul, and funk, creating a unique sound that resonated with both dance and pop music audiences.
The band is recognized as one of the first successful self-contained African American bands of the 1970s, notable for writing and performing their own music. Kool & the Gang's influence extends beyond their chart-topping singles, as they paved the way for future generations of musicians in the R&B and funk genres.
As of December 2025, Kool & the Gang continues to perform and tour, celebrating their rich musical legacy while introducing their timeless tracks to new audiences. Information is missing on specific recent activities or events involving the band.
In the early years, Kool & the Gang was focused primarily on jazz-funk instrumentals characterized by complex grooves and improvisational solos. However, as the 1970s progressed, they shifted towards a more vocals-driven sound, which included catchy hooks and rhythmic beats that appealed to a wider audience. This transition contributed significantly to their commercial success during the decade.
Kool & the Gang gained widespread fame with the release of several iconic tracks, including "Celebration," "Cherish," "Jungle Boogie," "Summer Madness," and "Open Sesame." These hits solidified their status as one of the premier bands of the 1970s and 1980s, making noteworthy contributions to the funk genre. Their music often blended elements of jazz, soul, and funk, creating a unique sound that resonated with both dance and pop music audiences.
The band is recognized as one of the first successful self-contained African American bands of the 1970s, notable for writing and performing their own music. Kool & the Gang's influence extends beyond their chart-topping singles, as they paved the way for future generations of musicians in the R&B and funk genres.
As of December 2025, Kool & the Gang continues to perform and tour, celebrating their rich musical legacy while introducing their timeless tracks to new audiences. Information is missing on specific recent activities or events involving the band.
L.J. Reynolds<div hidden>LJ Reynolds</div>
L.J. Reynolds is a renowned American soul and R&B singer best known as the longtime lead vocalist of The Dramatics.
Born Larry James Reynolds on January 27, 1952, in Saginaw, Michigan, he began performing at age five as a tap dancer in Ziggy Johnson's High Steppers troupe. During one show, audience members threw money on stage after he sang, prompting him to focus on singing over dancing.
At 17, Reynolds moved to New York City and became lead singer of Chocolate Syrup, which had a moderate hit with "Let One Hurt Do" in 1971. He later returned to Saginaw before joining other short-lived groups like The Relations.
In 1972, he temporarily replaced lead singer William "Wee Gee" Howard in The Dramatics, a rising soul group, and stayed for eight years, contributing to hits like those from their debut album Whatcha See Is Whatcha Get. Reynolds co-wrote and produced tracks on later albums such as The Dramatic Jackpot (1975).
He pursued solo work in 1985 with Fantasy Records, scoring a moderate hit with a secular version of "Tomorrow," but paused for a Dramatics reunion in 1987. Reynolds assumed leadership of The Dramatics after Ron Banks' death in 2010 and continues performing as of recent years.
Born Larry James Reynolds on January 27, 1952, in Saginaw, Michigan, he began performing at age five as a tap dancer in Ziggy Johnson's High Steppers troupe. During one show, audience members threw money on stage after he sang, prompting him to focus on singing over dancing.
At 17, Reynolds moved to New York City and became lead singer of Chocolate Syrup, which had a moderate hit with "Let One Hurt Do" in 1971. He later returned to Saginaw before joining other short-lived groups like The Relations.
In 1972, he temporarily replaced lead singer William "Wee Gee" Howard in The Dramatics, a rising soul group, and stayed for eight years, contributing to hits like those from their debut album Whatcha See Is Whatcha Get. Reynolds co-wrote and produced tracks on later albums such as The Dramatic Jackpot (1975).
He pursued solo work in 1985 with Fantasy Records, scoring a moderate hit with a secular version of "Tomorrow," but paused for a Dramatics reunion in 1987. Reynolds assumed leadership of The Dramatics after Ron Banks' death in 2010 and continues performing as of recent years.
L.T.D.
L.T.D. (which stands for Love, Togetherness, and Devotion) is an acclaimed American R&B and funk band renowned for their significant contributions to the music landscape, particularly during the 1970s and 1980s.
The group was initially formed in 1968 in Greensboro, North Carolina, originally under the name Love Men Ltd. The founding members included keyboardist Jimmie "JD" Davis and saxophonist Abraham Laboriel. The band underwent several lineup changes and rebranding before settling on the name L.T.D. in 1974 when they signed with A&M Records, which marked a significant turning point in their career and exposure in the music industry.
L.T.D. is characterized by its blend of funk, soul, and Quiet Storm genres, contributing to the rich landscape of R&B music. The group gained wide recognition with several hit singles. Their most famous song, "(Every Time I Turn Around) Back in Love Again," released in 1977, topped the R&B charts and became a staple in the genre. Other notable singles include "Holding On (When Love Is Gone)" and "Love Ballad".
Notable members of L.T.D. have included lead singer Jeffrey Osborne, whose soulful voice and songwriting were instrumental in the group's success. Osborne, who was born on March 9, 1948, is a Grammy-nominated artist, and his contributions both as a vocalist and as a songwriter have left a lasting impression on the R&B genre. Other significant members included Johnny McGhee, Robert Santiel, and Toby Wynn.
Throughout their active years spanning from the late 1960s into the 2020s, L.T.D. has left an indelible mark on the music scene, influencing numerous artists and bands. Their songs, imbued with themes of love and unity, continue to resonate with audiences today, making them a significant part of the soul and R&B musical canon.
In summary, L.T.D.'s fusion of musical styles and their heartfelt lyrical content have established them as an enduring force in American music, celebrated for both their commercial success and artistic integrity.
The group was initially formed in 1968 in Greensboro, North Carolina, originally under the name Love Men Ltd. The founding members included keyboardist Jimmie "JD" Davis and saxophonist Abraham Laboriel. The band underwent several lineup changes and rebranding before settling on the name L.T.D. in 1974 when they signed with A&M Records, which marked a significant turning point in their career and exposure in the music industry.
L.T.D. is characterized by its blend of funk, soul, and Quiet Storm genres, contributing to the rich landscape of R&B music. The group gained wide recognition with several hit singles. Their most famous song, "(Every Time I Turn Around) Back in Love Again," released in 1977, topped the R&B charts and became a staple in the genre. Other notable singles include "Holding On (When Love Is Gone)" and "Love Ballad".
Notable members of L.T.D. have included lead singer Jeffrey Osborne, whose soulful voice and songwriting were instrumental in the group's success. Osborne, who was born on March 9, 1948, is a Grammy-nominated artist, and his contributions both as a vocalist and as a songwriter have left a lasting impression on the R&B genre. Other significant members included Johnny McGhee, Robert Santiel, and Toby Wynn.
Throughout their active years spanning from the late 1960s into the 2020s, L.T.D. has left an indelible mark on the music scene, influencing numerous artists and bands. Their songs, imbued with themes of love and unity, continue to resonate with audiences today, making them a significant part of the soul and R&B musical canon.
In summary, L.T.D.'s fusion of musical styles and their heartfelt lyrical content have established them as an enduring force in American music, celebrated for both their commercial success and artistic integrity.
LTD
L.V. Johnson
L.V. Johnson was an American Chicago blues and soul-blues guitarist, singer, and songwriter born on December 25, 1946, in Chicago, Illinois.
He was the nephew of blues legend Elmore James and learned guitar from B.B. King, later becoming a session musician at Stax Records.
Johnson contributed guitar work to artists like the Bar-Kays, Johnnie Taylor, and the Soul Children. His songwriting shone through hits such as "Are You Serious" and "True Love Is Hard to Find" for Tyrone Davis, "Country Love" for Bobby Bland, and "Give Your Baby a Standing Ovation" for the Dells. He served as Tyrone Davis's accompanist before launching a solo career in the early 1980s on labels like ICA, Phono, and Ichiban, though without major commercial breakthroughs.
He gained recognition for tracks like "Don't Cha Mess with My Money, My Honey or My Woman" and "Recipe," plus later singles such as "It's So Cold & Mean (On The Drug Scene)." He co-owned a steakhouse and nightclub in Chicago.
His key albums include We Belong Together (1981), All Night Party (1986), I Really Don't Care (1987), Cold & Mean (1989), I Got the Touch (1991), and Unclassified (1992).
Johnson's 1981 track "I Don't Really Care" was sampled by J Dilla on Donuts (2006). He passed away in Chicago on November 22, 1994, at age 47 from undisclosed causes
He was the nephew of blues legend Elmore James and learned guitar from B.B. King, later becoming a session musician at Stax Records.
Johnson contributed guitar work to artists like the Bar-Kays, Johnnie Taylor, and the Soul Children. His songwriting shone through hits such as "Are You Serious" and "True Love Is Hard to Find" for Tyrone Davis, "Country Love" for Bobby Bland, and "Give Your Baby a Standing Ovation" for the Dells. He served as Tyrone Davis's accompanist before launching a solo career in the early 1980s on labels like ICA, Phono, and Ichiban, though without major commercial breakthroughs.
He gained recognition for tracks like "Don't Cha Mess with My Money, My Honey or My Woman" and "Recipe," plus later singles such as "It's So Cold & Mean (On The Drug Scene)." He co-owned a steakhouse and nightclub in Chicago.
His key albums include We Belong Together (1981), All Night Party (1986), I Really Don't Care (1987), Cold & Mean (1989), I Got the Touch (1991), and Unclassified (1992).
Johnson's 1981 track "I Don't Really Care" was sampled by J Dilla on Donuts (2006). He passed away in Chicago on November 22, 1994, at age 47 from undisclosed causes
Labelle
Labelle was a pioneering American funk-rock and soul vocal group known for their powerful harmonies, socially conscious lyrics, and futuristic, space-age aesthetic. Originally a traditional '60s girl group, they reinvented themselves in the early 1970s into a progressive rock-soul trio.
The group began in 1961 as The Blue Belles (later Patti LaBelle and the Bluebelles) in Philadelphia. It was formed by combining members of two rival groups: the Ordettes and the Del-Capris. The founding lineup included Patti LaBelle (lead), Nona Hendryx, Sarah Dash, and Cindy Birdsong.
In their early years, they were known for soulful ballads and doo-wop hits like "I Sold My Heart to the Junkman" (1962), "Down the Aisle" (1963), and "You'll Never Walk Alone" (1964). In 1967, Cindy Birdsong left the group to replace Florence Ballard in The Supremes. The remaining three continued as a trio.
Under the guidance of manager Vicki Wickham, the group underwent a radical transformation in 1971. They shortened their name to Labelle and moved away from matching gowns and wigs to a look defined by silver space suits, feathers, and glitter. They adopted a "funk-rock" and "progressive soul" sound, often touring with rock acts like The Who and collaborating with Laura Nyro on the album Gonna Take a Miracle (1971). Nona Hendryx emerged as the group's primary songwriter, contributing daring, socially conscious material that explored themes of Black identity, feminism, and political awareness.
In 1974, they released the album Nightbirds, produced by Allen Toussaint. The lead single, "Lady Marmalade," with its iconic French chorus, became a global #1 hit and was later inducted into the Grammy Hall of Fame.
Groundbreaking Achievements:- First Black pop group to appear on the cover of Rolling Stone magazine (1975); First contemporary Black pop group to perform at the Metropolitan Opera House.
The group disbanded in late 1976 due to artistic tensions and personal exhaustion. Patti LaBelle became a Grammy-winning soul icon and "Godmother of Soul". Nona Hendryx pursued an experimental avant-garde solo career, and Sarah Dash became a highly sought-after session singer for artists like the Rolling Stones.
The trio reunited several times, most notably for the 2008 album Back to Now and a subsequent tour. Labelle's influence is seen in the bold fashion and genre-defying music of modern artists. Sarah Dash passed away on September 20, 2021, at the age of 76.
The group began in 1961 as The Blue Belles (later Patti LaBelle and the Bluebelles) in Philadelphia. It was formed by combining members of two rival groups: the Ordettes and the Del-Capris. The founding lineup included Patti LaBelle (lead), Nona Hendryx, Sarah Dash, and Cindy Birdsong.
In their early years, they were known for soulful ballads and doo-wop hits like "I Sold My Heart to the Junkman" (1962), "Down the Aisle" (1963), and "You'll Never Walk Alone" (1964). In 1967, Cindy Birdsong left the group to replace Florence Ballard in The Supremes. The remaining three continued as a trio.
Under the guidance of manager Vicki Wickham, the group underwent a radical transformation in 1971. They shortened their name to Labelle and moved away from matching gowns and wigs to a look defined by silver space suits, feathers, and glitter. They adopted a "funk-rock" and "progressive soul" sound, often touring with rock acts like The Who and collaborating with Laura Nyro on the album Gonna Take a Miracle (1971). Nona Hendryx emerged as the group's primary songwriter, contributing daring, socially conscious material that explored themes of Black identity, feminism, and political awareness.
In 1974, they released the album Nightbirds, produced by Allen Toussaint. The lead single, "Lady Marmalade," with its iconic French chorus, became a global #1 hit and was later inducted into the Grammy Hall of Fame.
Groundbreaking Achievements:- First Black pop group to appear on the cover of Rolling Stone magazine (1975); First contemporary Black pop group to perform at the Metropolitan Opera House.
The group disbanded in late 1976 due to artistic tensions and personal exhaustion. Patti LaBelle became a Grammy-winning soul icon and "Godmother of Soul". Nona Hendryx pursued an experimental avant-garde solo career, and Sarah Dash became a highly sought-after session singer for artists like the Rolling Stones.
The trio reunited several times, most notably for the 2008 album Back to Now and a subsequent tour. Labelle's influence is seen in the bold fashion and genre-defying music of modern artists. Sarah Dash passed away on September 20, 2021, at the age of 76.
Lakeside
Lakeside is an American funk band from Dayton, Ohio, renowned for their 1980 number one R&B hit "Fantastic Voyage." Formed in 1969, the group evolved from earlier local acts like the Nomads and Young Underground, blending self-contained instrumentation with high-energy performances.
Guitarist Stephen Shockley started as the Young Underground after leaving the Monterreys, then teamed with vocalist Mark Adam Wood Jr. from the Nomads. By 1971, they became Ohio Lakeside Express with additions like Thomas Shelby and Shirley Wood, later simplifying to Lakeside.
After early deals with Curtom and ABC Records faltered, Lakeside signed with Dick Griffey's Solar Records. Their 1977 single "It's All the Way Live" hit number four on the R&B charts, followed by hits like "Raid" and the platinum-selling "Fantastic Voyage," which coined Dayton as the "Land of Funk."
Classic Lineup:- Mark Adam Wood Jr.: lead vocals, keyboards (1969–2015); Stephen Shockley: guitar (1969–present); Thomas Shelby: vocals (1970–1983, 2007–present); Marvin Craig: bass (1973–present); Fred Alexander Jr.: drums (1977–present); Others included Norman Beavers (keyboards), Otis Stokes (guitar/vocals), and Fred Lewis (percussion, d. 2023).
The original Lakeside received induction into the Dayton Region Walk of Fame on September 24, 2025, honoring their enduring funk legacy alongside figures like Rob Lowe. The band, now led by figures like Mark Wood as trademark owner, continues touring with classics from nine studio albums over four decades.
Guitarist Stephen Shockley started as the Young Underground after leaving the Monterreys, then teamed with vocalist Mark Adam Wood Jr. from the Nomads. By 1971, they became Ohio Lakeside Express with additions like Thomas Shelby and Shirley Wood, later simplifying to Lakeside.
After early deals with Curtom and ABC Records faltered, Lakeside signed with Dick Griffey's Solar Records. Their 1977 single "It's All the Way Live" hit number four on the R&B charts, followed by hits like "Raid" and the platinum-selling "Fantastic Voyage," which coined Dayton as the "Land of Funk."
Classic Lineup:- Mark Adam Wood Jr.: lead vocals, keyboards (1969–2015); Stephen Shockley: guitar (1969–present); Thomas Shelby: vocals (1970–1983, 2007–present); Marvin Craig: bass (1973–present); Fred Alexander Jr.: drums (1977–present); Others included Norman Beavers (keyboards), Otis Stokes (guitar/vocals), and Fred Lewis (percussion, d. 2023).
The original Lakeside received induction into the Dayton Region Walk of Fame on September 24, 2025, honoring their enduring funk legacy alongside figures like Rob Lowe. The band, now led by figures like Mark Wood as trademark owner, continues touring with classics from nine studio albums over four decades.
Lalah Hathaway
Lalah Hathaway is a Grammy-winning R&B singer, pianist, and songwriter, best known as the daughter of soul legend Donny Hathaway. Born Eulaulah Donyll Hathaway on December 16, 1968, in Chicago, Illinois, she has built a distinguished career blending R&B, jazz, and pop influences.
Hathaway grew up immersed in music, raised by her parents Donny Hathaway and Eulaulah until her father's suicide when she was 10 years old. She attended Chicago's Performing Arts High School and later studied at Berklee College of Music, where she recorded her debut album as a student.
She debuted with a self-titled album on Virgin Records in 1990, featuring the top-five R&B hit "Heaven Knows," which peaked at number 18 on the US R&B Albums chart. After a follow-up album, A Moment (1994), and a collaboration with Joe Sample on The Song Lives On (1999), she signed with Mesa/Bluemoon for Outrun the Sky (2004), including her first Adult R&B number-one single "Forever, for Always, for Love."
Hathaway achieved breakthrough acclaim with albums like Self Portrait (2008) and Where It All Begins (2011) on Stax Records, earning Grammy nominations. Her 2015 live album produced the hit "Angel" and won three Grammys, including Best R&B Album; later releases include Honestly (2017) and Vantablack (2024) on her own label.
She has won multiple Grammys, notably for "Something" with Snarky Puppy, and received an honorary doctorate from Berklee in 2022. Known for soundtrack contributions to films like Hidden Figures, she continues performing and collaborating.
Hathaway grew up immersed in music, raised by her parents Donny Hathaway and Eulaulah until her father's suicide when she was 10 years old. She attended Chicago's Performing Arts High School and later studied at Berklee College of Music, where she recorded her debut album as a student.
She debuted with a self-titled album on Virgin Records in 1990, featuring the top-five R&B hit "Heaven Knows," which peaked at number 18 on the US R&B Albums chart. After a follow-up album, A Moment (1994), and a collaboration with Joe Sample on The Song Lives On (1999), she signed with Mesa/Bluemoon for Outrun the Sky (2004), including her first Adult R&B number-one single "Forever, for Always, for Love."
Hathaway achieved breakthrough acclaim with albums like Self Portrait (2008) and Where It All Begins (2011) on Stax Records, earning Grammy nominations. Her 2015 live album produced the hit "Angel" and won three Grammys, including Best R&B Album; later releases include Honestly (2017) and Vantablack (2024) on her own label.
She has won multiple Grammys, notably for "Something" with Snarky Puppy, and received an honorary doctorate from Berklee in 2022. Known for soundtrack contributions to films like Hidden Figures, she continues performing and collaborating.
Lalo Schifrin
Lalo Schifrin was an Argentine-American composer, pianist, arranger, and conductor renowned for his film and TV scores blending jazz, Latin, and orchestral elements. Born Boris Claudio Schifrin on June 21, 1932, in Buenos Aires, he passed away on June 26, 2025. He earned five Grammy Awards, one Latin Grammy, and six Oscar nominations over his prolific career.
Schifrin grew up in a musical family; his father, Luis Schifrin, served as concertmaster of the Buenos Aires Philharmonic Orchestra. He studied law and sociology at the University of Buenos Aires but pursued music, winning a scholarship to the Paris Conservatoire in 1952 where he trained under Olivier Messiaen and Charles Koechlin while playing jazz in clubs. By 1955, he performed with Ástor Piazzolla at the Paris International Jazz Festival.
Returning to Argentina, Schifrin formed Latin America's first jazz big band, a 16-piece ensemble featured on Buenos Aires TV, and took on film, TV, and radio work. In 1956, he met Dizzy Gillespie, composing the suite Gillespiana (recorded 1960), and joined Gillespie's band as pianist and arranger in 1958. His jazz innovations continued through collaborations and founding Aleph Records in 1998.
His Hollywood breakthrough included the iconic Mission: Impossible theme (1966), earning Grammy recognition, plus scores for Bullitt (1968), Enter the Dragon (1973), Dirty Harry series with Clint Eastwood, Rush Hour trilogy, and others like The Cincinnati Kid and Cool Hand Luke. He also created the Paramount Pictures fanfare (1976-2004) and composed for episodes sampled in hip-hop, such as Portishead's "Sour Times".
Schifrin directed the Paris Philharmonic Orchestra for films (1987-1992), conducted at the Hollywood Bowl, and wrote works like the Pan American Games overture (1987) and Pampas for cello (2009 Latin Grammy winner). He appeared in Red Dragon (2002) and remained active into his 90s across classical, jazz, and film genres.
Schifrin grew up in a musical family; his father, Luis Schifrin, served as concertmaster of the Buenos Aires Philharmonic Orchestra. He studied law and sociology at the University of Buenos Aires but pursued music, winning a scholarship to the Paris Conservatoire in 1952 where he trained under Olivier Messiaen and Charles Koechlin while playing jazz in clubs. By 1955, he performed with Ástor Piazzolla at the Paris International Jazz Festival.
Returning to Argentina, Schifrin formed Latin America's first jazz big band, a 16-piece ensemble featured on Buenos Aires TV, and took on film, TV, and radio work. In 1956, he met Dizzy Gillespie, composing the suite Gillespiana (recorded 1960), and joined Gillespie's band as pianist and arranger in 1958. His jazz innovations continued through collaborations and founding Aleph Records in 1998.
His Hollywood breakthrough included the iconic Mission: Impossible theme (1966), earning Grammy recognition, plus scores for Bullitt (1968), Enter the Dragon (1973), Dirty Harry series with Clint Eastwood, Rush Hour trilogy, and others like The Cincinnati Kid and Cool Hand Luke. He also created the Paramount Pictures fanfare (1976-2004) and composed for episodes sampled in hip-hop, such as Portishead's "Sour Times".
Schifrin directed the Paris Philharmonic Orchestra for films (1987-1992), conducted at the Hollywood Bowl, and wrote works like the Pan American Games overture (1987) and Pampas for cello (2009 Latin Grammy winner). He appeared in Red Dragon (2002) and remained active into his 90s across classical, jazz, and film genres.
Lamont Dozier
Lamont Herbert Dozier was born on June 16, 1941, in Detroit, Michigan, where he grew up immersed in music from his father's record collection and a local Baptist gospel choir. He began writing lyrics and music before his teens, founding the group The Romeos at age 13, which signed to Atco Records in 1957 and charted with "Fine Fine Baby". Later, he joined The Voicemasters on Anna Records before signing exclusively with Motown in 1962 as a singer, producer, and songwriter.
Dozier formed the legendary Holland-Dozier-Holland (HDH) team with brothers Brian and Eddie Holland, crafting over 25 Top 10 hits from 1963-1967 for acts like The Supremes, Four Tops, Martha and the Vandellas, and Isley Brothers. Their work defined the Motown sound, blending pop and R&B to rival the Beatles and break racial music barriers. HDH produced 14 Billboard #1 hits in the US and 4 in the UK.
After leaving Motown in 1967 due to disputes, Dozier co-founded Invictus and Hot Wax Records, scoring hits with Freda Payne ("Band of Gold"), Honey Cone, Chairmen of the Board, and 100 Proof (Aged in Soul). As a solo artist from 1972, he released gold albums on ABC Dunhill like Out Here on My Own with hits "Trying to Hold On to My Woman" and "Fish Ain't Bitin'". In the 1980s-1990s, he collaborated internationally, writing "Two Hearts" with Phil Collins (Grammy winner, Oscar nominee for Buster), "Invisible" for Alison Moyet, and tracks for Simply Red.
Dozier founded Hithouse Records in the late 1990s with his wife Barbara Ullman Dozier, releasing Lamont Dozier...An American Original in 2002, which earned a Grammy nomination for Best Traditional R&B Vocal Album. He passed away on August 8, 2022, at age 81. His prolific output shaped soul, pop, and R&B across decades.
Dozier formed the legendary Holland-Dozier-Holland (HDH) team with brothers Brian and Eddie Holland, crafting over 25 Top 10 hits from 1963-1967 for acts like The Supremes, Four Tops, Martha and the Vandellas, and Isley Brothers. Their work defined the Motown sound, blending pop and R&B to rival the Beatles and break racial music barriers. HDH produced 14 Billboard #1 hits in the US and 4 in the UK.
After leaving Motown in 1967 due to disputes, Dozier co-founded Invictus and Hot Wax Records, scoring hits with Freda Payne ("Band of Gold"), Honey Cone, Chairmen of the Board, and 100 Proof (Aged in Soul). As a solo artist from 1972, he released gold albums on ABC Dunhill like Out Here on My Own with hits "Trying to Hold On to My Woman" and "Fish Ain't Bitin'". In the 1980s-1990s, he collaborated internationally, writing "Two Hearts" with Phil Collins (Grammy winner, Oscar nominee for Buster), "Invisible" for Alison Moyet, and tracks for Simply Red.
Dozier founded Hithouse Records in the late 1990s with his wife Barbara Ullman Dozier, releasing Lamont Dozier...An American Original in 2002, which earned a Grammy nomination for Best Traditional R&B Vocal Album. He passed away on August 8, 2022, at age 81. His prolific output shaped soul, pop, and R&B across decades.
Larry Saunders The Prophet Of Soul
Larry Saunders, known as "The Prophet of Soul," was a soul singer, songwriter, and producer active primarily in the 1970s. Born Larry Willard Saunders on March 7, 1950, in Mobile, Alabama, he passed away on February 6, 2012. He also recorded under names like Larry Sanders, Frankie Saunders, and Frankie L. Saunders.
Saunders was the son of blues musician Johnny Ace and brother to southern soul singer Lynn White. He was the biological father of neo-soul artist Ledisi, though he left the family when she was a baby; her mother was with the R&B group Coranova. His Alabama roots influenced his deep, emotive soul style, as reflected in lyrics about personal struggles.
Saunders gained his "Prophet of Soul" moniker for his prophetic, heartfelt songwriting and vocal delivery. Key releases include the 1976 album Stranger on Sounds of Soul (SLP-100), featuring tracks like "Story of My Love," "Darling I Love You," and "This World (Is a Ball of Confusion)," with arrangements by August Moon and backing vocals by William Bell. He owned the Ro-La label, releasing sides from Mobile, Alabama, including works by Wanda Foster.
His music blended soul, funk, gospel, and blues, often exploring themes of love, hardship, and faith, as in "Three Strikes On Me" referencing his Alabama upbringing. Active in New York and the South, he wrote for others like Debbie Taylor and produced his own 1970s output, earning cult status among soul collectors. A 1971 single, "Where Did Peace Go," appeared on Sound of Soul.
Saunders was the son of blues musician Johnny Ace and brother to southern soul singer Lynn White. He was the biological father of neo-soul artist Ledisi, though he left the family when she was a baby; her mother was with the R&B group Coranova. His Alabama roots influenced his deep, emotive soul style, as reflected in lyrics about personal struggles.
Saunders gained his "Prophet of Soul" moniker for his prophetic, heartfelt songwriting and vocal delivery. Key releases include the 1976 album Stranger on Sounds of Soul (SLP-100), featuring tracks like "Story of My Love," "Darling I Love You," and "This World (Is a Ball of Confusion)," with arrangements by August Moon and backing vocals by William Bell. He owned the Ro-La label, releasing sides from Mobile, Alabama, including works by Wanda Foster.
His music blended soul, funk, gospel, and blues, often exploring themes of love, hardship, and faith, as in "Three Strikes On Me" referencing his Alabama upbringing. Active in New York and the South, he wrote for others like Debbie Taylor and produced his own 1970s output, earning cult status among soul collectors. A 1971 single, "Where Did Peace Go," appeared on Sound of Soul.
Latimore
Benjamin William Lattimore, widely recognized by his stage name Latimore, is an influential American soul singer, songwriter, and pianist born on September 7, 1939, in Charleston, Tennessee. His musical journey began at a young age, influenced by his musically inclined family. He started playing the family piano and later sang in church, where he developed his love for music.
Latimore's career is marked by significant success in the blues and R&B genres. He gained widespread recognition in the music industry for his powerful voice and songwriting abilities. Notably, he achieved a #1 R&B hit in 1974 with the song “Let's Straighten It Out,” which solidified his status as a prominent artist in the soul music scene.
Over the years, Latimore has released numerous albums and singles that showcase his unique style and contribution to music. His work has not only resonated with fans but has also influenced emerging artists across genres. Latimore's legacy continues to thrive as he remains a celebrated figure in American soul music.
Latimore's career is marked by significant success in the blues and R&B genres. He gained widespread recognition in the music industry for his powerful voice and songwriting abilities. Notably, he achieved a #1 R&B hit in 1974 with the song “Let's Straighten It Out,” which solidified his status as a prominent artist in the soul music scene.
Over the years, Latimore has released numerous albums and singles that showcase his unique style and contribution to music. His work has not only resonated with fans but has also influenced emerging artists across genres. Latimore's legacy continues to thrive as he remains a celebrated figure in American soul music.
Laura Lee
Laura Lee is an American soul and gospel singer and songwriter, born Laura Lee Newton on March 9, 1945, in Chicago, Illinois. She rose to prominence in the 1960s and 1970s with hits celebrating women's experiences, such as "Dirty Man" and "Women's Love Rights."
Laura Lee moved to Detroit as a child with her mother and was adopted by Rev. E. Allan Rundless, a former Soul Stirrers member, and his wife Ernestine, leader of the gospel group The Meditation Singers. She joined the group as Laura Lee Rundless in 1956, replacing Della Reese, and toured widely while recording for labels like Specialty and Checker.
She launched her secular solo career in 1965, recording for Ric-Tic and then Chess Records, where "Dirty Man" hit #13 R&B in 1968 at FAME Studios in Muscle Shoals. Other Chess successes included "Up Tight Good Man" (#16 R&B) and "As Long As I Got You" (#31 R&B).
Signing with Invictus/Hot Wax in the 1970s, she released feminist anthems like "Women's Love Rights" (#11 R&B, #36 Pop) and "Love And Liberty" (#23 R&B). She moved to Ariola in 1975 but retired due to illness, returning in 1983 with gospel work alongside Al Green and later as an ordained minister.
Laura Lee moved to Detroit as a child with her mother and was adopted by Rev. E. Allan Rundless, a former Soul Stirrers member, and his wife Ernestine, leader of the gospel group The Meditation Singers. She joined the group as Laura Lee Rundless in 1956, replacing Della Reese, and toured widely while recording for labels like Specialty and Checker.
She launched her secular solo career in 1965, recording for Ric-Tic and then Chess Records, where "Dirty Man" hit #13 R&B in 1968 at FAME Studios in Muscle Shoals. Other Chess successes included "Up Tight Good Man" (#16 R&B) and "As Long As I Got You" (#31 R&B).
Signing with Invictus/Hot Wax in the 1970s, she released feminist anthems like "Women's Love Rights" (#11 R&B, #36 Pop) and "Love And Liberty" (#23 R&B). She moved to Ariola in 1975 but retired due to illness, returning in 1983 with gospel work alongside Al Green and later as an ordained minister.
Lavine Hudson
Lavine Hudson was a prominent British gospel and soul singer known for her powerful vocals and trailblazing career in the 1980s UK gospel scene. Born in the 1960s as one of six children to Pastor Austin and Elaine Hudson, she grew up in South London and began singing solo in her father's Church of God in Christ (COGIC) congregation at age seven.
Hudson honed her skills in her family's church and with groups like The Harmonisers starting at age 14, as well as the COGIC Mass Choir and London Community Gospel Choir. Influenced by Aretha Franklin, Andrae Crouch, and the Clark Sisters, she faced early rejection from London's School of Music for her gospel lyrics and "too black" sound, which she refused to dilute.
In 1983, she moved to Boston, trained at Berklee College of Music with church support, and built her reputation through street busking and local performances. Returning to the UK, she featured on the TV series People Get Ready, caught Virgin Records' attention, and released her debut album Intervention in 1988, which peaked at No. 19 on the US Billboard Gospel Chart.
Hudson released a second album, Between Two Worlds, and earned praise as a super-confident songwriter from producer Nicky Brown. She remains the only UK female gospel artist signed to a major label, with admirers predicting her as "Christian music's answer to Whitney Houston," though mainstream stardom eluded her.
Hudson passed away on April 6, 2017, with limited media coverage despite her impact. Her memory endures through awards like the Lavine Hudson Award for Vocal Excellence, first given in 2024 to Lurine Cato MBE by her brother Tim Hudson.
Hudson honed her skills in her family's church and with groups like The Harmonisers starting at age 14, as well as the COGIC Mass Choir and London Community Gospel Choir. Influenced by Aretha Franklin, Andrae Crouch, and the Clark Sisters, she faced early rejection from London's School of Music for her gospel lyrics and "too black" sound, which she refused to dilute.
In 1983, she moved to Boston, trained at Berklee College of Music with church support, and built her reputation through street busking and local performances. Returning to the UK, she featured on the TV series People Get Ready, caught Virgin Records' attention, and released her debut album Intervention in 1988, which peaked at No. 19 on the US Billboard Gospel Chart.
Hudson released a second album, Between Two Worlds, and earned praise as a super-confident songwriter from producer Nicky Brown. She remains the only UK female gospel artist signed to a major label, with admirers predicting her as "Christian music's answer to Whitney Houston," though mainstream stardom eluded her.
Hudson passed away on April 6, 2017, with limited media coverage despite her impact. Her memory endures through awards like the Lavine Hudson Award for Vocal Excellence, first given in 2024 to Lurine Cato MBE by her brother Tim Hudson.
Lee Dorsey
Lee Dorsey, born Irving Lee Dorsey on December 24, 1924, in New Orleans, Louisiana, grew up in a musical environment, befriending future musical icons like Fats Domino. At the age of ten, his family relocated to Portland, Oregon, where he was exposed to various musical styles that would later influence his career.
Lee Dorsey gained prominence in the 1960s as a pop and R&B singer. His music career began in the late 1950s, but he shot to fame with his 1961 hit "Ya Ya," which reached #1 on the charts and established him as a significant figure in the soul genre. Another major hit, "Working in the Coal Mine," released in 1966, further cemented his place in the music industry, showcasing his unique blend of rhythm and blues.
Throughout his career, Dorsey collaborated with numerous influential artists, including the legendary James Brown, which helped to enhance his popularity.
Lee Dorsey is remembered as one of the notable soul singers from New Orleans, contributing to the rich musical landscape of the region. His style and sound influenced many artists that followed him. Dorsey passed away on December 2, 1986, leaving behind a legacy that continues to resonate within the music community. His work remains a testament to the impact of New Orleans on the development of American music, particularly soul and R&B.
Overall, Lee Dorsey is celebrated not only for his catchy and influential songs but also for his role in shaping the sound of a pivotal era in music history.
Lee Dorsey gained prominence in the 1960s as a pop and R&B singer. His music career began in the late 1950s, but he shot to fame with his 1961 hit "Ya Ya," which reached #1 on the charts and established him as a significant figure in the soul genre. Another major hit, "Working in the Coal Mine," released in 1966, further cemented his place in the music industry, showcasing his unique blend of rhythm and blues.
Throughout his career, Dorsey collaborated with numerous influential artists, including the legendary James Brown, which helped to enhance his popularity.
Lee Dorsey is remembered as one of the notable soul singers from New Orleans, contributing to the rich musical landscape of the region. His style and sound influenced many artists that followed him. Dorsey passed away on December 2, 1986, leaving behind a legacy that continues to resonate within the music community. His work remains a testament to the impact of New Orleans on the development of American music, particularly soul and R&B.
Overall, Lee Dorsey is celebrated not only for his catchy and influential songs but also for his role in shaping the sound of a pivotal era in music history.
Leela James
Leela James is an American R&B and soul singer known for her powerful, gritty vocals reminiscent of Aretha Franklin and Gladys Knight. Born on June 2, 1983, in Los Angeles, California, she debuted with her 2005 album A Change Is Gonna Come on Warner Bros., earning NAACP Image Award nominations for Outstanding New Artist. James, dubbed "The Goddaughter of Soul" by James Brown, has released seven studio albums, including the Top 20 hit My Soul in 2010.
She began as a background vocalist in the 1990s and gained notice with features on soundtracks like Whatever It Takes (2000) and Pete Rock's Soul Survivor II (2004). Her debut album charted internationally and included a cover of No Doubt's "Don't Speak," while early tours opened for Black Eyed Peas and Macy Gray.
James achieved her first Billboard Adult R&B Songs No. 1 with "Don't Want You Back" in 2017 and repeated the feat with "Complicated" in 2021 from her album See Me. She won a 2014 Soul Train Certified Award and received NAACP Image Award nominations in 2021 and 2025 for collaborations.
Influenced by Al Green, Chaka Khan, and Roberta Flack, her music blends classic soul with modern R&B, emphasizing emotive storytelling and vocal range across seven Top 20 R&B radio singles.
She began as a background vocalist in the 1990s and gained notice with features on soundtracks like Whatever It Takes (2000) and Pete Rock's Soul Survivor II (2004). Her debut album charted internationally and included a cover of No Doubt's "Don't Speak," while early tours opened for Black Eyed Peas and Macy Gray.
James achieved her first Billboard Adult R&B Songs No. 1 with "Don't Want You Back" in 2017 and repeated the feat with "Complicated" in 2021 from her album See Me. She won a 2014 Soul Train Certified Award and received NAACP Image Award nominations in 2021 and 2025 for collaborations.
Influenced by Al Green, Chaka Khan, and Roberta Flack, her music blends classic soul with modern R&B, emphasizing emotive storytelling and vocal range across seven Top 20 R&B radio singles.
Lenny Williams
Lenny Williams, born Leonard Charles Williams on February 6, 1945, in Little Rock, Arkansas, is an acclaimed American soul and R&B singer renowned for his emotive falsetto and powerful tenor voice. He moved to Oakland, California, at a young age, where he honed his skills playing trumpet and singing in gospel choirs alongside artists like Sly Stone and members of the Hawkins family.
Williams began recording solo tracks in the late 1960s, including R&B classics like "Lisa's Gone" and "Feelin' Blue," before briefly joining Atlantic Records. In 1972, he became the lead vocalist for the funk band Tower of Power, replacing Rick Stevens, and contributed to their peak success with albums such as Tower of Power (1973), Back to Oakland (1974), and Urban Renewal (1974).
During his two years with the band, Williams sang iconic hits like "So Very Hard to Go," "Don't Change Horses (In the Middle of a Stream)," and "What Is Hip?" which propelled Tower of Power's popularity across the US, Europe, and Asia. He left in 1974 after extensive touring to focus on family and solo pursuits.
Signing with Motown then ABC Records (later MCA), Williams released gold albums like Choosing You (1977) and scored ten chart hits, including "Cause I Love You," "Shoo Doo FuFu Ooh," and "Midnight Girl". Later, he recorded for independent labels, guested on Kenny G's "Don't Make Me Wait for Love" (1986), and continued with theater work and albums like Still in the Game. Inducted into the Arkansas Black Hall of Fame in 2012, he remains active in soul music.
Williams began recording solo tracks in the late 1960s, including R&B classics like "Lisa's Gone" and "Feelin' Blue," before briefly joining Atlantic Records. In 1972, he became the lead vocalist for the funk band Tower of Power, replacing Rick Stevens, and contributed to their peak success with albums such as Tower of Power (1973), Back to Oakland (1974), and Urban Renewal (1974).
During his two years with the band, Williams sang iconic hits like "So Very Hard to Go," "Don't Change Horses (In the Middle of a Stream)," and "What Is Hip?" which propelled Tower of Power's popularity across the US, Europe, and Asia. He left in 1974 after extensive touring to focus on family and solo pursuits.
Signing with Motown then ABC Records (later MCA), Williams released gold albums like Choosing You (1977) and scored ten chart hits, including "Cause I Love You," "Shoo Doo FuFu Ooh," and "Midnight Girl". Later, he recorded for independent labels, guested on Kenny G's "Don't Make Me Wait for Love" (1986), and continued with theater work and albums like Still in the Game. Inducted into the Arkansas Black Hall of Fame in 2012, he remains active in soul music.
Leon Bryant
Leon Bryant is a soul and R&B singer from Queens, New York, known for his early classical music training and gospel-influenced recordings. He began music lessons at age two, started classical training by five, and served as a choir musical director by twelve.
Bryant gained initial recognition after entering a composition in the American Song Festival. In 1980, his song "You Are My Latin Lover" became a hit for Joe Bataan.
His debut self-titled album, blending gospel and R&B, arrived in 1981 on De-Lite Records. Follow-ups included Finders Keepers (1984, with "I Can See Me Loving You") and Mighty Body (1994, Unidisc). He also wrote and produced The Intruders' 1984 album Who Do You Love, featuring "Warm And Tender Love".
An opera enthusiast, Bryant admires tenor Luciano Pavarotti. Active mainly in the 1980s-1990s, his style centers on soul.
Bryant gained initial recognition after entering a composition in the American Song Festival. In 1980, his song "You Are My Latin Lover" became a hit for Joe Bataan.
His debut self-titled album, blending gospel and R&B, arrived in 1981 on De-Lite Records. Follow-ups included Finders Keepers (1984, with "I Can See Me Loving You") and Mighty Body (1994, Unidisc). He also wrote and produced The Intruders' 1984 album Who Do You Love, featuring "Warm And Tender Love".
An opera enthusiast, Bryant admires tenor Luciano Pavarotti. Active mainly in the 1980s-1990s, his style centers on soul.
Leon Haywood
Leon Haywood was an influential American funk and soul singer, songwriter, and producer known for his 1975 hit "I Want'a Do Something Freaky to You." Born Otha Leon Haywood on February 11, 1942, in Houston, Texas, he began playing piano at age three and later performed with blues artists like Guitar Slim before moving to Los Angeles in the early 1960s. He passed away on April 5, 2016, at age 74.
Haywood worked as a keyboardist for Sam Cooke until Cooke's death in 1964 and recorded early singles like "Without a Love" and "She's with Her Other Love," which charted on the R&B lists in 1965. His breakthrough solo hit came in 1967 with "It's Got to Be Mellow," reaching No. 21 on the R&B chart and No. 63 on the pop chart, becoming a beach music staple in the Carolinas.
In the 1970s, Haywood shifted to funk and disco, joining 20th Century Records and scoring with "I Want'a Do Something Freaky to You" (R&B No. 7, Pop No. 15), later heavily sampled by Dr. Dre. He wrote and produced Carl Carlton's 1981 hit "She's a Bad Mama Jama" and had later R&B singles like "Tenderoni" in 1984.
Haywood founded Evejim Productions in 1967, named after his parents, and later worked as an executive at Edge Records while producing blues on his own label. His career spanned session work with acts like Dyke & the Blazers and over 20 Billboard R&B chart entries.
Haywood worked as a keyboardist for Sam Cooke until Cooke's death in 1964 and recorded early singles like "Without a Love" and "She's with Her Other Love," which charted on the R&B lists in 1965. His breakthrough solo hit came in 1967 with "It's Got to Be Mellow," reaching No. 21 on the R&B chart and No. 63 on the pop chart, becoming a beach music staple in the Carolinas.
In the 1970s, Haywood shifted to funk and disco, joining 20th Century Records and scoring with "I Want'a Do Something Freaky to You" (R&B No. 7, Pop No. 15), later heavily sampled by Dr. Dre. He wrote and produced Carl Carlton's 1981 hit "She's a Bad Mama Jama" and had later R&B singles like "Tenderoni" in 1984.
Haywood founded Evejim Productions in 1967, named after his parents, and later worked as an executive at Edge Records while producing blues on his own label. His career spanned session work with acts like Dyke & the Blazers and over 20 Billboard R&B chart entries.
Leon Ware
Leon Ware was an influential American songwriter, producer, composer, and singer from Detroit, Michigan, renowned for his work in soul and R&B music. Born on February 16, 1940, he began his career in the 1960s, starting in a vocal group called the Romeos with Lamont Dozier and Ty Hunter before working as an arranger and songwriter at ABC Records. He joined Motown in 1967, writing hits for artists like the Isley Brothers, Martha and the Vandellas, and the Jackson 5, including Michael Jackson's "I Wanna Be Where You Are" co-written with T-Boy Ross.
Ware's biggest breakthrough came in 1976 when he co-produced and co-wrote Marvin Gaye's iconic album I Want You, contributing sensual tracks that became cult classics. He also worked with luminaries like Quincy Jones, Minnie Riperton, Maxwell, Ike & Tina Turner (co-writing much of their 1971 album 'Nuff Said), and Donny Hathaway. His songs have been sampled by artists including Tupac Shakur, Jay-Z, and A Tribe Called Quest.
Ware released his debut solo album, Leon Ware, on United Artists in 1972, followed by Musical Massage (1976) on Motown's Gordy label, which gained a cult following despite poor promotion. Later albums included Inside Is Love (1979), Rockin' You Eternally (1981), Leon Ware (1982), and Undercover (1987), with varying chart success. He continued releasing music into the 2000s, including Moon Ride (2008) and collaborations like Omar's Love in Beats (2017).
Ware's biggest breakthrough came in 1976 when he co-produced and co-wrote Marvin Gaye's iconic album I Want You, contributing sensual tracks that became cult classics. He also worked with luminaries like Quincy Jones, Minnie Riperton, Maxwell, Ike & Tina Turner (co-writing much of their 1971 album 'Nuff Said), and Donny Hathaway. His songs have been sampled by artists including Tupac Shakur, Jay-Z, and A Tribe Called Quest.
Ware released his debut solo album, Leon Ware, on United Artists in 1972, followed by Musical Massage (1976) on Motown's Gordy label, which gained a cult following despite poor promotion. Later albums included Inside Is Love (1979), Rockin' You Eternally (1981), Leon Ware (1982), and Undercover (1987), with varying chart success. He continued releasing music into the 2000s, including Moon Ride (2008) and collaborations like Omar's Love in Beats (2017).
Leroy Hutson
Leroy Hutson is an American soul and R&B singer, songwriter, arranger, producer, and instrumentalist, best known for his work as the lead singer of The Impressions after Curtis Mayfield and for his solo career in the 1970s soul scene.
Born on June 4, 1945, in Newark, New Jersey, Hutson showed early musical talent as a teenager by forming the vocal group Nu-Tones, which won several high school talent shows. He attended Howard University initially planning to study dentistry but switched to music theory and composition after rooming with future soul star Donny Hathaway, with whom he co-wrote the 1970 hit "The Ghetto".
In 1971, shortly after college, Hutson joined The Impressions as lead singer, replacing Curtis Mayfield, and recorded two albums over two and a half years, including tracks like "Love Me". He left amicably in 1973 to pursue solo work as a writer, producer, arranger, and multi-instrumentalist.
Hutson's 1973 debut solo album Love Oh Love on Curtom Records featured the hit "So In Love With You" and showcased his lush soul-funk-jazz blend with falsetto vocals. He released eight albums through 1992, charting 13 U.S. singles, and built a cult following for romantic tracks like "All Because of You" and "Lucky Fellow," influencing quiet storm and later artists. His work has been sampled in hip-hop and reissued for vinyl collectors.
Active mainly in the 1970s–1990s on labels like Curtom, Warner Bros., and Elektra, Hutson is the father of producer JR Hutson and remains celebrated for his sophisticated soul sound.
Born on June 4, 1945, in Newark, New Jersey, Hutson showed early musical talent as a teenager by forming the vocal group Nu-Tones, which won several high school talent shows. He attended Howard University initially planning to study dentistry but switched to music theory and composition after rooming with future soul star Donny Hathaway, with whom he co-wrote the 1970 hit "The Ghetto".
In 1971, shortly after college, Hutson joined The Impressions as lead singer, replacing Curtis Mayfield, and recorded two albums over two and a half years, including tracks like "Love Me". He left amicably in 1973 to pursue solo work as a writer, producer, arranger, and multi-instrumentalist.
Hutson's 1973 debut solo album Love Oh Love on Curtom Records featured the hit "So In Love With You" and showcased his lush soul-funk-jazz blend with falsetto vocals. He released eight albums through 1992, charting 13 U.S. singles, and built a cult following for romantic tracks like "All Because of You" and "Lucky Fellow," influencing quiet storm and later artists. His work has been sampled in hip-hop and reissued for vinyl collectors.
Active mainly in the 1970s–1990s on labels like Curtom, Warner Bros., and Elektra, Hutson is the father of producer JR Hutson and remains celebrated for his sophisticated soul sound.
Letta Mbulu
Letta Mbulu (born August 23, 1942, Soweto) is a legendary South African jazz singer known for her powerful voice, hopeful music, and exile in the U.S. due to apartheid, where she collaborated with greats like Harry Belafonte and Cannonball Adderley, sang for "Roots," and married fellow musician Caiphus Semenya before returning to a free South Africa. Her career blends African rhythms with jazz, earning her acclaim and a Lifetime Achievement Award, solidifying her status as an icon of hope and unity.
Born in Soweto, Mbulu's talent emerged early, leading her to join the touring musical King Kong as a teenager, where she met her future husband, Caiphus Semenya.
She briefly toured England before returning to South Africa, but apartheid policies forced her into exile in the U.S. in the mid-1960s. In New York, she connected with other South African exiles like Miriam Makeba and Hugh Masekela. Her career took off with tours alongside Cannonball Adderley and Harry Belafonte, becoming a significant musical partnership. She released several albums, including Letta Mbulu Sings and Free Soul.
Mbulu's voice graced the iconic TV series Roots (1977) and films like A Warm December (1973) and The Color Purple (1985). She also provided the Swahili chant for Michael Jackson's "Liberian Girl".
After 26 years in exile, Mbulu and Semenya returned to South Africa, where she became a founding member of the South African Artists United (SAAU). Her song "Not Yet Uhuru" became an anthem for liberation. She received a Lifetime Achievement Award from the South African Music Awards in 2001, recognizing her enduring influence.
Born in Soweto, Mbulu's talent emerged early, leading her to join the touring musical King Kong as a teenager, where she met her future husband, Caiphus Semenya.
She briefly toured England before returning to South Africa, but apartheid policies forced her into exile in the U.S. in the mid-1960s. In New York, she connected with other South African exiles like Miriam Makeba and Hugh Masekela. Her career took off with tours alongside Cannonball Adderley and Harry Belafonte, becoming a significant musical partnership. She released several albums, including Letta Mbulu Sings and Free Soul.
Mbulu's voice graced the iconic TV series Roots (1977) and films like A Warm December (1973) and The Color Purple (1985). She also provided the Swahili chant for Michael Jackson's "Liberian Girl".
After 26 years in exile, Mbulu and Semenya returned to South Africa, where she became a founding member of the South African Artists United (SAAU). Her song "Not Yet Uhuru" became an anthem for liberation. She received a Lifetime Achievement Award from the South African Music Awards in 2001, recognizing her enduring influence.
Levert
LeVert was an influential R&B vocal group from Cleveland, Ohio, formed in the early 1980s by brothers Gerald Levert and Sean Levert—sons of O'Jays lead singer Eddie Levert—along with Marc Gordon.
The group debuted in 1983 or 1984, releasing their first single "I'm Still" on the independent Tempre label, which peaked at number 70 on the R&B charts. They signed with Atlantic Records in 1985, issuing their debut album I Get Hot that drew comparisons to Eddie's style and featured early club performances opening for acts like The O'Jays and The Temptations.
LeVert achieved commercial success with albums like Bloodline (1986), featuring the R&B hit "(Pop, Pop, Pop, Pop) Goes My Mind"; The Big Throwdown (1987); Just Coolin' (1988); Rope a Dope Style (1990); and For Real Tho' (1993). Their sound blended soulful ballads, up-tempo tracks, and catchy hooks, dominating urban radio with singles like "Whole Scenario."
Gerald Levert and Marc Gordon formed Trevel Productions in 1987, producing hits for acts including Rude Boys ("Written All Over Your Face"), Men at Large ("So Alone"), and others like Troop, Miki Howard, and Stephanie Mills. Gerald later pursued a solo career starting with Private Line (1991) and collaborated in supergroups like LSG with Keith Sweat and Johnny Gill.
LeVert's dynamic catalog influenced urban male groups through the 1980s and 1990s. The group effectively ended with Gerald's death on November 10, 2006, at age 40, followed by Sean's passing in 2008, leaving Marc Gordon as the survivor.
The group debuted in 1983 or 1984, releasing their first single "I'm Still" on the independent Tempre label, which peaked at number 70 on the R&B charts. They signed with Atlantic Records in 1985, issuing their debut album I Get Hot that drew comparisons to Eddie's style and featured early club performances opening for acts like The O'Jays and The Temptations.
LeVert achieved commercial success with albums like Bloodline (1986), featuring the R&B hit "(Pop, Pop, Pop, Pop) Goes My Mind"; The Big Throwdown (1987); Just Coolin' (1988); Rope a Dope Style (1990); and For Real Tho' (1993). Their sound blended soulful ballads, up-tempo tracks, and catchy hooks, dominating urban radio with singles like "Whole Scenario."
Gerald Levert and Marc Gordon formed Trevel Productions in 1987, producing hits for acts including Rude Boys ("Written All Over Your Face"), Men at Large ("So Alone"), and others like Troop, Miki Howard, and Stephanie Mills. Gerald later pursued a solo career starting with Private Line (1991) and collaborated in supergroups like LSG with Keith Sweat and Johnny Gill.
LeVert's dynamic catalog influenced urban male groups through the 1980s and 1990s. The group effectively ended with Gerald's death on November 10, 2006, at age 40, followed by Sean's passing in 2008, leaving Marc Gordon as the survivor.
Light Of The World
Light of the World is a British jazz-funk band formed in London in 1978, known for pioneering the Brit-funk movement. They drew their name from Kool & the Gang's 1974 album Light of Worlds and achieved moderate chart success in the UK during the late 1970s and early 1980s.
The band started with core members including guitarist Jean-Paul "Bluey" Maunick, bassist Paul "Tubbs" Williams, drummer Everton McCalla, guitarist Neville "Breeze" McKreith, percussionist Chris Etienne, keyboardist Peter Hinds, trumpeter Kenny Wellington, and saxophonist David Baptiste. Additions like vocalist/percussionist Gee Bello and guitarist Nat Augustin joined in 1979, strengthening their live presence. Early rehearsals evolved from informal sessions at venues like Crackers nightclub.
Their debut single "Swingin'" hit UK No. 45 in 1979, followed by Top 40 hits like a cover of "I Shot the Sheriff" (No. 40) and the double A-side "I'm So Happy"/"Time" (No. 35). Debut album Light of the World (1979) and Round Trip (1980, peaking at No. 73) were released on Ensign Records, blending funky grooves with brass sections. Later works included Check Us Out (1982) and a 1999 reunion album Inner Voices.
Lineup changes marked the early 1980s, with Baptiste, Wellington, and McKreith forming Beggar & Co., while Maunick and Williams launched Incognito. In 2020, original members Gee Bello, Nat Augustin, and drummer Mel Gaynor released Jazz Funk Power, topping UK Soul Charts for four weeks. The band remains influential in funk and soul circles.
The band started with core members including guitarist Jean-Paul "Bluey" Maunick, bassist Paul "Tubbs" Williams, drummer Everton McCalla, guitarist Neville "Breeze" McKreith, percussionist Chris Etienne, keyboardist Peter Hinds, trumpeter Kenny Wellington, and saxophonist David Baptiste. Additions like vocalist/percussionist Gee Bello and guitarist Nat Augustin joined in 1979, strengthening their live presence. Early rehearsals evolved from informal sessions at venues like Crackers nightclub.
Their debut single "Swingin'" hit UK No. 45 in 1979, followed by Top 40 hits like a cover of "I Shot the Sheriff" (No. 40) and the double A-side "I'm So Happy"/"Time" (No. 35). Debut album Light of the World (1979) and Round Trip (1980, peaking at No. 73) were released on Ensign Records, blending funky grooves with brass sections. Later works included Check Us Out (1982) and a 1999 reunion album Inner Voices.
Lineup changes marked the early 1980s, with Baptiste, Wellington, and McKreith forming Beggar & Co., while Maunick and Williams launched Incognito. In 2020, original members Gee Bello, Nat Augustin, and drummer Mel Gaynor released Jazz Funk Power, topping UK Soul Charts for four weeks. The band remains influential in funk and soul circles.
Lightnin’ Slim
Lightnin' Slim, born Otis Verries Hicks on March 13, 1913, in St. Louis, Missouri, is a celebrated figure in the realm of American blues music, particularly known for his contributions to Louisiana blues and swamp blues. There is some debate regarding his birthplace, with some records indicating that he may actually have been born in Good Pine, Louisiana.
His early life was marked by a move to the Baton Rouge area in Louisiana around 1927, where he became involved in the local music scene. Slim's career took off in the early 1950s when he began recording for Excello Records, releasing a series of singles that showcased his distinctive style characterized by raw, expressive vocals and a gritty guitar sound. His music often reflected the rural and cultural influences of the South, and he became known for hits like "You Made Me Love You" and "Cold Weather Blues."
Throughout the 1950s, Slim gained recognition as one of the prominent figures in Louisiana swamp blues, a subgenre that blended elements of traditional blues with the unique sounds of the bayou. His performances were marked by a unique blend of rhythm and emotion, establishing him as a compelling live artist.
Despite the ups and downs of his career, including periods of relative obscurity, Lightnin' Slim remained a significant influence on subsequent generations of musicians. His work laid the groundwork for the development of southern blues styles, and he is often remembered as a key figure in the evolution of blues music.
Tragically, Lightnin' Slim passed away on July 27, 1974, in Detroit, Michigan. His legacy continues to endure, celebrated for his authentic sound and contributions to the rich tapestry of American blues music.
His early life was marked by a move to the Baton Rouge area in Louisiana around 1927, where he became involved in the local music scene. Slim's career took off in the early 1950s when he began recording for Excello Records, releasing a series of singles that showcased his distinctive style characterized by raw, expressive vocals and a gritty guitar sound. His music often reflected the rural and cultural influences of the South, and he became known for hits like "You Made Me Love You" and "Cold Weather Blues."
Throughout the 1950s, Slim gained recognition as one of the prominent figures in Louisiana swamp blues, a subgenre that blended elements of traditional blues with the unique sounds of the bayou. His performances were marked by a unique blend of rhythm and emotion, establishing him as a compelling live artist.
Despite the ups and downs of his career, including periods of relative obscurity, Lightnin' Slim remained a significant influence on subsequent generations of musicians. His work laid the groundwork for the development of southern blues styles, and he is often remembered as a key figure in the evolution of blues music.
Tragically, Lightnin' Slim passed away on July 27, 1974, in Detroit, Michigan. His legacy continues to endure, celebrated for his authentic sound and contributions to the rich tapestry of American blues music.
Lightnin Slim Lightnin Slim
Lillo Thomas
Lillo Thomas is an American soul musician born in 1961 in Brooklyn, New York, who rose to prominence in the 1980s with hits like "Sexy Girl" and "I'm in Love."
Thomas grew up singing in his father's church and excelled as a sprint runner, setting a world record in the 200 meters at age 16. A car accident in Brazil ended his Olympic hopes for 1984, prompting a shift to music and art studies at Parsons School of Design.
He began as a session vocalist for artists like Evelyn "Champagne" King, Kashif, and Melba Moore, writing her hit "Mind Up Tonight." Signed to Capitol Records, his 1983 debut album Let Me Be Yours featured the Top 10 R&B single "(You're a) Good Girl," followed by All of You (1984) and the self-titled Lillo (1987).
Thomas toured with Eddie Murphy in 1985 and achieved UK chart success with "Sexy Girl" (Top 25). Later releases include Come and Get It (2010) and contributions like vocals on Stetsasonic's 2024 album.
He resides in Westchester with his wife Kim and pursues painting as an accomplished artist.
Thomas grew up singing in his father's church and excelled as a sprint runner, setting a world record in the 200 meters at age 16. A car accident in Brazil ended his Olympic hopes for 1984, prompting a shift to music and art studies at Parsons School of Design.
He began as a session vocalist for artists like Evelyn "Champagne" King, Kashif, and Melba Moore, writing her hit "Mind Up Tonight." Signed to Capitol Records, his 1983 debut album Let Me Be Yours featured the Top 10 R&B single "(You're a) Good Girl," followed by All of You (1984) and the self-titled Lillo (1987).
Thomas toured with Eddie Murphy in 1985 and achieved UK chart success with "Sexy Girl" (Top 25). Later releases include Come and Get It (2010) and contributions like vocals on Stetsasonic's 2024 album.
He resides in Westchester with his wife Kim and pursues painting as an accomplished artist.
Linda Jones
Linda Jones was an influential American soul singer known for her powerful, gospel-infused voice and the 1967 hit "Hypnotized." Born on December 14, 1944, in Newark, New Jersey, she rose from family gospel roots to become a chart-topping artist before her early death.
Jones began singing at age six with her family's gospel group, the Jones Singers, in Newark. She battled Type 1 diabetes from childhood, which often left her fatigued but did not deter her passion for music. After high school, she worked day jobs while performing in local clubs.
Her debut single, a cover of "Lonely Teardrops" as Linda Lane, came out in 1963 on Cub Records. Songwriters Jerry Harris and George Kerr produced her early hits like "Take The Boy Out Of The Country" on ATCO in 1965. She signed with Loma Records, where "Hypnotized" peaked at #4 R&B and #21 on the Hot 100 in 1967, becoming her signature song recorded in one take.
Follow-up singles included "What've I Done (To Make You Mad)" (#8 R&B, 1967) and "Give My Love A Try" (#34 R&B, 1968). Her debut album Hypnotized (1967) featured these tracks, while later Loma releases like "My Heart Needs A Break" (1968) showcased her emotional depth. In 1972, "For Your Precious Love" reached #15 R&B on Turbo Records.
Jones died on March 14, 1972, at age 27 from complications of diabetes in Newark. Dubbed the "Empress of Soul," her raw emotion and short career cemented her as a cult legend in soul music.
Jones began singing at age six with her family's gospel group, the Jones Singers, in Newark. She battled Type 1 diabetes from childhood, which often left her fatigued but did not deter her passion for music. After high school, she worked day jobs while performing in local clubs.
Her debut single, a cover of "Lonely Teardrops" as Linda Lane, came out in 1963 on Cub Records. Songwriters Jerry Harris and George Kerr produced her early hits like "Take The Boy Out Of The Country" on ATCO in 1965. She signed with Loma Records, where "Hypnotized" peaked at #4 R&B and #21 on the Hot 100 in 1967, becoming her signature song recorded in one take.
Follow-up singles included "What've I Done (To Make You Mad)" (#8 R&B, 1967) and "Give My Love A Try" (#34 R&B, 1968). Her debut album Hypnotized (1967) featured these tracks, while later Loma releases like "My Heart Needs A Break" (1968) showcased her emotional depth. In 1972, "For Your Precious Love" reached #15 R&B on Turbo Records.
Jones died on March 14, 1972, at age 27 from complications of diabetes in Newark. Dubbed the "Empress of Soul," her raw emotion and short career cemented her as a cult legend in soul music.
Linda Tillery
Linda Tillery is an acclaimed American soul singer, percussionist, producer, songwriter, and arranger known for her pioneering work in women's music and roots traditions. Born on September 2, 1948, she rose to prominence in the late 1960s with the Bay Area psychedelic soul band The Loading Zone.
Tillery launched her professional singing career at age 19, answering a classified ad from The Loading Zone in the San Francisco Chronicle. She served as their lead vocalist from 1968 to 1969, performing alongside acts like Cream and blending R&B, rock, and psychedelia. Her debut solo album, Sweet Linda Divine, arrived in 1970 on CBS Records, produced by Al Kooper, earning her two Bay Area Jazz Awards for Outstanding Female Vocalist despite modest sales.
Throughout the 1970s, Tillery contributed backing vocals and drums to albums by artists like Santana (including the hit "Everybody's Everything" from Santana III), Boz Scaggs, and Lenny White. She joined Olivia Records as a producer and released her self-titled second album in 1977, solidifying her role as a trailblazer in women's music.
In 1985, Tillery issued Secrets on her own 411 Records label, mixing R&B, gospel, jazz, and soul. By the early 1990s, she formed the Cultural Heritage Choir to explore African diaspora roots music, collaborating with Bobby McFerrin, Huey Lewis and the News, and the Turtle Island String Quartet. She remains active as a Grammy-nominated artist, ethnomusicologist, and performer in the Bay Area scene.
Tillery launched her professional singing career at age 19, answering a classified ad from The Loading Zone in the San Francisco Chronicle. She served as their lead vocalist from 1968 to 1969, performing alongside acts like Cream and blending R&B, rock, and psychedelia. Her debut solo album, Sweet Linda Divine, arrived in 1970 on CBS Records, produced by Al Kooper, earning her two Bay Area Jazz Awards for Outstanding Female Vocalist despite modest sales.
Throughout the 1970s, Tillery contributed backing vocals and drums to albums by artists like Santana (including the hit "Everybody's Everything" from Santana III), Boz Scaggs, and Lenny White. She joined Olivia Records as a producer and released her self-titled second album in 1977, solidifying her role as a trailblazer in women's music.
In 1985, Tillery issued Secrets on her own 411 Records label, mixing R&B, gospel, jazz, and soul. By the early 1990s, she formed the Cultural Heritage Choir to explore African diaspora roots music, collaborating with Bobby McFerrin, Huey Lewis and the News, and the Turtle Island String Quartet. She remains active as a Grammy-nominated artist, ethnomusicologist, and performer in the Bay Area scene.
Linx
Linx, known for their Brit funk hit "Intuition," formed the core of what users often reference as a quintessential Brit funk band. Their debut album Intuition (1981) captured the vibrant UK funk scene. The group disbanded after three albums but left a lasting impact.
David Grant (vocals) and Peter "Sketch" Martin (bass) met in a London hi-fi shop and formed Linx amid the late 1970s Brit funk wave. They expanded to include guitarist Canute Edwards, keyboardist Bob Carter, and drummer Andy Duncan. Early demos led to their breakthrough single "You're Lying" in 1980, sold via a specialist funk shop.
Key Members:- David Grant: Lead vocalist, producer, and songwriter; later pursued solo success and became a prominent vocal coach with BBC Radio London involvement; Peter "Sketch" Martin: Bassist and producer; transitioned to avant-funk group 23 Skidoo post-Linx; Bob Carter: Keyboards and production; Canute Edwards: Guitar; Andy Duncan: Drums.
Linx released three albums on Chrysalis Records from 1981-1983, earning Brit Awards Best Newcomer nomination in 1982. Their signature track "Intuition" hit UK No. 7, blending Caribbean-infused funk grooves. Other singles like "You're Lying" and "Together We Can Shine" defined their sunny, danceable sound.
As Brit funk pioneers, Linx rode the R&B boom, influencing the UK's multicultural music scene alongside acts like Imagination. Post-breakup, members like Grant achieved US songwriting credits for artists such as Cheryl Lynn. Their work remains a staple in funk compilations and club nostalgia.
David Grant (vocals) and Peter "Sketch" Martin (bass) met in a London hi-fi shop and formed Linx amid the late 1970s Brit funk wave. They expanded to include guitarist Canute Edwards, keyboardist Bob Carter, and drummer Andy Duncan. Early demos led to their breakthrough single "You're Lying" in 1980, sold via a specialist funk shop.
Key Members:- David Grant: Lead vocalist, producer, and songwriter; later pursued solo success and became a prominent vocal coach with BBC Radio London involvement; Peter "Sketch" Martin: Bassist and producer; transitioned to avant-funk group 23 Skidoo post-Linx; Bob Carter: Keyboards and production; Canute Edwards: Guitar; Andy Duncan: Drums.
Linx released three albums on Chrysalis Records from 1981-1983, earning Brit Awards Best Newcomer nomination in 1982. Their signature track "Intuition" hit UK No. 7, blending Caribbean-infused funk grooves. Other singles like "You're Lying" and "Together We Can Shine" defined their sunny, danceable sound.
As Brit funk pioneers, Linx rode the R&B boom, influencing the UK's multicultural music scene alongside acts like Imagination. Post-breakup, members like Grant achieved US songwriting credits for artists such as Cheryl Lynn. Their work remains a staple in funk compilations and club nostalgia.
Lionel Richie
Lionel Richie is an acclaimed American singer, songwriter, and musician renowned for his soulful ballads and R&B hits spanning decades. Born on June 20, 1949, in Tuskegee, Alabama, he rose to fame as a key member of the Commodores before launching a blockbuster solo career.
Lionel Brockman Richie Jr. grew up on the Tuskegee Institute campus, where his father worked as a systems analyst and his mother was involved in education. He studied economics and accounting at Tuskegee University, forming early R&B groups like the Mystics, which evolved into the Commodores in 1968. Richie honed his skills as a saxophonist, pianist, and vocalist during this period.
Richie co-founded the Commodores, a Motown act that started as an opener for The Jackson 5 and became a 1970s R&B powerhouse. He penned major hits like "Easy," "Three Times a Lady," "Sail On," "Still," and the funk track "Brick House," blending ballads with uptempo grooves. The group's success peaked in the late 1970s, showcasing Richie's songwriting growth.
In 1982, Richie left the Commodores for a solo path, debuting with the album Lionel Richie, which sold over four million copies and featured the No. 1 hit "Truly." Follow-up albums like Can't Slow Down (1983) delivered smashes such as "Hello," "All Night Long," and "Running with the Night." He also wrote "Lady" for Kenny Rogers and "Endless Love" with Diana Ross.
Richie co-wrote "We Are the World" with Michael Jackson in 1985 for famine relief, earning a Grammy. His honors include multiple Grammys, an Oscar for "Say You, Say Me" (1986), Kennedy Center Honors (2017), and induction into the Rock and Roll Hall of Fame (2022). He has sold over 100 million records worldwide.
Richie judged on American Idol from 2018 to 2023 and continues touring, with a memoir set for release in 2025. Albums like Tuskegee (2012) explored country crossovers, while hits like "Dancing on the Ceiling" endure. He remains a pop icon.
Lionel Brockman Richie Jr. grew up on the Tuskegee Institute campus, where his father worked as a systems analyst and his mother was involved in education. He studied economics and accounting at Tuskegee University, forming early R&B groups like the Mystics, which evolved into the Commodores in 1968. Richie honed his skills as a saxophonist, pianist, and vocalist during this period.
Richie co-founded the Commodores, a Motown act that started as an opener for The Jackson 5 and became a 1970s R&B powerhouse. He penned major hits like "Easy," "Three Times a Lady," "Sail On," "Still," and the funk track "Brick House," blending ballads with uptempo grooves. The group's success peaked in the late 1970s, showcasing Richie's songwriting growth.
In 1982, Richie left the Commodores for a solo path, debuting with the album Lionel Richie, which sold over four million copies and featured the No. 1 hit "Truly." Follow-up albums like Can't Slow Down (1983) delivered smashes such as "Hello," "All Night Long," and "Running with the Night." He also wrote "Lady" for Kenny Rogers and "Endless Love" with Diana Ross.
Richie co-wrote "We Are the World" with Michael Jackson in 1985 for famine relief, earning a Grammy. His honors include multiple Grammys, an Oscar for "Say You, Say Me" (1986), Kennedy Center Honors (2017), and induction into the Rock and Roll Hall of Fame (2022). He has sold over 100 million records worldwide.
Richie judged on American Idol from 2018 to 2023 and continues touring, with a memoir set for release in 2025. Albums like Tuskegee (2012) explored country crossovers, while hits like "Dancing on the Ceiling" endure. He remains a pop icon.
Little Anthony and The Imperials
Little Anthony and the Imperials formed in the 1950s in New York City as a rhythm and blues, doo-wop, and soul vocal group. The group was founded by Clarence Collins and named partly for lead singer Jerome Anthony "Little Anthony" Gourdine, known for his distinctive high-pitched voice.
Original members included Clarence Collins, Ernest Wright, Gloster "Nate" Rogers, Tracy Lord, and Little Anthony. Rogers and Lord were later replaced by Sammy Strain. Little Anthony, born January 8, 1941, in New York City, grew up in Brooklyn's Fort Greene Housing Projects.
The group gained fame with hits like "Tears on My Pillow" in 1958 and later soul tracks such as "Goin' Out of My Head" in 1964 under producer Teddy Randazzo. They experienced lineup changes, including a temporary disbandment in the early 1960s, but reformed successfully.
Little Anthony and the Imperials were inducted into the Rock and Roll Hall of Fame in 2009 and continue performing. The group remains active into 2026, with core members like Collins and Gourdine preserving their classic sound.
Original members included Clarence Collins, Ernest Wright, Gloster "Nate" Rogers, Tracy Lord, and Little Anthony. Rogers and Lord were later replaced by Sammy Strain. Little Anthony, born January 8, 1941, in New York City, grew up in Brooklyn's Fort Greene Housing Projects.
The group gained fame with hits like "Tears on My Pillow" in 1958 and later soul tracks such as "Goin' Out of My Head" in 1964 under producer Teddy Randazzo. They experienced lineup changes, including a temporary disbandment in the early 1960s, but reformed successfully.
Little Anthony and the Imperials were inducted into the Rock and Roll Hall of Fame in 2009 and continue performing. The group remains active into 2026, with core members like Collins and Gourdine preserving their classic sound.
Little Beaver
Willie George Hale, more commonly known by his stage name Little Beaver, was born on August 15, 1945, in Forrest City, Arkansas. He is recognized as an influential American R&B, soul, and funk guitarist, singer, and songwriter. Little Beaver gained prominence for his contributions to the music industry, particularly in the 1970s, and has been celebrated for his distinct guitar style and smooth vocal delivery.
Little Beaver moved to Florida during his teenage years, where he began to develop his musical career. He initially recorded for various labels before establishing himself in the music scene. His early influences and experiences in Florida shaped his musical style, which blends elements of R&B, soul, and funk.
Throughout his career, Little Beaver achieved notable success with a series of hits that showcased his talent as both a guitarist and a singer. He became well-known for his ability to merge traditional R&B sounds with funk rhythms, making his music appealing to a broad audience. His work frequently involved collaborations with other artists and contributions to various projects, further enhancing his reputation in the industry.
Little Beaver remains an iconic figure in the genres of R&B and soul. His contributions to music have left a lasting impact, and he continues to be celebrated by fans and musicians alike for his work and artistry.
Little Beaver moved to Florida during his teenage years, where he began to develop his musical career. He initially recorded for various labels before establishing himself in the music scene. His early influences and experiences in Florida shaped his musical style, which blends elements of R&B, soul, and funk.
Throughout his career, Little Beaver achieved notable success with a series of hits that showcased his talent as both a guitarist and a singer. He became well-known for his ability to merge traditional R&B sounds with funk rhythms, making his music appealing to a broad audience. His work frequently involved collaborations with other artists and contributions to various projects, further enhancing his reputation in the industry.
Little Beaver remains an iconic figure in the genres of R&B and soul. His contributions to music have left a lasting impact, and he continues to be celebrated by fans and musicians alike for his work and artistry.
Little Milton
Little Milton, born James Milton Campbell Jr. on September 7, 1934, in Inverness, Mississippi, was a prominent American blues singer and guitarist. He grew up on the George Bowles plantation near Greenville, Mississippi, where he was immersed in the rich musical traditions of the Delta region. Over the years, he became known for his extraordinary technique, soulful voice, and a unique blend of musical styles that encompassed both blues and soul music, earning him a dedicated following and critical acclaim in the music industry.
Little Milton's career spanned several decades, during which he established himself as one of the leading performers in the blues genre. He began singing gospel music in his local church before transitioning to the blues in the 1950s. His debut album, "We're Gonna Make It," was released in 1965 and included some of his most iconic tracks, further solidifying his status in the musical landscape.
Throughout his career, Little Milton released numerous albums and singles, many of which became hits. His work is characterized by its emotional depth and technical prowess, showcasing his ability to convey the pain and joy inherent in his music. Known for songs like "Grits Ain't Groceries" and "We're Gonna Make It," he received widespread recognition and respect from peers and fans alike.
Tragically, Little Milton’s life came to an end on August 4, 2005, but his legacy continues to influence blues musicians and delight fans of the genre. His contributions to music have been celebrated in various forms, ensuring that his impact on the blues scene remains significant.
In summary, Little Milton was a masterful artist whose work bridged the realms of blues and soul, leaving an indelible mark on the music world that persists to this day.
Little Milton's career spanned several decades, during which he established himself as one of the leading performers in the blues genre. He began singing gospel music in his local church before transitioning to the blues in the 1950s. His debut album, "We're Gonna Make It," was released in 1965 and included some of his most iconic tracks, further solidifying his status in the musical landscape.
Throughout his career, Little Milton released numerous albums and singles, many of which became hits. His work is characterized by its emotional depth and technical prowess, showcasing his ability to convey the pain and joy inherent in his music. Known for songs like "Grits Ain't Groceries" and "We're Gonna Make It," he received widespread recognition and respect from peers and fans alike.
Tragically, Little Milton’s life came to an end on August 4, 2005, but his legacy continues to influence blues musicians and delight fans of the genre. His contributions to music have been celebrated in various forms, ensuring that his impact on the blues scene remains significant.
In summary, Little Milton was a masterful artist whose work bridged the realms of blues and soul, leaving an indelible mark on the music world that persists to this day.
Lloyd Price
Lloyd Price was a pioneering American R&B singer, songwriter, bandleader, and entrepreneur from New Orleans, best known for his exuberant tenor voice and hits that bridged rhythm and blues with early rock 'n' roll.
Born on March 9, 1933, in Kenner, Louisiana, Price grew up immersed in the vibrant New Orleans music scene. He began his career while in high school, recording his breakout hit "Lawdy Miss Clawdy" in 1952 for Specialty Records, produced by Dave Bartholomew; it became a major R&B success and influenced countless rock artists. Drafted into the Army in 1954, his career paused until discharge in 1956.
From 1957 to 1959, Price founded KRC Records and scored national hits distributed by ABC-Paramount, including "Stagger Lee" (a No. 1 pop and R&B chart-topper selling over a million copies), "Personality" (No. 2), and "I'm Gonna Get Married" (No. 3). These tracks blended New Orleans R&B with lush orchestration, earning him the nickname "Mr. Personality."
In 1962, Price co-founded Double L Records with Harold Logan, launching Wilson Pickett's career, and opened The Turntable nightclub in New York City (formerly Birdland) in 1967. After Logan's 1969 murder, Price launched Turntable Records, promoted Muhammad Ali's 1974 "Rumble in the Jungle," and pursued real estate and the Lawdy Miss Clawdy food brand in the 1980s.
Price toured into the 2000s, including with Jerry Lee Lewis and on the "Four Kings of Rhythm and Blues" tour, releasing 27 albums over five decades. Inducted into the Rock and Roll Hall of Fame in 1998 and awarded a Rhythm & Blues Foundation Pioneer Award in 1994, he died on May 3, 2021, in New Rochelle, New York, at age 88.
Born on March 9, 1933, in Kenner, Louisiana, Price grew up immersed in the vibrant New Orleans music scene. He began his career while in high school, recording his breakout hit "Lawdy Miss Clawdy" in 1952 for Specialty Records, produced by Dave Bartholomew; it became a major R&B success and influenced countless rock artists. Drafted into the Army in 1954, his career paused until discharge in 1956.
From 1957 to 1959, Price founded KRC Records and scored national hits distributed by ABC-Paramount, including "Stagger Lee" (a No. 1 pop and R&B chart-topper selling over a million copies), "Personality" (No. 2), and "I'm Gonna Get Married" (No. 3). These tracks blended New Orleans R&B with lush orchestration, earning him the nickname "Mr. Personality."
In 1962, Price co-founded Double L Records with Harold Logan, launching Wilson Pickett's career, and opened The Turntable nightclub in New York City (formerly Birdland) in 1967. After Logan's 1969 murder, Price launched Turntable Records, promoted Muhammad Ali's 1974 "Rumble in the Jungle," and pursued real estate and the Lawdy Miss Clawdy food brand in the 1980s.
Price toured into the 2000s, including with Jerry Lee Lewis and on the "Four Kings of Rhythm and Blues" tour, releasing 27 albums over five decades. Inducted into the Rock and Roll Hall of Fame in 1998 and awarded a Rhythm & Blues Foundation Pioneer Award in 1994, he died on May 3, 2021, in New Rochelle, New York, at age 88.
Lonnie Hill
Lonnie Hill (born October 10 in Tyler, Texas) is an American soul, R&B, and gospel singer-songwriter best known for his 1980s cult classic album You Got Me Running.
Hill's musical foundation was rooted in the church; his father was a Pentecostal minister. By age 17, Lonnie became a member of his family's spiritual group, The Gospel Keynotes.
During his time in the gospel circuit, he performed alongside legendary acts such as Stevie Wonder, The Staple Singers, James Cleveland, The Mighty Clouds of Joy, and Isaac Hayes. After five years with The Gospel Keynotes, Hill grew disillusioned with the group due to a perceived lack of recognition for his songwriting and left the band.
In 1976, Hill ventured into secular music as a member of the group Topazz, which released the 45 single "Sitting On The Mountainside". His solo breakthrough came in the mid-1980s:- "Galveston Bay": His most enduring hit, "Galveston Bay," reached the UK Top 75 in 1986. The song remains a staple in the modern soul and "boogie" scenes. He recorded his debut solo album, You Got Me Running, in Denver, Colorado, for the Urban Sound label.
Hill has continued to release music across the gospel and soul genres into the 2000s and 2020s:- You Got Me Running (1986) – featuring "Galveston Bay" and "Could It Be Love"; No Games (2002) – featuring the single "Step On Out," released through Hill's own labels, Hill's Hideaway Music and Sparkle Productions; Back On the Scene (2008) – includes a remake of "Galveston Bay"; The Gospel in Me (2017) – includes tracks like "Joy" and "Waiting on You Lord"; The Whole World Needs to Pray (2025) – a recent gospel-focused release;
Hill’s vocal style is heavily influenced by soul legends like Johnnie Taylor, ZZ Hill, and LeRoy Hutson. Users generally praise the album as a high-quality soul and R&B masterpiece with lasting appeal.
Hill's musical foundation was rooted in the church; his father was a Pentecostal minister. By age 17, Lonnie became a member of his family's spiritual group, The Gospel Keynotes.
During his time in the gospel circuit, he performed alongside legendary acts such as Stevie Wonder, The Staple Singers, James Cleveland, The Mighty Clouds of Joy, and Isaac Hayes. After five years with The Gospel Keynotes, Hill grew disillusioned with the group due to a perceived lack of recognition for his songwriting and left the band.
In 1976, Hill ventured into secular music as a member of the group Topazz, which released the 45 single "Sitting On The Mountainside". His solo breakthrough came in the mid-1980s:- "Galveston Bay": His most enduring hit, "Galveston Bay," reached the UK Top 75 in 1986. The song remains a staple in the modern soul and "boogie" scenes. He recorded his debut solo album, You Got Me Running, in Denver, Colorado, for the Urban Sound label.
Hill has continued to release music across the gospel and soul genres into the 2000s and 2020s:- You Got Me Running (1986) – featuring "Galveston Bay" and "Could It Be Love"; No Games (2002) – featuring the single "Step On Out," released through Hill's own labels, Hill's Hideaway Music and Sparkle Productions; Back On the Scene (2008) – includes a remake of "Galveston Bay"; The Gospel in Me (2017) – includes tracks like "Joy" and "Waiting on You Lord"; The Whole World Needs to Pray (2025) – a recent gospel-focused release;
Hill’s vocal style is heavily influenced by soul legends like Johnnie Taylor, ZZ Hill, and LeRoy Hutson. Users generally praise the album as a high-quality soul and R&B masterpiece with lasting appeal.
Lonnie Jordan
Leroy "Lonnie" Jordan, born November 21, 1948, in San Diego, California, stands as the sole remaining founding member of the influential funk band War.
Jordan joined one of War's predecessor groups, initially called the Creators and later Nightshift, in the early 1960s amid Southern California's diverse music scene blending Latin, jazz, R&B, rock, and funk. The band's trajectory shifted dramatically in 1969 when Eric Burdon recruited them after leaving the Animals, leading to the hit "Spill the Wine" and the official adoption of the name War.
As a multi-instrumentalist, Jordan contributed vocals, keyboards, guitar, synthesizer, piano, and percussion, helping craft War's signature sound heard in classics like "Low Rider," "Why Can't We Be Friends?," and "The Cisco Kid." War became a pioneering multiethnic funk outfit in the 1970s and 1980s, with Jordan as its enduring leader through lineup changes.
Jordan pursued solo releases on labels like United Artists in 1976, MCA in 1977, and Boardwalk in 1982. He collaborated with artists including Eric Burdon, Tanya Tucker, T. Rex, Los Lobos, and ex-War members Harold Brown and B.B. Dickerson on projects like The Other Side of War Warms Your Heart, featuring Bobby Womack. In recent years, he has led War on tours and contributed to releases like the 2014 album EVOLUTIONARY.
Jordan joined one of War's predecessor groups, initially called the Creators and later Nightshift, in the early 1960s amid Southern California's diverse music scene blending Latin, jazz, R&B, rock, and funk. The band's trajectory shifted dramatically in 1969 when Eric Burdon recruited them after leaving the Animals, leading to the hit "Spill the Wine" and the official adoption of the name War.
As a multi-instrumentalist, Jordan contributed vocals, keyboards, guitar, synthesizer, piano, and percussion, helping craft War's signature sound heard in classics like "Low Rider," "Why Can't We Be Friends?," and "The Cisco Kid." War became a pioneering multiethnic funk outfit in the 1970s and 1980s, with Jordan as its enduring leader through lineup changes.
Jordan pursued solo releases on labels like United Artists in 1976, MCA in 1977, and Boardwalk in 1982. He collaborated with artists including Eric Burdon, Tanya Tucker, T. Rex, Los Lobos, and ex-War members Harold Brown and B.B. Dickerson on projects like The Other Side of War Warms Your Heart, featuring Bobby Womack. In recent years, he has led War on tours and contributed to releases like the 2014 album EVOLUTIONARY.
Lonnie Liston Smith
Lonnie Liston Smith Jr. is an esteemed American jazz, soul, and funk musician born on December 28, 1940, in Richmond, Virginia. Coming from a musical family, his father was a member of the Gospel Group, “The Harmonizing Four,” which laid the foundation for his early exposure to music.
Smith pursued his formal education in music, earning a bachelor's degree in Music Education, which equipped him for a career in the music industry. In the late 1960s and early 1970s, he began to make a name for himself by collaborating with prominent jazz figures such as Miles Davis, Pharoah Sanders, and Rahsaan Roland Kirk. His experience as a sideman for these heavyweights helped him develop his signature style and sound.
In addition to his work with jazz luminaries, Smith is recognized for his distinct contributions to the jazz genre, particularly in the fields of soul and funk. He has built a significant discography, which includes both collaborations and his own solo projects, reflecting his innovative approach to music.
Smith's artistry has earned him a legendary status within the jazz community, making waves in the music scene and influencing countless artists across various genres. As of now, he continues to be celebrated for his contributions and remains an influential figure in contemporary music.
Smith pursued his formal education in music, earning a bachelor's degree in Music Education, which equipped him for a career in the music industry. In the late 1960s and early 1970s, he began to make a name for himself by collaborating with prominent jazz figures such as Miles Davis, Pharoah Sanders, and Rahsaan Roland Kirk. His experience as a sideman for these heavyweights helped him develop his signature style and sound.
In addition to his work with jazz luminaries, Smith is recognized for his distinct contributions to the jazz genre, particularly in the fields of soul and funk. He has built a significant discography, which includes both collaborations and his own solo projects, reflecting his innovative approach to music.
Smith's artistry has earned him a legendary status within the jazz community, making waves in the music scene and influencing countless artists across various genres. As of now, he continues to be celebrated for his contributions and remains an influential figure in contemporary music.
Lonnie Smith
Lonnie Smith, also known as Dr. Lonnie Smith, was a prominent American jazz organist, born on July 3, 1942, in Buffalo, New York. He was deeply influenced by his family’s musical background, particularly through his mother, who introduced him to gospel, blues, and jazz at an early age. This early exposure shaped his passion for music and set the foundation for his illustrious career in jazz.
Smith grew up in a musical environment, performing with his family on the radio, which included a diverse repertoire spanning gospel and jazz. His introduction to the Hammond B-3 organ came during his teenage years, sparking a fascination that would define his musical career. He honed his skills by listening to and learning from iconic jazz musicians, particularly the records of Wild Bill Davis, which greatly influenced his playing style.
Lonnie Smith's career spanned over 50 years, during which he became renowned for his mastery of the Hammond B-3 organ and his contributions to the jazz genre. He was featured on more than 70 jazz albums and collaborated with numerous notable artists, including George Benson and Pharoah Sanders. His work was characterized by a unique blend of jazz, soul, and blues, which resonated with a diverse audience.
In addition to performing, Smith was recognized for his songwriting abilities and contributed to the evolution of jazz music through his innovative approach and style. He became a prominent figure in the jazz community, known for his energetic performances and ability to engage audiences.
Dr. Lonnie Smith passed away on September 28, 2021. His legacy endures through his extensive discography and the lasting impact he had on the jazz world. He is remembered not only for his musical talent but also for his contributions to the development of the jazz organ sound and his influence on future generations of musicians.
In summary, Lonnie Smith's journey from a musically rich upbringing in Buffalo to becoming a celebrated figure in jazz exemplifies his dedication to the art form. His innovative sounds and collaborations left an indelible mark on jazz music, ensuring that his contributions will be remembered for years to come.
Smith grew up in a musical environment, performing with his family on the radio, which included a diverse repertoire spanning gospel and jazz. His introduction to the Hammond B-3 organ came during his teenage years, sparking a fascination that would define his musical career. He honed his skills by listening to and learning from iconic jazz musicians, particularly the records of Wild Bill Davis, which greatly influenced his playing style.
Lonnie Smith's career spanned over 50 years, during which he became renowned for his mastery of the Hammond B-3 organ and his contributions to the jazz genre. He was featured on more than 70 jazz albums and collaborated with numerous notable artists, including George Benson and Pharoah Sanders. His work was characterized by a unique blend of jazz, soul, and blues, which resonated with a diverse audience.
In addition to performing, Smith was recognized for his songwriting abilities and contributed to the evolution of jazz music through his innovative approach and style. He became a prominent figure in the jazz community, known for his energetic performances and ability to engage audiences.
Dr. Lonnie Smith passed away on September 28, 2021. His legacy endures through his extensive discography and the lasting impact he had on the jazz world. He is remembered not only for his musical talent but also for his contributions to the development of the jazz organ sound and his influence on future generations of musicians.
In summary, Lonnie Smith's journey from a musically rich upbringing in Buffalo to becoming a celebrated figure in jazz exemplifies his dedication to the art form. His innovative sounds and collaborations left an indelible mark on jazz music, ensuring that his contributions will be remembered for years to come.
Loose Ends
Loose Ends is a British R&B and funk-influenced band formed in London in 1980, known for their smooth, sophisticated sound that blended soul, funk, and electronic elements during the 1980s.
The band was founded by keyboardist Steve Nichol after leaving the London Guildhall School of Music and Drama; he met vocalist Jane Eugene at a party and recruited guitarist and vocalist Carl McIntosh. They initially signed with Virgin Records as "Loose End" in 1981, with early material written by The Real Thing's Chris and Eddie Amoo.
Their breakthrough hit "Hangin' on a String (Contemplating)" reached No. 13 on the UK Singles Chart in 1985 and topped the US Billboard R&B Chart, making them the first Black British band to do so. They released albums like Virgin (loose end) (1982), So Where Are You? (1985), and The Real Chuckeeboo (1988), achieving prominence in both the UK and US via MCA Records distribution.
Nichol and Eugene departed in 1990 (or 1989 per some accounts) over musical direction disputes; they were replaced by Linda Carriere and Sunay Suleyman. McIntosh continued producing, helming the final album Look How Long (1990) and its hit "Don't Be a Fool," while working with artists like Caron Wheeler.
Loose Ends pioneered Brit-funk and polished R&B, influencing the genre with high production values and tracks produced by Nick Martinelli. McIntosh has kept the name active, with occasional reunions featuring Eugene.
The band was founded by keyboardist Steve Nichol after leaving the London Guildhall School of Music and Drama; he met vocalist Jane Eugene at a party and recruited guitarist and vocalist Carl McIntosh. They initially signed with Virgin Records as "Loose End" in 1981, with early material written by The Real Thing's Chris and Eddie Amoo.
Their breakthrough hit "Hangin' on a String (Contemplating)" reached No. 13 on the UK Singles Chart in 1985 and topped the US Billboard R&B Chart, making them the first Black British band to do so. They released albums like Virgin (loose end) (1982), So Where Are You? (1985), and The Real Chuckeeboo (1988), achieving prominence in both the UK and US via MCA Records distribution.
Nichol and Eugene departed in 1990 (or 1989 per some accounts) over musical direction disputes; they were replaced by Linda Carriere and Sunay Suleyman. McIntosh continued producing, helming the final album Look How Long (1990) and its hit "Don't Be a Fool," while working with artists like Caron Wheeler.
Loose Ends pioneered Brit-funk and polished R&B, influencing the genre with high production values and tracks produced by Nick Martinelli. McIntosh has kept the name active, with occasional reunions featuring Eugene.
Lorraine Ellison
Lorraine Ellison (March 17, 1931 – January 31, 1983) was a powerful American soul singer and songwriter best known for her 1966 "operatic" soul masterpiece, "Stay with Me". Born Marybelle Luraine Ellison in Philadelphia, Pennsylvania, she began singing in church at age si.x Before transitioning to secular music, she performed with several gospel groups, including:
Ellison moved into R&B in 1964 and initially signed with Mercury Records, where she released "I Dig You Baby" in 1965. Shortly after, she signed with Warner Bros. Records. Her defining moment came in 1966 due to a fortunate coincidence. When Frank Sinatra cancelled a scheduled recording session at the last minute, songwriter and producer Jerry Ragovoy utilized the already-booked 46-piece orchestra to record Ellison singing "Stay with Me". The song became a soul classic, reaching #11 on the U.S. Billboard R&B chart. She had a minor hit with "Heart Be Still" in 1967.
She was a prolific songwriter, often collaborating with her manager and later husband, Sam Bell. She recorded the original version of "Try (Just a Little Bit Harder)", which later became a major hit for Janis Joplin. Her songs were recorded by artists such as Jerry Butler, Dee Dee Warwick, Garnet Mimms, and Howard Tate.
Ellison largely retired from the music industry in the 1970s to care for her ailing mother, though she continued to sing in church. She died of ovarian cancer on January 31, 1983, at the age of 51. Her legacy is preserved through compilations like the Sister Love: The Warner Bros. Recordings.
Ellison moved into R&B in 1964 and initially signed with Mercury Records, where she released "I Dig You Baby" in 1965. Shortly after, she signed with Warner Bros. Records. Her defining moment came in 1966 due to a fortunate coincidence. When Frank Sinatra cancelled a scheduled recording session at the last minute, songwriter and producer Jerry Ragovoy utilized the already-booked 46-piece orchestra to record Ellison singing "Stay with Me". The song became a soul classic, reaching #11 on the U.S. Billboard R&B chart. She had a minor hit with "Heart Be Still" in 1967.
She was a prolific songwriter, often collaborating with her manager and later husband, Sam Bell. She recorded the original version of "Try (Just a Little Bit Harder)", which later became a major hit for Janis Joplin. Her songs were recorded by artists such as Jerry Butler, Dee Dee Warwick, Garnet Mimms, and Howard Tate.
Ellison largely retired from the music industry in the 1970s to care for her ailing mother, though she continued to sing in church. She died of ovarian cancer on January 31, 1983, at the age of 51. Her legacy is preserved through compilations like the Sister Love: The Warner Bros. Recordings.
Lou Courtney
Lou Courtney was an American soul singer, songwriter, and producer known for his dance-oriented hits in the 1960s and 1970s. Born Louis Russell Pegues on August 15, 1943, in Buffalo, New York, he passed away on June 25, 2021, at age 77.
He graduated from Hutchinson Central Technical High School in 1962 and began recording as Lew Courtney for Imperial Records that year. In New York City, he wrote songs under his birth name for artists like Chubby Checker and Mary Wells, including her 1964 hit "Ain't It the Truth," and co-wrote pop tracks like "Find My Way Back Home" for the Nashville Teens with Dennis Lambert.
Courtney signed with Riverside Records in 1966, releasing dance hits such as "Skate Now" (No. 13 R&B, No. 71 Pop in 1967) and "Do the Thing" (No. 17 R&B, No. 80 Pop), often co-written and produced with Robert Bateman. He issued singles on labels like Pop-Side, Verve, Buddah, and Epic, with later R&B charters including "What Do You Want Me To Do" (1973) and "I Don't Need Anybody Else" (1974).
Albums: Skate Now - Shing-A-Ling (1967), I’m In Need of Love (1974), Buffalo Smoke (1976 with his band).?
He produced for artists like Lorraine Ellison and Betty Mabry, appeared on Bonnie Raitt's 1974 album Streetlights, and briefly joined The 5th Dimension in 1978.
After a stroke, he lived in New York City and made occasional live appearances until his death in 2021.
He graduated from Hutchinson Central Technical High School in 1962 and began recording as Lew Courtney for Imperial Records that year. In New York City, he wrote songs under his birth name for artists like Chubby Checker and Mary Wells, including her 1964 hit "Ain't It the Truth," and co-wrote pop tracks like "Find My Way Back Home" for the Nashville Teens with Dennis Lambert.
Courtney signed with Riverside Records in 1966, releasing dance hits such as "Skate Now" (No. 13 R&B, No. 71 Pop in 1967) and "Do the Thing" (No. 17 R&B, No. 80 Pop), often co-written and produced with Robert Bateman. He issued singles on labels like Pop-Side, Verve, Buddah, and Epic, with later R&B charters including "What Do You Want Me To Do" (1973) and "I Don't Need Anybody Else" (1974).
Albums: Skate Now - Shing-A-Ling (1967), I’m In Need of Love (1974), Buffalo Smoke (1976 with his band).?
He produced for artists like Lorraine Ellison and Betty Mabry, appeared on Bonnie Raitt's 1974 album Streetlights, and briefly joined The 5th Dimension in 1978.
After a stroke, he lived in New York City and made occasional live appearances until his death in 2021.
Lou Johnson
Lou Johnson was born on February 11, 1941, in Brooklyn, New York. He hailed from a musical family, which influenced his early interest in music; as a teenager, he began singing in gospel choirs, showcasing his vocal talent from a young age. Johnson furthered his musical education by studying at Brooklyn College, where he honed his skills as a musician and developed his unique sound.
Johnson's professional music career took off in the mid-1950s when he began performing with the doo-wop group called the Serenaders. This experience set the stage for his transition into the soul music genre, where he would eventually make a significant impact.
Throughout the 1960s and early 1970s, Lou Johnson emerged as a prominent figure in the Southern Soul scene. He became well-known for his emotive singing style and his ability to convey deep feelings through music.
Johnson was notably one of the first vocalists to popularize the songs written by the legendary songwriting duo Burt Bacharach and Hal David, alongside other talents such as Dionne Warwick. His recordings during this period included a blend of R&B, soul, and pop/rock, contributing to the vibrant music landscape of that era.
Johnson's music is characterized by its soulful sound, deeply rooted in the Southern Soul tradition. He was not only an accomplished singer but also a skilled pianist and percussionist, which enhanced his performances and recordings. His style encompassed elements of R&B, Southern Soul, and early pop/rock, appealing to a diverse audience.
Lou Johnson continued to perform and create music throughout his life, maintaining a loyal fan base. He passed away on May 1, 2019, in San Bernardino, California, leaving behind a rich legacy as a talented soul singer and musician. His contributions to the genre remain influential, and he is remembered for his unique voice and heartfelt performances.
In summary, Lou Johnson's biography encapsulates his journey from a young gospel singer in Brooklyn to a recognized soul music artist, illustrating his impact on the music scene during a pivotal time in American musical history.
Johnson's professional music career took off in the mid-1950s when he began performing with the doo-wop group called the Serenaders. This experience set the stage for his transition into the soul music genre, where he would eventually make a significant impact.
Throughout the 1960s and early 1970s, Lou Johnson emerged as a prominent figure in the Southern Soul scene. He became well-known for his emotive singing style and his ability to convey deep feelings through music.
Johnson was notably one of the first vocalists to popularize the songs written by the legendary songwriting duo Burt Bacharach and Hal David, alongside other talents such as Dionne Warwick. His recordings during this period included a blend of R&B, soul, and pop/rock, contributing to the vibrant music landscape of that era.
Johnson's music is characterized by its soulful sound, deeply rooted in the Southern Soul tradition. He was not only an accomplished singer but also a skilled pianist and percussionist, which enhanced his performances and recordings. His style encompassed elements of R&B, Southern Soul, and early pop/rock, appealing to a diverse audience.
Lou Johnson continued to perform and create music throughout his life, maintaining a loyal fan base. He passed away on May 1, 2019, in San Bernardino, California, leaving behind a rich legacy as a talented soul singer and musician. His contributions to the genre remain influential, and he is remembered for his unique voice and heartfelt performances.
In summary, Lou Johnson's biography encapsulates his journey from a young gospel singer in Brooklyn to a recognized soul music artist, illustrating his impact on the music scene during a pivotal time in American musical history.
Lou Rawls
Lou Rawls was an acclaimed American singer known for his smooth baritone voice spanning jazz, soul, gospel, and R&B genres. Born Louis Allen Rawls on December 1, 1933, in Chicago, Illinois, he rose to fame with over 60 albums and more than 40 million records sold.
Rawls grew up on Chicago's South Side, raised by his grandmother after his father left the family. He began singing at age seven in a Baptist church choir and drew inspiration from performances at the Regal Theater by artists like Billy Eckstine.
In his teens, Rawls sang gospel with Sam Cooke in the Teenage Kings of Harmony, later joining groups like the Highway Q.C.'s and Pilgrim Travelers. He went solo in 1962 after a near-fatal 1958 car crash that left him in a coma for days.
Rawls earned three Grammy Awards: for "Dead End Street" (1967), "A Natural Man" (1971), and the album Unmistakably Lou (1977). His biggest hit, "You'll Never Find Another Love Like Mine" (1976), topped R&B charts and peaked at number two on pop charts.
Rawls acted in films like Blues Brothers 2000, voiced cartoons, and hosted the United Negro College Fund telethon, raising over $200 million. He died on January 6, 2006, in Los Angeles at age 72 from lung cancer.
Rawls grew up on Chicago's South Side, raised by his grandmother after his father left the family. He began singing at age seven in a Baptist church choir and drew inspiration from performances at the Regal Theater by artists like Billy Eckstine.
In his teens, Rawls sang gospel with Sam Cooke in the Teenage Kings of Harmony, later joining groups like the Highway Q.C.'s and Pilgrim Travelers. He went solo in 1962 after a near-fatal 1958 car crash that left him in a coma for days.
Rawls earned three Grammy Awards: for "Dead End Street" (1967), "A Natural Man" (1971), and the album Unmistakably Lou (1977). His biggest hit, "You'll Never Find Another Love Like Mine" (1976), topped R&B charts and peaked at number two on pop charts.
Rawls acted in films like Blues Brothers 2000, voiced cartoons, and hosted the United Negro College Fund telethon, raising over $200 million. He died on January 6, 2006, in Los Angeles at age 72 from lung cancer.
Love Unlimited
Love Unlimited was a female vocal trio closely associated with Barry White, providing backing vocals for his albums and tours while achieving their own chart success in the 1970s. Formed in 1969, the group consisted of Glodean James (Barry White's future wife), her sister Linda James, and their cousin Diane Taylor.
Barry White discovered and produced the trio, launching them with their debut album From a Girl's Point of View We Give to You... Love Unlimited in 1972 on Uni Records. Their first major hit, "Walkin' in the Rain with the One I Love," reached number 14 on the Billboard Hot 100, number 6 on the soul chart, and earned a gold disc for over one million sales. This track showcased their lush, romantic soul style, blending heartfelt lyrics with orchestral arrangements typical of White's sound.
The 1973 album Under the Influence of... Love Unlimited hit number 3 on the Billboard Pop Albums chart, marking the first female group to reach the top five since Diana Ross & the Supremes in 1970. Their biggest success came in 1975 with "I Belong to You," which topped the soul singles chart for a week and peaked at 27 on the Hot 100 from the album In Heat. Later releases on White's Unlimited Gold label included He's All I've Got (1977) and Love Is Back (1979), though chart performance waned.
Key albums include: (1972) From a Girl's Point of View..., (1973) Under the Influence..., (1974) In Heat, (1977) He's All I've Got, (1979) Love Is Back.
Standout singles like "It May Be Winter Outside (But in My Heart It's Spring)" (UK #11) and "Share a Little Love in Your Heart" further defined their disco-infused soul era.
They disbanded in 1981 after pursuing solo paths, with Diane Taylor passing away from cancer in 1985.
Barry White discovered and produced the trio, launching them with their debut album From a Girl's Point of View We Give to You... Love Unlimited in 1972 on Uni Records. Their first major hit, "Walkin' in the Rain with the One I Love," reached number 14 on the Billboard Hot 100, number 6 on the soul chart, and earned a gold disc for over one million sales. This track showcased their lush, romantic soul style, blending heartfelt lyrics with orchestral arrangements typical of White's sound.
The 1973 album Under the Influence of... Love Unlimited hit number 3 on the Billboard Pop Albums chart, marking the first female group to reach the top five since Diana Ross & the Supremes in 1970. Their biggest success came in 1975 with "I Belong to You," which topped the soul singles chart for a week and peaked at 27 on the Hot 100 from the album In Heat. Later releases on White's Unlimited Gold label included He's All I've Got (1977) and Love Is Back (1979), though chart performance waned.
Key albums include: (1972) From a Girl's Point of View..., (1973) Under the Influence..., (1974) In Heat, (1977) He's All I've Got, (1979) Love Is Back.
Standout singles like "It May Be Winter Outside (But in My Heart It's Spring)" (UK #11) and "Share a Little Love in Your Heart" further defined their disco-infused soul era.
They disbanded in 1981 after pursuing solo paths, with Diane Taylor passing away from cancer in 1985.
Lucy Pearl
Lucy Pearl was a short-lived R&B and neo-soul supergroup formed in 1999, featuring Raphael Saadiq from Tony! Toni! Toné!, Dawn Robinson from En Vogue, and Ali Shaheed Muhammad from A Tribe Called Quest.
Raphael Saadiq initiated the group after leaving Tony! Toni! Toné!, originally envisioning it with Ali Shaheed Muhammad and D'Angelo, who departed due to scheduling issues. Saadiq then recruited Dawn Robinson, and they adopted the name Lucy Pearl—honoring Saadiq's sister and producer Jimi "Jimmy Lee" Heath. The trio began recording their debut album shortly after forming.
Their self-titled album, Lucy Pearl, released on May 23, 2000, via Beyond Records/EMI, blended R&B, funk, hip-hop, and neo-soul. It achieved platinum status worldwide, driven by hits like "Dance Tonight" (Grammy-nominated) and "Don't Mess with My Man" featuring Ludacris and Static Major. The project featured guest appearances from Snoop Dogg, Mos Def, and Q-Tip.
Dawn Robinson departed after the initial singles, reportedly amid disputes over royalties and solo opportunities. She was replaced by singer Joi Cardwell (known as Joi) for live performances and a planned second album that never materialized. Core members Raphael Saadiq and Ali Shaheed Muhammad continued briefly with Joi.
The group disbanded around 2001-2002 after limited touring and no further releases, as members pursued solo careers—Saadiq in production, Muhammad in hip-hop, and Robinson in solo R&B. Despite the brevity, Lucy Pearl influenced the neo-soul era and remains celebrated for its collaborative spirit.
Raphael Saadiq initiated the group after leaving Tony! Toni! Toné!, originally envisioning it with Ali Shaheed Muhammad and D'Angelo, who departed due to scheduling issues. Saadiq then recruited Dawn Robinson, and they adopted the name Lucy Pearl—honoring Saadiq's sister and producer Jimi "Jimmy Lee" Heath. The trio began recording their debut album shortly after forming.
Their self-titled album, Lucy Pearl, released on May 23, 2000, via Beyond Records/EMI, blended R&B, funk, hip-hop, and neo-soul. It achieved platinum status worldwide, driven by hits like "Dance Tonight" (Grammy-nominated) and "Don't Mess with My Man" featuring Ludacris and Static Major. The project featured guest appearances from Snoop Dogg, Mos Def, and Q-Tip.
Dawn Robinson departed after the initial singles, reportedly amid disputes over royalties and solo opportunities. She was replaced by singer Joi Cardwell (known as Joi) for live performances and a planned second album that never materialized. Core members Raphael Saadiq and Ali Shaheed Muhammad continued briefly with Joi.
The group disbanded around 2001-2002 after limited touring and no further releases, as members pursued solo careers—Saadiq in production, Muhammad in hip-hop, and Robinson in solo R&B. Despite the brevity, Lucy Pearl influenced the neo-soul era and remains celebrated for its collaborative spirit.
Luther
Luther was a short-lived R&B/soul vocal group formed by Luther Vandross in the mid-1970s as a vehicle for his early recording career.
Luther Vandross, born April 20, 1951, in Manhattan, New York, created the group after high school experiences with earlier ensembles like Shades of Jade (also called A Shade of Jade). The lineup featured Vandross on lead vocals alongside Anthony Hinton, Diane Sumler, Theresa V. Reed, and Christine Wiltshire. Emerging from his session work and collaborations, including with David Bowie, the group signed with Cotillion Records under executive Henry Allen.
The self-titled debut Luther arrived in May 1976, with Vandross writing and producing all tracks. Singles like "It's Good for the Soul," "Funky Music (Is a Part of Me)," and "The 2nd Time Around" failed to chart. A follow-up, This Close to You (1977), came as a trio but also flopped commercially, leading Cotillion to drop the group.
Vandross bought back the masters to prevent reissues, though Luther saw a 2024 Legacy Recordings release. The group's obscure output foreshadowed Vandross's solo success with Never Too Much (1981) and his status as an R&B icon. Personnel included notable session players like Carlos Alomar on guitar and Nat Adderley Jr. on keyboards.
Luther Vandross, born April 20, 1951, in Manhattan, New York, created the group after high school experiences with earlier ensembles like Shades of Jade (also called A Shade of Jade). The lineup featured Vandross on lead vocals alongside Anthony Hinton, Diane Sumler, Theresa V. Reed, and Christine Wiltshire. Emerging from his session work and collaborations, including with David Bowie, the group signed with Cotillion Records under executive Henry Allen.
The self-titled debut Luther arrived in May 1976, with Vandross writing and producing all tracks. Singles like "It's Good for the Soul," "Funky Music (Is a Part of Me)," and "The 2nd Time Around" failed to chart. A follow-up, This Close to You (1977), came as a trio but also flopped commercially, leading Cotillion to drop the group.
Vandross bought back the masters to prevent reissues, though Luther saw a 2024 Legacy Recordings release. The group's obscure output foreshadowed Vandross's solo success with Never Too Much (1981) and his status as an R&B icon. Personnel included notable session players like Carlos Alomar on guitar and Nat Adderley Jr. on keyboards.
Luther Allison
Luther Allison was an influential American blues guitarist and singer-songwriter known for his powerful live performances and fiery guitar solos. Born on August 17, 1939, in Widener, Arkansas (with some sources noting Mayflower), he became a key figure in Chicago blues before achieving international acclaim in Europe.
Allison grew up in a musical family, touring as a child with the gospel group Southern Travellers during the late 1940s. His family relocated to Chicago in 1951, where he attended Farragut High School alongside Muddy Waters' son and self-taught guitar by listening to blues records.
Dropping out of school at 14, Allison immersed himself in Chicago's West Side blues scene, performing with legends like Howlin' Wolf, Freddie King, Jimmy Dawkins, Magic Sam, Otis Rush, and James Cotton. He took over King's band during national tours and earned the nickname "the Jimi Hendrix of blues guitar" from the Chicago Reader for his intense style.
A standout 1969 performance at the Ann Arbor Blues Festival led to return invitations through 1972 and nationwide tours. In 1972, he signed with Motown Records as one of its few blues artists, releasing albums amid declining U.S. interest in the genre.
Relocating to France in 1977 after mid-1970s European tours, Allison built a massive following overseas, releasing live albums like Gonna Be a Live One in Here Tonight! on Rumble Records. He stayed away from the U.S. for 15 years due to disco's dominance, becoming a European blues superstar.
Returning triumphantly in 1994, Allison signed with Alligator Records, issuing Soul Fixin' Man (1994), Blue Streak (1995), and the Grammy-nominated Reckless (1997 posthumously). Known for marathon shows with his Gibson Les Paul, he won multiple W.C. Handy and Living Blues Awards before dying of cancer on August 12, 1997, in Madison, Wisconsin, at age 57.
Allison grew up in a musical family, touring as a child with the gospel group Southern Travellers during the late 1940s. His family relocated to Chicago in 1951, where he attended Farragut High School alongside Muddy Waters' son and self-taught guitar by listening to blues records.
Dropping out of school at 14, Allison immersed himself in Chicago's West Side blues scene, performing with legends like Howlin' Wolf, Freddie King, Jimmy Dawkins, Magic Sam, Otis Rush, and James Cotton. He took over King's band during national tours and earned the nickname "the Jimi Hendrix of blues guitar" from the Chicago Reader for his intense style.
A standout 1969 performance at the Ann Arbor Blues Festival led to return invitations through 1972 and nationwide tours. In 1972, he signed with Motown Records as one of its few blues artists, releasing albums amid declining U.S. interest in the genre.
Relocating to France in 1977 after mid-1970s European tours, Allison built a massive following overseas, releasing live albums like Gonna Be a Live One in Here Tonight! on Rumble Records. He stayed away from the U.S. for 15 years due to disco's dominance, becoming a European blues superstar.
Returning triumphantly in 1994, Allison signed with Alligator Records, issuing Soul Fixin' Man (1994), Blue Streak (1995), and the Grammy-nominated Reckless (1997 posthumously). Known for marathon shows with his Gibson Les Paul, he won multiple W.C. Handy and Living Blues Awards before dying of cancer on August 12, 1997, in Madison, Wisconsin, at age 57.
Luther Ingram
Luther Thomas Ingram was born on November 30, 1937, in Jackson, Tennessee, as one of ten children. His family relocated to Alton, Illinois, in 1947 when he was ten, where he developed an interest in music and formed a gospel group called the Alton Crusaders with his brothers Archie and Richard. The group later shifted to doo-wop and recorded as the Gardenias for Federal Records in 1956, accompanied by Ike Turner.
Ingram started his solo career in 1965 with Decca Records, releasing "You Never Miss Your Water," which he co-wrote. He signed with KoKo Records in the late 1960s, a Memphis label tied to Stax Records, achieving his first charting hits like "My Honey And Me" (#19 R&B in 1969) and "Ain't That Loving You (For More Reasons Than One)" (#6 R&B, #45 Hot 100 in 1970).
His signature song, "(If Loving You Is Wrong) I Don't Want to Be Right," topped the R&B chart for four weeks and reached #3 on the Hot 100 in 1972, becoming his biggest hit on KoKo/Sta.x Ingram placed 15 singles on the R&B charts from 1970-1978, including "I'll Be Your Shelter (In Time of Storm)" (#9 R&B) and co-wrote the Staple Singers' "Respect Yourself." Other notable tracks include "Pity for the Lonely" (#39 R&B) and Northern Soul favorites like "I Can't Stop."
Ingram continued recording into the 1990s, though later releases were less prominent. He passed away on March 19, 2007, in Belleville, Illinois, at age 69. His work influenced soul and R&B, with songs featured in films like Hustle & Flow and Now and Then.
Ingram started his solo career in 1965 with Decca Records, releasing "You Never Miss Your Water," which he co-wrote. He signed with KoKo Records in the late 1960s, a Memphis label tied to Stax Records, achieving his first charting hits like "My Honey And Me" (#19 R&B in 1969) and "Ain't That Loving You (For More Reasons Than One)" (#6 R&B, #45 Hot 100 in 1970).
His signature song, "(If Loving You Is Wrong) I Don't Want to Be Right," topped the R&B chart for four weeks and reached #3 on the Hot 100 in 1972, becoming his biggest hit on KoKo/Sta.x Ingram placed 15 singles on the R&B charts from 1970-1978, including "I'll Be Your Shelter (In Time of Storm)" (#9 R&B) and co-wrote the Staple Singers' "Respect Yourself." Other notable tracks include "Pity for the Lonely" (#39 R&B) and Northern Soul favorites like "I Can't Stop."
Ingram continued recording into the 1990s, though later releases were less prominent. He passed away on March 19, 2007, in Belleville, Illinois, at age 69. His work influenced soul and R&B, with songs featured in films like Hustle & Flow and Now and Then.
Maceo And All The King’s Men
Maceo And All The King’s Men was a funk band formed in 1970 by saxophonist Maceo Parker and key members of James Brown's band who left due to frustrations over treatment and recognition. The group, including Parker's brother Melvin on drums and others like "Sweet" Charles Sherrell, toured independently for about two years, emphasizing funky jazz and soul.
The band emerged in March 1970 when Parker, Melvin, and seven other Brown musicians walked out after years of playing on hits like "Cold Sweat" and "Funky Drummer." Parker sought creative freedom, stating he needed to "do [his] own thing" beyond Brown's experimental detours. They drew from their James Brown experience, blending tight rhythms with Parker's signature saxophone leads.
Their debut album, Doing Their Own Thing (1970, House of the Fox), featured tracks like "Got To Get 'Cha" and "Funky Women." A second release, Funky Music Machine (1972, Excello), captured their live energy before disbanding in May 1972. Members later rejoined Brown's J.B.'s or pursued other projects like P-Funk.
The band emerged in March 1970 when Parker, Melvin, and seven other Brown musicians walked out after years of playing on hits like "Cold Sweat" and "Funky Drummer." Parker sought creative freedom, stating he needed to "do [his] own thing" beyond Brown's experimental detours. They drew from their James Brown experience, blending tight rhythms with Parker's signature saxophone leads.
Their debut album, Doing Their Own Thing (1970, House of the Fox), featured tracks like "Got To Get 'Cha" and "Funky Women." A second release, Funky Music Machine (1972, Excello), captured their live energy before disbanding in May 1972. Members later rejoined Brown's J.B.'s or pursued other projects like P-Funk.
Madeline Bell
Madeline Bell is an American soul singer best known for her work with the UK pop group Blue Mink in the 1960s and 1970s. Born on July 23, 1942, in Newark, New Jersey, she rose to prominence after arriving in the UK in 1962 with the gospel show Black Nativity alongside the Bradford Singers.
She began as a session vocalist, providing backup for artists like Dusty Springfield, Donna Summer, and Joe Cocker. Her first major solo hit came in 1968 with a cover of "I'm Gonna Make You Love Me," which outperformed the original on the US Billboard Hot 100.
Bell gained fame as a lead vocalist for Blue Mink, contributing to their pop successes. She also fronted the BBC series Colour My Soul in 1973-1974 and later sang with groups like Space, releasing hits such as "Save Your Love For Me" in 1978.
Into the 1980s and beyond, she collaborated on soundtracks like Scream for Help with John Paul Jones and performed jazz across Europe. She resides in Spain with her former husband, drummer Barry Reeves.
She began as a session vocalist, providing backup for artists like Dusty Springfield, Donna Summer, and Joe Cocker. Her first major solo hit came in 1968 with a cover of "I'm Gonna Make You Love Me," which outperformed the original on the US Billboard Hot 100.
Bell gained fame as a lead vocalist for Blue Mink, contributing to their pop successes. She also fronted the BBC series Colour My Soul in 1973-1974 and later sang with groups like Space, releasing hits such as "Save Your Love For Me" in 1978.
Into the 1980s and beyond, she collaborated on soundtracks like Scream for Help with John Paul Jones and performed jazz across Europe. She resides in Spain with her former husband, drummer Barry Reeves.
Magnetic Touch
Magnetic Touch was a short-lived Detroit soul group from the late 1950s to early 1960s, closely linked to the better-known act The Volumes. Their story highlights the gritty evolution of the Motor City music scene, where lineups shifted frequently amid lineup changes and label struggles.
Formed in 1959 as the Marvelous Marveliers, the group started with street corner harmonies in Detroit schools like Central High. Original members included Bobby Peterson (born May 1939), his sister Sharon Peterson, Tony Johnson, Jackie Perkins, and Candi (Fagan) Bell. They recorded early tracks backed by impressed locals but saw little success, prompting a name change to the Magnetics.
Under the Magnetics name, they cut "Lady In Green" / "Heart, You're Made of Stone" on Bonnie Records around 1964, with Gerald Mathis on lead vocals sounding like ex-member Eddie Union. They also released "The Trouble I've Seen" / "That Same Old Feeling" on Impact. These tracks, produced with Duke Browner, got local Detroit play at spots like the 20 Grand but faded quickly.
Eddie Union quit early for a solo career, replaced by Mathis; later members included Elijah Davis, Ernest Newsome, and William "Pete" Crawford (ex-Distants). By the mid-1960s, core survivors Bobby Peterson, Elijah Davis, and others folded into The Volumes, using the Magnetics name for select gigs. Mathis and Newsome have passed away.
Surviving Volumes members confirmed the Magnetics connection in UK Northern Soul circles, performing those tracks at events like the 2009 Prestatyn Soul Weekender. A 1987 track "High Risk" and a 2025 YouTube medley suggest possible later revivals or tributes led by Bobby "T-Boy" Taylor's son.
Formed in 1959 as the Marvelous Marveliers, the group started with street corner harmonies in Detroit schools like Central High. Original members included Bobby Peterson (born May 1939), his sister Sharon Peterson, Tony Johnson, Jackie Perkins, and Candi (Fagan) Bell. They recorded early tracks backed by impressed locals but saw little success, prompting a name change to the Magnetics.
Under the Magnetics name, they cut "Lady In Green" / "Heart, You're Made of Stone" on Bonnie Records around 1964, with Gerald Mathis on lead vocals sounding like ex-member Eddie Union. They also released "The Trouble I've Seen" / "That Same Old Feeling" on Impact. These tracks, produced with Duke Browner, got local Detroit play at spots like the 20 Grand but faded quickly.
Eddie Union quit early for a solo career, replaced by Mathis; later members included Elijah Davis, Ernest Newsome, and William "Pete" Crawford (ex-Distants). By the mid-1960s, core survivors Bobby Peterson, Elijah Davis, and others folded into The Volumes, using the Magnetics name for select gigs. Mathis and Newsome have passed away.
Surviving Volumes members confirmed the Magnetics connection in UK Northern Soul circles, performing those tracks at events like the 2009 Prestatyn Soul Weekender. A 1987 track "High Risk" and a 2025 YouTube medley suggest possible later revivals or tributes led by Bobby "T-Boy" Taylor's son.
Major Harris
Major Harris III was an influential American R&B singer known for his smooth Philadelphia soul style. He rose to prominence with the Delfonics and as a solo artist in the 1970s.
Born on February 9, 1947, in Richmond, Virginia, Harris came from a musical family—his father was a professional guitarist, his mother led church choirs, and his grandparents performed in vaudeville. He was the brother of songwriter Joe Jefferson and cousin to record producer Norman Harris.
Harris sang with early groups like the Charmers, Teenagers, Jarmels, and Nat Turner's Rebellion before joining the Delfonics in the early 1970s as Randy Cain's replacement. He left in 1974 for a solo career with Atlantic Records, achieving his biggest hit with "Love Won't Let Me Wait," which peaked at No. 5 on the Billboard Hot 100 in 1975.
After solo success waned, Harris rejoined Delfonics touring groups in the 1990s and 2000s and released a 1984 album, I Believe in Love. He died on November 9, 2012, in Richmond, Virginia, at age 65 from congestive heart and lung failure.
Born on February 9, 1947, in Richmond, Virginia, Harris came from a musical family—his father was a professional guitarist, his mother led church choirs, and his grandparents performed in vaudeville. He was the brother of songwriter Joe Jefferson and cousin to record producer Norman Harris.
Harris sang with early groups like the Charmers, Teenagers, Jarmels, and Nat Turner's Rebellion before joining the Delfonics in the early 1970s as Randy Cain's replacement. He left in 1974 for a solo career with Atlantic Records, achieving his biggest hit with "Love Won't Let Me Wait," which peaked at No. 5 on the Billboard Hot 100 in 1975.
After solo success waned, Harris rejoined Delfonics touring groups in the 1990s and 2000s and released a 1984 album, I Believe in Love. He died on November 9, 2012, in Richmond, Virginia, at age 65 from congestive heart and lung failure.
Major Lance
Major Lance was an influential American R&B and soul singer known for his 1960s hits and enduring popularity in the UK's Northern Soul scene. Born on April 4, 1939 (or 1941 per some sources), in Winterville, Mississippi, he moved to Chicago as a child and began his career dancing on a local TV show before pursuing music.
Major Lance grew up in Chicago, where he attended Wells High School and met future collaborators like Curtis Mayfield. He sang with groups like the Five Gospel Harmonaires and the Floats alongside Otis Leavill in the mid-1950s. His debut single, "I Got a Girl" (written by Mayfield), was released on Mercury Records in 1959 but failed commercially.
Lance signed with Okeh Records in 1963, launching hits like "The Monkey Time" (No. 2 R&B, No. 8 Pop), "Hey Little Girl," and "Um, Um, Um, Um, Um, Um" (top 10 R&B). His smooth voice drove sales rivaling the Impressions, produced by Carl Davis and Mayfield. He scored further successes with "The Matador" and "Delicious" before leaving Okeh in 1968.
In the 1970s, Lance gained cult status among British Northern Soul fans and tried comebacks via his Osiris label (1975) and Playboy Records. A 1978 cocaine conviction led to prison time, followed by gigs in Carolina beach clubs post-release. A 1987 heart attack stalled further plans; he performed until his death from heart disease on September 3, 1994, in Decatur, Georgia.
Lance's daughter, Keisha Lance Bottoms, served as Atlanta's 60th mayor. His energetic dance tracks remain Northern Soul staples.
Major Lance grew up in Chicago, where he attended Wells High School and met future collaborators like Curtis Mayfield. He sang with groups like the Five Gospel Harmonaires and the Floats alongside Otis Leavill in the mid-1950s. His debut single, "I Got a Girl" (written by Mayfield), was released on Mercury Records in 1959 but failed commercially.
Lance signed with Okeh Records in 1963, launching hits like "The Monkey Time" (No. 2 R&B, No. 8 Pop), "Hey Little Girl," and "Um, Um, Um, Um, Um, Um" (top 10 R&B). His smooth voice drove sales rivaling the Impressions, produced by Carl Davis and Mayfield. He scored further successes with "The Matador" and "Delicious" before leaving Okeh in 1968.
In the 1970s, Lance gained cult status among British Northern Soul fans and tried comebacks via his Osiris label (1975) and Playboy Records. A 1978 cocaine conviction led to prison time, followed by gigs in Carolina beach clubs post-release. A 1987 heart attack stalled further plans; he performed until his death from heart disease on September 3, 1994, in Decatur, Georgia.
Lance's daughter, Keisha Lance Bottoms, served as Atlanta's 60th mayor. His energetic dance tracks remain Northern Soul staples.
Malo
Malo is an American band renowned for blending Latino rock, jazz, and blues. Formed in San Francisco in 1971, it achieved fame with the 1972 hit "Suavecito."
The band emerged from The Malibus, a Bay Area group where original members Arcelio Garcia (lead vocals), Jorge Santana (guitar, brother of Carlos Santana), Pablo Tellez, and Richard Bean played R&B before incorporating Latin elements. Jorge Santana joined around 1970, prompting the name change to Malo. Other early members included Abel Zarate, Roy Murray, and Richard Spremich from Naked Lunch.
Key Members:-
Arcelio Garcia: Lead singer and leader for over 50 years; founded the band's enduring legacy until his passing.
Jorge Santana: Lead guitarist, central to the band's sound; later pursued solo work but occasionally performed with later lineups.
Notable contributors: Horn players like Luis Gasca, Tom Poole; percussionists Coke Escovedo, Francisco Aguabella, Victor Pantoja, Richard Bean.
Later lineups under Arcelio Garcia Jr. (from late 1970s) included Julian Molina (bass), David George (drums), Gabriel Manzo (lead guitar), and others like Frank Bailey (trumpet).
Malo fused Latin rock with jazz complexity, blues, Afro-Cuban rhythms, psychedelic elements, and a prominent horn section, distinguishing it from bands like Santana, Blood, Sweat & Tears, or Chicago. Popular tracks include "Suavecito," "Nena," "Café," "Chevere," "Pana," and "Oye Mama," especially in Central and South America.
The band has toured for decades, with only two original members in recent years. Post-Arcelio's death, his family and bandmates continue tributes. As of 2026, Malo remains active, booking shows and selling merchandise.
The band emerged from The Malibus, a Bay Area group where original members Arcelio Garcia (lead vocals), Jorge Santana (guitar, brother of Carlos Santana), Pablo Tellez, and Richard Bean played R&B before incorporating Latin elements. Jorge Santana joined around 1970, prompting the name change to Malo. Other early members included Abel Zarate, Roy Murray, and Richard Spremich from Naked Lunch.
Key Members:-
Arcelio Garcia: Lead singer and leader for over 50 years; founded the band's enduring legacy until his passing.
Jorge Santana: Lead guitarist, central to the band's sound; later pursued solo work but occasionally performed with later lineups.
Notable contributors: Horn players like Luis Gasca, Tom Poole; percussionists Coke Escovedo, Francisco Aguabella, Victor Pantoja, Richard Bean.
Later lineups under Arcelio Garcia Jr. (from late 1970s) included Julian Molina (bass), David George (drums), Gabriel Manzo (lead guitar), and others like Frank Bailey (trumpet).
Malo fused Latin rock with jazz complexity, blues, Afro-Cuban rhythms, psychedelic elements, and a prominent horn section, distinguishing it from bands like Santana, Blood, Sweat & Tears, or Chicago. Popular tracks include "Suavecito," "Nena," "Café," "Chevere," "Pana," and "Oye Mama," especially in Central and South America.
The band has toured for decades, with only two original members in recent years. Post-Arcelio's death, his family and bandmates continue tributes. As of 2026, Malo remains active, booking shows and selling merchandise.
Marc Sedane
Marc Sadane, an accomplished American soul-pop singer, was born in Savannah, Georgia, where he began his musical journey at a young age. He initially honed his vocal skills while singing in the local church and eventually became the musical director for his church choir, which laid the foundation for his future in music.
In the early 1980s, Sadane emerged as an R&B artist, making a significant impact on the music scene during that era. He is known for his distinctive voice and soulful style, which resonated with audiences. His discography includes notable works such as "One Way Love Affair" released in 1981 and "Exciting" in 1982, showcasing his talent and versatility within the genre.
Sadane has been recognized for his contributions to music and has connections with other prominent artists in the industry. Notably, he was a protégé of the renowned singer Phyllis Hyman and was discovered by Stephanie Mills, which helped propel his career forward.
Overall, Marc Sadane's career reflects his dedication to soul and R&B music, and he is celebrated for his rich vocal ability and artistry. Information is missing on the later developments in his career or personal life.
In the early 1980s, Sadane emerged as an R&B artist, making a significant impact on the music scene during that era. He is known for his distinctive voice and soulful style, which resonated with audiences. His discography includes notable works such as "One Way Love Affair" released in 1981 and "Exciting" in 1982, showcasing his talent and versatility within the genre.
Sadane has been recognized for his contributions to music and has connections with other prominent artists in the industry. Notably, he was a protégé of the renowned singer Phyllis Hyman and was discovered by Stephanie Mills, which helped propel his career forward.
Overall, Marc Sadane's career reflects his dedication to soul and R&B music, and he is celebrated for his rich vocal ability and artistry. Information is missing on the later developments in his career or personal life.
Marcia Griffiths
Marcia Griffiths is a legendary Jamaican reggae singer known as the "Empress of Reggae," with a career spanning over 60 years.
Born Marcia Llyneth Griffiths on November 23, 1949, in West Kingston, Jamaica, she began singing publicly as a teenager. At age 14 in 1964, she debuted onstage at a concert in the Car Theater, Jamaica, performing a cover of Carla Thomas' "I've Got Time" with Byron Lee and the Dragonaires, after being discovered by Phillip James of the Blues Busters. This led to recording contracts with Studio One, where she recorded early hits and duets with artists like Bob Marley and Bob Andy.
Her first solo success came in 1968 with "Feel Like Jumping," written by Bob Andy, followed by "Truly" and "Melody Life." From 1970 to 1974, she formed the duo Bob & Marcia with Bob Andy, scoring international hits like "Young, Gifted and Black" and "The Pied Piper." She also released solo albums such as Naturally and Steppin', featuring covers like Bunny Wailer's "Dreamland."
In 1974, Griffiths joined Rita Marley and Judy Mowatt as the I-Threes, providing backing vocals for Bob Marley & the Wailers on albums like Catch a Fire and during global tours. She contributed to Marley's messages of unity and roots reggae, describing the experience as a profound blessing.
Her 1989 remix of "Electric Boogie" became her biggest hit, inspiring the Electric Slide line dance and making it the best-selling single by a female reggae artist. Other key tracks include "The First Time Ever I Saw Your Face," "Sweet Bitter Love," and "I Shall Sing." Now 76, she continues performing worldwide, received a lifetime achievement award at the 2024 Caribbean Music Awards, and emphasizes uplifting audiences through music.
Born Marcia Llyneth Griffiths on November 23, 1949, in West Kingston, Jamaica, she began singing publicly as a teenager. At age 14 in 1964, she debuted onstage at a concert in the Car Theater, Jamaica, performing a cover of Carla Thomas' "I've Got Time" with Byron Lee and the Dragonaires, after being discovered by Phillip James of the Blues Busters. This led to recording contracts with Studio One, where she recorded early hits and duets with artists like Bob Marley and Bob Andy.
Her first solo success came in 1968 with "Feel Like Jumping," written by Bob Andy, followed by "Truly" and "Melody Life." From 1970 to 1974, she formed the duo Bob & Marcia with Bob Andy, scoring international hits like "Young, Gifted and Black" and "The Pied Piper." She also released solo albums such as Naturally and Steppin', featuring covers like Bunny Wailer's "Dreamland."
In 1974, Griffiths joined Rita Marley and Judy Mowatt as the I-Threes, providing backing vocals for Bob Marley & the Wailers on albums like Catch a Fire and during global tours. She contributed to Marley's messages of unity and roots reggae, describing the experience as a profound blessing.
Her 1989 remix of "Electric Boogie" became her biggest hit, inspiring the Electric Slide line dance and making it the best-selling single by a female reggae artist. Other key tracks include "The First Time Ever I Saw Your Face," "Sweet Bitter Love," and "I Shall Sing." Now 76, she continues performing worldwide, received a lifetime achievement award at the 2024 Caribbean Music Awards, and emphasizes uplifting audiences through music.
Margie Joseph
Margie Joseph is an American R&B, soul, and gospel singer born Margaret Marie Joseph on August 19, 1950, in Gautier (or nearby Pascagoula), Mississippi.
She sang in her church choir as a child and later attended Dillard University in New Orleans, studying speech and drama. In 1967, while there, she recorded demos at Muscle Shoals Sound Studio, leading to her debut single "Why Does a Man Have to Lie?" on Okeh Records.
Joseph signed with Stax's Volt Records in 1969, scoring her first R&B hit (#46) with "Your Sweet Lovin'" produced by Freddy Briggs. She moved to Atlantic Records, releasing albums with producer Arif Mardin; her 1974 cover of Paul McCartney's "My Love" peaked at #69 on the Hot 100 and #10 on R&B charts, drawing Aretha Franklin comparisons. Key hits included a duet with Blue Magic on "What's Come Over Me" (#11 R&B, 1975) and tracks from albums like Margie (1975) and Hear the Words, Feel the Feeling (1976, Cotillion).
After less commercial success with 1978's Feeling My Way, she focused on family and transitioned to gospel music in the 1980s–2000s, performing at churches and events while residing on Mississippi's Gulf Coast. She released non-secular work, including a 1984 dance single "Ready for the Night," and has a new album in production as of recent reports.
She sang in her church choir as a child and later attended Dillard University in New Orleans, studying speech and drama. In 1967, while there, she recorded demos at Muscle Shoals Sound Studio, leading to her debut single "Why Does a Man Have to Lie?" on Okeh Records.
Joseph signed with Stax's Volt Records in 1969, scoring her first R&B hit (#46) with "Your Sweet Lovin'" produced by Freddy Briggs. She moved to Atlantic Records, releasing albums with producer Arif Mardin; her 1974 cover of Paul McCartney's "My Love" peaked at #69 on the Hot 100 and #10 on R&B charts, drawing Aretha Franklin comparisons. Key hits included a duet with Blue Magic on "What's Come Over Me" (#11 R&B, 1975) and tracks from albums like Margie (1975) and Hear the Words, Feel the Feeling (1976, Cotillion).
After less commercial success with 1978's Feeling My Way, she focused on family and transitioned to gospel music in the 1980s–2000s, performing at churches and events while residing on Mississippi's Gulf Coast. She released non-secular work, including a 1984 dance single "Ready for the Night," and has a new album in production as of recent reports.
Marie Queenie Lyons
Marie "Queenie" Lyons was a soul singer born in Archibald, Louisiana, who moved to Ashtabula, Ohio, at a young age. She began her professional career in 1963 at Club Castaway in Geneva, Ohio, and later performed with major acts like King Curtis Band in 1964, Jackie Wilson, Fats Domino, The Coasters, Jerry Lee Lewis, and James Brown.
Lyons started on the Chitlin' Circuit and worked as a songwriter in the 1950s, collaborating on hits like "If I May" for Nat King Cole, earning a BMI Song Award in 1955. She recorded under pseudonyms such as Shelley Shoop and released singles like "Fair Shake" in 1965. By the late 1960s, she toured briefly with James Brown as one of his "Funky Divas."
Her sole album, Soul Fever, was recorded around 1969–1970 at King Records' De Luxe Studios in Cincinnati, produced by Henry Glover with a mix of covers ("Fever," "Try Me") and originals. Singles included "Drown In My Own Tears" and "Fever" on De Luxe in 1969. The album became a rare cult classic in Southern soul and Northern soul scenes.
After Soul Fever's release, Lyons vanished from the music scene, never recording or performing publicly again, earning comparisons to a "Southern enigma" like a Black Bobbie Gentry. Details of her later life remain unknown.
Lyons started on the Chitlin' Circuit and worked as a songwriter in the 1950s, collaborating on hits like "If I May" for Nat King Cole, earning a BMI Song Award in 1955. She recorded under pseudonyms such as Shelley Shoop and released singles like "Fair Shake" in 1965. By the late 1960s, she toured briefly with James Brown as one of his "Funky Divas."
Her sole album, Soul Fever, was recorded around 1969–1970 at King Records' De Luxe Studios in Cincinnati, produced by Henry Glover with a mix of covers ("Fever," "Try Me") and originals. Singles included "Drown In My Own Tears" and "Fever" on De Luxe in 1969. The album became a rare cult classic in Southern soul and Northern soul scenes.
After Soul Fever's release, Lyons vanished from the music scene, never recording or performing publicly again, earning comparisons to a "Southern enigma" like a Black Bobbie Gentry. Details of her later life remain unknown.
Marilyn McCoo and Billy Davis Jr.<div hidden>Marilyn McCoo & Billy Davis Jr. </div>
Marilyn McCoo and Billy Davis Jr. are renowned American singers who rose to fame as lead vocalists of The 5th Dimension before launching a successful duo career. Married since 1969, they share a nearly six-decade partnership blending music, television, and personal faith.?
Marilyn McCoo, born September 30, 1943, in Jersey City, New Jersey, began singing professionally as a teen and studied theater arts and business at UCLA. Billy Davis Jr., born in 1938 in St. Louis, Missouri, pursued music after moving to Los Angeles and helped form the group originally called The Versatiles, which became The 5th Dimension in 1966.?
They met in the group alongside Ron Townson and Florence LaRue, achieving massive hits like "Up, Up and Away" in 1967, which won four Grammy Awards. The 5th Dimension became one of the top pop/soul acts of the late 1960s, earning multiple gold and platinum albums.?
Leaving the group in 1975, McCoo and Davis topped charts with "You Don't Have to Be a Star (To Be in My Show)," a 1977 Grammy winner, and hosted their own CBS variety show that summer as the first African-American married couple to do so. They released albums like The Two of Us and Marilyn & Billy, accumulating seven Grammys total.?
McCoo hosted Solid Gold (1981-1988), appeared in Days of Our Lives and Broadway's Show Boat, and won a Grammy for a Christmas album with Quincy Jones. Davis starred in theatrical productions like Dreamgirls. They co-authored Up, Up and Away in 2004, continued touring, earned a Hollywood Walk of Fame star, and appeared in Summer of Soul (2021).
Marilyn McCoo, born September 30, 1943, in Jersey City, New Jersey, began singing professionally as a teen and studied theater arts and business at UCLA. Billy Davis Jr., born in 1938 in St. Louis, Missouri, pursued music after moving to Los Angeles and helped form the group originally called The Versatiles, which became The 5th Dimension in 1966.?
They met in the group alongside Ron Townson and Florence LaRue, achieving massive hits like "Up, Up and Away" in 1967, which won four Grammy Awards. The 5th Dimension became one of the top pop/soul acts of the late 1960s, earning multiple gold and platinum albums.?
Leaving the group in 1975, McCoo and Davis topped charts with "You Don't Have to Be a Star (To Be in My Show)," a 1977 Grammy winner, and hosted their own CBS variety show that summer as the first African-American married couple to do so. They released albums like The Two of Us and Marilyn & Billy, accumulating seven Grammys total.?
McCoo hosted Solid Gold (1981-1988), appeared in Days of Our Lives and Broadway's Show Boat, and won a Grammy for a Christmas album with Quincy Jones. Davis starred in theatrical productions like Dreamgirls. They co-authored Up, Up and Away in 2004, continued touring, earned a Hollywood Walk of Fame star, and appeared in Summer of Soul (2021).
Mark IV
Mark IV was an American soul group from Orangeburg, South Carolina, active primarily in the late 1960s and 1970s, known for their emotive vocals and regional hits on the soul scene.
The group formed in the late 1960s amid the vibrant Southern soul scene, initially influenced by local acts like the Soul Agents. They gained notice through high-energy performances, including covering hits like Archie Bell and the Drells' "Tighten Up" at talent shows in 1968, which solidified their commitment to music. Managed by Roy C. Hammond, they signed with Mercury Records and released a self-titled album featuring tracks like "If You Can’t Tell Me Something Good," "Signs Of A Dying Love," "I’ll Be Right There," and "My Everything You Are."
The lineup during their Mercury era included lead singer Jimmy Ponder, known for his dynamic, soulful delivery; harmony singer Preston; Walter Moreland; and Buck (possibly Lawrence Jones). Jimmy stood out for his emotional intensity, while Preston focused on tight harmonies. The group later connected with producer Donald Shaw and musicians like bassist Roual in New York by the mid-1970s.
After Mercury, they recorded "Signs Of A Dying Love," toured, and built a cult following in soul circles, with some singles charting regionally in the early 1970s. They relocated to New York around 1973-1975, gigging extensively and briefly linking with acts like the Main Ingredient via connections like Bernard Purdie. Internal conflicts ultimately derailed their momentum, preventing major success despite their talent and hard work.
The group formed in the late 1960s amid the vibrant Southern soul scene, initially influenced by local acts like the Soul Agents. They gained notice through high-energy performances, including covering hits like Archie Bell and the Drells' "Tighten Up" at talent shows in 1968, which solidified their commitment to music. Managed by Roy C. Hammond, they signed with Mercury Records and released a self-titled album featuring tracks like "If You Can’t Tell Me Something Good," "Signs Of A Dying Love," "I’ll Be Right There," and "My Everything You Are."
The lineup during their Mercury era included lead singer Jimmy Ponder, known for his dynamic, soulful delivery; harmony singer Preston; Walter Moreland; and Buck (possibly Lawrence Jones). Jimmy stood out for his emotional intensity, while Preston focused on tight harmonies. The group later connected with producer Donald Shaw and musicians like bassist Roual in New York by the mid-1970s.
After Mercury, they recorded "Signs Of A Dying Love," toured, and built a cult following in soul circles, with some singles charting regionally in the early 1970s. They relocated to New York around 1973-1975, gigging extensively and briefly linking with acts like the Main Ingredient via connections like Bernard Purdie. Internal conflicts ultimately derailed their momentum, preventing major success despite their talent and hard work.
Marlena Shaw
Marlena Shaw was an acclaimed American jazz, blues, and soul singer known for her versatile voice and hits like "California Soul." She passed away in January 2024 at age 84.
Born Marlina Burgess on September 22, 1942 (some sources say 1939), in New Rochelle, New York, Shaw was introduced to music by her uncle, jazz trumpeter Jimmy Burgess. At age 10 or 11, she debuted at Harlem's Apollo Theater, impressing audiences and opening for acts like Lou Rawls, though her mother later restricted touring. She attended New York State Teachers College in Potsdam but dropped out to pursue singing.
Shaw started performing in the early 1960s in New England clubs and the Catskills, facing setbacks like a lost voice and a botched audition with Columbia's John Hammond. In 1966, gigs at Playboy Clubs led to a deal with Chess Records' Cadet label; her vocal take on "Mercy, Mercy, Mercy" became a hit. Her debut album, Out of Different Bags (1967), blended jazz, blues, and pop.
"California Soul" from her 1969 Cadet album gained fame in rare groove scenes and ads for brands like Dockers. She joined Count Basie's orchestra for four years, then became Blue Note's first female vocalist in 1972, releasing five albums including the bold Who Is This Bitch, Anyway? (1974). Later, she recorded for Columbia and others, with her music sampled in hip-hop and featured in films like The Italian Job.
Shaw had five children and was married to Gilbert Roy Hefner and Ed Boyer. She performed until late in life, blending jazz standards with soul and R&B, drawing comparisons to Dinah Washington and Sarah Vaughan. Shaw died on January 19, 2024, in Las Vegas.
Born Marlina Burgess on September 22, 1942 (some sources say 1939), in New Rochelle, New York, Shaw was introduced to music by her uncle, jazz trumpeter Jimmy Burgess. At age 10 or 11, she debuted at Harlem's Apollo Theater, impressing audiences and opening for acts like Lou Rawls, though her mother later restricted touring. She attended New York State Teachers College in Potsdam but dropped out to pursue singing.
Shaw started performing in the early 1960s in New England clubs and the Catskills, facing setbacks like a lost voice and a botched audition with Columbia's John Hammond. In 1966, gigs at Playboy Clubs led to a deal with Chess Records' Cadet label; her vocal take on "Mercy, Mercy, Mercy" became a hit. Her debut album, Out of Different Bags (1967), blended jazz, blues, and pop.
"California Soul" from her 1969 Cadet album gained fame in rare groove scenes and ads for brands like Dockers. She joined Count Basie's orchestra for four years, then became Blue Note's first female vocalist in 1972, releasing five albums including the bold Who Is This Bitch, Anyway? (1974). Later, she recorded for Columbia and others, with her music sampled in hip-hop and featured in films like The Italian Job.
Shaw had five children and was married to Gilbert Roy Hefner and Ed Boyer. She performed until late in life, blending jazz standards with soul and R&B, drawing comparisons to Dinah Washington and Sarah Vaughan. Shaw died on January 19, 2024, in Las Vegas.
Marlon McClain
Marlon McClain is an accomplished guitarist, songwriter, and producer, recognized prominently for his contributions to the music industry, particularly through his role in the band Pleasure. He was born on August 8, 1955, in Portland, Oregon, and began his musical journey in 1972, leading Pleasure, a band known for its unique blend of funk, rock, R&B, and jazz. This group became notable for its horn-driven sound, which defined much of its music and contributed to the band's popularity during the late 1970s and early 1980s.
Throughout his career, McClain has displayed an exceptional versatility, allowing him to adapt and thrive in various musical genres. This adaptability has earned him the nickname "Chameleon," reflecting his ability to change and evolve within the music scene. Beyond Pleasure, he has collaborated with a variety of artists, expanding his influence and reach across different musical styles.
Despite his global acclaim, McClain has maintained a connection to his roots. As of recent years, he has been residing in Corvallis, Oregon, where he returned after spending significant time in Los Angeles. His commitment to family and music continues to be a significant aspect of his life.
Throughout his career, McClain has displayed an exceptional versatility, allowing him to adapt and thrive in various musical genres. This adaptability has earned him the nickname "Chameleon," reflecting his ability to change and evolve within the music scene. Beyond Pleasure, he has collaborated with a variety of artists, expanding his influence and reach across different musical styles.
Despite his global acclaim, McClain has maintained a connection to his roots. As of recent years, he has been residing in Corvallis, Oregon, where he returned after spending significant time in Los Angeles. His commitment to family and music continues to be a significant aspect of his life.
Martha Reeves and the Vandellas
Martha Reeves & The Vandellas were one of the most successful and soulful girl groups of the 1960s Motown era. Originally formed in Detroit in 1957 as The Del-Phis, the group eventually evolved into the powerhouse trio that defined a grittier, R&B-influenced side of the "Motown Sound" compared to the polished pop style of The Supremes.
Founded by high school friends Annette Beard, Rosalind Ashford, and Gloria Williams. Martha Reeves joined the group later. Martha Reeves originally landed a secretarial job at Motown Records' Hitsville U.S.A.. In 1962, when back-up singers were needed for a Marvin Gaye session, she called her groupmates. Motown head Berry Gordy was so impressed he signed them as Martha and the Vandellas after Williams' departure.
Origin of Name: Martha combined the name of her favorite singer, Della Reese, with Van Dyke Street, which bordered her Detroit home.
The group achieved over 26 hits between 1963 and 1972, including:
"Come and Get These Memories" (1963): Their first major breakthrough.
"(Love Is Like a) Heat Wave" (1963): A million-selling single that reached #4 on the Billboard Hot 100.
"Dancing in the Street" (1964): Their signature song and most iconic hit, peaking at #2. It later became an anthem for the Civil Rights Movement.
Other Notable Hits: "Quicksand" (1963), "Nowhere to Run" (1965), "Jimmy Mack" (1967), and "Honey Chile" (1967).
Original members were Martha Reeves, Rosalind Ashford, and Annette Beard. Beard was replaced by Betty Kelly in 1964; Kelly was later replaced by Martha's sister, Lois Reeves, in 1967. In 1967, the group was officially renamed Martha Reeves & The Vandellas to highlight the lead singer.
After Motown's relocation to Los Angeles in 1971, the group disbanded in 1972 following a final concert at Detroit’s Cobo Hall. Reeves released her self-titled debut solo album on MCA in 1974, followed by recordings for Arista and Fantasy Records.
Honors: Inducted into the Rock and Roll Hall of Fame in 1995. Inducted into the Vocal Group Hall of Fame in 2003. Martha Reeves received a star on the Hollywood Walk of Fame in 2024.
As of 2025, Martha Reeves remains active, performing worldwide with a current Vandellas lineup that includes her sisters, Lois and Delphine.
Founded by high school friends Annette Beard, Rosalind Ashford, and Gloria Williams. Martha Reeves joined the group later. Martha Reeves originally landed a secretarial job at Motown Records' Hitsville U.S.A.. In 1962, when back-up singers were needed for a Marvin Gaye session, she called her groupmates. Motown head Berry Gordy was so impressed he signed them as Martha and the Vandellas after Williams' departure.
Origin of Name: Martha combined the name of her favorite singer, Della Reese, with Van Dyke Street, which bordered her Detroit home.
The group achieved over 26 hits between 1963 and 1972, including:
"Come and Get These Memories" (1963): Their first major breakthrough.
"(Love Is Like a) Heat Wave" (1963): A million-selling single that reached #4 on the Billboard Hot 100.
"Dancing in the Street" (1964): Their signature song and most iconic hit, peaking at #2. It later became an anthem for the Civil Rights Movement.
Other Notable Hits: "Quicksand" (1963), "Nowhere to Run" (1965), "Jimmy Mack" (1967), and "Honey Chile" (1967).
Original members were Martha Reeves, Rosalind Ashford, and Annette Beard. Beard was replaced by Betty Kelly in 1964; Kelly was later replaced by Martha's sister, Lois Reeves, in 1967. In 1967, the group was officially renamed Martha Reeves & The Vandellas to highlight the lead singer.
After Motown's relocation to Los Angeles in 1971, the group disbanded in 1972 following a final concert at Detroit’s Cobo Hall. Reeves released her self-titled debut solo album on MCA in 1974, followed by recordings for Arista and Fantasy Records.
Honors: Inducted into the Rock and Roll Hall of Fame in 1995. Inducted into the Vocal Group Hall of Fame in 2003. Martha Reeves received a star on the Hollywood Walk of Fame in 2024.
As of 2025, Martha Reeves remains active, performing worldwide with a current Vandellas lineup that includes her sisters, Lois and Delphine.
Marv Johnson
Marv Johnson was an influential American R&B singer, songwriter, and pianist pivotal to Motown's early days. Born Marvin Earl Johnson on October 15, 1938, in Detroit, Michigan, he passed away on May 16, 1993, in Columbia, South Carolina.
Johnson grew up in Detroit immersed in gospel, blues, and doo-wop. He sang with the Junior Serenaders in the mid-1950s and played piano, blending those influences into his style.
Discovered by Berry Gordy at a record store or carnival, Johnson recorded "Come to Me," co-written with Gordy, as Tamla Records' first single in 1959 (Tamla 101). Licensed to United Artists, it hit #6 on the R&B chart and #30 on the Hot 100, kickstarting Motown.
Johnson signed with United Artists, releasing hits like "You Got What It Takes" (#2 R&B, #9 Hot 100 in 1959) and "Ain't Nothin' Like a Big Eyed Girl." He rejoined Motown in 1964 as artist, writer, and producer, charting minor hits like "I Miss You Baby" (#39 R&B, 1966). Later roles included sales, promotion, and songwriting for artists like The Dells and Tyrone Davis.
His track "I'll Pick a Rose for My Rose" (1968) became a UK #10 Northern soul hit in 1969. In the 1980s-1990s, he released singles on Ian Levine's Motorcity Records. Inducted into the Michigan Rock and Roll Legends Hall of Fame in 2015, Johnson enjoyed more success abroad than in the US.
Johnson grew up in Detroit immersed in gospel, blues, and doo-wop. He sang with the Junior Serenaders in the mid-1950s and played piano, blending those influences into his style.
Discovered by Berry Gordy at a record store or carnival, Johnson recorded "Come to Me," co-written with Gordy, as Tamla Records' first single in 1959 (Tamla 101). Licensed to United Artists, it hit #6 on the R&B chart and #30 on the Hot 100, kickstarting Motown.
Johnson signed with United Artists, releasing hits like "You Got What It Takes" (#2 R&B, #9 Hot 100 in 1959) and "Ain't Nothin' Like a Big Eyed Girl." He rejoined Motown in 1964 as artist, writer, and producer, charting minor hits like "I Miss You Baby" (#39 R&B, 1966). Later roles included sales, promotion, and songwriting for artists like The Dells and Tyrone Davis.
His track "I'll Pick a Rose for My Rose" (1968) became a UK #10 Northern soul hit in 1969. In the 1980s-1990s, he released singles on Ian Levine's Motorcity Records. Inducted into the Michigan Rock and Roll Legends Hall of Fame in 2015, Johnson enjoyed more success abroad than in the US.
Marva Whitney
Marva Whitney, whose full name was Marva Ann Manning, was born on May 1, 1944, in Kansas City, Kansas, and she passed away on December 22, 2012, in the same city at the age of 68. Known affectionately as "Soul Sister #1," she was an influential American funk singer celebrated for her powerful voice and dynamic performances.
Whitney's musical journey began at an early age, as she performed with her family's gospel group, the Manning Gospel Singers, starting at just three years old. While she may not be a household name, she is cherished among funk enthusiasts for her vibrant style and raw energy in music. Her discography includes notable albums like "It's My Thing," which showcases her contributions to the funk and soul genres.
One of her standout performances was during a concert with James Brown at the Boston Garden on April 5, 1968, where she performed the song "Chain of Fools" . This event significantly marked her career, leaving a lasting impression on audiences and highlighting her talent.
Marva Whitney remains a respected figure in the funk music scene, remembered for her contributions that continue to inspire new generations of musicians and fans alike.
Whitney's musical journey began at an early age, as she performed with her family's gospel group, the Manning Gospel Singers, starting at just three years old. While she may not be a household name, she is cherished among funk enthusiasts for her vibrant style and raw energy in music. Her discography includes notable albums like "It's My Thing," which showcases her contributions to the funk and soul genres.
One of her standout performances was during a concert with James Brown at the Boston Garden on April 5, 1968, where she performed the song "Chain of Fools" . This event significantly marked her career, leaving a lasting impression on audiences and highlighting her talent.
Marva Whitney remains a respected figure in the funk music scene, remembered for her contributions that continue to inspire new generations of musicians and fans alike.
Marvin Gaye
Marvin Gaye was an iconic American singer, songwriter, and producer known as the "Prince of Motown" and "Prince of Soul." Born Marvin Pentz Gay Jr. on April 2, 1939, in Washington, D.C., he tragically died on April 1, 1984.
Gaye grew up in a strict Pentecostal household as the son of a church minister, where he first sang in the choir and learned drums and piano. He joined the Air Force in 1955 but was discharged early, then formed the doo-wop group the Marquees, which evolved into the Moonglows and recorded with Harvey Fuqua.
In 1960, Gaye moved to Detroit, signed with Motown's Tamla label, and worked as a session drummer and backup singer for acts like Stevie Wonder and the Supremes. His first solo hit, "Stubborn Kind of Fellow," came in 1962, followed by duets with Tammi Terrell like "Ain't No Mountain High Enough."
Gaye's 1968 smash "I Heard It Through the Grapevine" topped charts, while his 1971 album What's Going On addressed social issues like Vietnam and poverty, marking his shift to self-production. Later hits included "Let's Get It On" (1973) and "Sexual Healing" (1982), earning him two Grammys.
Married to Berry Gordy's sister Anna from 1963 to 1977, Gaye battled addiction, depression, and financial woes; he left Motown in 1982 for Columbia. On the eve of his 45th birthday, he was shot and killed by his father during a family argument.
Gaye grew up in a strict Pentecostal household as the son of a church minister, where he first sang in the choir and learned drums and piano. He joined the Air Force in 1955 but was discharged early, then formed the doo-wop group the Marquees, which evolved into the Moonglows and recorded with Harvey Fuqua.
In 1960, Gaye moved to Detroit, signed with Motown's Tamla label, and worked as a session drummer and backup singer for acts like Stevie Wonder and the Supremes. His first solo hit, "Stubborn Kind of Fellow," came in 1962, followed by duets with Tammi Terrell like "Ain't No Mountain High Enough."
Gaye's 1968 smash "I Heard It Through the Grapevine" topped charts, while his 1971 album What's Going On addressed social issues like Vietnam and poverty, marking his shift to self-production. Later hits included "Let's Get It On" (1973) and "Sexual Healing" (1982), earning him two Grammys.
Married to Berry Gordy's sister Anna from 1963 to 1977, Gaye battled addiction, depression, and financial woes; he left Motown in 1982 for Columbia. On the eve of his 45th birthday, he was shot and killed by his father during a family argument.
Marvin Gaye and Kim Weston
Marvin Pentz Gaye Jr. was born on April 2, 1939, in Washington, D.C. He was the son of Marvin Gay Sr. and Alberta Gay, with his father hailing from Kentucky and his mother being a native of North Carolina . Gaye grew up in a musical household, which influenced his career as he became a prominent American R&B and soul singer, songwriter, and record producer.
His career began in the late 1950s, and he initially recorded with Motown Records as a session musician. Gaye achieved fame in the 1960s with hits such as "What's Going On," "Sexual Healing," and "Ain't No Mountain High Enough," characterized by his smooth vocal style and emotive delivery. He was known for his collaborations with other Motown artists, including duet partnerships with Mary Wells, Kim Weston, and Tammi Terrell, which significantly contributed to his success.
Gaye's life was marked by both professional triumphs and personal struggles, including issues related to depression and his tumultuous relationship with his father. Tragically, he was shot and killed by his father on April 1, 1984, one day before his 45th birthday. His legacy endures as an influential figure in soul music, inspiring countless artists and earning him posthumous accolades, including induction into the Rock and Roll Hall of Fame.
Kim Weston, born Agatha Natalia Weston on December 20, 1939, is an American soul singer best known for her work with Motown Records. She gained notoriety in the 1960s, particularly with hit songs such as "Love Me All the Way" and "Take Me in Your Arms (Rock Me a Little While)".
Weston became Marvin Gaye's duet partner after Mary Wells left Motown, showcasing their vocal chemistry on various tracks during their collaboration. Her contributions to the Motown sound helped define the era and cemented her status as a key figure in the soul genre. Her work remains celebrated for its emotional depth and vocal strength, establishing her as one of the noteworthy artists of her time.
His career began in the late 1950s, and he initially recorded with Motown Records as a session musician. Gaye achieved fame in the 1960s with hits such as "What's Going On," "Sexual Healing," and "Ain't No Mountain High Enough," characterized by his smooth vocal style and emotive delivery. He was known for his collaborations with other Motown artists, including duet partnerships with Mary Wells, Kim Weston, and Tammi Terrell, which significantly contributed to his success.
Gaye's life was marked by both professional triumphs and personal struggles, including issues related to depression and his tumultuous relationship with his father. Tragically, he was shot and killed by his father on April 1, 1984, one day before his 45th birthday. His legacy endures as an influential figure in soul music, inspiring countless artists and earning him posthumous accolades, including induction into the Rock and Roll Hall of Fame.
Kim Weston, born Agatha Natalia Weston on December 20, 1939, is an American soul singer best known for her work with Motown Records. She gained notoriety in the 1960s, particularly with hit songs such as "Love Me All the Way" and "Take Me in Your Arms (Rock Me a Little While)".
Weston became Marvin Gaye's duet partner after Mary Wells left Motown, showcasing their vocal chemistry on various tracks during their collaboration. Her contributions to the Motown sound helped define the era and cemented her status as a key figure in the soul genre. Her work remains celebrated for its emotional depth and vocal strength, establishing her as one of the noteworthy artists of her time.
Mary J. Blige
Mary J. Blige, born January 11, 1971, in the Bronx, New York, rose from a challenging upbringing marked by poverty, abuse, and frequent moves between New York and Georgia to become a pioneering R&B and hip-hop soul artist known as the "Queen of Hip-Hop Soul." She discovered her voice singing in church choirs and talent shows, later recording a karaoke demo at age 17 that led to her signing with Uptown Records in 1989 as its youngest and first female act.
Her 1992 debut album What's the 411?, produced largely by Sean "Puffy" Combs, blended soulful R&B with hip-hop beats and raw lyrics about pain and love, spawning hits like "Real Love" and "You Remind Me." This release popularized hip-hop soul, influencing generations, and its 1993 remix album featured rappers on every track, a groundbreaking move. Follow-up albums like My Life (1994), Share My World (1997), and The Breakthrough (2005) built her legacy with introspective themes, multi-platinum sales exceeding 50 million worldwide, and nine Grammy Awards.
Blige transitioned into acting with roles in films like Rock of Ages (2012), Mudbound (2017)—earning an Oscar nomination for best supporting actress—and TV projects such as Betty and Coretta (2013). She performed at the Super Bowl LVI halftime show in 2022 and received honors including a Primetime Emmy, four American Music Awards, and the Billboard Icon Award.
Blige founded the Foundation for the Advancement of Women Now to aid women facing abuse and poverty, drawing from her own struggles with addiction, which she overcame with support from her then-husband Kendu Isaacs (married 2003–2018). Her resilient journey continues to inspire through music, activism, and empowerment-focused ventures.
Her 1992 debut album What's the 411?, produced largely by Sean "Puffy" Combs, blended soulful R&B with hip-hop beats and raw lyrics about pain and love, spawning hits like "Real Love" and "You Remind Me." This release popularized hip-hop soul, influencing generations, and its 1993 remix album featured rappers on every track, a groundbreaking move. Follow-up albums like My Life (1994), Share My World (1997), and The Breakthrough (2005) built her legacy with introspective themes, multi-platinum sales exceeding 50 million worldwide, and nine Grammy Awards.
Blige transitioned into acting with roles in films like Rock of Ages (2012), Mudbound (2017)—earning an Oscar nomination for best supporting actress—and TV projects such as Betty and Coretta (2013). She performed at the Super Bowl LVI halftime show in 2022 and received honors including a Primetime Emmy, four American Music Awards, and the Billboard Icon Award.
Blige founded the Foundation for the Advancement of Women Now to aid women facing abuse and poverty, drawing from her own struggles with addiction, which she overcame with support from her then-husband Kendu Isaacs (married 2003–2018). Her resilient journey continues to inspire through music, activism, and empowerment-focused ventures.
Mary Jane Girls
The Mary Jane Girls were an American R&B, soul, funk, and disco girl group formed in 1979 in Los Angeles, California. They gained fame as protégées of musician Rick James and disbanded in 1987.
Rick James initially conceived the project as a solo effort for backup singer Joanne "JoJo" McDuffie, developing tracks with her and session vocalists the Water Sisters. Motown Records signed them as a full group after a misunderstanding, leading James to assemble McDuffie with Cheryl "Cheri" Wells (Bailey), Candice "Candi" Ghant, and Kimberly "Maxi" Wuletich. The members adopted distinct personas: JoJo as sexy and streetwise, Cheri as a valley girl, Candi as a vamp, and Maxi as a dominatri.x
Their self-titled debut, Mary Jane Girls, arrived in 1983 on Gordy Records, peaking at #56 on the Billboard 200 and #6 on R&B charts. Hits included "Candy Man," "All Night Long" (later featured in Grand Theft Auto: Vice City), "Boys," and "Jealousy"; studio vocals were mainly McDuffie and the Waters sisters. Live shows featured James's Stone City Band as backing.
Cheri Wells exited before the 1985 follow-up Only Four You, replaced by Yvette "Corvette" Marine (daughter of singer Pattie Brooks). The album's lead single "In My House" became their biggest hit, reaching #7 on the Hot 100 and #3 on R&B charts. They were inducted into the Rhythm & Blues Music Hall of Fame in 2019.
A third album was recorded but shelved until its 2014 release in a Rick James retrospective. The group dissolved in 1987 amid James's personal struggles.
Rick James initially conceived the project as a solo effort for backup singer Joanne "JoJo" McDuffie, developing tracks with her and session vocalists the Water Sisters. Motown Records signed them as a full group after a misunderstanding, leading James to assemble McDuffie with Cheryl "Cheri" Wells (Bailey), Candice "Candi" Ghant, and Kimberly "Maxi" Wuletich. The members adopted distinct personas: JoJo as sexy and streetwise, Cheri as a valley girl, Candi as a vamp, and Maxi as a dominatri.x
Their self-titled debut, Mary Jane Girls, arrived in 1983 on Gordy Records, peaking at #56 on the Billboard 200 and #6 on R&B charts. Hits included "Candy Man," "All Night Long" (later featured in Grand Theft Auto: Vice City), "Boys," and "Jealousy"; studio vocals were mainly McDuffie and the Waters sisters. Live shows featured James's Stone City Band as backing.
Cheri Wells exited before the 1985 follow-up Only Four You, replaced by Yvette "Corvette" Marine (daughter of singer Pattie Brooks). The album's lead single "In My House" became their biggest hit, reaching #7 on the Hot 100 and #3 on R&B charts. They were inducted into the Rhythm & Blues Music Hall of Fame in 2019.
A third album was recorded but shelved until its 2014 release in a Rick James retrospective. The group dissolved in 1987 amid James's personal struggles.
Mary Wells
Mary Wells was a pioneering Motown singer known as the "First Lady of Motown." She rose to fame in the early 1960s with hits like "My Guy" before leaving the label and facing career challenges until her death in 1992.
Mary Esther Wells was born on May 13, 1943, in Detroit, Michigan, to Geneva Campbell Wells, a domestic worker, and absentee father Arthur Wells. She suffered spinal meningitis at age two, causing partial blindness, hearing loss in one ear, temporary paralysis, and later tuberculosis at age 10, yet she overcame these to sing in church and local clubs while helping her mother clean houses.
Wells graduated from Northwest High School in 1960 and soon married Herman Griffin, signing with Motown's Tamla Records that year. Her self-written debut "Bye Bye Baby" hit #8 on the R&B chart in 1961, followed by top 10 smashes like "The One Who Loves You," "You Beat Me to the Punch," "Two Lovers," and her #1 hit "My Guy" in 1964, making her Motown's first solo star to crossover to mainstream pop.
In 1964, Wells left Motown for a lucrative 20th Century-Fox deal, touring with the Beatles, but subsequent releases on labels like Atlantic and Reprise underperformed. She divorced Griffin, married Cecil Womack (with whom she recorded as Wells-Womack), battled addiction and health issues, and made cameo returns like Motown's 25th anniversary special in 1985.
Wells died of laryngeal cancer on July 26, 1992, in Los Angeles at age 49. Dubbed the "Queen of Motown," she was inducted into the National Rhythm & Blues Hall of Fame and Michigan Rock and Roll Legends Hall of Fame, with "My Guy" entering the Grammy Hall of Fame posthumously.
Mary Esther Wells was born on May 13, 1943, in Detroit, Michigan, to Geneva Campbell Wells, a domestic worker, and absentee father Arthur Wells. She suffered spinal meningitis at age two, causing partial blindness, hearing loss in one ear, temporary paralysis, and later tuberculosis at age 10, yet she overcame these to sing in church and local clubs while helping her mother clean houses.
Wells graduated from Northwest High School in 1960 and soon married Herman Griffin, signing with Motown's Tamla Records that year. Her self-written debut "Bye Bye Baby" hit #8 on the R&B chart in 1961, followed by top 10 smashes like "The One Who Loves You," "You Beat Me to the Punch," "Two Lovers," and her #1 hit "My Guy" in 1964, making her Motown's first solo star to crossover to mainstream pop.
In 1964, Wells left Motown for a lucrative 20th Century-Fox deal, touring with the Beatles, but subsequent releases on labels like Atlantic and Reprise underperformed. She divorced Griffin, married Cecil Womack (with whom she recorded as Wells-Womack), battled addiction and health issues, and made cameo returns like Motown's 25th anniversary special in 1985.
Wells died of laryngeal cancer on July 26, 1992, in Los Angeles at age 49. Dubbed the "Queen of Motown," she was inducted into the National Rhythm & Blues Hall of Fame and Michigan Rock and Roll Legends Hall of Fame, with "My Guy" entering the Grammy Hall of Fame posthumously.
Mass Production
Mass Production is an American funk and disco musical group that originated in the early 1970s in Norfolk, Virginia. This ensemble is renowned for their vibrant sound and energetic performances, particularly during the late 1970s and early 1980s.
The band was formed by childhood friends Ricardo Williams, Tyrone Williams, and LeCoy Bryant, who shared a passion for music from a young age. Their joint efforts to create a band led them to gather a group of ten musicians, elaborating their sound and style reminiscent of influential R&B bands of that era, such as Earth, Wind & Fire. They were deeply influenced by the funk and disco movements that were prominent during that time.
Mass Production achieved significant commercial success with their 1979 hit "Firecracker," which became one of their signature songs and even peaked in the Top Five of the R&B charts. This track exemplified their signature blend of funk and disco, propelling them to fame. Overall, they released eight albums, primarily under the Cotillion label, and amassed a series of R&B hits throughout their career.
Today, Mass Production is recognized for their contributions to the funk and disco genres, leaving behind a legacy that continues to resonate in the music world. Their ability to create timeless club anthems has solidified their status as a significant act in the history of American music.
The band was formed by childhood friends Ricardo Williams, Tyrone Williams, and LeCoy Bryant, who shared a passion for music from a young age. Their joint efforts to create a band led them to gather a group of ten musicians, elaborating their sound and style reminiscent of influential R&B bands of that era, such as Earth, Wind & Fire. They were deeply influenced by the funk and disco movements that were prominent during that time.
Mass Production achieved significant commercial success with their 1979 hit "Firecracker," which became one of their signature songs and even peaked in the Top Five of the R&B charts. This track exemplified their signature blend of funk and disco, propelling them to fame. Overall, they released eight albums, primarily under the Cotillion label, and amassed a series of R&B hits throughout their career.
Today, Mass Production is recognized for their contributions to the funk and disco genres, leaving behind a legacy that continues to resonate in the music world. Their ability to create timeless club anthems has solidified their status as a significant act in the history of American music.
Masterfleet
Masterfleet was a short-lived soul and funk group active in the early 1970s. They released a single album that captured the era's deep soul sound.
Their only album, High On The Sea, came out in 1973 on the Sussex label. Produced by Gamble and Huff, it featured session musicians like Earl Young on drums, Roland Chambers, Norman Harris, T.J. Tindall on guitars, Ronnie Baker on bass, and Larry Washington on congas.
Known members included Stephen Rice, Sterling Rice, and Linus Ceph. Little else is documented about their lineup or individual careers.
The album is now considered a rare deep soul and funk classic, with original LPs fetching high prices among collectors. No further releases or reunions are noted.
Their only album, High On The Sea, came out in 1973 on the Sussex label. Produced by Gamble and Huff, it featured session musicians like Earl Young on drums, Roland Chambers, Norman Harris, T.J. Tindall on guitars, Ronnie Baker on bass, and Larry Washington on congas.
Known members included Stephen Rice, Sterling Rice, and Linus Ceph. Little else is documented about their lineup or individual careers.
The album is now considered a rare deep soul and funk classic, with original LPs fetching high prices among collectors. No further releases or reunions are noted.
Matata
Matata was a prominent Afro Funk band that originated in Nairobi during the 1960s and later made a significant impact in London. The band's music is characterized by its fusion of African rhythms and heavy percussion, often incorporating psychedelic elements, which has made them well-regarded among fans of African funk and soul music.
The name "Matata," which translates to "trouble" in Swahili, reflects the band's energetic and captivating performances that took the nightclub scene by storm. They were known for their collaborations with notable figures in soul, jazz, and funk, showcasing their musical versatility and influence.
Matata's discography includes several singles and two albums, capturing the essence of their unique sound. Among their notable tracks is "Wanna Do My Thing," which further highlights their Afro Funk aesthetic.
The name "Matata," which translates to "trouble" in Swahili, reflects the band's energetic and captivating performances that took the nightclub scene by storm. They were known for their collaborations with notable figures in soul, jazz, and funk, showcasing their musical versatility and influence.
Matata's discography includes several singles and two albums, capturing the essence of their unique sound. Among their notable tracks is "Wanna Do My Thing," which further highlights their Afro Funk aesthetic.
Maurice Williams and The Zodiacs
Maurice Williams and the Zodiacs were an influential American doo-wop and R&B vocal group that gained prominence in the late 1950s and early 1960s.
The group was originally formed as the (Royal) Charms, with Maurice Williams, born on April 26, 1938, in Lancaster, South Carolina, as a central figure. He exhibited musical talent from a young age, performing in church by the age of six and later developing his skills throughout high school. The group would eventually adopt the name Maurice Williams and the Zodiacs, solidifying their identity in the music scene.
Maurice Williams and the Zodiacs are best known for their hit single "Stay," which achieved remarkable success by reaching number one on the Billboard charts. This song is particularly notable for being the shortest number one single in pop music history, with a duration of only one minute and 38 seconds. Their blend of harmonies and catchy melodies exemplified the doo-wop genre, contributing to their widespread appeal during the era.
The group maintained a presence in the music industry for several years, performing under various names before achieving commercial success in 1960. Maurice Williams's talent and leadership were instrumental in the group’s popularity, and he is regarded as a key figure in the doo-wop genre, earning him recognition as part of pop and doo-wop royalty.
Maurice Williams and the Zodiacs' music continues to resonate with audiences, showcasing the lasting impact of their contributions to American music.
The group was originally formed as the (Royal) Charms, with Maurice Williams, born on April 26, 1938, in Lancaster, South Carolina, as a central figure. He exhibited musical talent from a young age, performing in church by the age of six and later developing his skills throughout high school. The group would eventually adopt the name Maurice Williams and the Zodiacs, solidifying their identity in the music scene.
Maurice Williams and the Zodiacs are best known for their hit single "Stay," which achieved remarkable success by reaching number one on the Billboard charts. This song is particularly notable for being the shortest number one single in pop music history, with a duration of only one minute and 38 seconds. Their blend of harmonies and catchy melodies exemplified the doo-wop genre, contributing to their widespread appeal during the era.
The group maintained a presence in the music industry for several years, performing under various names before achieving commercial success in 1960. Maurice Williams's talent and leadership were instrumental in the group’s popularity, and he is regarded as a key figure in the doo-wop genre, earning him recognition as part of pop and doo-wop royalty.
Maurice Williams and the Zodiacs' music continues to resonate with audiences, showcasing the lasting impact of their contributions to American music.
Mavis Staples
Mavis Staples is a legendary American gospel, soul, and R&B singer born on July 10, 1939, best known as the lead vocalist of her family's group, the Staple Singers.
Mavis grew up in Chicago as the youngest of four siblings in a musical family led by her father, Roebuck "Pops" Staples. She began singing lead at age 10 in local churches, and the Staple Singers formed in the 1940s–1950s, debuting their first single in 1953.
The group signed with Vee-Jay in 1957, scoring hits like "Uncloudy Day," and later joined Stax Records in 1968, blending gospel with soul. They achieved massive success in the 1970s with #1 hits "I'll Take You There" and "Let's Do It Again," while supporting the Civil Rights Movement as friends of Martin Luther King Jr.
Staples launched her solo debut in 1969 and has released over 14 studio albums since, including collaborations with Prince in the 1980s–90s and later works with Jeff Tweedy like One True Vine (2013). Key albums include Grammy winners You Are Not Alone (2010) and features on We Are by Jon Batiste (2022 Album of the Year).
She has won three solo Grammys, a Lifetime Achievement Grammy with the Staple Singers, and halls of fame inductions including Rock & Roll (1999), Gospel Music (2018), and Blues. Other honors include a 2016 Kennedy Center Honor; her voice has influenced generations and been sampled by artists like Hozier and Run the Jewels.
Mavis grew up in Chicago as the youngest of four siblings in a musical family led by her father, Roebuck "Pops" Staples. She began singing lead at age 10 in local churches, and the Staple Singers formed in the 1940s–1950s, debuting their first single in 1953.
The group signed with Vee-Jay in 1957, scoring hits like "Uncloudy Day," and later joined Stax Records in 1968, blending gospel with soul. They achieved massive success in the 1970s with #1 hits "I'll Take You There" and "Let's Do It Again," while supporting the Civil Rights Movement as friends of Martin Luther King Jr.
Staples launched her solo debut in 1969 and has released over 14 studio albums since, including collaborations with Prince in the 1980s–90s and later works with Jeff Tweedy like One True Vine (2013). Key albums include Grammy winners You Are Not Alone (2010) and features on We Are by Jon Batiste (2022 Album of the Year).
She has won three solo Grammys, a Lifetime Achievement Grammy with the Staple Singers, and halls of fame inductions including Rock & Roll (1999), Gospel Music (2018), and Blues. Other honors include a 2016 Kennedy Center Honor; her voice has influenced generations and been sampled by artists like Hozier and Run the Jewels.
Maxayn
Maxayn was a short-lived but influential American funk and soul band from the early 1970s, known for blending funk, rock, jazz, and soul elements.
Formed in Los Angeles around 1972, Maxayn took its name from lead singer Maxayn Lewis (born Paulette Parker in Tulsa, Oklahoma), who had prior experience as an Ikette with Ike & Tina Turner's revue and on a tour with Bobby "Blue" Bland. The core lineup featured Maxayn Lewis on lead vocals and piano, her then-husband Andre Lewis on keyboards and synthesizers, guitarist Marlo Henderson, and drummer Emry Thomas; Hank Redd occasionally contributed on saxophone. Andre and Henderson had previously played in the Buddy Miles Express.
Signed to Capricorn Records, the band released three albums: Maxayn (1972), Mindful (1973, which peaked at No. 43 on the US R&B charts), and Bail Out for Fun! (1974). Their single "Check Out Your Mind" charted, debuting at No. 39 in June 1973. The group's sound drew praise for its high-energy live shows, attracting fans like Sly and the Family Stone and Stevie Wonder.
Plans for a fourth album on Manticore Records in 1975 fell through due to label issues. Andre Lewis later signed with Motown, releasing disco-funk albums as Mandré with Maxayn's songwriting input. In 2017, Cherry Red Records issued a compilation, Reloaded: The Complete Recordings 1972-1974. Andre Lewis passed away in January 2012.
Formed in Los Angeles around 1972, Maxayn took its name from lead singer Maxayn Lewis (born Paulette Parker in Tulsa, Oklahoma), who had prior experience as an Ikette with Ike & Tina Turner's revue and on a tour with Bobby "Blue" Bland. The core lineup featured Maxayn Lewis on lead vocals and piano, her then-husband Andre Lewis on keyboards and synthesizers, guitarist Marlo Henderson, and drummer Emry Thomas; Hank Redd occasionally contributed on saxophone. Andre and Henderson had previously played in the Buddy Miles Express.
Signed to Capricorn Records, the band released three albums: Maxayn (1972), Mindful (1973, which peaked at No. 43 on the US R&B charts), and Bail Out for Fun! (1974). Their single "Check Out Your Mind" charted, debuting at No. 39 in June 1973. The group's sound drew praise for its high-energy live shows, attracting fans like Sly and the Family Stone and Stevie Wonder.
Plans for a fourth album on Manticore Records in 1975 fell through due to label issues. Andre Lewis later signed with Motown, releasing disco-funk albums as Mandré with Maxayn's songwriting input. In 2017, Cherry Red Records issued a compilation, Reloaded: The Complete Recordings 1972-1974. Andre Lewis passed away in January 2012.
Maxi Priest
Maxi Priest, born Max Alfred Elliott on June 10, 1961, in Lewisham, London, is a British reggae singer of Jamaican descent known for pioneering reggae fusion by blending reggae with R&B and pop influences. As the second youngest of nine children in a musical family—his father a steelworker and mother a Pentecostal missionary who led the church choir—he grew up immersed in gospel, soul, reggae, and pop, starting his singing in church.
He worked as a carpenter building speaker boxes while performing with South London's Saxon Studio International sound system in the late 1970s and early 1980s, later founding ties with Jah Shaka and Negus Negast systems. In 1984, he co-produced Philip Levi's "Mi God Mi King," the first UK reggae song to top Jamaica's charts, and released early singles like "Sensi" with Papa Levi. Tragedy struck in 1980 when his cousin, reggae icon Jacob Miller of Inner Circle, died in a car crash.
His 1988 debut album Maxi (retitled Maxi Priest in the US), recorded in Jamaica with Sly Dunbar, Robbie Shakespeare, and others on Virgin Records, featured the global hit cover "Wild World" (originally by Cat Stevens) and a duet with Beres Hammond, "How Can We Ease the Pain?" The 1990 single "Close to You" topped the US Billboard Hot 100, making him the only reggae artist to achieve that feat, with over 15 million albums sold worldwide. He's earned three Grammy nominations (1994, 1997, 2021) and is reggae's most successful British solo artist after Bob Marley.
Maxi converted to Rastafarianism, adopting his stage name, and has seven children; he appeared in films like Speed 2: Cruise Control (1997) and Sleeping with the Enemy (1991). Now 64, he continues touring and recording, inducted into halls of fame and collaborating across genres.
He worked as a carpenter building speaker boxes while performing with South London's Saxon Studio International sound system in the late 1970s and early 1980s, later founding ties with Jah Shaka and Negus Negast systems. In 1984, he co-produced Philip Levi's "Mi God Mi King," the first UK reggae song to top Jamaica's charts, and released early singles like "Sensi" with Papa Levi. Tragedy struck in 1980 when his cousin, reggae icon Jacob Miller of Inner Circle, died in a car crash.
His 1988 debut album Maxi (retitled Maxi Priest in the US), recorded in Jamaica with Sly Dunbar, Robbie Shakespeare, and others on Virgin Records, featured the global hit cover "Wild World" (originally by Cat Stevens) and a duet with Beres Hammond, "How Can We Ease the Pain?" The 1990 single "Close to You" topped the US Billboard Hot 100, making him the only reggae artist to achieve that feat, with over 15 million albums sold worldwide. He's earned three Grammy nominations (1994, 1997, 2021) and is reggae's most successful British solo artist after Bob Marley.
Maxi converted to Rastafarianism, adopting his stage name, and has seven children; he appeared in films like Speed 2: Cruise Control (1997) and Sleeping with the Enemy (1991). Now 64, he continues touring and recording, inducted into halls of fame and collaborating across genres.
Maxine Brown
Maxine Ella Brown is a notable American soul and R&B singer, born on August 18, 1939, in Kingstree, South Carolina. She developed an interest in music at an early age, beginning her singing career as a child. Her early performances included singing gospel music with two New York City-based gospel groups, which laid the foundation for her future in the music industry.
In her teens, Maxine Brown transitioned from gospel to secular music, performing with various groups and eventually embarking on a solo career. She is recognized for her emotive vocal style, which garnered her significant attention in the mid-1960s. Some of her most famous hits include "All in My Mind," and "Oh No Not My Baby, " which showcased her ability to convey deep emotion through her performances.
Rise to Stardom
Nomar Records (1960): Her debut single, "All in My Mind," written by herself, became a major R&B hit (peaking at #2) and a pop crossover hit (#19). "Funny" followed, reaching #3 on the R&B charts.
ABC-Paramount (1962): A brief stint yielded minor singles but no major hits.
Wand Records (1963): This became her most successful label, known for its "uptown soul" sound.
Wand Records & Major Hits (Mid-1960s)
Solo Success: "Oh No Not My Baby" (written by King & Goffin) was a pop #24 hit in 1964, with "It's Gonna Be Alright" also charting.
Duets with Chuck Jackson: Their duet "Something You Got" reached #10 on the R&B charts.
She was known for her rich voice, with backing vocals from Cissy Houston and the Sweet Inspirations (later Elvis's backups) and songwriting from Ashford & Simpson.
Throughout her career, Brown has been influential in the soul and R&B genres, and her contributions have made her a respected figure in American music history. Her work not only reflects her individual talent but also highlights the rich musical culture of the time in which she flourished
In her teens, Maxine Brown transitioned from gospel to secular music, performing with various groups and eventually embarking on a solo career. She is recognized for her emotive vocal style, which garnered her significant attention in the mid-1960s. Some of her most famous hits include "All in My Mind," and "Oh No Not My Baby, " which showcased her ability to convey deep emotion through her performances.
Rise to Stardom
Nomar Records (1960): Her debut single, "All in My Mind," written by herself, became a major R&B hit (peaking at #2) and a pop crossover hit (#19). "Funny" followed, reaching #3 on the R&B charts.
ABC-Paramount (1962): A brief stint yielded minor singles but no major hits.
Wand Records (1963): This became her most successful label, known for its "uptown soul" sound.
Wand Records & Major Hits (Mid-1960s)
Solo Success: "Oh No Not My Baby" (written by King & Goffin) was a pop #24 hit in 1964, with "It's Gonna Be Alright" also charting.
Duets with Chuck Jackson: Their duet "Something You Got" reached #10 on the R&B charts.
She was known for her rich voice, with backing vocals from Cissy Houston and the Sweet Inspirations (later Elvis's backups) and songwriting from Ashford & Simpson.
Throughout her career, Brown has been influential in the soul and R&B genres, and her contributions have made her a respected figure in American music history. Her work not only reflects her individual talent but also highlights the rich musical culture of the time in which she flourished
Maxine Nightingale
Maxine Nightingale (born November 2, 1952) is an English R&B, soul, and disco singer famous for her 1970s hits, especially the multi-million selling "Right Back Where We Started From" (US #2, 1976) and "Lead Me On" (US #5, 1979), known for her powerful voice and enduring presence in disco music, continuing to perform globally.
Born in Wembley, England, Nightingale started singing in school bands before joining the British cabaret circuit with a group called Unisound. She was encouraged to record demos, leading to her first releases with Pye Records, though initial attempts weren't major successes.
Her career launched with the iconic "Right Back Where We Started From," written by J. Vincent Edwards, who convinced her to record it (initially under a pseudonym). The song became a global hit, reaching #2 in the US in 1976 and cementing her status in the disco era. She followed up with other hits, including "Love Hit Me" and the Easy Listening chart-topper "Lead Me On" in 1979.
Nightingale is celebrated for her soulful vocals, performing classic R&B, soul, and disco. Her music often explored themes of love, resilience, and nostalgia, with "Right Back Where We Started From" symbolizing enduring affection.
She has maintained an active career, headlining shows, touring internationally (like on the Ultimate Disco Cruise), and releasing new versions of her hits. Her music continues to be featured in films and TV shows, keeping her iconic sound relevant.
Following her pop success, Nightingale spent time performing jazz. Since 2000, she has been involved in the "retro" music scene and continues to tour. She has one daughter, Langka, with her ex-husband Minoru Terada Domberger, a director she met while performing in Hair in Germany. Nightingale currently resides in Los Angeles, California, while touring worldwide.
Born in Wembley, England, Nightingale started singing in school bands before joining the British cabaret circuit with a group called Unisound. She was encouraged to record demos, leading to her first releases with Pye Records, though initial attempts weren't major successes.
Her career launched with the iconic "Right Back Where We Started From," written by J. Vincent Edwards, who convinced her to record it (initially under a pseudonym). The song became a global hit, reaching #2 in the US in 1976 and cementing her status in the disco era. She followed up with other hits, including "Love Hit Me" and the Easy Listening chart-topper "Lead Me On" in 1979.
Nightingale is celebrated for her soulful vocals, performing classic R&B, soul, and disco. Her music often explored themes of love, resilience, and nostalgia, with "Right Back Where We Started From" symbolizing enduring affection.
She has maintained an active career, headlining shows, touring internationally (like on the Ultimate Disco Cruise), and releasing new versions of her hits. Her music continues to be featured in films and TV shows, keeping her iconic sound relevant.
Following her pop success, Nightingale spent time performing jazz. Since 2000, she has been involved in the "retro" music scene and continues to tour. She has one daughter, Langka, with her ex-husband Minoru Terada Domberger, a director she met while performing in Hair in Germany. Nightingale currently resides in Los Angeles, California, while touring worldwide.
Maxwell
Gerald Maxwell Rivera, known professionally as Maxwell, is an acclaimed American R&B and neo-soul singer-songwriter born on May 23, 1973, in Brooklyn, New York. Of Puerto Rican and Haitian descent, he lost his father at a young age and found solace in church singing before music seriously at 17 with a Casio keyboard.
Maxwell drew inspiration from icons like Marvin Gaye, Prince, and Stevie Wonder, writing hundreds of songs and performing in New York clubs by 1991. He signed with Columbia Records in 1994 after demo tapes gained buzz, debuting with the critically praised Maxwell's Urban Hang Suite in 1996, featuring hits like "Ascension (Don't Ever Wonder)" and "Sumthin' Sumthin'".
His 1997 MTV Unplugged EP included innovative covers of Kate Bush's "This Woman's Work" and Nine Inch Nails' "Closer," earning Grammy nods. The 1999 single "Fortunate" from the Life soundtrack became his biggest hit, topping R&B charts. Albums like Embrya (1998), Now (2001), and BLACKsummers'night (2009) followed, with the latter winning two Grammys including Best R&B Album.
After an eight-year break, Maxwell released blackSUMMERS'night in 2016, supported by "Lake by the Ocean." He has earned three Grammys, six Soul Train Awards, two NAACP Image Awards, and a 2019 Lifetime Achievement Award from the Congressional Black Caucus for his innovative neo-soul contributions.
Maxwell drew inspiration from icons like Marvin Gaye, Prince, and Stevie Wonder, writing hundreds of songs and performing in New York clubs by 1991. He signed with Columbia Records in 1994 after demo tapes gained buzz, debuting with the critically praised Maxwell's Urban Hang Suite in 1996, featuring hits like "Ascension (Don't Ever Wonder)" and "Sumthin' Sumthin'".
His 1997 MTV Unplugged EP included innovative covers of Kate Bush's "This Woman's Work" and Nine Inch Nails' "Closer," earning Grammy nods. The 1999 single "Fortunate" from the Life soundtrack became his biggest hit, topping R&B charts. Albums like Embrya (1998), Now (2001), and BLACKsummers'night (2009) followed, with the latter winning two Grammys including Best R&B Album.
After an eight-year break, Maxwell released blackSUMMERS'night in 2016, supported by "Lake by the Ocean." He has earned three Grammys, six Soul Train Awards, two NAACP Image Awards, and a 2019 Lifetime Achievement Award from the Congressional Black Caucus for his innovative neo-soul contributions.
Maze Featuring Frankie Beverly
Frankie Beverly, born Howard Stanley Beverly on December 6, 1946, in Philadelphia, was a renowned American singer, songwriter, and producer best known as the founder and lead vocalist of the soul and funk band Maze. He passed away on September 10, 2024, at age 77.
Beverly grew up singing in church, which shaped his musical influences alongside groups like The Dells and The Moonglows. As a teen, he formed the short-lived a cappella doo-wop group The Blenders before starting The Butlers in 1963, later known as Frankie Beverly and the Butlers. Their 1967 single "If That's What You Wanted" became a Northern soul standard, and producer Kenny Gamble released some of their recordings.
In 1970, Beverly founded Raw Soul in Philadelphia, which relocated to San Francisco's Bay Area in 1971 seeking better opportunities. Marvin Gaye discovered them, invited them to open for his tours, and suggested renaming to Maze in 1976. The band's debut album, Maze Featuring Frankie Beverly, followed that year with hits like "Lady of Magic" and "Workin’ Together."
Maze released nine gold albums over decades, building a devoted fanbase with Beverly's smooth baritone, original songwriting, and dynamic live shows. They gained strong international appeal, especially in the UK, and performed regularly at events like Essence Festival. Key members included original percussionist McKinley "Bug" Williams.
Beverly's emphasis on love, respect for fans, and feel-good soul-funk endures across generations, with Maze influencing R&B through consistent touring and hits into the 1980s and beyond. Philadelphia honored Maze featuring Frankie Beverly on its Walk of Fame.
Beverly grew up singing in church, which shaped his musical influences alongside groups like The Dells and The Moonglows. As a teen, he formed the short-lived a cappella doo-wop group The Blenders before starting The Butlers in 1963, later known as Frankie Beverly and the Butlers. Their 1967 single "If That's What You Wanted" became a Northern soul standard, and producer Kenny Gamble released some of their recordings.
In 1970, Beverly founded Raw Soul in Philadelphia, which relocated to San Francisco's Bay Area in 1971 seeking better opportunities. Marvin Gaye discovered them, invited them to open for his tours, and suggested renaming to Maze in 1976. The band's debut album, Maze Featuring Frankie Beverly, followed that year with hits like "Lady of Magic" and "Workin’ Together."
Maze released nine gold albums over decades, building a devoted fanbase with Beverly's smooth baritone, original songwriting, and dynamic live shows. They gained strong international appeal, especially in the UK, and performed regularly at events like Essence Festival. Key members included original percussionist McKinley "Bug" Williams.
Beverly's emphasis on love, respect for fans, and feel-good soul-funk endures across generations, with Maze influencing R&B through consistent touring and hits into the 1980s and beyond. Philadelphia honored Maze featuring Frankie Beverly on its Walk of Fame.
McKinley Mitchell
McKinley Mitchell was an influential American soul-blues singer known for his gospel-rooted vocals and Chicago soul sound. Born on December 25, 1934, in Jackson, Mississippi, Mitchell began his musical journey in gospel music as a teenager. By age 16, he fronted the Hearts of Harmony group, later performing with outfits in Springfield, Massachusetts, and Philadelphia before moving to Chicago in 1958.
His debut single, "Rock Everybody Rock" (backed with "Lazy Dizzy Daisy"), came out around 1959 on Boxer Records, blending raw Chicago blues and rock elements. The pivotal hit "The Town I Live In" followed in 1962 on Chicago's One-der-ful label, reaching number eight on the US Billboard R&B chart and establishing his soul style.
Mitchell released singles on labels like Sandman, Black Beauty, and Spoonful, then returned to Mississippi in the 1970s, reviving his career with "Trouble Blues" in 1976 on Malaco's Chimneyville imprint. He recorded the album I Won't Be Back for More in 1984 and passed away from a heart attack on January 18, 1986, in Chicago Heights, Illinois, at age 51.
His debut single, "Rock Everybody Rock" (backed with "Lazy Dizzy Daisy"), came out around 1959 on Boxer Records, blending raw Chicago blues and rock elements. The pivotal hit "The Town I Live In" followed in 1962 on Chicago's One-der-ful label, reaching number eight on the US Billboard R&B chart and establishing his soul style.
Mitchell released singles on labels like Sandman, Black Beauty, and Spoonful, then returned to Mississippi in the 1970s, reviving his career with "Trouble Blues" in 1976 on Malaco's Chimneyville imprint. He recorded the album I Won't Be Back for More in 1984 and passed away from a heart attack on January 18, 1986, in Chicago Heights, Illinois, at age 51.
Mel and Tim
Mel and Tim were an American soul duo active from 1969 to 1974, best known for hits like "Backfield in Motion."
Cousins Melvin McArthur Hardin (born November 30, 1948) and Hubert Timothy McPherson (born December 9, 1949) hailed from Holly Springs, Mississippi. As teens, they wrote songs and performed with the gospel group The Welcome Travelers before moving to St. Louis in 1968 and then Chicago to chase music careers.
Discovered by R&B legend Gene Chandler, they signed with his Bamboo Records in 1969. Their debut single "I've Got Pure Dee" led to the million-selling "Backfield in Motion," which hit #10 on the Billboard Hot 100 and #3 on the R&B chart.
"Good Guys Only Win in the Movies" (1970, Bamboo): Reached R&B Top 20.
Switched to Stax Records; "Starting All Over Again" (1972) became their second Top Five R&B smash (#4) and a million-seller.
They performed at the 1972 Wattstax concert and appeared in its documentary.
Released a self-titled Stax album in 1973 before fading from the scene. No major activity noted post-1974.
Cousins Melvin McArthur Hardin (born November 30, 1948) and Hubert Timothy McPherson (born December 9, 1949) hailed from Holly Springs, Mississippi. As teens, they wrote songs and performed with the gospel group The Welcome Travelers before moving to St. Louis in 1968 and then Chicago to chase music careers.
Discovered by R&B legend Gene Chandler, they signed with his Bamboo Records in 1969. Their debut single "I've Got Pure Dee" led to the million-selling "Backfield in Motion," which hit #10 on the Billboard Hot 100 and #3 on the R&B chart.
"Good Guys Only Win in the Movies" (1970, Bamboo): Reached R&B Top 20.
Switched to Stax Records; "Starting All Over Again" (1972) became their second Top Five R&B smash (#4) and a million-seller.
They performed at the 1972 Wattstax concert and appeared in its documentary.
Released a self-titled Stax album in 1973 before fading from the scene. No major activity noted post-1974.
Melba Moore
Melba Moore (born October 29, 1945) is a trailblazing American singer and actress whose career spans Broadway stardom, chart-topping R&B hits, and dedicated social activism. Born Beatrice Melba Smith in New York City to Gertrude Melba Smith (singer Bonnie Davis) and big band leader Teddy Hill.
She was raised in Harlem and later Newark, New Jersey, after her mother remarried jazz pianist Clement Moorman. She graduated from Newark Arts High School (1958) and earned a B.A. in Music Education from Montclair State College in 1970. She married record manager Charles Huggins in 1974 (divorced in 1991); they had one daughter.
In 1967, she joined the original cast of Hair, eventually becoming the first Black actress to replace a white actress (Diane Keaton) in a lead role on Broadway. She won the 1970 Tony Award for Best Featured Actress in a Musical for her role as Lutiebelle in Purlie.
In 1995, she became the first Black woman to play Fantine in Les Misérables on Broadway. She co-starred in the 1972 variety show The Melba Moore-Clifton Davis Show (the first hosted by a Black couple) and appeared in films like The Fighting Temptations (2003).
Known for a powerful four-octave range, she evolved into a major R&B/disco star in the '70s and '80s, scoring hits like "This Is It," "Love's Comin' at Ya," and the chart-topper "Love the One I'm With (A Lot of Love)". She scored two #1 R&B hits in 1986: "Falling" and "A Little Bit More" (a duet with Freddie Jackson). Her 1990 recording of "Lift Every Voice and Sing" was entered into the Congressional Record as the official Black National Anthem.
She was inducted into the Rhythm & Blues Hall of Fame (2015) and received a star on the Hollywood Walk of Fame in August 2023. A role model for perseverance, she combines her performing career with community service, focusing on issues like domestic violence and women's shelters. A long-time advocate for civil and women’s rights, having worked with Coretta Scott King and Jesse Jackson.
She is still actively performing; her latest memoir, This Is It: Marvelous and Getting Better, was released in late November 2025.
She was raised in Harlem and later Newark, New Jersey, after her mother remarried jazz pianist Clement Moorman. She graduated from Newark Arts High School (1958) and earned a B.A. in Music Education from Montclair State College in 1970. She married record manager Charles Huggins in 1974 (divorced in 1991); they had one daughter.
In 1967, she joined the original cast of Hair, eventually becoming the first Black actress to replace a white actress (Diane Keaton) in a lead role on Broadway. She won the 1970 Tony Award for Best Featured Actress in a Musical for her role as Lutiebelle in Purlie.
In 1995, she became the first Black woman to play Fantine in Les Misérables on Broadway. She co-starred in the 1972 variety show The Melba Moore-Clifton Davis Show (the first hosted by a Black couple) and appeared in films like The Fighting Temptations (2003).
Known for a powerful four-octave range, she evolved into a major R&B/disco star in the '70s and '80s, scoring hits like "This Is It," "Love's Comin' at Ya," and the chart-topper "Love the One I'm With (A Lot of Love)". She scored two #1 R&B hits in 1986: "Falling" and "A Little Bit More" (a duet with Freddie Jackson). Her 1990 recording of "Lift Every Voice and Sing" was entered into the Congressional Record as the official Black National Anthem.
She was inducted into the Rhythm & Blues Hall of Fame (2015) and received a star on the Hollywood Walk of Fame in August 2023. A role model for perseverance, she combines her performing career with community service, focusing on issues like domestic violence and women's shelters. A long-time advocate for civil and women’s rights, having worked with Coretta Scott King and Jesse Jackson.
She is still actively performing; her latest memoir, This Is It: Marvelous and Getting Better, was released in late November 2025.
Meli’sa Morgan
Meli sa Morgan Melisa Morgan
Meli'sa Morgan, born Joyce Melissa Morgan on December 6, 1964, in Queens, New York, is an American R&B and soul singer-songwriter known for her urban contemporary hits in the 1980s and 1990s.
Morgan began singing at age nine with the gospel choir Starlets of Corona in her church, which sparked her passion for music influenced by artists like Chaka Khan. She later studied music and theater at The Juilliard School's Performing Arts Conservatory.
In 1978, at 14, she released her debut single "I'm In The Prime Of Love" with the funk group Business Before Pleasure on Stang Records. She joined the dance group Shades of Love, scoring a #26 Billboard Hot Dance Club Play hit with "Body to Body (Keep in Touch)" in 1982, and then High Fashion, whose "Feelin' Lucky Lately" reached #32 on the US Black Singles chart.
Morgan launched her solo career with the 1985 cover of Prince's "Do Me, Baby," topping the R&B chart for three weeks and peaking at #46 on the Billboard Hot 100 from her debut album of the same name. Follow-up "Do You Still Love Me" hit top 5 on R&B charts, and she backed artists like Chaka Khan, Whitney Houston, and Melba Moore.
Songs like "Still in Love with You" (#3 on US Dance chart, 1992) marked further success. After a hiatus, she released "I Remember" in 2005, with "Back Together Again" peaking at #46 on R&B charts. In 2016, she dropped "So Good" and signed with Cleopatra Records; her album "Love Demands" followed in 2018.
Morgan received an Unsung Heroine Award from the National R&B Music Society in 2014 and was profiled on TVOne's "Unsung" in 2015. Her 1986 debut album "Do Me Baby" earned gold certification (over 500,000 units) from the RIAA on May 28, 2024.
MFSB<div hidden>M.F.S.B.</div>
MFSB, short for "Mother, Father, Sister, Brother," was a renowned 1970s house band from Philadelphia's Sigma Sound Studios. Assembled by producers Kenneth Gamble and Leon Huff for their Philadelphia International Records label, the group of over 30 studio musicians defined the lush "Philly Soul" sound.
Formed around 1971 from musicians who backed acts like Cliff Nobles & Co., MFSB included key players such as guitarists Bobby Eli, Norman Harris, and Roland Chambers; bassists Ronnie Baker and Winnie Wilford; drummers Earl Young and Karl Chambers; keyboardists Leon Huff and Thom Bell; and percussionists/vibraphonist Vincent Montana Jr. and Larry Washington. They supported Philly soul stars including The O'Jays, Harold Melvin & the Blue Notes, The Spinners, Billy Paul, and The Three Degrees at Sigma Studios.
Their 1973 debut album MFSB launched their profile, but 1974's "TSOP (The Sound of Philadelphia)"—an instrumental theme for Soul Train featuring The Three Degrees—topped the Billboard Hot 100, R&B, and adult contemporary charts. The group released successful albums and singles through the 1970s, blending soul, funk, and disco, with tracks like those from Love Is the Message (1974).
Lineups evolved into the mid-1970s with additions like Dexter Wansel and later revivals, including a 2005 iteration led by drummer Keith Benson. MFSB's orchestral style influenced hip-hop sampling and remains a cornerstone of Philadelphia soul.
Formed around 1971 from musicians who backed acts like Cliff Nobles & Co., MFSB included key players such as guitarists Bobby Eli, Norman Harris, and Roland Chambers; bassists Ronnie Baker and Winnie Wilford; drummers Earl Young and Karl Chambers; keyboardists Leon Huff and Thom Bell; and percussionists/vibraphonist Vincent Montana Jr. and Larry Washington. They supported Philly soul stars including The O'Jays, Harold Melvin & the Blue Notes, The Spinners, Billy Paul, and The Three Degrees at Sigma Studios.
Their 1973 debut album MFSB launched their profile, but 1974's "TSOP (The Sound of Philadelphia)"—an instrumental theme for Soul Train featuring The Three Degrees—topped the Billboard Hot 100, R&B, and adult contemporary charts. The group released successful albums and singles through the 1970s, blending soul, funk, and disco, with tracks like those from Love Is the Message (1974).
Lineups evolved into the mid-1970s with additions like Dexter Wansel and later revivals, including a 2005 iteration led by drummer Keith Benson. MFSB's orchestral style influenced hip-hop sampling and remains a cornerstone of Philadelphia soul.
Mica Paris
Mica Paris, born Michelle Antoinette Wallen on April 27, 1969, in South London (specifically Islington), is an English soul singer, radio and TV presenter, actress, and author.
She grew up singing gospel in her grandparents' church and joined the Spirit of Watts gospel choir as a teen, performing on their 1985 EP Gospel Joy. At 17, she became a backing vocalist for Hollywood Beyond on their 1985 album In.
Paris debuted with her platinum-selling album So Good in 1988 via 4th & Broadway, featuring hits like "My One Temptation" and a duet with Will Downing on "Where Is the Love." Key collaborations include Omar, Max Beesley, Prince, Boy George, and Moby sampling on "Heart" (2003); later albums are If You Could Love Me (2005) and Born Again (2009). She earned an MBE for her contributions to music.
She hosted BBC Radio 2's Soul Solutions, narrated music documentaries, and co-hosted BBC's What Not to Wear. Acting credits include West End shows like Mama I Want to Sing (1993), The Vagina Monologues (2004 tour), TV like EastEnders (Ellie Nixon, 2020), and films such as High Heels and Low Lifes (2001).
She grew up singing gospel in her grandparents' church and joined the Spirit of Watts gospel choir as a teen, performing on their 1985 EP Gospel Joy. At 17, she became a backing vocalist for Hollywood Beyond on their 1985 album In.
Paris debuted with her platinum-selling album So Good in 1988 via 4th & Broadway, featuring hits like "My One Temptation" and a duet with Will Downing on "Where Is the Love." Key collaborations include Omar, Max Beesley, Prince, Boy George, and Moby sampling on "Heart" (2003); later albums are If You Could Love Me (2005) and Born Again (2009). She earned an MBE for her contributions to music.
She hosted BBC Radio 2's Soul Solutions, narrated music documentaries, and co-hosted BBC's What Not to Wear. Acting credits include West End shows like Mama I Want to Sing (1993), The Vagina Monologues (2004 tour), TV like EastEnders (Ellie Nixon, 2020), and films such as High Heels and Low Lifes (2001).
Michael Boothman
Michael Boothman is a pioneering Trinidadian guitarist, singer, composer, and bandleader known for blending jazz, fusion, and Caribbean sounds. Hailing from an artistic family in Trinidad and Tobago, he began piano lessons at age five, self-taught guitar and other instruments, and formed his first band, The Rockerfellas (later Rockefellas), at age 14 in the 1960s.
Boothman started with The Rockerfellas, experimenting with rock and evolving sounds during the 1960s. He became a key figure in Caribbean jazz, leading groups like the KYSOFusion Band and shaping the region's fusion scene through innovation and performance.
His career spans over 50 years as a performer, arranger, and recording artist, with standout releases like the 1977 album Heaven on Tabu Records (noted in some U.S.-linked profiles, though primarily Trinidad-based). Described as the "personification of excellence" in Trinidad and Tobago arts, he influenced jazz fusion profoundly.
Boothman continues performing and recording, with recent nods in 2025 media highlighting his self-taught versatility and family influences. His work grew from local bands to international acclaim in Caribbean music.
Boothman started with The Rockerfellas, experimenting with rock and evolving sounds during the 1960s. He became a key figure in Caribbean jazz, leading groups like the KYSOFusion Band and shaping the region's fusion scene through innovation and performance.
His career spans over 50 years as a performer, arranger, and recording artist, with standout releases like the 1977 album Heaven on Tabu Records (noted in some U.S.-linked profiles, though primarily Trinidad-based). Described as the "personification of excellence" in Trinidad and Tobago arts, he influenced jazz fusion profoundly.
Boothman continues performing and recording, with recent nods in 2025 media highlighting his self-taught versatility and family influences. His work grew from local bands to international acclaim in Caribbean music.
Michael Cooper
Michael Vernon Cooper (born November 15, 1952) is an American R&B and funk singer, songwriter, and guitarist best known as the lead vocalist and co-founder of the legendary band Con Funk Shun. Born and raised in Vallejo, California, Cooper formed his first band, Project Soul, in the late 1960s with drummer Louis A. McCall while still in high school. In 1972, the group relocated to Memphis, Tennessee, to back Stax Records artists The Soul Children and officially became Con Funk Shun.
As lead singer and guitarist, Cooper was instrumental in the band's decade of dominance (1976–1986), during which they released 11 albums and scored hits like "Ffun" (#1 R&B in 1978), "Shake and Dance with Me," and "Chase Me".
Following the band's disbandment in 1986, Cooper launched a successful solo career with Warner Bros. and Reprise Records:-
Love Is Such a Funny Game (1987): His debut solo album featured the major hit "To Prove My Love," which reached #3 on the Billboard Hot R&B Singles chart.
Just What I Like (1989): His second album included the successful R&B singles "Dinner for Two" and "Quickness".
Later Releases: He released Get Closer (1992), featuring jazz icons like Roy Ayers, and later independent projects such as This Heart of Mine (2001) and Are We Cool (2004).
In 2022, Con Funk Shun's ballad "Love's Train"—originally co-written and sung by Cooper—saw a massive resurgence when it was covered by the R&B duo Silk Sonic (Bruno Mars and Anderson .Paak).
In 2014, Cooper and his bandmates received a Lifetime Achievement Award from the National R&B Music Society. More recently, in late 2024, he was awarded an honorary doctorate and a Presidential Lifetime Achievement Award.
As of 2026, Cooper continues to tour with the current iteration of Con Funk Shun and remains active in the studio, recently working on a new album titled A Smooth Jukebo.x
As lead singer and guitarist, Cooper was instrumental in the band's decade of dominance (1976–1986), during which they released 11 albums and scored hits like "Ffun" (#1 R&B in 1978), "Shake and Dance with Me," and "Chase Me".
Following the band's disbandment in 1986, Cooper launched a successful solo career with Warner Bros. and Reprise Records:-
Love Is Such a Funny Game (1987): His debut solo album featured the major hit "To Prove My Love," which reached #3 on the Billboard Hot R&B Singles chart.
Just What I Like (1989): His second album included the successful R&B singles "Dinner for Two" and "Quickness".
Later Releases: He released Get Closer (1992), featuring jazz icons like Roy Ayers, and later independent projects such as This Heart of Mine (2001) and Are We Cool (2004).
In 2022, Con Funk Shun's ballad "Love's Train"—originally co-written and sung by Cooper—saw a massive resurgence when it was covered by the R&B duo Silk Sonic (Bruno Mars and Anderson .Paak).
In 2014, Cooper and his bandmates received a Lifetime Achievement Award from the National R&B Music Society. More recently, in late 2024, he was awarded an honorary doctorate and a Presidential Lifetime Achievement Award.
As of 2026, Cooper continues to tour with the current iteration of Con Funk Shun and remains active in the studio, recently working on a new album titled A Smooth Jukebo.x
Michael Henderson
Michael Henderson was an influential American soul and funk bassist, vocalist, and songwriter, best known for his work with Miles Davis and his own R&B hits in the 1970s and 1980s.
Born Michael Earl Henderson on July 7, 1951, in Yazoo City, Mississippi, he moved to Detroit as a child and began playing bass in the early 1960s, influenced by Motown greats like James Jamerson. He started as a session musician, performing with artists like Stevie Wonder after meeting him in Chicago.
At age 18, Henderson joined Miles Davis's band in 1970 after Davis spotted him at New York's Copacabana, famously taking him from Wonder's group. He contributed bass to key fusion albums including Jack Johnson, Live-Evil, Agharta, and Pangaea, serving as the only consistent band member through Davis's electric period until 1976.
Henderson launched his solo career in 1976 with Solid on Buddah Records (later Arista), producing hits like "You Are My Starship" (with Norman Connors), "Take Me I'm Yours," and "Wide Receiver." He collaborated with Marvin Gaye, Aretha Franklin, the Dramatics, and Dr. John, blending funk grooves, quiet storm ballads, and pop sensibilities across albums like Goin' Places (1977), Do It All (1979), and Slingshot (1981). He retired from solo work after 1986's Bedtime Stories but later revisited Davis material.
Michael Henderson passed away on July 19, 2022, at age 71 in Dallas, Georgia.
Born Michael Earl Henderson on July 7, 1951, in Yazoo City, Mississippi, he moved to Detroit as a child and began playing bass in the early 1960s, influenced by Motown greats like James Jamerson. He started as a session musician, performing with artists like Stevie Wonder after meeting him in Chicago.
At age 18, Henderson joined Miles Davis's band in 1970 after Davis spotted him at New York's Copacabana, famously taking him from Wonder's group. He contributed bass to key fusion albums including Jack Johnson, Live-Evil, Agharta, and Pangaea, serving as the only consistent band member through Davis's electric period until 1976.
Henderson launched his solo career in 1976 with Solid on Buddah Records (later Arista), producing hits like "You Are My Starship" (with Norman Connors), "Take Me I'm Yours," and "Wide Receiver." He collaborated with Marvin Gaye, Aretha Franklin, the Dramatics, and Dr. John, blending funk grooves, quiet storm ballads, and pop sensibilities across albums like Goin' Places (1977), Do It All (1979), and Slingshot (1981). He retired from solo work after 1986's Bedtime Stories but later revisited Davis material.
Michael Henderson passed away on July 19, 2022, at age 71 in Dallas, Georgia.
Michael Jackson
Michael Joseph Jackson was born on August 29, 1958, in Gary, Indiana, and was the eighth of ten children in the Jackson family. His parents, Joseph and Katherine Jackson, played significant roles in his childhood. Joseph was a crane operator, while Katherine was a homemaker. Michael's early exposure to music came from his family's musical background, and he began performing with his brothers in the Jackson 5 when he was just a child.
The Jackson 5 gained national attention in the late 1960s, becoming one of the first African American musical groups to achieve widespread success. The group secured a record deal with Motown Records and released numerous hits, including "I Want You Back" and "ABC." Michael's talent as a singer and performer quickly set him apart, and he became the lead singer of the group.
In the 1970s, Michael Jackson transitioned to a solo career while still performing with the Jackson 5. His 1979 album "Off the Wall" marked a significant turning point, showcasing his unique style and musical innovation. The album produced hits such as "Don't Stop 'Til You Get Enough" and "Rock with You."
Jackson's subsequent album, "Thriller," released in 1982, became the best-selling album of all time, featuring iconic tracks like "Billie Jean," "Beat It," and the title track "Thriller." His innovative music videos and groundbreaking performances revolutionized the music industry and established him as the "King of Pop".
Throughout his career, Michael Jackson received numerous awards and accolades, including multiple Grammy Awards. He was known for his signature dance moves, including the moonwalk, and for his philanthropic efforts, supporting various charities and humanitarian causes. His influence on music and popular culture remains profound, as he continues to inspire artists across generations.
Jackson's life was marked by personal struggles and controversies, including legal battles and challenges related to his health. He passed away on June 25, 2009, in Los Angeles, California, due to acute propofol and benzodiazepine intoxication. His death was a significant moment in music history, leading to an outpouring of tributes from fans and fellow artists worldwide.
Michael Jackson's legacy as an artist, performer, and cultural icon endures, and he remains a pivotal figure in the history of music.
The Jackson 5 gained national attention in the late 1960s, becoming one of the first African American musical groups to achieve widespread success. The group secured a record deal with Motown Records and released numerous hits, including "I Want You Back" and "ABC." Michael's talent as a singer and performer quickly set him apart, and he became the lead singer of the group.
In the 1970s, Michael Jackson transitioned to a solo career while still performing with the Jackson 5. His 1979 album "Off the Wall" marked a significant turning point, showcasing his unique style and musical innovation. The album produced hits such as "Don't Stop 'Til You Get Enough" and "Rock with You."
Jackson's subsequent album, "Thriller," released in 1982, became the best-selling album of all time, featuring iconic tracks like "Billie Jean," "Beat It," and the title track "Thriller." His innovative music videos and groundbreaking performances revolutionized the music industry and established him as the "King of Pop".
Throughout his career, Michael Jackson received numerous awards and accolades, including multiple Grammy Awards. He was known for his signature dance moves, including the moonwalk, and for his philanthropic efforts, supporting various charities and humanitarian causes. His influence on music and popular culture remains profound, as he continues to inspire artists across generations.
Jackson's life was marked by personal struggles and controversies, including legal battles and challenges related to his health. He passed away on June 25, 2009, in Los Angeles, California, due to acute propofol and benzodiazepine intoxication. His death was a significant moment in music history, leading to an outpouring of tributes from fans and fellow artists worldwide.
Michael Jackson's legacy as an artist, performer, and cultural icon endures, and he remains a pivotal figure in the history of music.
The Jackson Five The Jackson 5 The Jacksons
Michael Wycoff
Michael Wycoff was an American R&B, soul, and funk singer known for his smooth vocals and keyboard skills, particularly his 1982 hit "Looking Up to You." Born on February 8, 1953, in Torrance, California (some sources cite January 1, 1956), he rose in the music scene during the 1970s and 1980s before passing away on March 13, 2019, from pancreatic cancer in Los Angeles at age 66.
He grew up in the Los Angeles area, attending Wilmington Jr. High and Phineas Banning High Schools, where he played keyboards in talent shows and at a local church. He began piano at age three and entered recording through his brother-in-law, who connected him with artist DJ Rogers, leading to band work and production lessons.
Wycoff gained notice as a background vocalist on Stevie Wonder's 1976 album Songs in the Key of Life, specifically on "Pastime Paradise" with the West Angeles Church of God Choir. He released his debut single "Do the Camel Hump" in 1978, then signed with RCA Records, dropping three albums: Come Into My World (1980), Love Conquers All (1982, featuring the sampled hit "Looking Up to You"), and a third in 1983. His work charted modestly on US R&B lists, and he collaborated with artists like Natalie Cole, Bobby Womack, Phoebe Snow, and others.
Struggles with drug and alcohol addiction led to the loss of his career, home, and family, resulting in homelessness. He recovered through faith, becoming Minister of Music at Los Angeles churches, and planned a 2007 comeback album Return that went unreleased. His son, DJ Michael Wycoff, released A Boy and His Toys in 2013.
He grew up in the Los Angeles area, attending Wilmington Jr. High and Phineas Banning High Schools, where he played keyboards in talent shows and at a local church. He began piano at age three and entered recording through his brother-in-law, who connected him with artist DJ Rogers, leading to band work and production lessons.
Wycoff gained notice as a background vocalist on Stevie Wonder's 1976 album Songs in the Key of Life, specifically on "Pastime Paradise" with the West Angeles Church of God Choir. He released his debut single "Do the Camel Hump" in 1978, then signed with RCA Records, dropping three albums: Come Into My World (1980), Love Conquers All (1982, featuring the sampled hit "Looking Up to You"), and a third in 1983. His work charted modestly on US R&B lists, and he collaborated with artists like Natalie Cole, Bobby Womack, Phoebe Snow, and others.
Struggles with drug and alcohol addiction led to the loss of his career, home, and family, resulting in homelessness. He recovered through faith, becoming Minister of Music at Los Angeles churches, and planned a 2007 comeback album Return that went unreleased. His son, DJ Michael Wycoff, released A Boy and His Toys in 2013.
Mighty Ryeders
The Mighty Ryeders were a short-lived American soul-funk group formed in April 1977 in the Richmond Heights area of Miami, Florida. Led by vocalist and songwriter Rodney Mathews (sometimes listed as Rodney K. Matthews or Rodney Mathews), the core trio included Carl Crowder and Lionel H. Harrison. They performed soul and R&B around Miami-Dade and released just one album, blending funky grooves with spiritual, peace-themed lyrics reminiscent of Earth, Wind & Fire.
Their sole release, Help Us Spread the Message, came out in 1978 on the obscure Sun Glo Records label. Standout tracks include "Evil Vibrations," a rare groove classic later sampled by De La Soul for their 1991 hit "A Roller Skating Jam Named Saturdays," plus "Let There Be Peace," "Star Children," and the title song urging positive change. The album's hippie-missionary vibe and tight instrumentation gained cult status after reissues by labels like Luv N' Haight.
Details remain mysterious, with no confirmed later activity or solo careers for members. "Evil Vibrations" saw remixes by The Rebirth in 2006 and others, boosting their profile in hip-hop and funk circles. Recent reissues on colored vinyl keep the music alive for collect.
Their sole release, Help Us Spread the Message, came out in 1978 on the obscure Sun Glo Records label. Standout tracks include "Evil Vibrations," a rare groove classic later sampled by De La Soul for their 1991 hit "A Roller Skating Jam Named Saturdays," plus "Let There Be Peace," "Star Children," and the title song urging positive change. The album's hippie-missionary vibe and tight instrumentation gained cult status after reissues by labels like Luv N' Haight.
Details remain mysterious, with no confirmed later activity or solo careers for members. "Evil Vibrations" saw remixes by The Rebirth in 2006 and others, boosting their profile in hip-hop and funk circles. Recent reissues on colored vinyl keep the music alive for collect.
Miles Davis
Miles Dewey Davis III, born on May 26, 1926, in Alton, Illinois, was an influential American trumpeter, bandleader, and composer. He was born into a middle-class family, with his mother being a music teacher and his father a dental surgeon who also managed a successful pig farm. This upbringing provided a strong foundation in music and discipline, which would shape his future career.
Davis began playing the trumpet at the age of 13. His professional music career commenced when he joined Eddie Randall's band in St. Louis. At 18, he moved to New York City to immerse himself in the evolving jazz scene, where he would become a pivotal figure in various jazz movements over the decades.
Throughout his career, Davis was known for his innovative approach to music, constantly pushing the boundaries of jazz. He played a significant role in the development of cool jazz, modal jazz, and jazz fusion. His famous albums, including "Kind of Blue," "Bitches Brew," and "Sketches of Spain," are considered masterpieces and have had a lasting impact on the genre.
Davis's life was not without struggles. He faced challenges such as drug addiction and encountered racism throughout his career, which influenced both his life and music. Despite these obstacles, he maintained a reputation as a musical genius, demonstrating an uncanny ability to anticipate musical trends and innovate.
Miles Davis passed away on September 28, 1991. His legacy continues to influence musicians and music lovers around the world, solidifying his status as one of the most significant figures in jazz history.
Davis began playing the trumpet at the age of 13. His professional music career commenced when he joined Eddie Randall's band in St. Louis. At 18, he moved to New York City to immerse himself in the evolving jazz scene, where he would become a pivotal figure in various jazz movements over the decades.
Throughout his career, Davis was known for his innovative approach to music, constantly pushing the boundaries of jazz. He played a significant role in the development of cool jazz, modal jazz, and jazz fusion. His famous albums, including "Kind of Blue," "Bitches Brew," and "Sketches of Spain," are considered masterpieces and have had a lasting impact on the genre.
Davis's life was not without struggles. He faced challenges such as drug addiction and encountered racism throughout his career, which influenced both his life and music. Despite these obstacles, he maintained a reputation as a musical genius, demonstrating an uncanny ability to anticipate musical trends and innovate.
Miles Davis passed away on September 28, 1991. His legacy continues to influence musicians and music lovers around the world, solidifying his status as one of the most significant figures in jazz history.
Miles Jaye
Miles Jaye Davis, born November 12, 1957, in Yonkers, New York, is an American R&B and jazz singer, jazz violinist, songwriter, and record producer.
He studied music theory and classical violin for over a decade at institutions like the Brooklyn Conservatory of Music, Saratoga School of Orchestral Studies, Indian Hill, and Brooklyn College. While serving in the US Air Force, he played flute, keyboards, and bass, launching his singing career at Clarke Air Force Base in the Philippines.
Jaye toured Europe with jazz guitarist Eric Gale, Phyllis Hyman, and Jon Lucien before joining Village People as the lead-singing "Cop" in 1982, staying for two years. He then signed with Teddy Pendergrass's Top Priority Records, releasing his debut album Miles on Island Records in 1987.
His biggest hit, "Let's Start Love Over," reached No. 5 on the Billboard R&B chart in 1987. Follow-up albums Irresistible (1989) and Strong (1991) included R&B hits like "Heaven" and "Objective." He co-produced and wrote for Pendergrass's 1988 album Joy.
After 1991, Jaye formed Black Tree Records, releasing jazz-influenced albums and collaborating with artists like George Duke, Roy Ayers, Grover Washington Jr., and Branford Marsalis. Now semi-retired, he works on special projects as a singer, songwriter, arranger, producer, and jazz violinist.
He studied music theory and classical violin for over a decade at institutions like the Brooklyn Conservatory of Music, Saratoga School of Orchestral Studies, Indian Hill, and Brooklyn College. While serving in the US Air Force, he played flute, keyboards, and bass, launching his singing career at Clarke Air Force Base in the Philippines.
Jaye toured Europe with jazz guitarist Eric Gale, Phyllis Hyman, and Jon Lucien before joining Village People as the lead-singing "Cop" in 1982, staying for two years. He then signed with Teddy Pendergrass's Top Priority Records, releasing his debut album Miles on Island Records in 1987.
His biggest hit, "Let's Start Love Over," reached No. 5 on the Billboard R&B chart in 1987. Follow-up albums Irresistible (1989) and Strong (1991) included R&B hits like "Heaven" and "Objective." He co-produced and wrote for Pendergrass's 1988 album Joy.
After 1991, Jaye formed Black Tree Records, releasing jazz-influenced albums and collaborating with artists like George Duke, Roy Ayers, Grover Washington Jr., and Branford Marsalis. Now semi-retired, he works on special projects as a singer, songwriter, arranger, producer, and jazz violinist.
Millie Jackson
American R&B and soul singer-songwriter Millie Jackson (born Mildred Virginia Jackson on July 15, 1944), is renowned for her powerful voice and pioneering "raps"—long, often raunchy spoken-word monologues about relationships, infidelity, and se.x Over a career spanning six decades, she has released 28 albums and sold over 40 million copies, earning the title "Godmother of Rap" for her influence on modern hip-hop and R&B. Born in Thomson, Georgia, she moved to Newark, New Jersey, at age 15 after her mother's death. She later moved to Brooklyn to live with an aunt. Before singing, she worked as a model for magazines like JIVE and Sepia. Her music career reportedly began on a dare in 1964 when she performed at a talent contest at Smalls Paradise in Harlem and won.
She initially recorded for MGM Records in 1970 before signing a long-term deal with Spring Records. Her first charting single was "A Child of God (It's Hard to Believe)" in 1971. Her breakthrough came with songs like "Ask Me What You Want" and "My Man, a Sweet Man" (1972). In 1973, "It Hurts So Good" reached #3 on the R&B charts and was featured in the film Cleopatra Jones.
Jackson became famous for her 1974 concept album Caught Up, which explored a love triangle from both the wife's and mistress's perspectives. The album's hit "(If Loving You Is Wrong) I Don't Want to Be Right" earned her a Grammy nomination. Because of her explicit language and adult themes, many radio stations refused to play her music, yet she maintained a loyal "cult" following that led to multiple RIAA-certified gold albums, including Caught Up and Feelin' Bitchy.
In 1991, she wrote and starred in the successful touring play Young Man, Older Woman, based on her album of the same name. She also hosted a radio show on KKDA 730 AM in Dallas for 13 years, ending in 2012.
Jackson was inducted into the Official Rhythm & Blues Music Hall of Fame in 2015. She is the mother of R&B singer Keisha Jackson and son Jerroll Levert. She is not related to Michael Jackson or the Jackson 5.
She initially recorded for MGM Records in 1970 before signing a long-term deal with Spring Records. Her first charting single was "A Child of God (It's Hard to Believe)" in 1971. Her breakthrough came with songs like "Ask Me What You Want" and "My Man, a Sweet Man" (1972). In 1973, "It Hurts So Good" reached #3 on the R&B charts and was featured in the film Cleopatra Jones.
Jackson became famous for her 1974 concept album Caught Up, which explored a love triangle from both the wife's and mistress's perspectives. The album's hit "(If Loving You Is Wrong) I Don't Want to Be Right" earned her a Grammy nomination. Because of her explicit language and adult themes, many radio stations refused to play her music, yet she maintained a loyal "cult" following that led to multiple RIAA-certified gold albums, including Caught Up and Feelin' Bitchy.
In 1991, she wrote and starred in the successful touring play Young Man, Older Woman, based on her album of the same name. She also hosted a radio show on KKDA 730 AM in Dallas for 13 years, ending in 2012.
Jackson was inducted into the Official Rhythm & Blues Music Hall of Fame in 2015. She is the mother of R&B singer Keisha Jackson and son Jerroll Levert. She is not related to Michael Jackson or the Jackson 5.
Millie Scott
Millie Scott is an American soul and R&B singer born Mildred Vaney Scott in Savannah, Georgia. She began her career singing gospel with groups like The Pilgrim Gospel Singers and The Sermonettes before transitioning to jazz.
She performed with Bobby Dilworth & The Blazers, then moved to New York for session work and formed The Glories, releasing "I Stand Accused" on Date Records. The Temptations later convinced her to relocate to Detroit, where she still lives.
In 1971, Scott co-founded Quiet Elegance with Lois Reeves and Frankie Gearing, touring with The Temptations and The Spinners; they signed to Hi Records under Willie Mitchell. She later backed Al Green, then formed Cut Glass with Ortheia Barnes from 1976 to 1979.
Signed to D&B Productions in 1986 by Bruce Nazarian, she joined Island Records, debuting with "Prisoner of Love" (UK Top 75). Her albums Love Me Right (1987, US R&B #57) and I Can Make It Good for You (1988) featured hits like "Automatic," "Ev'ry Little Bit" (US R&B #11), and "Love Me Right."
She performed with Bobby Dilworth & The Blazers, then moved to New York for session work and formed The Glories, releasing "I Stand Accused" on Date Records. The Temptations later convinced her to relocate to Detroit, where she still lives.
In 1971, Scott co-founded Quiet Elegance with Lois Reeves and Frankie Gearing, touring with The Temptations and The Spinners; they signed to Hi Records under Willie Mitchell. She later backed Al Green, then formed Cut Glass with Ortheia Barnes from 1976 to 1979.
Signed to D&B Productions in 1986 by Bruce Nazarian, she joined Island Records, debuting with "Prisoner of Love" (UK Top 75). Her albums Love Me Right (1987, US R&B #57) and I Can Make It Good for You (1988) featured hits like "Automatic," "Ev'ry Little Bit" (US R&B #11), and "Love Me Right."
Minnie Riperton
Minnie Riperton, born Minnie Julia Riperton on November 8, 1947, in Chicago, Illinois, was a prominent American soul singer and songwriter known for her exceptional vocal range and emotional delivery. She was the youngest of eight children in a working-class African-American family. Riperton displayed musical talent from a young age, influenced by the vibrant music scene in Chicago.
Riperton's career began in the 1960s, where she gained experience and recognition in the Chicago music scene. She initially joined the girl group The Gems and later became a member of the psychedelic soul band Rotary Connection. Her time with Rotary Connection helped her hone her skills and showcased her unique and powerful voice.
In 1974, Riperton achieved significant fame with her hit single "Lovin' You," which showcased her remarkable five-octave vocal range. The song became a classic and remains one of her most celebrated works. It reached the top of the charts and cemented her status as a leading figure in the soul genre.
Throughout her career, Riperton released several albums, including "Perfect Angel" (1974) and "Adventures in Paradise" (1975), both of which received critical acclaim and commercial success. Her music often featured elements of love, joy, and spiritual themes, resonating deeply with audiences.
Tragically, Riperton's career and life were cut short when she was diagnosed with breast cancer in 1976. Despite her illness, she continued to perform and record music until her health declined. She passed away on July 12, 1979, at the age of 31.
Minnie Riperton's legacy continues to influence artists across various genres, and she is remembered not only for her stunning vocal abilities but also for her contributions to the soul music landscape. Her work remains relevant and cherished by fans around the world.
Riperton's career began in the 1960s, where she gained experience and recognition in the Chicago music scene. She initially joined the girl group The Gems and later became a member of the psychedelic soul band Rotary Connection. Her time with Rotary Connection helped her hone her skills and showcased her unique and powerful voice.
In 1974, Riperton achieved significant fame with her hit single "Lovin' You," which showcased her remarkable five-octave vocal range. The song became a classic and remains one of her most celebrated works. It reached the top of the charts and cemented her status as a leading figure in the soul genre.
Throughout her career, Riperton released several albums, including "Perfect Angel" (1974) and "Adventures in Paradise" (1975), both of which received critical acclaim and commercial success. Her music often featured elements of love, joy, and spiritual themes, resonating deeply with audiences.
Tragically, Riperton's career and life were cut short when she was diagnosed with breast cancer in 1976. Despite her illness, she continued to perform and record music until her health declined. She passed away on July 12, 1979, at the age of 31.
Minnie Riperton's legacy continues to influence artists across various genres, and she is remembered not only for her stunning vocal abilities but also for her contributions to the soul music landscape. Her work remains relevant and cherished by fans around the world.
Miss Jones
Tarsha Nicole Jones, known professionally as Miss Jones, is an American R&B singer, radio personality, and author born on October 24, 1969.
She grew up in a challenging environment in Queens, New York (with some sources noting Brooklyn roots), raised by an epileptic mother after her parents' early divorce and amid a series of stepfathers. Jones attended the prestigious Fiorello H. LaGuardia High School of Music & Art and Performing Arts, majoring in classical music, and later earned a BA in music from Syracuse University.
Jones began as an R&B and hip-hop artist, touring with Doug E. Fresh and the Get Fresh Crew after a chance meeting that launched her singing path. She featured vocals on tracks by artists like Busta Rhymes, The Beatnuts, Biz Markie, and Common Sense, signed briefly with Tommy Boy Records, and released her only album, The Other Woman, in 1998 on Motown, which charted modestly on Billboard's R&B and Heatseekers lists.
Transitioning to radio, she became a DJ at New York’s Hot 97 (WQHT-FM), co-hosting mornings with Ed Lover and Dr. Dre before launching Miss Jones in the Morning, making her the first Black woman to host a morning show on a hip-hop station. She later worked at Philadelphia stations like WPHI, 103.9 The Beat, and WUSL, faced controversies (e.g., a disputed "Tsunami Song" parody in 2005), and now hosts Jonesy in the Morning on 94.7 The Block (WXBK) in New York while running Jonesyradio.com.
In 2007, she published her autobiography, Have You Met Miss Jones? The Life and Loves of Radio's Most Controversial Diva, detailing her upbringing, career struggles, and relationships. Jones has appeared in films like Corrupt (1999), The Wrecking Crew (2000), and Paper Soldiers (2002). She resides in New Jersey with her son.
She grew up in a challenging environment in Queens, New York (with some sources noting Brooklyn roots), raised by an epileptic mother after her parents' early divorce and amid a series of stepfathers. Jones attended the prestigious Fiorello H. LaGuardia High School of Music & Art and Performing Arts, majoring in classical music, and later earned a BA in music from Syracuse University.
Jones began as an R&B and hip-hop artist, touring with Doug E. Fresh and the Get Fresh Crew after a chance meeting that launched her singing path. She featured vocals on tracks by artists like Busta Rhymes, The Beatnuts, Biz Markie, and Common Sense, signed briefly with Tommy Boy Records, and released her only album, The Other Woman, in 1998 on Motown, which charted modestly on Billboard's R&B and Heatseekers lists.
Transitioning to radio, she became a DJ at New York’s Hot 97 (WQHT-FM), co-hosting mornings with Ed Lover and Dr. Dre before launching Miss Jones in the Morning, making her the first Black woman to host a morning show on a hip-hop station. She later worked at Philadelphia stations like WPHI, 103.9 The Beat, and WUSL, faced controversies (e.g., a disputed "Tsunami Song" parody in 2005), and now hosts Jonesy in the Morning on 94.7 The Block (WXBK) in New York while running Jonesyradio.com.
In 2007, she published her autobiography, Have You Met Miss Jones? The Life and Loves of Radio's Most Controversial Diva, detailing her upbringing, career struggles, and relationships. Jones has appeared in films like Corrupt (1999), The Wrecking Crew (2000), and Paper Soldiers (2002). She resides in New Jersey with her son.
Mitty Collier
Mitty Collier is an American church pastor, gospel singer, and former rhythm and blues artist known for her 1960s hits. Born Mitty Lene Collier on June 21, 1941, in Birmingham, Alabama, she transitioned from secular R&B to gospel music and ministry later in life.
She was the seventh child of Rufus and Gertrude Collier. Collier attended Western-Olin High School and studied English at Alabama A&M College and Miles College. She started singing in church as a teen, touring with gospel groups like the Hayes Ensemble and Lloyd Reese Singers, before performing R&B in clubs to fund her education.
In 1959, she won a talent contest in Chicago hosted by DJ Al Benson, earning gigs with B.B. King and Etta James, which led to a Chess Records deal. She released 15 singles and one album from 1961-1968, produced mostly by Billy Davis. Key hits include "I'm Your Part Time Love" (#20 R&B, 1963), "I Had A Talk With My Man" (#3 R&B, #41 Pop, 1964—a secular take on a James Cleveland gospel song), and "Sharing You" (#10 R&B, 1966).
After Chess, she recorded with Peachtree Records in Atlanta, including singles like "True Love Never Comes Easy." Vocal cord polyps ended her secular career in 1971. She then focused on gospel, releasing albums like The Warning (1972), Hold The Light (1977), and I Am Love (1987).
Collier devoted herself to Christianity, starting a Bible Study Telephone Prayer Line and "Feed-A-Neighbor" outreach, earning Birmingham's key to the city in 1987. Ordained in 1989, she became pastor of More Like Christ Christian Fellowship Ministries in Chicago. She has worked at the University of Chicago, written plays, and received awards like the NCNW Woman of Wonder in 2000. As of 2025, she turned 84.
She was the seventh child of Rufus and Gertrude Collier. Collier attended Western-Olin High School and studied English at Alabama A&M College and Miles College. She started singing in church as a teen, touring with gospel groups like the Hayes Ensemble and Lloyd Reese Singers, before performing R&B in clubs to fund her education.
In 1959, she won a talent contest in Chicago hosted by DJ Al Benson, earning gigs with B.B. King and Etta James, which led to a Chess Records deal. She released 15 singles and one album from 1961-1968, produced mostly by Billy Davis. Key hits include "I'm Your Part Time Love" (#20 R&B, 1963), "I Had A Talk With My Man" (#3 R&B, #41 Pop, 1964—a secular take on a James Cleveland gospel song), and "Sharing You" (#10 R&B, 1966).
After Chess, she recorded with Peachtree Records in Atlanta, including singles like "True Love Never Comes Easy." Vocal cord polyps ended her secular career in 1971. She then focused on gospel, releasing albums like The Warning (1972), Hold The Light (1977), and I Am Love (1987).
Collier devoted herself to Christianity, starting a Bible Study Telephone Prayer Line and "Feed-A-Neighbor" outreach, earning Birmingham's key to the city in 1987. Ordained in 1989, she became pastor of More Like Christ Christian Fellowship Ministries in Chicago. She has worked at the University of Chicago, written plays, and received awards like the NCNW Woman of Wonder in 2000. As of 2025, she turned 84.
Mongo Santamaria
Mongo Santamaría was a renowned Afro-Cuban percussionist and bandleader who bridged Latin music with jazz and popular genres. His innovative conga playing and hits like "Watermelon Man" made him a pivotal figure in boogaloo and Latin jazz.
Ramón "Mongo" Santamaría Rodríguez was born on April 7, 1917, in Havana, Cuba's Jesús María barrio, where he immersed himself in rumba traditions from a young age. He initially played violin but switched to percussion, self-teaching maracas, bongos, congas, and timbales after dropping out of middle school. By 1937, he performed with Septeto Beloña and the Tropicana nightclub's house band, later touring with Lecuona Cuban Boys and Sonora Matancera.
In the late 1940s, Santamaría toured Mexico, broadening his horizons before moving to New York City in 1950. There, he became Tito Puente's conguero and joined Cal Tjader's Latin jazz band in 1957. He formed his own charanga group, recording pioneering rumba and Santería albums, with his first pachanga hit "Para ti" arriving by decade's end.
Santamaría pioneered boogaloo with his 1963 cover of Herbie Hancock's "Watermelon Man," which topped Billboard's pop chart. He composed the jazz standard "Afro Blue" in 1959, later popularized by John Coltrane, and signed with labels like Columbia, Atlantic, and Fania. As a Fania All-Stars member, he traded iconic conga solos with Ray Barretto and fused Cuban rhythms with R&B and Motown covers.
In his later career, he focused on Latin jazz for Concord Jazz and Chesky Records while performing globally. Santamaría appeared in films like Out of Sight (1998) and reflected on his roots: music from his neighborhood blended African influences with local religion and conversation via drums. He died on February 1, 2003, in Miami from a stroke at age 85.
Ramón "Mongo" Santamaría Rodríguez was born on April 7, 1917, in Havana, Cuba's Jesús María barrio, where he immersed himself in rumba traditions from a young age. He initially played violin but switched to percussion, self-teaching maracas, bongos, congas, and timbales after dropping out of middle school. By 1937, he performed with Septeto Beloña and the Tropicana nightclub's house band, later touring with Lecuona Cuban Boys and Sonora Matancera.
In the late 1940s, Santamaría toured Mexico, broadening his horizons before moving to New York City in 1950. There, he became Tito Puente's conguero and joined Cal Tjader's Latin jazz band in 1957. He formed his own charanga group, recording pioneering rumba and Santería albums, with his first pachanga hit "Para ti" arriving by decade's end.
Santamaría pioneered boogaloo with his 1963 cover of Herbie Hancock's "Watermelon Man," which topped Billboard's pop chart. He composed the jazz standard "Afro Blue" in 1959, later popularized by John Coltrane, and signed with labels like Columbia, Atlantic, and Fania. As a Fania All-Stars member, he traded iconic conga solos with Ray Barretto and fused Cuban rhythms with R&B and Motown covers.
In his later career, he focused on Latin jazz for Concord Jazz and Chesky Records while performing globally. Santamaría appeared in films like Out of Sight (1998) and reflected on his roots: music from his neighborhood blended African influences with local religion and conversation via drums. He died on February 1, 2003, in Miami from a stroke at age 85.
Mosley and Johnson
Sam Mosley and Bob Johnson were a renowned R&B, soul, and blues duo from New Albany, Mississippi, celebrated for their songwriting, musicianship, and collaborations with major artists. Their partnership shaped a significant legacy in Southern music over three decades.
Sam Ray Mosley was born on March 30, 1946, in the Beaver Dam community of Union County, Mississippi. Bob (Robert Augusta) Johnson was born on March 4, 1946, in New Albany; both grew up in musical families and knew each other from childhood. Mosley started playing music young, forming bands like Jamie and the Dynamics with his brothers at age 13, while pursuing education before military service in Vietnam.
After their military stints—Mosley from Vietnam and Johnson from service—they teamed up in 1967 as Sam and Bob & the Soulmen, releasing their debut album Mississippi Mud in 1971 on their Sabo label. Both earned associate degrees from Northeast Mississippi Community College and Mosley a business degree from the University of Mississippi, balancing music with day jobs.
Under Mosley & Johnson, they signed with Malaco Records in the 1980s, releasing albums like Mosley & Johnson (1987), Premium (1989), and Juke Joint (2000), touring Europe at venues like Montreux Jazz Festival. They wrote hits for Johnnie Taylor, Bobby "Blue" Bland, Little Milton, and Dorothy Moore, earning two gold records and a 2000 Grammy nomination for Bland's album.
Johnson died suddenly onstage in 1998 at age 52; Mosley continued as Mosley & Johnson with Johnson's brothers Willie and Miles, honoring their pact by sharing royalties. Mosley released solo work like The Whole World Has Still Got the Blues (2010) and passed away on September 20, 2024, at age 78. Their blues trail marker in New Albany recognizes their enduring influence.
Sam Ray Mosley was born on March 30, 1946, in the Beaver Dam community of Union County, Mississippi. Bob (Robert Augusta) Johnson was born on March 4, 1946, in New Albany; both grew up in musical families and knew each other from childhood. Mosley started playing music young, forming bands like Jamie and the Dynamics with his brothers at age 13, while pursuing education before military service in Vietnam.
After their military stints—Mosley from Vietnam and Johnson from service—they teamed up in 1967 as Sam and Bob & the Soulmen, releasing their debut album Mississippi Mud in 1971 on their Sabo label. Both earned associate degrees from Northeast Mississippi Community College and Mosley a business degree from the University of Mississippi, balancing music with day jobs.
Under Mosley & Johnson, they signed with Malaco Records in the 1980s, releasing albums like Mosley & Johnson (1987), Premium (1989), and Juke Joint (2000), touring Europe at venues like Montreux Jazz Festival. They wrote hits for Johnnie Taylor, Bobby "Blue" Bland, Little Milton, and Dorothy Moore, earning two gold records and a 2000 Grammy nomination for Bland's album.
Johnson died suddenly onstage in 1998 at age 52; Mosley continued as Mosley & Johnson with Johnson's brothers Willie and Miles, honoring their pact by sharing royalties. Mosley released solo work like The Whole World Has Still Got the Blues (2010) and passed away on September 20, 2024, at age 78. Their blues trail marker in New Albany recognizes their enduring influence.
Mtume
Mtume was an American funk and soul group, known for their distinctive sound that combined elements of R&B and jazz-funk. The band gained prominence during the early 1980s, heralded for a series of successful R&B hits.
The group was founded in the late 1970s by James Mtume, a talented conga player and percussionist who had previously worked with influential artists like Miles Davis. Mtume, who was born in Philadelphia into a musically rich family, was the son of renowned jazz saxophonist Jimmy Heath, which immersed him in a culture of music from an early age. Joined by guitarist Reggie Lucas, who co-wrote most of their songs, the band developed a unique collaboration that defined their sound.
Mtume achieved significant acclaim for their hits during the early 1980s, with songs that resonated with the contemporary music scene. The band's music is characterized by smooth melodies, rhythmic beats, and lyrical themes that often explored love and relationships. They produced several successful albums, solidifying their status in the R&B genre.
The impact of Mtume's music extends beyond their own recordings. The group has been influential in shaping the sound of funk and R&B during their active years and continues to inspire new generations of musicians. In addition to their performance career, the members of Mtume have also been involved in songwriting and production for various artists, further contributing to the music industry.
The group was founded in the late 1970s by James Mtume, a talented conga player and percussionist who had previously worked with influential artists like Miles Davis. Mtume, who was born in Philadelphia into a musically rich family, was the son of renowned jazz saxophonist Jimmy Heath, which immersed him in a culture of music from an early age. Joined by guitarist Reggie Lucas, who co-wrote most of their songs, the band developed a unique collaboration that defined their sound.
Mtume achieved significant acclaim for their hits during the early 1980s, with songs that resonated with the contemporary music scene. The band's music is characterized by smooth melodies, rhythmic beats, and lyrical themes that often explored love and relationships. They produced several successful albums, solidifying their status in the R&B genre.
The impact of Mtume's music extends beyond their own recordings. The group has been influential in shaping the sound of funk and R&B during their active years and continues to inspire new generations of musicians. In addition to their performance career, the members of Mtume have also been involved in songwriting and production for various artists, further contributing to the music industry.
Muddy Waters
Muddy Waters, born McKinley Morganfield on April 4, 1913 (or possibly 1915), near Rolling Fork, Mississippi, was a pioneering blues singer, guitarist, and songwriter often called the "father of modern Chicago blues." Raised by his grandmother Della Grant in Clarksdale after his mother's early death, he earned his nickname "Muddy" for playing in nearby creek mud and later added "Waters."
He grew up on Stovall Plantation, immersed in Delta blues, learning harmonica and guitar by emulating Son House and Robert Johnson. In 1941, Alan Lomax recorded him for the Library of Congress, capturing tracks like "I Be’s Troubled," which marked his first recognition.
Waters relocated to Chicago in 1943, initially working day jobs while playing clubs at night; Big Bill Broonzy helped him break into the scene. He adopted electric guitar for louder urban venues, pioneering post-WWII electric blues.
Signed to Chess Records, his 1948 singles "I Can’t Be Satisfied" and "I Feel Like Going Home" sold out quickly, blending Delta roots with electric edge. Iconic 1950s tracks include "Rollin’ Stone," "Hoochie Coochie Man," "Mannish Boy," and "Got My Mojo Working," defining Chicago blues. His 1958 debut album The Best of Muddy Waters and England tour boosted his fame, influencing British rock acts.
The 1960s-70s saw uneven projects, but Johnny Winter produced comeback albums like 1977's Grammy-winning Hard Again. Inducted into the Blues Hall of Fame (1980) and Rock & Roll Hall of Fame (1987), he died of a heart attack on April 30, 1983, in Westmont, Illinois.
He grew up on Stovall Plantation, immersed in Delta blues, learning harmonica and guitar by emulating Son House and Robert Johnson. In 1941, Alan Lomax recorded him for the Library of Congress, capturing tracks like "I Be’s Troubled," which marked his first recognition.
Waters relocated to Chicago in 1943, initially working day jobs while playing clubs at night; Big Bill Broonzy helped him break into the scene. He adopted electric guitar for louder urban venues, pioneering post-WWII electric blues.
Signed to Chess Records, his 1948 singles "I Can’t Be Satisfied" and "I Feel Like Going Home" sold out quickly, blending Delta roots with electric edge. Iconic 1950s tracks include "Rollin’ Stone," "Hoochie Coochie Man," "Mannish Boy," and "Got My Mojo Working," defining Chicago blues. His 1958 debut album The Best of Muddy Waters and England tour boosted his fame, influencing British rock acts.
The 1960s-70s saw uneven projects, but Johnny Winter produced comeback albums like 1977's Grammy-winning Hard Again. Inducted into the Blues Hall of Fame (1980) and Rock & Roll Hall of Fame (1987), he died of a heart attack on April 30, 1983, in Westmont, Illinois.
Mystic Merlin
Mystic Merlin was an American soul-funk band from New York City, active primarily in the early 1980s. They gained attention for blending funky grooves with theatrical live shows featuring magic tricks.
Formed as Mystic Merlin's Magic Band, the group started as a novelty act incorporating illusions into performances, led by bassist and magician Clyde Bullard. They evolved into a serious soul-funk outfit, shortening their name before signing with Capitol Records in 1980, just as internal tensions nearly caused a split.
Key lineup included: Clyde Bullard (bass, founding member and creative force); Barry Roark Strutt (saxophone, keyboards); Leslie Dorsey (keyboards, vocals); Jerry Anderson (guitar, vocals; died 2020); Keith Gonzales (vocals, harmonica); Sly Randolph (drums, percussion, vocals). Betty Brown (vocals).
They released three albums on Capitol from 1980-1982:- Mystic Merlin (1980), with UK Top 20 single "Just Can't Give You Up" produced by Charles Kipps; Sixty Thrills a Minute (1981), featuring guests like Paulinho Da Costa and Cheryl Lynn; Full Moon (1982), adding pre-solo fame Freddie Jackson on vocals, including track "Mr. Magician."
The band built a loyal following through live energy but disbanded after their Capitol run, with 2012 remasters reviving interest.
Formed as Mystic Merlin's Magic Band, the group started as a novelty act incorporating illusions into performances, led by bassist and magician Clyde Bullard. They evolved into a serious soul-funk outfit, shortening their name before signing with Capitol Records in 1980, just as internal tensions nearly caused a split.
Key lineup included: Clyde Bullard (bass, founding member and creative force); Barry Roark Strutt (saxophone, keyboards); Leslie Dorsey (keyboards, vocals); Jerry Anderson (guitar, vocals; died 2020); Keith Gonzales (vocals, harmonica); Sly Randolph (drums, percussion, vocals). Betty Brown (vocals).
They released three albums on Capitol from 1980-1982:- Mystic Merlin (1980), with UK Top 20 single "Just Can't Give You Up" produced by Charles Kipps; Sixty Thrills a Minute (1981), featuring guests like Paulinho Da Costa and Cheryl Lynn; Full Moon (1982), adding pre-solo fame Freddie Jackson on vocals, including track "Mr. Magician."
The band built a loyal following through live energy but disbanded after their Capitol run, with 2012 remasters reviving interest.
Najee
Najee, born Jerome Najee Rasheed, is a Grammy-nominated saxophonist and flutist renowned for pioneering urban contemporary jazz. A native of New York City's Greenwich Village, he grew up in Jamaica, Queens, after losing his father at age four and was deeply influenced by his mother Mary Richards' jazz records of artists like Miles Davis.
Najee started music at age eight with the clarinet in grade school, soon switching to saxophone and flute. He trained in high school at Harlem's Jazzmobile under Jimmy Heath, Frank Foster, and Ernie Wilkins, and studied flute at age 16 with Harold Jones of the New York Philharmonic at Manhattan School of Music's Preparatory Division. Later, he attended the New England Conservatory of Music in Boston with his brother Fareed.
In the early 1980s, Najee and Fareed toured with Chaka Khan on her "Ain't Nobody" tour. His 1986 debut album Najee's Theme (EMI/Capitol) earned a Grammy nomination for Best Jazz Album and led to opening for Freddie Jackson's tour. His 1988 follow-up Day by Day went gold, produced by Barry Eastmond.
Najee's 1990 album Tokyo Blue, produced by Fareed, became one of his biggest hits and also went gold, earning him Soul Train Awards for Best Jazz Artist in 1991 and 1993. He has two Grammy nominations overall, collaborated with Prince (2001-2003, including Rainbow Children), Stevie Wonder (1998 tribute album), Quincy Jones, Herbie Hancock, and others, and performed at events like Nelson Mandela's birthday and the White House.
Later releases include Share My World (1994), Morning Tenderness (1998, #1 on contemporary jazz charts), Embrace (2003, with Roy Ayers), The Morning After (2013, NAACP Image Award nominee), and recent works blending jazz, R&B, and world music. He won an NAACP Image Award in 2006 and continues touring internationally.
Najee started music at age eight with the clarinet in grade school, soon switching to saxophone and flute. He trained in high school at Harlem's Jazzmobile under Jimmy Heath, Frank Foster, and Ernie Wilkins, and studied flute at age 16 with Harold Jones of the New York Philharmonic at Manhattan School of Music's Preparatory Division. Later, he attended the New England Conservatory of Music in Boston with his brother Fareed.
In the early 1980s, Najee and Fareed toured with Chaka Khan on her "Ain't Nobody" tour. His 1986 debut album Najee's Theme (EMI/Capitol) earned a Grammy nomination for Best Jazz Album and led to opening for Freddie Jackson's tour. His 1988 follow-up Day by Day went gold, produced by Barry Eastmond.
Najee's 1990 album Tokyo Blue, produced by Fareed, became one of his biggest hits and also went gold, earning him Soul Train Awards for Best Jazz Artist in 1991 and 1993. He has two Grammy nominations overall, collaborated with Prince (2001-2003, including Rainbow Children), Stevie Wonder (1998 tribute album), Quincy Jones, Herbie Hancock, and others, and performed at events like Nelson Mandela's birthday and the White House.
Later releases include Share My World (1994), Morning Tenderness (1998, #1 on contemporary jazz charts), Embrace (2003, with Roy Ayers), The Morning After (2013, NAACP Image Award nominee), and recent works blending jazz, R&B, and world music. He won an NAACP Image Award in 2006 and continues touring internationally.
Nancy Wilson
Nancy Wilson was a renowned American jazz and pop singer, celebrated for her versatile voice blending jazz, R&B, and torch song styles. She won three Grammy Awards and became a prominent figure in music and television over a decades-long career.
Born February 20, 1937, in Chillicothe, Ohio, to ironworker Olden Wilson and domestic worker Lillian Ryan, she was the eldest of six children. Music from her father's record collection inspired her early interest in singing, and she honed her skills in church choirs at Burnside Heights Elementary and West High School in Columbus, Ohio. She briefly attended Central State University, studying education, and won a talent contest that led to hosting a local TV show.
Wilson rose to fame in the 1960s after signing with Capitol Records, charting 11 Hot 100 songs and four Top LP albums between 1964 and 1965. Her debut album How Glad I Am earned her first Grammy for Best R&B Recording in 1964, followed by Jazz Vocal wins for R.S.V.P. (2005) and others. She performed with artists like Cannonball Adderley, hosted NPR's Jazz Profiles from 1996 to 2011, and released music into the 21st century before retiring in 2011.
A trailblazer as one of the first African American women to host a national TV show, she starred in the Emmy-winning The Nancy Wilson Show on NBC in 1967-1968. Guest spots included The Andy Williams Show, I Spy, Hawaii Five-O, The Cosby Show, and The Sinbad Show, with film roles in The Killers (1964) and The Meteor Man (1993). Her acting continued into the 2000s.
Wilson received the NEA Jazz Masters award in 2004 and remained active in philanthropy and mentoring until her death on December 13, 2018. She was a member of Delta Sigma Theta sorority and Presbyterian faith, leaving a legacy of crossover success and cultural impact.
Born February 20, 1937, in Chillicothe, Ohio, to ironworker Olden Wilson and domestic worker Lillian Ryan, she was the eldest of six children. Music from her father's record collection inspired her early interest in singing, and she honed her skills in church choirs at Burnside Heights Elementary and West High School in Columbus, Ohio. She briefly attended Central State University, studying education, and won a talent contest that led to hosting a local TV show.
Wilson rose to fame in the 1960s after signing with Capitol Records, charting 11 Hot 100 songs and four Top LP albums between 1964 and 1965. Her debut album How Glad I Am earned her first Grammy for Best R&B Recording in 1964, followed by Jazz Vocal wins for R.S.V.P. (2005) and others. She performed with artists like Cannonball Adderley, hosted NPR's Jazz Profiles from 1996 to 2011, and released music into the 21st century before retiring in 2011.
A trailblazer as one of the first African American women to host a national TV show, she starred in the Emmy-winning The Nancy Wilson Show on NBC in 1967-1968. Guest spots included The Andy Williams Show, I Spy, Hawaii Five-O, The Cosby Show, and The Sinbad Show, with film roles in The Killers (1964) and The Meteor Man (1993). Her acting continued into the 2000s.
Wilson received the NEA Jazz Masters award in 2004 and remained active in philanthropy and mentoring until her death on December 13, 2018. She was a member of Delta Sigma Theta sorority and Presbyterian faith, leaving a legacy of crossover success and cultural impact.
Natalie Cole
Natalie Maria Cole was born on February 6, 1950, in Los Angeles, California, to the legendary jazz pianist and singer Nat King Cole and his wife, jazz singer Maria Cole. Growing up in a musically rich environment, she was one of five children and spent her formative years in the affluent Hancock Park neighborhood, where she was surrounded by a variety of musical influences, including prominent artists like Ella Fitzgerald and Dinah Washington.
Despite her musical heritage, Cole was initially hesitant to follow in her father's footsteps. However, she eventually embraced her passion for music and began her career in the early 1970s. In 1975, she gained widespread recognition when she won the Grammy Award for Best New Artist, showcasing her versatility as a singer across genres such as R&B, pop, and jazz.
Throughout her career, Natalie Cole released a series of successful albums and singles, with hits like "This Will Be (An Everlasting Love)," "I've Got Love on My Mind," and "Our Love." She was known for her emotive vocal style and ability to connect with audiences, which contributed to her lasting popularity.
In addition to her music career, Cole ventured into acting and appeared in several television specials and movies. She also faced various challenges, including struggles with substance abuse, but she managed to overcome these hurdles and continue her career
Natalie Cole's contributions to music and her efforts to honor her father's legacy were significant. She often incorporated his songs into her performances and released an acclaimed album titled "Unforgettable... with Love," featuring duets with her father's recorded voice.
Her remarkable career continued until her passing on December 31, 2015, leaving behind a rich legacy as a singer and a performer who carved her own path in the music industry.
Despite her musical heritage, Cole was initially hesitant to follow in her father's footsteps. However, she eventually embraced her passion for music and began her career in the early 1970s. In 1975, she gained widespread recognition when she won the Grammy Award for Best New Artist, showcasing her versatility as a singer across genres such as R&B, pop, and jazz.
Throughout her career, Natalie Cole released a series of successful albums and singles, with hits like "This Will Be (An Everlasting Love)," "I've Got Love on My Mind," and "Our Love." She was known for her emotive vocal style and ability to connect with audiences, which contributed to her lasting popularity.
In addition to her music career, Cole ventured into acting and appeared in several television specials and movies. She also faced various challenges, including struggles with substance abuse, but she managed to overcome these hurdles and continue her career
Natalie Cole's contributions to music and her efforts to honor her father's legacy were significant. She often incorporated his songs into her performances and released an acclaimed album titled "Unforgettable... with Love," featuring duets with her father's recorded voice.
Her remarkable career continued until her passing on December 31, 2015, leaving behind a rich legacy as a singer and a performer who carved her own path in the music industry.
New York City
New York City was a short-lived R&B vocal group from New York with a soulful sound influenced by Philly soul. They formed in 1972 under the name Tri-Boro Exchange and achieved brief success in the mid-1970s.
The group consisted of experienced vocalists including lead singer Tim McQueen, John Brown (formerly of The Five Satins, The Cadillacs, and The Moonglows), Claude Johnson (ex-The Genies and Don & Juan), and Eddie Schell. They later featured Nile Rodgers and Bernard Edwards, who went on to form Chic, as part of their touring band.
Produced by Wes Farrell and Thom Bell, New York City released their debut album I'm Doin' Fine Now in 1973, featuring the hit single of the same name that reached No. 17 on the Billboard Hot 100 and No. 35 on the R&B chart. A follow-up album, Soulful Road, came in 1974, peaking at No. 50 on the R&B chart, but the group disbanded soon after.
Though their run was brief, New York City's smooth soul style left a mark, with their biggest hit remembered for its catchy, upbeat vibe typical of the era's vocal groups.
The group consisted of experienced vocalists including lead singer Tim McQueen, John Brown (formerly of The Five Satins, The Cadillacs, and The Moonglows), Claude Johnson (ex-The Genies and Don & Juan), and Eddie Schell. They later featured Nile Rodgers and Bernard Edwards, who went on to form Chic, as part of their touring band.
Produced by Wes Farrell and Thom Bell, New York City released their debut album I'm Doin' Fine Now in 1973, featuring the hit single of the same name that reached No. 17 on the Billboard Hot 100 and No. 35 on the R&B chart. A follow-up album, Soulful Road, came in 1974, peaking at No. 50 on the R&B chart, but the group disbanded soon after.
Though their run was brief, New York City's smooth soul style left a mark, with their biggest hit remembered for its catchy, upbeat vibe typical of the era's vocal groups.
Nina Simone
Nina Simone (born Eunice Kathleen Waymon; 1933–2003) was a prolific American singer, songwriter, and pianist whose career spanned over 40 albums and multiple genres, including jazz, blues, classical, and gospel. Known as the "High Priestess of Soul," she became an iconic figure in the Civil Rights Movement. Born on February 21, 1933, in Tryon, North Carolina, she began playing piano at age three and performed in her local Methodist church.
After studying at the Juilliard School for a summer, she was denied a scholarship to the Curtis Institute of Music in Philadelphia. Simone maintained throughout her life that this rejection was due to racial prejudice. To fund private lessons and hide her career from her religious mother, she began playing in Atlantic City bars under the stage name "Nina Simone" in 1954.
Her 1958 rendition of George Gershwin’s "I Loves You, Porgy" became her only Top 40 hit in the U.S.. She blended classical piano techniques with a deep contralto voice, often incorporating counterpoint reminiscent of J.S. Bach into jazz and pop songs.
Key recordings include "Feeling Good," "I Put a Spell on You," and "Sinnerman". Her 1958 track "My Baby Just Cares for Me" saw a massive European resurgence in the 1980s after being featured in a Chanel No. 5 commercial.
Following the 1963 Birmingham church bombing and the murder of Medgar Evers, she wrote the scathing protest anthem "Mississippi Goddam". She was close friends with activists such as James Baldwin and Lorraine Hansberry. She wrote "To Be Young, Gifted and Black" as a tribute to Hansberry. Increasingly frustrated with U.S. racism, she eventually left the country in 1970.
She lived in Barbados, Liberia, Switzerland, and the Netherlands before settling in southern France. In the late 1980s, she was diagnosed with bipolar disorder. She died of breast cancer on April 21, 2003, at her home in Carry-le-Rouet, France. Just days before her death, the Curtis Institute awarded her an honorary degree. She was posthumously inducted into the Rock and Roll Hall of Fame in 2018.
After studying at the Juilliard School for a summer, she was denied a scholarship to the Curtis Institute of Music in Philadelphia. Simone maintained throughout her life that this rejection was due to racial prejudice. To fund private lessons and hide her career from her religious mother, she began playing in Atlantic City bars under the stage name "Nina Simone" in 1954.
Her 1958 rendition of George Gershwin’s "I Loves You, Porgy" became her only Top 40 hit in the U.S.. She blended classical piano techniques with a deep contralto voice, often incorporating counterpoint reminiscent of J.S. Bach into jazz and pop songs.
Key recordings include "Feeling Good," "I Put a Spell on You," and "Sinnerman". Her 1958 track "My Baby Just Cares for Me" saw a massive European resurgence in the 1980s after being featured in a Chanel No. 5 commercial.
Following the 1963 Birmingham church bombing and the murder of Medgar Evers, she wrote the scathing protest anthem "Mississippi Goddam". She was close friends with activists such as James Baldwin and Lorraine Hansberry. She wrote "To Be Young, Gifted and Black" as a tribute to Hansberry. Increasingly frustrated with U.S. racism, she eventually left the country in 1970.
She lived in Barbados, Liberia, Switzerland, and the Netherlands before settling in southern France. In the late 1980s, she was diagnosed with bipolar disorder. She died of breast cancer on April 21, 2003, at her home in Carry-le-Rouet, France. Just days before her death, the Curtis Institute awarded her an honorary degree. She was posthumously inducted into the Rock and Roll Hall of Fame in 2018.
Norma Jenkins
Norma Jenkins is an American soul singer whose career spanned from the mid-1960s to the mid-1970s. She began her recording journey in 1966 as the lead vocalist for a girl group known as Norma Jenkins And The Dolls, which was signed to the Maltese label. This group marked the start of her presence in the music industry, contributing to the vibrant soul scene of that era.
Jenkins is noted for her distinctive deep voice, which set her apart from many of her contemporaries in the genre. This characteristic was particularly highlighted in comparisons to other girl groups, showcasing her unique vocal talent. Her ability to deliver soulful performances garnered her recognition within the music community.
Throughout her career, she released a noteworthy project—her only album titled "Patience Is a Virtue," which demonstrated her impressive ear for deep soul grooves. The album received attention for its quality and sound, affirming Jenkins' place within the soul music genre.
Despite limited commercial success in the 1970s, Jenkins' work became highly coveted among rare soul collectors in the UK, where she remains a staple of the Northern Soul scene.
In 2019, a compilation titled Figure Me Out If You Can (Rare Soul Recordings) was released, featuring her early Maltese recordings and unreleased demos.
Jenkins is noted for her distinctive deep voice, which set her apart from many of her contemporaries in the genre. This characteristic was particularly highlighted in comparisons to other girl groups, showcasing her unique vocal talent. Her ability to deliver soulful performances garnered her recognition within the music community.
Throughout her career, she released a noteworthy project—her only album titled "Patience Is a Virtue," which demonstrated her impressive ear for deep soul grooves. The album received attention for its quality and sound, affirming Jenkins' place within the soul music genre.
Despite limited commercial success in the 1970s, Jenkins' work became highly coveted among rare soul collectors in the UK, where she remains a staple of the Northern Soul scene.
In 2019, a compilation titled Figure Me Out If You Can (Rare Soul Recordings) was released, featuring her early Maltese recordings and unreleased demos.
Norman Connors
Norman Connors is an American jazz drummer, composer, arranger, and producer renowned for blending jazz with R&B, particularly through romantic ballads. Born on March 1, 1947, in Philadelphia, Pennsylvania, he began playing drums and writing songs at age five and later studied at the Juilliard School of Music and Temple University.
Connors idolized Miles Davis from age 13 and recorded with Archie Shepp in 1967 before playing with Pharaoh Sanders. He released his debut album as a leader, Dance of Magic, in 1972 on Cobblestone Records, followed by Dark of Light in 1973.
In the mid-1970s, after signing with Buddah Records, Connors shifted toward R&B and scored hits like "Valentine Love" (#10 R&B, 1975, with Michael Henderson and Jean Carn) and his signature "You Are My Starship" (#4 R&B/#27 Pop, 1976, with Henderson vocals). He collaborated with vocalists including Phyllis Hyman, Dee Dee Bridgewater, and Herbie Hancock, producing platinum albums like You Are My Starship.
Connors formed the Starship Orchestra and discovered artists such as Phyllis Hyman, Jean Carn, and Norman Brown while producing for others like Aquarian Dream and Al Johnson. His fusion style bridged jazz improvisation with accessible R&B, influencing romantics and jazz enthusiasts alike.
Connors idolized Miles Davis from age 13 and recorded with Archie Shepp in 1967 before playing with Pharaoh Sanders. He released his debut album as a leader, Dance of Magic, in 1972 on Cobblestone Records, followed by Dark of Light in 1973.
In the mid-1970s, after signing with Buddah Records, Connors shifted toward R&B and scored hits like "Valentine Love" (#10 R&B, 1975, with Michael Henderson and Jean Carn) and his signature "You Are My Starship" (#4 R&B/#27 Pop, 1976, with Henderson vocals). He collaborated with vocalists including Phyllis Hyman, Dee Dee Bridgewater, and Herbie Hancock, producing platinum albums like You Are My Starship.
Connors formed the Starship Orchestra and discovered artists such as Phyllis Hyman, Jean Carn, and Norman Brown while producing for others like Aquarian Dream and Al Johnson. His fusion style bridged jazz improvisation with accessible R&B, influencing romantics and jazz enthusiasts alike.
O.C. Smith
Ocie Lee "O. C." Smith (1932–2001) was a versatile American singer and minister whose career spanned jazz, R&B, and pop, best known for his 1968 million-selling hit "Little Green Apples". Born on June 21, 1932, in Mansfield, Louisiana, he earned a psychology degree from Southern University in Baton Rouge. He served in the U.S. Air Force from 1951 to 1955, where he performed for troops and won a major talent contest in Alaska.
After the Air Force, Smith sang in jazz clubs and joined Count Basie's band from 1961 to 1965. He had hits like "The Son of Hickory Holler's Tramp" and his signature song, "Little Green Apples," which won a Grammy and went gold. Other hits included "Daddy's Little Man," "Friend, Lover, Woman, Wife," and "Together". In the 1980s, he became prominent in the Carolina Beach Music scene.
Smith began studying for the ministry in 1980. He founded and pastored the City of Angels Church of Religious Science in Los Angeles, starting in 1985. He co-wrote the book Little Green Apples: God Really Did Make Them!, published after his death.
He died from a heart attack at his home in Ladera Heights, California, on November 23, 2001. He was inducted into the Carolina Beach Music Hall of Fame and the Arkansas Black Hall of Fame. O.C. Smith is remembered for his smooth voice, versatility across genres, and later dedication to spiritual leadership, leaving behind a rich musical and personal legacy.
After the Air Force, Smith sang in jazz clubs and joined Count Basie's band from 1961 to 1965. He had hits like "The Son of Hickory Holler's Tramp" and his signature song, "Little Green Apples," which won a Grammy and went gold. Other hits included "Daddy's Little Man," "Friend, Lover, Woman, Wife," and "Together". In the 1980s, he became prominent in the Carolina Beach Music scene.
Smith began studying for the ministry in 1980. He founded and pastored the City of Angels Church of Religious Science in Los Angeles, starting in 1985. He co-wrote the book Little Green Apples: God Really Did Make Them!, published after his death.
He died from a heart attack at his home in Ladera Heights, California, on November 23, 2001. He was inducted into the Carolina Beach Music Hall of Fame and the Arkansas Black Hall of Fame. O.C. Smith is remembered for his smooth voice, versatility across genres, and later dedication to spiritual leadership, leaving behind a rich musical and personal legacy.
O.T. Sykes
O.T. Sykes, known as the "singing dentist," was a soul, R&B, and blues artist born in Cross County, Arkansas. He gained recognition for his 1981 album First Love, which became popular in the tri-state area and featured tracks like "My First Love," "Stone Crush On You," "Come Be My Lady," and "Licensed To Love."
Sykes balanced dentistry with music, earning praise as one of the finest soul singers among enthusiasts, with his work produced by Jeffrey Singleton. His songs have appeared in modern soul playlists and radio shows like NTS's Altered Soul Experiment. The album was reissued by Everland Music, cementing his cult status in soul circles.
Limited biographical details exist beyond his Arkansas roots and dual professions, as he remains an obscure figure with no widely documented death date, though recent social media posts reflect ongoing fan appreciation.
O.V. Wright
O.V. Wright was an influential American soul and R&B singer known for his powerful gospel-rooted vocals. Born Overton Vertis Wright on October 9, 1939, in Lenow (or Leno), Tennessee, he rose from gospel groups to become a key figure in Southern soul.
Wright grew up singing in church and joined The Sunset Travelers in 1956 while in high school, serving as a lead singer for the gospel group. He later fronted the Harmony Echoes, where he was discovered alongside James Carr by songwriter Roosevelt Jamison.
In the late 1950s and early 1960s, he performed with groups like the Five Harmonaires, Spirit of Memphis Quartet, Luckett Brothers, Highway QCs, and Sunset Travelers, recording singles and an album for Peacock Records starting at age 19.
Wright left gospel for R&B in 1964, signing with Goldwax Records for his debut single "That's How Strong My Love Is," later covered by Otis Redding and the Rolling Stones. A contract dispute shifted him to Don Robey's Back Beat label.
Collaborating with producer Willie Mitchell at Hi Records, he scored R&B successes like "Ace of Spades" (1971), "A Nickel and a Nail" (1971), "You're Gonna Make Me Cry" (1965), and "Nucleus of Soul" (1968), blending deep soul with Memphis grooves.
Wright died on November 16, 1980, at age 41 in Memphis, likely from a heart attack related to drug issues. He remains celebrated for his emotive delivery in blues-soul circles.
Wright grew up singing in church and joined The Sunset Travelers in 1956 while in high school, serving as a lead singer for the gospel group. He later fronted the Harmony Echoes, where he was discovered alongside James Carr by songwriter Roosevelt Jamison.
In the late 1950s and early 1960s, he performed with groups like the Five Harmonaires, Spirit of Memphis Quartet, Luckett Brothers, Highway QCs, and Sunset Travelers, recording singles and an album for Peacock Records starting at age 19.
Wright left gospel for R&B in 1964, signing with Goldwax Records for his debut single "That's How Strong My Love Is," later covered by Otis Redding and the Rolling Stones. A contract dispute shifted him to Don Robey's Back Beat label.
Collaborating with producer Willie Mitchell at Hi Records, he scored R&B successes like "Ace of Spades" (1971), "A Nickel and a Nail" (1971), "You're Gonna Make Me Cry" (1965), and "Nucleus of Soul" (1968), blending deep soul with Memphis grooves.
Wright died on November 16, 1980, at age 41 in Memphis, likely from a heart attack related to drug issues. He remains celebrated for his emotive delivery in blues-soul circles.
O’Donel Levy
O Donel Levy ODonel Levy
O'Donel "Butch" Levy was a notable American guitarist known for his contributions to the rhythm & blues, funk, and jazz genres. He was born on September 20, 1945, in Baltimore, Maryland. Levy's early life was spent in South Baltimore, where he began his musical journey.
Levy pursued his studies in music at the prestigious Peabody Institute of Johns Hopkins University, which laid the groundwork for his future career in the music industry. His talent quickly became apparent as he collaborated with prominent musicians, notably working with organist Jack McDuff and other jazz legends in Boston.
Throughout his career, Levy was recognized for his unique guitar style that blended elements of blues, funk, and jazz, making him a sought-after session musician. He was also the brother of Stafford Levy, a well-known session drummer, which indicates a family connection to the music scene.
O'Donel Levy lived in various locations, including spending time abroad, where he reportedly ran a club in either Singapore or Thailand, showcasing the international reach of his career. After a life dedicated to music, O'Donel Levy passed away on March 14, 2016, at the age of 70. His legacy continues to influence musicians across genres and remains a significant figure in the music world.
Odyssey
Odyssey is a notable American disco and soul group that originated in New York City. The group was established in 1968 and initially performed as a family band known as The Lopez Sisters, consisting of sisters Carmen, Lillian, and Louise Lopez. However, Carmen Lopez eventually left the group, leading to the inclusion of Tony Reynolds, who joined to form what became known as Odyssey.
Odyssey is best known for its disco hits during the late 1970s and early 1980s. Some of their most famous tracks include "Native New Yorker," "Use It Up and Wear It Out," and "Looking for a Way Out," which achieved significant commercial success and became staples within the disco genre. These songs showcased their vibrant sound, characterized by rhythmic melodies and engaging lyrics, which resonated with the dance music scene of the time.
The lineup featured Lillian Lopez as the lead vocalist, and the group enjoyed a successful career, becoming an influential part of the disco movement. Despite being based in New York, none of the founding members were originally from the city: the Lopez sisters were born in the Virgin Islands, highlighting the diverse backgrounds of artists contributing to the disco scene.
As the music landscape evolved, Odyssey faced changes in membership and musical direction, but they maintained a dedicated fan base. Their contribution to the soul and funk genres remains significant, marking them as a prominent group during the height of disco.
Odyssey is best known for its disco hits during the late 1970s and early 1980s. Some of their most famous tracks include "Native New Yorker," "Use It Up and Wear It Out," and "Looking for a Way Out," which achieved significant commercial success and became staples within the disco genre. These songs showcased their vibrant sound, characterized by rhythmic melodies and engaging lyrics, which resonated with the dance music scene of the time.
The lineup featured Lillian Lopez as the lead vocalist, and the group enjoyed a successful career, becoming an influential part of the disco movement. Despite being based in New York, none of the founding members were originally from the city: the Lopez sisters were born in the Virgin Islands, highlighting the diverse backgrounds of artists contributing to the disco scene.
As the music landscape evolved, Odyssey faced changes in membership and musical direction, but they maintained a dedicated fan base. Their contribution to the soul and funk genres remains significant, marking them as a prominent group during the height of disco.
One Way
One Way was an American R&B and funk band from Detroit, Michigan, known for their hits in the late 1970s through the 1980s.
The group formed in 1979 as a rebranded version of Al Hudson & the Soul Partners, with original members including vocalist Al Hudson, Alicia Myers, guitarists Dave Roberson and Cortez Harris, bassist Kevin McCord, drummer Gregory Green, and keyboardist Jonathan Meadows. They signed with Chocolate City Records (a Peninsula Records subsidiary) and released their self-titled debut album in 1980.
One Way's biggest hit was "Cutie Pie" from their 1981 album Who's Foolin' Who, reaching No. 4 on the Billboard Soul Singles chart and No. 61 on the pop chart. Alicia Myers left in 1981 for a solo career, replaced by Candyce Edwards, who featured on hits like "Fancy Dancer." The band moved to MCA Records, releasing successful albums like Lady (1984).
Edwards departed in 1985, with Jeanette Mack-Jackson taking over vocals; the group shifted to Capitol Records in 1988 for A New Beginning. After a hiatus, core members Hudson, Roberson, and Meadows released New Old School in 2019. Note: Multiple groups share the name, but this bio refers to the Detroit soul/funk act, not the South Korean R&B trio.
Osborne and Giles
Billy Osborne and Attala Zane Giles formed the 1980s soul duo Osborne & Giles, known for their modern soul album Stranger in the Night (1985) on Red Label Records.
Billy Osborne, elder brother of Jeffrey Osborne, grew up in a musical family in Providence, Rhode Island. He joined Love Men Ltd. (later L.T.D.) as a singer, keyboardist, and musical director, contributing to 1970s hits before leaving in 1980 for solo pursuits. In the 1980s, he partnered with Giles, blending soul with pop elements reminiscent of Shalamar.
Attala Zane Giles previously performed in the R&B duo Deco alongside Philip Ingram (of Switch). He united with Billy Osborne in the mid-1980s, co-writing and singing on their sole album, which featured meticulously sequenced modern soul tracks. Limited details exist on his later career, as the duo remained a niche act.
Billy Osborne, elder brother of Jeffrey Osborne, grew up in a musical family in Providence, Rhode Island. He joined Love Men Ltd. (later L.T.D.) as a singer, keyboardist, and musical director, contributing to 1970s hits before leaving in 1980 for solo pursuits. In the 1980s, he partnered with Giles, blending soul with pop elements reminiscent of Shalamar.
Attala Zane Giles previously performed in the R&B duo Deco alongside Philip Ingram (of Switch). He united with Billy Osborne in the mid-1980s, co-writing and singing on their sole album, which featured meticulously sequenced modern soul tracks. Limited details exist on his later career, as the duo remained a niche act.
Oscar Toney Jnr
Oscar Toney Jr. was an American soul singer born on May 26, 1939, in Selma, Alabama. Raised in Columbus, Georgia, he began singing gospel in churches and later joined groups like The Sensational Melodies of Joy before transitioning to secular music with The Searchers in the late 1950s.
He released his first solo single, "Can It All Be Love," on King Records in 1964, though it gained little attention. Toney toured the UK in the 1960s, often backed by the band Merlin Q, and signed with Bell Records in 1967 after impressing producer Papa Don Schroeder. His breakthrough cover of "For Your Precious Love" reached No. 4 on the R&B chart and No. 23 on the pop chart.
Shifts to Capricorn Records in 1970 yielded flops like "Down on My Knees," leading to his release in 1973. He found a niche with UK Northern soul fans via Contempo Records in the 1970s before returning to gospel in the 1980s. Key albums include For Your Precious Love (1967, U.S. No. 192, R&B No. 27), I've Been Loving You Too Long To Stop Now! (1975), and Guilty of Loving You (2001).
He released his first solo single, "Can It All Be Love," on King Records in 1964, though it gained little attention. Toney toured the UK in the 1960s, often backed by the band Merlin Q, and signed with Bell Records in 1967 after impressing producer Papa Don Schroeder. His breakthrough cover of "For Your Precious Love" reached No. 4 on the R&B chart and No. 23 on the pop chart.
Shifts to Capricorn Records in 1970 yielded flops like "Down on My Knees," leading to his release in 1973. He found a niche with UK Northern soul fans via Contempo Records in the 1970s before returning to gospel in the 1980s. Key albums include For Your Precious Love (1967, U.S. No. 192, R&B No. 27), I've Been Loving You Too Long To Stop Now! (1975), and Guilty of Loving You (2001).
Otis Clay
Otis Clay was an acclaimed American R&B and soul singer born on February 11, 1942, in Waxhaw, Mississippi, who passed away on January 8, 2016.
Clay grew up in a musical family and moved to Muncie, Indiana, in 1953 before settling in Chicago in 1957. He began singing gospel at age four in church and later performed with groups like the Voices of Hope, Christian Travelers, Golden Jubilaires, Famous Blue Jay Singers, Holy Wonders, and Pilgrim Harmonizers.
Transitioning to secular music, Clay signed with Chicago's One-derful! Records in 1965, releasing gospel-tinged soul tracks like "Flame In Your Heart" and "Tired Of Falling In (And Out Of) Love." His first R&B hit, "That's How It Is (When You're In Love)," reached No. 34 in 1967, followed by "A Lasting Love" at No. 48.
At Hi Records from 1971, Clay recorded classics under Willie Mitchell, with his biggest hit "Trying To Live My Life Without You" peaking at No. 24 on the R&B chart in 1972. He also released on Cotillion, Kayvette, Rounder, and Bullseye Blues, blending soul-blues styles.
Clay remained active with live albums like Soul Man: Live in Japan (1983) and gospel works such as Walk a Mile in My Shoes (2007). Inducted into the Blues Hall of Fame in 2013, he was known for powerful vocals and popularity in Europe, Japan, and the US.
Clay grew up in a musical family and moved to Muncie, Indiana, in 1953 before settling in Chicago in 1957. He began singing gospel at age four in church and later performed with groups like the Voices of Hope, Christian Travelers, Golden Jubilaires, Famous Blue Jay Singers, Holy Wonders, and Pilgrim Harmonizers.
Transitioning to secular music, Clay signed with Chicago's One-derful! Records in 1965, releasing gospel-tinged soul tracks like "Flame In Your Heart" and "Tired Of Falling In (And Out Of) Love." His first R&B hit, "That's How It Is (When You're In Love)," reached No. 34 in 1967, followed by "A Lasting Love" at No. 48.
At Hi Records from 1971, Clay recorded classics under Willie Mitchell, with his biggest hit "Trying To Live My Life Without You" peaking at No. 24 on the R&B chart in 1972. He also released on Cotillion, Kayvette, Rounder, and Bullseye Blues, blending soul-blues styles.
Clay remained active with live albums like Soul Man: Live in Japan (1983) and gospel works such as Walk a Mile in My Shoes (2007). Inducted into the Blues Hall of Fame in 2013, he was known for powerful vocals and popularity in Europe, Japan, and the US.
Otis Redding
Otis Ray Redding Jr. (1941–1967), often called the "King of Soul," was an American singer-songwriter whose raw, emotive vocal style defined the sound of 1960s soul and influenced generations of artists. Born September 9, 1941, in Dawson, Georgia, Redding moved to Macon at age two. He sang in church and school bands but dropped out of high school at 15 to support his family after his father fell ill with tuberculosis.
He gained early experience with The Upsetters (Little Richard's former band) and dominated local talent shows, winning the "Teenage Party" contest 15 weeks in a row. In 1962, while working as a driver for guitarist Johnny Jenkins, Redding was allowed to record during the end of a session at Stax Records in Memphis. He cut "These Arms of Mine," which became his first major hit and launched his solo career.
Redding was a prolific songwriter and arranger who helped shape the "Memphis Sound" alongside house band Booker T. & the M.G.'s. His signature tracks include "Respect" (1965), which he wrote and was later popularized by Aretha Franklin; "Try a Little Tenderness" (1966); and "I've Been Loving You Too Long" (1965).
He recorded a popular duet album with Carla Thomas, featuring the hit "Tramp". His performance at the 1967 Monterey Pop Festival famously introduced him to a mainstream white audience, where he was considered the festival's breakout star.
On December 10, 1967, Redding was killed at age 26 when his private plane crashed into Lake Monona near Madison, Wisconsin, while on the way to a concert. Just three days before his death, he finished recording "(Sittin' On) The Dock of the Bay". Released posthumously in 1968, it became the first song in history to reach No. 1 on the Billboard Hot 100 after an artist's death.
Redding was posthumously inducted into the Rock and Roll Hall of Fame (1989), the Songwriters Hall of Fame (1994), and received a Grammy Lifetime Achievement Award (1999). His widow, Zelma, founded the Otis Redding Foundation, which continues to support musical education and youth talent in Georgia.
He gained early experience with The Upsetters (Little Richard's former band) and dominated local talent shows, winning the "Teenage Party" contest 15 weeks in a row. In 1962, while working as a driver for guitarist Johnny Jenkins, Redding was allowed to record during the end of a session at Stax Records in Memphis. He cut "These Arms of Mine," which became his first major hit and launched his solo career.
Redding was a prolific songwriter and arranger who helped shape the "Memphis Sound" alongside house band Booker T. & the M.G.'s. His signature tracks include "Respect" (1965), which he wrote and was later popularized by Aretha Franklin; "Try a Little Tenderness" (1966); and "I've Been Loving You Too Long" (1965).
He recorded a popular duet album with Carla Thomas, featuring the hit "Tramp". His performance at the 1967 Monterey Pop Festival famously introduced him to a mainstream white audience, where he was considered the festival's breakout star.
On December 10, 1967, Redding was killed at age 26 when his private plane crashed into Lake Monona near Madison, Wisconsin, while on the way to a concert. Just three days before his death, he finished recording "(Sittin' On) The Dock of the Bay". Released posthumously in 1968, it became the first song in history to reach No. 1 on the Billboard Hot 100 after an artist's death.
Redding was posthumously inducted into the Rock and Roll Hall of Fame (1989), the Songwriters Hall of Fame (1994), and received a Grammy Lifetime Achievement Award (1999). His widow, Zelma, founded the Otis Redding Foundation, which continues to support musical education and youth talent in Georgia.
Parliament
Parliament, a pioneering American funk band, was formed in 1968 by George Clinton as part of his expansive P-Funk collective. It evolved from an earlier doo-wop vocal group called The Parliaments, shifting to a commercial funk sound distinct from its rockier sister act, Funkadelic.
The Parliaments originated in the late 1950s in Plainfield, New Jersey, at a barbershop co-owned by Clinton, featuring singers like Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. They scored their first hit in 1967 with "(I Wanna) Testify" on Revilot Records, prompting Clinton to assemble a touring band with Billy Nelson on bass, Eddie Hazel on guitar, Tawl Ross on guitar, Tiki Fulwood on drums, and Mickey Atkins on organ. A contractual dispute led Clinton to rebrand the backing musicians as Funkadelic on Westbound Records in 1970, while reviving Parliament (without the "s") on Invictus with the album Osmium, featuring the R&B hit "The Breakdown."
Parliament relaunched in 1974 on Casablanca Records, embracing Afrofuturism, elaborate horn sections, synthesizers, and theatrical live shows with characters like Sir Nose D'Voidoffunk. Key additions included keyboardist Bernie Worrell (1970), guitarist Garry Shider (1971), and bassist Bootsy Collins (1972, from James Brown's band), plus horns from Fred Wesley and Maceo Parker. They released landmark albums like Up for the Down Stroke (1974), Mothership Connection (1975, with the #1 R&B hit "Give Up the Funk (Tear the Roof off the Sucker)"), The Clones of Dr. Funkenstein (1976), and Funkentelechy vs. the Place of Keepers (1977).
Key Members:- Leader/Producer George Clinton; Bass: Bootsy Collins, Billy Nelson, Cordell "Boogie" Mosson; Guitar: Eddie Hazel, Garry Shider, Michael Hampton; Keyboards: Bernie Worrell Vocals: Calvin Simon, Fuzzy Haskins, Grady Thomas, Ray Davis Horns: Fred Wesley, Maceo Parker, Bennie Cowan.
By the late 1970s, internal disputes over Clinton's management caused departures, including original vocalists in 1977 and others like Glenn Goins and Jerome Brailey in 1978; albums like Gloryhallastoopid (1979) underperformed. Legal issues and Casablanca's changes led Clinton to dissolve Parliament and Funkadelic as entities in the early 1980s, though P-Funk side projects (e.g., Bootsy's Rubber Band, Brides of Funkenstein) thrived. Parliament-Funkadelic earned Rock and Roll Hall of Fame induction (1997) for 16 members and a Grammy Lifetime Achievement Award (2019); Clinton reformed Parliament in 2018, releasing Medicaid Fraud Dogg.
The Parliaments originated in the late 1950s in Plainfield, New Jersey, at a barbershop co-owned by Clinton, featuring singers like Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. They scored their first hit in 1967 with "(I Wanna) Testify" on Revilot Records, prompting Clinton to assemble a touring band with Billy Nelson on bass, Eddie Hazel on guitar, Tawl Ross on guitar, Tiki Fulwood on drums, and Mickey Atkins on organ. A contractual dispute led Clinton to rebrand the backing musicians as Funkadelic on Westbound Records in 1970, while reviving Parliament (without the "s") on Invictus with the album Osmium, featuring the R&B hit "The Breakdown."
Parliament relaunched in 1974 on Casablanca Records, embracing Afrofuturism, elaborate horn sections, synthesizers, and theatrical live shows with characters like Sir Nose D'Voidoffunk. Key additions included keyboardist Bernie Worrell (1970), guitarist Garry Shider (1971), and bassist Bootsy Collins (1972, from James Brown's band), plus horns from Fred Wesley and Maceo Parker. They released landmark albums like Up for the Down Stroke (1974), Mothership Connection (1975, with the #1 R&B hit "Give Up the Funk (Tear the Roof off the Sucker)"), The Clones of Dr. Funkenstein (1976), and Funkentelechy vs. the Place of Keepers (1977).
Key Members:- Leader/Producer George Clinton; Bass: Bootsy Collins, Billy Nelson, Cordell "Boogie" Mosson; Guitar: Eddie Hazel, Garry Shider, Michael Hampton; Keyboards: Bernie Worrell Vocals: Calvin Simon, Fuzzy Haskins, Grady Thomas, Ray Davis Horns: Fred Wesley, Maceo Parker, Bennie Cowan.
By the late 1970s, internal disputes over Clinton's management caused departures, including original vocalists in 1977 and others like Glenn Goins and Jerome Brailey in 1978; albums like Gloryhallastoopid (1979) underperformed. Legal issues and Casablanca's changes led Clinton to dissolve Parliament and Funkadelic as entities in the early 1980s, though P-Funk side projects (e.g., Bootsy's Rubber Band, Brides of Funkenstein) thrived. Parliament-Funkadelic earned Rock and Roll Hall of Fame induction (1997) for 16 members and a Grammy Lifetime Achievement Award (2019); Clinton reformed Parliament in 2018, releasing Medicaid Fraud Dogg.
Pat Lundy
Pat Lundy was an American soul singer from New York, active primarily in the 1960s and 1970s. She began her career after leaving the group Symbols in 1962 and passed away in 1994 from brain cancer.
Pat Lundy debuted in July 1962 with the Toto single "Play It Again" b/w "I’ll Keep Pressing On." She followed with 1963 singles on Leopard, including "You Hit Me Where It Hurts" b/w "Walkin’ By the River" and "It’s Rainin’ Outside" b/w "Hal’s Belles." In 1967, she signed with Columbia, releasing singles like "Wildfire" b/w "City of Stone" and "Nothing But Tears" b/w "Any Day Now," leading to her 1968 debut album Soul Ain’t Nothin’ but the Blues.
After Columbia, Lundy recorded four singles on De Luxe from 1969–70, such as "Only Mama That’ll Walk the Line" b/w "Prove It." She returned with the 1973 RCA album Only Love Spoken Here, a 1975 Vigor single "Party Music" (as Pat Lundi), and two Pyramid albums: The Lady Has Arrived (1976) and Loving You: The Funkiest Feeling (1977).
Born around 1941 or 1942 (sources cite July 9, 1941), she was linked to producer Buddy Scott and worked as an actress. Lundy resided in New York City until her death on November 30, 1994, shortly before turning 52 or 53.
Pat Lundy debuted in July 1962 with the Toto single "Play It Again" b/w "I’ll Keep Pressing On." She followed with 1963 singles on Leopard, including "You Hit Me Where It Hurts" b/w "Walkin’ By the River" and "It’s Rainin’ Outside" b/w "Hal’s Belles." In 1967, she signed with Columbia, releasing singles like "Wildfire" b/w "City of Stone" and "Nothing But Tears" b/w "Any Day Now," leading to her 1968 debut album Soul Ain’t Nothin’ but the Blues.
After Columbia, Lundy recorded four singles on De Luxe from 1969–70, such as "Only Mama That’ll Walk the Line" b/w "Prove It." She returned with the 1973 RCA album Only Love Spoken Here, a 1975 Vigor single "Party Music" (as Pat Lundi), and two Pyramid albums: The Lady Has Arrived (1976) and Loving You: The Funkiest Feeling (1977).
Born around 1941 or 1942 (sources cite July 9, 1941), she was linked to producer Buddy Scott and worked as an actress. Lundy resided in New York City until her death on November 30, 1994, shortly before turning 52 or 53.
Patrice Rushen
Patrice Rushen is a pioneering American jazz pianist, R&B singer, composer, producer, and music director known for her versatile career across genres.
Born Patrice Louise Rushen on September 30, 1954, in Los Angeles, she is the elder of two daughters to Allen and Ruth Rushen. She started playing piano at age three, gave classical recitals by six, attended Locke High School, and earned a music degree from the University of Southern California.
Rushen signed with Prestige Records in 1974 while at USC, releasing early jazz-fusion albums like Prelude to a Heartbeat. She gained fame with R&B hits from her 1982 album Straight from the Heart, including "Forget Me Nots" (Grammy-nominated for Best Female R&B Vocal Performance) and "Number One" (nominated for Best R&B Instrumental). She has 14 solo albums, a greatest hits collection on Rhino, and recordings with The Meeting jazz group.
A multi-Grammy nominee, she was the first woman musical director for the 46th–48th Grammy Awards, NAACP Image Awards (12 years), Emmy Awards (first in 43 years), People's Choice Awards, and CBS's The Midnight Hour. Her 1998 album Signature earned Grammy and NAACP nominations. She received an honorary doctorate from Berklee in 2005.
Rushen composed for films like Men in Black, Waiting to Exhale, and Hollywood Shuffle, and TV including The Steve Harvey Show theme, Ruby's Bridges, and Oprah's Brewster Place. She served as musical director for Janet Jackson's "janet." tour and hosted Clint Eastwood's Monterey Jazz Festival DVD.
She continues performing, composing for orchestras, and guesting at festivals. In 2025, she appeared in interviews on Roland V-STAGE and Chicago House Music Conference, reflecting on her legacy.
Born Patrice Louise Rushen on September 30, 1954, in Los Angeles, she is the elder of two daughters to Allen and Ruth Rushen. She started playing piano at age three, gave classical recitals by six, attended Locke High School, and earned a music degree from the University of Southern California.
Rushen signed with Prestige Records in 1974 while at USC, releasing early jazz-fusion albums like Prelude to a Heartbeat. She gained fame with R&B hits from her 1982 album Straight from the Heart, including "Forget Me Nots" (Grammy-nominated for Best Female R&B Vocal Performance) and "Number One" (nominated for Best R&B Instrumental). She has 14 solo albums, a greatest hits collection on Rhino, and recordings with The Meeting jazz group.
A multi-Grammy nominee, she was the first woman musical director for the 46th–48th Grammy Awards, NAACP Image Awards (12 years), Emmy Awards (first in 43 years), People's Choice Awards, and CBS's The Midnight Hour. Her 1998 album Signature earned Grammy and NAACP nominations. She received an honorary doctorate from Berklee in 2005.
Rushen composed for films like Men in Black, Waiting to Exhale, and Hollywood Shuffle, and TV including The Steve Harvey Show theme, Ruby's Bridges, and Oprah's Brewster Place. She served as musical director for Janet Jackson's "janet." tour and hosted Clint Eastwood's Monterey Jazz Festival DVD.
She continues performing, composing for orchestras, and guesting at festivals. In 2025, she appeared in interviews on Roland V-STAGE and Chicago House Music Conference, reflecting on her legacy.
Patti Austin
Patti Austin is an acclaimed American R&B, pop, and jazz singer renowned for her versatile voice and collaborations with music legends.
Born on August 10, 1948 or 1950 in New York City to musician parents Gordon and Edna Austin, she debuted at age four or five on Harlem's Apollo Theater stage with godmother Dinah Washington. Raised in show business, she toured Europe at nine with Quincy Jones and performed with stars like Sammy Davis Jr. and Harry Belafonte.
Austin became a top session vocalist in the 1960s-70s, singing on hits like James Brown's "It's a Man's World" and backing Paul Simon, Roberta Flack, and George Benson. Her breakthrough came in the 1980s on Quincy Jones's Qwest label with albums like Every Home Should Have One, featuring the massive duet hit "Baby, Come to Me" with James Ingram, revived by General Hospital. She also excelled in jazz, releasing standards collections like The Real Me.
A Grammy winner for Best Jazz Vocal Album in 2008, Austin has seven nominations, an honorary Berklee doctorate, and charted 20 R&B songs from 1969-1991. Known for jingles and ongoing performances, her net worth is estimated at $12 million; she remains single with no children.
Born on August 10, 1948 or 1950 in New York City to musician parents Gordon and Edna Austin, she debuted at age four or five on Harlem's Apollo Theater stage with godmother Dinah Washington. Raised in show business, she toured Europe at nine with Quincy Jones and performed with stars like Sammy Davis Jr. and Harry Belafonte.
Austin became a top session vocalist in the 1960s-70s, singing on hits like James Brown's "It's a Man's World" and backing Paul Simon, Roberta Flack, and George Benson. Her breakthrough came in the 1980s on Quincy Jones's Qwest label with albums like Every Home Should Have One, featuring the massive duet hit "Baby, Come to Me" with James Ingram, revived by General Hospital. She also excelled in jazz, releasing standards collections like The Real Me.
A Grammy winner for Best Jazz Vocal Album in 2008, Austin has seven nominations, an honorary Berklee doctorate, and charted 20 R&B songs from 1969-1991. Known for jingles and ongoing performances, her net worth is estimated at $12 million; she remains single with no children.
Patti LaBelle
Patti LaBelle, born Patricia Louise Holte on May 24, 1944, in Eastwick, Philadelphia, was raised in a challenging environment. She was the youngest of five children in a family where her father, Henry Holte, worked as a railroad worker, and her mother, Bertha Robinson Holte, was a homemaker. LaBelle's early life was heavily influenced by her church, where she began singing in the Beulah Baptist Church, nurturing her musical talents from a young age.
LaBelle's professional music career started in the early 1960s when she became the lead singer of the girl group, The Bluebelles. The group gained popularity, leading to their eventual name change to Patti LaBelle and the Bluebelles, and then in 1971 to simply Labelle.. They found commercial success with hits such as "You’ll Never Walk Alone" and "Lady Marmalade," the latter which became one of their signature songs.
In the mid-1970s, Patti LaBelle successfully transitioned to a solo career, where she continued to achieve significant recognition in the R&B genre. Known for her powerful voice and emotional performances, she produced several hits, including "If Only You Knew" and "New Attitude." LaBelle was also recognized with multiple awards including Grammy Awards and American Music Awards throughout her career, solidifying her status as one of the leading voices in American music.
In addition to her music career, Patti LaBelle has appeared in various television shows and films, showcasing her talent as an actress. She also ventured into the business realm with successful lines of food products, notably her sweet potato pies, which gained widespread popularity.
LaBelle has often been referred to as the "Godmother of Soul," a testament to her influence on the music industry and the generations of artists that followed her. Her contributions have not only defined her career but also impacted the R&B and soul genres profoundly.
Patti LaBelle's life story is one of resilience, talent, and artistry. From her humble beginnings in Philadelphia to becoming an iconic figure in music and entertainment, her legacy continues to inspire many.
LaBelle's professional music career started in the early 1960s when she became the lead singer of the girl group, The Bluebelles. The group gained popularity, leading to their eventual name change to Patti LaBelle and the Bluebelles, and then in 1971 to simply Labelle.. They found commercial success with hits such as "You’ll Never Walk Alone" and "Lady Marmalade," the latter which became one of their signature songs.
In the mid-1970s, Patti LaBelle successfully transitioned to a solo career, where she continued to achieve significant recognition in the R&B genre. Known for her powerful voice and emotional performances, she produced several hits, including "If Only You Knew" and "New Attitude." LaBelle was also recognized with multiple awards including Grammy Awards and American Music Awards throughout her career, solidifying her status as one of the leading voices in American music.
In addition to her music career, Patti LaBelle has appeared in various television shows and films, showcasing her talent as an actress. She also ventured into the business realm with successful lines of food products, notably her sweet potato pies, which gained widespread popularity.
LaBelle has often been referred to as the "Godmother of Soul," a testament to her influence on the music industry and the generations of artists that followed her. Her contributions have not only defined her career but also impacted the R&B and soul genres profoundly.
Patti LaBelle's life story is one of resilience, talent, and artistry. From her humble beginnings in Philadelphia to becoming an iconic figure in music and entertainment, her legacy continues to inspire many.
Pattie Brooks
Pattie Brooks is an American singer best known for her contributions to the 1970s disco era, with influences across pop, R&B, jazz, and soul genres.
Born on March 17, 1943, in Fort Riley, Kansas, to a military family—her father was an Army Captain—Brooks grew up in a structured environment that shaped her early career ambitions. She began performing young and gained her first break in 1968 by auditioning for the chorus on The Smothers Brothers Comedy Hour, marking her entry into television and session work.
Brooks became a prominent backup vocalist in the late 1960s and 1970s, singing on hits like Neil Diamond's "Sweet Caroline," Mac Davis's "In the Ghetto," and tracks by Glen Campbell and Burt Bacharach. She signed with Casablanca Records in the disco boom, releasing solo albums like Pattie Brooks (1977) featuring the hit "My Love," and Star Jaws (1978), while also appearing in films such as The Fifth Floor (1978), Sixteen Candles (1984), and TV's Amazing Stories (1985). Active from 1968 to present, she has worked with labels like Mirage and Nu And Improved Records, composed songs for TV, and continues performing.
Now 82 years old, Brooks has maintained a versatile career blending live performances, songwriting, and acting, often credited variably as Patti or Patty Brooks.
Born on March 17, 1943, in Fort Riley, Kansas, to a military family—her father was an Army Captain—Brooks grew up in a structured environment that shaped her early career ambitions. She began performing young and gained her first break in 1968 by auditioning for the chorus on The Smothers Brothers Comedy Hour, marking her entry into television and session work.
Brooks became a prominent backup vocalist in the late 1960s and 1970s, singing on hits like Neil Diamond's "Sweet Caroline," Mac Davis's "In the Ghetto," and tracks by Glen Campbell and Burt Bacharach. She signed with Casablanca Records in the disco boom, releasing solo albums like Pattie Brooks (1977) featuring the hit "My Love," and Star Jaws (1978), while also appearing in films such as The Fifth Floor (1978), Sixteen Candles (1984), and TV's Amazing Stories (1985). Active from 1968 to present, she has worked with labels like Mirage and Nu And Improved Records, composed songs for TV, and continues performing.
Now 82 years old, Brooks has maintained a versatile career blending live performances, songwriting, and acting, often credited variably as Patti or Patty Brooks.
Paul Johnson
Paul Johnson is a British soul and gospel singer known for his work in the late 1980s and beyond. He rose to prominence after performing with gospel groups and transitioning to a solo career with CBS Records.
He began singing in school and church choirs while living in New York during the 1970s. He drew inspiration from gospel artists like Andraé Crouch and the Hawkins Family, later returning to the UK to join gospel ensembles.
Johnson joined the pioneering UK gospel band Paradise, sharing lead vocals with Doug Williams on all three of their albums and achieving chart success with tracks like "One Mind Two Hearts." He also performed with the London Community Gospel Choir and provided background vocals for Junior Giscombe on the Red Wedge Tour alongside artists such as Paul Weller and The Smiths.
In 1986, his London Gospel circuit performances led to a CBS Records deal, resulting in two solo albums: his self-titled debut (1987) and Personal (1989). Key singles included "When Love Comes Calling" (UK No. 52), "Half a World Away" (UK No. 79), and "No More Tomorrows" (UK No. 67).
Post-CBS, Johnson collaborated with artists like Mica Paris, M People (for nearly four years), and DJ Dodge on tracks such as "If We Lose Our Way" (1994). He managed vocalist Shaun Escoffery and contributed as a production coordinator for session singers.
He began singing in school and church choirs while living in New York during the 1970s. He drew inspiration from gospel artists like Andraé Crouch and the Hawkins Family, later returning to the UK to join gospel ensembles.
Johnson joined the pioneering UK gospel band Paradise, sharing lead vocals with Doug Williams on all three of their albums and achieving chart success with tracks like "One Mind Two Hearts." He also performed with the London Community Gospel Choir and provided background vocals for Junior Giscombe on the Red Wedge Tour alongside artists such as Paul Weller and The Smiths.
In 1986, his London Gospel circuit performances led to a CBS Records deal, resulting in two solo albums: his self-titled debut (1987) and Personal (1989). Key singles included "When Love Comes Calling" (UK No. 52), "Half a World Away" (UK No. 79), and "No More Tomorrows" (UK No. 67).
Post-CBS, Johnson collaborated with artists like Mica Paris, M People (for nearly four years), and DJ Dodge on tracks such as "If We Lose Our Way" (1994). He managed vocalist Shaun Escoffery and contributed as a production coordinator for session singers.
Paul Kelly
Paul Kelly, born Paul Laurence Dunbar Kelly on June 19, 1940, in Overtown, Miami, Florida, was an American singer-songwriter known for his soul and R&B music. He rose to prominence with his 1970 hit "Stealing in the Name of the Lord," which became a major soul success, alongside tracks like "Hooked, Hogtied & Collared." Kelly also penned "Personally," a widely covered song popularized by artists such as Jackie Moore, Karla Bonoff, and Ronnie McDowell.
Kelly's music journey began in the early 1960s when Miami producer Clarence Reid (later known as Blowfly) recruited him to sing lead for The Delmiros after their frontman fell ill. This led to his debut single "Down with It, Can't Quit It"/"Sooner Or Later" in 1963 on Selma Records, credited to Clarence Reid & The Delmiros. He performed the track extensively in clubs, solidifying his local reputation before pursuing solo soul hits.
Kelly's soul catalog included gospel covers by groups like The Mighty Clouds of Joy and The Staple Singers. Though specific death details like location (Ruby, South Carolina) appear in records, his influence endured through covers and his contributions to the genre. He remains a lesser-known but pivotal figure in American soul from the pre-disco era.
Kelly's music journey began in the early 1960s when Miami producer Clarence Reid (later known as Blowfly) recruited him to sing lead for The Delmiros after their frontman fell ill. This led to his debut single "Down with It, Can't Quit It"/"Sooner Or Later" in 1963 on Selma Records, credited to Clarence Reid & The Delmiros. He performed the track extensively in clubs, solidifying his local reputation before pursuing solo soul hits.
Kelly's soul catalog included gospel covers by groups like The Mighty Clouds of Joy and The Staple Singers. Though specific death details like location (Ruby, South Carolina) appear in records, his influence endured through covers and his contributions to the genre. He remains a lesser-known but pivotal figure in American soul from the pre-disco era.
Paul Laurence
Paul Laurence is an American R&B and soul singer, songwriter, keyboardist, and producer born Paul Lawrence Jones III on November 29, 1958, in Harlem, New York. He rose to prominence in the 1980s through collaborations with artists like Freddie Jackson, with whom he grew up attending White Rock Baptist Church and formed the early group Laurence Jones Ensemble.
Laurence learned piano from Valerie Simpson of Ashford & Simpson during his church days in Harlem. By the 1970s and into the 1980s, he performed in New York clubs and worked under manager Beau Higgins at Hush Productions, writing hits like Melba Moore's "Love's Comin' at Ya."
He penned Freddie Jackson's chart-topping R&B singles "Rock Me Tonight (For Old Times Sake)," "Jam Tonight," "Tasty Love," "Hey Lover," and "Do Me Again." Laurence also produced number-one R&B tracks such as Meli'sa Morgan's "Do Me Baby," Stephanie Mills' "(You're Puttin') A Rush on Me," and Lillo Thomas' "I'm in Love."
Laurence released his debut album Haven't You Heard in 1985 on Capitol Records, with the single "She's Not a Sleaze" (featuring Freddie Jackson and Lillo Thomas) peaking at #50 on the Billboard Hot Black Singles chart. His 1989 follow-up Underexposed yielded singles like "Make My Baby Happy" (#77 R&B) and "I Ain't With It" (#83 R&B).
Year Album Label Key Singles (US R&B Peak)
1985 Haven't You Heard Capitol "She's Not a Sleaze" (#50)
1989 Underexposed Capitol "Make My Baby Happy" (#77), "I Ain't With It" (#83)
After a hiatus to raise his family, Laurence returned to music, founding Poplar Music Entertainment Group and working on new projects as of 2016. He contributed to the 1990 film Def by Temptation soundtrack and remains active as an independent music professional based in Charlotte.
Laurence learned piano from Valerie Simpson of Ashford & Simpson during his church days in Harlem. By the 1970s and into the 1980s, he performed in New York clubs and worked under manager Beau Higgins at Hush Productions, writing hits like Melba Moore's "Love's Comin' at Ya."
He penned Freddie Jackson's chart-topping R&B singles "Rock Me Tonight (For Old Times Sake)," "Jam Tonight," "Tasty Love," "Hey Lover," and "Do Me Again." Laurence also produced number-one R&B tracks such as Meli'sa Morgan's "Do Me Baby," Stephanie Mills' "(You're Puttin') A Rush on Me," and Lillo Thomas' "I'm in Love."
Laurence released his debut album Haven't You Heard in 1985 on Capitol Records, with the single "She's Not a Sleaze" (featuring Freddie Jackson and Lillo Thomas) peaking at #50 on the Billboard Hot Black Singles chart. His 1989 follow-up Underexposed yielded singles like "Make My Baby Happy" (#77 R&B) and "I Ain't With It" (#83 R&B).
Year Album Label Key Singles (US R&B Peak)
1985 Haven't You Heard Capitol "She's Not a Sleaze" (#50)
1989 Underexposed Capitol "Make My Baby Happy" (#77), "I Ain't With It" (#83)
After a hiatus to raise his family, Laurence returned to music, founding Poplar Music Entertainment Group and working on new projects as of 2016. He contributed to the 1990 film Def by Temptation soundtrack and remains active as an independent music professional based in Charlotte.
Paulette Reaves
Paulette Reaves is a soul singer from Miami, Florida. She gained recognition in the 1970s for her deep soul vocals and distinctive style.
Reaves released her debut album Secret Lover in 1976 on the Blue Candle label, produced by Clarence Reid (aka Willie Clarke) of TK Records fame. At just 22 years old, she showcased a powerful southern soul range blended with modern soul sophistication, drawing comparisons to artists like Jean Carn and Phyllis Hyman.
Secret Lover (1976): Featured standout tracks like "Let Me Wrap You In My Love," "Secret Lover," "There's Fire Down Below," and "If You Don't See Me Again." The album stood out amid TK's disco-heavy output.
Singles like "Jazz Freak" (1977, penned by Clarence Reid) made a strong impression in soul circles. Later work included All About Love (1979), with tracks such as "It's In Me."
Reaves' confident singing mixed raw emotion with polished arrangements, though she remains underrecognized despite her unique talent. She continues to be celebrated in rare soul and reissue circles.
Reaves released her debut album Secret Lover in 1976 on the Blue Candle label, produced by Clarence Reid (aka Willie Clarke) of TK Records fame. At just 22 years old, she showcased a powerful southern soul range blended with modern soul sophistication, drawing comparisons to artists like Jean Carn and Phyllis Hyman.
Secret Lover (1976): Featured standout tracks like "Let Me Wrap You In My Love," "Secret Lover," "There's Fire Down Below," and "If You Don't See Me Again." The album stood out amid TK's disco-heavy output.
Singles like "Jazz Freak" (1977, penned by Clarence Reid) made a strong impression in soul circles. Later work included All About Love (1979), with tracks such as "It's In Me."
Reaves' confident singing mixed raw emotion with polished arrangements, though she remains underrecognized despite her unique talent. She continues to be celebrated in rare soul and reissue circles.
Pauli Carman
Pauli Carman, born on September 5, 1950, in Decatur, Illinois, is a distinguished vocalist known for his significant contributions to the R&B genre. He gained fame as the lead singer of the American R&B group Champaign, which emerged in the 1980s. The group is celebrated for producing several hit songs, including "How Bout Us" and "Try Again".
Carman's musical journey began with his involvement in Champaign, where his smooth vocal style played a crucial role in defining the group's sound and identity. The band's music resonated with audiences and helped establish a lasting legacy in R&B music, making them a staple of the genre during that era.
In addition to his work with Champaign, Pauli Carman has pursued a successful solo career. He is known for hit singles such as "Dial My Number" and "In The Heat Of The Night," showcasing his versatility as an artist. His music continues to appeal to fans across different generations, reflecting a dynamic evolution in his artistic expression.
Carman's contributions to music have been recognized with a Grammy nomination and multi-platinum sales, solidifying his status as a prominent figure in the industry. His work embodies the spirit of R&B while continuing to influence contemporary artists and musicians.
Carman's musical journey began with his involvement in Champaign, where his smooth vocal style played a crucial role in defining the group's sound and identity. The band's music resonated with audiences and helped establish a lasting legacy in R&B music, making them a staple of the genre during that era.
In addition to his work with Champaign, Pauli Carman has pursued a successful solo career. He is known for hit singles such as "Dial My Number" and "In The Heat Of The Night," showcasing his versatility as an artist. His music continues to appeal to fans across different generations, reflecting a dynamic evolution in his artistic expression.
Carman's contributions to music have been recognized with a Grammy nomination and multi-platinum sales, solidifying his status as a prominent figure in the industry. His work embodies the spirit of R&B while continuing to influence contemporary artists and musicians.
Peabo Bryson and Roberta Flack
Roberta Flack, born on February 10, 1937, is an influential American singer and pianist renowned for her significant contributions to R&B, jazz, folk, and pop music. Flack's career began in the 1960s, and she gained immense popularity with hits such as "Killing Me Softly with His Song," which earned her Grammy Awards and critical acclaim. Throughout the 1970s and 1980s, she became known for her smooth voice and emotional delivery, solidifying her status as a music legend. Key albums during her career include "First Take" and "Killing Me Softly," showcasing her unique style that blends various musical genres.
In addition to her musical achievements, Flack is recognized for her activism and philanthropic work, particularly regarding education and the arts. She studied music at Howard University, where she became a prominent figure and eventually returned to celebrate her legacy, indicating her strong ties to the institution and its community.
Peabo Bryson, born on April 13, 1951, is a celebrated American singer known for his powerful tenor voice and romantic ballads. He rose to prominence in the late 1970s and 1980s, achieving success across various genres, including R&B, soul, and pop. Bryson is best recognized for his soulful duets and has collaborated with several artists, bringing a smooth texture to each partnership. His notable works include hits like "Beauty and the Beast," performed with Celine Dion, and "A Whole New World" with Regina Belle, which showcased his ability to blend seamlessly with other vocal talents.
Bryson has received numerous awards, including Grammy Awards, recognizing his contributions to music. Over the years, he has maintained a successful career and remains a respected figure in contemporary music.
Roberta Flack and Peabo Bryson first collaborated in the early 1980s, and their partnership yielded significant success. Their duet "Tonight I Celebrate My Love," released in 1983, became a major hit, demonstrating their vocal chemistry and shared artistic vision. This song solidified their status as a duet powerhouse, blending their distinct styles into a memorable listening experience. Flack's emotive delivery complemented Bryson's soulful range, creating a timeless classic in the landscape of American music.
In essence, both artists have carved out remarkable careers independently and collectively, leaving a lasting impact on the music industry through their contributions and artistic achievements.
In addition to her musical achievements, Flack is recognized for her activism and philanthropic work, particularly regarding education and the arts. She studied music at Howard University, where she became a prominent figure and eventually returned to celebrate her legacy, indicating her strong ties to the institution and its community.
Peabo Bryson, born on April 13, 1951, is a celebrated American singer known for his powerful tenor voice and romantic ballads. He rose to prominence in the late 1970s and 1980s, achieving success across various genres, including R&B, soul, and pop. Bryson is best recognized for his soulful duets and has collaborated with several artists, bringing a smooth texture to each partnership. His notable works include hits like "Beauty and the Beast," performed with Celine Dion, and "A Whole New World" with Regina Belle, which showcased his ability to blend seamlessly with other vocal talents.
Bryson has received numerous awards, including Grammy Awards, recognizing his contributions to music. Over the years, he has maintained a successful career and remains a respected figure in contemporary music.
Roberta Flack and Peabo Bryson first collaborated in the early 1980s, and their partnership yielded significant success. Their duet "Tonight I Celebrate My Love," released in 1983, became a major hit, demonstrating their vocal chemistry and shared artistic vision. This song solidified their status as a duet powerhouse, blending their distinct styles into a memorable listening experience. Flack's emotive delivery complemented Bryson's soulful range, creating a timeless classic in the landscape of American music.
In essence, both artists have carved out remarkable careers independently and collectively, leaving a lasting impact on the music industry through their contributions and artistic achievements.
Peabo Bryson & Roberta Flack Roberta Flack and Peabo Bryson Roberta Flack & Peabo Bryson
Peaches and Herb
Peaches & Herb is an iconic American soul and pop duo known for their smooth harmonies and hits from the 1960s through the 1970s and beyond.
Formed in the mid-1960s in Washington, D.C., the duo pairs Herb Fame (the consistent member) with various female singers dubbed "Peaches." Notably, there has been one Herb and seven different Peaches over the years, starting with Francine "Peaches" Barker. They gained fame with early soul tracks like "Let's Fall in Love" and "Close Your Eyes," blending R&B, pop, and later disco sounds.
Their signature song "Reunited" topped charts in 1978, celebrating love's comeback alongside disco anthem "Shake Your Groove Thing." Other classics include "I Pledge My Love," with their music enduring for six decades.
Peaches & Herb's timeless appeal lies in romantic, feel-good tracks that continue to inspire, proving their chemistry and resilience. As of 2026, Herb Fame still performs, maintaining the duo's legacy.
Formed in the mid-1960s in Washington, D.C., the duo pairs Herb Fame (the consistent member) with various female singers dubbed "Peaches." Notably, there has been one Herb and seven different Peaches over the years, starting with Francine "Peaches" Barker. They gained fame with early soul tracks like "Let's Fall in Love" and "Close Your Eyes," blending R&B, pop, and later disco sounds.
Their signature song "Reunited" topped charts in 1978, celebrating love's comeback alongside disco anthem "Shake Your Groove Thing." Other classics include "I Pledge My Love," with their music enduring for six decades.
Peaches & Herb's timeless appeal lies in romantic, feel-good tracks that continue to inspire, proving their chemistry and resilience. As of 2026, Herb Fame still performs, maintaining the duo's legacy.
People’s Choice
Philadelphia funk band People's Choice, formed by keyboardist Frank Brunson in 1971, became famous for their infectious disco-funk hits like "I Likes to Do It" and their iconic #1 R&B smash, "Do It Any Way You Wanna," released on Philadelphia International Records in 1975, becoming gold-certified and a major dance floor anthem before the band's active run ended in the mid-80s.
The band started in Philadelphia, PA, in 1971, with Frank Brunson (keys/vocals) and David Thompson (drums) as key members, alongside vocalists Valerie Brown & Marc Reed. Their first single, "I Likes to Do It," charted well in 1972, catching the attention of Gamble & Huff.
Signed to Philadelphia International Records (PIR), they released "Do It Any Way You Wanna" in 1975, a massive disco-funk hit that topped the R&B charts and crossed over to the pop charts, earning gold status reaching #1 on the Billboard R&B chart and #11 on the Billboard Hot 100. It sold over one million copies within three months. They released albums like Boogie Down USA (1975) and We Got the Rhythm (1976) on PIR, featuring other R&B hits like "Party is a Groovy Thing".
The band continued with albums on Casablanca and Mercury into the early 80s, with tracks like "Here We Go Again". The original run ended around 1985, but founder Frank Brunson's vision continued, with David Thompson leading new versions of the band into the 2010s, even releasing new music like Jammin' Philly Style (2017).
People's Choice epitomized the soulful, dance-oriented sound of '70s Philly soul, blending funk grooves with disco energy, known for their tight instrumentation and catchy hooks.
The band started in Philadelphia, PA, in 1971, with Frank Brunson (keys/vocals) and David Thompson (drums) as key members, alongside vocalists Valerie Brown & Marc Reed. Their first single, "I Likes to Do It," charted well in 1972, catching the attention of Gamble & Huff.
Signed to Philadelphia International Records (PIR), they released "Do It Any Way You Wanna" in 1975, a massive disco-funk hit that topped the R&B charts and crossed over to the pop charts, earning gold status reaching #1 on the Billboard R&B chart and #11 on the Billboard Hot 100. It sold over one million copies within three months. They released albums like Boogie Down USA (1975) and We Got the Rhythm (1976) on PIR, featuring other R&B hits like "Party is a Groovy Thing".
The band continued with albums on Casablanca and Mercury into the early 80s, with tracks like "Here We Go Again". The original run ended around 1985, but founder Frank Brunson's vision continued, with David Thompson leading new versions of the band into the 2010s, even releasing new music like Jammin' Philly Style (2017).
People's Choice epitomized the soulful, dance-oriented sound of '70s Philly soul, blending funk grooves with disco energy, known for their tight instrumentation and catchy hooks.
People s Choice Peoples Choice
Percy Larkins
Percy Larkins was an American soul and R&B singer known for his emotive, heartfelt vocal style in the 1980s modern soul and boogie scenes. Detailed biographical information on his early life, birth date, or full career trajectory remains scarce in available records, with most sources focusing on his discography rather than personal history.
Larkins released music around 1985 on the UK-based Move Records label. His notable LP, Music of Passion, featured boogie and modern soul tracks produced by Ronald. Standout singles include "I Need to See You Again," a soulful ballad about longing and reconnection that highlights his expressive delivery.
He gained a cult following in soul circles, with tracks available on platforms like YouTube, Spotify, and Apple Music. Larkins' work evokes deep emotions tied to love and relationships, though he never achieved mainstream commercial success. No confirmed death date or later career shifts appear in records, distinguishing him from contemporaries like Spencer Wiggins, who shared Memphis music ties via family.
Larkins released music around 1985 on the UK-based Move Records label. His notable LP, Music of Passion, featured boogie and modern soul tracks produced by Ronald. Standout singles include "I Need to See You Again," a soulful ballad about longing and reconnection that highlights his expressive delivery.
He gained a cult following in soul circles, with tracks available on platforms like YouTube, Spotify, and Apple Music. Larkins' work evokes deep emotions tied to love and relationships, though he never achieved mainstream commercial success. No confirmed death date or later career shifts appear in records, distinguishing him from contemporaries like Spencer Wiggins, who shared Memphis music ties via family.
Peter Brown
Peter Brown is an American funk, disco, and electronic singer-songwriter born on July 11, 1953, in Blue Island, Illinois. He rose to prominence in the late 1970s with hits like "Do Ya Wanna Get Funky with Me" from his debut album A Fantasy Love Affair.
Brown grew up influenced by bands like Santana, Earth, Wind & Fire, and Chicago, starting with drums before mastering percussion like timbales and congas. He pioneered home recording and synthesizers, even serving as a spokesman for ARP Instruments.
In the late 1970s and early 1980s, Brown released successful disco tracks including "Dance With Me" and collaborated on Madonna's "Material Girl" with Robert Rans. He worked with producer Harry Wayne Casey (KC) and formed a band with musicians like Pat Hurley and Tom Dziallo.
After a long hiatus, Brown returned with the 2014 album Boom, self-produced on an iMac with tracks like "Boom" and "Drama Queen." His style blends funk, post-disco, and R&B.
Brown grew up influenced by bands like Santana, Earth, Wind & Fire, and Chicago, starting with drums before mastering percussion like timbales and congas. He pioneered home recording and synthesizers, even serving as a spokesman for ARP Instruments.
In the late 1970s and early 1980s, Brown released successful disco tracks including "Dance With Me" and collaborated on Madonna's "Material Girl" with Robert Rans. He worked with producer Harry Wayne Casey (KC) and formed a band with musicians like Pat Hurley and Tom Dziallo.
After a long hiatus, Brown returned with the 2014 album Boom, self-produced on an iMac with tracks like "Boom" and "Drama Queen." His style blends funk, post-disco, and R&B.
Peter King
Peter King was a pioneering Nigerian musician renowned for blending Afrobeat with jazz on the alto saxophone. His career spanned decades, marked by innovative recordings and global performances until his death in 2023.
Born Peter King Adeyoyin Osubu in 1939 in Enugu, Nigeria (with some sources citing 1938), he grew up across Lokoja, Lagos, and Port Harcourt. He attended St. Gregory's College, where he first engaged deeply with music, and began professionally in 1957 with Roy Chicago's band in Ibadan, starting on maracas and conga before mastering alto sa.x
In 1961, King studied at London's Trinity College of Music and formed the African Messengers with Bayo Martins and Mike Falana, backing acts like The Four Tops and Diana Ross while scoring hits like "Highlife Piccadilly". Returning to Nigeria in 1969, he performed during the Civil War with The Voice of Africa, then toured internationally with Shango in the 1970s, backing Boney M and releasing acclaimed albums like Shango. Back in Nigeria from 1979, he formed the P.K. Band, composed for TV, and founded a music school in 1982.
King fused Afrobeat, highlife, funk (James Brown-inspired), and jazz, creating "Afrojazz" and "Miliki Sound" heard in tracks like those on A Soulful Peter King. He released at least nine studio albums from 1975–1978 and collaborated with highlife stars like Victor Uwaifo and Fela Kuti, influencing Nigerian music education. He passed away on August 29, 2023, at age 84.
Born Peter King Adeyoyin Osubu in 1939 in Enugu, Nigeria (with some sources citing 1938), he grew up across Lokoja, Lagos, and Port Harcourt. He attended St. Gregory's College, where he first engaged deeply with music, and began professionally in 1957 with Roy Chicago's band in Ibadan, starting on maracas and conga before mastering alto sa.x
In 1961, King studied at London's Trinity College of Music and formed the African Messengers with Bayo Martins and Mike Falana, backing acts like The Four Tops and Diana Ross while scoring hits like "Highlife Piccadilly". Returning to Nigeria in 1969, he performed during the Civil War with The Voice of Africa, then toured internationally with Shango in the 1970s, backing Boney M and releasing acclaimed albums like Shango. Back in Nigeria from 1979, he formed the P.K. Band, composed for TV, and founded a music school in 1982.
King fused Afrobeat, highlife, funk (James Brown-inspired), and jazz, creating "Afrojazz" and "Miliki Sound" heard in tracks like those on A Soulful Peter King. He released at least nine studio albums from 1975–1978 and collaborated with highlife stars like Victor Uwaifo and Fela Kuti, influencing Nigerian music education. He passed away on August 29, 2023, at age 84.
Phil and Brenda Nicholas
Phil and Brenda Nicholas are an acclaimed African-American husband-and-wife gospel duo, often called the "sweethearts of gospel" for pioneering Christian love songs that influenced church views on marriage. Hailing originally from Philadelphia, Pennsylvania (Phil) and Penns Grove/Salem, New Jersey (Brenda), they've been active since 1981.
Philip W. Nicholas was born February 18, 1954, in Philadelphia. Brenda L. Nicholas (née Watson) was born December 16, 1953, in Salem, New Jersey. After marrying, they moved to Los Angeles and served as ministers of music under pastor Dr. E.V. Hill.
They started as a quartet in 1981 with Tell the World on Message Records, scoring a hit with "God's Woman." Launching their own Command Records label in 1985, Dedicated topped Billboard's Gospel Albums chart as the year's #1 gospel album. Other charting albums include A Love Like This (#2), Live in Memphis (#10), More than Music (#14), and Back to Basics (#12).
The duo has toured worldwide, performed at venues like Carnegie Hall and Madison Square Garden, and appeared on shows including TBN and BET. They've earned Grammy, Dove, Stellar, and Excellence award nominations or wins, with hits like "A Love Like This" and "I Do" strengthening Christian marriages. Married over 36 years as of older bios, they continue ministering through music.
Philip W. Nicholas was born February 18, 1954, in Philadelphia. Brenda L. Nicholas (née Watson) was born December 16, 1953, in Salem, New Jersey. After marrying, they moved to Los Angeles and served as ministers of music under pastor Dr. E.V. Hill.
They started as a quartet in 1981 with Tell the World on Message Records, scoring a hit with "God's Woman." Launching their own Command Records label in 1985, Dedicated topped Billboard's Gospel Albums chart as the year's #1 gospel album. Other charting albums include A Love Like This (#2), Live in Memphis (#10), More than Music (#14), and Back to Basics (#12).
The duo has toured worldwide, performed at venues like Carnegie Hall and Madison Square Garden, and appeared on shows including TBN and BET. They've earned Grammy, Dove, Stellar, and Excellence award nominations or wins, with hits like "A Love Like This" and "I Do" strengthening Christian marriages. Married over 36 years as of older bios, they continue ministering through music.
Phil Fearon and Galaxy
Phil Fearon (born July 30, 1956) is a Jamaican-British singer, songwriter, and multi-instrumentalist who rose to prominence as the leader of the 1980s Brit-funk and soul group Galaxy. Born in Jamaica, he moved to London at age six and began his career in the late 1970s with the group Kandidate. Fearon is best known as the lead singer and driving force behind the popular Brit soul band Galaxy, which he formed in 1982.
Throughout his career, Fearon has been recognized for blending various musical styles, including reggae, American dance, and British pop, creating a unique sound that characterized the Brit soul movement of the era. His work with Galaxy established him as a significant figure in the music industry during that period.
Galaxy emerged in the early 1980s and quickly gained popularity, thanks to their vibrant and danceable music. The band was known for its distinctive sound, which incorporated elements of soul, funk, and disco, appealing to a wide audience. They achieved notable success with hits that resonated well in clubs and on radio stations across the UK.
Over the years, Galaxy became synonymous with the Brit soul genre, earning a dedicated fan base and influencing other artists in the scene. Phil Fearon's role as a songwriter and performer not only highlighted his musical talents but also paved the way for his later endeavors in the record production sphere.
Fearon later founded the Production House label, which became highly influential in the early 1990s UK rave scene with acts like Baby D, whose lead singer Dorothy Galdez is Fearon's wife.
(Provided by soulyears.com)
Throughout his career, Fearon has been recognized for blending various musical styles, including reggae, American dance, and British pop, creating a unique sound that characterized the Brit soul movement of the era. His work with Galaxy established him as a significant figure in the music industry during that period.
Galaxy emerged in the early 1980s and quickly gained popularity, thanks to their vibrant and danceable music. The band was known for its distinctive sound, which incorporated elements of soul, funk, and disco, appealing to a wide audience. They achieved notable success with hits that resonated well in clubs and on radio stations across the UK.
Over the years, Galaxy became synonymous with the Brit soul genre, earning a dedicated fan base and influencing other artists in the scene. Phil Fearon's role as a songwriter and performer not only highlighted his musical talents but also paved the way for his later endeavors in the record production sphere.
Fearon later founded the Production House label, which became highly influential in the early 1990s UK rave scene with acts like Baby D, whose lead singer Dorothy Galdez is Fearon's wife.
(Provided by soulyears.com)
Phil Upchurch
Phil Upchurch was an acclaimed American guitarist and bassist known for his versatile work across jazz, blues, R&B, and soul. Born on July 19, 1941, in Chicago, Illinois, he passed away on November 23, 2025, at age 84 in Los Angeles.
Upchurch started playing professionally as a teenager in the mid-1950s, backing R&B groups like The Kool Gents, The Dells, and The Spaniels. His breakout hit came in 1961 with the Phil Upchurch Combo's instrumental "You Can't Sit Down," which reached the U.S. Top 30 and later the UK Top 40.
He became a prolific session musician, recording with artists such as Curtis Mayfield, Muddy Waters, Etta James, Quincy Jones, B.B. King, Dizzy Gillespie, Donny Hathaway, Chaka Khan, and Michael Jackson on tracks like "I'm Every Woman" and "Workin' Day and Night." In the 1970s, he partnered with keyboardist Tennyson Stephens and contributed to The Rotary Connection's "I Am the Black Gold of the Sun."
Upchurch served in the U.S. Army from 1965-1967, toured with The Staple Singers, and released albums like Upchurch and The Way I Feel on Chess Records in 1969. He remained active into his later career, designing a signature D’Angelico guitar.
Upchurch started playing professionally as a teenager in the mid-1950s, backing R&B groups like The Kool Gents, The Dells, and The Spaniels. His breakout hit came in 1961 with the Phil Upchurch Combo's instrumental "You Can't Sit Down," which reached the U.S. Top 30 and later the UK Top 40.
He became a prolific session musician, recording with artists such as Curtis Mayfield, Muddy Waters, Etta James, Quincy Jones, B.B. King, Dizzy Gillespie, Donny Hathaway, Chaka Khan, and Michael Jackson on tracks like "I'm Every Woman" and "Workin' Day and Night." In the 1970s, he partnered with keyboardist Tennyson Stephens and contributed to The Rotary Connection's "I Am the Black Gold of the Sun."
Upchurch served in the U.S. Army from 1965-1967, toured with The Staple Singers, and released albums like Upchurch and The Way I Feel on Chess Records in 1969. He remained active into his later career, designing a signature D’Angelico guitar.
Philippé Wynne<div hidden>Philippe Wynne Phillip Wynne</div>
Philippé Wynne was an influential American R&B and soul singer, best known as a lead vocalist for The Spinners during their 1970s heyday. Born Phillip Walker on April 3, 1941, in Detroit, Michigan, and raised in Cincinnati, Ohio, he rose from gospel roots to superstardom with his silky, emotive voice.
Wynne started singing gospel before transitioning to R&B, performing with groups like Bootsy Collins' Pacesetters in 1968 and James Brown's JB's. He joined The Spinners in 1970, delivering iconic leads on hits like "It's a Shame," "I'll Be Around," "Could It Be I'm Falling in Love," and "The Rubberband Man," helping the group achieve multiple platinum albums under producer Thom Bell.
Leaving The Spinners in 1977 over naming disputes, Wynne pursued a solo career, managed by Alan Thicke, and released albums including Starting All Over (1977), Wynne Jammin' (1980, with Parliament-Funkadelic ties), and Philippe Wynne (1984) on Sugarhill Records. He collaborated with George Clinton's P-Funk collective but struggled commercially as a solo artist, also venturing into songwriting and music business ventures.
Wynne died on July 14, 1984, at age 43, from a heart attack while performing at a nightclub in Oakland, California, collapsing mid-dance during an encore.
Wynne started singing gospel before transitioning to R&B, performing with groups like Bootsy Collins' Pacesetters in 1968 and James Brown's JB's. He joined The Spinners in 1970, delivering iconic leads on hits like "It's a Shame," "I'll Be Around," "Could It Be I'm Falling in Love," and "The Rubberband Man," helping the group achieve multiple platinum albums under producer Thom Bell.
Leaving The Spinners in 1977 over naming disputes, Wynne pursued a solo career, managed by Alan Thicke, and released albums including Starting All Over (1977), Wynne Jammin' (1980, with Parliament-Funkadelic ties), and Philippe Wynne (1984) on Sugarhill Records. He collaborated with George Clinton's P-Funk collective but struggled commercially as a solo artist, also venturing into songwriting and music business ventures.
Wynne died on July 14, 1984, at age 43, from a heart attack while performing at a nightclub in Oakland, California, collapsing mid-dance during an encore.
Phyllis Hyman
Phyllis Hyman was an acclaimed American singer, songwriter, and actress known for her powerful contralto voice and soulful R&B hits. Born on July 6, 1949, in Philadelphia and raised in Pittsburgh as the eldest of seven children, she tragically died by suicide on June 30, 1995, at age 45 in New York City.
Hyman received early music training via a scholarship at Robert Morris University in Pittsburgh but dropped out after one year. Her father Philip was a World War II veteran, and her mother Louise worked as a waitress; she began performing professionally with groups like New Direction, All the People, and The Hondo Beat.
She debuted solo with her 1977 self-titled album on Buddah Records, featuring tracks like "Loving You" and "I Don't Wanna Lose You." After moving to Arista, key releases included Somewhere in My Lifetime (1978), You Know How to Love Me (1979), Can't We Fall in Love Again? (1981), and Goddess of Love (1983), with hits like "You Know How to Love Me" and "Living All Alone."
Her biggest success came with 1991's The Prime of My Life on Philadelphia International Records, yielding her first R&B No. 1 "Don't Wanna Change the World" and a gold certification. Posthumous albums were I Refuse to Be Lonely (1995) and Forever with You (1998).
Hyman made her film debut in Lenny (1974) and shone on Broadway in Sophisticated Ladies (1981–1983), earning a Tony nomination for Best Featured Actress in a Musical and a Theatre World Award. She stood at 6'0½" and was nicknamed the "Sophisticated Lady."
Married briefly to manager Larry Alexander (1978–divorced), Hyman had no children and battled bipolar disorder, depression, alcohol, and cocaine issues amid career pressures. These challenges contributed to her suicide just before her 46th birthday.
Hyman received early music training via a scholarship at Robert Morris University in Pittsburgh but dropped out after one year. Her father Philip was a World War II veteran, and her mother Louise worked as a waitress; she began performing professionally with groups like New Direction, All the People, and The Hondo Beat.
She debuted solo with her 1977 self-titled album on Buddah Records, featuring tracks like "Loving You" and "I Don't Wanna Lose You." After moving to Arista, key releases included Somewhere in My Lifetime (1978), You Know How to Love Me (1979), Can't We Fall in Love Again? (1981), and Goddess of Love (1983), with hits like "You Know How to Love Me" and "Living All Alone."
Her biggest success came with 1991's The Prime of My Life on Philadelphia International Records, yielding her first R&B No. 1 "Don't Wanna Change the World" and a gold certification. Posthumous albums were I Refuse to Be Lonely (1995) and Forever with You (1998).
Hyman made her film debut in Lenny (1974) and shone on Broadway in Sophisticated Ladies (1981–1983), earning a Tony nomination for Best Featured Actress in a Musical and a Theatre World Award. She stood at 6'0½" and was nicknamed the "Sophisticated Lady."
Married briefly to manager Larry Alexander (1978–divorced), Hyman had no children and battled bipolar disorder, depression, alcohol, and cocaine issues amid career pressures. These challenges contributed to her suicide just before her 46th birthday.
Pieces Of A Dream
Pieces of a Dream is an American jazz fusion and R&B group formed in Philadelphia in 1976 by teenagers Cedric Napoleon on bass, Curtis Harmon on drums, and James Lloyd on keyboards. They named themselves after the Michel Legrand tune "Pieces of Dreams," popularized by Stanley Turrentine, which they often performed.
The trio started as jazz-oriented but shifted toward R&B and smooth jazz fusion. Their debut album Pieces of a Dream (1981) on Elektra Records, produced by Grover Washington Jr., hit No. 15 on the US Jazz chart, followed by hits like "Warm Weather" (1981) and "Fo-Fi-Fo" (1983, peaking at No. 13 on US R&B). Early albums including We Are One (1982) and Imagine This (1983) established their groove-heavy sound.
James Lloyd (keyboards) and Curtis Harmon (drums) remain the core since inception; they played together as kids in Philadelphia schools. Bassist Cedric Napoleon passed away in June 2024; David Dyson has been primary bassist since 2001, with Gerald Veasley and Scott Ambush as past contributors. Later additions include saxophonist Tony Watson Jr. (2006 onward) and percussionist Elec Simon (2016).
Notable singers: Barbara Walker ("Warm Weather"), Norwood ("What Can I Do," No. 17 R&B, 1990), and Tracy Hamlin (2002-2005, on Love's Silhouette and No Assembly Required). The group has sold over a million albums worldwide and continues touring.
The trio started as jazz-oriented but shifted toward R&B and smooth jazz fusion. Their debut album Pieces of a Dream (1981) on Elektra Records, produced by Grover Washington Jr., hit No. 15 on the US Jazz chart, followed by hits like "Warm Weather" (1981) and "Fo-Fi-Fo" (1983, peaking at No. 13 on US R&B). Early albums including We Are One (1982) and Imagine This (1983) established their groove-heavy sound.
James Lloyd (keyboards) and Curtis Harmon (drums) remain the core since inception; they played together as kids in Philadelphia schools. Bassist Cedric Napoleon passed away in June 2024; David Dyson has been primary bassist since 2001, with Gerald Veasley and Scott Ambush as past contributors. Later additions include saxophonist Tony Watson Jr. (2006 onward) and percussionist Elec Simon (2016).
Notable singers: Barbara Walker ("Warm Weather"), Norwood ("What Can I Do," No. 17 R&B, 1990), and Tracy Hamlin (2002-2005, on Love's Silhouette and No Assembly Required). The group has sold over a million albums worldwide and continues touring.
Pieces Of Peace
Pieces of Peace was a Chicago-based funk and soul band formed in the mid-1960s. They showed strong potential for success but never achieved widespread fame.
The band started with brothers Bernard and Danny Reed, linked to producer Carl Davis at Brunswick Records. Early members included drummer Quinton Joseph, Eugene Record, and Barbara Acklin; trumpeter Michael Davis and saxophonist Jerry Wilson joined in 1967.
They recorded "Soulful Strut," credited to Young-Holt Unlimited, and toured with Brunswick artists like Gene Chandler.
Frustrated with Davis, they split from Brunswick, renamed to Pieces of Peace, and joined Twinight Records (home of Syl Johnson). Drummer Harold "Heavy" Nesbitt replaced Joseph, and guitarist John Bishop joined; Danny Reed departed.
In 1971, with new drummer Fred White (later of Earth, Wind & Fire) and singer King Johnson, they released their debut single "Pass It On, Pts. 1-2."
They added keyboardist Benjamin Wright (later worked with Michael and Janet Jackson) and collaborated with the Pharaohs on Scarab Records. In 1972, with drummer Fred Crutchfield, flutist Joel Brandon, and Pharaohs members like Willie Woods, they recorded their only album, though it remained obscure.
The band disbanded around 1972 in Singapore after active years in Chicago's scene.
The band started with brothers Bernard and Danny Reed, linked to producer Carl Davis at Brunswick Records. Early members included drummer Quinton Joseph, Eugene Record, and Barbara Acklin; trumpeter Michael Davis and saxophonist Jerry Wilson joined in 1967.
They recorded "Soulful Strut," credited to Young-Holt Unlimited, and toured with Brunswick artists like Gene Chandler.
Frustrated with Davis, they split from Brunswick, renamed to Pieces of Peace, and joined Twinight Records (home of Syl Johnson). Drummer Harold "Heavy" Nesbitt replaced Joseph, and guitarist John Bishop joined; Danny Reed departed.
In 1971, with new drummer Fred White (later of Earth, Wind & Fire) and singer King Johnson, they released their debut single "Pass It On, Pts. 1-2."
They added keyboardist Benjamin Wright (later worked with Michael and Janet Jackson) and collaborated with the Pharaohs on Scarab Records. In 1972, with drummer Fred Crutchfield, flutist Joel Brandon, and Pharaohs members like Willie Woods, they recorded their only album, though it remained obscure.
The band disbanded around 1972 in Singapore after active years in Chicago's scene.
Poison
Poison (not to be confused with the 1980s glam metal band) was an American soul-funk and disco group from Richmond, Virginia, active in the mid-1970s.
The group is best known for their sole studio album, On Our Way to Number 1, released in 1976. This album is noted for its blend of heavy funk, disco, and soulful ballads, often compared to the sounds of Mandrill or B.T. Express.
The band debuted on Roulette in 1975 with the single "Bring It All Back Home" b/w "Let Me Lay My Funk on You". They released four other singles on Roulette during 1975/76.
Group members were: Allen "Debo" Dabney, Charles "Pride" Morris, Janet "Cookie" Cook, Marshall "Frazell" Smith, Melvin "Watlo" Watson, Peyton "PJ" Johnson, Reggie "Black" Smith, Richard "Gino" Gillyard, Tony Joyner.
The group is best known for their sole studio album, On Our Way to Number 1, released in 1976. This album is noted for its blend of heavy funk, disco, and soulful ballads, often compared to the sounds of Mandrill or B.T. Express.
The band debuted on Roulette in 1975 with the single "Bring It All Back Home" b/w "Let Me Lay My Funk on You". They released four other singles on Roulette during 1975/76.
Group members were: Allen "Debo" Dabney, Charles "Pride" Morris, Janet "Cookie" Cook, Marshall "Frazell" Smith, Melvin "Watlo" Watson, Peyton "PJ" Johnson, Reggie "Black" Smith, Richard "Gino" Gillyard, Tony Joyner.
Precious Wilson
Precious Wilson was born on October 18, 1957, in Spanish Town, Jamaica. At the age of seven, her family moved to England, where she spent her childhood. Her early experiences in Jamaica and subsequent relocation to the UK significantly influenced her musical journey. Precious began singing gospel music during her adolescence, developing a strong vocal foundation that would later define her career.
Precious Wilson's professional music career took off when she became the lead singer of the soul and disco group Eruption. The group gained prominence in the late 1970s and early 1980s, known for their vibrant performances and catchy hits. Wilson's powerful voice and charismatic stage presence were instrumental in the group's success, particularly with their covers of popular songs like "I Can't Stand the Rain".
Throughout her career, Wilson has been celebrated for her contributions to various genres, including soul, disco, and R&B. Her distinct sound and commanding performances have earned her a devoted fan base over the years.
After making a significant impact in the music industry, Precious Wilson continued to perform and record music, showcasing her versatility and passion for singing. She remains an influential figure in the music world, particularly within the dance-pop and soul genres. Her contributions have left a lasting mark, showcasing the richness of Jamaican musical heritage in the global landscape.
As of now, Precious Wilson is recognized not only for her musical talent but also for her ability to connect with audiences through her dynamic performances, making her a beloved artist in the soul music scene.
Precious Wilson's professional music career took off when she became the lead singer of the soul and disco group Eruption. The group gained prominence in the late 1970s and early 1980s, known for their vibrant performances and catchy hits. Wilson's powerful voice and charismatic stage presence were instrumental in the group's success, particularly with their covers of popular songs like "I Can't Stand the Rain".
Throughout her career, Wilson has been celebrated for her contributions to various genres, including soul, disco, and R&B. Her distinct sound and commanding performances have earned her a devoted fan base over the years.
After making a significant impact in the music industry, Precious Wilson continued to perform and record music, showcasing her versatility and passion for singing. She remains an influential figure in the music world, particularly within the dance-pop and soul genres. Her contributions have left a lasting mark, showcasing the richness of Jamaican musical heritage in the global landscape.
As of now, Precious Wilson is recognized not only for her musical talent but also for her ability to connect with audiences through her dynamic performances, making her a beloved artist in the soul music scene.
Prince
Prince Rogers Nelson, known professionally as Prince, was a legendary American singer, songwriter, musician, and performer renowned for his innovative blend of funk, soul, pop, rock, and R&B. Born on June 7, 1958, in Minneapolis, Minnesota, he rose to global fame in the 1980s with genre-defining albums like 1999 and Purple Rain, selling over 100 million records worldwide before his death on April 21, 2016.
He was born to musician parents John L. Nelson and Mattie Shaw in a musical household, where he began playing piano at age 7 and taught himself guitar, drums, bass, and more by his early teens. His parents separated when he was 10, leading him to split time between homes before living with neighbors, the Anderson family, who fostered his creativity. In high school, he formed bands like Grand Central (later Champagne) with André Cymone and Morris Day, honing the Minneapolis Sound.
Signing with Warner Bros. at age 19, Prince released his self-played debut For You in 1978, followed by Prince (1979) featuring his first Top 20 hit "I Wanna Be Your Lover". Albums like Dirty Mind (1980), Controversy (1981), and 1999 (1982) blended provocative sexuality, religion, and eclectic styles, earning critical acclaim. Purple Rain (1984), tied to his film role, produced No. 1 hits "When Doves Cry" and "Let's Go Crazy," cementing superstardom.
Prince won seven Grammys, an Oscar for Purple Rain, and pioneered multimedia with films, acting, and production for artists like The Time and Vanity 6. He changed his name to an unpronounceable symbol in 1993 amid a Warner Bros. dispute, becoming "The Artist Formerly Known as Prince," before reverting in 2000. Later works included Diamonds and Pearls (1991), Musicology (2004), and vast unreleased Paisley Park vaults.
He remained prolific, touring extensively and advocating for artist rights, while embracing Jehovah's Witnesses faith in 2001, influencing his themes. He died at 57 from an accidental fentanyl overdose at his Paisley Park studio in Chanhassen, Minnesota. His legacy endures through inductions into the Rock and Roll Hall of Fame (2004) and profound influence on music.
He was born to musician parents John L. Nelson and Mattie Shaw in a musical household, where he began playing piano at age 7 and taught himself guitar, drums, bass, and more by his early teens. His parents separated when he was 10, leading him to split time between homes before living with neighbors, the Anderson family, who fostered his creativity. In high school, he formed bands like Grand Central (later Champagne) with André Cymone and Morris Day, honing the Minneapolis Sound.
Signing with Warner Bros. at age 19, Prince released his self-played debut For You in 1978, followed by Prince (1979) featuring his first Top 20 hit "I Wanna Be Your Lover". Albums like Dirty Mind (1980), Controversy (1981), and 1999 (1982) blended provocative sexuality, religion, and eclectic styles, earning critical acclaim. Purple Rain (1984), tied to his film role, produced No. 1 hits "When Doves Cry" and "Let's Go Crazy," cementing superstardom.
Prince won seven Grammys, an Oscar for Purple Rain, and pioneered multimedia with films, acting, and production for artists like The Time and Vanity 6. He changed his name to an unpronounceable symbol in 1993 amid a Warner Bros. dispute, becoming "The Artist Formerly Known as Prince," before reverting in 2000. Later works included Diamonds and Pearls (1991), Musicology (2004), and vast unreleased Paisley Park vaults.
He remained prolific, touring extensively and advocating for artist rights, while embracing Jehovah's Witnesses faith in 2001, influencing his themes. He died at 57 from an accidental fentanyl overdose at his Paisley Park studio in Chanhassen, Minnesota. His legacy endures through inductions into the Rock and Roll Hall of Fame (2004) and profound influence on music.
Princess
Princess, born Desiree Carole Heslop on November 28, 1961, in London, England, is a British soul and R&B singer who rose to fame in the 1980s. She grew up listening to diverse influences like Aretha Franklin, Stevie Wonder, and The Beatles, initially pursuing law before music. Her brother Don encouraged her entry into the industry, starting with backing vocals on a punk track and for the Afro-rock band Osibisa in the early 1980s.
Princess signed with producers Stock Aitken Waterman for her 1986 self-titled debut album, certified silver in the UK. The lead single "Say I'm Your Number One" hit UK Top 10 and charts across Europe, Australia, and more; follow-ups like "After the Love Has Gone" and "I'll Keep On Loving You" also charted.
Her 1987 album All for Love included the single "Red Hot." Personal tragedies struck, including her mother's death and brother's murder; she lived in the US from 1991-2003, doing session work like on Vanilla Ice's album. In 2004, she launched OnDa Ground Music Label with brother Donovan, releasing "Ride" and later singles like "Will You Call Me" (2023) and "London Town" (2025).
Princess signed with producers Stock Aitken Waterman for her 1986 self-titled debut album, certified silver in the UK. The lead single "Say I'm Your Number One" hit UK Top 10 and charts across Europe, Australia, and more; follow-ups like "After the Love Has Gone" and "I'll Keep On Loving You" also charted.
Her 1987 album All for Love included the single "Red Hot." Personal tragedies struck, including her mother's death and brother's murder; she lived in the US from 1991-2003, doing session work like on Vanilla Ice's album. In 2004, she launched OnDa Ground Music Label with brother Donovan, releasing "Ride" and later singles like "Will You Call Me" (2023) and "London Town" (2025).
R.B. Hudmon
R.B. Hudmon was an American soul singer and songwriter known for his deep, emotive style blending traditional soul with blues influences.
Robert B. Hudmon Jr. was born on August 6, 1954, in West Point, Georgia (near Columbus), though some sources mention Atlanta connections early on. He started singing as a child and recorded his debut single, "I'm a Roller," at age 12 in 1966, marking him as a young talent in the Southern soul scene.
Hudmon gained local fame in the 1960s and 1970s with releases on small labels like Truth Records, including forgettable early cuts before his 1975 breakthrough single "If Lovin' You Is Wrong (I Don't Want to Be Right)"—a cover that showcased his powerful vocals. By his mid-teens, he had moved to Atlanta, collaborating with producers and issuing soul tracks that later became collector favorites among rare soul enthusiasts. His work appeared on labels tied to Stax-influenced imprints, emphasizing heartfelt R&B with limited national chart success but strong regional appeal.
Hudmon remained a beloved local performer in the Columbus, Georgia, area as a soul-blues artist into the 1990s. He passed away on August 25, 1995, at age 41. Today, his rare 45s are celebrated in soul collector circles for their raw energy.
Robert B. Hudmon Jr. was born on August 6, 1954, in West Point, Georgia (near Columbus), though some sources mention Atlanta connections early on. He started singing as a child and recorded his debut single, "I'm a Roller," at age 12 in 1966, marking him as a young talent in the Southern soul scene.
Hudmon gained local fame in the 1960s and 1970s with releases on small labels like Truth Records, including forgettable early cuts before his 1975 breakthrough single "If Lovin' You Is Wrong (I Don't Want to Be Right)"—a cover that showcased his powerful vocals. By his mid-teens, he had moved to Atlanta, collaborating with producers and issuing soul tracks that later became collector favorites among rare soul enthusiasts. His work appeared on labels tied to Stax-influenced imprints, emphasizing heartfelt R&B with limited national chart success but strong regional appeal.
Hudmon remained a beloved local performer in the Columbus, Georgia, area as a soul-blues artist into the 1990s. He passed away on August 25, 1995, at age 41. Today, his rare 45s are celebrated in soul collector circles for their raw energy.
R.J.’s Latest Arrival
RJs Latest Arrival RJ s Latest Arrival R.J.s Latest Arrival
R.J.'s Latest Arrival was popular R&B/soul/dance band from Detroit, Michigan, active from the late 1970s to 1990, known for hits like "Shackles (On My Feet)" (1984) and "Off The Hook (With Your Love)" (1988), led by R.J. Rice and featuring members like DeDe Leitta, they blended rap with soulful vocals and synths, with a notable reunion in 2023
Throughout the 1980s, R.J.'s Latest Arrival saw significant success on the R&B charts, managing to place 17 singles on Billboard's R&B chart between 1981 and 1990. Their most notable hit came in 1984 with the song "Shackles," which peaked in popularity during that time.
The band was known for their stylistic versatility, blending various influences within the R&B genre. They continued to produce music through the 1980s, with albums and singles that showcased their dynamic sound. In addition to "Shackles," two tracks from their self-titled album released in 1985 also made appearances on Billboard's Hot Black Singles chart.
Key Members: R.J. Rice, DeDe Leitta (vocals/guitar), Dean DiPierro (keys), Craig Lane (bass), Paul Munro (guitar), Rudy "Famous" Maldonado (drums).
R.J.'s Latest Arrival remains a notable name within the Detroit R&B scene and is remembered for their contributions to the genre during their active years. The band broke up in 1990 but reunited in 2023 for a new song, "One Step at a Time," featuring Slum Village. R.J. Rice later formed Barak Records, a Detroit hip-hop label.
Rafael Cameron
Rafael Cameron, born in 1951 in Georgetown, Guyana, is a prominent singer-songwriter known for his contributions to the soul, funk, and post-disco music genres. He was raised in a strict family that prioritized education over music, which shaped his early life. Despite this, his passion for music eventually led him to pursue a career in the industry.
In 1973, Cameron moved to the United States with the initial intention of studying Journalism and later Medicine. However, he shifted his focus to music after discovering his talents and opportunities in the burgeoning disco scene. He was signed by Randy Muller to the Salsoul Records, where he began to make a name for himself in the music industry.
Cameron's most famous track is "Boogie's Gonna Get Ya," which showcases his signature boogie style and received wide acclaim, including remixes by notable artists. Throughout his career, he released several albums and became well-regarded for his energetic performances and unique sound that blends disco, R&B, and funk elements.
Active primarily during the 1980s, Rafael Cameron's work remains influential in the genres of soul and disco, leaving a lasting legacy in the music world. His career highlights reflect his significant impact on the music scene during a transformative era.
In 1973, Cameron moved to the United States with the initial intention of studying Journalism and later Medicine. However, he shifted his focus to music after discovering his talents and opportunities in the burgeoning disco scene. He was signed by Randy Muller to the Salsoul Records, where he began to make a name for himself in the music industry.
Cameron's most famous track is "Boogie's Gonna Get Ya," which showcases his signature boogie style and received wide acclaim, including remixes by notable artists. Throughout his career, he released several albums and became well-regarded for his energetic performances and unique sound that blends disco, R&B, and funk elements.
Active primarily during the 1980s, Rafael Cameron's work remains influential in the genres of soul and disco, leaving a lasting legacy in the music world. His career highlights reflect his significant impact on the music scene during a transformative era.
Ralph MacDonald
Ralph Anthony MacDonald was born on March 15, 1944, in Harlem, New York. He was the son of Trinidadian immigrant Patrick MacDonald, a notable calypsonian known as MacBeth the Great, and his wife Evelyn. As one of eight children, Ralph grew up in a culturally rich environment that fostered his musical talents.
From an early age, MacDonald was exposed to a variety of musical traditions, which significantly influenced his development as an artist. He displayed a keen interest in drumming and began focusing on his African roots. By the age of 17, he was already performing as a pannist, having participated in a notable audition for legendary performer Harry Belafonte. This marked the beginning of his extensive career in music.
Throughout his professional journey, MacDonald became recognized as a versatile percussionist and songwriter. He gained a reputation as a "first-call" session percussionist during the mid-1960s, contributing to countless recordings across various genres and collaborating with notable artists in the industry. His work earned him significant acclaim, including Grammy Awards, solidifying his legacy as a prominent figure in the music world.
MacDonald's contributions to music extended beyond performance; he was also an accomplished songwriter and musical arranger, known for blending different musical influences into his work. His deep roots in calypso and African music informed his unique style, which resonated with both audiences and fellow musicians alike.
Ralph MacDonald passed away on December 18, 2011, but he left behind a rich legacy characterized by his innovative spirit and contributions to the music industry. His life and work continue to inspire aspiring musicians and percussionists worldwide.
From an early age, MacDonald was exposed to a variety of musical traditions, which significantly influenced his development as an artist. He displayed a keen interest in drumming and began focusing on his African roots. By the age of 17, he was already performing as a pannist, having participated in a notable audition for legendary performer Harry Belafonte. This marked the beginning of his extensive career in music.
Throughout his professional journey, MacDonald became recognized as a versatile percussionist and songwriter. He gained a reputation as a "first-call" session percussionist during the mid-1960s, contributing to countless recordings across various genres and collaborating with notable artists in the industry. His work earned him significant acclaim, including Grammy Awards, solidifying his legacy as a prominent figure in the music world.
MacDonald's contributions to music extended beyond performance; he was also an accomplished songwriter and musical arranger, known for blending different musical influences into his work. His deep roots in calypso and African music informed his unique style, which resonated with both audiences and fellow musicians alike.
Ralph MacDonald passed away on December 18, 2011, but he left behind a rich legacy characterized by his innovative spirit and contributions to the music industry. His life and work continue to inspire aspiring musicians and percussionists worldwide.
Ramsey Lewis
Ramsey Lewis was an influential American jazz pianist, composer, and radio personality, born on May 27, 1935, in Chicago, Illinois. His musical journey began at the young age of four when he started taking piano lessons, a pivotal moment that set the stage for his illustrious career. He credited his early teacher, Dorothy Mendelsohn, with nurturing his passion for music and shaping his talents.
Throughout his career, Lewis became a prominent figure in the contemporary jazz movement, known for his unique sound and engaging personality. He recorded over 80 albums, garnering acclaim for both his original compositions and innovative interpretations of jazz standards. His work earned him significant recognition, including five gold records, solidifying his status as one of the most popular jazz pianists of all time.
Lewis's contributions to music extended beyond performances and recordings; he also served as a radio personality, sharing his love for jazz with wider audiences and influencing the genre's development. Over his 50-year career, he remained a vital force in the music industry, engaging with new generations of musicians and fans alike.
He continued to be active in music until his passing on September 12, 2022, leaving behind a rich legacy characterized by his remarkable ability to connect with listeners through his art.
Throughout his career, Lewis became a prominent figure in the contemporary jazz movement, known for his unique sound and engaging personality. He recorded over 80 albums, garnering acclaim for both his original compositions and innovative interpretations of jazz standards. His work earned him significant recognition, including five gold records, solidifying his status as one of the most popular jazz pianists of all time.
Lewis's contributions to music extended beyond performances and recordings; he also served as a radio personality, sharing his love for jazz with wider audiences and influencing the genre's development. Over his 50-year career, he remained a vital force in the music industry, engaging with new generations of musicians and fans alike.
He continued to be active in music until his passing on September 12, 2022, leaving behind a rich legacy characterized by his remarkable ability to connect with listeners through his art.
Randy Brown
Randy Brown was an American soul singer born in Memphis, Tennessee, around 1948–1952, renowned for his smooth vocals and romantic ballads in the late 1970s and 1980s. He started singing doo-wop and gospel in church before joining the group The Newcomers, who scored an R&B hit with "Pin The Tail On The Donkey" in 1971 on Stax Records.
Brown transitioned to solo work after leaving The Newcomers in 1973, releasing his debut single "Did You Hear Yourself" on Sta.x In 1977–1978, he signed with Parachute Records (later Chocolate City), impressing executives with "I'd Rather Hurt Myself (Than Hurt You)" and releasing his debut album Welcome to My Room, featuring tracks like "I Love You Baby." Influenced by Otis Redding, Sam Cooke, and Al Green, he honed a deep, emotive style in Memphis's soul scene.
Brown's key albums include Midnight Desire (1980), The Love Machine (1982), and Don't Hold Back (1983), often produced by Homer Banks and Chuck Brooks. His lone chart hit, "We Ought to Be Doin' It," peaked at #16 on the R&B charts in 1980, with other singles like "You're the One" (#17 R&B) gaining cult followings. He recorded into the late 1980s on labels like Three-Way Records but remained underrated despite critical praise.
Brown was the brother of William Brown of The Three Lads and continued performing soul material rooted in Memphis traditions. He passed away on March 5, 2025, at age 72 (or 73), in Memphis, leaving a legacy of smooth, heartfelt R&B.
Brown transitioned to solo work after leaving The Newcomers in 1973, releasing his debut single "Did You Hear Yourself" on Sta.x In 1977–1978, he signed with Parachute Records (later Chocolate City), impressing executives with "I'd Rather Hurt Myself (Than Hurt You)" and releasing his debut album Welcome to My Room, featuring tracks like "I Love You Baby." Influenced by Otis Redding, Sam Cooke, and Al Green, he honed a deep, emotive style in Memphis's soul scene.
Brown's key albums include Midnight Desire (1980), The Love Machine (1982), and Don't Hold Back (1983), often produced by Homer Banks and Chuck Brooks. His lone chart hit, "We Ought to Be Doin' It," peaked at #16 on the R&B charts in 1980, with other singles like "You're the One" (#17 R&B) gaining cult followings. He recorded into the late 1980s on labels like Three-Way Records but remained underrated despite critical praise.
Brown was the brother of William Brown of The Three Lads and continued performing soul material rooted in Memphis traditions. He passed away on March 5, 2025, at age 72 (or 73), in Memphis, leaving a legacy of smooth, heartfelt R&B.
Randy Crawford
Randy Crawford, born Veronica Crawford on February 18, 1952, in Macon, Georgia, grew up in Cincinnati, Ohio. She began singing in church and school before performing in nightclubs across America and Europe at age 15, with her father as chaperone. By age 20, she released her first single, "If You Say the Word," and later shared stages with jazz legends like Cannonball Adderley, George Benson, and Quincy Jones in the early 1970s.
Crawford signed with Warner Bros. Records and released her debut album, Everything Must Change, in 1976, featuring diverse covers from soul to country. Her international breakthrough came in 1979 with "Street Life," a collaboration with The Crusaders, which hit #7 in the UK and boosted her European popularity; she toured with them that year. Subsequent albums like Raw Silk (1979), Secret Combination (1981), and Nightline (1983) solidified her reputation for blending jazz, R&B, and pop.
"One Day I'll Fly Away" became her signature song, reaching #2 in the UK in 1980. She earned the Most Outstanding Performer award at the 1980 Tokyo Music Festival and won Best British Female Solo Artist at the 1982 Brit Awards despite being American, reflecting her UK success. Later Grammy nominations included "All Night Long" with Joe Sample in 2007 and No Regrets in 2009; she also recorded film soundtracks like "People Alone" for The Competition.
Crawford continued releasing albums through the 1980s and 1990s, including hits like "Almaz" (#4 UK, 1986) and a 1989 cover of "Knockin' on Heaven's Door" with Eric Clapton and David Sanborn. Collaborations with Joe Sample persisted into the 2000s, such as Feeling Good (2006). Now retired from performing, she remains influential in jazz and R&B, especially in Europe.
Crawford signed with Warner Bros. Records and released her debut album, Everything Must Change, in 1976, featuring diverse covers from soul to country. Her international breakthrough came in 1979 with "Street Life," a collaboration with The Crusaders, which hit #7 in the UK and boosted her European popularity; she toured with them that year. Subsequent albums like Raw Silk (1979), Secret Combination (1981), and Nightline (1983) solidified her reputation for blending jazz, R&B, and pop.
"One Day I'll Fly Away" became her signature song, reaching #2 in the UK in 1980. She earned the Most Outstanding Performer award at the 1980 Tokyo Music Festival and won Best British Female Solo Artist at the 1982 Brit Awards despite being American, reflecting her UK success. Later Grammy nominations included "All Night Long" with Joe Sample in 2007 and No Regrets in 2009; she also recorded film soundtracks like "People Alone" for The Competition.
Crawford continued releasing albums through the 1980s and 1990s, including hits like "Almaz" (#4 UK, 1986) and a 1989 cover of "Knockin' on Heaven's Door" with Eric Clapton and David Sanborn. Collaborations with Joe Sample persisted into the 2000s, such as Feeling Good (2006). Now retired from performing, she remains influential in jazz and R&B, especially in Europe.
Randy Hall
Randy Hall is an American soul/R&B singer, guitarist, songwriter, and producer best known for his collaborations with jazz legend Miles Davis in the 1980s.
Hall grew up in Chicago and began with piano before switching to guitar at age 13 under British jazz guitarist Peter Budd. He developed a Wes Montgomery-inspired thumb-picking style and later studied at Berklee College of Music in Boston starting in 1975.
In Chicago bands like Data and AL7, Hall played with future Miles Davis collaborators including Robert Irving III, Felton Crews, and Glenn Burris. He co-wrote and sang lead on "The Man with the Horn," the title track of Davis's 1981 comeback album, also contributing guitar, synthesizer, and celesta. Hall produced Davis's unreleased 1985 Rubberband album (later issued in 2019) with a team including Adam Holzman and Steve Reid.
After The Man with the Horn, Hall joined the soul/funk band Pleasure and released his debut solo album I Belong to You in 1984 on MCA Records, produced by Ray Parker Jr., featuring hits like "I've Been Watching You" (US R&B #18). His 1988 follow-up Love You Like a Stranger included "Slow Starter" (US R&B #36). He has since produced for artists like Elliott Small and released singles into the 2010s.
Hall lives in Las Vegas with a production studio, performing locally and internationally while touring with acts like Diana Ross and The Jacksons. Recent output includes collaborations and singles like "A Beautiful Dream."
Hall grew up in Chicago and began with piano before switching to guitar at age 13 under British jazz guitarist Peter Budd. He developed a Wes Montgomery-inspired thumb-picking style and later studied at Berklee College of Music in Boston starting in 1975.
In Chicago bands like Data and AL7, Hall played with future Miles Davis collaborators including Robert Irving III, Felton Crews, and Glenn Burris. He co-wrote and sang lead on "The Man with the Horn," the title track of Davis's 1981 comeback album, also contributing guitar, synthesizer, and celesta. Hall produced Davis's unreleased 1985 Rubberband album (later issued in 2019) with a team including Adam Holzman and Steve Reid.
After The Man with the Horn, Hall joined the soul/funk band Pleasure and released his debut solo album I Belong to You in 1984 on MCA Records, produced by Ray Parker Jr., featuring hits like "I've Been Watching You" (US R&B #18). His 1988 follow-up Love You Like a Stranger included "Slow Starter" (US R&B #36). He has since produced for artists like Elliott Small and released singles into the 2010s.
Hall lives in Las Vegas with a production studio, performing locally and internationally while touring with acts like Diana Ross and The Jacksons. Recent output includes collaborations and singles like "A Beautiful Dream."
Raw Spitt (aka Charlie Whitehead)
Raw Spitt is the pseudonym of soul singer Charlie Whitehead, known for his gritty early-1970s R&B/soul work produced by Swamp Dogg.
Charlie Whitehead was born in September 1942 in Newsoms (or Franklin/Smithfield area), Virginia. At age 26, he moved to New York, signing with Dynamo Records (a Musicor subsidiary) where he met Swamp Dogg (Jerry Williams Jr.). He released one single there, "How Can I Forget," and collaborated on songs for artists like Dee Dee Warwick and Gary U.S. Bonds.
In 1970, Whitehead adopted the Raw Spitt name for his Canyon Records album Raw Spitt, produced by Swamp Dogg, who wrote or co-wrote most tracks. The LP blended soul, funk, and rock with themes of African-American identity, social injustice, sex, and humor; standout songs include "Put a Little Love in Your Heart," "Raw Spitt," "Excuses," and "Sweet Bird of Success." A 1971 non-LP single, "Songs to Sing"/"That Ain't My Wife That I See," followed.
Whitehead recorded under his own name into the 1970s, switching labels like Sweetheart, Island, Vee Jay, Takoma, Musicor, and Atomic Art/Wizard, releasing two more albums including Whitehead At Yellowstone (1976). Despite talent, commercial success eluded him; Canyon folded post-Raw Spitt. Compilations like Songs to Sing: The Charlie Whitehead Anthology 1970-76 (2006) revived his work. He died June 26, 2015.
Charlie Whitehead was born in September 1942 in Newsoms (or Franklin/Smithfield area), Virginia. At age 26, he moved to New York, signing with Dynamo Records (a Musicor subsidiary) where he met Swamp Dogg (Jerry Williams Jr.). He released one single there, "How Can I Forget," and collaborated on songs for artists like Dee Dee Warwick and Gary U.S. Bonds.
In 1970, Whitehead adopted the Raw Spitt name for his Canyon Records album Raw Spitt, produced by Swamp Dogg, who wrote or co-wrote most tracks. The LP blended soul, funk, and rock with themes of African-American identity, social injustice, sex, and humor; standout songs include "Put a Little Love in Your Heart," "Raw Spitt," "Excuses," and "Sweet Bird of Success." A 1971 non-LP single, "Songs to Sing"/"That Ain't My Wife That I See," followed.
Whitehead recorded under his own name into the 1970s, switching labels like Sweetheart, Island, Vee Jay, Takoma, Musicor, and Atomic Art/Wizard, releasing two more albums including Whitehead At Yellowstone (1976). Despite talent, commercial success eluded him; Canyon folded post-Raw Spitt. Compilations like Songs to Sing: The Charlie Whitehead Anthology 1970-76 (2006) revived his work. He died June 26, 2015.
Ray Charles
Ray Charles was a pioneering American singer, songwriter, pianist, and composer who blended gospel, blues, rhythm and blues, jazz, and country to invent soul music. Born Ray Charles Robinson on September 23, 1930, in Albany, Georgia, he became blind by age seven due to glaucoma and overcame profound personal tragedies to achieve legendary status.
Ray Charles grew up in poverty in Greenville, Florida, after his family relocated there shortly after his birth. He witnessed his younger brother's drowning at age four and lost both parents by age 15—his mother to malnutrition-related illness and his father later. At the Florida School for the Deaf and the Blind in St. Augustine, he mastered Braille music and piano, drawing early inspiration from artists like Nat King Cole and Art Tatum.
At 16, Charles moved to Seattle in 1948, where he formed a combo and released his debut single "Confession Blues" with the Maxin Trio in 1949, reaching number two on the R&B chart. He toured as musical director for Lowell Fulson, then signed with Atlantic Records in 1952, scoring early hits like "Mess Around" and pioneering soul with "I've Got a Woman" in 1954.
Charles's 1959 single "What'd I Say" became a massive crossover hit, blending gospel fervor with secular R&B. Signing with ABC-Paramount in 1960, he earned his first Grammy for "Georgia on My Mind" and dominated charts with "Hit the Road Jack," "I Can't Stop Loving You," and the genre-busting Modern Sounds in Country and Western Music albums in 1962, which integrated country into his sound.
Founding Tangerine Records in 1962, Charles maintained artistic control rare for Black artists, releasing hits like "Busted" while battling heroin addiction—he was arrested in 1965 but achieved sobriety by 1966. He earned 17 Grammys (including five posthumously), Kennedy Center Honors, and induction into the Rock and Roll Hall of Fame in 1986.
Charles had 12 children by several women, including with singers Margie Hendrix and Della Beatrice Howard Robinson. He died on June 10, 2004, at age 73 in Beverly Hills from liver disease, after recording over 60 albums and 10,000 shows; his funeral drew stars like B.B. King.
Ray Charles grew up in poverty in Greenville, Florida, after his family relocated there shortly after his birth. He witnessed his younger brother's drowning at age four and lost both parents by age 15—his mother to malnutrition-related illness and his father later. At the Florida School for the Deaf and the Blind in St. Augustine, he mastered Braille music and piano, drawing early inspiration from artists like Nat King Cole and Art Tatum.
At 16, Charles moved to Seattle in 1948, where he formed a combo and released his debut single "Confession Blues" with the Maxin Trio in 1949, reaching number two on the R&B chart. He toured as musical director for Lowell Fulson, then signed with Atlantic Records in 1952, scoring early hits like "Mess Around" and pioneering soul with "I've Got a Woman" in 1954.
Charles's 1959 single "What'd I Say" became a massive crossover hit, blending gospel fervor with secular R&B. Signing with ABC-Paramount in 1960, he earned his first Grammy for "Georgia on My Mind" and dominated charts with "Hit the Road Jack," "I Can't Stop Loving You," and the genre-busting Modern Sounds in Country and Western Music albums in 1962, which integrated country into his sound.
Founding Tangerine Records in 1962, Charles maintained artistic control rare for Black artists, releasing hits like "Busted" while battling heroin addiction—he was arrested in 1965 but achieved sobriety by 1966. He earned 17 Grammys (including five posthumously), Kennedy Center Honors, and induction into the Rock and Roll Hall of Fame in 1986.
Charles had 12 children by several women, including with singers Margie Hendrix and Della Beatrice Howard Robinson. He died on June 10, 2004, at age 73 in Beverly Hills from liver disease, after recording over 60 albums and 10,000 shows; his funeral drew stars like B.B. King.
Ray Parker Jr.
Ray Parker Jr. is an American musician, singer, songwriter, and record producer, known for his significant contributions to the music industry. He was born on May 1, 1954, in Detroit, Michigan. Parker began showcasing his musical talent at an early age; as a teenager, he became a guitar protégé, performing alongside notable acts such as Stevie Wonder, The Temptations, and Gladys Knight and the Pips, which underscored his early prowess as a guitarist and performer.
He became well know in R&B circles in the seventies through his funk band Raydio (hits like "Jack and Jill"), solo success ("The Other Woman"), and session work with legends like Stevie Wonder and Barry White before a surprise 1984 smash hit propelled him to global stardom, solidifying his versatile R&B/funk legacy.
Throughout his career, Parker has achieved recognition not only for his guitar skills but also for his songwriting and production capabilities. He is perhaps best known for writing and performing the iconic theme song for the 1984 film "Ghostbusters," which became a major hit and solidified his status in pop culture.
In addition to his success in film, Parker has released multiple albums throughout his career and has collaborated with various artists across genres, further demonstrating his versatility as a musician. His work extends beyond performance; he has played a crucial role in shaping the sound of contemporary music through his production efforts.
Parker is also known for his unique blend of R&B, pop, and rock influences, which has helped him carve out a distinct niche in the music scene. His contributions have earned him both critical acclaim and commercial success, making him a respected figure in the industry.
As of now, Ray Parker Jr. is still active in the music scene and continues to engage with his fans through performances and new music projects, solidifying his lasting impact on the world of entertainment.
(Provided by Soulyears.com)
He became well know in R&B circles in the seventies through his funk band Raydio (hits like "Jack and Jill"), solo success ("The Other Woman"), and session work with legends like Stevie Wonder and Barry White before a surprise 1984 smash hit propelled him to global stardom, solidifying his versatile R&B/funk legacy.
Throughout his career, Parker has achieved recognition not only for his guitar skills but also for his songwriting and production capabilities. He is perhaps best known for writing and performing the iconic theme song for the 1984 film "Ghostbusters," which became a major hit and solidified his status in pop culture.
In addition to his success in film, Parker has released multiple albums throughout his career and has collaborated with various artists across genres, further demonstrating his versatility as a musician. His work extends beyond performance; he has played a crucial role in shaping the sound of contemporary music through his production efforts.
Parker is also known for his unique blend of R&B, pop, and rock influences, which has helped him carve out a distinct niche in the music scene. His contributions have earned him both critical acclaim and commercial success, making him a respected figure in the industry.
As of now, Ray Parker Jr. is still active in the music scene and continues to engage with his fans through performances and new music projects, solidifying his lasting impact on the world of entertainment.
(Provided by Soulyears.com)
Ray, Goodman and Brown
Ray, Goodman & Brown is an American R&B vocal group that originated as The Moments in the late 1960s. They achieved major success in the 1970s with hits like "Love on a Two-Way Street" before renaming themselves in 1979 for contractual reasons.
The group formed in Washington, D.C., initially featuring members like Mark Greene, before Al Goodman (bass vocals, born March 31, 1946, in Jackson, Mississippi), Billy Brown (lead tenor), and others solidified the lineup. They signed with All-Platinum Records and scored early R&B hits such as "Sunday," "I Do," and their signature No. 1 "Love on a Two-Way Street" in 1970. Harry Ray joined soon after, creating the core trio that defined their sound through the mid-1970s with songs like "Sexy Mama" and "Look at Me (I'm in Love)."
In 1978–1979, due to label issues with Stang Records owning "The Moments" name, they rebranded as Ray, Goodman & Brown (using their surnames: Harry Ray, Al Goodman, Billy Brown). Their biggest hit under the new name was "Special Lady" (No. 5 R&B, 1980) on Polydor Records. They released four albums with Polydor, blending sweet soul harmonies and ballads.
Harry Ray briefly left in 1982 for a solo stint at Sugar Hill Records but rejoined for EMI's 1987 hit "Take It to the Limit" (No. 8 R&B). Ray died of a stroke in 1992 and was replaced by Kevin "Ray" Owens (ex-Luther Vandross backing vocalist). Al Goodman passed from heart failure in 2010. Billy Brown remains the sole surviving original member as of 2025, now performing with Keenan Blount and Kenny Brown; they were inducted into the National R&B Music Society's Atlantic City Walk of Fame in April 2025. The group continues touring, with recent albums in the 2000s featuring classics and new soul tracks.
The group formed in Washington, D.C., initially featuring members like Mark Greene, before Al Goodman (bass vocals, born March 31, 1946, in Jackson, Mississippi), Billy Brown (lead tenor), and others solidified the lineup. They signed with All-Platinum Records and scored early R&B hits such as "Sunday," "I Do," and their signature No. 1 "Love on a Two-Way Street" in 1970. Harry Ray joined soon after, creating the core trio that defined their sound through the mid-1970s with songs like "Sexy Mama" and "Look at Me (I'm in Love)."
In 1978–1979, due to label issues with Stang Records owning "The Moments" name, they rebranded as Ray, Goodman & Brown (using their surnames: Harry Ray, Al Goodman, Billy Brown). Their biggest hit under the new name was "Special Lady" (No. 5 R&B, 1980) on Polydor Records. They released four albums with Polydor, blending sweet soul harmonies and ballads.
Harry Ray briefly left in 1982 for a solo stint at Sugar Hill Records but rejoined for EMI's 1987 hit "Take It to the Limit" (No. 8 R&B). Ray died of a stroke in 1992 and was replaced by Kevin "Ray" Owens (ex-Luther Vandross backing vocalist). Al Goodman passed from heart failure in 2010. Billy Brown remains the sole surviving original member as of 2025, now performing with Keenan Blount and Kenny Brown; they were inducted into the National R&B Music Society's Atlantic City Walk of Fame in April 2025. The group continues touring, with recent albums in the 2000s featuring classics and new soul tracks.
Raydio
Raydio was an American funk and R&B band formed in 1977 in Detroit, Michigan, by Ray Erskine Parker Jr. (composer, guitarist, vocalist), Jerry Ernest Knight (vocalist, bassist), Vincent Bohnam (pianist, guitarist, drummer), and Arnell Derek Carmichael (lead vocalist, guitarist, lyricist). Ray Parker Jr., born May 1, 1954, in Detroit, started playing clarinet at age six and later attended Northwestern High School. The other members included Knight (born April 17, 1952, Los Angeles), Bohnam (born May 12, 1952, Los Angeles), and Carmichael (born October 29, 1952, Detroit), who had earlier formed a jazz vocal group.
The band's first album, Raydio (1978) on Arista Records, featured the gold single "Jack and Jill," peaking at No. 5 on Billboard's R&B chart, No. 8 on Hot 100, and No. 11 in the UK. Follow-up "Is This a Love Thing" hit No. 27 in the UK.
You Can't Change That (1979) became their biggest hit, selling over one million copies and peaking at No. 25 on R&B; it debuted at Madison Square Garden. Singles like "More Than One Way to Love a Woman" reached No. 25 R&B. By 1980-1981, as Ray Parker Jr. and Raydio, they released tracks including "Two Places at the Same Time" (No. 34 R&B), "That Old Song" (No. 7 R&B), and gold single "A Woman Needs Love" (No. 11 R&B).
Raydio disbanded in 1981, with members pursuing solo careers; Ray Parker Jr. achieved fame with "Ghostbusters" in 1984. Jerry Knight passed away from cancer in 1996 at age 44. The band reformed in 2014 by Carmichael and Bohnam for tours.
The band's first album, Raydio (1978) on Arista Records, featured the gold single "Jack and Jill," peaking at No. 5 on Billboard's R&B chart, No. 8 on Hot 100, and No. 11 in the UK. Follow-up "Is This a Love Thing" hit No. 27 in the UK.
You Can't Change That (1979) became their biggest hit, selling over one million copies and peaking at No. 25 on R&B; it debuted at Madison Square Garden. Singles like "More Than One Way to Love a Woman" reached No. 25 R&B. By 1980-1981, as Ray Parker Jr. and Raydio, they released tracks including "Two Places at the Same Time" (No. 34 R&B), "That Old Song" (No. 7 R&B), and gold single "A Woman Needs Love" (No. 11 R&B).
Raydio disbanded in 1981, with members pursuing solo careers; Ray Parker Jr. achieved fame with "Ghostbusters" in 1984. Jerry Knight passed away from cancer in 1996 at age 44. The band reformed in 2014 by Carmichael and Bohnam for tours.
Regina Belle
Grammy and Academy Award-winning American singer-songwriter Regina Belle (born July 17, 1963), known for her versatile vocal range spanning R&B, soul, jazz, and gospel, rose to prominence in the mid-1980s and is most widely recognized for her record-breaking duet "A Whole New World" from Disney’s Aladdin. Born in Englewood, New Jersey, Belle began singing at age three and performed her first solo in church at age eight.
During high school, she studied the trombone, tuba, and steel drums. She studied opera at the Manhattan School of Music and later attended Rutgers University, where she was the first female vocalist in the school's jazz ensemble. After leaving early to tour, she eventually returned to Rutgers and completed her B.A. in Africana Studies in 2015.
New York radio DJ Vaughn Harper introduced her to the R&B group The Manhattans, for whom she became an opening act. This led to a recording deal with Columbia Records. Her debut album, All by Myself (1987), included hits such as "So Many Tears" and "Show Me the Way". Other notable singles include "Baby Come to Me" (1989), "Make It Like It Was" (1990), and "If I Could" (1993).
Belle is famous for her collaborations with Peabo Bryson, particularly "Without You" (1987) and "A Whole New World" (1992). The latter reached #1 on the Billboard Hot 100 and won both a Grammy and an Oscar.
She married former NBA player John Battle on June 25, 1991. The couple resides in Atlanta, where Battle serves as a pastor. Belle has five children, some of whom are adopted.
In 2008, she released her debut gospel album Love Forever Shines, followed by Higher in 2012. In 2009, she underwent surgery for a brain tumor, which left her deaf in her left ear.
In June 2025, she was inducted into the Women's Songwriters Hall of Fame. She graduated with a Master of Divinity (MDIV) in May 2024 from the Interdenominational Theological Center.
During high school, she studied the trombone, tuba, and steel drums. She studied opera at the Manhattan School of Music and later attended Rutgers University, where she was the first female vocalist in the school's jazz ensemble. After leaving early to tour, she eventually returned to Rutgers and completed her B.A. in Africana Studies in 2015.
New York radio DJ Vaughn Harper introduced her to the R&B group The Manhattans, for whom she became an opening act. This led to a recording deal with Columbia Records. Her debut album, All by Myself (1987), included hits such as "So Many Tears" and "Show Me the Way". Other notable singles include "Baby Come to Me" (1989), "Make It Like It Was" (1990), and "If I Could" (1993).
Belle is famous for her collaborations with Peabo Bryson, particularly "Without You" (1987) and "A Whole New World" (1992). The latter reached #1 on the Billboard Hot 100 and won both a Grammy and an Oscar.
She married former NBA player John Battle on June 25, 1991. The couple resides in Atlanta, where Battle serves as a pastor. Belle has five children, some of whom are adopted.
In 2008, she released her debut gospel album Love Forever Shines, followed by Higher in 2012. In 2009, she underwent surgery for a brain tumor, which left her deaf in her left ear.
In June 2025, she was inducted into the Women's Songwriters Hall of Fame. She graduated with a Master of Divinity (MDIV) in May 2024 from the Interdenominational Theological Center.
Renaud
Renaud Pierre Manuel Séchan, known professionally as Renaud, is a renowned French singer-songwriter, not primarily a disco artist. Born on May 11, 1952, in Paris, he rose to fame in the 1970s with his distinctive raspy voice and socially charged chansons, selling nearly 20 million albums across 26 releases.
Renaud grew up in Paris as a rebellious youth, participating in the 1968 student protests. An indifferent student, he dropped out with dreams of acting, busking on streets and performing in cabarets like Café de la Gare alongside stars such as Coluche and Miou-Miou.
His breakthrough came in the 1970s with hits like "Laisse béton" and sea shanty "Dès que le vent soufflera," blending folk, rock, and chanson française. Influenced by Georges Brassens, he released classics such as "Mistral gagnant" and "Morgane de toi," often tackling social issues; a 2002 comeback album Boucan d'enfer featured the poignant "Manhattan-Kaboul" with Axelle Red.
Renaud appeared in films like Germinal (1993) as Étienne Lantier and Crime Spree (2003), alongside TV and theater work early on.
Battling alcoholism and depression led to a six-year hiatus after a 1996 Brassens tribute album; he recovered and resumed touring. Married twice—to Dominique and later Romane Serda (mother of son Malone, born 2005)—he has a daughter, Lolita Séchan, a writer.
Renaud grew up in Paris as a rebellious youth, participating in the 1968 student protests. An indifferent student, he dropped out with dreams of acting, busking on streets and performing in cabarets like Café de la Gare alongside stars such as Coluche and Miou-Miou.
His breakthrough came in the 1970s with hits like "Laisse béton" and sea shanty "Dès que le vent soufflera," blending folk, rock, and chanson française. Influenced by Georges Brassens, he released classics such as "Mistral gagnant" and "Morgane de toi," often tackling social issues; a 2002 comeback album Boucan d'enfer featured the poignant "Manhattan-Kaboul" with Axelle Red.
Renaud appeared in films like Germinal (1993) as Étienne Lantier and Crime Spree (2003), alongside TV and theater work early on.
Battling alcoholism and depression led to a six-year hiatus after a 1996 Brassens tribute album; he recovered and resumed touring. Married twice—to Dominique and later Romane Serda (mother of son Malone, born 2005)—he has a daughter, Lolita Séchan, a writer.
René and Angela<div hidden>Rene & Angela René & Angela Rene and Angela</div>
René and Angela were an influential R&B duo active from 1977 to 1986, known for their smooth blend of soul, funk, and electro influences. The pair consisted of René Moore, a Los Angeles native and producer connected to Rufus through his brother Bobby Watson, and Angela Winbush, born January 18, 1955, in St. Louis, Missouri, who started singing in church before studying architecture at Howard University.
They met in 1977 (or 1980 per some accounts) while Angela backed Stevie Wonder in Wonderlove, leading to collaborations on melodies. Signed to Capitol Records, they debuted with a self-titled album in 1980, followed by Wall to Wall (1981) featuring tracks like "Imaginary Playmate," and Rise (1983) with "My First Love." The attached webpage highlights their Wall to Wall album, showcasing its cover and play functionality on rnbalbums.com.
Switching to Mercury Records, their 1985 album A Street Called Desire became their breakthrough, with "I'll Be Good" peaking at #1 on the US R&B chart and hits like "Save Your Love (For #1)" and "Your Smile." They also wrote and produced for artists such as Janet Jackson (on her 1982 debut) and Stephanie Mills ("I Have Learned to Respect the Power of Love").
Disbanding in 1986, Angela launched a solo career with albums like Sharp (1987, featuring "Angel") and Rise (1991), managed initially by her then-husband Ronald Winans until their 2002 separation. René continued producing. Their work defined 1980s R&B, blending emotional vocals with innovative production.
They met in 1977 (or 1980 per some accounts) while Angela backed Stevie Wonder in Wonderlove, leading to collaborations on melodies. Signed to Capitol Records, they debuted with a self-titled album in 1980, followed by Wall to Wall (1981) featuring tracks like "Imaginary Playmate," and Rise (1983) with "My First Love." The attached webpage highlights their Wall to Wall album, showcasing its cover and play functionality on rnbalbums.com.
Switching to Mercury Records, their 1985 album A Street Called Desire became their breakthrough, with "I'll Be Good" peaking at #1 on the US R&B chart and hits like "Save Your Love (For #1)" and "Your Smile." They also wrote and produced for artists such as Janet Jackson (on her 1982 debut) and Stephanie Mills ("I Have Learned to Respect the Power of Love").
Disbanding in 1986, Angela launched a solo career with albums like Sharp (1987, featuring "Angel") and Rise (1991), managed initially by her then-husband Ronald Winans until their 2002 separation. René continued producing. Their work defined 1980s R&B, blending emotional vocals with innovative production.
Retta Young
Retta Young is an American soul and disco singer born in 1949 in South Carolina. She gained fame in the 1970s for her hit single "(Sending Out An) S.O.S.".
She began singing in the late 1960s with groups like The Superbs and Devotion, recording tracks such as "The Dawning of Love" that charted modestly. Young signed with All Platinum Records, where she also handled reception duties and received backup vocals from The Moments.
Her 1975 breakout "(Sending Out An) S.O.S.," produced by Al Goodman and Harry Ray of The Moments, topped disco charts in New York and reached Billboard Hot Soul Singles, Cash Box Top 100 R&B, and UK Top 30. She promoted it in London alongside fiancé Al Goodman.
Young released the album Young and Restless in 1976, followed by singles like "You Beat Me To The Punch" and "My Man Is On His Way" in 1978. She retired from music for family life after marrying Goodman.
She began singing in the late 1960s with groups like The Superbs and Devotion, recording tracks such as "The Dawning of Love" that charted modestly. Young signed with All Platinum Records, where she also handled reception duties and received backup vocals from The Moments.
Her 1975 breakout "(Sending Out An) S.O.S.," produced by Al Goodman and Harry Ray of The Moments, topped disco charts in New York and reached Billboard Hot Soul Singles, Cash Box Top 100 R&B, and UK Top 30. She promoted it in London alongside fiancé Al Goodman.
Young released the album Young and Restless in 1976, followed by singles like "You Beat Me To The Punch" and "My Man Is On His Way" in 1978. She retired from music for family life after marrying Goodman.
Rev. Isaac Douglas
Rev. Isaac Douglas was a prominent gospel singer, choir director, and minister known for his powerful voice and contributions to traditional Black gospel music. Born on May 13, 1940, in Philadelphia, Pennsylvania, he passed away on February 1, 1988, in Dallas, Texas, reportedly due to complications from diabetes and kidney failure.
His father was a Baptist preacher who later ministered in Brooklyn, New York. Douglas began singing gospel young, joining groups like the Rasberry Singers at age 15 in the 1950s, the Ruth Davis Singers, and the Edwin Newberry Singers in the 1960s.
In the mid-1960s, he moved to New York City and formed the all-male Isaac Douglas Singers, featuring Arthur Freeman, Bennie Diggs, John Hason, and Wilbur Johnson; their debut single "Lord Have Mercy" appeared on Minit Gospel Records (a United Artists subsidiary).
In 1970, he co-founded the New York Community Choir with Freeman, Diggs, and Johnson. The choir provided backing vocals for Nikki Giovanni's album Truth Is On The Way, performed at venues like the Museum of Modern Art, and appeared on shows like Soul Train.
Influenced by Rev. James Cleveland, Douglas relocated to Los Angeles in the early 1970s to start his own ministry and signed with Nashboro/Creed Records. He later moved to Nashville, recording with choirs like the Johnson Ensemble ("The Harvest Is Plentiful" was a hit) and the Var-Son Community Choir, later recording:
Gospel Workshop of America Mass Choir - Live In Cleveland, Ohio (1975): Soloist on "He Is So Wonderful" and "Save Me Lord".
Isaac Douglas and the Var-Son Community Choir - No One Gets The Prize For Eternal Life (1980).
Isaac Douglas and the Var-Son Community Choir - He Keeps On Making A Way For Me (1982).
Often compared to James Cleveland for his deep, soulful style, Douglas left a lasting impact through his solo work, collaborations, and ministry.
His father was a Baptist preacher who later ministered in Brooklyn, New York. Douglas began singing gospel young, joining groups like the Rasberry Singers at age 15 in the 1950s, the Ruth Davis Singers, and the Edwin Newberry Singers in the 1960s.
In the mid-1960s, he moved to New York City and formed the all-male Isaac Douglas Singers, featuring Arthur Freeman, Bennie Diggs, John Hason, and Wilbur Johnson; their debut single "Lord Have Mercy" appeared on Minit Gospel Records (a United Artists subsidiary).
In 1970, he co-founded the New York Community Choir with Freeman, Diggs, and Johnson. The choir provided backing vocals for Nikki Giovanni's album Truth Is On The Way, performed at venues like the Museum of Modern Art, and appeared on shows like Soul Train.
Influenced by Rev. James Cleveland, Douglas relocated to Los Angeles in the early 1970s to start his own ministry and signed with Nashboro/Creed Records. He later moved to Nashville, recording with choirs like the Johnson Ensemble ("The Harvest Is Plentiful" was a hit) and the Var-Son Community Choir, later recording:
Gospel Workshop of America Mass Choir - Live In Cleveland, Ohio (1975): Soloist on "He Is So Wonderful" and "Save Me Lord".
Isaac Douglas and the Var-Son Community Choir - No One Gets The Prize For Eternal Life (1980).
Isaac Douglas and the Var-Son Community Choir - He Keeps On Making A Way For Me (1982).
Often compared to James Cleveland for his deep, soulful style, Douglas left a lasting impact through his solo work, collaborations, and ministry.
Richard Davis
Richard Davis was born on April 15, 1930, in Chicago, Illinois. Tragedy struck his family early as his mother passed away during childbirth. Consequently, he was raised by his grandparents, Robert and Elmora Johnson. Growing up in the Chicago ghetto, Davis demonstrated an early interest in music, famously strumming on a broom until he acquired his first bass guitar. He became immersed in the sounds of the era, particularly the old recordings of iconic musicians like Louis Armstrong, which significantly shaped his musical style and aspirations.
Davis's professional music career took off in New York City, where he spent 23 years establishing himself as one of the world’s leading bass players. During this time, he became known as an acoustic-bass virtuoso, collaborating with a diverse array of artists across various genres. His versatility allowed him to perform with renowned figures in jazz and beyond, showcasing his talent and adaptability.
In 1977, Davis transitioned to academia, joining the University of Wisconsin-Madison. He served as a Professor of Bass, Jazz History, and Jazz Ensemble for nearly 40 years, ultimately retiring in 2016. His influence extended beyond performing as he took on the role of an educator, imparting his knowledge and passion for music to students. Davis reflected on his experiences and contributions to the field, recognizing the importance of teaching the next generation of musicians.
Richard Davis is recognized not only for his exceptional talent as a musician but also for his significant impact as a teacher and mentor in the jazz community. His rich background, formative experiences in Chicago, and subsequent achievements in both performance and education have solidified his position as an influential figure in the world of jazz.
Davis's professional music career took off in New York City, where he spent 23 years establishing himself as one of the world’s leading bass players. During this time, he became known as an acoustic-bass virtuoso, collaborating with a diverse array of artists across various genres. His versatility allowed him to perform with renowned figures in jazz and beyond, showcasing his talent and adaptability.
In 1977, Davis transitioned to academia, joining the University of Wisconsin-Madison. He served as a Professor of Bass, Jazz History, and Jazz Ensemble for nearly 40 years, ultimately retiring in 2016. His influence extended beyond performing as he took on the role of an educator, imparting his knowledge and passion for music to students. Davis reflected on his experiences and contributions to the field, recognizing the importance of teaching the next generation of musicians.
Richard Davis is recognized not only for his exceptional talent as a musician but also for his significant impact as a teacher and mentor in the jazz community. His rich background, formative experiences in Chicago, and subsequent achievements in both performance and education have solidified his position as an influential figure in the world of jazz.
Richard Dimples Fields
Richard "Dimples" Fields was an influential American R&B and soul singer born on March 21, 1941, in New Orleans, Louisiana. His early life saw a significant move to Oakland, California, at the age of nine. Initially aspiring to become a professional baseball player, Fields’ career path shifted when he formed a high school band, leading him to pursue music professionally in the early 1970s.
Fields gained popularity in the 1980s with his smooth voice and memorable hits, most notably "If It Ain't One Thing, It's Another." His music became emblematic of the soul genre during this decade, showcasing his unique style and talent.
Before his rise to fame, Fields worked at Art Rupe's Specialty Records as an arranger and producer, collaborating with notable artists such as Sam Cooke and Larry Williams. This experience helped him refine his craft and establish a foundation for his solo career.
Apart from his singing career, Fields was also known for his involvement in the music industry as a producer. He was recognized for his contributions to various projects, which included work on film soundtracks such as “The Sunchaser”.
Sadly, Richard "Dimples" Fields passed away on January 12, 2000, but his music and influence continue to resonate within the R&B and soul genres. His legacy is remembered for the impact he made during the vibrant era of 1980s music.
Fields gained popularity in the 1980s with his smooth voice and memorable hits, most notably "If It Ain't One Thing, It's Another." His music became emblematic of the soul genre during this decade, showcasing his unique style and talent.
Before his rise to fame, Fields worked at Art Rupe's Specialty Records as an arranger and producer, collaborating with notable artists such as Sam Cooke and Larry Williams. This experience helped him refine his craft and establish a foundation for his solo career.
Apart from his singing career, Fields was also known for his involvement in the music industry as a producer. He was recognized for his contributions to various projects, which included work on film soundtracks such as “The Sunchaser”.
Sadly, Richard "Dimples" Fields passed away on January 12, 2000, but his music and influence continue to resonate within the R&B and soul genres. His legacy is remembered for the impact he made during the vibrant era of 1980s music.
Rick James
Rick James was a pioneering funk musician known for blending punk-funk, soul, and rock. Born James Ambrose Johnson Jr. on February 1, 1948, in Buffalo, New York, he rose to fame in the late 1970s and 1980s with hits like "Super Freak" and "Give It to Me Baby."
Rick James grew up in Buffalo, playing in local bands as a teen, including jazz groups on drums and guitar. To avoid the Vietnam draft, he joined the U.S. Naval Reserve in 1964 but went AWOL, fleeing to Toronto where he formed The Mynah Birds with Neil Young and Bruce Palmer. The band signed with Motown, but James's desertion led to jail time after his return to the U.S.
After release, James wrote for Motown under a pseudonym and formed bands in California during the late 1960s and early 1970s. In 1977, back in Buffalo, he created the Stone City Band and signed with Motown's Gordy Records. His 1978 debut Come Get It! spawned R&B #1 "You and I" and "Mary Jane," establishing his "punk funk" sound.
James's 1981 album Street Songs was his biggest hit, featuring "Give It to Me Baby" and "Super Freak," which crossed over via funk, disco, rock, and new wave. He produced for Teena Marie, Smokey Robinson, and the Mary Jane Girls, with tracks like "Ebony Eyes" and "Party All the Time." His flamboyant style and energetic shows defined 1980s funk.
Legal troubles, including drug addiction and 1998 imprisonment for assault, derailed his career. James attempted comebacks, including a 1997 TV reunion via Chappelle's Show. He died August 6, 2004, in Los Angeles from heart failure linked to health issues, at age 56.
Rick James grew up in Buffalo, playing in local bands as a teen, including jazz groups on drums and guitar. To avoid the Vietnam draft, he joined the U.S. Naval Reserve in 1964 but went AWOL, fleeing to Toronto where he formed The Mynah Birds with Neil Young and Bruce Palmer. The band signed with Motown, but James's desertion led to jail time after his return to the U.S.
After release, James wrote for Motown under a pseudonym and formed bands in California during the late 1960s and early 1970s. In 1977, back in Buffalo, he created the Stone City Band and signed with Motown's Gordy Records. His 1978 debut Come Get It! spawned R&B #1 "You and I" and "Mary Jane," establishing his "punk funk" sound.
James's 1981 album Street Songs was his biggest hit, featuring "Give It to Me Baby" and "Super Freak," which crossed over via funk, disco, rock, and new wave. He produced for Teena Marie, Smokey Robinson, and the Mary Jane Girls, with tracks like "Ebony Eyes" and "Party All the Time." His flamboyant style and energetic shows defined 1980s funk.
Legal troubles, including drug addiction and 1998 imprisonment for assault, derailed his career. James attempted comebacks, including a 1997 TV reunion via Chappelle's Show. He died August 6, 2004, in Los Angeles from heart failure linked to health issues, at age 56.
Rita Graham
Rita Graham is a renowned jazz, blues, and soul singer whose career has spanned several decades. She was born on October 16, 1949, near Charleston, Virginia, and later raised in Detroit, Michigan, where her father operated a barber shop and beauty parlor. This diverse background contributed to her rich musical upbringing and exposure to various genres of music.
Graham's significant break in her career came in 1969 when she was discovered by the legendary musician Ray Charles, who produced an album of lush standards for her, marking a pivotal moment in her journey as a jazz vocalist. Over the years, she has performed extensively throughout the United States and Europe, showcasing her powerful vocal abilities and captivating stage presence.
Her contributions to music have been recognized with numerous accolades, including multiple Grammy Awards. Graham is also honored as a member of the Rock & Roll Hall of Fame, solidifying her status as a significant figure in the realm of jazz and soul music.
Graham continues to inspire audiences with her dynamic performances and remains a respected artist in the music industry, demonstrating the enduring impact of her work and artistry.
Graham's significant break in her career came in 1969 when she was discovered by the legendary musician Ray Charles, who produced an album of lush standards for her, marking a pivotal moment in her journey as a jazz vocalist. Over the years, she has performed extensively throughout the United States and Europe, showcasing her powerful vocal abilities and captivating stage presence.
Her contributions to music have been recognized with numerous accolades, including multiple Grammy Awards. Graham is also honored as a member of the Rock & Roll Hall of Fame, solidifying her status as a significant figure in the realm of jazz and soul music.
Graham continues to inspire audiences with her dynamic performances and remains a respected artist in the music industry, demonstrating the enduring impact of her work and artistry.
Robert Knight
Robert Knight was an American soul singer renowned for his 1967 hit "Everlasting Love." Born Robert Henry Peebles in Franklin, Tennessee (sources vary between April 21, 1940, or April 24, 1945), he passed away on November 5, 2017, in Nashville at age 72 or 77.
Knight began performing with the Paramounts, a school quintet he formed in 1959, signing to Dot Records in 1960. Their 1961 single "Free Me" became a US R&B hit, outperforming Johnny Preston's version, but follow-ups flopped, leading to the group's breakup and a contract dispute that sidelined him for years.
While studying chemistry at Tennessee State University and singing with the Fairlanes trio, Knight was signed solo to Rising Sons Records in 1967 by Buzz Cason and Mac Gayden. "Everlasting Love" reached #13 on the US Pop chart and #14 R&B, launching his career despite later UK covers overshadowing it.
Knight scored minor US hits with "Blessed Are the Lonely" (#97 Pop, 1968) and "Isn't It Lonely Together" (#97 Pop, 1968). In the UK, "Love on a Mountain Top" hit #10 in 1974, with a reissued "Everlasting Love" at #19; he toured there successfully.
His studio albums included Everlasting Love (1967, #196 US Pop) and Love on a Mountain Top (1971, UK only).
Knight began performing with the Paramounts, a school quintet he formed in 1959, signing to Dot Records in 1960. Their 1961 single "Free Me" became a US R&B hit, outperforming Johnny Preston's version, but follow-ups flopped, leading to the group's breakup and a contract dispute that sidelined him for years.
While studying chemistry at Tennessee State University and singing with the Fairlanes trio, Knight was signed solo to Rising Sons Records in 1967 by Buzz Cason and Mac Gayden. "Everlasting Love" reached #13 on the US Pop chart and #14 R&B, launching his career despite later UK covers overshadowing it.
Knight scored minor US hits with "Blessed Are the Lonely" (#97 Pop, 1968) and "Isn't It Lonely Together" (#97 Pop, 1968). In the UK, "Love on a Mountain Top" hit #10 in 1974, with a reissued "Everlasting Love" at #19; he toured there successfully.
His studio albums included Everlasting Love (1967, #196 US Pop) and Love on a Mountain Top (1971, UK only).
Roberta Flack
Roberta Cleopatra Flack was born on February 10, 1937, in Black Mountain, North Carolina, and raised in Arlington, Virginia. A musical prodigy, she started playing piano at a young age, influenced by church spirituals, and earned a scholarship to Howard University at 15, graduating with a music education degree in 1958. She briefly taught school before pursuing performance.
Flack worked as a nightclub pianist and singer in Washington, D.C., where jazz musician Les McCann discovered her at Mr. Henry's club in 1968, leading to a deal with Atlantic Records. Her 1969 debut album First Take gained traction years later, but her 1972 breakthrough came with First Time Ever I Saw Your Face, which topped charts and won a Grammy.
In 1973, Flack released Killing Me Softly with His Song, another No. 1 hit and Grammy winner, cementing her in the Quiet Storm genre blending soul, jazz, folk, and pop. Other successes included "Feel Like Makin' Love" (1974, No. 1 hit), duets with Donny Hathaway like "The Closer I Get to You," and 15 albums total.
Flack received five Grammys, including a Lifetime Achievement Award in 2020, and an honorary doctorate from Howard. Diagnosed with ALS in 2022, she passed away on February 24, 2025, at age 88 from cardiac arrest while en route to a hospital in Manhattan.
Flack worked as a nightclub pianist and singer in Washington, D.C., where jazz musician Les McCann discovered her at Mr. Henry's club in 1968, leading to a deal with Atlantic Records. Her 1969 debut album First Take gained traction years later, but her 1972 breakthrough came with First Time Ever I Saw Your Face, which topped charts and won a Grammy.
In 1973, Flack released Killing Me Softly with His Song, another No. 1 hit and Grammy winner, cementing her in the Quiet Storm genre blending soul, jazz, folk, and pop. Other successes included "Feel Like Makin' Love" (1974, No. 1 hit), duets with Donny Hathaway like "The Closer I Get to You," and 15 albums total.
Flack received five Grammys, including a Lifetime Achievement Award in 2020, and an honorary doctorate from Howard. Diagnosed with ALS in 2022, she passed away on February 24, 2025, at age 88 from cardiac arrest while en route to a hospital in Manhattan.
Roberta Flack and Donny Hathaway
Roberta Flack was born on February 10, 1937, in Black Mountain, North Carolina, and raised in Arlington, Virginia, where she honed her musical talents in church. A prodigy, she began piano lessons at age nine and earned a full music scholarship to Howard University, graduating at 19 with degrees in music and English. She taught school while performing nights at D.C. clubs, until soul-jazz artist Les McCann discovered her at a 1968 benefit concert, leading to her Atlantic Records deal and debut album First Take (1969), featuring the hit "The First Time Ever I Saw Your Face". Flack scored massive hits like "Killing Me Softly with His Song" (1973), won multiple Grammys, and shaped the Quiet Storm genre with smooth, jazz-infused soul; she passed away at age 88.
Donny Hathaway, born October 1, 1945, in Chicago, Illinois, was a gifted singer, songwriter, pianist, and arranger who blended R&B, jazz, gospel, and soul. Raised by his grandmother in Chicago's gospel scene, he attended Howard University (overlapping with Flack), then joined Curtis Mayfield's Impressions as a songwriter before signing with Atlantic Records. His solo debut Everything Is Everything (1970) showcased his rich voice and orchestral style, with holiday staple "This Christmas"; hits like "A Song for You" followed, cementing his influence on 1970s soul.
Flack and Hathaway, both Howard alumni on Atlantic, teamed up at label head Jerry Wexler's suggestion, releasing the million-selling duet album Roberta Flack & Donny Hathaway (1972), anchored by the Grammy-winning "Where Is the Love". They reunited for "The Closer I Get to You" (No. 1 R&B, No. 2 pop in 1978) on Flack's Blue Lights in the Basement. Tragically, amid Hathaway's struggles with paranoid schizophrenia and depression, he died by suicide on January 13, 1979, after half-finishing their second duets album; Flack completed it as Roberta Flack Featuring Donny Hathaway (1980), yielding posthumous hits "Back Together Again" and "You Are My Heaven".
Rockie Robbins
Rockie Robbins, born Edward W. Robbins Jr. in Minneapolis, Minnesota, is an American soul singer active since 1979. He began singing in his teens with a group called the Mystics and later sent a demo to A&M Records, leading to his signing in 1979.
Robbins' self-titled debut album on A&M was arranged by Richard Evans and Johnny Pate, but its master tapes were erased in transit, requiring a re-recording. The lead single "Be Ever Wonderful," a cover of Earth, Wind & Fire's track, reached #67 on the US R&B chart in 1979.
His 1980 follow-up You and Me, produced by Bobby Martin, became his biggest success, peaking at #71 on the Billboard 200 and #19 on R&B charts, with the title track hitting #80 on Hot 100 and #9 on R&B. Later releases included I Believe in Love (1981, #30 R&B single), an unreleased 1983 A&M album, and a 1985 MCA self-titled effort featuring "Emergency" from the Beverly Hills Cop soundtrack.
After a hiatus, Robbins issued singles like "Serious" (1989, Respect/Profile), "Are You Ready" (1991, Debut), and "Be My Lady" (1992, High On Rhythm). In 2018, he signed with Expansion Records, releasing Good Life in 2019, with the single "Good Life/Let’s Groove" topping the UK Soul Chart.
Robbins' self-titled debut album on A&M was arranged by Richard Evans and Johnny Pate, but its master tapes were erased in transit, requiring a re-recording. The lead single "Be Ever Wonderful," a cover of Earth, Wind & Fire's track, reached #67 on the US R&B chart in 1979.
His 1980 follow-up You and Me, produced by Bobby Martin, became his biggest success, peaking at #71 on the Billboard 200 and #19 on R&B charts, with the title track hitting #80 on Hot 100 and #9 on R&B. Later releases included I Believe in Love (1981, #30 R&B single), an unreleased 1983 A&M album, and a 1985 MCA self-titled effort featuring "Emergency" from the Beverly Hills Cop soundtrack.
After a hiatus, Robbins issued singles like "Serious" (1989, Respect/Profile), "Are You Ready" (1991, Debut), and "Be My Lady" (1992, High On Rhythm). In 2018, he signed with Expansion Records, releasing Good Life in 2019, with the single "Good Life/Let’s Groove" topping the UK Soul Chart.
Ronnie Dyson
Ronnie Dyson was an American soul and R&B singer and actor best known for his role in the Broadway musical Hair and his 1970 hit single "(If You Let Me Make Love to You Then) Why Can't I Touch You?"
Born Ronald Dyson on June 5, 1950, in Washington, D.C., he grew up in Brooklyn, New York, singing in church choirs. At age 18, he landed a lead role in the 1968 Broadway production of Hair, delivering the iconic "Aquarius" vocal that defined the hippie era.
Dyson's recording breakthrough came in 1970 with "(If You Let Me Make Love to You Then) Why Can't I Touch You?" from the musical Salvation, peaking at No. 8 on the Billboard Hot 100 and No. 9 on the R&B chart. Follow-ups like "I Don't Wanna Cry" (No. 9 R&B) and 1973's Thom Bell-produced tracks "One Man Band (Plays All Alone)" (No. 28 Hot 100) and "Just Don't Want to Be Lonely" (No. 29 R&B) marked his soul success on Columbia and later Cotillion Records.
He appeared in the 1969 film Putney Swope and reprised Hair elements in the 1979 movie adaptation. In 1986, Dyson contributed vocals to "Nola" on Spike Lee's She's Gotta Have It soundtrack.
Health issues stalled his career in the late 1970s; his last R&B chart entry was 1983's "All Over Your Face," and his final solo single was 1990's "See The Clown." Dyson died on November 10, 1990, in Philadelphia at age 40.
Born Ronald Dyson on June 5, 1950, in Washington, D.C., he grew up in Brooklyn, New York, singing in church choirs. At age 18, he landed a lead role in the 1968 Broadway production of Hair, delivering the iconic "Aquarius" vocal that defined the hippie era.
Dyson's recording breakthrough came in 1970 with "(If You Let Me Make Love to You Then) Why Can't I Touch You?" from the musical Salvation, peaking at No. 8 on the Billboard Hot 100 and No. 9 on the R&B chart. Follow-ups like "I Don't Wanna Cry" (No. 9 R&B) and 1973's Thom Bell-produced tracks "One Man Band (Plays All Alone)" (No. 28 Hot 100) and "Just Don't Want to Be Lonely" (No. 29 R&B) marked his soul success on Columbia and later Cotillion Records.
He appeared in the 1969 film Putney Swope and reprised Hair elements in the 1979 movie adaptation. In 1986, Dyson contributed vocals to "Nola" on Spike Lee's She's Gotta Have It soundtrack.
Health issues stalled his career in the late 1970s; his last R&B chart entry was 1983's "All Over Your Face," and his final solo single was 1990's "See The Clown." Dyson died on November 10, 1990, in Philadelphia at age 40.
Ronnie Laws
Ronnie Laws is an American jazz, smooth jazz, and jazz-fusion saxophonist, singer, and composer born on October 3, 1950, in Houston, Texas. He is the younger brother of jazz flutist Hubert Laws and jazz vocalist Eloise Laws, and the older brother of Debra Laws, coming from a musical family as the fifth of eight children.
Laws began playing saxophone at age 11 and attended Stephen F. Austin State University in Nacogdoches, Texas, for two years. In 1971, he moved to Los Angeles to pursue music professionally.
He first performed with trumpeter Hugh Masekela, then joined Earth, Wind & Fire in 1972, contributing saxophone and flute to their album Last Days and Time. After 18 months, he went solo, releasing his debut album Pressure Sensitive in 1975 on Blue Note Records, which peaked at No. 25 on the Billboard Top Soul Albums chart.
Laws' 1976 album Fever reached No. 13 on the same chart, while 1977's Friends & Strangers hit No. 13 and earned gold certification from the RIAA. Follow-ups like Flame (1978, No. 16) and Every Generation (1980, No. 4) solidified his success in soul and jazz charts.
He worked extensively with family, including Hubert Laws' albums In the Beginning (1974) and others, and Debra Laws' Very Special (1981). Notable sessions include Ramsey Lewis, Sister Sledge, Deniece Williams, Jeff Lorber, and later Guru and Brian Culbertson.
Artists like Boney James and Norman Brown cite Laws as an influence for his soulful tenor sax sound in jazz-funk and smooth jazz. Active from the 1970s into the 2020s, he has over 20 albums, with charted singles like "Every Generation" (No. 12 R&B, 1980).
Laws began playing saxophone at age 11 and attended Stephen F. Austin State University in Nacogdoches, Texas, for two years. In 1971, he moved to Los Angeles to pursue music professionally.
He first performed with trumpeter Hugh Masekela, then joined Earth, Wind & Fire in 1972, contributing saxophone and flute to their album Last Days and Time. After 18 months, he went solo, releasing his debut album Pressure Sensitive in 1975 on Blue Note Records, which peaked at No. 25 on the Billboard Top Soul Albums chart.
Laws' 1976 album Fever reached No. 13 on the same chart, while 1977's Friends & Strangers hit No. 13 and earned gold certification from the RIAA. Follow-ups like Flame (1978, No. 16) and Every Generation (1980, No. 4) solidified his success in soul and jazz charts.
He worked extensively with family, including Hubert Laws' albums In the Beginning (1974) and others, and Debra Laws' Very Special (1981). Notable sessions include Ramsey Lewis, Sister Sledge, Deniece Williams, Jeff Lorber, and later Guru and Brian Culbertson.
Artists like Boney James and Norman Brown cite Laws as an influence for his soulful tenor sax sound in jazz-funk and smooth jazz. Active from the 1970s into the 2020s, he has over 20 albums, with charted singles like "Every Generation" (No. 12 R&B, 1980).
Ronnie McNeir
Ronnie McNeir is an acclaimed American soul singer, songwriter, keyboardist, and producer best known for his solo Motown-era work and long tenure with The Four Tops.
Born on December 14, 1949 (or 1951 per some sources), in Camden, Alabama, McNeir grew up in Pontiac, Michigan, immersing himself in Motown and jazz records. He taught himself piano and debuted with the 1967 single "Sitting in My Class" on De-To Records after winning a talent contest at age 17. A car accident in 1968 ended his basketball scholarship plans and shifted his focus fully to music.
McNeir moved to Los Angeles in 1971, recording his self-titled RCA debut album using Kim Weston's studio, where he pioneered synthesizer use in soul. He returned to Michigan, releasing hits like "I'm Your Lover" and "Sagittarius Affair" on Prodigal (1976) and Motown's Love's Comin' Down (1976), plus Starchild contributions. Later solo albums include The Ronnie McNeir Experience (Capitol, 1984) with "Come Be with Me," Love Suspect (1987), Life & Love (1989), and Down in the Neighborhood (1997).
Collaborations and Productions: He co-arranged Big Time (1977) with Smokey Robinson, produced "I Couldn't Believe It" for David Ruffin and Eddie Kendricks (1985, Billboard R&B hit), and earned a 1981 Grammy nomination for gospel work with Rance Allen. McNeir dueted with Teena Marie on "We've Got To Stop (Meeting Like This)" from her 1984 Starchild album.
Four Tops Tenure: Joining as keyboardist in the early 1990s, McNeir became musical director and vocalist, stepping in for Levi Stubbs in 1999; he remains a core member, touring actively. Recent solo releases include Ronnie Mac and Company (2007) and Living My Life (2011).
Born on December 14, 1949 (or 1951 per some sources), in Camden, Alabama, McNeir grew up in Pontiac, Michigan, immersing himself in Motown and jazz records. He taught himself piano and debuted with the 1967 single "Sitting in My Class" on De-To Records after winning a talent contest at age 17. A car accident in 1968 ended his basketball scholarship plans and shifted his focus fully to music.
McNeir moved to Los Angeles in 1971, recording his self-titled RCA debut album using Kim Weston's studio, where he pioneered synthesizer use in soul. He returned to Michigan, releasing hits like "I'm Your Lover" and "Sagittarius Affair" on Prodigal (1976) and Motown's Love's Comin' Down (1976), plus Starchild contributions. Later solo albums include The Ronnie McNeir Experience (Capitol, 1984) with "Come Be with Me," Love Suspect (1987), Life & Love (1989), and Down in the Neighborhood (1997).
Collaborations and Productions: He co-arranged Big Time (1977) with Smokey Robinson, produced "I Couldn't Believe It" for David Ruffin and Eddie Kendricks (1985, Billboard R&B hit), and earned a 1981 Grammy nomination for gospel work with Rance Allen. McNeir dueted with Teena Marie on "We've Got To Stop (Meeting Like This)" from her 1984 Starchild album.
Four Tops Tenure: Joining as keyboardist in the early 1990s, McNeir became musical director and vocalist, stepping in for Levi Stubbs in 1999; he remains a core member, touring actively. Recent solo releases include Ronnie Mac and Company (2007) and Living My Life (2011).
Roscoe Robinson
Roscoe Robinson is an American gospel and soul singer born on May 22, 1928, in Dermott, Arkansas, to a pastor father and a musical mother.
He grew up in a musical family, singing in church from childhood before moving to Gary, Indiana, in 1938. Robinson started his career in gospel music in 1946 with the Royal Quartet and soon joined groups like the Highway QCs, Kelly Brothers, Northfolk Singers, and Southern Sons, even temporarily replacing Sam Cooke.
In the 1950s, he recorded as a solo artist with Trumpet Records and performed with the Five Trumpets, Fairfield Four, Silver Quintet, Five Blind Boys of Mississippi (where he wrote "Somewhere There’s A God"), and Blind Boys of Alabama. He returned to gospel periodically, including with the Soul Stirrers in 1967 and later collaborations.
Robinson shifted to secular soul in the 1960s, releasing his first R&B single "What Makes A Man Do Wrong" in 1964 with Sound Stage Seven. Hits included "That's Enough" (Billboard R&B No. 7 in 1966), "How Much Pressure (Do You Think I Can Stand)," and "Do It Right Now" (R&B No. 40 in 1967). He later recorded with Atlantic Records, reaching No. 42 with "Ooh Wee Baby I Love You" in 1969.
Over 60+ years, he worked in major markets like Muscle Shoals and Chicago, produced for others, and earned honors like the 2022 Alabama Music Awards Lifetime Achievement and inductions into halls of fame. Now in his late 90s and residing in Birmingham, Alabama, he remains a "shout singer" blending gospel, soul, and funk.
He grew up in a musical family, singing in church from childhood before moving to Gary, Indiana, in 1938. Robinson started his career in gospel music in 1946 with the Royal Quartet and soon joined groups like the Highway QCs, Kelly Brothers, Northfolk Singers, and Southern Sons, even temporarily replacing Sam Cooke.
In the 1950s, he recorded as a solo artist with Trumpet Records and performed with the Five Trumpets, Fairfield Four, Silver Quintet, Five Blind Boys of Mississippi (where he wrote "Somewhere There’s A God"), and Blind Boys of Alabama. He returned to gospel periodically, including with the Soul Stirrers in 1967 and later collaborations.
Robinson shifted to secular soul in the 1960s, releasing his first R&B single "What Makes A Man Do Wrong" in 1964 with Sound Stage Seven. Hits included "That's Enough" (Billboard R&B No. 7 in 1966), "How Much Pressure (Do You Think I Can Stand)," and "Do It Right Now" (R&B No. 40 in 1967). He later recorded with Atlantic Records, reaching No. 42 with "Ooh Wee Baby I Love You" in 1969.
Over 60+ years, he worked in major markets like Muscle Shoals and Chicago, produced for others, and earned honors like the 2022 Alabama Music Awards Lifetime Achievement and inductions into halls of fame. Now in his late 90s and residing in Birmingham, Alabama, he remains a "shout singer" blending gospel, soul, and funk.
Rose Royce
Rose Royce is an American soul and R&B group formed in Los Angeles in the early 1970s, best known for their 1970s hits like "Car Wash" and "Wishing on a Star."
The group started as Total Concept Unlimited, with members from Watts and Inglewood backing bands uniting around 1970-1971. They toured Japan and England in 1973 with Edwin Starr, who introduced them to Motown producer Norman Whitfield. Whitfield signed them to his label, renamed them (initially Magic Wand, then Rose Royce), and added lead vocalist Gwen Dickey (stage name Rose Norwalt) after discovering her in Miami.
Key original members included Gwen Dickey (vocals), Kenny Copeland (trumpet/lead vocals), Lequient "Duke" Jobe (bass/vocals), Michael Moore (saxophone), Henry Garner (drums), Terral "Terry" Santiel (congas), Kenji Brown (guitar/lead vocals), Freddie Dunn (trumpet), and Victor Nix (keyboards).
Their 1976 debut album Car Wash (soundtrack tie-in) topped charts with the title track at No. 1 on Billboard's Hot Soul Singles. Follow-up albums like Rose Royce II: In Full Bloom (1977) yielded hits "I Wanna Get Next to You," "Do Your Dance," "Ooh Boy," plus "Wishing on a Star" and "Love Don't Live Here Anymore." They scored multiple Top 10 R&B and pop singles through 1979.
Gwen Dickey left in 1980; Ricci Benson replaced her for albums like Golden Touch (1980), with Lisa Taylor later succeeding Benson. The group continued recording into the 1980s and beyond, finding UK success, though never matching their peak. Dickey tours with her own Rose Royce version; the band persists with a changed lineup, performing regularly. Their songs have been covered by artists like Madonna and Beyoncé.
The group started as Total Concept Unlimited, with members from Watts and Inglewood backing bands uniting around 1970-1971. They toured Japan and England in 1973 with Edwin Starr, who introduced them to Motown producer Norman Whitfield. Whitfield signed them to his label, renamed them (initially Magic Wand, then Rose Royce), and added lead vocalist Gwen Dickey (stage name Rose Norwalt) after discovering her in Miami.
Key original members included Gwen Dickey (vocals), Kenny Copeland (trumpet/lead vocals), Lequient "Duke" Jobe (bass/vocals), Michael Moore (saxophone), Henry Garner (drums), Terral "Terry" Santiel (congas), Kenji Brown (guitar/lead vocals), Freddie Dunn (trumpet), and Victor Nix (keyboards).
Their 1976 debut album Car Wash (soundtrack tie-in) topped charts with the title track at No. 1 on Billboard's Hot Soul Singles. Follow-up albums like Rose Royce II: In Full Bloom (1977) yielded hits "I Wanna Get Next to You," "Do Your Dance," "Ooh Boy," plus "Wishing on a Star" and "Love Don't Live Here Anymore." They scored multiple Top 10 R&B and pop singles through 1979.
Gwen Dickey left in 1980; Ricci Benson replaced her for albums like Golden Touch (1980), with Lisa Taylor later succeeding Benson. The group continued recording into the 1980s and beyond, finding UK success, though never matching their peak. Dickey tours with her own Rose Royce version; the band persists with a changed lineup, performing regularly. Their songs have been covered by artists like Madonna and Beyoncé.
Roshell Anderson
Roshell Anderson, born Mike Anderson on September 16, 1952, in Bogalusa, Louisiana, was a soul/R&B singer and Milwaukee TV journalist.
Raised in New Orleans, he began his career in southern radio stations as an announcer and DJ before pursuing music.
Active in the 1970s–1990s, Anderson released deep soul tracks like "Know What You're Doing When You Leave" and "Snake Out of Green Grass" in 1973 under his stage name. His soul recordings remained relatively obscure.
He later became a Milwaukee Journal Sentinel reporter and TV news anchor, known professionally as Mike Anderson.
Anderson passed away around 2020, remembered for both his journalism and soul singing passion.
Raised in New Orleans, he began his career in southern radio stations as an announcer and DJ before pursuing music.
Active in the 1970s–1990s, Anderson released deep soul tracks like "Know What You're Doing When You Leave" and "Snake Out of Green Grass" in 1973 under his stage name. His soul recordings remained relatively obscure.
He later became a Milwaukee Journal Sentinel reporter and TV news anchor, known professionally as Mike Anderson.
Anderson passed away around 2020, remembered for both his journalism and soul singing passion.
Roy Ayers
Roy Edward Ayers Jr. was born on September 10, 1940, in Los Angeles, California, into a musically inclined family. His mother, Ruby Ayers, was a piano teacher, while his father, Roy Ayers, Sr., was a part-time musician. This familial background laid the foundation for Ayers' deep connection with music. By the age of five, he showcased his early talent, dancing energetically to music, which foreshadowed a promising career in the arts.
Ayers began his professional music career in the 1960s, gaining recognition as a vibraphonist, composer, and music producer. He is often referred to as the "Godfather of Neo-Soul" due to his significant influence on the genre. His musical style integrates elements of jazz, funk, and soul, allowing him to create a unique sound that resonated with a diverse audience.
His early work included collaborations and recordings with various artists, and he quickly gained a reputation within the jazz community. Throughout his career, Ayers has released numerous albums, showcasing his mastery of the vibraphone and his innovative approach to music-making.
Roy Ayers' impact on the music industry is profound. He has influenced countless artists across different genres, including hip-hop, where his tracks have been sampled extensively. His work is celebrated not just for its musical quality but also for its cultural significance, helping to bridge gaps between jazz, funk, and soul.
Ayers continued to perform and record well into his elder years, maintaining a vibrant presence in the music scene. His contributions have earned him accolades and a dedicated fanbase, affirming his status as one of the most important figures in contemporary music.
Information regarding his personal life is less documented, but his commitment to his craft and the arts has remained evident throughout his life. Roy Ayers passed away on March 4, 2025, leaving behind a rich legacy characterized by his innovative sound and enduring influence on generations of musicians.
The biography of Roy Ayers illustrates a life dedicated to music, marked by growth, influence, and a lasting impact on the genres he helped to shape.
Ayers began his professional music career in the 1960s, gaining recognition as a vibraphonist, composer, and music producer. He is often referred to as the "Godfather of Neo-Soul" due to his significant influence on the genre. His musical style integrates elements of jazz, funk, and soul, allowing him to create a unique sound that resonated with a diverse audience.
His early work included collaborations and recordings with various artists, and he quickly gained a reputation within the jazz community. Throughout his career, Ayers has released numerous albums, showcasing his mastery of the vibraphone and his innovative approach to music-making.
Roy Ayers' impact on the music industry is profound. He has influenced countless artists across different genres, including hip-hop, where his tracks have been sampled extensively. His work is celebrated not just for its musical quality but also for its cultural significance, helping to bridge gaps between jazz, funk, and soul.
Ayers continued to perform and record well into his elder years, maintaining a vibrant presence in the music scene. His contributions have earned him accolades and a dedicated fanbase, affirming his status as one of the most important figures in contemporary music.
Information regarding his personal life is less documented, but his commitment to his craft and the arts has remained evident throughout his life. Roy Ayers passed away on March 4, 2025, leaving behind a rich legacy characterized by his innovative sound and enduring influence on generations of musicians.
The biography of Roy Ayers illustrates a life dedicated to music, marked by growth, influence, and a lasting impact on the genres he helped to shape.
Roy Ayers and Wayne Henderson
Roy Ayers was an American vibraphonist, singer, composer, and producer known for pioneering jazz-funk. Born Roy Edward Ayers Jr. on September 10, 1940, in Los Angeles, California, he started as a post-bop jazz artist in the 1960s, releasing his debut album West Coast Vibes in 1963 with saxophonist Curtis Amy. He gained fame in the 1970s with Polydor Records hits like "Running Away" from Lifeline (1977) and soundtracks such as Coffy (1973), blending jazz, funk, and soul; he collaborated notably with Wayne Henderson on albums in 1978 and 1980. Ayers passed away on March 4, 2025.
Wayne Henderson was an American jazz trombonist, composer, and producer, best known as a co-founder of The Jazz Crusaders. Born Wayne Maurice Henderson on September 24, 1939, in Houston, Texas's Fifth Ward, he formed the group in 1961 with childhood friends Joe Sample, Wilton Felder, and Stix Hooper after moving to Los Angeles in 1958. The band evolved from hard bop to soul jazz and fusion, shortening to The Crusaders in 1971 and achieving commercial success with albums charting on Billboard; Henderson left in 1975 (or 1976) to focus on production for artists like Ronnie Laws and Rebbie Jackson. He revived The Jazz Crusaders in 1995 and died on April 5, 2014.
Wayne Henderson was an American jazz trombonist, composer, and producer, best known as a co-founder of The Jazz Crusaders. Born Wayne Maurice Henderson on September 24, 1939, in Houston, Texas's Fifth Ward, he formed the group in 1961 with childhood friends Joe Sample, Wilton Felder, and Stix Hooper after moving to Los Angeles in 1958. The band evolved from hard bop to soul jazz and fusion, shortening to The Crusaders in 1971 and achieving commercial success with albums charting on Billboard; Henderson left in 1975 (or 1976) to focus on production for artists like Ronnie Laws and Rebbie Jackson. He revived The Jazz Crusaders in 1995 and died on April 5, 2014.
Roy C
Roy C, born Roy Charles Hammond, was a pioneering southern soul singer, songwriter, and record executive best known for his 1965 hit "Shotgun Wedding." His career spanned over five decades, marked by bold, provocative lyrics and a lasting influence on hip-hop through sampled tracks like "Impeach the President."
Roy Charles Hammond was born on August 3, 1939, in Newington, Georgia. He moved to Long Island, New York, at age 17 and initially pursued boxing before turning to music. He sang tenor with the doo-wop group The Genies, contributing to their 1958 single "Who's That Knockin'," which hit number 72 on the Billboard Hot 100.
After military service in the Air Force, Hammond launched his solo career as Roy C. His breakthrough came with "Shotgun Wedding" on the Shout label, a top 20 R&B hit that was especially popular in the UK for its cheeky take on teen pregnancy. He followed with labels like Alaga and Mercury, scoring minor R&B successes such as "Got To Get Enough (Of Your Sweet Love Stuff)" in 1971 and "Don't Blame The Man."
From 1979, Roy C released over 125 records on his Three Gems label, based first in New York and later in Allendale, South Carolina, where he also ran a record shop. Albums like Sex and Soul and tracks such as "Infidelity, Georgia" (aka "Saved By the Bell") became underground party staples, often addressing social and political themes that clashed with major labels. He produced for artists like Dennis Edwards and influenced hip-hop via the Honey Drippers' drum break in "Impeach the President."
Roy C passed away on September 16, 2020, at age 81. His independent spirit and raw southern soul style left a devoted following, especially among Southern transplants, despite lacking mainstream R&B dominance.
Roy Charles Hammond was born on August 3, 1939, in Newington, Georgia. He moved to Long Island, New York, at age 17 and initially pursued boxing before turning to music. He sang tenor with the doo-wop group The Genies, contributing to their 1958 single "Who's That Knockin'," which hit number 72 on the Billboard Hot 100.
After military service in the Air Force, Hammond launched his solo career as Roy C. His breakthrough came with "Shotgun Wedding" on the Shout label, a top 20 R&B hit that was especially popular in the UK for its cheeky take on teen pregnancy. He followed with labels like Alaga and Mercury, scoring minor R&B successes such as "Got To Get Enough (Of Your Sweet Love Stuff)" in 1971 and "Don't Blame The Man."
From 1979, Roy C released over 125 records on his Three Gems label, based first in New York and later in Allendale, South Carolina, where he also ran a record shop. Albums like Sex and Soul and tracks such as "Infidelity, Georgia" (aka "Saved By the Bell") became underground party staples, often addressing social and political themes that clashed with major labels. He produced for artists like Dennis Edwards and influenced hip-hop via the Honey Drippers' drum break in "Impeach the President."
Roy C passed away on September 16, 2020, at age 81. His independent spirit and raw southern soul style left a devoted following, especially among Southern transplants, despite lacking mainstream R&B dominance.
Ruby Turner
Francella Ruby Turner MBE is a British Jamaican R&B and soul singer, songwriter, and actress born on June 22, 1958, in Montego Bay, Jamaica. She moved to Birmingham, England, at age nine and began her career in theatre at 16 before transitioning to music.
Turner gained early recognition singing with blues legend Alexis Korner and as a backing vocalist for Culture Club on their album From Luxury to Heartache, which led to her solo deal with Jive Records. Her debut album, Women Hold Up Half the Sky (1986), earned critical acclaim with hits like "If You're Ready (Come Go with Me)" and "I'd Rather Go Blind".
She topped the US Billboard R&B chart in 1990 with "It's Gonna Be Alright," one of few British records to do so, and released The Motown Songbook featuring collaborations with The Four Tops, The Temptations, and Jimmy Ruffin. Over 40 years, she has issued 17 albums, contributed to tracks by Bryan Ferry, UB40, Steve Winwood, Jools Holland, and Mick Jagger, and become a staple in Jools Holland's Rhythm & Blues Orchestra.
Turner continues performing live, including with Jools Holland for nearly 30 years, and remains active in soul, gospel, and R&B scenes as of 2024.
Turner gained early recognition singing with blues legend Alexis Korner and as a backing vocalist for Culture Club on their album From Luxury to Heartache, which led to her solo deal with Jive Records. Her debut album, Women Hold Up Half the Sky (1986), earned critical acclaim with hits like "If You're Ready (Come Go with Me)" and "I'd Rather Go Blind".
She topped the US Billboard R&B chart in 1990 with "It's Gonna Be Alright," one of few British records to do so, and released The Motown Songbook featuring collaborations with The Four Tops, The Temptations, and Jimmy Ruffin. Over 40 years, she has issued 17 albums, contributed to tracks by Bryan Ferry, UB40, Steve Winwood, Jools Holland, and Mick Jagger, and become a staple in Jools Holland's Rhythm & Blues Orchestra.
Turner continues performing live, including with Jools Holland for nearly 30 years, and remains active in soul, gospel, and R&B scenes as of 2024.
Ruby Winters
Ruby Winters (born Ruby Forehand; January 18, 1942 – August 7, 2016) was an American soul singer best known for her emotive vocal style and her 1977 UK hit "I Will". Born in Louisville, Kentucky, to Lucille Inez Bradshaw and Charles Forehand, Jr., she was raised in Cincinnati, Ohio. Winters became a wife and mother at age 16, which was the same age she began her professional singing career. By 1966, she was performing with the Charlie Daniels band. She initially recorded in Nashville and had her first minor hit in 1967 with "Make Love to Me," a duet with Johnny Thunder. Other top 20 R&B hits in 1969 included "I Don't Want to Cry" and "Guess Who".
Winters continued recording for various labels like Polydor and Playboy throughout the early 1970s. Just as her career in the U.S. was fading, her cover of the standard "I Will" became a massive success in the UK, reaching number 4 on the singles chart. Following "I Will," she achieved further UK success with tracks such as "Come to Me," "Baby Lay Down," and "I Won't Mention It Again".
She was married to George Yates and later to William Jenkins, with whom she had five children. She died at age 74 on August 7, 2016, in Missouri City, Texas.
Posthumous collections of her work continue to be released, including Ruby's Diamonds (2024) and Her Best (February 2025).
Winters continued recording for various labels like Polydor and Playboy throughout the early 1970s. Just as her career in the U.S. was fading, her cover of the standard "I Will" became a massive success in the UK, reaching number 4 on the singles chart. Following "I Will," she achieved further UK success with tracks such as "Come to Me," "Baby Lay Down," and "I Won't Mention It Again".
She was married to George Yates and later to William Jenkins, with whom she had five children. She died at age 74 on August 7, 2016, in Missouri City, Texas.
Posthumous collections of her work continue to be released, including Ruby's Diamonds (2024) and Her Best (February 2025).
Rufus Thomas
Rufus Thomas (1917-2001) was a beloved American R&B/soul singer, songwriter, comedian, and pioneering Memphis DJ, famous for hits like "Walking the Dog" and "Do the Funky Chicken," but equally known for his role as a mentor to many musicians and as the patriarch of a musical family (with daughter Carla Thomas), embodying the spirit of Memphis music from the Sun Records era through Stax Records' heyday. Known as the "World's Oldest Teenager," he started in minstrel shows, became a local star, then a radio personality at WDIA, and finally achieved national fame in his 40s and 50s with dance-focused hits.
Thomas began his career in the 1930s as a tap dancer, vaudeville performer, and master of ceremonies. His early experiences included performing as a comedian with the Rabbit Foot Minstrels, which helped him hone his skills in entertainment. By the 1940s, he had transitioned into recording music, showcasing his talents as a singer and dancer, as well as a comedian and radio DJ on station WDIA, one of the first radio stations to play African American music.
Throughout his career, Rufus Thomas became known for a wide array of musical styles, including soul, blues, and southern funk. He recorded numerous hits and is often credited with being one of the key figures in the development of Memphis Soul music. His infectious energy and charismatic performances made him a beloved figure in the music scene.
Thomas's legacy as a singer and entertainer was marked by his assertion that he was "the only one of its kind," reflecting his unique contributions to Memphis music over a span of four decades. He continued to perform and influence new generations of artists until his passing on December 15, 2001.
Overall, Rufus Thomas's enduring impact on the music industry and his multifaceted talents have secured his place as a legendary figure in American culture.
Thomas began his career in the 1930s as a tap dancer, vaudeville performer, and master of ceremonies. His early experiences included performing as a comedian with the Rabbit Foot Minstrels, which helped him hone his skills in entertainment. By the 1940s, he had transitioned into recording music, showcasing his talents as a singer and dancer, as well as a comedian and radio DJ on station WDIA, one of the first radio stations to play African American music.
Throughout his career, Rufus Thomas became known for a wide array of musical styles, including soul, blues, and southern funk. He recorded numerous hits and is often credited with being one of the key figures in the development of Memphis Soul music. His infectious energy and charismatic performances made him a beloved figure in the music scene.
Thomas's legacy as a singer and entertainer was marked by his assertion that he was "the only one of its kind," reflecting his unique contributions to Memphis music over a span of four decades. He continued to perform and influence new generations of artists until his passing on December 15, 2001.
Overall, Rufus Thomas's enduring impact on the music industry and his multifaceted talents have secured his place as a legendary figure in American culture.
Ruth Brown
Ruth Brown was a pioneering R&B singer known as the "Queen of R&B" and "Miss Rhythm" for her emotive voice and string of 1950s hits with Atlantic Records. She dominated the charts and helped build the label into a powerhouse, often called "The House That Ruth Built."
Ruth Alston Weston was born on January 12, 1928, in Portsmouth, Virginia, the eldest of seven children in a musical family. Her father directed a church choir and discouraged secular music, but she drew inspiration from Sarah Vaughan and Billie Holiday, singing in clubs by her late teens. At 17, she ran away with trumpeter Jimmy Brown—adopting his surname after a brief marriage—and performed in bars before briefly joining Lucky Millinder's orchestra.
After a 1948 car accident left her hospitalized for months, Brown recovered and signed with Atlantic Records in 1949, backed by influencers like Blanche Calloway and Willis Conover. Her debut "So Long" hit No. 4 on R&B charts, followed by her signature "Teardrops from My Eyes" in 1950, which topped Billboard's R&B list for 11 weeks and earned her the "tear in her voice" nickname for its emotional high notes. Hits like "(Mama) He Treats Your Daughter Mean," "5-10-15 Hours," and duets with Clyde McPhatter solidified her as Atlantic's first major star through the 1950s.
Brown left Atlantic in the early 1960s amid royalty disputes, facing financial hardship; she drove a bus, cleaned houses, and raised two sons while surviving four marriages. Her comeback began in the 1970s with acting in TV, film, and stage, including a Tony Award for Black and Blue in 1989 and a 1990 Grammy for Best Jazz Vocal. She advocated for musicians' rights, recovered unpaid royalties, and continued recording and touring into the 2000s.
Ruth Brown died on November 17, 2006, in Las Vegas from complications of a stroke and heart attack at age 78. She was inducted into halls of fame including Rock and Roll (1990) and Blues (1994), and her 1995 autobiography Miss Rhythm won acclaim.
Ruth Alston Weston was born on January 12, 1928, in Portsmouth, Virginia, the eldest of seven children in a musical family. Her father directed a church choir and discouraged secular music, but she drew inspiration from Sarah Vaughan and Billie Holiday, singing in clubs by her late teens. At 17, she ran away with trumpeter Jimmy Brown—adopting his surname after a brief marriage—and performed in bars before briefly joining Lucky Millinder's orchestra.
After a 1948 car accident left her hospitalized for months, Brown recovered and signed with Atlantic Records in 1949, backed by influencers like Blanche Calloway and Willis Conover. Her debut "So Long" hit No. 4 on R&B charts, followed by her signature "Teardrops from My Eyes" in 1950, which topped Billboard's R&B list for 11 weeks and earned her the "tear in her voice" nickname for its emotional high notes. Hits like "(Mama) He Treats Your Daughter Mean," "5-10-15 Hours," and duets with Clyde McPhatter solidified her as Atlantic's first major star through the 1950s.
Brown left Atlantic in the early 1960s amid royalty disputes, facing financial hardship; she drove a bus, cleaned houses, and raised two sons while surviving four marriages. Her comeback began in the 1970s with acting in TV, film, and stage, including a Tony Award for Black and Blue in 1989 and a 1990 Grammy for Best Jazz Vocal. She advocated for musicians' rights, recovered unpaid royalties, and continued recording and touring into the 2000s.
Ruth Brown died on November 17, 2006, in Las Vegas from complications of a stroke and heart attack at age 78. She was inducted into halls of fame including Rock and Roll (1990) and Blues (1994), and her 1995 autobiography Miss Rhythm won acclaim.
S.O.U.L.
Sounds Of Unity and Love (S.O.U.L.) was an influential jazz/funk band established in 1970 in Cleveland, Ohio. The group was composed of talented musicians including Lee Lovett, who played bass, Gus Hawkins on saxophone and flute, and Paul Stubblefield on drums, among others. The band's name, S.O.U.L., reflects their mission to unify audiences through their music, which often combined elements of jazz and funk to create a unique sound that resonated with themes of love and unity.
S.O.U.L. quickly gained recognition after entering a local talent show, where they won first prize, leading them to secure a record deal with Musicor Records. They went on to record two albums that have since become highly sought after by collectors, showcasing their distinct style rooted in emotional expression and socially conscious themes.
The music produced by S.O.U.L. is representative of the broader genre known as soul, which is characterized by its emotional urgency and connection to African American musical traditions.
The members; Larry Hancock, Lee Lovett, Gus Hawkins, Paul Stubblefield and Bernard Taylor had all been performing locally before they got together to form S.O.U.L.
Their first single for Musicor "Down In The Ghetto" came out in 1971 and did well enough for the label to invest more time and money in them.
Another seven singles came out between ´71-74 on the Musicor label. The group cut one record for the Dynamo label as well (a Subsidiary of Musicor records) in 1975 before going their separate ways.
S.O.U.L. quickly gained recognition after entering a local talent show, where they won first prize, leading them to secure a record deal with Musicor Records. They went on to record two albums that have since become highly sought after by collectors, showcasing their distinct style rooted in emotional expression and socially conscious themes.
The music produced by S.O.U.L. is representative of the broader genre known as soul, which is characterized by its emotional urgency and connection to African American musical traditions.
The members; Larry Hancock, Lee Lovett, Gus Hawkins, Paul Stubblefield and Bernard Taylor had all been performing locally before they got together to form S.O.U.L.
Their first single for Musicor "Down In The Ghetto" came out in 1971 and did well enough for the label to invest more time and money in them.
Another seven singles came out between ´71-74 on the Musicor label. The group cut one record for the Dynamo label as well (a Subsidiary of Musicor records) in 1975 before going their separate ways.
Sadao Watanabe
Sadao Watanabe is a distinguished Japanese jazz musician, widely recognized for his contributions as an alto saxophonist and sopranino saxophonist. He was born on February 1, 1933, in Utsunomiya, Tochigi Prefecture, Japan. Watanabe's musical journey began at the age of 18, after which he started performing professionally in 1953, quickly establishing himself as a prominent figure in the jazz scene.
Watanabe’s early musical education was largely self-directed. He initially began playing the clarinet in his teenage years before transitioning to the alto saxophone. His first professional engagements involved playing dance music for American occupation forces in Japan following World War II, which helped him gain exposure and experience in the performing arts.
In pursuit of further musical development, Watanabe moved to Tokyo after graduating from high school and later relocated to Boston in 1962 to study at the prestigious Berklee College of Music. His time in Boston contributed significantly to his musical growth, allowing him to absorb diverse musical styles and techniques that would influence his career.
Throughout his career, Watanabe has been a major influence in the jazz genre, particularly in Japan, and has achieved recognition both domestically and internationally. His ability to blend traditional Japanese music elements with jazz has distinguished his sound and earned him a respected position among jazz musicians worldwide.
As of now, Sadao Watanabe remains an active and influential figure in jazz, continuing to inspire new generations of musicians through his innovative approach to music. Information is missing on specific albums or notable collaborations that further illustrate his contributions to jazz music.
Watanabe’s early musical education was largely self-directed. He initially began playing the clarinet in his teenage years before transitioning to the alto saxophone. His first professional engagements involved playing dance music for American occupation forces in Japan following World War II, which helped him gain exposure and experience in the performing arts.
In pursuit of further musical development, Watanabe moved to Tokyo after graduating from high school and later relocated to Boston in 1962 to study at the prestigious Berklee College of Music. His time in Boston contributed significantly to his musical growth, allowing him to absorb diverse musical styles and techniques that would influence his career.
Throughout his career, Watanabe has been a major influence in the jazz genre, particularly in Japan, and has achieved recognition both domestically and internationally. His ability to blend traditional Japanese music elements with jazz has distinguished his sound and earned him a respected position among jazz musicians worldwide.
As of now, Sadao Watanabe remains an active and influential figure in jazz, continuing to inspire new generations of musicians through his innovative approach to music. Information is missing on specific albums or notable collaborations that further illustrate his contributions to jazz music.
Sade
Sade, born Helen Folasade Adu on January 16, 1959, in Ibadan, Nigeria, has a rich cultural background that informs her musical artistry. Her father was a Nigerian economics professor, and her mother was an English nurse. When she was four years old, Sade moved to England with her mother, where she would spend her formative years.
She attended Saint Martin's School of Art in London, where she studied fashion design. This artistic background contributed to her distinctive style, both in music and visual presentation. Early in her career, Sade worked as a fashion designer and began performing with a band called Pride, where she honed her vocal skills and stage presence.
Sade's breakthrough came in the early 1980s when she formed the band Sade and released their debut album, "Diamond Life," in 1984. The album was a commercial success, featuring hits like "Smooth Operator" and "Your Love Is King." Sade's unique sound, characterized by a blend of soul, funk, jazz, and Afro-Cuban rhythms, quickly garnered critical acclaim and a dedicated fanbase.
Throughout her career, Sade has released several successful albums, including "Promise" (1985), "Stronger Than Pride" (1988), "Love Deluxe" (1992), and "Soldier of Love" (2010). Her work has earned numerous awards, including Grammy Awards, solidifying her status as a prominent figure in contemporary music.
She is known for her sultry voice and sophisticated compositions, which often explore themes of love and emotional depth. Her music has influenced numerous artists across various genres, establishing her as a seminal figure in the realms of soul and jazz.
She has generally maintained a low profile regarding her personal life. She has a daughter, Ila Adu, from her relationship with Spanish filmmaker Carlos Scola, and has also been involved in other relationships over the years. Known for her strong sense of privacy, she often separates her personal life from her professional persona.
Sade's influence on music continues to resonate. With her distinctive sound and artistic vision, she has remained relevant and respected within the music industry for decades, and she is celebrated for her ability to connect with audiences through her emotive performances.
Overall, Sade's biography reflects a journey of artistic evolution, cultural fusion, and the enduring power of music to transcend boundaries.
She attended Saint Martin's School of Art in London, where she studied fashion design. This artistic background contributed to her distinctive style, both in music and visual presentation. Early in her career, Sade worked as a fashion designer and began performing with a band called Pride, where she honed her vocal skills and stage presence.
Sade's breakthrough came in the early 1980s when she formed the band Sade and released their debut album, "Diamond Life," in 1984. The album was a commercial success, featuring hits like "Smooth Operator" and "Your Love Is King." Sade's unique sound, characterized by a blend of soul, funk, jazz, and Afro-Cuban rhythms, quickly garnered critical acclaim and a dedicated fanbase.
Throughout her career, Sade has released several successful albums, including "Promise" (1985), "Stronger Than Pride" (1988), "Love Deluxe" (1992), and "Soldier of Love" (2010). Her work has earned numerous awards, including Grammy Awards, solidifying her status as a prominent figure in contemporary music.
She is known for her sultry voice and sophisticated compositions, which often explore themes of love and emotional depth. Her music has influenced numerous artists across various genres, establishing her as a seminal figure in the realms of soul and jazz.
She has generally maintained a low profile regarding her personal life. She has a daughter, Ila Adu, from her relationship with Spanish filmmaker Carlos Scola, and has also been involved in other relationships over the years. Known for her strong sense of privacy, she often separates her personal life from her professional persona.
Sade's influence on music continues to resonate. With her distinctive sound and artistic vision, she has remained relevant and respected within the music industry for decades, and she is celebrated for her ability to connect with audiences through her emotive performances.
Overall, Sade's biography reflects a journey of artistic evolution, cultural fusion, and the enduring power of music to transcend boundaries.
Sam and Dave
Sam & Dave were a pioneering American soul and R&B duo known for their high-energy, gospel-infused performances that bridged Black church traditions with mainstream pop music.
Sam Moore (tenor, born Samuel David Hicks on October 12, 1935, in Miami, Florida; died January 2025 in Coral Gables, Florida) and Dave Prater (baritone/tenor, born May 9, 1937, in Ocilla, Georgia; died April 9, 1988, near Sycamore, Georgia) met on the gospel circuit and in Miami clubs around 1961. They first sang together at the King of Hearts nightclub, quickly developing a call-and-response style, and were signed by producer Steve Alaimo to Marlin Records after he spotted them performing.
In 1965, Atlantic Records paired them with Stax Records in Memphis, where producers Isaac Hayes and David Porter crafted their hits alongside Booker T. & the M.G.'s. Key tracks from 1965–1968 include "You Don't Know Like I Know," "Hold On, I'm Comin'," "Soul Man" (their biggest hit, peaking at No. 2 on the pop chart in 1967), "I Thank You," and "When Something Is Wrong with My Baby." They earned nicknames like "Double Dynamite," "Sultans of Sweat," and "Dynamic Duo" for their sweaty, electrifying live shows.
Inducted into the Rock & Roll Hall of Fame, they were hailed as the most successful soul duo ever, influencing artists like Bruce Springsteen, Al Green, Tom Petty, Michael Jackson, and the Blues Brothers, who covered "Soul Man" and emulated their act. They placed 10 straight singles in the R&B Top 20.
The duo split in 1970 amid personal tensions but reunited sporadically until 1981. Despite their onstage chemistry, Moore and Prater reportedly seldom spoke offstage.
Sam Moore (tenor, born Samuel David Hicks on October 12, 1935, in Miami, Florida; died January 2025 in Coral Gables, Florida) and Dave Prater (baritone/tenor, born May 9, 1937, in Ocilla, Georgia; died April 9, 1988, near Sycamore, Georgia) met on the gospel circuit and in Miami clubs around 1961. They first sang together at the King of Hearts nightclub, quickly developing a call-and-response style, and were signed by producer Steve Alaimo to Marlin Records after he spotted them performing.
In 1965, Atlantic Records paired them with Stax Records in Memphis, where producers Isaac Hayes and David Porter crafted their hits alongside Booker T. & the M.G.'s. Key tracks from 1965–1968 include "You Don't Know Like I Know," "Hold On, I'm Comin'," "Soul Man" (their biggest hit, peaking at No. 2 on the pop chart in 1967), "I Thank You," and "When Something Is Wrong with My Baby." They earned nicknames like "Double Dynamite," "Sultans of Sweat," and "Dynamic Duo" for their sweaty, electrifying live shows.
Inducted into the Rock & Roll Hall of Fame, they were hailed as the most successful soul duo ever, influencing artists like Bruce Springsteen, Al Green, Tom Petty, Michael Jackson, and the Blues Brothers, who covered "Soul Man" and emulated their act. They placed 10 straight singles in the R&B Top 20.
The duo split in 1970 amid personal tensions but reunited sporadically until 1981. Despite their onstage chemistry, Moore and Prater reportedly seldom spoke offstage.
Sam Cooke
Sam Cooke was a pioneering American singer, songwriter, and entrepreneur known as the "King of Soul" for bridging gospel and pop music. Born Samuel Cook on January 22, 1931, in Clarksdale, Mississippi, he rose to fame with hits like "You Send Me" and "A Change Is Gonna Come" before his death at age 33.
Cooke was one of eight children born to Reverend Charles Cook Sr., a Baptist minister, and Annie May Cooke. His family moved to Chicago in 1933, where he sang in church from age six and joined youth gospel groups like the Singing Children and Highway Q.C.'s by his early teens.
At 19, Cooke became lead singer of the Soul Stirrers, recording gospel classics like "Jesus Gave Me Water." Transitioning to secular music in 1956 under the pseudonym Dale Cooke, he scored his breakthrough hit "You Send Me" in 1957, followed by "Wonderful World," "Chain Gang," and "Twistin' the Night Away." He founded SAR Records and KRC Publishing, influencing soul music's development.
He married Dolores Mohawk in 1953 (she died in 1957) and Barbara Campbell in 1959; they had three children, including daughter Linda. On December 11, 1964, he was fatally shot at 33 by a motel manager in Los Angeles under disputed circumstances ruled justifiable homicide.
Cooke's smooth tenor and compositions shaped artists like Smokey Robinson and Michael Jackson. Posthumously inducted into the Rock and Roll Hall of Fame (1986), Songwriters Hall of Fame (1987), and awarded a Grammy Lifetime Achievement (1999).
Cooke was one of eight children born to Reverend Charles Cook Sr., a Baptist minister, and Annie May Cooke. His family moved to Chicago in 1933, where he sang in church from age six and joined youth gospel groups like the Singing Children and Highway Q.C.'s by his early teens.
At 19, Cooke became lead singer of the Soul Stirrers, recording gospel classics like "Jesus Gave Me Water." Transitioning to secular music in 1956 under the pseudonym Dale Cooke, he scored his breakthrough hit "You Send Me" in 1957, followed by "Wonderful World," "Chain Gang," and "Twistin' the Night Away." He founded SAR Records and KRC Publishing, influencing soul music's development.
He married Dolores Mohawk in 1953 (she died in 1957) and Barbara Campbell in 1959; they had three children, including daughter Linda. On December 11, 1964, he was fatally shot at 33 by a motel manager in Los Angeles under disputed circumstances ruled justifiable homicide.
Cooke's smooth tenor and compositions shaped artists like Smokey Robinson and Michael Jackson. Posthumously inducted into the Rock and Roll Hall of Fame (1986), Songwriters Hall of Fame (1987), and awarded a Grammy Lifetime Achievement (1999).
Sam Dees
Sam Dees is an accomplished American soul singer, songwriter, and record producer, born on December 17, 1945, in Birmingham, Alabama. He has had a significant impact on the music industry from the 1970s to the 1990s, releasing numerous albums and songs that have contributed to his reputation as a prolific artist.
In addition to his solo work, Dees has written or co-written many hit songs for other artists, including the R&B group Atlantic Starr, showcasing his versatility and talent in crafting memorable music. He is also known for owning his record label, Pen Pad Records, which further highlights his multifaceted career in the music industry.
Dees' journey in music began early; by the age of nine, he was already a champion in several singing contests and had formed his own vocal group, the Bossanovians, demonstrating his passion for music from a young age. His enduring legacy continues to influence both aspiring and established artists in the soul and R&B genres.
In addition to his solo work, Dees has written or co-written many hit songs for other artists, including the R&B group Atlantic Starr, showcasing his versatility and talent in crafting memorable music. He is also known for owning his record label, Pen Pad Records, which further highlights his multifaceted career in the music industry.
Dees' journey in music began early; by the age of nine, he was already a champion in several singing contests and had formed his own vocal group, the Bossanovians, demonstrating his passion for music from a young age. His enduring legacy continues to influence both aspiring and established artists in the soul and R&B genres.
Sam Fletcher
Sam Fletcher (born Ira Levi Fletcher) was an American pop and soul singer active during the late 1950s and 1960s, widely recognized as "The Man with the Golden Voice".
Born on January 15, 1933 (some sources say 1934), in rural Tennessee, he began his recording career in 1958 on the Metro label. His big baritone voice drew immediate comparisons to legendary vocalists like Roy Hamilton and Al Hibbler.
After moving to New York City, he became a fixture in Manhattan's elite supper clubs and jazz spots. He gained national fame through 1960s television appearances on shows hosted by Dinah Shore and Della Reese.
His biggest hit, "I Believe in You," was released in 1961 for RCA Victor. He was frequently hailed as "the next Nat King Cole" due to his sophisticated style.
His professional momentum came to a sudden halt in December 1967 when he was arrested in Los Angeles on narcotics charges. The arrest shocked fans and led to a long public battle with addiction, though he eventually sought rehabilitation.
Fletcher transitioned into a second career as a teacher for the Los Angeles Unified School District. He made occasional public appearances, notably performing at Muhammad Ali's wedding to Veronica Porche in 1977.
He passed away in Los Angeles on April 25, 1989 (though some earlier sources incorrectly state 1984) and was buried with military honors at Memphis National Cemetery.
Discography Highlights:
I Believe In You (1961) – Signature single.
I'd Think It Over (1964) – Released on the Tollie label, it later became a staple of the British Northern soul scene.
The Look of Love – The Sound of Soul (1967) – His second studio album, featuring jazz standards.
Born on January 15, 1933 (some sources say 1934), in rural Tennessee, he began his recording career in 1958 on the Metro label. His big baritone voice drew immediate comparisons to legendary vocalists like Roy Hamilton and Al Hibbler.
After moving to New York City, he became a fixture in Manhattan's elite supper clubs and jazz spots. He gained national fame through 1960s television appearances on shows hosted by Dinah Shore and Della Reese.
His biggest hit, "I Believe in You," was released in 1961 for RCA Victor. He was frequently hailed as "the next Nat King Cole" due to his sophisticated style.
His professional momentum came to a sudden halt in December 1967 when he was arrested in Los Angeles on narcotics charges. The arrest shocked fans and led to a long public battle with addiction, though he eventually sought rehabilitation.
Fletcher transitioned into a second career as a teacher for the Los Angeles Unified School District. He made occasional public appearances, notably performing at Muhammad Ali's wedding to Veronica Porche in 1977.
He passed away in Los Angeles on April 25, 1989 (though some earlier sources incorrectly state 1984) and was buried with military honors at Memphis National Cemetery.
Discography Highlights:
I Believe In You (1961) – Signature single.
I'd Think It Over (1964) – Released on the Tollie label, it later became a staple of the British Northern soul scene.
The Look of Love – The Sound of Soul (1967) – His second studio album, featuring jazz standards.
Samuel Jonathan Johnson
Samuel Jonathan Johnson is an American soul, funk, and jazz musician, singer, and songwriter from Des Moines, Iowa, best known for his rare 1978 album My Music.
Johnson started playing organ at age 14 in his church, E. 17th St. C.O.G.I.C., where his mother served as choir director and pianist; he soon became the youngest State Minister of Music in the denomination's history.
At 19, he joined the Army, where he discovered jazz and performed in piano bars and college parties off-duty. After service, he returned to New York, formed the multi-ethnic band Spontaneous Combustion, and opened for acts like The Jackson 5.
In 1978, Columbia Records released My Music, produced by legendary executive John Hammond, blending gospel, jazz, and soul; the single "You" hit No. 28 on the Billboard R&B chart, though the album saw limited U.S. release.
Dealing with his mother's illness and mixed feelings about the album, Johnson took a sabbatical from recording, worked with jazz singers, wrote poetry in Greenwich Village, contributed to Broadway theater, and directed music for Ossie Davis and Ruby Dee's theater. His songs have been sampled by artists like Jadakiss and Big Sean.
Johnson started playing organ at age 14 in his church, E. 17th St. C.O.G.I.C., where his mother served as choir director and pianist; he soon became the youngest State Minister of Music in the denomination's history.
At 19, he joined the Army, where he discovered jazz and performed in piano bars and college parties off-duty. After service, he returned to New York, formed the multi-ethnic band Spontaneous Combustion, and opened for acts like The Jackson 5.
In 1978, Columbia Records released My Music, produced by legendary executive John Hammond, blending gospel, jazz, and soul; the single "You" hit No. 28 on the Billboard R&B chart, though the album saw limited U.S. release.
Dealing with his mother's illness and mixed feelings about the album, Johnson took a sabbatical from recording, worked with jazz singers, wrote poetry in Greenwich Village, contributed to Broadway theater, and directed music for Ossie Davis and Ruby Dee's theater. His songs have been sampled by artists like Jadakiss and Big Sean.
Sandra Wright
Sandra Wright was a Vermont-based blues and soul singer born on October 1, 1948, in Memphis, Tennessee. She began her musical journey singing gospel at age four and later majored in music at Tennessee State University.
After winning a local talent contest, Wright received offers from both the National Black Opera Company for a European tour and a Nashville R&B group called the Canned Souls. She chose the latter, touring with them for three years; the group was named Cashbox magazine's "Newcomers picked to click in 1969-70" for their single "Unbelievable." Following the group's 1971 split, she performed in Nashville clubs for 17 years, recorded singles for Truth Records (a Stax subsidiary), and sang radio/TV jingles.
In 1986, she joined the Nashville Minstrel Players and performed a one-woman tribute to Bessie Smith at the 1988 Chattanooga Music Festival. By 1990, she led the Nashville R&B group Bordello, briefly opened for Clarence "Gatemouth" Brown, then formed her own Sandra Wright Band. The band released a 1992 debut album and relocated to Vermont that year; her 1995 album Shake You Down appeared on Hipshake Records.
Wright toured nationally with her blues/soul band and a jazz trio from Vermont. Notable releases include Wounded Woman (1996) and appearances on Stax/Volt compilations. She passed away around 2010, remembered as an internationally revered blues and jazz singer.
After winning a local talent contest, Wright received offers from both the National Black Opera Company for a European tour and a Nashville R&B group called the Canned Souls. She chose the latter, touring with them for three years; the group was named Cashbox magazine's "Newcomers picked to click in 1969-70" for their single "Unbelievable." Following the group's 1971 split, she performed in Nashville clubs for 17 years, recorded singles for Truth Records (a Stax subsidiary), and sang radio/TV jingles.
In 1986, she joined the Nashville Minstrel Players and performed a one-woman tribute to Bessie Smith at the 1988 Chattanooga Music Festival. By 1990, she led the Nashville R&B group Bordello, briefly opened for Clarence "Gatemouth" Brown, then formed her own Sandra Wright Band. The band released a 1992 debut album and relocated to Vermont that year; her 1995 album Shake You Down appeared on Hipshake Records.
Wright toured nationally with her blues/soul band and a jazz trio from Vermont. Notable releases include Wounded Woman (1996) and appearances on Stax/Volt compilations. She passed away around 2010, remembered as an internationally revered blues and jazz singer.
Sarah Dash
Sarah Dash was an acclaimed American soul singer, best known as a founding member of the vocal group Labelle. She rose to fame through her powerful voice and contributions to hits like "Lady Marmalade," passing away in 2021 after a storied career in music.?
Sarah Dash was born on August 18, 1945, in Trenton, New Jersey, as the seventh of 13 children to a pastor father and nurse mother. She grew up singing gospel in her father's church before forming a teen vocal group called the Del Capris with schoolmate Nona Hendry.x
In the early 1960s, Dash joined forces with Patti LaBelle (then Patricia Holte), Nona Hendryx, and Cindy Birdsong to form Patti LaBelle & the Bluebelles, scoring hits like "You'll Never Walk Alone." The group evolved into Labelle in the 1970s, pioneering bold fashion and releasing the 1974 album Nightbirds with the chart-topping "Lady Marmalade." Labelle disbanded in 1977 amid creative differences.
she launched her solo career with the 1978 self-titled album, featuring the disco hit "Sinner Man." She released further albums like Ooh La La (1980) and worked as a session vocalist for artists including Keith Richards, the Rolling Stones, and Laura Nyro. Later, she explored gospel and received honors like a 2016 Lifetime Achievement Award.
Dash was inducted into the Philadelphia Music Alliance Walk of Fame with Labelle in 2017 and the New Jersey Hall of Fame in 2021. She died on September 20, 2021, at age 76, remembered as a versatile vocalist with a four-octave range who influenced generations.
Sarah Dash was born on August 18, 1945, in Trenton, New Jersey, as the seventh of 13 children to a pastor father and nurse mother. She grew up singing gospel in her father's church before forming a teen vocal group called the Del Capris with schoolmate Nona Hendry.x
In the early 1960s, Dash joined forces with Patti LaBelle (then Patricia Holte), Nona Hendryx, and Cindy Birdsong to form Patti LaBelle & the Bluebelles, scoring hits like "You'll Never Walk Alone." The group evolved into Labelle in the 1970s, pioneering bold fashion and releasing the 1974 album Nightbirds with the chart-topping "Lady Marmalade." Labelle disbanded in 1977 amid creative differences.
she launched her solo career with the 1978 self-titled album, featuring the disco hit "Sinner Man." She released further albums like Ooh La La (1980) and worked as a session vocalist for artists including Keith Richards, the Rolling Stones, and Laura Nyro. Later, she explored gospel and received honors like a 2016 Lifetime Achievement Award.
Dash was inducted into the Philadelphia Music Alliance Walk of Fame with Labelle in 2017 and the New Jersey Hall of Fame in 2021. She died on September 20, 2021, at age 76, remembered as a versatile vocalist with a four-octave range who influenced generations.
Satisfaction Unlimited
Satisfaction Unlimited was a Washington, DC-based R&B/soul group active in the early 1970s. They are best known for their rare 1972 single "Time for Us," which has become a collector's item in Northern Soul circles.
Formed in the vibrant DC soul scene, the group featured vocalist Bob Snow as a key member, who later discussed their music on radio shows like State of Soul. They operated during a peak era for independent soul acts, releasing tracks on small labels amid influences from gospel and uptempo R&B.
Their notable output includes "Time for Us" b/w "Let's Change the Subject (Hot Wax)," pressed in limited quantities around 1972. The A-side gained cult status for its upbeat groove, while Snow's involvement highlights their local studio work.
Satisfaction Unlimited remains obscure, with discographies listed on sites like AllMusic but little mainstream documentation. Tracks occasionally surface in DJ sets or reissues from UK soul labels like Expansion Records, preserving their underground appeal.
Formed in the vibrant DC soul scene, the group featured vocalist Bob Snow as a key member, who later discussed their music on radio shows like State of Soul. They operated during a peak era for independent soul acts, releasing tracks on small labels amid influences from gospel and uptempo R&B.
Their notable output includes "Time for Us" b/w "Let's Change the Subject (Hot Wax)," pressed in limited quantities around 1972. The A-side gained cult status for its upbeat groove, while Snow's involvement highlights their local studio work.
Satisfaction Unlimited remains obscure, with discographies listed on sites like AllMusic but little mainstream documentation. Tracks occasionally surface in DJ sets or reissues from UK soul labels like Expansion Records, preserving their underground appeal.
Scherrie Payne
Scherrie Payne is an acclaimed American soul singer best known as the final lead vocalist of The Supremes from 1973 to 1977. Born on November 4, 1944, in Detroit, Michigan, she is the younger sister of singer Freda Payne and stands at 5'2", earning her the nickname "the little lady with the big voice."
Payne launched her career as lead singer of The Glass House, a Detroit group signed to Invictus Records in 1969. Their biggest hit was her self-written "Crumbs Off The Table," which reached the Billboard Top 10; the group released two albums and nine singles before disbanding in 1972.
She joined The Supremes in 1973, alongside Mary Wilson and Cindy Birdsong, then Susaye Greene, bringing powerful leads to tracks like "He's My Man," "I'm Gonna Let My Heart Do The Walking," "You're My Driving Wheel," and "Let Yourself Go." The group retired after a 1977 farewell concert.
Post-Supremes, Payne and Greene released the 1979 Motown album Partners, featuring her song "Leaving Me Was The Best Thing You've Ever Done." She scored club hits with covers like "I'm Not In Love" and solo singles on Motorcity Records, including "Pure Energy."
In 1986, she co-founded the Former Ladies of the Supremes with Lynda Laurence and Jean Terrell (later Joyce Vincent), performing globally and releasing albums like Supremely Yours. They joined Diana Ross's 2000 Return to Love tour.
An avid writer, Payne has penned over 20 screenplays, three stage plays (including the NAACP-nominated A Lady In Waiting), and her musical The Dreamseekers in 2017. As of recent years, she continues performing with Lynda Laurence as Scherrie and Lynda, Formerly of The Supremes.
Payne launched her career as lead singer of The Glass House, a Detroit group signed to Invictus Records in 1969. Their biggest hit was her self-written "Crumbs Off The Table," which reached the Billboard Top 10; the group released two albums and nine singles before disbanding in 1972.
She joined The Supremes in 1973, alongside Mary Wilson and Cindy Birdsong, then Susaye Greene, bringing powerful leads to tracks like "He's My Man," "I'm Gonna Let My Heart Do The Walking," "You're My Driving Wheel," and "Let Yourself Go." The group retired after a 1977 farewell concert.
Post-Supremes, Payne and Greene released the 1979 Motown album Partners, featuring her song "Leaving Me Was The Best Thing You've Ever Done." She scored club hits with covers like "I'm Not In Love" and solo singles on Motorcity Records, including "Pure Energy."
In 1986, she co-founded the Former Ladies of the Supremes with Lynda Laurence and Jean Terrell (later Joyce Vincent), performing globally and releasing albums like Supremely Yours. They joined Diana Ross's 2000 Return to Love tour.
An avid writer, Payne has penned over 20 screenplays, three stage plays (including the NAACP-nominated A Lady In Waiting), and her musical The Dreamseekers in 2017. As of recent years, she continues performing with Lynda Laurence as Scherrie and Lynda, Formerly of The Supremes.
Second Image
Second Image was a UK jazz-funk band formed in North London in 1979, blending influences from Earth, Wind & Fire, Stevie Wonder, and Chic. They started as Stateside before renaming and signing with Polydor Records. The group gained recognition in the Brit funk scene but disbanded after limited commercial success.
The original lineup featured seven musicians honing their sound in London pubs and clubs:- Weston Foster: Drums, vocals; Lloyd Dwyer: Saxophone; Mark Fisher: Keyboards; Junior Bromfield: Bass; Simon Eyre: Guitar; George Bromfield (Georgie B): Vocals, percussion, drums; Frank Burke: Trumpet, flugelhorn, vocals. Later, members like Georgie B and Frank Burke pursued solo paths, with Burke joining Liberty.
Second Image released singles like "Fall In Love," "Dance Dance Dance," "Can't Keep Holding On," and "Special Lady" on Polydor. Their debut self-titled album in 1983, produced by Roy Carter and Pete Wingfield, was followed by Strange Reflections in 1985 on MCA, featuring tracks such as "Don't You," "Sing & Shout," and "Lights Out" by Rod Temperton.
Pioneering DJ Robbie Vincent managed the band, aiding their Polydor deal alongside acts like Level 42. They won a major TV talent show, appeared on Saturday Superstore, The Lenny Henry Show, and The Old Grey Whistle Test, and gigged extensively despite modest chart impact. The group fragmented after six years due to internal pressures.
In 2011, all original members reformed for a one-off gig at the O2 during the "30 Year Celebration of Brit Funk," drawing international fans. Georgie B later formed The Groove Association, earning Soul Survivors awards, keeping Brit funk alive. Active in the 1980s North London scene, Second Image remains a cult favorite in UK funk history.
The original lineup featured seven musicians honing their sound in London pubs and clubs:- Weston Foster: Drums, vocals; Lloyd Dwyer: Saxophone; Mark Fisher: Keyboards; Junior Bromfield: Bass; Simon Eyre: Guitar; George Bromfield (Georgie B): Vocals, percussion, drums; Frank Burke: Trumpet, flugelhorn, vocals. Later, members like Georgie B and Frank Burke pursued solo paths, with Burke joining Liberty.
Second Image released singles like "Fall In Love," "Dance Dance Dance," "Can't Keep Holding On," and "Special Lady" on Polydor. Their debut self-titled album in 1983, produced by Roy Carter and Pete Wingfield, was followed by Strange Reflections in 1985 on MCA, featuring tracks such as "Don't You," "Sing & Shout," and "Lights Out" by Rod Temperton.
Pioneering DJ Robbie Vincent managed the band, aiding their Polydor deal alongside acts like Level 42. They won a major TV talent show, appeared on Saturday Superstore, The Lenny Henry Show, and The Old Grey Whistle Test, and gigged extensively despite modest chart impact. The group fragmented after six years due to internal pressures.
In 2011, all original members reformed for a one-off gig at the O2 during the "30 Year Celebration of Brit Funk," drawing international fans. Georgie B later formed The Groove Association, earning Soul Survivors awards, keeping Brit funk alive. Active in the 1980s North London scene, Second Image remains a cult favorite in UK funk history.
2nd Image
Shades of Brown
Shades of Brown, a Chicago soul group, was formed in 1970 and gained prominence in the 1970s. The group was led by vocalist Bill Brown and included notable members such as Christopher Allen (also known as Chris Bernard), Charles Scott IV, and Earle Roberts. They began their musical journey while performing at local clubs and participating in various "battle of the groups" events, which helped them gain initial recognition.
Growing up in Altgeld Gardens, Bill Brown started his musical career at an early age. His beginnings included rhythmic experimentation using coat hangers before he transitioned into more structured musical endeavors, including forming a duo with his friend Chris Allen. Brown’s early experiences were further enriched when he formed his first gospel group while in a juvenile detention center, eventually leading him to join other musical collectives.
Shades of Brown is often associated with the Chicago soul genre, distinguished by its rich vocal harmonies and powerful sound. They recorded music under On Top Records and made significant contributions to the R&B scene during their active years. The group's music resonated with audiences and reflected the soul and spirit of Chicago's vibrant musical landscape.
Shades of Brown continues to be celebrated for their impact on the genre, with their contributions still recognized in contemporary music discussions. Information is missing on their specific discography and notable songs.
Growing up in Altgeld Gardens, Bill Brown started his musical career at an early age. His beginnings included rhythmic experimentation using coat hangers before he transitioned into more structured musical endeavors, including forming a duo with his friend Chris Allen. Brown’s early experiences were further enriched when he formed his first gospel group while in a juvenile detention center, eventually leading him to join other musical collectives.
Shades of Brown is often associated with the Chicago soul genre, distinguished by its rich vocal harmonies and powerful sound. They recorded music under On Top Records and made significant contributions to the R&B scene during their active years. The group's music resonated with audiences and reflected the soul and spirit of Chicago's vibrant musical landscape.
Shades of Brown continues to be celebrated for their impact on the genre, with their contributions still recognized in contemporary music discussions. Information is missing on their specific discography and notable songs.
Shadow
Shadow was a short-lived funk and soul group active from 1979 to 1981, known for their secretive image and ties to the Ohio Players. They released their debut album Love Lite in 1979 on Elektra Records.
The group primarily consisted of former Ohio Players musicians: James "Diamond" Williams on drums, William "Billy" Beck on keyboards, and Clarence "Chet" Willis on guitar, vocals, and bass. They often performed shrouded in shadows to maintain mystery, though their identities appeared in album credits.
Additional contributors on Love Lite included Daniel Lazarus (keyboards), Kenneth Williams (drums and percussion), and horn players like Robert Bryant, Garnett Brown, Ernie Fields Jr., Delbert Taylor, Azar Lawrence (sax), and Fred Wesley (trombone).
Love Lite (Elektra 6E-233) featured disco-funk tracks like the title song co-written by Willis, Beck, and Williams, plus "Get It." It was produced by Beck, Willis, Kenneth Williams, and Don Mizell. Shadow followed with Shadow (1980) and Shadows in the Streets (1981), both produced by Leon Ware, but none charted highly.
The group primarily consisted of former Ohio Players musicians: James "Diamond" Williams on drums, William "Billy" Beck on keyboards, and Clarence "Chet" Willis on guitar, vocals, and bass. They often performed shrouded in shadows to maintain mystery, though their identities appeared in album credits.
Additional contributors on Love Lite included Daniel Lazarus (keyboards), Kenneth Williams (drums and percussion), and horn players like Robert Bryant, Garnett Brown, Ernie Fields Jr., Delbert Taylor, Azar Lawrence (sax), and Fred Wesley (trombone).
Love Lite (Elektra 6E-233) featured disco-funk tracks like the title song co-written by Willis, Beck, and Williams, plus "Get It." It was produced by Beck, Willis, Kenneth Williams, and Don Mizell. Shadow followed with Shadow (1980) and Shadows in the Streets (1981), both produced by Leon Ware, but none charted highly.
Shaila Prospere
Shaila Prospere is a UK-based soul and R&B singer-songwriter from East London. She draws inspiration from her parents' love of country and reggae music, as well as Motown, Philly soul, and artists like Dionne Warwick, Stevie Wonder, Anita Baker, Whitney Houston, and Luther Vandross.
Prospere debuted with her album In My Shoes in 2000, released in the UK and Japan, which earned critical acclaim for its storytelling lyrics and haunting melodies produced by The Full Crew. She performed at London's Jazz Café to sold-out crowds and later worked as a songwriter for other artists' projects.
Her second album, Back to Life (2017), topped UK soul charts like Mi-Soul and featured the single "Let Me Be Yours" on Rhythm Records; collaborators included producers Les Jones, Everis Pellius, and Phil Nugent. She released her third album, Under My Skin, in 2020, preceded by chart-topping singles "Plus One," "You're Rich," and "Let's Be." She's performed with legends like Gwen Guthrie, Omar, and Janet Kay.
Beyond music, Prospere is an enthusiastic painter creating contemporary art, with plans for exhibitions. As an independent artist, she maintains an active presence on platforms like Instagram (@shaila_prospere) and continues releasing soulful tracks appreciated in the global R&B scene.
Prospere debuted with her album In My Shoes in 2000, released in the UK and Japan, which earned critical acclaim for its storytelling lyrics and haunting melodies produced by The Full Crew. She performed at London's Jazz Café to sold-out crowds and later worked as a songwriter for other artists' projects.
Her second album, Back to Life (2017), topped UK soul charts like Mi-Soul and featured the single "Let Me Be Yours" on Rhythm Records; collaborators included producers Les Jones, Everis Pellius, and Phil Nugent. She released her third album, Under My Skin, in 2020, preceded by chart-topping singles "Plus One," "You're Rich," and "Let's Be." She's performed with legends like Gwen Guthrie, Omar, and Janet Kay.
Beyond music, Prospere is an enthusiastic painter creating contemporary art, with plans for exhibitions. As an independent artist, she maintains an active presence on platforms like Instagram (@shaila_prospere) and continues releasing soulful tracks appreciated in the global R&B scene.
Shakatak
Shakatak is an English jazz-funk band formed in London in 1980 by keyboardist Bill Sharpe, drummer Roger Odell, guitarist Keith Winter, and producer Nigel Wright. Their name derives from a Soho record store called "Record Shack."
The band gained initial attention with their debut single "Steppin'" on Passion Records. Their 1981 breakthrough hit "Easier Said Than Done" reached the UK Top 20, introducing their signature instrumental-vocal blend, and stayed on the charts for 17 weeks. "Night Birds" (1982) became their first Top 10 UK single, with the album earning gold status and charting for 28 weeks.
Albums like Invitations (1982) and Out of This World (1983) produced more hits. Jill Saward joined as lead vocalist for Down on the Street (1984), another UK chart success. George Anderson has been bassist since 1981. They dominated Japan, winning awards and releasing exclusive albums like Into the Blue and Golden Wings.
In the 1990s, U.S. success came with Open Your Eyes (No. 1 on contemporary jazz charts) and Full Circle. The band marked their 30th anniversary in 2010 with Across the World (2011). Guitarist Alan Wormald passed away in 2023, replaced by Keith Winter. They remain active, touring globally, especially in Japan, with core members Sharpe, Odell, Saward, and Anderson.
The band gained initial attention with their debut single "Steppin'" on Passion Records. Their 1981 breakthrough hit "Easier Said Than Done" reached the UK Top 20, introducing their signature instrumental-vocal blend, and stayed on the charts for 17 weeks. "Night Birds" (1982) became their first Top 10 UK single, with the album earning gold status and charting for 28 weeks.
Albums like Invitations (1982) and Out of This World (1983) produced more hits. Jill Saward joined as lead vocalist for Down on the Street (1984), another UK chart success. George Anderson has been bassist since 1981. They dominated Japan, winning awards and releasing exclusive albums like Into the Blue and Golden Wings.
In the 1990s, U.S. success came with Open Your Eyes (No. 1 on contemporary jazz charts) and Full Circle. The band marked their 30th anniversary in 2010 with Across the World (2011). Guitarist Alan Wormald passed away in 2023, replaced by Keith Winter. They remain active, touring globally, especially in Japan, with core members Sharpe, Odell, Saward, and Anderson.
Shalamar
Shalamar is an iconic American R&B and soul vocal group formed in 1977 by Dick Griffey and Don Cornelius, linked to the Soul Train TV show. They rose to fame in the late 1970s and 1980s with disco-influenced hits and dance moves like body-popping, which they popularized in the UK.
Shalamar began as a studio project when Griffey released "Uptown Festival" in 1977 on Soul Train Records, using session singers. Its success led to recruiting Soul Train dancers Jeffrey Daniel and Jody Watley, plus singer Gary Mumford, who soon left; Howard Hewett replaced him in 1978.
The trio of Hewett (lead vocals), Watley (vocals), and Daniel (vocals, guitar) signed to SOLAR Records and delivered gold albums like Big Fun (1979), Three for Love (1980), and Friends (1982). Major hits included "The Second Time Around," "A Night to Remember," "Friends," and "There It Is," blending soul, funk, and dance.
Watley and Daniel departed in 1983 amid internal conflicts and label disputes, before The Look. Hewett left in 1985 for a solo career but returned in 2001. Later members included Sydney Justin; the current version features Hewett, Daniel, and Carolyn Griffey.
Shalamar sold over 25 million records and influenced fashion and dance trends. They reformed in 2001, continuing live performances with a backing band into the 2020s.
Shalamar began as a studio project when Griffey released "Uptown Festival" in 1977 on Soul Train Records, using session singers. Its success led to recruiting Soul Train dancers Jeffrey Daniel and Jody Watley, plus singer Gary Mumford, who soon left; Howard Hewett replaced him in 1978.
The trio of Hewett (lead vocals), Watley (vocals), and Daniel (vocals, guitar) signed to SOLAR Records and delivered gold albums like Big Fun (1979), Three for Love (1980), and Friends (1982). Major hits included "The Second Time Around," "A Night to Remember," "Friends," and "There It Is," blending soul, funk, and dance.
Watley and Daniel departed in 1983 amid internal conflicts and label disputes, before The Look. Hewett left in 1985 for a solo career but returned in 2001. Later members included Sydney Justin; the current version features Hewett, Daniel, and Carolyn Griffey.
Shalamar sold over 25 million records and influenced fashion and dance trends. They reformed in 2001, continuing live performances with a backing band into the 2020s.
Sharon Forrester
Sharon Forrester is a renowned Jamaican reggae, soul, and pop singer, born in 1956 in Kingston, Jamaica, into a musical family. She demonstrated a passion for music early in life, starting to sing in church choirs by the age of six, which laid the foundation for her future career in music.
Her professional career took off as a teenager when she began performing in prominent venues, including the Playboy Club in Montego Bay. By the mid-1970s, she had established herself as a leading female vocalist in Jamaica and achieved international recognition.
In 1973, she released a reggae cover of Valerie Simpson's "Silly Wasn't I," which became an international success and was named Melody Maker's reggae single of 1974.
While in England, she made her film debut in the BFI production "Moon Over the Alley" (1974) and performed George Harrison's "Here Comes the Sun" on the TV show Aquarius. She was part of the 1974 "Jamaica Showcase" international tour alongside Dennis Brown and The Maytals.
After recording intermittently throughout the 1980s, often serving as a backing vocalist, she made a strong comeback in the mid-1990s. Her 1994 dancehall/jungle single "Love Inside" reached the Top 50 on the UK charts. Her album "This Time" (1996), produced by the legendary duo Steely & Clevie, re-established her as a leading voice in digi-reggae and lovers rock.
Now a resident of South Florida, Forrester remains active in the music industry. Her single "Jamaican Man" reached number one on several music charts, and in 2020, she released a reggae rendition of "Simply Falling".
She has provided vocals for many reggae greats, including Burning Spear, Alpha Blondy, Jimmy Cliff, and The Heptones. Beyond English, she has recorded songs in Japanese and Arabic.
Throughout her career, Forrester has been noted for her versatility, successfully crossing genres from reggae to soul and pop, and she has garnered critical acclaim for her work. Her career has seen many turns, indicating a dynamic presence in the music scene.
Her professional career took off as a teenager when she began performing in prominent venues, including the Playboy Club in Montego Bay. By the mid-1970s, she had established herself as a leading female vocalist in Jamaica and achieved international recognition.
In 1973, she released a reggae cover of Valerie Simpson's "Silly Wasn't I," which became an international success and was named Melody Maker's reggae single of 1974.
While in England, she made her film debut in the BFI production "Moon Over the Alley" (1974) and performed George Harrison's "Here Comes the Sun" on the TV show Aquarius. She was part of the 1974 "Jamaica Showcase" international tour alongside Dennis Brown and The Maytals.
After recording intermittently throughout the 1980s, often serving as a backing vocalist, she made a strong comeback in the mid-1990s. Her 1994 dancehall/jungle single "Love Inside" reached the Top 50 on the UK charts. Her album "This Time" (1996), produced by the legendary duo Steely & Clevie, re-established her as a leading voice in digi-reggae and lovers rock.
Now a resident of South Florida, Forrester remains active in the music industry. Her single "Jamaican Man" reached number one on several music charts, and in 2020, she released a reggae rendition of "Simply Falling".
She has provided vocals for many reggae greats, including Burning Spear, Alpha Blondy, Jimmy Cliff, and The Heptones. Beyond English, she has recorded songs in Japanese and Arabic.
Throughout her career, Forrester has been noted for her versatility, successfully crossing genres from reggae to soul and pop, and she has garnered critical acclaim for her work. Her career has seen many turns, indicating a dynamic presence in the music scene.
Sharon Redd
Sharon Redd was born on October 19, 1945, in Norfolk, Virginia, USA. She grew up in a musically inclined family, with her father, Gene Redd, being a notable music producer. This background likely influenced her career path and connection to the music industry.
Career Highlights Redd was primarily recognized as an influential R&B and disco singer. Her career took off in the late 1970s when she became known for her powerful vocals and dynamic stage presence. Throughout her career, she contributed significantly to the disco era, with her music resonating in clubs and gaining popularity on dance charts. Key hits include popular songs that showcased her vocal prowess and energetic style.
In addition to her singing career, Redd also had acting credits, appearing in films such as "Sgt. Pepper's Lonely Hearts Club Band" (1978) and "Fear City" (1984).
Personal Life Sharon Redd was the half-sister of R&B singer Pennye Ford, highlighting her family's continued presence in the music industry.
Legacy Redd's impact on the disco and R&B genres remains recognized by music historians and fans alike. She passed away on May 1, 1992, but her contributions to music continue to resonate within the genres she helped shape over her active years in the industry.
Career Highlights Redd was primarily recognized as an influential R&B and disco singer. Her career took off in the late 1970s when she became known for her powerful vocals and dynamic stage presence. Throughout her career, she contributed significantly to the disco era, with her music resonating in clubs and gaining popularity on dance charts. Key hits include popular songs that showcased her vocal prowess and energetic style.
In addition to her singing career, Redd also had acting credits, appearing in films such as "Sgt. Pepper's Lonely Hearts Club Band" (1978) and "Fear City" (1984).
Personal Life Sharon Redd was the half-sister of R&B singer Pennye Ford, highlighting her family's continued presence in the music industry.
Legacy Redd's impact on the disco and R&B genres remains recognized by music historians and fans alike. She passed away on May 1, 1992, but her contributions to music continue to resonate within the genres she helped shape over her active years in the industry.
Shirley Brown
Shirley Brown is an acclaimed American soul and R&B singer, renowned for her powerful, gospel-influenced voice often compared to Aretha Franklin. Born on January 6, 1947, in West Memphis, Arkansas, she rose to fame with her 1974 million-selling single "Woman to Woman."
Brown grew up in Madison, Illinois, after being born in West Memphis, and began singing in church at age nine, honing her expressive style. At 14, blues legend Albert King discovered her performing at the Harlem Club in Brooklyn, Illinois, leading to nine years touring with his band while she balanced tutoring.
Signed to Stax Records through King's influence, her debut album Woman to Woman (1974) featured the title track, a Grammy-nominated No. 1 R&B hit that became a soul classic and delayed Stax's bankruptcy. Earlier, she recorded her first single, "Love Built on a Strong Foundation," in 1971 for Abet Records, produced by Oliver Sain, though it did not chart.
Brown's albums include Intimate Storm and Diva of Soul, blending Southern soul traditions with emotive storytelling. She performed on the chitlin' circuit for over a decade, opening for artists like Little Milton, and continued active into the 2020s.
Her raw, confessional style earned critical praise, with "Woman to Woman" inspiring answer songs and cementing her as a deep soul icon now aged 79.
Brown grew up in Madison, Illinois, after being born in West Memphis, and began singing in church at age nine, honing her expressive style. At 14, blues legend Albert King discovered her performing at the Harlem Club in Brooklyn, Illinois, leading to nine years touring with his band while she balanced tutoring.
Signed to Stax Records through King's influence, her debut album Woman to Woman (1974) featured the title track, a Grammy-nominated No. 1 R&B hit that became a soul classic and delayed Stax's bankruptcy. Earlier, she recorded her first single, "Love Built on a Strong Foundation," in 1971 for Abet Records, produced by Oliver Sain, though it did not chart.
Brown's albums include Intimate Storm and Diva of Soul, blending Southern soul traditions with emotive storytelling. She performed on the chitlin' circuit for over a decade, opening for artists like Little Milton, and continued active into the 2020s.
Her raw, confessional style earned critical praise, with "Woman to Woman" inspiring answer songs and cementing her as a deep soul icon now aged 79.
Shirley Scott
Shirley Scott was a prominent American jazz organist, born on March 14, 1934, in Philadelphia, Pennsylvania. She grew up in a musically rich environment, which significantly influenced her career. Her father owned a speakeasy jazz club, exposing her to a variety of jazz styles from a young age. Scott began her musical journey by playing the piano at the age of six and later took up the trumpet, showcasing her versatility early on.
By the mid-1950s, Scott had established herself in Philadelphia's vibrant club scene, initially performing as a pianist before transitioning to the Hammond organ. This switch marked a pivotal moment in her career, as she became known as the “Queen of the Organ,” a title that reflected her significant impact on the genre. Her music was characterized by a unique blend of bebop, blues, and gospel, creating a sound that resonated with both audiences and fellow musicians.
Throughout her career, Scott collaborated with various notable jazz artists and garnered acclaim for her melodic style and sensitivity in performance. She was particularly admired among her peers for her drive and musicality, which solidified her reputation in the jazz community.
Shirley Scott continued to influence the jazz scene until her passing on March 10, 2002. She left behind a legacy that continues to inspire jazz musicians and fans alike, recognized for her contributions to the development of jazz organ music.
By the mid-1950s, Scott had established herself in Philadelphia's vibrant club scene, initially performing as a pianist before transitioning to the Hammond organ. This switch marked a pivotal moment in her career, as she became known as the “Queen of the Organ,” a title that reflected her significant impact on the genre. Her music was characterized by a unique blend of bebop, blues, and gospel, creating a sound that resonated with both audiences and fellow musicians.
Throughout her career, Scott collaborated with various notable jazz artists and garnered acclaim for her melodic style and sensitivity in performance. She was particularly admired among her peers for her drive and musicality, which solidified her reputation in the jazz community.
Shirley Scott continued to influence the jazz scene until her passing on March 10, 2002. She left behind a legacy that continues to inspire jazz musicians and fans alike, recognized for her contributions to the development of jazz organ music.
Shuggie Otis
Shuggie Otis, born Johnny Alexander Veliotes Jr. on November 30, 1953, in Los Angeles, California, is an influential American singer-songwriter and multi-instrumentalist renowned for his contributions to funk, soul, rock, blues, and R&B music. He is the son of Johnny Otis, a celebrated rhythm and blues musician, bandleader, and impresario, which provided Shuggie with a rich musical upbringing, immersing him in the vibrant sounds of R&B from a very young age.
Throughout his childhood, Shuggie was surrounded by music, often performing in various bands led by his father, which showcased a blend of musical styles. His early exposure to a wide spectrum of genres honed his skills and ignited his passion for music. By the age of 15, Otis began crafting his own sound, blending elements of funk and soul, and he released his first record, "Here Comes Shuggie Otis," in 1970.
During the 1970s, Shuggie Otis achieved significant acclaim with his unique and eclectic style. His most notable work, the album "Inspiration Information," released in 1974, is often hailed as a classic and showcases his talents as a songwriter and musician, featuring tracks such as "Strawberry Letter 23," which has gained enduring popularity and has been covered by numerous artists. Despite his early success, Otis became somewhat reclusive later in his career, stepping back from the limelight and largely disappearing from the music scene.
Otis's influence has reverberated through the music world, inspiring many artists across various genres. He is recognized not only for his own musical contributions but also for his innovative approach to songwriting and production, which has cemented his status as a significant figure in the evolution of contemporary music. Despite his limited mainstream visibility, his work has garnered a dedicated following and continues to be celebrated among music enthusiasts.
Overall, Shuggie Otis's life and career reflect the vibrant tapestry of American music, characterized by creativity, influence, and a deep connection to the roots of rhythm and blues.
Throughout his childhood, Shuggie was surrounded by music, often performing in various bands led by his father, which showcased a blend of musical styles. His early exposure to a wide spectrum of genres honed his skills and ignited his passion for music. By the age of 15, Otis began crafting his own sound, blending elements of funk and soul, and he released his first record, "Here Comes Shuggie Otis," in 1970.
During the 1970s, Shuggie Otis achieved significant acclaim with his unique and eclectic style. His most notable work, the album "Inspiration Information," released in 1974, is often hailed as a classic and showcases his talents as a songwriter and musician, featuring tracks such as "Strawberry Letter 23," which has gained enduring popularity and has been covered by numerous artists. Despite his early success, Otis became somewhat reclusive later in his career, stepping back from the limelight and largely disappearing from the music scene.
Otis's influence has reverberated through the music world, inspiring many artists across various genres. He is recognized not only for his own musical contributions but also for his innovative approach to songwriting and production, which has cemented his status as a significant figure in the evolution of contemporary music. Despite his limited mainstream visibility, his work has garnered a dedicated following and continues to be celebrated among music enthusiasts.
Overall, Shuggie Otis's life and career reflect the vibrant tapestry of American music, characterized by creativity, influence, and a deep connection to the roots of rhythm and blues.
Sidney Barnes
Sidney Barnes is an American soul singer, songwriter, and producer known for his extensive career spanning over five decades in R&B, doo-wop, and soul music.
Born Sidney Alexander Barnes Jr. on February 6, 1941, in Welch, West Virginia, he grew up in Roanoke, Virginia, and later Washington, D.C., where he was exposed to gospel, country, bluegrass, and emerging rock 'n' roll. He formed vocal groups in school with early collaborators like Marvin Gaye, Van McCoy, and Herb Feemster of Peaches & Herb.
In the early 1960s, Barnes released his debut single "Wait My Love" on Gemini Records and formed The Serenaders with George Kerr, recording "Adios My Love" for Riverside Records. In 1962, they signed with Motown's New York office under Berry Gordy, working as songwriters and producers alongside early stars at Hitsville.
After leaving Motown in 1964, Barnes teamed with J.J. Jackson, writing for artists like Saundra Phillips and recording "I Hurt on the Other Side" for Red Bird. He produced for Golden World Records with George Clinton and Mike Terry, then joined Chess Records in Chicago, working with Ramsey Lewis, The Dells, Bo Diddley, and Muddy Waters. There, he co-led Rotary Connection with Minnie Riperton from 1967-1970, releasing five albums.
Barnes contributed to Earth, Wind & Fire's early concepts with Maurice White, backed Chaka Khan and Deniece Williams, and laid vocals for George Clinton's "Mothership Connection." His solo work included a 1970s Parachute/Casablanca album and the disco hit "Love and Desire" as Arpeggio; he has credits on over 150 albums with acts like The Jackson 5, The Supremes, and B.B. King.
Born Sidney Alexander Barnes Jr. on February 6, 1941, in Welch, West Virginia, he grew up in Roanoke, Virginia, and later Washington, D.C., where he was exposed to gospel, country, bluegrass, and emerging rock 'n' roll. He formed vocal groups in school with early collaborators like Marvin Gaye, Van McCoy, and Herb Feemster of Peaches & Herb.
In the early 1960s, Barnes released his debut single "Wait My Love" on Gemini Records and formed The Serenaders with George Kerr, recording "Adios My Love" for Riverside Records. In 1962, they signed with Motown's New York office under Berry Gordy, working as songwriters and producers alongside early stars at Hitsville.
After leaving Motown in 1964, Barnes teamed with J.J. Jackson, writing for artists like Saundra Phillips and recording "I Hurt on the Other Side" for Red Bird. He produced for Golden World Records with George Clinton and Mike Terry, then joined Chess Records in Chicago, working with Ramsey Lewis, The Dells, Bo Diddley, and Muddy Waters. There, he co-led Rotary Connection with Minnie Riperton from 1967-1970, releasing five albums.
Barnes contributed to Earth, Wind & Fire's early concepts with Maurice White, backed Chaka Khan and Deniece Williams, and laid vocals for George Clinton's "Mothership Connection." His solo work included a 1970s Parachute/Casablanca album and the disco hit "Love and Desire" as Arpeggio; he has credits on over 150 albums with acts like The Jackson 5, The Supremes, and B.B. King.
Sir Charles Jones
Sir Charles Jones is a prominent Southern soul and blues singer, often called the "Undisputed King of Southern Soul." Born Charles Jones Jr. on April 25, 1973, in Akron, Ohio, he was raised in Ensley, near Birmingham, Alabama, by his composer/pianist father, Charles Sr., and civil rights activist mother, Blanche.
Jones taught himself music fundamentals like jazz, gospel, blues, writing, arranging, and production from a young age. He attended Ensley High School (1987-1989) and started performing locally, earning his "Sir Charles" moniker at Club 2001 in Birmingham.
From 1994 to 1999, he toured as a background singer with Marvin Sease on the Chitlin' Circuit across the South, gaining mentorship in Southern soul. He then moved to Jackson, Mississippi, home to key labels like Malaco Records, though his demo was initially rejected there.
His self-titled debut album arrived in 2000, followed by the hit Love Machine (2001), which charted for 57 weeks on Billboard's Top R&B/Hip-Hop Albums, peaking at #28. Notable singles include "Friday," "Is Anybody Lonely?," "Just Can't Let Go," "For Better or Worse," and "Just Like Fire".
In 2003, a severe motorcycle accident left him in a coma for days, but he recovered and released Thank You for Holding On and Sir Charles Jones & Friends in 2006. Later works include Portrait of a Balladeer (2014) and six albums from 2018-2021, plus tours like the "Blues is Alright" in 2017.
A self-taught multi-instrumentalist blending traditional Southern R&B with modern elements, Jones has earned awards like International Entertainer of the Year (2001-2004) and continues dominating Southern soul.
Jones taught himself music fundamentals like jazz, gospel, blues, writing, arranging, and production from a young age. He attended Ensley High School (1987-1989) and started performing locally, earning his "Sir Charles" moniker at Club 2001 in Birmingham.
From 1994 to 1999, he toured as a background singer with Marvin Sease on the Chitlin' Circuit across the South, gaining mentorship in Southern soul. He then moved to Jackson, Mississippi, home to key labels like Malaco Records, though his demo was initially rejected there.
His self-titled debut album arrived in 2000, followed by the hit Love Machine (2001), which charted for 57 weeks on Billboard's Top R&B/Hip-Hop Albums, peaking at #28. Notable singles include "Friday," "Is Anybody Lonely?," "Just Can't Let Go," "For Better or Worse," and "Just Like Fire".
In 2003, a severe motorcycle accident left him in a coma for days, but he recovered and released Thank You for Holding On and Sir Charles Jones & Friends in 2006. Later works include Portrait of a Balladeer (2014) and six albums from 2018-2021, plus tours like the "Blues is Alright" in 2017.
A self-taught multi-instrumentalist blending traditional Southern R&B with modern elements, Jones has earned awards like International Entertainer of the Year (2001-2004) and continues dominating Southern soul.
Sister Sledge
Sister Sledge is an American vocal group from Philadelphia, Pennsylvania, primarily composed of sisters Debbie, Joni, Kim, and Kathy Sledge. Formed in 1971, they became international icons of the disco era, best known for their anthem of unity, "We Are Family".
The Sledge sisters were born into a family of performers; their father was a Broadway tap dancer and their mother an actress. They received classical vocal training from their grandmother, Viola Williams, who was an opera singer. Before forming Sister Sledge, they performed at local events under the name "Mrs. Williams' Grandchildren". They started singing in local churches, initially performing as "Mrs. Williams' Grandchildren" before becoming Sister Sledge.
In 1979, after two earlier albums, the group achieved major success through a collaboration with Nile Rodgers and Bernard Edwards of Chic. Their album We Are Family produced significant hits, including "He's the Greatest Dancer" (No. 1 R&B) and the title track "We Are Family" (No. 2 Pop, No. 1 R&B). The song "We Are Family" became the anthem for the 1979 World Series winners, the Pittsburgh Pirates. Other hits from the album included "Lost in Music" and "Thinking of You". Later, they had a UK No. 1 hit in 1985 with "Frankie" and covered Mary Wells' "My Guy" in 1982.
In 1989, Kathy Sledge, who had been a lead vocalist on many early songs, left the group to start a solo career. As a trio, Sister Sledge released the album African Eyes in 1997, which received a Grammy nomination. The group performed for notable figures such as President Bill Clinton and Pope Francis. Joni Sledge passed away in 2017 at the age of 60.
Following Joni's death and Kim's departure from touring, Debbie Sledge continues the group's legacy. The current iteration, sometimes billed as Sister Sledge ft. Sledgendary, includes Debbie's daughter and son, Camille and David Sledge, and Joni's son, Thaddeus. Kathy Sledge also performs globally with her own show. The group remains active in 2025 with scheduled performances.
The Sledge sisters were born into a family of performers; their father was a Broadway tap dancer and their mother an actress. They received classical vocal training from their grandmother, Viola Williams, who was an opera singer. Before forming Sister Sledge, they performed at local events under the name "Mrs. Williams' Grandchildren". They started singing in local churches, initially performing as "Mrs. Williams' Grandchildren" before becoming Sister Sledge.
In 1979, after two earlier albums, the group achieved major success through a collaboration with Nile Rodgers and Bernard Edwards of Chic. Their album We Are Family produced significant hits, including "He's the Greatest Dancer" (No. 1 R&B) and the title track "We Are Family" (No. 2 Pop, No. 1 R&B). The song "We Are Family" became the anthem for the 1979 World Series winners, the Pittsburgh Pirates. Other hits from the album included "Lost in Music" and "Thinking of You". Later, they had a UK No. 1 hit in 1985 with "Frankie" and covered Mary Wells' "My Guy" in 1982.
In 1989, Kathy Sledge, who had been a lead vocalist on many early songs, left the group to start a solo career. As a trio, Sister Sledge released the album African Eyes in 1997, which received a Grammy nomination. The group performed for notable figures such as President Bill Clinton and Pope Francis. Joni Sledge passed away in 2017 at the age of 60.
Following Joni's death and Kim's departure from touring, Debbie Sledge continues the group's legacy. The current iteration, sometimes billed as Sister Sledge ft. Sledgendary, includes Debbie's daughter and son, Camille and David Sledge, and Joni's son, Thaddeus. Kathy Sledge also performs globally with her own show. The group remains active in 2025 with scheduled performances.
Skip Mahoaney And The Casuals
Skip Mahoney and The Casuals formed in 1965 in Washington, D.C., becoming a popular local act in the D.C. and Baltimore areas.
The band started at a house party with original members Skip Mahoney (lead vocals), George Norris, Roger Chapman, and Billy Jones. They built a strong regional following through live performances, focusing on soul, R&B, and covers.
Skip Mahoney occasionally stepped away, such as to join The Fuzz for their track "I Love You for All Seasons." In 1976, they signed with Nashville's Abet Records, releasing "Wherever You Go" to expand beyond their East Coast fanbase, though national success remained elusive.
Active mainly in the 1960s-1970s, the group is remembered as a vocal outfit from the Baltimore-Washington scene, with limited discography details available publicly. Skip Mahoney hailed from Philadelphia roots in early R&B and soul styles.
The band started at a house party with original members Skip Mahoney (lead vocals), George Norris, Roger Chapman, and Billy Jones. They built a strong regional following through live performances, focusing on soul, R&B, and covers.
Skip Mahoney occasionally stepped away, such as to join The Fuzz for their track "I Love You for All Seasons." In 1976, they signed with Nashville's Abet Records, releasing "Wherever You Go" to expand beyond their East Coast fanbase, though national success remained elusive.
Active mainly in the 1960s-1970s, the group is remembered as a vocal outfit from the Baltimore-Washington scene, with limited discography details available publicly. Skip Mahoney hailed from Philadelphia roots in early R&B and soul styles.
Skool Boyz
Skool Boyz was an American funk and soul band from Chicago, originally formed in 1975 as Flavor by Stan Sheppard. They evolved through name changes and lineup tweaks before releasing key albums in the 1980s.?
The group started as Flavor with Stan Sheppard on lead vocals, Chauncey Matthews on vocals and keyboards, and Fred Brown on vocals and guitar; Stan is the son of producer Bill Sheppard. They debuted with the 1976 single "Don't Freeze Up" on Ju-Par Records (distributed by Motown) and released their only album In Good Taste in 1977. After Motown ended its deal, they became Livin' Proof, issuing a self-titled album in 1978 that failed to chart, leading to a breakup.
In 1980, Stan, Chauncey, and Fred reunited, adding Stan's brother William "Billy" Sheppard on vocals and bass, and renamed to Skool Boyz. They signed with Destiny Records, releasing a self-titled debut album in 1981 featuring minor R&B hits like "Your Love" (No. 57), "This Feeling Must Be Real," and "Before You Go." A 1984 move to Columbia Records yielded another self-titled album with their biggest single "Slip Away" (No. 47 R&B) and ballads like "Nothin' Like a Slow Dance."
Their last album, This Is the Real Thing (1985), included the single "Superfine (From Behind)," which started strong but fizzled commercially. The group disbanded afterward due to poor sales despite positive reviews. Post-breakup, Stan founded Sheppard Lane Records and produced for artists like DJ Quik's protégés; Billy joined By All Means; Chauncey and Fred worked as session musicians.
The group started as Flavor with Stan Sheppard on lead vocals, Chauncey Matthews on vocals and keyboards, and Fred Brown on vocals and guitar; Stan is the son of producer Bill Sheppard. They debuted with the 1976 single "Don't Freeze Up" on Ju-Par Records (distributed by Motown) and released their only album In Good Taste in 1977. After Motown ended its deal, they became Livin' Proof, issuing a self-titled album in 1978 that failed to chart, leading to a breakup.
In 1980, Stan, Chauncey, and Fred reunited, adding Stan's brother William "Billy" Sheppard on vocals and bass, and renamed to Skool Boyz. They signed with Destiny Records, releasing a self-titled debut album in 1981 featuring minor R&B hits like "Your Love" (No. 57), "This Feeling Must Be Real," and "Before You Go." A 1984 move to Columbia Records yielded another self-titled album with their biggest single "Slip Away" (No. 47 R&B) and ballads like "Nothin' Like a Slow Dance."
Their last album, This Is the Real Thing (1985), included the single "Superfine (From Behind)," which started strong but fizzled commercially. The group disbanded afterward due to poor sales despite positive reviews. Post-breakup, Stan founded Sheppard Lane Records and produced for artists like DJ Quik's protégés; Billy joined By All Means; Chauncey and Fred worked as session musicians.
Skull Snaps
Skull Snaps was a short-lived funk trio known for their raw, powerful sound and mysterious aura. Active primarily in the early 1970s, they gained cult status decades later due to heavy sampling in hip-hop.
Formed from the ashes of the soul group The Diplomats, Skull Snaps consisted of Samm Culley (bass, tenor vocals), Ervan "Erv" Waters (guitar, falsetto vocals), and George Bragg (drums, bass vocals). They started as The Diplomats in the 1960s, releasing singles with modest success before rebranding around 1970 to pursue a harder funk style.
The name "Skull Snaps" originated from R&B legend Lloyd Price, who remarked during a session that their dynamic music "made his skull snap." They gigged extensively as The Diplomats but performed rarely under the new name, limiting their visibility.
In 1973, they dropped their sole self-titled album on the obscure GSF Records label, featuring tracks like "It's a New Day" with its iconic breakbeat. The eerie skull artwork and lack of band photos fueled myths of anonymity, though the members were experienced Harlem and Bronx musicians. The record label GSF folded just six months later, derailing promotion and leading to their sudden disappearance from the scene.
Post-album, they recorded as All Dyrections ("Soul Makossa" cover) and released a 1975 single "Al's Razor Blade" / "Ain't That Lovin' You" on Grill Records. The original trio reunited in 2005 for Ten12 Records' release of "Snapped / I'm Your Pimp," a Northern Soul hit in the UK.
Though commercially overlooked, their breaks became hip-hop staples, sampled by artists like Wu-Tang Clan and DJ Premier. The trio's multi-instrumental prowess and vocal range made them sound massive despite being just three members.
Formed from the ashes of the soul group The Diplomats, Skull Snaps consisted of Samm Culley (bass, tenor vocals), Ervan "Erv" Waters (guitar, falsetto vocals), and George Bragg (drums, bass vocals). They started as The Diplomats in the 1960s, releasing singles with modest success before rebranding around 1970 to pursue a harder funk style.
The name "Skull Snaps" originated from R&B legend Lloyd Price, who remarked during a session that their dynamic music "made his skull snap." They gigged extensively as The Diplomats but performed rarely under the new name, limiting their visibility.
In 1973, they dropped their sole self-titled album on the obscure GSF Records label, featuring tracks like "It's a New Day" with its iconic breakbeat. The eerie skull artwork and lack of band photos fueled myths of anonymity, though the members were experienced Harlem and Bronx musicians. The record label GSF folded just six months later, derailing promotion and leading to their sudden disappearance from the scene.
Post-album, they recorded as All Dyrections ("Soul Makossa" cover) and released a 1975 single "Al's Razor Blade" / "Ain't That Lovin' You" on Grill Records. The original trio reunited in 2005 for Ten12 Records' release of "Snapped / I'm Your Pimp," a Northern Soul hit in the UK.
Though commercially overlooked, their breaks became hip-hop staples, sampled by artists like Wu-Tang Clan and DJ Premier. The trio's multi-instrumental prowess and vocal range made them sound massive despite being just three members.
Skyy
Skyy was a Brooklyn-based R&B, funk, and disco band that formed in 1977 and became known for its danceable grooves and soulful ballads. Skyy emerged from New York City's vibrant funk scene, as the last group from the Brooklyn funk camp alongside acts like Brass Construction and BT Express. The original lineup featured the Dunning sisters—Denise, Delores, and Bonny—on vocals, led by Solomon Roberts Jr. (rhythm guitar and band leader), with Anibal "Booche" Sierra (lead guitar), Gerald LeBon (bass), Larry Greenberg (keyboards, later replaced by Wayne Wilentz), and drummer Tommy McConnell.
The band's self-titled debut album in 1979 included the R&B Top 20 single "First Time Around," followed by hits like "Call Me" (1981, their biggest chart success), "Let's Celebrate," and "Start of a Romance" and "Real Love" from their 1989 comeback album. They released 10 albums over three decades on labels like Salsoul, blending disco-funk rhythms with Randy Muller's production influence, earning a Gold record for one release.
Skyy stayed together through the 1980s with consistent chart success, though activity slowed after the early 1990s. Following McConnell's death in 2022, seven of the eight original members reunited in 2023 for shows in New York and Paris, marking a return after a 30-year hiatus.
The band's self-titled debut album in 1979 included the R&B Top 20 single "First Time Around," followed by hits like "Call Me" (1981, their biggest chart success), "Let's Celebrate," and "Start of a Romance" and "Real Love" from their 1989 comeback album. They released 10 albums over three decades on labels like Salsoul, blending disco-funk rhythms with Randy Muller's production influence, earning a Gold record for one release.
Skyy stayed together through the 1980s with consistent chart success, though activity slowed after the early 1990s. Following McConnell's death in 2022, seven of the eight original members reunited in 2023 for shows in New York and Paris, marking a return after a 30-year hiatus.
Slave
Slick
Slick was a short-lived disco-funk supergroup from Philadelphia, active in the late 1970s, blending soulful vocals with dance grooves. They are best known for their 1979 self-titled debut album featuring hits like "Space Bass" and "Sexy Cream."
Slick formed as a collaboration between the legendary Philly backing vocalists The Sweethearts of Sigma and musicians from Fat Larry's Band and Ingram. This all-star lineup included experienced players who had success in funk and disco prior to the project. They released their debut Slick on Fantasy's WMOT Records, recorded at Alpha International Studios in Philly.
Key Members:-
Vocals: The Sweethearts of Sigma (Doris James and others), with contributions from Len Barry and Billy Ingram.
Rhythm Section: Drummer John Ingram, bassists Jimmy Williams and Jimmy LaBes, percussionist Larry James, congas/timbales/trumpet/sax from Timmy Ingram.
Horns and Keys: Guitarists Tony Middleton and Ronnie James, keyboards/synths/flute by Jimmy Ingram, trombone by John Mimms, trumpet by Sylvester Middleton.
Slick released two albums: Slick (1979) and Go For It (1980). Standout tracks from the debut include "Space Bass" (penned by Larry and Doris James with Len Barry), "Feelin' Good," "Put Your Pants On," "The Whole World's Dancin'," and "Sexy Cream." Their sound fused disco beats with Philly soul, earning dancefloor success despite limited mainstream radio play.
Slick formed as a collaboration between the legendary Philly backing vocalists The Sweethearts of Sigma and musicians from Fat Larry's Band and Ingram. This all-star lineup included experienced players who had success in funk and disco prior to the project. They released their debut Slick on Fantasy's WMOT Records, recorded at Alpha International Studios in Philly.
Key Members:-
Vocals: The Sweethearts of Sigma (Doris James and others), with contributions from Len Barry and Billy Ingram.
Rhythm Section: Drummer John Ingram, bassists Jimmy Williams and Jimmy LaBes, percussionist Larry James, congas/timbales/trumpet/sax from Timmy Ingram.
Horns and Keys: Guitarists Tony Middleton and Ronnie James, keyboards/synths/flute by Jimmy Ingram, trombone by John Mimms, trumpet by Sylvester Middleton.
Slick released two albums: Slick (1979) and Go For It (1980). Standout tracks from the debut include "Space Bass" (penned by Larry and Doris James with Len Barry), "Feelin' Good," "Put Your Pants On," "The Whole World's Dancin'," and "Sexy Cream." Their sound fused disco beats with Philly soul, earning dancefloor success despite limited mainstream radio play.
Sly and The Family Stone
Smokey Robinson
Smokey Robinson is an iconic American R&B and soul singer, songwriter, and record producer, best known as the founder and frontman of the Motown group the Miracles.
William "Smokey" Robinson Jr. was born on February 19, 1940, in Detroit, Michigan, in a poor family from the North End neighborhood. He formed his first group, the Five Chimes (later the Matadors and then the Miracles), in high school around 1955, drawing influences from doo-wop and jazz like Sarah Vaughan.
In 1957, Robinson met Berry Gordy, impressing him with a notebook of 100 songs, which led to the Miracles signing with Gordy's Tamla Records (later Motown). Their 1960 hit "Shop Around" became Motown's first million-seller and R&B No. 1. Robinson served as chief songwriter and producer, crafting hits like "My Girl" and "The Way You Do the Things You Do" for acts including the Temptations and Mary Wells.
By the mid-1960s, he became Motown's vice president, talent scout, and in-house producer until 1990. He retired from the Miracles in 1972 but launched a solo career in 1973 with albums like Smokey and hits such as "Cruisin'," "Being with You," "Quiet Storm," and "Just to See Her."
Robinson earned a Hollywood Walk of Fame star in 1983, Rock & Roll Hall of Fame induction in 1987 (both with the Miracles and solo), a 1988 Grammy for "Just to See Her," Songwriters Hall of Fame in 1989, Gershwin Prize in 2016, and more. His velvet falsetto and poetic lyrics have shaped soul music over six decades.
William "Smokey" Robinson Jr. was born on February 19, 1940, in Detroit, Michigan, in a poor family from the North End neighborhood. He formed his first group, the Five Chimes (later the Matadors and then the Miracles), in high school around 1955, drawing influences from doo-wop and jazz like Sarah Vaughan.
In 1957, Robinson met Berry Gordy, impressing him with a notebook of 100 songs, which led to the Miracles signing with Gordy's Tamla Records (later Motown). Their 1960 hit "Shop Around" became Motown's first million-seller and R&B No. 1. Robinson served as chief songwriter and producer, crafting hits like "My Girl" and "The Way You Do the Things You Do" for acts including the Temptations and Mary Wells.
By the mid-1960s, he became Motown's vice president, talent scout, and in-house producer until 1990. He retired from the Miracles in 1972 but launched a solo career in 1973 with albums like Smokey and hits such as "Cruisin'," "Being with You," "Quiet Storm," and "Just to See Her."
Robinson earned a Hollywood Walk of Fame star in 1983, Rock & Roll Hall of Fame induction in 1987 (both with the Miracles and solo), a 1988 Grammy for "Just to See Her," Songwriters Hall of Fame in 1989, Gershwin Prize in 2016, and more. His velvet falsetto and poetic lyrics have shaped soul music over six decades.
Smokey Robinson and The Miracles
Smokey Wilson
Solomon Burke
Solomon Burke (1940–2010) was an American singer and preacher who became a founding father of soul music in the 1960s. Known as the "King of Rock 'n' Soul," he was a larger-than-life figure who successfully bridged the gap between gospel, country, and rhythm and blues.
Born on March 21, 1940, in Philadelphia, Burke’s life was rooted in the church. He began preaching at age seven at "Solomon's Temple," a congregation founded by his grandmother. By age 12, he was a pastor and hosted a gospel radio show on WHAT-AM. He recorded his first gospel song, "Christmas Presents from Heaven," at age 14 for the Apollo label, which sold over a million copies.
Burke's professional breakthrough came when he signed with Atlantic Records in 1960. Clashing with executives over his sound, he famously coined the term "soul music" to bridge his spiritual background with secular R&B. Burke was legendary for his theatricality, often performing on a massive throne while wearing bejeweled crowns and long purple robes.
His most iconic recordings include "Just Out of Reach" (1961), "Cry to Me" (1962), "If You Need Me" (1963), "You're Good For Me" (1963), "Everybody Needs Somebody to Love" (1964), and his only No. 1 R&B hit, "Got to Get You Off My Mind" (1965).
Beyond music, Burke was a prolific businessman and a central figure in a vast family. He was a licensed mortician and owned several funeral homes, drugstores, and a popcorn business. At the time of his death, he had a family of 21 children, 90 grandchildren, and 19 great-grandchildren.
After decades away from the mainstream, his 2002 album Don't Give Up on Me won a Grammy Award and revitalized his career. He was inducted into the Rock and Roll Hall of Fame in 2001 and is ranked by Rolling Stone as one of the 100 Greatest Singers of All Time.
Solomon Burke died of natural causes on October 10, 2010, shortly after arriving at Schiphol Airport in Amsterdam for a scheduled performance. He is buried at Forest Lawn Memorial Park in Hollywood Hills, Los Angeles.
Born on March 21, 1940, in Philadelphia, Burke’s life was rooted in the church. He began preaching at age seven at "Solomon's Temple," a congregation founded by his grandmother. By age 12, he was a pastor and hosted a gospel radio show on WHAT-AM. He recorded his first gospel song, "Christmas Presents from Heaven," at age 14 for the Apollo label, which sold over a million copies.
Burke's professional breakthrough came when he signed with Atlantic Records in 1960. Clashing with executives over his sound, he famously coined the term "soul music" to bridge his spiritual background with secular R&B. Burke was legendary for his theatricality, often performing on a massive throne while wearing bejeweled crowns and long purple robes.
His most iconic recordings include "Just Out of Reach" (1961), "Cry to Me" (1962), "If You Need Me" (1963), "You're Good For Me" (1963), "Everybody Needs Somebody to Love" (1964), and his only No. 1 R&B hit, "Got to Get You Off My Mind" (1965).
Beyond music, Burke was a prolific businessman and a central figure in a vast family. He was a licensed mortician and owned several funeral homes, drugstores, and a popcorn business. At the time of his death, he had a family of 21 children, 90 grandchildren, and 19 great-grandchildren.
After decades away from the mainstream, his 2002 album Don't Give Up on Me won a Grammy Award and revitalized his career. He was inducted into the Rock and Roll Hall of Fame in 2001 and is ranked by Rolling Stone as one of the 100 Greatest Singers of All Time.
Solomon Burke died of natural causes on October 10, 2010, shortly after arriving at Schiphol Airport in Amsterdam for a scheduled performance. He is buried at Forest Lawn Memorial Park in Hollywood Hills, Los Angeles.
Sonny Stitt
Sonny Stitt, born Edward Hammond Boatner Jr. on February 2, 1924, in Boston, Massachusetts, grew up in a musically rich environment. He spent much of his childhood in Saginaw, Michigan, where his family encouraged his musical pursuits. His father was a professor of music, his mother taught piano, and his brother was a pianist, all of which contributed to Stitt's early musical education and interest in jazz music.
Stitt's professional career began in the 1940s, during which he became known for his contributions to the bebop and hard bop genres. He was recognized for his virtuosity on the saxophone, performing primarily on both alto and tenor saxophones. Throughout his career, Stitt collaborated with many notable jazz musicians and bands, helping to shape the sound of jazz during a pivotal era. He was acclaimed for his improvisational skills and his ability to adapt his style to various musical contexts, embodying the essence of jazz music.
His style was characterized by a combination of technical proficiency and emotional expressiveness. He often drew comparisons to other legendary saxophonists, yet he maintained a unique voice that distinguished him in the jazz community. Stitt's work contributed significantly to the development of jazz, and he remains an influential figure in the genre.
Stitt's life was marked by numerous accolades and a dedicated following among jazz enthusiasts. He continued to perform and record music throughout his life until his passing on July 22, 1982, in Washington, D.C. His contributions to jazz and the saxophone have left a lasting legacy that continues to inspire musicians today.
In summary, Sonny Stitt was a prominent figure in the jazz world, known for his exceptional talent as a saxophonist. His upbringing in a musical family and subsequent career within the bebop and hard bop scenes have cemented his status as a celebrated jazz artist.
Stitt's professional career began in the 1940s, during which he became known for his contributions to the bebop and hard bop genres. He was recognized for his virtuosity on the saxophone, performing primarily on both alto and tenor saxophones. Throughout his career, Stitt collaborated with many notable jazz musicians and bands, helping to shape the sound of jazz during a pivotal era. He was acclaimed for his improvisational skills and his ability to adapt his style to various musical contexts, embodying the essence of jazz music.
His style was characterized by a combination of technical proficiency and emotional expressiveness. He often drew comparisons to other legendary saxophonists, yet he maintained a unique voice that distinguished him in the jazz community. Stitt's work contributed significantly to the development of jazz, and he remains an influential figure in the genre.
Stitt's life was marked by numerous accolades and a dedicated following among jazz enthusiasts. He continued to perform and record music throughout his life until his passing on July 22, 1982, in Washington, D.C. His contributions to jazz and the saxophone have left a lasting legacy that continues to inspire musicians today.
In summary, Sonny Stitt was a prominent figure in the jazz world, known for his exceptional talent as a saxophonist. His upbringing in a musical family and subsequent career within the bebop and hard bop scenes have cemented his status as a celebrated jazz artist.
Soul Generation
Soul Generation was a 1970s American R&B/soul vocal group, formed in Jersey City, NJ, as "The Citations," featuring founder Cliff Perkins, Earl Davenport, Herman Hammonds, and later Jeff Burgess, known for their hit "That's the Way It's Got to Be (Body & Soul)" and their independent spirit, releasing music on Ebony Sounds Records and later Buddah Records, blending smooth harmonies with funk and disco influences, maintaining a dedicated following, and continuing to perform with evolving lineups.
The group began in 1970 as The Citations in Jersey City, comprising Cliff Perkins (lead/tenor), Earl Davenport (2nd tenor), Thomas Timmons (bass), and Herman Hammonds (baritone). After Timmons left and was replaced by Jeffrey Burgess, jazz musician Doc Bagby encouraged them to change their name to Soul Generation, setting the stage for their future success.
Signature Song: "That's the Way It's Got to Be (Body & Soul)," a major hit on the R&B charts for Ebony Sounds Records. Other Hits: "Million Dollars," "Ray of Hope," and "Key to Your Heart". Albums: Beyond Body and Soul (1972) and Meet the Soul Generation (1975).
They founded their own label, Ebony Sounds Records, to release their groundbreaking hit. The group, led by Perkins, continued to perform for decades, even touring with artists like Al Green.
Member Earl Davenport passed away in 1975 and was replaced by Michael Murphy. The group performed as a trio from 1977 until they disbanded in 1983.
The group reunited in 1989 and began performing on the Classic Soul Circuit. In 2004, the name was updated to Soul Generation featuring Cliff Perkins as Cliff Perkins became the sole remaining original member. New members included Perkins’ wife, Veda LaRue-Perkins, and Donald Taylor.
As of 2025, the group remains active, celebrating over 52 years in the industry. Recent performances have included appearances alongside groups like Black Ivory and The Intruders. They are remembered for their distinct sound and significant contributions to 70s East Coast soul.
The group began in 1970 as The Citations in Jersey City, comprising Cliff Perkins (lead/tenor), Earl Davenport (2nd tenor), Thomas Timmons (bass), and Herman Hammonds (baritone). After Timmons left and was replaced by Jeffrey Burgess, jazz musician Doc Bagby encouraged them to change their name to Soul Generation, setting the stage for their future success.
Signature Song: "That's the Way It's Got to Be (Body & Soul)," a major hit on the R&B charts for Ebony Sounds Records. Other Hits: "Million Dollars," "Ray of Hope," and "Key to Your Heart". Albums: Beyond Body and Soul (1972) and Meet the Soul Generation (1975).
They founded their own label, Ebony Sounds Records, to release their groundbreaking hit. The group, led by Perkins, continued to perform for decades, even touring with artists like Al Green.
Member Earl Davenport passed away in 1975 and was replaced by Michael Murphy. The group performed as a trio from 1977 until they disbanded in 1983.
The group reunited in 1989 and began performing on the Classic Soul Circuit. In 2004, the name was updated to Soul Generation featuring Cliff Perkins as Cliff Perkins became the sole remaining original member. New members included Perkins’ wife, Veda LaRue-Perkins, and Donald Taylor.
As of 2025, the group remains active, celebrating over 52 years in the industry. Recent performances have included appearances alongside groups like Black Ivory and The Intruders. They are remembered for their distinct sound and significant contributions to 70s East Coast soul.
Soul Media
Soul Survivors
Spanky Wilson
Special Delivery
Spirit Of Love
Stanley Turrentine
Stanley Turrentine was an influential American jazz tenor saxophonist known as "Mr. T" or "The Sugar Man," celebrated for his soulful, blues-infused sound.
Born Stanley William Turrentine on April 5, 1934, in Pittsburgh, Pennsylvania, he grew up in a musical family—his father played saxophone, his mother piano, and his brother Tommy was a trumpeter. Influenced by Illinois Jacquet, Turrentine started performing young, touring with Lowell Fulson's band alongside Ray Charles in 1950-1951 and replacing John Coltrane in Earl Bostic's R&B/jazz group in 1953.
After military service in the mid-1950s—his only formal musical training—Turrentine joined Max Roach's quintet in 1959, gaining prominence. He began recording as a leader for Blue Note in 1960, focusing on soul jazz, and collaborated frequently with organist Jimmy Smith on tracks like those from Back at the Chicken Shack.
Turrentine married organist Shirley Scott in 1960; they recorded together extensively until their 1971 divorce. He worked with artists like Tadd Dameron, The Three Sounds, and later fusion players including Freddie Hubbard, George Benson, and Bob James.
In the 1970s, Turrentine signed with CTI, releasing hits like Sugar (1970) and Don't Mess with Mister T. (1973), blending soul jazz with fusion. He returned to soul jazz in the 1980s and 1990s, earning Grammy nominations, and passed away on September 12, 2000.
Born Stanley William Turrentine on April 5, 1934, in Pittsburgh, Pennsylvania, he grew up in a musical family—his father played saxophone, his mother piano, and his brother Tommy was a trumpeter. Influenced by Illinois Jacquet, Turrentine started performing young, touring with Lowell Fulson's band alongside Ray Charles in 1950-1951 and replacing John Coltrane in Earl Bostic's R&B/jazz group in 1953.
After military service in the mid-1950s—his only formal musical training—Turrentine joined Max Roach's quintet in 1959, gaining prominence. He began recording as a leader for Blue Note in 1960, focusing on soul jazz, and collaborated frequently with organist Jimmy Smith on tracks like those from Back at the Chicken Shack.
Turrentine married organist Shirley Scott in 1960; they recorded together extensively until their 1971 divorce. He worked with artists like Tadd Dameron, The Three Sounds, and later fusion players including Freddie Hubbard, George Benson, and Bob James.
In the 1970s, Turrentine signed with CTI, releasing hits like Sugar (1970) and Don't Mess with Mister T. (1973), blending soul jazz with fusion. He returned to soul jazz in the 1980s and 1990s, earning Grammy nominations, and passed away on September 12, 2000.
Starfire
Starpoint
Starpoint was an American R&B and funk band from Maryland, active from 1978 to 1990, known for ten albums and multiple R&B chart hits. Formed by the five Phillips brothers—George Jr., Ernesto, Lloyd, Orlando, and Gregory—the group evolved from early names like J.R. and the Royals and Licyndiana before settling on Starpoint.
The Phillips brothers began performing in their family home in Crownsville, Maryland, later adding vocalist Renée Diggs and bassist/keyboardist Kayode "Ky" Adeyemo. Core members included Ernesto Phillips (guitar, lead vocals), George Phillips Jr. (keyboards, vocals), Orlando Phillips (bass, keyboards, sax, vocals), Greg Phillips (drums, vocals), Renée Diggs (lead vocals), and Adeyemo (bass, keyboards).
They signed with Chocolate City Records in 1979, releasing their self-titled debut album in 1980, which hit #62 on the R&B Albums chart; the single "I Just Wanna Dance With You" reached #19 on R&B singles. The band released albums annually through the mid-1980s on Elektra, blending funk grooves with producers like Lionel Job and Keith Diamond.
Their 1985 album Restless peaked at #14 on R&B charts, with "Object of My Desire" crossing over to #25 on the Hot 100 and #8 on R&B. Follow-ups like Sensational (1987) delivered another top-10 R&B hit, "He Wants My Body," while later releases Hot to the Touch (1988) and Have You Got What It Takes? (1990) sustained modest success.
The group disbanded in 1990 but reunited briefly in 2011 for a show in France. Members faced losses: Renée Diggs died in 2005, Ernesto Phillips in 2004, George Phillips Jr. in 2021 from sepsis, and Kayode Adeyemo in 2025. Starpoint scored eight R&B top-10 hits, influencing 1980s funk and R&B.
The Phillips brothers began performing in their family home in Crownsville, Maryland, later adding vocalist Renée Diggs and bassist/keyboardist Kayode "Ky" Adeyemo. Core members included Ernesto Phillips (guitar, lead vocals), George Phillips Jr. (keyboards, vocals), Orlando Phillips (bass, keyboards, sax, vocals), Greg Phillips (drums, vocals), Renée Diggs (lead vocals), and Adeyemo (bass, keyboards).
They signed with Chocolate City Records in 1979, releasing their self-titled debut album in 1980, which hit #62 on the R&B Albums chart; the single "I Just Wanna Dance With You" reached #19 on R&B singles. The band released albums annually through the mid-1980s on Elektra, blending funk grooves with producers like Lionel Job and Keith Diamond.
Their 1985 album Restless peaked at #14 on R&B charts, with "Object of My Desire" crossing over to #25 on the Hot 100 and #8 on R&B. Follow-ups like Sensational (1987) delivered another top-10 R&B hit, "He Wants My Body," while later releases Hot to the Touch (1988) and Have You Got What It Takes? (1990) sustained modest success.
The group disbanded in 1990 but reunited briefly in 2011 for a show in France. Members faced losses: Renée Diggs died in 2005, Ernesto Phillips in 2004, George Phillips Jr. in 2021 from sepsis, and Kayode Adeyemo in 2025. Starpoint scored eight R&B top-10 hits, influencing 1980s funk and R&B.
Stephanie Mills
Stephanie Mills, born March 22, 1957, in Brooklyn, New York, is a Grammy-winning R&B, soul, and gospel singer renowned for her Broadway role as Dorothy in The Wiz. Raised Baptist in Bedford-Stuyvesant, she began singing gospel at Cornerstone Baptist Church as a child.
Mills started professionally at age nine in the Broadway musical Maggie Flynn. By 11, she won Amateur Night at the Apollo Theater six times and opened for the Isley Brothers. Her debut album Movin' in the Right Direction arrived in 1974 on ABC Records, followed by her star-making role as Dorothy in The Wiz (1975-1979), where her performance of "Home" helped earn seven Tony Awards.
In 1979, "What Cha Gonna Do With My Lovin'" peaked at No. 8 on the Billboard Hot 100, selling over a million copies and winning a Grammy for Best R&B Song. The 1980 track "Never Knew Love Like This Before" reached No. 4 in the UK and won her a second Grammy for Best Female R&B Vocal Performance. Other hits include "Sweet Sensation" (No. 3, 1980, third Grammy), her duet "Two Hearts" with Teddy Pendergrass (No. 1, 1980), and later singles like "I Feel Good All Over" (1987 NAACP Image Award).
Albums like What Cha Gonna Do with My Lovin', Sweet Sensation, and Stephanie achieved gold or platinum status. She released gospel album Personal Inspirations in the late 1990s and returned with Born For This in 2004, featuring "Can't Let Him Go". In 2025, Billboard ranked her among the 75 best R&B singers ever; she was inducted into the North Carolina Music Hall of Fame in 2022.
Mills married R&B singer/choreographer Jeffrey Daniel in 1981 but divorced in 1983.
Mills started professionally at age nine in the Broadway musical Maggie Flynn. By 11, she won Amateur Night at the Apollo Theater six times and opened for the Isley Brothers. Her debut album Movin' in the Right Direction arrived in 1974 on ABC Records, followed by her star-making role as Dorothy in The Wiz (1975-1979), where her performance of "Home" helped earn seven Tony Awards.
In 1979, "What Cha Gonna Do With My Lovin'" peaked at No. 8 on the Billboard Hot 100, selling over a million copies and winning a Grammy for Best R&B Song. The 1980 track "Never Knew Love Like This Before" reached No. 4 in the UK and won her a second Grammy for Best Female R&B Vocal Performance. Other hits include "Sweet Sensation" (No. 3, 1980, third Grammy), her duet "Two Hearts" with Teddy Pendergrass (No. 1, 1980), and later singles like "I Feel Good All Over" (1987 NAACP Image Award).
Albums like What Cha Gonna Do with My Lovin', Sweet Sensation, and Stephanie achieved gold or platinum status. She released gospel album Personal Inspirations in the late 1990s and returned with Born For This in 2004, featuring "Can't Let Him Go". In 2025, Billboard ranked her among the 75 best R&B singers ever; she was inducted into the North Carolina Music Hall of Fame in 2022.
Mills married R&B singer/choreographer Jeffrey Daniel in 1981 but divorced in 1983.
Stevie Wonder
Sun
Sun was an American R&B, soul, disco, and funk band from Dayton, Ohio, best known for hits like "Wanna Make Love (Come Flick My Bic)". The band was founded by Byron Byrd in the mid-1970s and recorded prolifically for Capitol Records from 1976 to 1984.
The band was the brainchild of saxophonist and composer Byron Byrd, who initially aspired to a career in aerospace. As a side pursuit, he led an early 70s Dayton R&B band called the Ohio Majestics, which eventually morphed into Sun. Byrd envisioned a group that would blend jazz sophistication with raw street funk, with multi-instrumentalists who believed music could move both the body and soul.
Sun signed with Capitol Records in 1976, the same label as Earth, Wind & Fire and Maze. Their debut album, Live On, Dream On (also referred to by its title track, Wanna Make Love), released in 1976, established their signature sound characterized by tight horns, cosmic synths, and relentless rhythm sections. The album featured the hit single "Wanna Make Love (Come Flick My BIC)," which reached number 31 on Billboard's R&B chart.
Subsequent albums expanded on their "cosmic" themes and sound. Each album was conceptual, exploring themes of space, light, and human connection, distinguishing them within the vibrant Dayton funk scene that also produced bands like The Ohio Players, Lakeside, Zapp, and Slave.
The original lineup included members such as Kym Yancey (drums), Chris Jones (vocals, keyboards), Gary King (trombone, vocals), John Wagner (trumpet), Hollis Melson (bass), and Shawn Sandridge (vocals, guitar).
A significant lineup change occurred before their third album when several members, including Shawn Sandridge and Chris Jones, left the band due to disagreements over musical direction. These former members went on to form the band Dayton. Sun welcomed new members, including guitarist/vocalist Keith Cheatham and bassist Curtis Hooks, forming a highly regarded unit in the band's history. Notably, Roger and Lester Troutman of Zapp contributed to Sun's debut album, with Roger adding his signature talk box effect to "Wanna Make Love (Come Flick My BIC)".
Commercial success for the band waned by the mid-1980s due to the evolution of music and label/lineup changes. They released a total of seven albums on Capitol Records between 1976 and 1982, and a final album on Air City in 1984.
Sun is remembered as an energetic force that exemplified the essence of funk, leaving a timeless musical legacy. Their music, characterized by positive themes and a universal groove, remains influential and continues to be sampled by modern artists.
The band was the brainchild of saxophonist and composer Byron Byrd, who initially aspired to a career in aerospace. As a side pursuit, he led an early 70s Dayton R&B band called the Ohio Majestics, which eventually morphed into Sun. Byrd envisioned a group that would blend jazz sophistication with raw street funk, with multi-instrumentalists who believed music could move both the body and soul.
Sun signed with Capitol Records in 1976, the same label as Earth, Wind & Fire and Maze. Their debut album, Live On, Dream On (also referred to by its title track, Wanna Make Love), released in 1976, established their signature sound characterized by tight horns, cosmic synths, and relentless rhythm sections. The album featured the hit single "Wanna Make Love (Come Flick My BIC)," which reached number 31 on Billboard's R&B chart.
Subsequent albums expanded on their "cosmic" themes and sound. Each album was conceptual, exploring themes of space, light, and human connection, distinguishing them within the vibrant Dayton funk scene that also produced bands like The Ohio Players, Lakeside, Zapp, and Slave.
The original lineup included members such as Kym Yancey (drums), Chris Jones (vocals, keyboards), Gary King (trombone, vocals), John Wagner (trumpet), Hollis Melson (bass), and Shawn Sandridge (vocals, guitar).
A significant lineup change occurred before their third album when several members, including Shawn Sandridge and Chris Jones, left the band due to disagreements over musical direction. These former members went on to form the band Dayton. Sun welcomed new members, including guitarist/vocalist Keith Cheatham and bassist Curtis Hooks, forming a highly regarded unit in the band's history. Notably, Roger and Lester Troutman of Zapp contributed to Sun's debut album, with Roger adding his signature talk box effect to "Wanna Make Love (Come Flick My BIC)".
Commercial success for the band waned by the mid-1980s due to the evolution of music and label/lineup changes. They released a total of seven albums on Capitol Records between 1976 and 1982, and a final album on Air City in 1984.
Sun is remembered as an energetic force that exemplified the essence of funk, leaving a timeless musical legacy. Their music, characterized by positive themes and a universal groove, remains influential and continues to be sampled by modern artists.
Surface
Sweet Sensation
Sweet Sensation was an eight-piece British soul group from Manchester, formed in 1971, best known for their 1974 UK No. 1 hit "Sad Sweet Dreamer."
The band gained early attention on the ITV talent show New Faces, leading to a deal with Pye Records under Tony Hatch's guidance. Their debut single "Snowfire" flopped, but follow-up "Sad Sweet Dreamer" topped the UK charts in October 1974 and hit No. 14 on the US Billboard Hot 100.
"Purely by Coincidence" reached No. 11 in the UK in 1975; both hits were penned by David Parton. Later singles like "Hide Away from the Sun" and "Mr Cool" failed to chart, and a 1977 Eurovision bid with "You're My Sweet Sensation" placed eighth.
Members:- Junior Daye (vocals, b. 1950 Jamaica); Roy Flowers (drums, b. 1951 Jamaica); Vincent James (vocals, b. 1951 Jamaica; d. 2019); Barry Johnson (bass, b. 1954 Jamaica); Marcel King (lead vocals, b. 1957 Manchester; d. 1995); St. Clair L. Palmer (vocals, b. 1954 St. Kitts); Gary Shaughnessy (guitar, b. 1953 Manchester); Leroy Smith (keyboards, b. 1952 Jamaica; d. 2009); Recardo "Rikki" Patrick briefly replaced King in 1975.
Dropped by Pye after poor sales, the group split around 1978 but influenced acts like The Real Thing.
The band gained early attention on the ITV talent show New Faces, leading to a deal with Pye Records under Tony Hatch's guidance. Their debut single "Snowfire" flopped, but follow-up "Sad Sweet Dreamer" topped the UK charts in October 1974 and hit No. 14 on the US Billboard Hot 100.
"Purely by Coincidence" reached No. 11 in the UK in 1975; both hits were penned by David Parton. Later singles like "Hide Away from the Sun" and "Mr Cool" failed to chart, and a 1977 Eurovision bid with "You're My Sweet Sensation" placed eighth.
Members:- Junior Daye (vocals, b. 1950 Jamaica); Roy Flowers (drums, b. 1951 Jamaica); Vincent James (vocals, b. 1951 Jamaica; d. 2019); Barry Johnson (bass, b. 1954 Jamaica); Marcel King (lead vocals, b. 1957 Manchester; d. 1995); St. Clair L. Palmer (vocals, b. 1954 St. Kitts); Gary Shaughnessy (guitar, b. 1953 Manchester); Leroy Smith (keyboards, b. 1952 Jamaica; d. 2009); Recardo "Rikki" Patrick briefly replaced King in 1975.
Dropped by Pye after poor sales, the group split around 1978 but influenced acts like The Real Thing.
Switch
Switch was an American R&B and funk band that emerged in the late 1970s and became renowned for their unique sound characterized by falsetto-driven ballads and infectious up-tempo funk tunes.
The band was formed in December 1976 in Mansfield, Ohio, by musician Gregory Williams, along with brothers Bobby and Tommy DeBarge, who were from Grand Rapids, Michigan. The group originally began performing under the name First Class in 1975 before changing their name to Switch after being discovered by Jermaine Jackson. Their lineup also included Phillip Ingram, who is the brother of R&B singer James Ingram, and various other musicians who contributed to their signature sound.
Switch gained prominence through a series of releases on the Gordy label. They were particularly noted for their hits such as "There'll Never Be," "I Call Your Name," and "Love Over and Over," which showcased their ability to blend smooth vocal harmonies with funk rhythms. The band's music was characterized by a mix of soul and funk elements, which enabled them to capture a diverse audience during their peak years.
Between 1978 and 1981, Switch released five albums, which included their self-titled debut "Switch" in 1978, followed by titles like "Switch II," "Reaching Out," "This Is My Dream," and "Raise the Flag." After their initial success, they continued to produce music, culminating in a sixth album released in 1981. Their impact on the soul and funk genre solidified them as a significant influence on future artists within the genre.
Although the group faced changes in personnel and shifts in the music industry, Switch remains a respected name in R&B and funk circles for their contributions to the genre. Their work has been celebrated for its innovative incorporation of vocal techniques and rhythmic complexity, factors that have influenced many artists that followed.
In summary, Switch stands out as a vital part of the soul and funk music scene from the late 1970s into the early 1980s, leaving behind a legacy of memorable hits and a distinct sound that continues to resonate with fans today.
The band was formed in December 1976 in Mansfield, Ohio, by musician Gregory Williams, along with brothers Bobby and Tommy DeBarge, who were from Grand Rapids, Michigan. The group originally began performing under the name First Class in 1975 before changing their name to Switch after being discovered by Jermaine Jackson. Their lineup also included Phillip Ingram, who is the brother of R&B singer James Ingram, and various other musicians who contributed to their signature sound.
Switch gained prominence through a series of releases on the Gordy label. They were particularly noted for their hits such as "There'll Never Be," "I Call Your Name," and "Love Over and Over," which showcased their ability to blend smooth vocal harmonies with funk rhythms. The band's music was characterized by a mix of soul and funk elements, which enabled them to capture a diverse audience during their peak years.
Between 1978 and 1981, Switch released five albums, which included their self-titled debut "Switch" in 1978, followed by titles like "Switch II," "Reaching Out," "This Is My Dream," and "Raise the Flag." After their initial success, they continued to produce music, culminating in a sixth album released in 1981. Their impact on the soul and funk genre solidified them as a significant influence on future artists within the genre.
Although the group faced changes in personnel and shifts in the music industry, Switch remains a respected name in R&B and funk circles for their contributions to the genre. Their work has been celebrated for its innovative incorporation of vocal techniques and rhythmic complexity, factors that have influenced many artists that followed.
In summary, Switch stands out as a vital part of the soul and funk music scene from the late 1970s into the early 1980s, leaving behind a legacy of memorable hits and a distinct sound that continues to resonate with fans today.
Sylvia Smith
Sylvia Smith (born February 19, in Woodstock, Tennessee) is an American soul and funk singer recognized for her powerful, "dedicated and sincere" vocal style. Often compared to Candi Staton and Millie Jackson, she is a songwriter and session vocalist who released a critically acclaimed solo album in the 1970s.
Smith first gained prominence as a member of the soul group The Glass House, alongside Ty Hunter, Scherrie Payne, and Larry Reed. Signed to Holland-Dozier-Holland’s Invictus label, the group is best known for the 1969 hit "Crumbs Off the Table" and tracks like "Thanks I Needed That".
In 1975, she released her only full-length solo album, Woman of the World, on ABC Records. Produced by Steve Barri and Michael Omartian, the album features soul and funk tracks such as "Original Midnight Mama" and "Superbad".
During the 1980s, she released dance-oriented singles on Quincy Jones’ Qwest Records, including "Don't Wanna Be a Sometime Lover" and "Heartbreaker".
Smith has contributed as a songwriter and session vocalist for several high-profile artists:- Little Richard: She co-wrote the song "Great Gosh A'Mighty"; The Four Tops: Provided backing vocals on their 1974 album Meeting of the Minds; Rose Royce: Co-wrote "You Blew It" for their 1982 album Stronger Than Ever; Billy Preston: Produced his 1986 Motown single "Since I Held You Close".
In her later years, Smith transitioned into writing and self-publishing. Using the name Sylvia J. Smith, she has authored books such as When Love Becomes a Nightmare and A Senior's Guide to Online Dating. She remains active on social media, sharing her poetry and music history with fans.
Smith first gained prominence as a member of the soul group The Glass House, alongside Ty Hunter, Scherrie Payne, and Larry Reed. Signed to Holland-Dozier-Holland’s Invictus label, the group is best known for the 1969 hit "Crumbs Off the Table" and tracks like "Thanks I Needed That".
In 1975, she released her only full-length solo album, Woman of the World, on ABC Records. Produced by Steve Barri and Michael Omartian, the album features soul and funk tracks such as "Original Midnight Mama" and "Superbad".
During the 1980s, she released dance-oriented singles on Quincy Jones’ Qwest Records, including "Don't Wanna Be a Sometime Lover" and "Heartbreaker".
Smith has contributed as a songwriter and session vocalist for several high-profile artists:- Little Richard: She co-wrote the song "Great Gosh A'Mighty"; The Four Tops: Provided backing vocals on their 1974 album Meeting of the Minds; Rose Royce: Co-wrote "You Blew It" for their 1982 album Stronger Than Ever; Billy Preston: Produced his 1986 Motown single "Since I Held You Close".
In her later years, Smith transitioned into writing and self-publishing. Using the name Sylvia J. Smith, she has authored books such as When Love Becomes a Nightmare and A Senior's Guide to Online Dating. She remains active on social media, sharing her poetry and music history with fans.
Syreeta and G.C. Cameron
T-Connection
T-Connection was a prominent funk and disco band that originated from Nassau, the Bahamas. The group was established in 1975 by brothers Theophilus “T” Coakley and Kirkwood Coakley, who had a deep passion for music from an early age and aimed to blend Caribbean rhythms with American dance music traditions.
The band initially started its journey in Nassau, where it began to cultivate its distinct sound. Over the years, T-Connection incorporated various musical styles, predominantly focusing on funk and disco, which resonated well in the 1970s music scene.
Throughout their career, T-Connection achieved significant commercial success, notably with two hits that charted on the Billboard Hot 100 between 1977 and 1979. Their most recognizable song, "Do What You Wanna Do," became a dance chart-topper and solidified their reputation within the genre. The band also enjoyed greater success on the US R&B charts, where they had additional notable entries.
After their initial success, T-Connection moved to Miami, which further expanded their exposure and allowed them to sign with TK Records, leading to the release of several hit singles. The band continued to be active throughout the late 1970s and into the 1980s, contributing to the evolving landscape of funk and disco music.
T-Connection's impact on the funk and disco genres remains notable, characterized by their infectious rhythms and danceable tunes. The band's ability to blend cultural influences positioned them uniquely within the music industry during their peak years.
The band initially started its journey in Nassau, where it began to cultivate its distinct sound. Over the years, T-Connection incorporated various musical styles, predominantly focusing on funk and disco, which resonated well in the 1970s music scene.
Throughout their career, T-Connection achieved significant commercial success, notably with two hits that charted on the Billboard Hot 100 between 1977 and 1979. Their most recognizable song, "Do What You Wanna Do," became a dance chart-topper and solidified their reputation within the genre. The band also enjoyed greater success on the US R&B charts, where they had additional notable entries.
After their initial success, T-Connection moved to Miami, which further expanded their exposure and allowed them to sign with TK Records, leading to the release of several hit singles. The band continued to be active throughout the late 1970s and into the 1980s, contributing to the evolving landscape of funk and disco music.
T-Connection's impact on the funk and disco genres remains notable, characterized by their infectious rhythms and danceable tunes. The band's ability to blend cultural influences positioned them uniquely within the music industry during their peak years.
T Connection
Tami Lynn
Tamiko Jones
Tamiko Jones is an American soul and R&B singer born Barbara Tamiko Ferguson in 1945 in Kyle, West Virginia. She is of part Japanese, British, and Cherokee descent and rose to prominence in the 1960s and 1970s with a versatile style blending jazz, soul, and pop.
Jones grew up in Detroit, Michigan, where she began singing professionally after auditioning at a talent agency. Her debut came in 1961 at the Flame Show Bar, initially performing pop songs in a jazz style despite a limited repertoire. She worked as a secretary before committing to music full-time.
Her first single, "Is It A Sin?", released in 1963 on Checker Records under the name Timiko, marked her entry into recording. She later recorded "Rhapsody" on Atco in 1964 and moved to labels like Golden World and Atlantic, releasing tracks such as "I'm Spellbound" and "Boy You're Growing On Me". In 1967-1968, she collaborated with Herbie Mann on A Mann And A Woman and issued her album Tamiko on December Records.
In 1968, after hospitalization for polio, Jones met Solomon Burke, becoming his fiancée, manager, and duet partner; she co-produced his "Proud Mary" cover. She released In Muscle Shoals in 1969 on Metromedia and performed in Las Vegas before returning to New York for a Rainbow Room engagement in 1971.
Her biggest hit, "Touch Me Baby (Reaching Out For Your Love)", reached No. 12 on the Billboard R&B chart and No. 60 on the pop chart in 1975 on Arista, followed by the album Love Trip. Other singles like "Just You and Me" and "Can't Live Without Your Love" (1979) gained traction in soul and disco scenes. She recorded into the 1980s on labels including Polydor and Sutra, with her music enduring in Northern Soul culture.
Jones grew up in Detroit, Michigan, where she began singing professionally after auditioning at a talent agency. Her debut came in 1961 at the Flame Show Bar, initially performing pop songs in a jazz style despite a limited repertoire. She worked as a secretary before committing to music full-time.
Her first single, "Is It A Sin?", released in 1963 on Checker Records under the name Timiko, marked her entry into recording. She later recorded "Rhapsody" on Atco in 1964 and moved to labels like Golden World and Atlantic, releasing tracks such as "I'm Spellbound" and "Boy You're Growing On Me". In 1967-1968, she collaborated with Herbie Mann on A Mann And A Woman and issued her album Tamiko on December Records.
In 1968, after hospitalization for polio, Jones met Solomon Burke, becoming his fiancée, manager, and duet partner; she co-produced his "Proud Mary" cover. She released In Muscle Shoals in 1969 on Metromedia and performed in Las Vegas before returning to New York for a Rainbow Room engagement in 1971.
Her biggest hit, "Touch Me Baby (Reaching Out For Your Love)", reached No. 12 on the Billboard R&B chart and No. 60 on the pop chart in 1975 on Arista, followed by the album Love Trip. Other singles like "Just You and Me" and "Can't Live Without Your Love" (1979) gained traction in soul and disco scenes. She recorded into the 1980s on labels including Polydor and Sutra, with her music enduring in Northern Soul culture.
Tania Maria
Tank
Tawatha
Tawatha Agee is an acclaimed American vocalist and songwriter, born on November 14, 1954, in Pittsburgh, Pennsylvania. Growing up in Newark, New Jersey, she honed her musical talents early on and attended Newark Arts High School, which is known for its emphasis on the arts and performance.
Agee's music career began to take off as she became known for her powerful voice, often described as acrobatic and gospel-infused, which earned her significant recognition. She gained prominence as the lead singer of the funk and soul band Mtume, where she contributed to their distinctive sound. In addition to her work with Mtume, Tawatha has also established herself as a sought-after background vocalist, collaborating with notable artists including Steely Dan, Lenny Kravitz, and Empire of the Sun.
Throughout her career, Agee has been involved in a variety of musical projects. Although she has gained fame for her group work, she is also known for her upcoming solo endeavors, which she has expressed excitement about in recent interviews. Her contributions to the music industry span several decades and reflect her versatility across different genres.
Tawatha Agee remains an influential figure in the realm of soul and funk music. Her unique vocal style and artistic presence continue to inspire new generations of musicians and fans alike. Despite her achievements, specific details on her solo discography and personal life remain limited in the available information.
Overall, Tawatha Agee's career encapsulates a blend of talent, influence, and ongoing creativity in the music industry.
Agee's music career began to take off as she became known for her powerful voice, often described as acrobatic and gospel-infused, which earned her significant recognition. She gained prominence as the lead singer of the funk and soul band Mtume, where she contributed to their distinctive sound. In addition to her work with Mtume, Tawatha has also established herself as a sought-after background vocalist, collaborating with notable artists including Steely Dan, Lenny Kravitz, and Empire of the Sun.
Throughout her career, Agee has been involved in a variety of musical projects. Although she has gained fame for her group work, she is also known for her upcoming solo endeavors, which she has expressed excitement about in recent interviews. Her contributions to the music industry span several decades and reflect her versatility across different genres.
Tawatha Agee remains an influential figure in the realm of soul and funk music. Her unique vocal style and artistic presence continue to inspire new generations of musicians and fans alike. Despite her achievements, specific details on her solo discography and personal life remain limited in the available information.
Overall, Tawatha Agee's career encapsulates a blend of talent, influence, and ongoing creativity in the music industry.
Teddy Pendergrass
Teena Marie
Teena Marie, born Mary Christine Brockert on March 5, 1956, in Santa Monica, California, rose to fame as a soul and R&B artist known as the "Ivory Queen of Soul". She passed away on December 26, 2010, at age 54 in Pasadena, California.
Raised in the Oakwood neighborhood of West Los Angeles, Teena Marie came from a multi-ethnic background including Italian, English, Irish, Portuguese, and Native American ancestry. She showed early talent, appearing on The Beverly Hillbillies at age eight as Tina Marie Brockert and singing at Jerry Lewis's son's wedding at ten. Self-taught on guitar, bass, and congas, she formed an R&B band with her brother and cousin by her teens.
Signed to Motown in 1976 after impressing Berry Gordy, she became protégée to Rick James, who nicknamed her "Lady T". Her debut album Wild and Peaceful (1979) featured the hit "I'm a Sucker for Your Love," a duet with James. Albums like Lady T (1980), It Must Be Magic (1981, her first gold record), and Square Biz followed, with "Square Biz" and "Portuguese Love" charting high on R&B lists.
After leaving Motown in 1982, she joined Epic Records, releasing Robbery (1983) with hits like "Fix It" and tracks about her romance with James, such as "Casanova Brown". Emerald City (1986) experimented with rock, including "Lead Me On" for Top Gun. A legal dispute with Motown delayed her until Naked to the World (1988), featuring her #1 R&B hit "Ooo La La La".
Returning in 2004 with La Doña on Cash Money Records, she earned a Grammy nomination for "Still in Love". Sapphire (2006) included "Ooh Wee" and reunions with Smokey Robinson. She released 13 albums selling over 2.5 million copies, acted in films like Top Gun, and influenced R&B as one of Motown's first white acts. Her daughter Alia Rose, now Rose Le Beau, pursues music.
Raised in the Oakwood neighborhood of West Los Angeles, Teena Marie came from a multi-ethnic background including Italian, English, Irish, Portuguese, and Native American ancestry. She showed early talent, appearing on The Beverly Hillbillies at age eight as Tina Marie Brockert and singing at Jerry Lewis's son's wedding at ten. Self-taught on guitar, bass, and congas, she formed an R&B band with her brother and cousin by her teens.
Signed to Motown in 1976 after impressing Berry Gordy, she became protégée to Rick James, who nicknamed her "Lady T". Her debut album Wild and Peaceful (1979) featured the hit "I'm a Sucker for Your Love," a duet with James. Albums like Lady T (1980), It Must Be Magic (1981, her first gold record), and Square Biz followed, with "Square Biz" and "Portuguese Love" charting high on R&B lists.
After leaving Motown in 1982, she joined Epic Records, releasing Robbery (1983) with hits like "Fix It" and tracks about her romance with James, such as "Casanova Brown". Emerald City (1986) experimented with rock, including "Lead Me On" for Top Gun. A legal dispute with Motown delayed her until Naked to the World (1988), featuring her #1 R&B hit "Ooo La La La".
Returning in 2004 with La Doña on Cash Money Records, she earned a Grammy nomination for "Still in Love". Sapphire (2006) included "Ooh Wee" and reunions with Smokey Robinson. She released 13 albums selling over 2.5 million copies, acted in films like Top Gun, and influenced R&B as one of Motown's first white acts. Her daughter Alia Rose, now Rose Le Beau, pursues music.
Terry Callier
Terry Callier, born Terrence Orlando Callier on May 24, 1945, in Chicago, Illinois, grew up in a modest working-class family in the Cabrini-Green housing projects. His upbringing was vibrant, shaped by the rich cultural environment of Chicago, where he also formed friendships with notable figures like Curtis Mayfield, Jerry Butler, and Major Lance. Displaying musical talent from a young age, Callier learned to play the piano by the age of three and was involved in various doo-wop groups during his childhood.
Callier's career took off when he released his first single on Chess Records during the 1960s. His music blended elements of soul, folk, and jazz, leading him to develop a unique sound that set him apart from his contemporaries. Despite his talent and contributions to music, he often struggled to achieve the mainstream recognition he deserved, facing challenges in navigating the music industry.
Throughout his career, Callier released several albums that garnered critical acclaim. His songs often reflected personal and societal themes, resonating deeply with audiences. His work included collaborations with various artists and a diverse range of musical styles that showcased his versatility as a musician.
As his career progressed, Callier continued to cultivate a dedicated fanbase, and he performed at various music festivals and events. However, he faced health challenges, including a battle with throat cancer, which ultimately led to his passing on October 27, 2012, at the age of 67.
Terry Callier's influence on the music world, particularly in soul and jazz, endures, as he is remembered for his artistry and the emotional depth of his songs. Information is missing on specific albums and detailed achievements in his career.
Callier's career took off when he released his first single on Chess Records during the 1960s. His music blended elements of soul, folk, and jazz, leading him to develop a unique sound that set him apart from his contemporaries. Despite his talent and contributions to music, he often struggled to achieve the mainstream recognition he deserved, facing challenges in navigating the music industry.
Throughout his career, Callier released several albums that garnered critical acclaim. His songs often reflected personal and societal themes, resonating deeply with audiences. His work included collaborations with various artists and a diverse range of musical styles that showcased his versatility as a musician.
As his career progressed, Callier continued to cultivate a dedicated fanbase, and he performed at various music festivals and events. However, he faced health challenges, including a battle with throat cancer, which ultimately led to his passing on October 27, 2012, at the age of 67.
Terry Callier's influence on the music world, particularly in soul and jazz, endures, as he is remembered for his artistry and the emotional depth of his songs. Information is missing on specific albums and detailed achievements in his career.
Terry Dexter
Tevin Campbell
Tevin Campbell is an American singer, songwriter, and actor, born on November 12, 1976, in Waxahachie, Texas. His musical journey began at a young age, as he showcased his vocal talents by performing gospel music in his local church. By the time he was four years old, Campbell had developed a passion for singing, which would later propel him into the spotlight of the music industry .
Campbell rose to fame in the late 1980s and 1990s, making a significant impact on the Rhythm and Blues scene. He first gained attention in 1988 when he featured in the hit song "Tell Me What You Want Me to Do" by the group, The New Power Generation, led by Prince. His debut album, "Tevin Campbell," was released in 1991, which included the chart-topping single "Can We Talk." This song, among others like "I'm Ready," solidified his status as a prominent figure in R&B music.
Throughout his career, Campbell has been recognized for his vocal abilities and songwriting skills. He has been compared to legendary artists such as Stevie Wonder and Michael Jackson, owing to his exceptional talent and influence. Over the years, he has released several albums and singles, contributing to his lasting legacy in the music industry.
In addition to his music career, Tevin Campbell has also discussed personal aspects of his life, including his journey as a gay man. In recent interviews, he has opened up about his experiences and the evolution of his career, emphasizing the importance of authenticity and self-acceptance.
To sum up, Tevin Campbell's biography is marked by a remarkable rise in the music world, characterized by his incredible vocal talent, hit songs, and a candid exploration of his personal identity. Overall, he remains an influential figure in the R&B genre, revered by fans and peers alike.
Campbell rose to fame in the late 1980s and 1990s, making a significant impact on the Rhythm and Blues scene. He first gained attention in 1988 when he featured in the hit song "Tell Me What You Want Me to Do" by the group, The New Power Generation, led by Prince. His debut album, "Tevin Campbell," was released in 1991, which included the chart-topping single "Can We Talk." This song, among others like "I'm Ready," solidified his status as a prominent figure in R&B music.
Throughout his career, Campbell has been recognized for his vocal abilities and songwriting skills. He has been compared to legendary artists such as Stevie Wonder and Michael Jackson, owing to his exceptional talent and influence. Over the years, he has released several albums and singles, contributing to his lasting legacy in the music industry.
In addition to his music career, Tevin Campbell has also discussed personal aspects of his life, including his journey as a gay man. In recent interviews, he has opened up about his experiences and the evolution of his career, emphasizing the importance of authenticity and self-acceptance.
To sum up, Tevin Campbell's biography is marked by a remarkable rise in the music world, characterized by his incredible vocal talent, hit songs, and a candid exploration of his personal identity. Overall, he remains an influential figure in the R&B genre, revered by fans and peers alike.
The 5th Dimension
The Artistics
The Artistics were a Chicago-based soul vocal group formed in 1958 at Marshall High School. The group started as a doo-wop quartet singing a cappella on street corners, with an initial lineup of lead vocalist Curt Thomas, first tenor Larry Johnson, second tenor Jesse Bolian (born June 8, 1941; died August 24, 1994), and baritone-bass Aaron Floyd. They were discovered by soul singer Major Lance, who brought them in as his backing vocalists. Some accounts note Robert Dobyne as an early lead before Thomas.
Active from the late 1950s through the 1990s, they recorded for labels like Vee-Jay and Brunswick, scoring minor chart hits with soul tracks like "I'm Gonna Miss You" and "Hope We Never Grow Old." Their smooth harmonies placed them among Chicago's top soul acts, often compared to peers in the genre's golden era.
The Artistics influenced the Windy City's R&B scene but remained under the radar nationally. Members like Bolian passed away, and the group is remembered through reissues and fan archives today.
Active from the late 1950s through the 1990s, they recorded for labels like Vee-Jay and Brunswick, scoring minor chart hits with soul tracks like "I'm Gonna Miss You" and "Hope We Never Grow Old." Their smooth harmonies placed them among Chicago's top soul acts, often compared to peers in the genre's golden era.
The Artistics influenced the Windy City's R&B scene but remained under the radar nationally. Members like Bolian passed away, and the group is remembered through reissues and fan archives today.
The Average White Band
The Average White Band (AWB) is a renowned Scottish funk and R&B group that emerged in the 1970s. The band was formed in 1972 in London by six musicians, including co-founders Alan Gorrie and Malcolm Duncan, who were passionate about creating soul and funk music. They initially gained traction in the music scene through their energetic live performances and unique sound, which combined elements of various genres, including jazz, rock, and R&B.
Their breakthrough came in 1974 with the release of the album "Show Your Hand," which featured their first major hit, "Pick Up the Pieces." This instrumental track became a classic and remains one of their signature songs. Over the next few years, AWB released a series of successful albums, including "AWB" (1975) and "Soul Searching" (1976), during which they produced numerous hits such as "Cut the Cake" and "Let's Go Round Again".
AWB is often celebrated for their contributions to the funk and soul genres. They are recognized as one of the best soul and funk bands in music history, thanks to their distinctive sound and memorable melodies. Their music has left an enduring legacy, influencing subsequent generations of musicians.
As of 2018, the lineup of the Average White Band has evolved significantly, with Alan Gorrie and Onnie McIntyre remaining as the only original members. Despite the changes in personnel, the band continues to tour and perform, keeping their music alive for both longtime fans and new audiences.
Their breakthrough came in 1974 with the release of the album "Show Your Hand," which featured their first major hit, "Pick Up the Pieces." This instrumental track became a classic and remains one of their signature songs. Over the next few years, AWB released a series of successful albums, including "AWB" (1975) and "Soul Searching" (1976), during which they produced numerous hits such as "Cut the Cake" and "Let's Go Round Again".
AWB is often celebrated for their contributions to the funk and soul genres. They are recognized as one of the best soul and funk bands in music history, thanks to their distinctive sound and memorable melodies. Their music has left an enduring legacy, influencing subsequent generations of musicians.
As of 2018, the lineup of the Average White Band has evolved significantly, with Alan Gorrie and Onnie McIntyre remaining as the only original members. Despite the changes in personnel, the band continues to tour and perform, keeping their music alive for both longtime fans and new audiences.
AWB A.W.B.
The Awakening
The Awakening, an American spiritual-jazz ensemble, emerged from Chicago in the early 1970s. This band was notable for its unique blend of jazz and elements of soul and spirituality, reflecting the music scene of that era. The core members were veterans of the Chicago R&B scene and included skilled jazz musicians who were often associated with the city's vibrant musical heritage.
The group released two significant albums on the Black Jazz label: "Hear, Sense, Feel" in 1972 and "Mirage" in 1973. These albums showcased their innovative sound, combining complex rhythms and soulful melodies, which were well-received in the jazz community and continue to be influential to this day.
The band's co-leaders included trumpeter Frank Gordon and keyboardist Ken Chaney, both of whom were integral to establishing the distinctive sound of The Awakening. Unfortunately, the group did not achieve widespread commercial success, which has led to them being somewhat overlooked in jazz history, despite their artistic contributions.
The Awakening's legacy endures, particularly among collectors of spiritual jazz and enthusiasts of the genre who appreciate the depth and creativity of their music.
The group released two significant albums on the Black Jazz label: "Hear, Sense, Feel" in 1972 and "Mirage" in 1973. These albums showcased their innovative sound, combining complex rhythms and soulful melodies, which were well-received in the jazz community and continue to be influential to this day.
The band's co-leaders included trumpeter Frank Gordon and keyboardist Ken Chaney, both of whom were integral to establishing the distinctive sound of The Awakening. Unfortunately, the group did not achieve widespread commercial success, which has led to them being somewhat overlooked in jazz history, despite their artistic contributions.
The Awakening's legacy endures, particularly among collectors of spiritual jazz and enthusiasts of the genre who appreciate the depth and creativity of their music.
The Bar-Kays<div hidden>The Barkays</div>
The Blackbyrds
The Brockingtons
The Brothers Johnson
The Brothers Johnson was a prominent American funk and R&B band formed in 1975 in Los Angeles, California. The group consisted of brothers George Johnson, known as "Lightnin' Licks," and Louis E. Johnson, dubbed "Thunder Thumbs".
They are well-regarded for their sophisticated brand of soulful funk and enjoyed significant commercial success during the late 1970s and early 1980s, producing a number of hits that resonated with audiences.
Some of their most popular songs include "Strawberry Letter 23," "Stomp!" and "I'll Be Good to You," which showcase their characteristic sound. The Brothers Johnson were also known for their association with notable artists such as Billy Preston and Bobby Womack prior to their success.
As of the current date, they continue to be celebrated for their contributions to the music industry and have a substantial following, with millions of monthly listeners on platforms like Spotify.
They are well-regarded for their sophisticated brand of soulful funk and enjoyed significant commercial success during the late 1970s and early 1980s, producing a number of hits that resonated with audiences.
Some of their most popular songs include "Strawberry Letter 23," "Stomp!" and "I'll Be Good to You," which showcase their characteristic sound. The Brothers Johnson were also known for their association with notable artists such as Billy Preston and Bobby Womack prior to their success.
As of the current date, they continue to be celebrated for their contributions to the music industry and have a substantial following, with millions of monthly listeners on platforms like Spotify.
The Chambers Brothers
The Chambers Brothers are an American psychedelic soul band formed by four brothers from Mississippi, best known for their 1968 hit "Time Has Come Today." They blended gospel, blues, rock, funk, and psychedelia, becoming pioneers in interracial and genre-fusing music during the 1960s.
The brothers—George (born September 26, 1931; bass), Willie (born March 3, 1938; guitar), Lester (born April 13, 1940; harmonica), and Joe (born August 22, 1942; guitar)—grew up as sharecroppers' children in rural Lee County, Mississippi, singing in their Baptist church choir. After George was discharged from the Army in 1952, he moved to Los Angeles; the others joined him by 1954, where they began performing gospel and folk music locally.
They gained notice in 1965 at the Newport Folk Festival after adding white drummer Brian Keenan (born January 28, 1943), shifting to a rock-soul sound that landed gigs at venues like the Fillmore East and Apollo Theater. Signing with Columbia Records in 1966, they released their breakthrough album The Time Has Come in 1967, featuring the 11-minute title track "Time Has Come Today," which hit #11 on the Billboard Hot 100 in 1968.
Through the late 1960s and early 1970s, they issued albums like A New Generation (1968), Love, Peace and Happiness (1969), and New Generation (1970), mixing funk, gospel, and psychedelia; they were managed by Charles LaMarr and performed energetically live. Key tracks included their cover of "Shout" and originals like "Call Me." George "Pops" Chambers passed away on October 12, 2019.
The original lineup disbanded around 1972 but reformed sporadically, including a 1997 reunion at the Ash Grove and 2016 shows with nephew Jerry Warner and others. They influenced soundtracks and supported acts like Maria Muldaur, maintaining a legacy in psychedelic soul.
The brothers—George (born September 26, 1931; bass), Willie (born March 3, 1938; guitar), Lester (born April 13, 1940; harmonica), and Joe (born August 22, 1942; guitar)—grew up as sharecroppers' children in rural Lee County, Mississippi, singing in their Baptist church choir. After George was discharged from the Army in 1952, he moved to Los Angeles; the others joined him by 1954, where they began performing gospel and folk music locally.
They gained notice in 1965 at the Newport Folk Festival after adding white drummer Brian Keenan (born January 28, 1943), shifting to a rock-soul sound that landed gigs at venues like the Fillmore East and Apollo Theater. Signing with Columbia Records in 1966, they released their breakthrough album The Time Has Come in 1967, featuring the 11-minute title track "Time Has Come Today," which hit #11 on the Billboard Hot 100 in 1968.
Through the late 1960s and early 1970s, they issued albums like A New Generation (1968), Love, Peace and Happiness (1969), and New Generation (1970), mixing funk, gospel, and psychedelia; they were managed by Charles LaMarr and performed energetically live. Key tracks included their cover of "Shout" and originals like "Call Me." George "Pops" Chambers passed away on October 12, 2019.
The original lineup disbanded around 1972 but reformed sporadically, including a 1997 reunion at the Ash Grove and 2016 shows with nephew Jerry Warner and others. They influenced soundtracks and supported acts like Maria Muldaur, maintaining a legacy in psychedelic soul.
The Chi-Lites<div hidden>The ChiLites</div>
The Choice Four
The Commodores
The Commodores are an iconic American funk and soul band formed in 1968 at Tuskegee Institute in Alabama. They rose to fame with Motown Records, selling over 60 million records worldwide through hits like "Machine Gun," "Brick House," and "Sail On."
The group originated from the merger of two college bands, the Mystics and the Jays, with original members including Lionel Richie (vocals, saxophone, keyboards), William King (trumpet), Thomas McClary (guitar), Milan Williams (keyboards), Ronald LaPread (bass), and Walter "Clyde" Orange (drums, vocals). They signed with Motown in 1972 after opening for the Jackson 5, debuting with the instrumental hit "Machine Gun" recorded in Muscle Shoals.
Their most successful era spanned the late 1970s to early 1980s, blending funk, soul, and ballads, with Lionel Richie as co-lead singer alongside Orange. Key albums included Machine Gun (1974), Movin' On (1975), Commodores (1977), and Natural High (1978), featuring No. 1 hits like "Slippery When Wet" and "Three Times a Lady."
Lionel Richie left in 1982 for a solo career, followed by McClary in 1983; later departures included Williams (1989) and LaPread (1986). J.D. Nicholas joined as lead vocalist in 1984, and the core touring lineup became King, Orange, and Nicholas with a backing band.
Active for over 50 years, the Commodores continue performing globally with William King and Walter Orange as original members into 2024, though Nicholas departed that year. They've been inducted into halls of fame, including Alabama Music Hall of Fame (1995).
The group originated from the merger of two college bands, the Mystics and the Jays, with original members including Lionel Richie (vocals, saxophone, keyboards), William King (trumpet), Thomas McClary (guitar), Milan Williams (keyboards), Ronald LaPread (bass), and Walter "Clyde" Orange (drums, vocals). They signed with Motown in 1972 after opening for the Jackson 5, debuting with the instrumental hit "Machine Gun" recorded in Muscle Shoals.
Their most successful era spanned the late 1970s to early 1980s, blending funk, soul, and ballads, with Lionel Richie as co-lead singer alongside Orange. Key albums included Machine Gun (1974), Movin' On (1975), Commodores (1977), and Natural High (1978), featuring No. 1 hits like "Slippery When Wet" and "Three Times a Lady."
Lionel Richie left in 1982 for a solo career, followed by McClary in 1983; later departures included Williams (1989) and LaPread (1986). J.D. Nicholas joined as lead vocalist in 1984, and the core touring lineup became King, Orange, and Nicholas with a backing band.
Active for over 50 years, the Commodores continue performing globally with William King and Walter Orange as original members into 2024, though Nicholas departed that year. They've been inducted into halls of fame, including Alabama Music Hall of Fame (1995).
The Continental IV<div hidden>The Continental 4 The Continental Four</div>
The Continental IV formed as a soul vocal quartet in the early 1970s from the Camden, New Jersey area, known for their sweet falsetto harmonies and Philly soul influences.
The group consisted of lead singer Freddie Kelly, who provided the distinctive falsetto, brothers Larry McGregor and Ronnie McGregor, and Anthony Burt (sometimes listed as Burke). Freddie Kelly has passed away, while the other members were reported alive and well in later accounts.
Discovered by producer Bobby Martin, a key figure in the Philly Sound, they recorded at Harrisburg, PA's Soulville label via the Jay-Walking imprint. Their 1971 single "Day By Day (Every Minute of the Hour)" peaked at number 19 on the Soul charts, marking their biggest hit. They performed at venues like the Apollo Theater and shared stages with major acts, earning praise for their live acapella and full-band performances.
Produced by talents like Bobby Martin and Norman Harris, standout tracks include "I Don't Have You" (with music by Martin) and others like "Don't Turn Around." Their sound drew interest from Gamble & Huff, but internal label battles reportedly shifted focus to rivals like The Stylistics, shortening their major-label run. They released at least one album and remained popular in the Tri-State area.
The group consisted of lead singer Freddie Kelly, who provided the distinctive falsetto, brothers Larry McGregor and Ronnie McGregor, and Anthony Burt (sometimes listed as Burke). Freddie Kelly has passed away, while the other members were reported alive and well in later accounts.
Discovered by producer Bobby Martin, a key figure in the Philly Sound, they recorded at Harrisburg, PA's Soulville label via the Jay-Walking imprint. Their 1971 single "Day By Day (Every Minute of the Hour)" peaked at number 19 on the Soul charts, marking their biggest hit. They performed at venues like the Apollo Theater and shared stages with major acts, earning praise for their live acapella and full-band performances.
Produced by talents like Bobby Martin and Norman Harris, standout tracks include "I Don't Have You" (with music by Martin) and others like "Don't Turn Around." Their sound drew interest from Gamble & Huff, but internal label battles reportedly shifted focus to rivals like The Stylistics, shortening their major-label run. They released at least one album and remained popular in the Tri-State area.
The Controllers
The Controllers are an American soul and R&B vocal group originally from Fairfield (near Birmingham), Alabama, best known for their smooth ballads and high-energy stage performances during the 1970s and 1980s.
The group began in high school as an eight-member gospel ensemble. By the time they entered junior high, the lineup was reduced to a quartet: Reginald McArthur (baritone lead), Ricky Lewis (tenor lead), Larry McArthur, and LeNard Brown.
Guided by Cleveland Eaton, the group—then known as The Soul Controllers—recorded their first regional hit, "Right On Brother, Right On," while still in high school.
The Juana Records Era (1976–1982): In 1976, they signed with Frederick Knight’s Juana label. Their 1977 debut album, In Control, featured the eight-minute ballad "Somebody's Gotta Win, Somebody's Gotta Lose," which peaked at No. 8 on the Billboard R&B chart. The track "Heaven Is Only One Step Away" reached No. 37 on the R&B charts.
The MCA and Capitol Years (1983–1989): Under manager Jimmy Bee, the group signed with MCA Records in 1983. Their first MCA single, "Crushed," featured Stevie Wonder on harmonica and reached No. 30 on the R&B charts. Their 1986 single "Stay" became their most successful chart entry, reaching No. 12 on the R&B charts.
In 1989, they moved to Capitol Records for the album Just In Time, which featured the moderate hit "Temporary Lovers". After a mid-90s hiatus, the group signed with Malaco Records in 1997, releasing the album Clear View.
he group's founding baritone lead, Reginald McArthur, died on April 19, 2018, at the age of 63. Members LeNard Brown and Reginald McArthur co-hosted the syndicated radio/talk show Inside the Juke Joint.
As of 2026, the group remains a legendary part of the soul music landscape, having achieved 18 Billboard charted records and five Soul Train Awards. In 2025, Tao Soprano joined the group's lineup.
The group began in high school as an eight-member gospel ensemble. By the time they entered junior high, the lineup was reduced to a quartet: Reginald McArthur (baritone lead), Ricky Lewis (tenor lead), Larry McArthur, and LeNard Brown.
Guided by Cleveland Eaton, the group—then known as The Soul Controllers—recorded their first regional hit, "Right On Brother, Right On," while still in high school.
The Juana Records Era (1976–1982): In 1976, they signed with Frederick Knight’s Juana label. Their 1977 debut album, In Control, featured the eight-minute ballad "Somebody's Gotta Win, Somebody's Gotta Lose," which peaked at No. 8 on the Billboard R&B chart. The track "Heaven Is Only One Step Away" reached No. 37 on the R&B charts.
The MCA and Capitol Years (1983–1989): Under manager Jimmy Bee, the group signed with MCA Records in 1983. Their first MCA single, "Crushed," featured Stevie Wonder on harmonica and reached No. 30 on the R&B charts. Their 1986 single "Stay" became their most successful chart entry, reaching No. 12 on the R&B charts.
In 1989, they moved to Capitol Records for the album Just In Time, which featured the moderate hit "Temporary Lovers". After a mid-90s hiatus, the group signed with Malaco Records in 1997, releasing the album Clear View.
he group's founding baritone lead, Reginald McArthur, died on April 19, 2018, at the age of 63. Members LeNard Brown and Reginald McArthur co-hosted the syndicated radio/talk show Inside the Juke Joint.
As of 2026, the group remains a legendary part of the soul music landscape, having achieved 18 Billboard charted records and five Soul Train Awards. In 2025, Tao Soprano joined the group's lineup.
The Counts
The Counts were an American soul and funk band originally formed in Detroit, Michigan, in 1968 as The Fabulous Counts. They gained local acclaim as an instrumental group and backing band before shortening their name and releasing key albums on multiple labels.
The group started as a teenage instrumental ensemble led by organist Mose Davis, guitarist Leroy Emmanuel, saxophonist Demo Cates (also known as Demetrius "Demo" Gates), along with early members like Jim White on tenor sax, Raoul Keith Mangrum on percussion, and drummer Andrew T. Gibson. Managed by former boxer Fred McClure, they backed acts like the Metros and built a reputation jamming locally.
Key Members...
Fabulous Counts (1968) Mose Davis, Leroy Emmanuel, Demo Cates, Jim White, Raoul Keith Mangrum, Andrew Gibson Keyboards, guitar, saxes, tenor sax, percussion, drums
The Counts (1971–1976) Mose Davis, Leroy Emmanuel, Demo Cates, Jimmy Jackson, Jimmy Brown Keyboards/vocals, guitar/vocals, saxes/vocals, drums/vocals, saxes/vocals
In 1968, producer Richard "Popcorn" Wylie helped them record their debut single "Jan, Jan" on Moira Records, which nearly charted on the US R&B list; it later became their Cotillion album. They signed with Westbound Records, dropping "Fabulous," and released their 1971 debut LP What's Up Front That Counts, which hit No. 193 on the US charts, plus singles under pseudonyms like Lunar Funk's "Mr. Penguin Pt. 1" (#29 R&B).
Frustrated at Westbound, core members relocated to Atlanta, Georgia, in 1973, signing with Aware Records under Michael Thevis. They issued Love Sign (1973) and Funk Pump (1975), both charting successfully with funky, horn-driven tracks.
The band effectively split in 1976 as members pursued other paths, though they reunited in 2009 with the 1976 lineup: Mose Davis (Hammond organ/vocals), Leroy Emmanuel (guitar/vocals), Demo Cates (saxes/vocals), Jimmy "Junebug" Jackson (drums/vocals), and Jimmy Brown (saxes/vocals).
The group started as a teenage instrumental ensemble led by organist Mose Davis, guitarist Leroy Emmanuel, saxophonist Demo Cates (also known as Demetrius "Demo" Gates), along with early members like Jim White on tenor sax, Raoul Keith Mangrum on percussion, and drummer Andrew T. Gibson. Managed by former boxer Fred McClure, they backed acts like the Metros and built a reputation jamming locally.
Key Members...
Fabulous Counts (1968) Mose Davis, Leroy Emmanuel, Demo Cates, Jim White, Raoul Keith Mangrum, Andrew Gibson Keyboards, guitar, saxes, tenor sax, percussion, drums
The Counts (1971–1976) Mose Davis, Leroy Emmanuel, Demo Cates, Jimmy Jackson, Jimmy Brown Keyboards/vocals, guitar/vocals, saxes/vocals, drums/vocals, saxes/vocals
In 1968, producer Richard "Popcorn" Wylie helped them record their debut single "Jan, Jan" on Moira Records, which nearly charted on the US R&B list; it later became their Cotillion album. They signed with Westbound Records, dropping "Fabulous," and released their 1971 debut LP What's Up Front That Counts, which hit No. 193 on the US charts, plus singles under pseudonyms like Lunar Funk's "Mr. Penguin Pt. 1" (#29 R&B).
Frustrated at Westbound, core members relocated to Atlanta, Georgia, in 1973, signing with Aware Records under Michael Thevis. They issued Love Sign (1973) and Funk Pump (1975), both charting successfully with funky, horn-driven tracks.
The band effectively split in 1976 as members pursued other paths, though they reunited in 2009 with the 1976 lineup: Mose Davis (Hammond organ/vocals), Leroy Emmanuel (guitar/vocals), Demo Cates (saxes/vocals), Jimmy "Junebug" Jackson (drums/vocals), and Jimmy Brown (saxes/vocals).
The Crusaders
The Crusaders, originally known as The Jazz Crusaders, were a prominent American jazz and jazz-funk group active from the 1960s until the 2010s. They formed in Los Angeles in 1960 and were initially comprised of musicians who hailed from Houston, Texas, such as Joe Sample (piano), Wilton Felder (tenor saxophone and bass), and Stix Hooper (drums).
The group's music is distinguished by its blend of soul jazz, R&B, and straight-ahead jazz, showcasing their versatility and chameleon-like abilities to adapt to various musical styles. They gained particular acclaim in the 1970s and are known for being key figures in the jazz-rock and jazz-funk fusion movement during that time.
Their album "Southern Comfort," released in October 1974, reached the top of the Jazz Album charts and is considered a quintessential introduction to their sound and musical innovation. Throughout their career, The Crusaders maintained a reputation for their remarkable adaptability, consistently incorporating elements of R&B, jazz, soul, and funk into their music.
The group's music is distinguished by its blend of soul jazz, R&B, and straight-ahead jazz, showcasing their versatility and chameleon-like abilities to adapt to various musical styles. They gained particular acclaim in the 1970s and are known for being key figures in the jazz-rock and jazz-funk fusion movement during that time.
Their album "Southern Comfort," released in October 1974, reached the top of the Jazz Album charts and is considered a quintessential introduction to their sound and musical innovation. Throughout their career, The Crusaders maintained a reputation for their remarkable adaptability, consistently incorporating elements of R&B, jazz, soul, and funk into their music.
The Delfonics
The Delfonics were a pioneering R&B and soul vocal group from Philadelphia, Pennsylvania, best known for popularizing the smooth, orchestral "Philadelphia Soul" sound in the late 1960s and early 1970s
Brothers William "Poogie" Hart and Wilbert Hart formed the group in Philadelphia around 1964, originally as The Orphonics. The "classic" trio consisted of the Hart brothers and high school friend Randy Cain. Manager Stan Watson introduced them to producer/arranger Thom Bell, who was then a pianist for Cameo-Parkway Records.
Their first recording, "He Don't Really Love You" (1966), was released on Moon Shot Records after Cameo-Parkway initially passed on it. Under Thom Bell's production, the group developed a signature "sleek and airy" sound featuring lush string arrangements and William Hart’s distinctive falsetto.
Breakthrough Hits: "La-La (Means I Love You)" (1968): Their first million-selling gold single, peaking at #4 on the Billboard Hot 100. "Didn't I (Blow Your Mind This Time)" (1970): A massive hit that earned the group a Grammy Award for Best R&B Performance. Other Notable Hits: "Ready or Not Here I Come (Can't Hide from Love)," "Break Your Promise," and "I'm Sorry".
Randy Cain left the group in 1971 (later helping form Blue Magic) and was replaced by Major Harris. After Thom Bell left to produce The Stylistics, the group's success declined. They officially split in 1975 into two separate touring units led by William and Wilbert Hart, respectively.
Their music gained renewed fame in the 1990s after being featured prominently in Quentin Tarantino's film Jackie Brown (1997). They were inducted into the Philadelphia Music Alliance Walk of Fame in 1995 and the Atlantic City Walk of Fame in 2023.
William Hart passed away in 2022, but Wilbert Hart continues to perform, keeping the Delfonics' legacy alive.
Brothers William "Poogie" Hart and Wilbert Hart formed the group in Philadelphia around 1964, originally as The Orphonics. The "classic" trio consisted of the Hart brothers and high school friend Randy Cain. Manager Stan Watson introduced them to producer/arranger Thom Bell, who was then a pianist for Cameo-Parkway Records.
Their first recording, "He Don't Really Love You" (1966), was released on Moon Shot Records after Cameo-Parkway initially passed on it. Under Thom Bell's production, the group developed a signature "sleek and airy" sound featuring lush string arrangements and William Hart’s distinctive falsetto.
Breakthrough Hits: "La-La (Means I Love You)" (1968): Their first million-selling gold single, peaking at #4 on the Billboard Hot 100. "Didn't I (Blow Your Mind This Time)" (1970): A massive hit that earned the group a Grammy Award for Best R&B Performance. Other Notable Hits: "Ready or Not Here I Come (Can't Hide from Love)," "Break Your Promise," and "I'm Sorry".
Randy Cain left the group in 1971 (later helping form Blue Magic) and was replaced by Major Harris. After Thom Bell left to produce The Stylistics, the group's success declined. They officially split in 1975 into two separate touring units led by William and Wilbert Hart, respectively.
Their music gained renewed fame in the 1990s after being featured prominently in Quentin Tarantino's film Jackie Brown (1997). They were inducted into the Philadelphia Music Alliance Walk of Fame in 1995 and the Atlantic City Walk of Fame in 2023.
William Hart passed away in 2022, but Wilbert Hart continues to perform, keeping the Delfonics' legacy alive.
The Dells
The Dells were formed in 1952 in Harvey, Illinois, a suburb of Chicago, by a group of high school friends at Thornton Township High School. Initially known as the El-Rays, the group included founding members Marvin Junior, Verne Allison, Johnny Funches, Chuck Barksdale, and another member whose name is not specified in the available information. The group started to gain recognition through their doo-wop performances in local venues.
They made a significant impact on the R&B genre, earning them the nickname "Grandfathers of R&B Harmony" due to their pioneering work in vocal arrangements that influenced future generations of soul and R&B groups. They signed a recording contract with Checker Records and released their first notable single, "Darling I Know," which helped establish their presence in the music industry.
Their career spanned several decades, during which they became one of the longest-running vocal groups in rock and roll history. From 1956 to 1992, The Dells achieved remarkable success, amassing an impressive 46 R&B chart hits, showcasing their enduring popularity and musical evolution.
The Dells are often credited with shaping the sound of modern R&B, and their harmonious style set a standard for vocal groups that followed. Their influence is evident in the work of numerous artists across various music genres. The group's persistent lineup, particularly with Marvin Junior as lead baritone, contributed to their distinct sound and identity over the years.
They continued performing and recording into the late 20th century, celebrating their legacy and contributions to music. Their dedication and talent earned them recognition both commercially and critically, solidifying their place in music history as a quintessential R&B group.
The Dells' journey from high school friends to R&B legends exemplifies their remarkable talent and resilience in the music industry. Their legacy continues to influence artists and delight fans worldwide, marking them as one of the enduring icons of American music.
They made a significant impact on the R&B genre, earning them the nickname "Grandfathers of R&B Harmony" due to their pioneering work in vocal arrangements that influenced future generations of soul and R&B groups. They signed a recording contract with Checker Records and released their first notable single, "Darling I Know," which helped establish their presence in the music industry.
Their career spanned several decades, during which they became one of the longest-running vocal groups in rock and roll history. From 1956 to 1992, The Dells achieved remarkable success, amassing an impressive 46 R&B chart hits, showcasing their enduring popularity and musical evolution.
The Dells are often credited with shaping the sound of modern R&B, and their harmonious style set a standard for vocal groups that followed. Their influence is evident in the work of numerous artists across various music genres. The group's persistent lineup, particularly with Marvin Junior as lead baritone, contributed to their distinct sound and identity over the years.
They continued performing and recording into the late 20th century, celebrating their legacy and contributions to music. Their dedication and talent earned them recognition both commercially and critically, solidifying their place in music history as a quintessential R&B group.
The Dells' journey from high school friends to R&B legends exemplifies their remarkable talent and resilience in the music industry. Their legacy continues to influence artists and delight fans worldwide, marking them as one of the enduring icons of American music.
The Dells and The Dramatics
The Dells:
The Dells are a legendary American vocal group that emerged in 1952 in Harvey, Illinois. Originally formed by members Marvin Junior, Verne Allison, Johnny Funches, Chuck Barksdale, and Michael and Lucius McGill, they began their musical journey while still in high school at Thornton Township High School. The group initially had a different name but later solidified their identity as The Dells.
Over the decades, The Dells became one of the longest-running vocal groups in rock and roll history. Their career spanned from the 1950s into the 1990s, during which they achieved significant success on the R&B charts. They amassed an impressive collection of 46 R&B hit songs between 1956 and 1992, showcasing their enduring appeal and talent in the genre.
The Dramatics:
The Dramatics, originally known as The Dynamics, were formed in 1962 at John J. Pershing High School in Detroit, Michigan. The founding members included Larry Reed, Rob Davis, Elbert "Al" Goodman, and others. The group changed their name to The Dramatics in 1967, marking a pivotal moment in their career when they began to gain recognition in the music industry.
The Dramatics gained fame particularly in the 1970s with hits like "In the Rain," which became one of their signature songs. They are known for their smooth soul sound and theatrical performance style, which resonated with audiences. Over the years, the group's lineup experienced changes, but they have consistently maintained a presence in the music scene.
Overall, both The Dells and The Dramatics have made significant contributions to the soul and R&B genres, leaving a lasting legacy through their music. Information is missing on specific achievements and notable albums for both groups.
The Dells are a legendary American vocal group that emerged in 1952 in Harvey, Illinois. Originally formed by members Marvin Junior, Verne Allison, Johnny Funches, Chuck Barksdale, and Michael and Lucius McGill, they began their musical journey while still in high school at Thornton Township High School. The group initially had a different name but later solidified their identity as The Dells.
Over the decades, The Dells became one of the longest-running vocal groups in rock and roll history. Their career spanned from the 1950s into the 1990s, during which they achieved significant success on the R&B charts. They amassed an impressive collection of 46 R&B hit songs between 1956 and 1992, showcasing their enduring appeal and talent in the genre.
The Dramatics:
The Dramatics, originally known as The Dynamics, were formed in 1962 at John J. Pershing High School in Detroit, Michigan. The founding members included Larry Reed, Rob Davis, Elbert "Al" Goodman, and others. The group changed their name to The Dramatics in 1967, marking a pivotal moment in their career when they began to gain recognition in the music industry.
The Dramatics gained fame particularly in the 1970s with hits like "In the Rain," which became one of their signature songs. They are known for their smooth soul sound and theatrical performance style, which resonated with audiences. Over the years, the group's lineup experienced changes, but they have consistently maintained a presence in the music scene.
Overall, both The Dells and The Dramatics have made significant contributions to the soul and R&B genres, leaving a lasting legacy through their music. Information is missing on specific achievements and notable albums for both groups.
The Detroit Emeralds
The Detroit Emeralds formed in the early 1960s in Little Rock, Arkansas, originally as a vocal harmony group consisting of four Tilmon brothers: Ivory (born September 14, 1941), Abrim (January 12, 1945–July 6, 1982), Cleophus, and Raymond Tilmon. After Cleophus and Raymond departed, Abrim and Ivory teamed up with childhood friend James Mitchell as lead vocalist, relocated to Detroit, Michigan—hence adopting the "Detroit Emeralds" name—and signed with Ric-Tic Records, scoring their first R&B chart hit "Show Time" in 1968.
The group moved to Westbound Records in 1970, where they refined their silky smooth R&B/soul sound with orchestral strings and horns arranged by Johnny Allen, often recording demos in Memphis at Willie Mitchell's Hi Studios before finalizing in Detroit. Key hits followed, including "Do Me Right" (1971), "You Want It, You Got It" (1972), "Baby Let Me Take You (In My Arms)" (R&B Top 10, pop #24), and their signature "Feel the Need in Me" (US R&B #22 in 1973, UK Top 5; re-released 1977 hitting UK #12). Abrim Tilmon wrote, arranged, and produced most tracks, with backing from musicians like those in Chapter 8 (1971-1973).
By 1974, lineup splits led to competing versions of the group; Abrim formed one faction while James Mitchell, Ivory Tilmon, and Marvin Willis continued touring with rotating musicians like Dave Dean (keyboards) and The Flaming Emeralds. Albums tapered off after Let's Get Together (1978), their final major release. Abrim died of a heart attack in 1982 at age 37, halting reunion plans; Ivory passed in 2014. James Mitchell also co-wrote The Floaters' massive "Float On." The group remains celebrated for their effortless soul vibe across five Westbound LPs.
The group moved to Westbound Records in 1970, where they refined their silky smooth R&B/soul sound with orchestral strings and horns arranged by Johnny Allen, often recording demos in Memphis at Willie Mitchell's Hi Studios before finalizing in Detroit. Key hits followed, including "Do Me Right" (1971), "You Want It, You Got It" (1972), "Baby Let Me Take You (In My Arms)" (R&B Top 10, pop #24), and their signature "Feel the Need in Me" (US R&B #22 in 1973, UK Top 5; re-released 1977 hitting UK #12). Abrim Tilmon wrote, arranged, and produced most tracks, with backing from musicians like those in Chapter 8 (1971-1973).
By 1974, lineup splits led to competing versions of the group; Abrim formed one faction while James Mitchell, Ivory Tilmon, and Marvin Willis continued touring with rotating musicians like Dave Dean (keyboards) and The Flaming Emeralds. Albums tapered off after Let's Get Together (1978), their final major release. Abrim died of a heart attack in 1982 at age 37, halting reunion plans; Ivory passed in 2014. James Mitchell also co-wrote The Floaters' massive "Float On." The group remains celebrated for their effortless soul vibe across five Westbound LPs.
The Dramatics
The Dramatics are an American soul music vocal group that was formed in 1964 in Detroit, Michigan, initially known as The Dynamics. The original lineup consisted of members who were students at John J. Pershing High School and included founding members Larry Reed, Rob Davis, and Elbert "Al" Davis. The group initially struggled to find success, signing with Volt Records in 1969 but were dropped after their first single did not perform well.
The Dramatics found their breakthrough in the early 1970s with a series of hit records. They became particularly well-known for their singles such as "In the Rain," "Whatcha See is Whatcha Get," and "Hey You! Get Off My Mountain," which showcased their smooth vocal harmonies and emotive delivery. Their style effectively blended elements of soul and R&B, earning them a significant place in the genre during this time.
Throughout their three-decade career, The Dramatics have been celebrated for their live performances and continued relevance in the music industry. Despite facing personnel changes and challenges, the group maintained a dedicated fan base and enjoyed success with a variety of albums and singles, which often featured themes of love and relationships.
The Dramatics are regarded as one of the key figures in the Detroit soul scene, paralleling other legendary groups of the era. Their influence extended beyond their original hits, with many artists citing their work as inspiration for future generations in soul and R&B music. The continued recognition of their contributions to music is evidenced by their enduring popularity, especially in live performances and revival concerts.
In summary, The Dramatics have left an indelible mark on the landscape of American soul music, characterized by their rich vocal blends and emotive storytelling, representing a significant part of Detroit's musical heritage.
The Dramatics found their breakthrough in the early 1970s with a series of hit records. They became particularly well-known for their singles such as "In the Rain," "Whatcha See is Whatcha Get," and "Hey You! Get Off My Mountain," which showcased their smooth vocal harmonies and emotive delivery. Their style effectively blended elements of soul and R&B, earning them a significant place in the genre during this time.
Throughout their three-decade career, The Dramatics have been celebrated for their live performances and continued relevance in the music industry. Despite facing personnel changes and challenges, the group maintained a dedicated fan base and enjoyed success with a variety of albums and singles, which often featured themes of love and relationships.
The Dramatics are regarded as one of the key figures in the Detroit soul scene, paralleling other legendary groups of the era. Their influence extended beyond their original hits, with many artists citing their work as inspiration for future generations in soul and R&B music. The continued recognition of their contributions to music is evidenced by their enduring popularity, especially in live performances and revival concerts.
In summary, The Dramatics have left an indelible mark on the landscape of American soul music, characterized by their rich vocal blends and emotive storytelling, representing a significant part of Detroit's musical heritage.
The Drifters
The Drifters formed in 1953 as a backing group for Clyde McPhatter, previously of Billy Ward and the Dominoes, under manager George Treadwell at Atlantic Records. They evolved into two distinct lineups, producing rhythm-and-blues and soul hits through the 1950s and 1960s, with over 60 members across decades.
The group started with McPhatter (lead), Bill Pinkney, Gerhart and Andrew Thrasher, and Willie Ferbee. Hits like "Money Honey" (1953, #1 R&B) and "White Christmas" (1954) defined their doo-wop sound. McPhatter left for solo work in 1955 after military service, leading to lineup shifts including Johnny Moore.
Treadwell fired the original group in 1958, hiring Ben E. King, Charlie Thomas, Doc Green, and Elsbeary Hobbs as the second Drifters. Under producers Jerry Leiber and Mike Stoller, they scored pop-soul smashes: "There Goes My Baby" (1959), "Save the Last Dance for Me" (1960, #1 pop), and "Up on the Roof" (1962).
King departed in 1960 for solo fame; Johnny Moore returned as lead into the 1990s. UK success followed in the 1970s with albums and top-40 hits. The group persists today, with inductions into halls of fame recognizing their influence on R&B and soul.
The group started with McPhatter (lead), Bill Pinkney, Gerhart and Andrew Thrasher, and Willie Ferbee. Hits like "Money Honey" (1953, #1 R&B) and "White Christmas" (1954) defined their doo-wop sound. McPhatter left for solo work in 1955 after military service, leading to lineup shifts including Johnny Moore.
Treadwell fired the original group in 1958, hiring Ben E. King, Charlie Thomas, Doc Green, and Elsbeary Hobbs as the second Drifters. Under producers Jerry Leiber and Mike Stoller, they scored pop-soul smashes: "There Goes My Baby" (1959), "Save the Last Dance for Me" (1960, #1 pop), and "Up on the Roof" (1962).
King departed in 1960 for solo fame; Johnny Moore returned as lead into the 1990s. UK success followed in the 1970s with albums and top-40 hits. The group persists today, with inductions into halls of fame recognizing their influence on R&B and soul.
The Emotions
The Emotions are an acclaimed American female vocal group hailing from Chicago, Illinois, known for their soulful sound and significant contributions to R&B and disco music. The group was formed in 1968 and originally consisted of three sisters: Sheila, Wanda, and Jeanette Hutchinson. They began their musical journey at a young age, singing gospel music in church, which laid the foundation for their future career in the music industry.
Initially, The Emotions performed as a gospel group before transitioning to secular music. They achieved mainstream success in the 1970s, with a distinctive sound characterized by their harmonies and vibrant arrangements. The group gained wider recognition with hits including "Best of My Love," which became one of their signature songs. Their music often blended elements of soul, R&B, and disco, reflecting the diverse influences that shaped their artistry.
The Emotions experienced notable success during their career, winning a Grammy Award and collaborating with high-profile artists, including Earth, Wind & Fire. Their ability to fuse various genres and appeal to a broad audience contributed to their longevity and relevance in the music industry.
The Emotions left an indelible mark on the music scene, influencing future generations of artists with their powerful vocal performances and memorable songs. Their contributions have cemented their status as one of the prominent female vocal groups in American music history.
Initially, The Emotions performed as a gospel group before transitioning to secular music. They achieved mainstream success in the 1970s, with a distinctive sound characterized by their harmonies and vibrant arrangements. The group gained wider recognition with hits including "Best of My Love," which became one of their signature songs. Their music often blended elements of soul, R&B, and disco, reflecting the diverse influences that shaped their artistry.
The Emotions experienced notable success during their career, winning a Grammy Award and collaborating with high-profile artists, including Earth, Wind & Fire. Their ability to fuse various genres and appeal to a broad audience contributed to their longevity and relevance in the music industry.
The Emotions left an indelible mark on the music scene, influencing future generations of artists with their powerful vocal performances and memorable songs. Their contributions have cemented their status as one of the prominent female vocal groups in American music history.
The Esquires
The Esquires were a prominent American R&B and soul group originating from Milwaukee, Wisconsin. They were active primarily from 1957 until 1976 and are best known for their contributions to the genre during that time.
The group was initially formed in 1957 and centered around the Moorer family, comprising Gilbert Moorer Jr., Alvis Moorer, and their cousin Betty Moorer. This family connection was crucial in establishing the group's foundation, and they began to develop their unique sound in the local music scene.
The Esquires' music blended elements of R&B and soul, and they became known for their harmonious vocals and engaging performances. They played a significant role in the Milwaukee music scene during the late 1950s and 1960s, gaining local fame and recognition due to their well-crafted songs and engaging stage presence.
Throughout their active years, The Esquires produced several recordings that contributed to their legacy in the R&B genre. However, specific details regarding their discography, hit singles, and broader achievements during their career are not included in the available information.
Discography Highlights:- Albums: Get on Up and Get Away (1967). Singles: "Get on Up" (1967); "And Get Away" (1967); "You've Got the Power" (1968); "Girls in the City" (1971). he group continued to perform and record sporadically through the 1970s, with a final charting release, "Get on Up '76," in 1976.
While the complete details of their career and achievements are limited, The Esquires are remembered as a significant part of Milwaukee's musical history and the evolution of soul music in America. Their influence and contributions to the R&B scene during their active years leave a lasting impression on music history.
The group was initially formed in 1957 and centered around the Moorer family, comprising Gilbert Moorer Jr., Alvis Moorer, and their cousin Betty Moorer. This family connection was crucial in establishing the group's foundation, and they began to develop their unique sound in the local music scene.
The Esquires' music blended elements of R&B and soul, and they became known for their harmonious vocals and engaging performances. They played a significant role in the Milwaukee music scene during the late 1950s and 1960s, gaining local fame and recognition due to their well-crafted songs and engaging stage presence.
Throughout their active years, The Esquires produced several recordings that contributed to their legacy in the R&B genre. However, specific details regarding their discography, hit singles, and broader achievements during their career are not included in the available information.
Discography Highlights:- Albums: Get on Up and Get Away (1967). Singles: "Get on Up" (1967); "And Get Away" (1967); "You've Got the Power" (1968); "Girls in the City" (1971). he group continued to perform and record sporadically through the 1970s, with a final charting release, "Get on Up '76," in 1976.
While the complete details of their career and achievements are limited, The Esquires are remembered as a significant part of Milwaukee's musical history and the evolution of soul music in America. Their influence and contributions to the R&B scene during their active years leave a lasting impression on music history.
The Facts Of Life
The Facts of Life was an American soul/disco trio formed in the 1970s, primarily produced by Millie Jackson. The group consisted of members Jean Davis, who is the sister of Tyrone Davis, along with Chuck Carter and Keith Williams. They initially recorded under the name "The Gospel Truth" before rebranding as The Facts of Life.
Their musical style incorporated elements of R&B, including deep soul and disco, which was characteristic of the era. The group's active years spanned from 1975 to 1978, during which they gained recognition for their soulful sound and energetic performances. The Facts of Life's notable contributions to the music scene during this period showcased the influence of gospel music in their work, reflecting their origins.
Despite their brief stint in the industry, The Facts of Life left a lasting impression within the soul and disco genres, thanks in part to their connection with Millie Jackson, a prominent figure in R&B music at the time.
Their musical style incorporated elements of R&B, including deep soul and disco, which was characteristic of the era. The group's active years spanned from 1975 to 1978, during which they gained recognition for their soulful sound and energetic performances. The Facts of Life's notable contributions to the music scene during this period showcased the influence of gospel music in their work, reflecting their origins.
Despite their brief stint in the industry, The Facts of Life left a lasting impression within the soul and disco genres, thanks in part to their connection with Millie Jackson, a prominent figure in R&B music at the time.
The Fantastic Four<div hidden>The Fantastic 4</div>
The Fantastics
The Fatback Band
The Fatback Band, also known simply as Fatback, was formed in New York City in 1970. It was the brainchild of Bill "Fatback" Curtis, an accomplished session drummer who envisioned a group that could merge various musical styles, particularly funk and R&B. The band's name, "Fatback," refers to a style of funky, heavy bass rhythms that they aimed to embody in their music.
The Fatback Band is recognized for its dynamic sound that evolved over the years. Initially rooted in street funk, they incorporated elements of disco and R&B into their music by the late 1970s. This hybridization allowed them to gain wider appeal, especially during the disco era, leading them to release a series of successful albums throughout the 1970s and 1980s. Their music not only showcased infectious grooves but also highlighted their versatility as a band.
The band is credited with pushing the boundaries of funk music, contributing significantly to the development of hip-hop and dance music. Over their career, they released over thirty-five albums, a testament to their prolific nature and dedication to crafting engaging music. Some of their notable albums include "The Fatback Band," "Is Back," and "Hot Box," which featured hit tracks that remained influential in various musical genres.
The Fatback Band's influence extends beyond their own recordings, having laid the groundwork for future artists in the funk and hip-hop genres. They have been recognized as pioneers within the music industry, earning respect and admiration from both fans and fellow musicians alike. Their ability to adapt and evolve their sound has allowed them to remain relevant in the music scene for decades, continuing to perform and record into the 2020s.
In summary, the Fatback Band is a remarkable ensemble with a rich history characterized by innovation in funk and disco music, distinguished by their contributions to the genres and their lasting impact on the music landscape.
The Fatback Band is recognized for its dynamic sound that evolved over the years. Initially rooted in street funk, they incorporated elements of disco and R&B into their music by the late 1970s. This hybridization allowed them to gain wider appeal, especially during the disco era, leading them to release a series of successful albums throughout the 1970s and 1980s. Their music not only showcased infectious grooves but also highlighted their versatility as a band.
The band is credited with pushing the boundaries of funk music, contributing significantly to the development of hip-hop and dance music. Over their career, they released over thirty-five albums, a testament to their prolific nature and dedication to crafting engaging music. Some of their notable albums include "The Fatback Band," "Is Back," and "Hot Box," which featured hit tracks that remained influential in various musical genres.
The Fatback Band's influence extends beyond their own recordings, having laid the groundwork for future artists in the funk and hip-hop genres. They have been recognized as pioneers within the music industry, earning respect and admiration from both fans and fellow musicians alike. Their ability to adapt and evolve their sound has allowed them to remain relevant in the music scene for decades, continuing to perform and record into the 2020s.
In summary, the Fatback Band is a remarkable ensemble with a rich history characterized by innovation in funk and disco music, distinguished by their contributions to the genres and their lasting impact on the music landscape.
The Floaters
The Floaters were an influential R&B vocal group formed in Detroit, Michigan, in 1976, emerging from the Sojourner Truth housing projects. The group's original lineup consisted of members Larry Cunningham, Charles Clark, Robert Palmer, and Paul Mitchell, with the addition of James Mitchell, a former member of The Detroit Emeralds, who played a pivotal role in the group’s formation and success.
The Floaters originated as a quartet in the early 1970s, known for their smooth harmonies and engaging stage presence. They gained significant popularity in local clubs before stepping into the recording studio. Their blend of soulful melodies and romantic lyrics resonated with audiences, allowing them to cultivate a dedicated fan base.
The group's breakthrough came with their self-titled debut album, which featured the hit single "Float On," released in 1977. The song became a massive success, reaching the top of the R&B charts and earning a spot on the Billboard Hot 100. It is characterized by its smooth groove and catchy chorus, which encapsulated the essence of 1970s soul music. The Floaters' unique style and sound set them apart in the crowded R&B scene of the time.
Although The Floaters' mainstream success was relatively brief, their music has endured over the years, influencing subsequent generations of artists in the soul and R&B genres. Their work is still celebrated for its emotional depth and vocal prowess, earning them a place in the history of American music.
The Floaters originated as a quartet in the early 1970s, known for their smooth harmonies and engaging stage presence. They gained significant popularity in local clubs before stepping into the recording studio. Their blend of soulful melodies and romantic lyrics resonated with audiences, allowing them to cultivate a dedicated fan base.
The group's breakthrough came with their self-titled debut album, which featured the hit single "Float On," released in 1977. The song became a massive success, reaching the top of the R&B charts and earning a spot on the Billboard Hot 100. It is characterized by its smooth groove and catchy chorus, which encapsulated the essence of 1970s soul music. The Floaters' unique style and sound set them apart in the crowded R&B scene of the time.
Although The Floaters' mainstream success was relatively brief, their music has endured over the years, influencing subsequent generations of artists in the soul and R&B genres. Their work is still celebrated for its emotional depth and vocal prowess, earning them a place in the history of American music.
The Four Tops
The Futures
The Gap Band
The Gap Band was an influential American R&B and funk band that emerged in the music scene during the 1970s and 1980s.
The band was founded in 1967 in Tulsa, Oklahoma, by the Wilson brothers: Charlie, Ronnie, and Robert. They were inspired to pursue music due to their upbringing as sons of a Pentecostal minister. Initially, they formed a different group that included Tuck Andress, but eventually settled on the name The Gap Band, which was derived from the names of three neighborhoods in Tulsa: Greenwood, Archer, and Pine.
The Gap Band gained prominence in the late 1970s and continued to rise throughout the '80s, becoming known for their unique blend of funk, soul, and R&B. The band's music style was heavily influenced by musical pioneers such as George Clinton and Stevie Wonder. Their success was marked by numerous hit songs, including "You Dropped a Bomb on Me," "Outstanding," and "Party Train," which showcased their standout musicianship and catchy melodies.
The Wilson brothers served as multi-instrumentalists, with Charlie Wilson taking on the role of lead vocalist. Their performances were characterized by high energy and engaging stage presence, contributing to their popularity during the disco and funk eras.
The Gap Band's influence extended beyond their own recordings, as they significantly contributed to the funk genre and influenced many artists in the years that followed. They were known for their ability to blend styles and create infectious rhythms that captivated audiences.
The Gap Band's music and legacy continue to resonate today, marking them as icons in the R&B and funk genres. Their ability to craft memorable hits and their contributions to the music industry have ensured that their work remains relevant in modern pop culture.
Although the group faced challenges over the years, including changes in the music industry and personal issues, their impact on the sound of funk and R&B is undeniable, and they are celebrated for their classic tracks and the energetic spirit they brought to their performances.
In summary, The Gap Band was a significant musical force characterized by the talents of the Wilson brothers and their ability to create timeless music, solidifying their place in the annals of American music history.
The band was founded in 1967 in Tulsa, Oklahoma, by the Wilson brothers: Charlie, Ronnie, and Robert. They were inspired to pursue music due to their upbringing as sons of a Pentecostal minister. Initially, they formed a different group that included Tuck Andress, but eventually settled on the name The Gap Band, which was derived from the names of three neighborhoods in Tulsa: Greenwood, Archer, and Pine.
The Gap Band gained prominence in the late 1970s and continued to rise throughout the '80s, becoming known for their unique blend of funk, soul, and R&B. The band's music style was heavily influenced by musical pioneers such as George Clinton and Stevie Wonder. Their success was marked by numerous hit songs, including "You Dropped a Bomb on Me," "Outstanding," and "Party Train," which showcased their standout musicianship and catchy melodies.
The Wilson brothers served as multi-instrumentalists, with Charlie Wilson taking on the role of lead vocalist. Their performances were characterized by high energy and engaging stage presence, contributing to their popularity during the disco and funk eras.
The Gap Band's influence extended beyond their own recordings, as they significantly contributed to the funk genre and influenced many artists in the years that followed. They were known for their ability to blend styles and create infectious rhythms that captivated audiences.
The Gap Band's music and legacy continue to resonate today, marking them as icons in the R&B and funk genres. Their ability to craft memorable hits and their contributions to the music industry have ensured that their work remains relevant in modern pop culture.
Although the group faced challenges over the years, including changes in the music industry and personal issues, their impact on the sound of funk and R&B is undeniable, and they are celebrated for their classic tracks and the energetic spirit they brought to their performances.
In summary, The Gap Band was a significant musical force characterized by the talents of the Wilson brothers and their ability to create timeless music, solidifying their place in the annals of American music history.
The Hesitations
The Hesitations were an influential vocal group from Cleveland, Ohio, formed in 1965 and known for their soulful renditions of popular melodies. They gained prominence in the late 1960s, particularly with their hit single "Soul Superman," which marked their entry into the music industry and allowed them to venture into album production thereafter.
Their distinctive sound is characterized by a blend of Rhythm and Blues, Soul, Jazz, and Blues, showcasing their vocal strengths and musical versatility. The group included members such as George Hendricks on vocals, among others, and they were noted for their ability to infuse soulful elements into mainstream pop music.
One of their most well-received albums is "The New Born Free," released in 1968, which features tracks like "I've Gotta Find Her" and "Love Is Everywhere." These songs represent the group's style effectively, combining rich harmonies with catchy melodies.
After one of the groups singers George "King" Scott was accidentally shot and killed in February 1968, the group disbanded. The Hesitations regrouped in 2006 with new members and began performing and recording once again. Members included brothers George and Charles Scott, Fred Deal, Robert Sheppard, Arthur Blakely, Phillip Dorroh, and Leonard Veal.
Overall, The Hesitations are remembered for their contributions to the Soul genre and the impact they had during their active years in the music scene.
Their distinctive sound is characterized by a blend of Rhythm and Blues, Soul, Jazz, and Blues, showcasing their vocal strengths and musical versatility. The group included members such as George Hendricks on vocals, among others, and they were noted for their ability to infuse soulful elements into mainstream pop music.
One of their most well-received albums is "The New Born Free," released in 1968, which features tracks like "I've Gotta Find Her" and "Love Is Everywhere." These songs represent the group's style effectively, combining rich harmonies with catchy melodies.
After one of the groups singers George "King" Scott was accidentally shot and killed in February 1968, the group disbanded. The Hesitations regrouped in 2006 with new members and began performing and recording once again. Members included brothers George and Charles Scott, Fred Deal, Robert Sheppard, Arthur Blakely, Phillip Dorroh, and Leonard Veal.
Overall, The Hesitations are remembered for their contributions to the Soul genre and the impact they had during their active years in the music scene.
The Impressions
The Independents
The Intruders
The Intruders were an influential American soul music vocal group that emerged in the 1960s, primarily recognized for their contributions to the Philadelphia soul sound. They were initially formed around 1960 and originally comprised members Sam "Little Sonny" Brown, Eugene "Bird" Daughtry, Phillip "Phil" Terry, and Robert "Big Sonny" Edwards. Their formation was marked by an interesting anecdote; they earned their name "The Intruders" by crashing a party, which led to their label as "intruders" in the music scene.
Initially starting as a doo-wop group, The Intruders found their roots in gospel music, which heavily influenced their vocal style and harmonies. They performed in and around Philadelphia, gradually gaining attention and recognition. Their first single, "I'm Sold On You," was released in 1960 on the Gowen label, marking the beginning of their recording career.
The group gained significant popularity in the 1960s and 1970s, especially as one of the pioneering acts for the Philadelphia soul production team of Kenny Gamble and Leon Huff, who later became prominent figures in the genre. Their music combined elements of soul, R&B, and pop, which contributed to their success and helped to define the sound characteristic of that era.
Throughout their career, The Intruders released several hit records, with their most notable songs including "Cowboys to Girls," which became a major hit in 1969. They remained active in the music industry until the 1980s, transitioning through various musical styles while maintaining their core sound.
The Intruders' legacy is marked by their unique sound and the impact they had on the Philadelphia soul scene, influencing many artists that followed. Their work continues to be celebrated and recognized for its contribution to the evolution of soul music in the United States.
Initially starting as a doo-wop group, The Intruders found their roots in gospel music, which heavily influenced their vocal style and harmonies. They performed in and around Philadelphia, gradually gaining attention and recognition. Their first single, "I'm Sold On You," was released in 1960 on the Gowen label, marking the beginning of their recording career.
The group gained significant popularity in the 1960s and 1970s, especially as one of the pioneering acts for the Philadelphia soul production team of Kenny Gamble and Leon Huff, who later became prominent figures in the genre. Their music combined elements of soul, R&B, and pop, which contributed to their success and helped to define the sound characteristic of that era.
Throughout their career, The Intruders released several hit records, with their most notable songs including "Cowboys to Girls," which became a major hit in 1969. They remained active in the music industry until the 1980s, transitioning through various musical styles while maintaining their core sound.
The Intruders' legacy is marked by their unique sound and the impact they had on the Philadelphia soul scene, influencing many artists that followed. Their work continues to be celebrated and recognized for its contribution to the evolution of soul music in the United States.
The Isley Brothers
The Isley Brothers are an iconic American soul and R&B group originating from Cincinnati, Ohio. They were established in 1954 as a vocal trio composed of the brothers O'Kelly Isley Jr., Ronald Isley, and Vernon Isley. Initially starting their music career as a gospel quartet in the mid-1950s, they performed in churches throughout Cincinnati, often accompanied by their mother on piano.
The group underwent various transformations in its lineup during the 1960s, most notably the addition of younger brother Rudolph Isley and the inclusion of other members over the years. Their music style evolved significantly from gospel to incorporate rock, funk, and soul elements, aligning them with the changing musical landscape of the times.
The Isley Brothers' early recordings, which began in the late 1950s, helped to lay a foundation for their future success. They achieved significant recognition with hits such as "Shout," "Twist and Shout," and later, "It's Your Thing," which showcased their ability to blend different genres while delivering compelling vocal performances.
Their influence has been profound, not just in the realms of R&B and soul but also in the rock genre, with subsequent artists citing them as inspirations.
Throughout their career, The Isley Brothers have navigated shifts in the music industry, adapting their sound and production methods while still maintaining their core identity. They have enjoyed continuous success from the 1960s through the 2000s, with numerous hits and a reputation for energetic performances.
In summary, The Isley Brothers are a seminal music group whose rich history reflects their talent, versatility, and enduring appeal in the music industry. Their journey from a gospel quartet to a pioneering force in soul and R&B illustrates their significant contributions to music culture over several decades.
The group underwent various transformations in its lineup during the 1960s, most notably the addition of younger brother Rudolph Isley and the inclusion of other members over the years. Their music style evolved significantly from gospel to incorporate rock, funk, and soul elements, aligning them with the changing musical landscape of the times.
The Isley Brothers' early recordings, which began in the late 1950s, helped to lay a foundation for their future success. They achieved significant recognition with hits such as "Shout," "Twist and Shout," and later, "It's Your Thing," which showcased their ability to blend different genres while delivering compelling vocal performances.
Their influence has been profound, not just in the realms of R&B and soul but also in the rock genre, with subsequent artists citing them as inspirations.
Throughout their career, The Isley Brothers have navigated shifts in the music industry, adapting their sound and production methods while still maintaining their core identity. They have enjoyed continuous success from the 1960s through the 2000s, with numerous hits and a reputation for energetic performances.
In summary, The Isley Brothers are a seminal music group whose rich history reflects their talent, versatility, and enduring appeal in the music industry. Their journey from a gospel quartet to a pioneering force in soul and R&B illustrates their significant contributions to music culture over several decades.
The Jackson 5 <div hidden>The Jackson Five The Jacksons</div>
The Jackson 5, one of the most iconic family bands in music history, formed in Gary, Indiana, in the mid-1960s under the strict guidance of their father, Joe Jackson. Composed of brothers Jackie, Tito, Jermaine, Marlon, and the young Michael Jackson as lead vocalist, they rose from local talent shows to global stardom with Motown Records.
The group started when Joe Jackson noticed his sons' musical talent around 1964, initially with Jackie (born 1951), Tito (born 1953), and Jermaine (born 1954) playing instruments like guitar and bass. Marlon (born 1957) and five-year-old Michael (born 1958) soon joined, adding tambourine, congas, and dynamic vocals; they performed under names like the Jackson Brothers before settling on Jackson 5. Early wins included a 1966 local contest covering "My Girl" and a 1967 Apollo Theater victory that drew Gladys Knight's attention.
Signed to Motown in 1968 through Bobby Taylor and Berry Gordy, the group moved to California and debuted "I Want You Back" in October 1969, which hit number one. They followed with consecutive chart-toppers "ABC," "The Love You Save," and "I'll Be There" in 1970, blending bubblegum pop, soul, and precise choreography that captivated audiences. Their youthful energy and Afros made them trailblazers as one of the first major African American boy bands.
Motown tensions led most brothers (except Jermaine, who stayed) to leave for Epic Records in 1976, renaming to the Jacksons and adding brother Randy (born 1962). They released albums like G.I.T. and toured successfully, including the 1984 Victory Tour overshadowed by injuries and conflicts; Michael and later Marlon departed for solo paths. By then, they had sold over 100 million records worldwide.
The Jackson 5's influence endures through hits, inductions into the Rock and Roll Hall of Fame (1997 as Jackson 5, 1997 as the Jacksons), and family dynamics marked by Joe's management and Katherine Jackson's support. Reunions occurred sporadically, like 2001's Michael tribute, but ended with Tito's death in 2024; they remain a cornerstone of pop-soul history.
The group started when Joe Jackson noticed his sons' musical talent around 1964, initially with Jackie (born 1951), Tito (born 1953), and Jermaine (born 1954) playing instruments like guitar and bass. Marlon (born 1957) and five-year-old Michael (born 1958) soon joined, adding tambourine, congas, and dynamic vocals; they performed under names like the Jackson Brothers before settling on Jackson 5. Early wins included a 1966 local contest covering "My Girl" and a 1967 Apollo Theater victory that drew Gladys Knight's attention.
Signed to Motown in 1968 through Bobby Taylor and Berry Gordy, the group moved to California and debuted "I Want You Back" in October 1969, which hit number one. They followed with consecutive chart-toppers "ABC," "The Love You Save," and "I'll Be There" in 1970, blending bubblegum pop, soul, and precise choreography that captivated audiences. Their youthful energy and Afros made them trailblazers as one of the first major African American boy bands.
Motown tensions led most brothers (except Jermaine, who stayed) to leave for Epic Records in 1976, renaming to the Jacksons and adding brother Randy (born 1962). They released albums like G.I.T. and toured successfully, including the 1984 Victory Tour overshadowed by injuries and conflicts; Michael and later Marlon departed for solo paths. By then, they had sold over 100 million records worldwide.
The Jackson 5's influence endures through hits, inductions into the Rock and Roll Hall of Fame (1997 as Jackson 5, 1997 as the Jacksons), and family dynamics marked by Joe's management and Katherine Jackson's support. Reunions occurred sporadically, like 2001's Michael tribute, but ended with Tito's death in 2024; they remain a cornerstone of pop-soul history.
The Jackson Southernaires
The Jones Girls
The Joneses
The Mad Lads
The Main Ingredient
The Manhattans
American R&B vocal group, The Manhattans, were formed in 1962 in Jersey City, New Jersey. Known for their smooth soul and "doo-wop" rooted harmonies, they achieved significant success on the Billboard charts for over four decades. The original quintet consisted of George "Smitty" Smith, Winfred "Blue" Lovett, Edward "Sonny" Bivins, Kenneth "Wally" Kelly, and Richard "Ricky" Taylor. The members grew up together and sang in high school, but didn't focus on a professional career until they returned from military service.
They signed with Carnival Records in 1964, scoring their first R&B hit with "I Wanna Be (Your Everything)" in 1965. In 1970, just as the group signed with Columbia Records, lead singer George Smith fell ill and passed away from a brain tumor. Following Smith's death, the group recruited Gerald Alston, whose smooth, pop-friendly style helped the group transition into mainstream success.
"Kiss and Say Goodbye" (1976), written by Blue Lovett, became their signature song, reaching #1 on both the Billboard Pop and R&B charts. It was the second single in history to be certified platinum by the RIAA. "Shining Star" (1980): earned the group a Grammy Award in 1981 and reached #5 on the Hot 100.
Richard Taylor left in 1976 to focus on his conversion to Islam. In the mid-1980s, the group briefly added Regina Belle, who recorded the duet "Where Did We Go Wrong" with Alston. Gerald Alston left in 1988 for a solo career with Motown. This eventually led to the existence of two different versions of the group for several years—one led by Sonny Bivins and another featuring Alston and Blue Lovett.
Between 2014 and 2015, the remaining original members—Sonny Bivins, Blue Lovett, and Wally Kelly—all passed away.
In September 2024, the group was inducted into the Atlantic City Walk of Fame. Gerald Alston continues to lead a version of the group, performing their legacy hits globally as of 2025.
They signed with Carnival Records in 1964, scoring their first R&B hit with "I Wanna Be (Your Everything)" in 1965. In 1970, just as the group signed with Columbia Records, lead singer George Smith fell ill and passed away from a brain tumor. Following Smith's death, the group recruited Gerald Alston, whose smooth, pop-friendly style helped the group transition into mainstream success.
"Kiss and Say Goodbye" (1976), written by Blue Lovett, became their signature song, reaching #1 on both the Billboard Pop and R&B charts. It was the second single in history to be certified platinum by the RIAA. "Shining Star" (1980): earned the group a Grammy Award in 1981 and reached #5 on the Hot 100.
Richard Taylor left in 1976 to focus on his conversion to Islam. In the mid-1980s, the group briefly added Regina Belle, who recorded the duet "Where Did We Go Wrong" with Alston. Gerald Alston left in 1988 for a solo career with Motown. This eventually led to the existence of two different versions of the group for several years—one led by Sonny Bivins and another featuring Alston and Blue Lovett.
Between 2014 and 2015, the remaining original members—Sonny Bivins, Blue Lovett, and Wally Kelly—all passed away.
In September 2024, the group was inducted into the Atlantic City Walk of Fame. Gerald Alston continues to lead a version of the group, performing their legacy hits globally as of 2025.
The Marvelettes
The Mask Man
Maskman and the Agents (aka The Mask Man group) was an American R&B and soul band that emerged in the 1960s. They were known for their distinctive sound and were particularly popular during the late 1960s and early 1970s.
The group was formed in 1964 in Washington, DC, and consisted of various musicians, with lead vocals handled by Harmon "Maskman" Bethea, originally from South Carolina. Bethea's musical journey led him to settle in the DC area after serving in the military, contributing significantly to the band's style and identity.
Maskman and the Agents achieved notable success with a couple of national hits, including "One Eye Open" and "My Woman, My Dog and My Cat" in the late 1960s. Their songs reflect the popular styles of the time, blending elements of soul and R&B that resonated with a wide audience.
The band's discography includes various singles and albums, with "My Wife, My Dog, My Cat / Love Bandito" being one of their notable releases from 1969. Their music is available on platforms like Discogs, where fans can explore their albums and listen to their tracks.
Maskman and the Agents left a mark in the R&B and soul genres during their active years, and their music continues to be celebrated for its contributions to the era's musical landscape.
In summary, Maskman and the Agents were a significant part of the late 1960s musical scene, gaining recognition for their unique sound and memorable hits.
The group was formed in 1964 in Washington, DC, and consisted of various musicians, with lead vocals handled by Harmon "Maskman" Bethea, originally from South Carolina. Bethea's musical journey led him to settle in the DC area after serving in the military, contributing significantly to the band's style and identity.
Maskman and the Agents achieved notable success with a couple of national hits, including "One Eye Open" and "My Woman, My Dog and My Cat" in the late 1960s. Their songs reflect the popular styles of the time, blending elements of soul and R&B that resonated with a wide audience.
The band's discography includes various singles and albums, with "My Wife, My Dog, My Cat / Love Bandito" being one of their notable releases from 1969. Their music is available on platforms like Discogs, where fans can explore their albums and listen to their tracks.
Maskman and the Agents left a mark in the R&B and soul genres during their active years, and their music continues to be celebrated for its contributions to the era's musical landscape.
In summary, Maskman and the Agents were a significant part of the late 1960s musical scene, gaining recognition for their unique sound and memorable hits.
The Masqueraders
The Masqueraders are a long-lasting American soul group formed in the late 1950s in Dallas, Texas. Known for their harmonious deep soul sound and enduring career spanning over 50 years, they never achieved major mainstream fame but built a loyal following in Northern soul circles.
The group started in 1958 as middle-schoolers at TC Haskell School, with Charlie Moore on lead vocals, Robert "Tex" Wrightsil on first tenor, brothers Johnny and Lawrence Davis on second and third tenor, and "Little" Charlie Gibson on bass. Initially called "the Stairs," they evolved through lineup changes, adopting the name The Masqueraders while performing hits by popular groups in disguise at local clubs.
Early members included Harold "Sundance" Thomas, Lee Wesley Jones (later Lee Hatim after converting to Islam), David Sanders, Orberdean "Deano" Deloney, and others like Willie Charles Gray who filled in during military service. By the 1970s, the core touring and recording group featured Robert Wrightsil, Harold Thomas, Charlie Moore (until health issues), Lee Jones, Sam Hutchins, and David Sanders.
They recorded their first notable tracks in 1965 for Soultown Records, including the Northern soul favorite "Talk About a Woman." In the 1970s, they worked with Willie Mitchell at Hi Records and Isaac Hayes' HBS label, releasing albums Everybody Wanna Live On (1975) and Love Anonymous (1975), plus a self-titled LP on Bang in 1980. Despite label troubles and unreleased demos, they maintained relentless touring.
Inducted into a soul hall of fame in 2014, the group continues as a trio with Robert "Tex" Wrightsil and Harold Thomas among originals, celebrated for perseverance and rich harmonies. Their story reflects deep soul's gritty underbelly, with production ties to Memphis legends like Willie Mitchell and studios behind hits by Aretha Franklin and others.
The group started in 1958 as middle-schoolers at TC Haskell School, with Charlie Moore on lead vocals, Robert "Tex" Wrightsil on first tenor, brothers Johnny and Lawrence Davis on second and third tenor, and "Little" Charlie Gibson on bass. Initially called "the Stairs," they evolved through lineup changes, adopting the name The Masqueraders while performing hits by popular groups in disguise at local clubs.
Early members included Harold "Sundance" Thomas, Lee Wesley Jones (later Lee Hatim after converting to Islam), David Sanders, Orberdean "Deano" Deloney, and others like Willie Charles Gray who filled in during military service. By the 1970s, the core touring and recording group featured Robert Wrightsil, Harold Thomas, Charlie Moore (until health issues), Lee Jones, Sam Hutchins, and David Sanders.
They recorded their first notable tracks in 1965 for Soultown Records, including the Northern soul favorite "Talk About a Woman." In the 1970s, they worked with Willie Mitchell at Hi Records and Isaac Hayes' HBS label, releasing albums Everybody Wanna Live On (1975) and Love Anonymous (1975), plus a self-titled LP on Bang in 1980. Despite label troubles and unreleased demos, they maintained relentless touring.
Inducted into a soul hall of fame in 2014, the group continues as a trio with Robert "Tex" Wrightsil and Harold Thomas among originals, celebrated for perseverance and rich harmonies. Their story reflects deep soul's gritty underbelly, with production ties to Memphis legends like Willie Mitchell and studios behind hits by Aretha Franklin and others.
The Memphis Horns
The Meters
The Meters are a pioneering American funk band that originated in New Orleans in 1965. The original lineup consisted of drummer Zigaboo Modeliste, bassist George Porter Jr., guitarist Leo Nocentelli, and keyboardist Art Neville. They are often credited as the foundational architects of funk music, having created a distinctive sound characterized by tight rhythms and syncopated grooves, which became influential throughout the 1960s and 1970s and continues to resonate in modern music.
The band's iconic tracks include "Cissy Strut," "Sophisticated Cissy," and "Ease Back," showcasing their innovative approach to rhythm and melody. Their music reflects the diverse cultural influences of New Orleans and has been celebrated for its contribution to the funk genre. Despite undergoing various lineup changes over the years, The Meters have remained an enduring presence in the music scene, widely respected for their groundbreaking work and influence on subsequent generations of musicians.
In addition to their original material, they have served as a backing band for numerous artists, cementing their reputation within the wider music community. The Meters' legacy is still evident today as they continue to perform and inspire new acts in the funk and broader music world.
The band's iconic tracks include "Cissy Strut," "Sophisticated Cissy," and "Ease Back," showcasing their innovative approach to rhythm and melody. Their music reflects the diverse cultural influences of New Orleans and has been celebrated for its contribution to the funk genre. Despite undergoing various lineup changes over the years, The Meters have remained an enduring presence in the music scene, widely respected for their groundbreaking work and influence on subsequent generations of musicians.
In addition to their original material, they have served as a backing band for numerous artists, cementing their reputation within the wider music community. The Meters' legacy is still evident today as they continue to perform and inspire new acts in the funk and broader music world.
The Mighty Clouds Of Joy
The Miracles
The Mirettes
The Modulations
The Modulations were an American R&B and soul vocal group formed in Durham, North Carolina, around 1970. Known for their sophisticated harmonies, they are best recognized for their 1975 album It’s Rough Out Here. The group consisted of four singer-songwriters: Larry "Little Nick" Allen, Larry Duncan, Hoyle (or Hoyal) Saunders and Henry Channelle (or Chanel).
Originally known as The Pimps, they began singing together in Durham by 1970. Although based in Durham, their primary recordings were made at Sigma Sound Studios in Philadelphia. They collaborated with legendary figures of the "Philly Sound," including arrangers Norman Harris, Vince Montana, and Ronald Baker, and were backed by the house band MFSB.
After an early release on the Mozel label, The Modulations came under the management of local entrepreneur Henry Bates and signed a deal with Buddah Records, a national concern. Although they were from North Carolina, their recordings for Buddah were laid down at the famous Sigma Sound Studios in Philadelphia, utilizing the city's top-tier 'Philly sound' musicians and arrangers, including members of MFSB (Mother Father Sister Brother).
Their most notable album, the self-produced It's Rough Out Here, was released in 1975 and included arrangements by Vince Montana, Norman Harris, and Ronnie Baker. The album was successful on the U.S. R&B charts and became popular within the UK soul scene. Key Singles: "I'm Hopelessly in Love" (1973) and "I Can't Fight Your Love" (1974). Core Album: It's Rough Out Here (1975), which featured the popular title track and "What Good Am I".
The group is highly regarded in the UK Northern Soul and modern soul scenes. Their music is a staple of "Bull City Soul," representing Durham's peak R&B era.
Originally known as The Pimps, they began singing together in Durham by 1970. Although based in Durham, their primary recordings were made at Sigma Sound Studios in Philadelphia. They collaborated with legendary figures of the "Philly Sound," including arrangers Norman Harris, Vince Montana, and Ronald Baker, and were backed by the house band MFSB.
After an early release on the Mozel label, The Modulations came under the management of local entrepreneur Henry Bates and signed a deal with Buddah Records, a national concern. Although they were from North Carolina, their recordings for Buddah were laid down at the famous Sigma Sound Studios in Philadelphia, utilizing the city's top-tier 'Philly sound' musicians and arrangers, including members of MFSB (Mother Father Sister Brother).
Their most notable album, the self-produced It's Rough Out Here, was released in 1975 and included arrangements by Vince Montana, Norman Harris, and Ronnie Baker. The album was successful on the U.S. R&B charts and became popular within the UK soul scene. Key Singles: "I'm Hopelessly in Love" (1973) and "I Can't Fight Your Love" (1974). Core Album: It's Rough Out Here (1975), which featured the popular title track and "What Good Am I".
The group is highly regarded in the UK Northern Soul and modern soul scenes. Their music is a staple of "Bull City Soul," representing Durham's peak R&B era.
The Moments
The Moments were an influential American R&B and soul vocal group formed in Washington, D.C., in the mid-1960s. They gained fame in the 1970s with smooth harmonies and hits like "Love on a Two-Way Street," "Sexy Mama," and "Look at Me (I'm in Love)." Due to a legal dispute in 1979, the core trio—Harry Ray, Al Goodman, and Billy Brown—renamed themselves Ray, Goodman & Brown and continued success with tracks like "Special Lady."
The group started with original members Mark Greene (lead on early hits), Eric Olfus Sr., Richard Gross, and John Morgan. Signed to Hog Records in 1965 by the Mizell Brothers and Freddie Perren at Howard University, they released "Baby I Want You" b/w "Pray for Me." Discovered by Ed Townsend in 1968, they joined Stang Records, scoring their first hit "Not on the Outside" (R&B #13, Pop #57).
By the mid-1970s, as a trio after Greene and Gross departed, they notched 27 R&B chart entries, including "Dolly My Love" (#10 UK) and "Jack in the Box" (#7 UK). They released a live album from a women's prison in 1972, peaking at #25 on Billboard's R&B chart. Transitioning to Polydor couldn't use "The Moments," leading to the name change.
A separate Moments lineup with Mark Greene toured into recent years until his death in May 2025. Harry Ray passed in 1992 (replaced by Kevin Owens), and Al Goodman in 2010. Known for emotive ballads, they influenced sweet soul harmony groups.
The group started with original members Mark Greene (lead on early hits), Eric Olfus Sr., Richard Gross, and John Morgan. Signed to Hog Records in 1965 by the Mizell Brothers and Freddie Perren at Howard University, they released "Baby I Want You" b/w "Pray for Me." Discovered by Ed Townsend in 1968, they joined Stang Records, scoring their first hit "Not on the Outside" (R&B #13, Pop #57).
By the mid-1970s, as a trio after Greene and Gross departed, they notched 27 R&B chart entries, including "Dolly My Love" (#10 UK) and "Jack in the Box" (#7 UK). They released a live album from a women's prison in 1972, peaking at #25 on Billboard's R&B chart. Transitioning to Polydor couldn't use "The Moments," leading to the name change.
A separate Moments lineup with Mark Greene toured into recent years until his death in May 2025. Harry Ray passed in 1992 (replaced by Kevin Owens), and Al Goodman in 2010. Known for emotive ballads, they influenced sweet soul harmony groups.
The Natural Four
The Natural Four was a Bay Area soul group formed in 1967, known for hits like "Can This Be Real," evolving from local success on Boola-Boola Records (with original members like Chris James, Allen Richardson, John January, Al Bowden) to a major-label breakthrough on Curtom Records (with new members Delmos Whitley, Darryl Cannady, Steve Striplin) in the 1970s, achieving their biggest chart success with "Can This Be Real" in 1974.
The group started in Berkeley, CA, with Chris James (lead), Allen Richardson, John January, and Al Bowden. They gained local fame with "I Thought You Were Mine" on Boola-Boola Records, selling 30,000 copies and hitting #7 on KSOL/KDIA charts. They signed with ABC Records and later Chess Records, but success was limited, with Chess releasing "Give a Little Love" in 1971.
Chris James revamped the group in 1972, bringing in Darryl Cannady, Steve Striplin, and Delmos Whitley (often the lead). The new lineup signed with Curtis Mayfield's label, producing several R&B hits. Their biggest breakthrough came in 1974 with "Can This Be Real," a #31 Pop and #10 R&B hit, featuring "Try Love Again" as its B-side.
The group disbanded around 1976, though their music remained popular, especially rare groove tracks. Known for their smooth sound and tight harmonies, the Natural Four were an important part of the 70s soul scene, with "Can This Be Real" remaining a classic.
The group started in Berkeley, CA, with Chris James (lead), Allen Richardson, John January, and Al Bowden. They gained local fame with "I Thought You Were Mine" on Boola-Boola Records, selling 30,000 copies and hitting #7 on KSOL/KDIA charts. They signed with ABC Records and later Chess Records, but success was limited, with Chess releasing "Give a Little Love" in 1971.
Chris James revamped the group in 1972, bringing in Darryl Cannady, Steve Striplin, and Delmos Whitley (often the lead). The new lineup signed with Curtis Mayfield's label, producing several R&B hits. Their biggest breakthrough came in 1974 with "Can This Be Real," a #31 Pop and #10 R&B hit, featuring "Try Love Again" as its B-side.
The group disbanded around 1976, though their music remained popular, especially rare groove tracks. Known for their smooth sound and tight harmonies, the Natural Four were an important part of the 70s soul scene, with "Can This Be Real" remaining a classic.
The Neville Brothers
The O’Jays<div hidden>The O Jays The OJays</div>
The O'Jays are an iconic American R&B and soul group from Canton, Ohio, best known as pioneers of the Philadelphia soul sound. Formed in 1958, the group achieved legendary status in the 1970s with a string of socially conscious and romantic hits.
The group was founded by high school classmates Eddie Levert, Walter Williams, William Powell, Bobby Massey, and Bill Isles. They originally performed as The Triumphs (1958) and The Mascots (1960) before renaming themselves The O’Jays in 1963 as a tribute to Cleveland DJ Eddie O’Jay.
Their first national chart appearance came in 1963 with the minor hit "Lonely Drifter". Bill Isles departed in 1965, and Bobby Massey left in 1971, leaving the group as the classic trio of Levert, Williams, and Powell.
The group's career skyrocketed after signing with producers Kenny Gamble and Leon Huff at Philadelphia International Records in 1972. They defined the "Sound of Philadelphia" with massive hits including: "Back Stabbers" (1972): Their first million-selling single; "Love Train" (1973): A global anthem of unity that topped the Billboard Hot 100; "For the Love of Money" (1973): A Grammy-nominated, socially conscious track.
In 1975, founding member William Powell retired due to a terminal cancer diagnosis and passed away in 1977. He was replaced by Sammy Strain, formerly of Little Anthony & the Imperials. The group continued to chart throughout the 1980s with hits like "Use Ta Be My Girl" (1978) and "Lovin' You" (1987). Their final studio album, The Last Word, was released in 2019.
The O'Jays have been widely recognized for their influence on R&B and soul:- Hall of Fame Inductions: Vocal Group Hall of Fame (2004), Rock and Roll Hall of Fame (2005), and National Rhythm & Blues Hall of Fame (2013); Lifetime Achievement: Recipient of the BET Lifetime Achievement Award (2009).
Commercial Success: The group has earned 10 Gold albums and 9 Platinum albums throughout their career.
The group was founded by high school classmates Eddie Levert, Walter Williams, William Powell, Bobby Massey, and Bill Isles. They originally performed as The Triumphs (1958) and The Mascots (1960) before renaming themselves The O’Jays in 1963 as a tribute to Cleveland DJ Eddie O’Jay.
Their first national chart appearance came in 1963 with the minor hit "Lonely Drifter". Bill Isles departed in 1965, and Bobby Massey left in 1971, leaving the group as the classic trio of Levert, Williams, and Powell.
The group's career skyrocketed after signing with producers Kenny Gamble and Leon Huff at Philadelphia International Records in 1972. They defined the "Sound of Philadelphia" with massive hits including: "Back Stabbers" (1972): Their first million-selling single; "Love Train" (1973): A global anthem of unity that topped the Billboard Hot 100; "For the Love of Money" (1973): A Grammy-nominated, socially conscious track.
In 1975, founding member William Powell retired due to a terminal cancer diagnosis and passed away in 1977. He was replaced by Sammy Strain, formerly of Little Anthony & the Imperials. The group continued to chart throughout the 1980s with hits like "Use Ta Be My Girl" (1978) and "Lovin' You" (1987). Their final studio album, The Last Word, was released in 2019.
The O'Jays have been widely recognized for their influence on R&B and soul:- Hall of Fame Inductions: Vocal Group Hall of Fame (2004), Rock and Roll Hall of Fame (2005), and National Rhythm & Blues Hall of Fame (2013); Lifetime Achievement: Recipient of the BET Lifetime Achievement Award (2009).
Commercial Success: The group has earned 10 Gold albums and 9 Platinum albums throughout their career.
The Ohio Players
The Ohio Players are a legendary funk and R&B band formed in Dayton, Ohio, in 1959, renowned for pioneering "street funk" with massive hits in the 1970s. They evolved from backing the Falcons to chart-topping success on labels like Westbound and Mercury, blending R&B, rock, jazz, and bold album art.
Originally the Ohio Untouchables, the band started with Robert Ward (vocals/guitar), Marshall "Rock" Jones (bass), Clarence "Satch" Satchell (sax/guitar), Cornelius Johnson (drums), and Ralph "Pee Wee" Middlebrooks (trumpet/trombone). They backed R&B acts like the Falcons (featuring early Wilson Pickett) before renaming in 1967 and hitting with singles on smaller labels. By 1971 on Westbound, additions like Leroy "Sugarfoot" Bonner (vocals/guitar), Bruce Napier (trumpet), Charles Dale Allen (vocals), Marvin Pierce (trombone), and Walter "Junie" Morrison (keyboards) fueled their breakthrough "Pain."
Mercury Records era (1974-1977) brought platinum albums Skin Tight, Fire, Honey, and Contradiction, plus #1 pop hits "Fire" and "Love Rollercoaster" and R&B smashes like "Funky Worm" and "Sweet Sticky Thing." Keyboardist Junie Morrison left post-"Funky Worm" for Parliament-Funkadelic; Billy Beck replaced him, with James "Diamond" Williams on drums solidifying the core sound influenced by Sly & the Family Stone. Their risqué covers and Midwestern blues-funk style impacted groups like Lakeside and Zapp.
Role Classic/Early Members Later/Current Notes
Vocals/Guitar Leroy "Sugarfoot" Bonner (d. 2013), Robert Ward (d. 2008) Clarence "Chet" Willis (lead guitar, d. April 2025)
Bass Marshall "Rock" Jones (d. 2016) Eric EQ Young
Drums James "Diamond" Williams (original, ongoing) Director/drummer #72
Keyboards Walter "Junie" Morrison (d. 2017), Billy Beck (original, ongoing) Ronald Nooks
Horns Clarence Satchell (d. 1995), Ralph Middlebrooks (d. 1996), Marvin Pierce Kenny Anderson (trumpet), Johnny Cotton (trombone), Mike Allemby (sax)
Guitar - Chris Bowman (lead/rhythm)
The band continues touring with originals like Williams, Beck, and Willis (until 2025), emphasizing live performances over retirement. They remain Dayton's funk icons, with over a dozen members across eras.
Originally the Ohio Untouchables, the band started with Robert Ward (vocals/guitar), Marshall "Rock" Jones (bass), Clarence "Satch" Satchell (sax/guitar), Cornelius Johnson (drums), and Ralph "Pee Wee" Middlebrooks (trumpet/trombone). They backed R&B acts like the Falcons (featuring early Wilson Pickett) before renaming in 1967 and hitting with singles on smaller labels. By 1971 on Westbound, additions like Leroy "Sugarfoot" Bonner (vocals/guitar), Bruce Napier (trumpet), Charles Dale Allen (vocals), Marvin Pierce (trombone), and Walter "Junie" Morrison (keyboards) fueled their breakthrough "Pain."
Mercury Records era (1974-1977) brought platinum albums Skin Tight, Fire, Honey, and Contradiction, plus #1 pop hits "Fire" and "Love Rollercoaster" and R&B smashes like "Funky Worm" and "Sweet Sticky Thing." Keyboardist Junie Morrison left post-"Funky Worm" for Parliament-Funkadelic; Billy Beck replaced him, with James "Diamond" Williams on drums solidifying the core sound influenced by Sly & the Family Stone. Their risqué covers and Midwestern blues-funk style impacted groups like Lakeside and Zapp.
Role Classic/Early Members Later/Current Notes
Vocals/Guitar Leroy "Sugarfoot" Bonner (d. 2013), Robert Ward (d. 2008) Clarence "Chet" Willis (lead guitar, d. April 2025)
Bass Marshall "Rock" Jones (d. 2016) Eric EQ Young
Drums James "Diamond" Williams (original, ongoing) Director/drummer #72
Keyboards Walter "Junie" Morrison (d. 2017), Billy Beck (original, ongoing) Ronald Nooks
Horns Clarence Satchell (d. 1995), Ralph Middlebrooks (d. 1996), Marvin Pierce Kenny Anderson (trumpet), Johnny Cotton (trombone), Mike Allemby (sax)
Guitar - Chris Bowman (lead/rhythm)
The band continues touring with originals like Williams, Beck, and Willis (until 2025), emphasizing live performances over retirement. They remain Dayton's funk icons, with over a dozen members across eras.
The Olympic Runners
The Olympic Runners were a 1970s British funk band assembled by record producer Mike Vernon, who also played percussion, and fronted by singer George Chandler. They featured multi-instrumentalist Pete Wingfield and session players like guitarist Joe Jammer, bassist DeLisle Harper, and drummer Glen LeFleur.
Formed in 1973 at Olympic Studios in London during a delayed session for blues artist Jimmy Dawkins, the group recorded "Put The Music Where Your Mouth Is," which hit No. 72 on the US R&B chart in 1974. This led to their debut album of the same name, followed by "Grab It," peaking at No. 73 on R&B charts. Their sound blended funk, soul, and disco elements, initially mistaken for an American act.
The band released five albums between 1974 and 1976, including Out in Front (No. 49 US R&B), Don't Let Up, and the acclaimed Hot to Trot. UK success peaked in 1978-79 with "Get It While You Can" and "Sir Dancealot" (both top 40 hits), plus the theme for the film The Bitch. Tracks like "Dancealot" appear on RnB-focused sites.
The group disbanded in 1979, with members pursuing session work or projects like Rocky Sharpe and the Replays. Their music has influenced sampling by artists such as Everlast and endures in funk compilations.
Formed in 1973 at Olympic Studios in London during a delayed session for blues artist Jimmy Dawkins, the group recorded "Put The Music Where Your Mouth Is," which hit No. 72 on the US R&B chart in 1974. This led to their debut album of the same name, followed by "Grab It," peaking at No. 73 on R&B charts. Their sound blended funk, soul, and disco elements, initially mistaken for an American act.
The band released five albums between 1974 and 1976, including Out in Front (No. 49 US R&B), Don't Let Up, and the acclaimed Hot to Trot. UK success peaked in 1978-79 with "Get It While You Can" and "Sir Dancealot" (both top 40 hits), plus the theme for the film The Bitch. Tracks like "Dancealot" appear on RnB-focused sites.
The group disbanded in 1979, with members pursuing session work or projects like Rocky Sharpe and the Replays. Their music has influenced sampling by artists such as Everlast and endures in funk compilations.
The Originals
Often called "Motown's best-kept secret," The Originals were a versatile soul and R&B group prominent during the late 1960s and 1970s. They are best known for their romantic ballads produced by Marvin Gaye and their later transition into disco.
The group formed in 1966 in Detroit, Michigan, and was composed of seasoned singers from various Motown vocal groups like The Voice Masters and The Spinners.
The original lineup was Freddie Gorman (bass/baritone), Walter Gaines (baritone), C.P. Spencer (tenor), and Hank Dixon (tenor). Joe Stubbs, brother of the Four Tops' Levi Stubbs, was briefly the lead singer on their 1966 debut single "Goodnight Irene". Before their own breakthrough, they provided uncredited backing vocals for legendary Motown hits like Jimmy Ruffin's "What Becomes of the Brokenhearted" and Stevie Wonder's "For Once in My Life".
The group achieved massive commercial success when Marvin Gaye took a personal interest in producing and writing for them. Under Gaye's guidance, they released "Baby I'm for Real" (1969), which reached #1 on the R&B charts, and "The Bells" (1970), which sold over a million copies.
In the early 1970s, C.P. Spencer left to pursue a solo career and was replaced by Ty Hunter. As Motown moved its operations to Los Angeles in 1972, the group initially stayed in Detroit, leading to a decrease in their chart visibility.
The Originals re-emerged as a disco act in the mid-70s before eventually leaving the Motown label. In 1976, they scored a #1 dance hit with this disco classic. They left Motown in 1977 and recorded albums for Columbia Records and Fantasy Records. The group officially disbanded around 1982 following the death of singer Ty Hunter in February 1981.
Members reunited in the 1990s to record for Ian Levine’s Motorcity Records and collaborated with The Supremes on the 1991 single "Back by Popular Demand".
Several members have passed, including Joe Stubbs, C.P. Spencer, Freddie Gorman, and Walter Gaines, but their music remains influentia. As of 2025, Hank Dixon is the only surviving founding member of the group. He occasionally performs with a new lineup that includes his daughter, Terri.
The group formed in 1966 in Detroit, Michigan, and was composed of seasoned singers from various Motown vocal groups like The Voice Masters and The Spinners.
The original lineup was Freddie Gorman (bass/baritone), Walter Gaines (baritone), C.P. Spencer (tenor), and Hank Dixon (tenor). Joe Stubbs, brother of the Four Tops' Levi Stubbs, was briefly the lead singer on their 1966 debut single "Goodnight Irene". Before their own breakthrough, they provided uncredited backing vocals for legendary Motown hits like Jimmy Ruffin's "What Becomes of the Brokenhearted" and Stevie Wonder's "For Once in My Life".
The group achieved massive commercial success when Marvin Gaye took a personal interest in producing and writing for them. Under Gaye's guidance, they released "Baby I'm for Real" (1969), which reached #1 on the R&B charts, and "The Bells" (1970), which sold over a million copies.
In the early 1970s, C.P. Spencer left to pursue a solo career and was replaced by Ty Hunter. As Motown moved its operations to Los Angeles in 1972, the group initially stayed in Detroit, leading to a decrease in their chart visibility.
The Originals re-emerged as a disco act in the mid-70s before eventually leaving the Motown label. In 1976, they scored a #1 dance hit with this disco classic. They left Motown in 1977 and recorded albums for Columbia Records and Fantasy Records. The group officially disbanded around 1982 following the death of singer Ty Hunter in February 1981.
Members reunited in the 1990s to record for Ian Levine’s Motorcity Records and collaborated with The Supremes on the 1991 single "Back by Popular Demand".
Several members have passed, including Joe Stubbs, C.P. Spencer, Freddie Gorman, and Walter Gaines, but their music remains influentia. As of 2025, Hank Dixon is the only surviving founding member of the group. He occasionally performs with a new lineup that includes his daughter, Terri.
The Ovations
The Ovations were an American R&B and soul vocal group from Memphis, Tennessee, active primarily in the 1960s and early 1970s. They achieved regional and national success with smooth harmonies and lead vocals reminiscent of Sam Cooke.
The group formed in 1964 with original members Louis Williams Jr. (lead singer, born February 24, 1941), Nathan "Pedro" Lewis (born July 30, 1943), and Elvin Lee Jones. Williams and Lewis had prior experience in the Del-Rios, who recorded for Stax Records under William Bell.
Signed to Goldwax Records through songwriter Roosevelt Jamison, their debut "Pretty Little Angel" gained notice, but "It's Wonderful To Be In Love" (1965) became their first hit, reaching No. 22 on the Billboard R&B chart and No. 61 on the pop chart. They toured with acts like James Brown, Percy Sledge, and Gladys Knight & the Pips.
Elvin Lee Jones departed in 1966, replaced by Billy Young from the Avantis. Later singles like "I'm Living Good" (written by Dan Penn and Spooner Oldham) underperformed commercially. A royalties dispute led to Goldwax's collapse in 1969, causing the group to disband.
In 1971, Williams reformed the Ovations with Rochester Neal, Bill Davis, and Quincy Billops Jr. (ex-Nightingales). On Sounds of Memphis (MGM), "Touching Me" hit No. 19 R&B in 1972, followed by their biggest success, a medley-laden "Having a Party" remake, peaking at No. 7 R&B and No. 56 pop in 1973.
Lead Louis Williams died on October 13, 2002. The Ovations remain noted as one of Memphis's premier vocal groups, blending Cooke-inspired soul with tight harmonies across labels like Goldwax and MGM.
The group formed in 1964 with original members Louis Williams Jr. (lead singer, born February 24, 1941), Nathan "Pedro" Lewis (born July 30, 1943), and Elvin Lee Jones. Williams and Lewis had prior experience in the Del-Rios, who recorded for Stax Records under William Bell.
Signed to Goldwax Records through songwriter Roosevelt Jamison, their debut "Pretty Little Angel" gained notice, but "It's Wonderful To Be In Love" (1965) became their first hit, reaching No. 22 on the Billboard R&B chart and No. 61 on the pop chart. They toured with acts like James Brown, Percy Sledge, and Gladys Knight & the Pips.
Elvin Lee Jones departed in 1966, replaced by Billy Young from the Avantis. Later singles like "I'm Living Good" (written by Dan Penn and Spooner Oldham) underperformed commercially. A royalties dispute led to Goldwax's collapse in 1969, causing the group to disband.
In 1971, Williams reformed the Ovations with Rochester Neal, Bill Davis, and Quincy Billops Jr. (ex-Nightingales). On Sounds of Memphis (MGM), "Touching Me" hit No. 19 R&B in 1972, followed by their biggest success, a medley-laden "Having a Party" remake, peaking at No. 7 R&B and No. 56 pop in 1973.
Lead Louis Williams died on October 13, 2002. The Ovations remain noted as one of Memphis's premier vocal groups, blending Cooke-inspired soul with tight harmonies across labels like Goldwax and MGM.
The Patterson Twins
The Persuaders
The Persuasions
The Philadelphia International All-Stars
The Philadelphia International All-Stars was a one-time supergroup assembled by label founders Kenny Gamble and Leon Huff. It featured major stars from Philadelphia International Records, including Billy Paul, The O'Jays, Teddy Pendergrass, Dee Dee Sharp Gamble (Kenny's wife), Lou Rawls, and Archie Bell & the Drells.
Formed in the mid-1970s amid social challenges like urban poverty, the group aimed to promote positive messages through music. Gamble and Huff rallied these artists to address "cleaning up the mental Ghetto" via a unifying project.
Their primary output was the 1977 album Let's Clean Up the Ghetto, a compilation-style record blending hits and new tracks to spotlight the label's talent. The title track became a minor hit, embodying the Philly soul sound with MFSB's orchestral backing.
Formed in the mid-1970s amid social challenges like urban poverty, the group aimed to promote positive messages through music. Gamble and Huff rallied these artists to address "cleaning up the mental Ghetto" via a unifying project.
Their primary output was the 1977 album Let's Clean Up the Ghetto, a compilation-style record blending hits and new tracks to spotlight the label's talent. The title track became a minor hit, embodying the Philly soul sound with MFSB's orchestral backing.
The Players
An R&B vocal group from Chicago, Illinois, USA. The original members of the band were lead Herbert Butler, Collis Gordon and John Thomas. The Players were formed in 1966 when Gordon and Thomas recruited Butler to sing lead for them on a song they had written, ‘He’ll Be Back’, a marvellous lament about the plight of a girl whose boyfriend was fighting in the jungles of Vietnam.
The trio was recorded by Calvin Carter, the long-time producer at Vee Jay Records, and signed with the west coast-based Minit Records subsidiary of Imperial Records. In the middle of the session Carter replaced Gordon and Thomas in the background with the veteran Dells. ‘He’ll Be Back’ became a national hit (number 24 R&B), deservedly so, but the follow-up, ‘I’m Glad I Waited’ (number 32 R&B), lacking the back-up talent of the Dells and the songwriting talents of Gordon and Thomas, was a pale reflection of the previous hit.
The Players made an album and toured with a new line-up of Butler, Joe Brackenridge, Otha Lee Givens and Tommie Johnson, but with no more forthcoming hits, they eventually faded.
(Provided by AllMusic)
The trio was recorded by Calvin Carter, the long-time producer at Vee Jay Records, and signed with the west coast-based Minit Records subsidiary of Imperial Records. In the middle of the session Carter replaced Gordon and Thomas in the background with the veteran Dells. ‘He’ll Be Back’ became a national hit (number 24 R&B), deservedly so, but the follow-up, ‘I’m Glad I Waited’ (number 32 R&B), lacking the back-up talent of the Dells and the songwriting talents of Gordon and Thomas, was a pale reflection of the previous hit.
The Players made an album and toured with a new line-up of Butler, Joe Brackenridge, Otha Lee Givens and Tommie Johnson, but with no more forthcoming hits, they eventually faded.
(Provided by AllMusic)
The Players’ Association
The Players' Association was a New York-based studio group formed in 1977, primarily known for its contributions to the music scene. This collective was orchestrated by drummer and arranger Chris Hills, along with producer Danny Weiss, under the Vanguard Records label. The group aimed to create a distinctive sound that combined various musical influences, showcasing the talented members involved.
They released five albums from 1977 to 1981: The Players Association, Born to Dance, Turn the Music Up!, We Got the Groove, and Let Your Body Go. Popular singles included their cover of "Disco Inferno" and original tracks "Turn the Music Up!" (a UK Top 10 hit) and "We Got the Groove".
While not massive pop stars, they built a strong following in the UK dance scene, touring there and scoring chart singles. The Players' Association left a mark on the disco-funk era with their high-quality, jazz-infused recordings, remaining a favorite among DJs and funk/soul enthusiasts.
They released five albums from 1977 to 1981: The Players Association, Born to Dance, Turn the Music Up!, We Got the Groove, and Let Your Body Go. Popular singles included their cover of "Disco Inferno" and original tracks "Turn the Music Up!" (a UK Top 10 hit) and "We Got the Groove".
While not massive pop stars, they built a strong following in the UK dance scene, touring there and scoring chart singles. The Players' Association left a mark on the disco-funk era with their high-quality, jazz-infused recordings, remaining a favorite among DJs and funk/soul enthusiasts.
The Players Association The Players Association
The Pockets
The Pockets are an American R&B/funk band from Baltimore, known for their soulful grooves and horn-driven sound in the late 1970s. They achieved three Top 40 R&B hits during their peak with Columbia Records. The band name originated from singer Luther Ingram, describing their tight, pocketed musical style.?
Formed in Baltimore as a septet, the group recorded demos in 1975 at Sheffield Studios, mixing covers and originals. Keyboardist Al McKinney connected them to Verdine White of Earth, Wind & Fire through a mutual acquaintance, leading to a deal with Columbia in 1977. San Francisco vocalist Larry Jacobs joined as lead singer, expanding them to an eight-piece ensemble.?
Their debut Come Go with Us (1977) hit No. 17 on Billboard's Top R&B Albums, driven by the single "Come Go with Me" (No. 17 R&B). Follow-up Take It On Up (1978) reached No. 22 R&B, with its title track at No. 24. So Delicious (1979) peaked at No. 43 R&B amid label tensions.?
Original Members Kevin Barnes: trombone, vocals, percussion; Gary Grainger: bass, vocals; Gregory Grainger: percussion, vocals; George Gray: drums, vocals; Larry Jacobs: vocals, percussion; Albert McKinney: keyboards, vocals; Irving Madison: saxophone, vocals; Jacob Sheffer: guitar; Charles "Chuck" Williams: trumpet, trombone, vocals.
By 2016-2017, a lineup including originals like Gary and Greg Grainger, Larry Jacobs, and newcomers performed, including UK shows after a remix of "Come Go with Me" by Joey Negro. A 2025 Facebook post highlighted their Cherry Hill roots.
Formed in Baltimore as a septet, the group recorded demos in 1975 at Sheffield Studios, mixing covers and originals. Keyboardist Al McKinney connected them to Verdine White of Earth, Wind & Fire through a mutual acquaintance, leading to a deal with Columbia in 1977. San Francisco vocalist Larry Jacobs joined as lead singer, expanding them to an eight-piece ensemble.?
Their debut Come Go with Us (1977) hit No. 17 on Billboard's Top R&B Albums, driven by the single "Come Go with Me" (No. 17 R&B). Follow-up Take It On Up (1978) reached No. 22 R&B, with its title track at No. 24. So Delicious (1979) peaked at No. 43 R&B amid label tensions.?
Original Members Kevin Barnes: trombone, vocals, percussion; Gary Grainger: bass, vocals; Gregory Grainger: percussion, vocals; George Gray: drums, vocals; Larry Jacobs: vocals, percussion; Albert McKinney: keyboards, vocals; Irving Madison: saxophone, vocals; Jacob Sheffer: guitar; Charles "Chuck" Williams: trumpet, trombone, vocals.
By 2016-2017, a lineup including originals like Gary and Greg Grainger, Larry Jacobs, and newcomers performed, including UK shows after a remix of "Come Go with Me" by Joey Negro. A 2025 Facebook post highlighted their Cherry Hill roots.
The Presidents
The Presidents were an American soul vocal trio from Washington, DC, primarily active during the early 1970s. They are best known for their major 1970 hit, "5-10-15-20 (25-30 Years of Love)." The trio consisted of: Tony Boyd, Archie Powell and Billy Shorter. Based in Washington, DC, the group chose their name as a tribute to their hometown.
In 1970, they signed with Sussex Records Their signature track, "5-10-15-20 (25-30 Years of Love)," was written by members Tony Boyd and Archie Powell and produced by the legendary Van McCoy The single reached #11 on the Billboard Hot 100 and #5 on the R&B chart The accompanying album of the same name peaked at #15 on the R&B Albums chart.
The song earned the group a Grammy Award nomination in 1971 for Best R&B Performance by a Duo or Group with Vocals. The group continued to record throughout the 1970s but underwent several name changes to update their sound.
They briefly performed and recorded under this name Anacostia. Renaming themselves after a DC neighborhood, they recorded for labels such as Columbia, MCA, and Tabu As Anacostia, they released the single "On and Off," which was later famously covered by David Ruffin They remained active under this moniker into the 1980s.
In 1970, they signed with Sussex Records Their signature track, "5-10-15-20 (25-30 Years of Love)," was written by members Tony Boyd and Archie Powell and produced by the legendary Van McCoy The single reached #11 on the Billboard Hot 100 and #5 on the R&B chart The accompanying album of the same name peaked at #15 on the R&B Albums chart.
The song earned the group a Grammy Award nomination in 1971 for Best R&B Performance by a Duo or Group with Vocals. The group continued to record throughout the 1970s but underwent several name changes to update their sound.
They briefly performed and recorded under this name Anacostia. Renaming themselves after a DC neighborhood, they recorded for labels such as Columbia, MCA, and Tabu As Anacostia, they released the single "On and Off," which was later famously covered by David Ruffin They remained active under this moniker into the 1980s.
The Rance Allen Group
The Reddings
The Reddings were an influential American funk, soul, and disco band formed in 1980 in Macon, Georgia. The group was founded by the sons of the legendary soul singer Otis Redding, namely Dexter Redding, who provided bass and vocals, and Otis Redding III, who played guitar and also contributed vocals. The Reddings were notable not only for their lineage but for their unique sound that blended elements of funk and soul, appealing to a wide audience throughout the 1980s.
The band achieved considerable chart success during their active years, and their music reflected the vibrant cultural landscape of the time. Their debut album, released in 1980, featured a blend of energetic rhythms and smooth vocals that captured listeners' attention, leading to several hits. The group's sound was characterized by catchy hooks and rhythmic grooves, making them a staple in the funk and disco scenes.
Over the years, The Reddings released six albums, showcasing their growth as artists and musicians. They toured extensively, gaining recognition not only for their musical talents but also for their engaging performances, which were infused with the spirit of their father's legacy.
While the group is often remembered for their contributions to funk and soul, they also faced the challenges of living in the shadow of their father's monumental career. Nevertheless, they were determined to carve out their own identity in the music industry and remain a notable part of the Redding family legacy in the world of music.
The band achieved considerable chart success during their active years, and their music reflected the vibrant cultural landscape of the time. Their debut album, released in 1980, featured a blend of energetic rhythms and smooth vocals that captured listeners' attention, leading to several hits. The group's sound was characterized by catchy hooks and rhythmic grooves, making them a staple in the funk and disco scenes.
Over the years, The Reddings released six albums, showcasing their growth as artists and musicians. They toured extensively, gaining recognition not only for their musical talents but also for their engaging performances, which were infused with the spirit of their father's legacy.
While the group is often remembered for their contributions to funk and soul, they also faced the challenges of living in the shadow of their father's monumental career. Nevertheless, they were determined to carve out their own identity in the music industry and remain a notable part of the Redding family legacy in the world of music.
The Reflections
The Reflections were a soul and disco vocal group from New York City, active during the 1970s and primarily known for their work on
Formed in Harlem, New York City in 1971, they initially performed under the name "Reflection" for their first two singles. In 1972, the group served as background vocalists for Melba Moore during her national tour.
They officially changed their name to The Reflections in time for their 1975 album release on Capitol Records. The group's original lineup consisted of four members: Herman Edwards, Josh Pridgen, Edmund Simmons, John Simmons.
Their most successful track was "Three Steps from True Love" (1975), which became a Top Ten R&B hit. It is frequently cited as a classic of the era for its fusion of elegant symphonic orchestration and funky R&B vocals.
Other releases included the disco-leaning single "Gift Wrap My Love". Their primary full-length work is the 1975 self-titled album, Love on Delivery (often listed as The Reflections), released via Capitol.
Formed in Harlem, New York City in 1971, they initially performed under the name "Reflection" for their first two singles. In 1972, the group served as background vocalists for Melba Moore during her national tour.
They officially changed their name to The Reflections in time for their 1975 album release on Capitol Records. The group's original lineup consisted of four members: Herman Edwards, Josh Pridgen, Edmund Simmons, John Simmons.
Their most successful track was "Three Steps from True Love" (1975), which became a Top Ten R&B hit. It is frequently cited as a classic of the era for its fusion of elegant symphonic orchestration and funky R&B vocals.
Other releases included the disco-leaning single "Gift Wrap My Love". Their primary full-length work is the 1975 self-titled album, Love on Delivery (often listed as The Reflections), released via Capitol.
The Rose Brothers
The S.O.S. Band
The S.O.S. Band, which stands for Sounds of Success, is an influential American R&B and electro-funk group that originated in Atlanta, Georgia, in 1977. Initially known as the Santa Monica Band, the group was rebranded as The S.O.S. Band by the time they signed with Tabu Records, under the guidance of label head Clarence Avant. Sigidi Abdullah was assigned as the primary songwriter and producer, which played a significant role in shaping their distinctive sound during their formative years.
They gained prominence in the 1980s with a series of hit songs that blended R&B, funk, and disco elements. Their breakthrough came with the release of their debut album, which featured the well-received single "Take Your Time (Do It Right)," which became a massive hit and helped establish their reputation in the music industry. The band is noted for its catchy melodies, rhythmic grooves, and the vocal prowess of its lead singer, Mary Davis.
Throughout the 1980s, The S.O.S. Band continued to release successful albums and singles, contributing to their legacy as one of R&B's defining groups. They are often celebrated for iconic songs such as "Just Be Good to Me," "No One's Gonna Love You," and "Tell Me If You Still Care." Their music not only topped various charts but also left a lasting impact on the genres of R&B and funk.
In 1987, after several successful years, Mary Davis left the group to pursue a solo career. This transition led the band to record additional albums, including "Diamonds in the Raw," which reached number 43 on the R&B charts in 1989. Despite the lineup changes and challenges inherent in the music industry, The S.O.S. Band maintained a loyal fanbase and continued to tour and perform.
The S.O.S. Band is recognized as one of Atlanta's most influential R&B and funk groups, noted for their contributions to the genre and their ability to evolve over the years. Their music remains popular, and they are often cited as inspirations for many contemporary artists in the R&B and funk scenes.
They gained prominence in the 1980s with a series of hit songs that blended R&B, funk, and disco elements. Their breakthrough came with the release of their debut album, which featured the well-received single "Take Your Time (Do It Right)," which became a massive hit and helped establish their reputation in the music industry. The band is noted for its catchy melodies, rhythmic grooves, and the vocal prowess of its lead singer, Mary Davis.
Throughout the 1980s, The S.O.S. Band continued to release successful albums and singles, contributing to their legacy as one of R&B's defining groups. They are often celebrated for iconic songs such as "Just Be Good to Me," "No One's Gonna Love You," and "Tell Me If You Still Care." Their music not only topped various charts but also left a lasting impact on the genres of R&B and funk.
In 1987, after several successful years, Mary Davis left the group to pursue a solo career. This transition led the band to record additional albums, including "Diamonds in the Raw," which reached number 43 on the R&B charts in 1989. Despite the lineup changes and challenges inherent in the music industry, The S.O.S. Band maintained a loyal fanbase and continued to tour and perform.
The S.O.S. Band is recognized as one of Atlanta's most influential R&B and funk groups, noted for their contributions to the genre and their ability to evolve over the years. Their music remains popular, and they are often cited as inspirations for many contemporary artists in the R&B and funk scenes.
the sos band
The Softones
The Softones were a Baltimore-based "sweet soul" vocal group from the 1970s, famous for high falsetto vocals by lead singer J. Marvin Brown, similar to The Stylistics, hitting with tracks like "My Dream" and "That Old Black Magic" on Avco/H&L Records, gaining a strong following in the US, Europe, and Japan before members passed in the 2010s.
Formed in Baltimore, Maryland, early in the 1970s, initially known as "The Soft Tones", they signed with Avco Records (later H&L Records) and released albums and singles produced by Van McCoy and others, utilizing top New York session musicians, including popular R&B/Disco hits like "My Dream," "Can't Help Falling in Love," and "That Old Black Magic".
Original Members: J. Marvin Brown: Lead singer, renowned for his distinct high-pitched falsetto similar to Russell Thompkins Jr. of The Stylistics. He passed away in July 2020 at age 66; Steven Jackson: Original member; Elton Lynch: Original member; Byron Summerville: Original member; passed away in 2012 at age 60.
The group found fans across the Eastern US, Europe, and Japan, and while not as huge as some contemporaries, their catalog is highly regarded by collectors, praised for its smooth harmonies and romantic themes.
Formed in Baltimore, Maryland, early in the 1970s, initially known as "The Soft Tones", they signed with Avco Records (later H&L Records) and released albums and singles produced by Van McCoy and others, utilizing top New York session musicians, including popular R&B/Disco hits like "My Dream," "Can't Help Falling in Love," and "That Old Black Magic".
Original Members: J. Marvin Brown: Lead singer, renowned for his distinct high-pitched falsetto similar to Russell Thompkins Jr. of The Stylistics. He passed away in July 2020 at age 66; Steven Jackson: Original member; Elton Lynch: Original member; Byron Summerville: Original member; passed away in 2012 at age 60.
The group found fans across the Eastern US, Europe, and Japan, and while not as huge as some contemporaries, their catalog is highly regarded by collectors, praised for its smooth harmonies and romantic themes.
The Soul Children
The Soul Survivors
The Spinners<div hidden>The Detroit Spinners</div>
The Stairsteps
The Five Stairsteps were a Chicago-based soul group formed in the mid-1960s, consisting of siblings from the Burke family. Known as the "First Family of Soul," they gained fame with hits like "O-o-h Child" in 1970.
The core lineup included five siblings: lead singer Clarence Burke Jr., Alohe Jean Burke, James Burke, Dennis Burke, and youngest brother Kenneth "Keni" Burke, with Cubie Burke briefly joining as a child. Their father, Clarence Sr., managed the group and played bass, while they were discovered by Curtis Mayfield.
Starting on labels like Windy C and Curtom, they scored R&B hits such as "You Waited Too Long," "World of Fantasy," and "Come Back" from 1966-1967, earning a NATRA award. Albums like The Five Stairsteps (1967) and Family Portrait (1968) showcased their smooth harmonies and ballads.
Their signature song "O-o-h Child" topped R&B charts in 1970 on Buddah Records, ranking on Rolling Stone's Greatest Songs list. The group evolved, dropping "Five" from their name, adding Cubie temporarily, and later reforming as the Invisible Man's Band in the 1970s with George Harrison's Dark Horse label. They disbanded around 1972, with members pursuing solo careers, session work, and other ventures; James Burke passed away in 2021.
The core lineup included five siblings: lead singer Clarence Burke Jr., Alohe Jean Burke, James Burke, Dennis Burke, and youngest brother Kenneth "Keni" Burke, with Cubie Burke briefly joining as a child. Their father, Clarence Sr., managed the group and played bass, while they were discovered by Curtis Mayfield.
Starting on labels like Windy C and Curtom, they scored R&B hits such as "You Waited Too Long," "World of Fantasy," and "Come Back" from 1966-1967, earning a NATRA award. Albums like The Five Stairsteps (1967) and Family Portrait (1968) showcased their smooth harmonies and ballads.
Their signature song "O-o-h Child" topped R&B charts in 1970 on Buddah Records, ranking on Rolling Stone's Greatest Songs list. The group evolved, dropping "Five" from their name, adding Cubie temporarily, and later reforming as the Invisible Man's Band in the 1970s with George Harrison's Dark Horse label. They disbanded around 1972, with members pursuing solo careers, session work, and other ventures; James Burke passed away in 2021.
The Staple Singers<div hidden>The Staples</div>
The Staple Singers, an iconic American gospel, soul, and R&B group, were founded by Roebuck "Pops" Staples alongside his children Cleotha, Pervis, and Mavis. The group originated in the 1930s and began performing in a variety of styles, primarily drawing upon gospel, folk, and Delta blues influences. Roebuck Staples, born on December 28, 1914, in Winona, Mississippi, grew up on a plantation and developed a profound connection to music early in his life, influenced by both his upbringing and the music culture around him.
They gained popularity in the 1960s and 1970s, becoming known for their powerful harmonies and socially conscious lyrics. Their music often addressed civil rights themes, and they became anthems for movements advocating social justice. Their performances ranged from intimate church settings to large concert arenas, highlighting their versatility. They were significant figures in the Chicago music scene, where Pops Staples shared his musical passion with his children, which ultimately contributed to the group's formation.
Throughout their career, the Staple Singers released many successful albums and singles, with notable hits like "I'll Take You There" and "Respect Yourself." Their ability to blend genres attracted a wide audience, and they played a crucial role in bridging gospel music with the broader R&B and pop music landscape of their time. Their legacy is marked not only by their musical achievements but also by their contributions to the civil rights movement and their ability to inspire future generations of artists.
The Staple Singers remain a significant part of American musical history, celebrated for their unique sound and impactful messages that transcended genres and societal boundaries. Today, their music continues to resonate, inspiring both audiences and artists alike.
They gained popularity in the 1960s and 1970s, becoming known for their powerful harmonies and socially conscious lyrics. Their music often addressed civil rights themes, and they became anthems for movements advocating social justice. Their performances ranged from intimate church settings to large concert arenas, highlighting their versatility. They were significant figures in the Chicago music scene, where Pops Staples shared his musical passion with his children, which ultimately contributed to the group's formation.
Throughout their career, the Staple Singers released many successful albums and singles, with notable hits like "I'll Take You There" and "Respect Yourself." Their ability to blend genres attracted a wide audience, and they played a crucial role in bridging gospel music with the broader R&B and pop music landscape of their time. Their legacy is marked not only by their musical achievements but also by their contributions to the civil rights movement and their ability to inspire future generations of artists.
The Staple Singers remain a significant part of American musical history, celebrated for their unique sound and impactful messages that transcended genres and societal boundaries. Today, their music continues to resonate, inspiring both audiences and artists alike.
The Supremes
Diana Ross departed The Supremes in January 1970 to launch her solo career, leaving Mary Wilson and Cindy Birdsong as the remaining core members. The group continued under Motown Records with new lead vocalists, achieving moderate success through the 1970s before disbanding in 1977.?
Jean Terrell replaced Ross as lead singer from 1970 to 1973, marking the first post-Ross era with hits like "Up the Ladder to the Roof." Lynda Laurence (1973–1974) and Scherrie Payne (1975–1977) followed as leads, with Susaye Greene joining in 1976 as the final new member during the group's active years. Mary Wilson remained the only original member throughout, providing continuity until 1977.
Jean Terrell (1970–1973): Led the group to its last top-10 hits; later pursued solo work; Lynda Laurence (1973–1974, also 2000 reunion): Brief tenure; mother of singer Lynda Laurence Jr. Scherrie Payne (1975–1977, also 2000 reunion): Former member of Scherrie & Lynda; became lead near the end; Susaye Greene (1976–1977): Final Motown-era addition; wrote songs for the group.
The post-Ross Supremes released albums like Right On (1970) and High Energy (1976), blending soul, disco, and pop. They toured extensively but faced declining chart success amid Motown shifts and lineup instability.
The group officially disbanded in 1977, though Wilson led touring versions into the 1980s. Brief reunions occurred, including one in 2000 with Ross, Payne, and Laurence. All nine women who performed as Supremes—Ross, Wilson, Ballard, Birdsong, Terrell, Laurence, Payne, Greene, and Martin—are recognized as official members.
Jean Terrell replaced Ross as lead singer from 1970 to 1973, marking the first post-Ross era with hits like "Up the Ladder to the Roof." Lynda Laurence (1973–1974) and Scherrie Payne (1975–1977) followed as leads, with Susaye Greene joining in 1976 as the final new member during the group's active years. Mary Wilson remained the only original member throughout, providing continuity until 1977.
Jean Terrell (1970–1973): Led the group to its last top-10 hits; later pursued solo work; Lynda Laurence (1973–1974, also 2000 reunion): Brief tenure; mother of singer Lynda Laurence Jr. Scherrie Payne (1975–1977, also 2000 reunion): Former member of Scherrie & Lynda; became lead near the end; Susaye Greene (1976–1977): Final Motown-era addition; wrote songs for the group.
The post-Ross Supremes released albums like Right On (1970) and High Energy (1976), blending soul, disco, and pop. They toured extensively but faced declining chart success amid Motown shifts and lineup instability.
The group officially disbanded in 1977, though Wilson led touring versions into the 1980s. Brief reunions occurred, including one in 2000 with Ross, Payne, and Laurence. All nine women who performed as Supremes—Ross, Wilson, Ballard, Birdsong, Terrell, Laurence, Payne, Greene, and Martin—are recognized as official members.
The Sweet Inspirations
The Sylvers
The Sylvers were a popular American R&B/soul sibling group from Los Angeles, famous in the 1970s for hits like "Boogie Fever" and "Hot Line," blending soul, funk, and disco with tight harmonies, evolving from earlier work as the Little Angels to become a major act, with brother Leon III becoming a significant producer for Solar Records and other groups, though the family faced personal hardships, including the deaths of two members and Foster Sylvers' legal issues.
The Sylvers hailed from Watts, Los Angeles, with parents Leon Jr. and Shirley Sylvers, both musically inclined. The four eldest siblings (Olympia, Leon, Charmaine, James) started as The Little Angels, appearing on TV (like You Bet Your Life) and opening for stars like Ray Charles and Johnny Mathis.
After being discovered by producer Jerry Butler, younger siblings Edmund, Ricky, Angie, and Pat joined, forming the larger family group known as The Sylvers, signed to MGM/Pride Records where they released three albums, The Sylvers, The Sylvers II and The Sylvers III and scored two R&B hits during 1972-73: "Fool's Paradise" and "Wish That I Could Talk To You".
Moving to Capitol Records in 1975, they teamed with producer Freddie Perren (famous for The Jackson 5). They scored huge hits with "Boogie Fever" (a #1 on both R&B and Pop charts in 1976), "Hot Line," and "High School Dance," defining the era's sound.
Known for their smooth, radio-friendly R&B, funk, and disco, often compared to The Jackson 5, with intricate arrangements and joyful performances.
The group continued with albums on Solar Records (like Concept) and Geffen (like Bizarre) into the early 80s, with Leon III becoming a key producer for the label, shaping the sound of Shalamar, Dynasty, and The Whispers.
The group disbanded around 1985. Their story is marked by tragedy, including the death of youngest sibling Christopher from hepatitis in 1985, Olympia's schizophrenia diagnosis, and Foster Sylvers' conviction and prison time for a sex offense in the 90s.
Despite personal struggles, The Sylvers' music remains celebrated, sampled, and loved, with members occasionally reuniting and Leon III continuing his production work.
The Sylvers hailed from Watts, Los Angeles, with parents Leon Jr. and Shirley Sylvers, both musically inclined. The four eldest siblings (Olympia, Leon, Charmaine, James) started as The Little Angels, appearing on TV (like You Bet Your Life) and opening for stars like Ray Charles and Johnny Mathis.
After being discovered by producer Jerry Butler, younger siblings Edmund, Ricky, Angie, and Pat joined, forming the larger family group known as The Sylvers, signed to MGM/Pride Records where they released three albums, The Sylvers, The Sylvers II and The Sylvers III and scored two R&B hits during 1972-73: "Fool's Paradise" and "Wish That I Could Talk To You".
Moving to Capitol Records in 1975, they teamed with producer Freddie Perren (famous for The Jackson 5). They scored huge hits with "Boogie Fever" (a #1 on both R&B and Pop charts in 1976), "Hot Line," and "High School Dance," defining the era's sound.
Known for their smooth, radio-friendly R&B, funk, and disco, often compared to The Jackson 5, with intricate arrangements and joyful performances.
The group continued with albums on Solar Records (like Concept) and Geffen (like Bizarre) into the early 80s, with Leon III becoming a key producer for the label, shaping the sound of Shalamar, Dynasty, and The Whispers.
The group disbanded around 1985. Their story is marked by tragedy, including the death of youngest sibling Christopher from hepatitis in 1985, Olympia's schizophrenia diagnosis, and Foster Sylvers' conviction and prison time for a sex offense in the 90s.
Despite personal struggles, The Sylvers' music remains celebrated, sampled, and loved, with members occasionally reuniting and Leon III continuing his production work.
The System
The System is an American synth-pop duo that emerged in the 1980s, captivating audiences with their unique blend of electronic and funk music. The group consists of vocalist and guitarist Mic Murphy and keyboardist David Frank, both of whom have made significant contributions to the genre.
Mic Murphy, born in the United States, was the prominent frontman of the duo, showcasing his strong vocal abilities and engaging stage presence. David Frank, a seasoned session keyboardist, brought his extensive musical experience to the partnership, helping to shape the distinctive sound of The System.
The duo gained recognition for their innovative approach to music, combining elements of funk, electronic sounds, and urban rhythms. They were influenced by the burgeoning genres of electro and hip-hop, which were starting to gain traction in the music scene during the early 1980s. This sound was part of a broader movement in which Boston Funk and other influences played a role in developing the sonic aesthetics that were popular at the time.
The System's music was characterized by catchy hooks, upbeat rhythms, and synthesizer-driven melodies, making them a staple on the dance charts. Their notable hits include tracks that resonated well within the club scene and contributed to the rise of electronic dance music.
Throughout their career, The System became known not only for their original compositions but also for their contributions to remixing and producing tracks for other artists, further solidifying their place in the music industry.
While their prominence waned by the late 1980s with the shifting musical landscape, The System remains recognized for their pioneering role in the electronic funk genre and their influence on future artists within the realm of synth-pop and dance music.
Mic Murphy, born in the United States, was the prominent frontman of the duo, showcasing his strong vocal abilities and engaging stage presence. David Frank, a seasoned session keyboardist, brought his extensive musical experience to the partnership, helping to shape the distinctive sound of The System.
The duo gained recognition for their innovative approach to music, combining elements of funk, electronic sounds, and urban rhythms. They were influenced by the burgeoning genres of electro and hip-hop, which were starting to gain traction in the music scene during the early 1980s. This sound was part of a broader movement in which Boston Funk and other influences played a role in developing the sonic aesthetics that were popular at the time.
The System's music was characterized by catchy hooks, upbeat rhythms, and synthesizer-driven melodies, making them a staple on the dance charts. Their notable hits include tracks that resonated well within the club scene and contributed to the rise of electronic dance music.
Throughout their career, The System became known not only for their original compositions but also for their contributions to remixing and producing tracks for other artists, further solidifying their place in the music industry.
While their prominence waned by the late 1980s with the shifting musical landscape, The System remains recognized for their pioneering role in the electronic funk genre and their influence on future artists within the realm of synth-pop and dance music.
The Tams
The Tams are a renowned American vocal group originating from Atlanta, Georgia, with a significant impact on the soul music scene, especially during the 1960s and 1970s. They are celebrated for their unique sound that blends Southern soul with other musical influences.
The Tams were formed in 1952 by brothers Charles and Joseph Pope, alongside Horace Key and Robert Lee Smith. Initially honing their musical craft, they began to gain attention and established themselves as a prominent vocal group by 1960. Their name is derived from the Tam o'shanter hats they wore on stage, a style that became iconic for the group.
The group achieved their greatest commercial success during the 1960s, where they were among the few Black vocal groups to emerge from the Southeast. The Tams are known for their vibrant performances and catchy melodies that resonated with audiences across various demographics. They continued to have charting successes into the 1970s, showcasing their enduring appeal in the music industry.
The Tams have been influential in bridging generational gaps in music, appealing to diverse audiences with their exhilarating sound that incorporates elements of classic soul music. Their contributions have marked them as one of the significant vocal groups from Atlanta and the broader Southern region.
As of now, the group still performs, with original members like Charles Pope and longtime member Lil Redd continuing to be active in the music scene. Their work and influence continue to be felt, making them a staple in the history of American soul music.
In conclusion, The Tams remain an essential piece of the musical landscape, with a rich history and a legacy that continues to inspire new generations.
The Tams were formed in 1952 by brothers Charles and Joseph Pope, alongside Horace Key and Robert Lee Smith. Initially honing their musical craft, they began to gain attention and established themselves as a prominent vocal group by 1960. Their name is derived from the Tam o'shanter hats they wore on stage, a style that became iconic for the group.
The group achieved their greatest commercial success during the 1960s, where they were among the few Black vocal groups to emerge from the Southeast. The Tams are known for their vibrant performances and catchy melodies that resonated with audiences across various demographics. They continued to have charting successes into the 1970s, showcasing their enduring appeal in the music industry.
The Tams have been influential in bridging generational gaps in music, appealing to diverse audiences with their exhilarating sound that incorporates elements of classic soul music. Their contributions have marked them as one of the significant vocal groups from Atlanta and the broader Southern region.
As of now, the group still performs, with original members like Charles Pope and longtime member Lil Redd continuing to be active in the music scene. Their work and influence continue to be felt, making them a staple in the history of American soul music.
In conclusion, The Tams remain an essential piece of the musical landscape, with a rich history and a legacy that continues to inspire new generations.
The Temprees
The Temprees are an American soul vocal trio from Memphis, Tennessee, known for their smooth and evocative style that garnered popularity during the 1970s. Their music is characterized by polished vocals and celestial R&B soul, making them a notable act in the genre during their active years.
Originally formed in 1970, The Temprees started as a quartet comprising schoolmates Jasper "Jabbo" Phillips, Harold "Scotty" Scott, Deljjuan "Del" Calvin, and Larry Dodson. However, they later transitioned into a trio, focusing on the dynamic vocal harmonies that became their trademark. The group recorded for We Produce Records, a label associated with the Stax record label, which was instrumental in the emergence of Southern soul music.
The core members of The Temprees include: Jasper "Jabbo" Phillips - Lead vocals and an essential figure in shaping the group’s sound; Harold "Scotty" Scott - Contributed vocals and helped craft the group's harmonies; Deljjuan "Del" Calvin - Served as a vocalist from 1970 to 1973, and returned in 1976. The group has experienced lineup changes, notably with changes in membership and vocal contributions over the years.
Throughout their career, The Temprees released several albums and singles that resonated with audiences, highlighting their ability to blend soulful melodies with emotive lyrics. The group's artistry positioned them as significant figures in the soul music scene of their time, with a distinctive sound that still influences contemporary music.
The Temprees' music remains celebrated for its heartfelt ballads and rich vocal arrangements, which encapsulate the essence of the soul genre. Their contributions during the golden era of soul music have solidified their legacy as one of the notable acts from Memphis, alongside other legendary groups.
As of the latest updates, The Temprees continue to maintain their presence within the music community, showcasing their enduring appeal and the lasting impact of their contributions to soul music.
Originally formed in 1970, The Temprees started as a quartet comprising schoolmates Jasper "Jabbo" Phillips, Harold "Scotty" Scott, Deljjuan "Del" Calvin, and Larry Dodson. However, they later transitioned into a trio, focusing on the dynamic vocal harmonies that became their trademark. The group recorded for We Produce Records, a label associated with the Stax record label, which was instrumental in the emergence of Southern soul music.
The core members of The Temprees include: Jasper "Jabbo" Phillips - Lead vocals and an essential figure in shaping the group’s sound; Harold "Scotty" Scott - Contributed vocals and helped craft the group's harmonies; Deljjuan "Del" Calvin - Served as a vocalist from 1970 to 1973, and returned in 1976. The group has experienced lineup changes, notably with changes in membership and vocal contributions over the years.
Throughout their career, The Temprees released several albums and singles that resonated with audiences, highlighting their ability to blend soulful melodies with emotive lyrics. The group's artistry positioned them as significant figures in the soul music scene of their time, with a distinctive sound that still influences contemporary music.
The Temprees' music remains celebrated for its heartfelt ballads and rich vocal arrangements, which encapsulate the essence of the soul genre. Their contributions during the golden era of soul music have solidified their legacy as one of the notable acts from Memphis, alongside other legendary groups.
As of the latest updates, The Temprees continue to maintain their presence within the music community, showcasing their enduring appeal and the lasting impact of their contributions to soul music.
The Temptations
The Temptations are a legendary American vocal group formed in Detroit in 1960, renowned for their intricate choreography, flashy wardrobes, and unique "five lead singers" structure. As of 2025, the group continues to perform under the leadership of founder Otis Williams, who is the only surviving original member.
The group was born from the merger of two rival Detroit singing groups: The Primes: Including Eddie Kendricks and Paul Williams. The Distants: Including Otis Williams, Melvin Franklin, and Elbridge "Al" Bryant. They initially called themselves The Elgins but changed to The Temptations upon signing with Motown’s Miracle label in 1961. After several unsuccessful singles, David Ruffin replaced Al Bryant in 1964, completing what is known as the "Classic Five" lineup.
The group’s career is defined by three distinct stylistic shifts:
Romantic Ballads (1964–1968): Under producer Smokey Robinson, they achieved superstardom with hits like "My Girl" (their first #1 pop hit), "The Way You Do the Things You Do," and "Ain't Too Proud to Beg".
Psychedelic Soul (1968–1972): Following David Ruffin’s departure and his replacement by Dennis Edwards, producer Norman Whitfield pushed the group into a harder-edged, socially conscious sound. This era produced "Cloud Nine" (Motown’s first Grammy winner), "I Can't Get Next to You," and "Ball of Confusion".
Funk and Experimental Soul (1972–1976): This period peaked with the 12-minute magnum opus "Papa Was a Rollin' Stone," which earned the group two more Grammys.
The "Classic Five" Members:- Otis Williams: Founder and group leader; the only member to remain in the lineup since its inception. Melvin Franklin: Bass singer known for his deep, resonant voice; stayed with the group until shortly before his death in 1995. Eddie Kendricks: High tenor/falsetto lead; left for a solo career in 1971 and died in 1992. Paul Williams: Baritone lead and original choreographer; left in 1971 due to health issues and died in 1973. David Ruffin: Gritty tenor lead; fired in 1968 due to unprofessional behavior and drug use; died in 1991.
After David Ruffin's departure in 1968, Dennis Edwards joined, and producer Norman Whitfield shifted their sound towards psychedelic soul, funk, and harder R&B. This era produced hits like "Cloud Nine" (Grammy winner) and "I Can't Get Next to You," showcasing new vocal styles and social commentary. Other major records included "Just My Imagination (Running Away with Me)" and the iconic "Papa Was a Rollin' Stone" (another Grammy winner).
Inducted into the Rock and Roll Hall of Fame in 1989, the group received four Grammy Awards plus the Lifetime Achievement Award in 2013. Billboard ranked them the #1 Greatest R&B/Hip-Hop Artist of All Time in 2023.
Their story was adapted into a 1998 Emmy-winning TV miniseries and the hit Broadway musical Ain’t Too Proud.
The group was born from the merger of two rival Detroit singing groups: The Primes: Including Eddie Kendricks and Paul Williams. The Distants: Including Otis Williams, Melvin Franklin, and Elbridge "Al" Bryant. They initially called themselves The Elgins but changed to The Temptations upon signing with Motown’s Miracle label in 1961. After several unsuccessful singles, David Ruffin replaced Al Bryant in 1964, completing what is known as the "Classic Five" lineup.
The group’s career is defined by three distinct stylistic shifts:
Romantic Ballads (1964–1968): Under producer Smokey Robinson, they achieved superstardom with hits like "My Girl" (their first #1 pop hit), "The Way You Do the Things You Do," and "Ain't Too Proud to Beg".
Psychedelic Soul (1968–1972): Following David Ruffin’s departure and his replacement by Dennis Edwards, producer Norman Whitfield pushed the group into a harder-edged, socially conscious sound. This era produced "Cloud Nine" (Motown’s first Grammy winner), "I Can't Get Next to You," and "Ball of Confusion".
Funk and Experimental Soul (1972–1976): This period peaked with the 12-minute magnum opus "Papa Was a Rollin' Stone," which earned the group two more Grammys.
The "Classic Five" Members:- Otis Williams: Founder and group leader; the only member to remain in the lineup since its inception. Melvin Franklin: Bass singer known for his deep, resonant voice; stayed with the group until shortly before his death in 1995. Eddie Kendricks: High tenor/falsetto lead; left for a solo career in 1971 and died in 1992. Paul Williams: Baritone lead and original choreographer; left in 1971 due to health issues and died in 1973. David Ruffin: Gritty tenor lead; fired in 1968 due to unprofessional behavior and drug use; died in 1991.
After David Ruffin's departure in 1968, Dennis Edwards joined, and producer Norman Whitfield shifted their sound towards psychedelic soul, funk, and harder R&B. This era produced hits like "Cloud Nine" (Grammy winner) and "I Can't Get Next to You," showcasing new vocal styles and social commentary. Other major records included "Just My Imagination (Running Away with Me)" and the iconic "Papa Was a Rollin' Stone" (another Grammy winner).
Inducted into the Rock and Roll Hall of Fame in 1989, the group received four Grammy Awards plus the Lifetime Achievement Award in 2013. Billboard ranked them the #1 Greatest R&B/Hip-Hop Artist of All Time in 2023.
Their story was adapted into a 1998 Emmy-winning TV miniseries and the hit Broadway musical Ain’t Too Proud.
The Three Degrees
The Three Degrees are an American female vocal group formed in 1963 in Philadelphia, Pennsylvania, known for their Philadelphia soul and disco sound. They achieved major success in the 1970s with hits like "When Will I See You Again." The group has seen numerous lineup changes over more than six decades, with twelve women serving as members.
The trio started with Fayette Pinkney, Shirley Porter, and Linda Turner (sometimes listed as Helen Scott in early accounts), discovered by producer Richard Barrett. They signed to Swan Records and released their debut "Gee Baby (I'm Sorry)." Early shifts included Valerie Holiday joining in 1967 alongside Pinkney and Sheila Ferguson.
In 1973, they moved to Philadelphia International Records, recording with MFSB on the #1 hit "TSOP (The Sound of Philadelphia)." Their 1974 single "When Will I See You Again" topped the UK chart and hit #2 in the US, earning them the nickname "Prince Charles' favorites." They followed with disco hits like "Givin' Up Givin' In" after signing with Ariola in 1978.
Two versions persist: one with original member Valerie Holiday, Freddi Poole, and Hazel Payne; another led by Helen Scott with Skyler Jordan and Tamika Peoples, noted as the longest-running female vocal group. Recent activity includes a 2016 album Strategy: Our Tribute to Philadelphia and 2025 tours.
The trio started with Fayette Pinkney, Shirley Porter, and Linda Turner (sometimes listed as Helen Scott in early accounts), discovered by producer Richard Barrett. They signed to Swan Records and released their debut "Gee Baby (I'm Sorry)." Early shifts included Valerie Holiday joining in 1967 alongside Pinkney and Sheila Ferguson.
In 1973, they moved to Philadelphia International Records, recording with MFSB on the #1 hit "TSOP (The Sound of Philadelphia)." Their 1974 single "When Will I See You Again" topped the UK chart and hit #2 in the US, earning them the nickname "Prince Charles' favorites." They followed with disco hits like "Givin' Up Givin' In" after signing with Ariola in 1978.
Two versions persist: one with original member Valerie Holiday, Freddi Poole, and Hazel Payne; another led by Helen Scott with Skyler Jordan and Tamika Peoples, noted as the longest-running female vocal group. Recent activity includes a 2016 album Strategy: Our Tribute to Philadelphia and 2025 tours.
The Time
The Time, an American funk and R&B band, was formed in 1981 in Minneapolis, Minnesota. It was conceived as a side project by the celebrated musician Prince, who assembled the group under his Warner Bros. Records contract. The ensemble emerged from two local funk units, Flytetyme and Enterprise, and included some of the best musicians from the Twin Cities music scene. Morris Day was designated as the frontman and singer of the band, establishing a charismatic stage presence that became a hallmark of their performances.
The Time's music is characterized by a unique blend of funk rock and dance-pop, heavily influenced by the Minneapolis sound pioneered by Prince. Their early albums featured a mix of rhythmic grooves, catchy melodies, and sophisticated arrangements, showcasing the considerable talent of the musicians involved. Despite being primarily known for performing songs written by Prince, The Time was able to add their flair, contributing significantly to their dynamic live shows and studio recordings.
The band's debut album, "The Time," was released in 1981, followed by the successful "What Time Is It?" in 1982, which further solidified their reputation in the funk genre. Subsequent albums, including "Ice Cream Castle" and "Pandemonium," continued to receive acclaim and commercial success. Notably, their work on the "Purple Rain" soundtrack and the film itself contributed to their rise in popularity, as they performed as the fictional band in the movie.
Throughout its history, The Time has faced significant challenges, including lineup changes and internal conflicts. These issues have led to ongoing turmoil and a lack of consistency within the group since their inception. Despite these struggles, the band has managed to maintain a loyal fan base and continues to perform under the names Morris Day and The Time, and The Original 7ven, reflecting their legacy and evolution over time.
The Time has left an indelible mark on the funk and R&B landscapes, influencing numerous artists and bands in the genre. Their lively performances and infectious sound have made them a beloved act, retaining relevance in popular music culture. While the band has had periods of inactivity, they have periodically reunited for tours and new music, continuing to celebrate their iconic status in the music industry.
In summary, The Time is not only significant for their musical contributions but also for their role in the development of the Minneapolis sound and the broader funk and R&B genres, showcasing a blend of talent, charisma, and enduring appeal.
The Time's music is characterized by a unique blend of funk rock and dance-pop, heavily influenced by the Minneapolis sound pioneered by Prince. Their early albums featured a mix of rhythmic grooves, catchy melodies, and sophisticated arrangements, showcasing the considerable talent of the musicians involved. Despite being primarily known for performing songs written by Prince, The Time was able to add their flair, contributing significantly to their dynamic live shows and studio recordings.
The band's debut album, "The Time," was released in 1981, followed by the successful "What Time Is It?" in 1982, which further solidified their reputation in the funk genre. Subsequent albums, including "Ice Cream Castle" and "Pandemonium," continued to receive acclaim and commercial success. Notably, their work on the "Purple Rain" soundtrack and the film itself contributed to their rise in popularity, as they performed as the fictional band in the movie.
Throughout its history, The Time has faced significant challenges, including lineup changes and internal conflicts. These issues have led to ongoing turmoil and a lack of consistency within the group since their inception. Despite these struggles, the band has managed to maintain a loyal fan base and continues to perform under the names Morris Day and The Time, and The Original 7ven, reflecting their legacy and evolution over time.
The Time has left an indelible mark on the funk and R&B landscapes, influencing numerous artists and bands in the genre. Their lively performances and infectious sound have made them a beloved act, retaining relevance in popular music culture. While the band has had periods of inactivity, they have periodically reunited for tours and new music, continuing to celebrate their iconic status in the music industry.
In summary, The Time is not only significant for their musical contributions but also for their role in the development of the Minneapolis sound and the broader funk and R&B genres, showcasing a blend of talent, charisma, and enduring appeal.
The Trammps
The True Reflection
The Tymes
The Tymes are an American soul vocal group from Philadelphia, renowned for their smooth harmonies and chart success in both the US and UK during the 1960s and 1970s.
Formed in 1956 as The Latineers by Donald Banks (bass), Albert Berry (first tenor), Norman Burnett (baritone), and George Hilliard (second tenor), the group spent four years on Philadelphia's club circuit. They added lead vocalist George Williams in 1960 and renamed themselves The Tymes.
Their breakthrough came with "So Much in Love" in 1963, topping the US charts and reaching #2 in the UK after Cameo-Parkway Records renamed and released it. Later successes included "You Little Trustmaker" (#12 US, #18 UK in 1974 on RCA) and UK hits like "Ms Grace" and "You Little Trust Maker."
Lineup changes occurred by 1976, with Albert Berry and George Hilliard replaced by Terri Gonzales and Melanie Moore. The group earned induction into the Vocal Group Hall of Fame in 2005 and performed on a 2003 PBS special. Surviving originals Albert Berry and Norman Burnett continued performing.
Deceased Members:- George Williams (lead, 1935–2004); Donald Banks (bass, died 2011 aged 72); George Hilliard (second tenor, died 2014 aged 73).
Formed in 1956 as The Latineers by Donald Banks (bass), Albert Berry (first tenor), Norman Burnett (baritone), and George Hilliard (second tenor), the group spent four years on Philadelphia's club circuit. They added lead vocalist George Williams in 1960 and renamed themselves The Tymes.
Their breakthrough came with "So Much in Love" in 1963, topping the US charts and reaching #2 in the UK after Cameo-Parkway Records renamed and released it. Later successes included "You Little Trustmaker" (#12 US, #18 UK in 1974 on RCA) and UK hits like "Ms Grace" and "You Little Trust Maker."
Lineup changes occurred by 1976, with Albert Berry and George Hilliard replaced by Terri Gonzales and Melanie Moore. The group earned induction into the Vocal Group Hall of Fame in 2005 and performed on a 2003 PBS special. Surviving originals Albert Berry and Norman Burnett continued performing.
Deceased Members:- George Williams (lead, 1935–2004); Donald Banks (bass, died 2011 aged 72); George Hilliard (second tenor, died 2014 aged 73).
The Ultimates
The Undisputed Truth
The Undisputed Truth was a psychedelic soul group formed in 1970 by Motown producer Norman Whitfield as an experimental outlet for his innovative production style. Known for their flamboyant look—large white afros, whiteface makeup, and capes—they blended funk, soul, and social commentary in hits like "Smiling Faces Sometimes."
The original trio featured lead singer Joe "Pep" Harris, formerly of The Fabulous Peps and Ohio Players, alongside Billie Rae Calvin and Brenda Joyce Evans from The Delicates, who had sung backups for Diana Ross and Four Tops. Whitfield assembled them partly to channel his creative ideas beyond The Temptations. They debuted with the socially charged "California Soul" cover before their signature cover of "Smiling Faces Sometimes" hit No. 2 on the Billboard Hot 100 in 1971.
Albums like Face the Music (1971) and Cosmic Funk (1973) defined their psychedelic soul sound with politically themed lyrics and funky grooves. By 1973, Evans left, followed by Calvin; the group expanded to a quintet with Virginia "Vee" McDonald, Tyrone Douglas, Tyrone "Lil Ty" Barkley, and Calvin Stephenson.
In 1975, Whitfield left Motown for his own label, taking the group (minus some originals) for albums like Cosmic Truth. Lineups shifted further, featuring Taka Boom (Chaka Khan's sister) and others through 1981's Smokin'. A 1991 revival on Motorcity Records included Harris, Evans, and Belita Woods. The group disbanded amid Whitfield's label struggles but influenced funk-soul acts.
The original trio featured lead singer Joe "Pep" Harris, formerly of The Fabulous Peps and Ohio Players, alongside Billie Rae Calvin and Brenda Joyce Evans from The Delicates, who had sung backups for Diana Ross and Four Tops. Whitfield assembled them partly to channel his creative ideas beyond The Temptations. They debuted with the socially charged "California Soul" cover before their signature cover of "Smiling Faces Sometimes" hit No. 2 on the Billboard Hot 100 in 1971.
Albums like Face the Music (1971) and Cosmic Funk (1973) defined their psychedelic soul sound with politically themed lyrics and funky grooves. By 1973, Evans left, followed by Calvin; the group expanded to a quintet with Virginia "Vee" McDonald, Tyrone Douglas, Tyrone "Lil Ty" Barkley, and Calvin Stephenson.
In 1975, Whitfield left Motown for his own label, taking the group (minus some originals) for albums like Cosmic Truth. Lineups shifted further, featuring Taka Boom (Chaka Khan's sister) and others through 1981's Smokin'. A 1991 revival on Motorcity Records included Harris, Evans, and Belita Woods. The group disbanded amid Whitfield's label struggles but influenced funk-soul acts.
The Upsetters featuring Jimmy Wess
Jimmy Wess featuring The Upsetters was a R&B/soul ensemble active in the late 1960s, best known as the former touring band for Otis Redding.
The group hailed primarily from Baltimore, Maryland, and consisted of the following members: Vocals: Jimmy Wess; Saxophone: Lee Foy; Guitar: Barry Sachs; Trumpet: Harry Hoehn; Bass: Howard Ridgley; Drums: Danny O'Day; Organ: John F. Baseman.
Their most significant release is a tribute to their former bandleader, recorded after his death in 1967: We Remember Otis (1969): An LP released by ABC Records featuring covers of Redding's hits, such as "(Sittin' On) The Dock of the Bay" and "Down Home". "We Remember Otis" (Single): Also released on ABC Records in 1969. The group also had a recording association with Columbia Records during their career.
The group hailed primarily from Baltimore, Maryland, and consisted of the following members: Vocals: Jimmy Wess; Saxophone: Lee Foy; Guitar: Barry Sachs; Trumpet: Harry Hoehn; Bass: Howard Ridgley; Drums: Danny O'Day; Organ: John F. Baseman.
Their most significant release is a tribute to their former bandleader, recorded after his death in 1967: We Remember Otis (1969): An LP released by ABC Records featuring covers of Redding's hits, such as "(Sittin' On) The Dock of the Bay" and "Down Home". "We Remember Otis" (Single): Also released on ABC Records in 1969. The group also had a recording association with Columbia Records during their career.
The Vibrations
The Weather Girls
The Whatnauts
The Whatnauts were an American soul group from Baltimore, Maryland, formed in 1969. Produced by George Kerr, they gained recognition in the early 1970s for heartfelt singles admired by soul enthusiasts, though mainstream R&B success was limited.
The core trio included lead vocalist Billy Herndon, tenor Garrett Jones, and baritone Gerard "Chunky" Pinkney, all from Baltimore.
Key Hits:- "Message from a Black Man" (1970, peaked at #19 US R&B), a socially conscious track on A&I International; "I'll Erase Away Your Pain" (1971, #14 US R&B), their biggest hit on Stang Records. "Girls" (1974, with The Moments, #25 US R&B, #3 UK).
They released three albums: Introducing the Whatnauts (1970, #29 US R&B), Reaching for the Stars (1971), and Whatnauts on the Rocks (1972). Later singles like "Help Is on the Way" (1981) showed continued activity into the 1980s.
The core trio included lead vocalist Billy Herndon, tenor Garrett Jones, and baritone Gerard "Chunky" Pinkney, all from Baltimore.
Key Hits:- "Message from a Black Man" (1970, peaked at #19 US R&B), a socially conscious track on A&I International; "I'll Erase Away Your Pain" (1971, #14 US R&B), their biggest hit on Stang Records. "Girls" (1974, with The Moments, #25 US R&B, #3 UK).
They released three albums: Introducing the Whatnauts (1970, #29 US R&B), Reaching for the Stars (1971), and Whatnauts on the Rocks (1972). Later singles like "Help Is on the Way" (1981) showed continued activity into the 1980s.
The Whispers
The Whispers are a renowned American vocal group that originated in Los Angeles, California, in 1964. Initially formed in the Watts neighborhood, the group consisted of twin brothers Wallace "Scotty" and Walter Scott, along with other members who would come and go over the years, including Gordy Harmon, Marcus Hutson, and Nicholas Caldwell from the earlier group known as The Eden Trio. They began their musical journey by harmonizing at local events and quickly gained attention for their unique sound and style.
The Whispers gained their first major success in the late 1960s and continued to score hit records throughout the 1970s and beyond. They are well-known for their smooth R&B ballads and dance tracks. Their ability to blend harmonious vocals with catchy melodies contributed significantly to their popularity, leading to several chart-topping hits. Over time, they became a staple in the soul and R&B genres, earning acclaim for both their vocal performances and stage presence.
Throughout their career, The Whispers experienced minimal lineup changes, with the most notable being the addition of Leaveil Degree in 1973, following the injury of original member Gordy Harmon. This stability helped maintain their sound and identity as a group during the transition into more contemporary music trends. The Whispers navigated various musical eras, adapting their style while remaining true to their roots.
The Whispers have left an indelible mark on the music industry, influencing a multitude of artists across genres. Their extensive catalog includes numerous hits that have transcended generations. The group continues to be celebrated for their contributions to soul and R&B music, with many of their songs still resonating with audiences today.
Overall, The Whispers' journey reflects a remarkable legacy in the musical landscape, characterized by their smooth harmonies, engaging performances, and ability to evolve with the times while maintaining their unique identity. Their story is a testament to the enduring power of music and the lasting impact of vocal harmony groups in American culture.
The Whispers gained their first major success in the late 1960s and continued to score hit records throughout the 1970s and beyond. They are well-known for their smooth R&B ballads and dance tracks. Their ability to blend harmonious vocals with catchy melodies contributed significantly to their popularity, leading to several chart-topping hits. Over time, they became a staple in the soul and R&B genres, earning acclaim for both their vocal performances and stage presence.
Throughout their career, The Whispers experienced minimal lineup changes, with the most notable being the addition of Leaveil Degree in 1973, following the injury of original member Gordy Harmon. This stability helped maintain their sound and identity as a group during the transition into more contemporary music trends. The Whispers navigated various musical eras, adapting their style while remaining true to their roots.
The Whispers have left an indelible mark on the music industry, influencing a multitude of artists across genres. Their extensive catalog includes numerous hits that have transcended generations. The group continues to be celebrated for their contributions to soul and R&B music, with many of their songs still resonating with audiences today.
Overall, The Whispers' journey reflects a remarkable legacy in the musical landscape, characterized by their smooth harmonies, engaging performances, and ability to evolve with the times while maintaining their unique identity. Their story is a testament to the enduring power of music and the lasting impact of vocal harmony groups in American culture.
The Winans
The Younghearts
The Younghearts were an American soul/R&B vocal group, originally formed in 1961 at Dorsey High School in Los Angeles, California. The founding members included Bobby Sanders and Charles Ingersoll, who were instrumental in establishing the group's initial sound and identity. Alongside them, the original lineup also featured Ronald Preyer, Earl Carter, and James Moore, contributing to their harmonious vocals and dynamic performances.
In 1967, the group achieved a significant breakthrough with the release of their debut single, “A Little Togetherness,” through Canterbury Records. The single garnered considerable attention and reached the top ten on the US R&B chart in 1968, marking a pivotal moment in their career and solidifying their presence in the music industry
They followed with Sweet Soul Shakin' (1968) on Minit Records, featuring the hit "I've Got Love For My Baby" (R&B #19).
They were known for their distinctive falsetto lead vocals, setting them apart from other groups of the era.
Lineup Changes & Continued Output (Early-Mid 1970s):
New Name: Briefly known as the New Younghearts, they released the in-demand rare soul track "Young Hearts Get Lonely Too".
20th Century Records: As a trio (Ingersoll, Preyer, and sometimes Bobby Solomon/Frank Hayes), they moved to 20th Century Fox, producing the classic "Do You Have The Time" and other popular tracks.
Touring: The Younghearts toured extensively with major soul acts like The Temptations, The Dells, and The Supremes.
Later Years & Legacy:
Final Album: Their 1977 album All About Love on ABC Records marked their final major release, featuring hits like "You're Not Here With Me".
Member Transitions: The group saw further changes, with Bobby Solomon passing away in 1975 and Frank Hayes joining.
Legacy: Despite fading from charts, they remain celebrated for their high-quality, energetic soul, with members like Charles Ingersoll contributing to other major artists' work, notes Soulwalking and Discogs.
In 1967, the group achieved a significant breakthrough with the release of their debut single, “A Little Togetherness,” through Canterbury Records. The single garnered considerable attention and reached the top ten on the US R&B chart in 1968, marking a pivotal moment in their career and solidifying their presence in the music industry
They followed with Sweet Soul Shakin' (1968) on Minit Records, featuring the hit "I've Got Love For My Baby" (R&B #19).
They were known for their distinctive falsetto lead vocals, setting them apart from other groups of the era.
Lineup Changes & Continued Output (Early-Mid 1970s):
New Name: Briefly known as the New Younghearts, they released the in-demand rare soul track "Young Hearts Get Lonely Too".
20th Century Records: As a trio (Ingersoll, Preyer, and sometimes Bobby Solomon/Frank Hayes), they moved to 20th Century Fox, producing the classic "Do You Have The Time" and other popular tracks.
Touring: The Younghearts toured extensively with major soul acts like The Temptations, The Dells, and The Supremes.
Later Years & Legacy:
Final Album: Their 1977 album All About Love on ABC Records marked their final major release, featuring hits like "You're Not Here With Me".
Member Transitions: The group saw further changes, with Bobby Solomon passing away in 1975 and Frank Hayes joining.
Legacy: Despite fading from charts, they remain celebrated for their high-quality, energetic soul, with members like Charles Ingersoll contributing to other major artists' work, notes Soulwalking and Discogs.
The Young Hearts
Timi Yuro
Timi Yuro was an American singer known for her powerful contralto voice and blue-eyed soul style. Born Rosemary Victoria Yuro on August 4, 1940, in Chicago, she rose to fame in the early 1960s with her breakout hit "Hurt."
Rosemary Timothy Yuro, often called the "little girl with the big voice," grew up in an Italian-American family and moved to Los Angeles as a child. She began performing in her family's Italian restaurant, honing a deep, emotive style influenced by R&B and standards. Signed to Liberty Records in 1959, her career took off under producer Clyde Otis.
In 1961, Yuro's version of "Hurt" reached No. 4 on the Billboard Hot 100, No. 2 on Adult Contemporary, and No. 22 on R&B charts, establishing her as a soul stylist. Follow-up singles like "I Apologize" (No. 72 US, No. 19 AC) and "Smile" (No. 42 US, No. 9 AC) followed, and she toured with Frank Sinatra in Australia while appearing on shows like Britain's Ready Steady Go!.
Yuro gained popularity in Europe, the Philippines (starring in the 1967 film Buhay Marino), and performed at venues like the Kray twins' clubs in London. After re-signing with Liberty in 1968, she shifted toward cabaret but quit music post-1969 marriage. A 1981 Netherlands comeback featured a Top 5 "Hurt" re-recording and gold album All Alone Am I, leading her to relocate there temporarily.
Yuro continued performing into the 1990s but faced health struggles. She passed away on March 30, 2004, in Las Vegas at age 63.
Rosemary Timothy Yuro, often called the "little girl with the big voice," grew up in an Italian-American family and moved to Los Angeles as a child. She began performing in her family's Italian restaurant, honing a deep, emotive style influenced by R&B and standards. Signed to Liberty Records in 1959, her career took off under producer Clyde Otis.
In 1961, Yuro's version of "Hurt" reached No. 4 on the Billboard Hot 100, No. 2 on Adult Contemporary, and No. 22 on R&B charts, establishing her as a soul stylist. Follow-up singles like "I Apologize" (No. 72 US, No. 19 AC) and "Smile" (No. 42 US, No. 9 AC) followed, and she toured with Frank Sinatra in Australia while appearing on shows like Britain's Ready Steady Go!.
Yuro gained popularity in Europe, the Philippines (starring in the 1967 film Buhay Marino), and performed at venues like the Kray twins' clubs in London. After re-signing with Liberty in 1968, she shifted toward cabaret but quit music post-1969 marriage. A 1981 Netherlands comeback featured a Top 5 "Hurt" re-recording and gold album All Alone Am I, leading her to relocate there temporarily.
Yuro continued performing into the 1990s but faced health struggles. She passed away on March 30, 2004, in Las Vegas at age 63.
Timmy Thomas
Timmy Thomas, born Timothy Earle Thomas on November 13, 1944, in Evansville, Indiana, was an influential American R&B singer, keyboardist, songwriter, and record producer. He was the youngest of twelve children and grew up in a musically inclined household, which helped shape his artistic endeavors. By the age of ten, he began playing the organ, and his passion for music only deepened as he matured.
Thomas had a diverse musical education, studying music with jazz legends such as Cannonball Adderley and Donald Byrd. However, he eventually found his niche in soul music, where he would carve out a significant career. In his early years, he worked as a session musician in Memphis, contributing to various recordings before launching his solo career.
He gained widespread recognition for his hit song "Why Can't We Live Together," released in 1972. The track is noted for its socially conscious lyrics and has had a lasting impact on popular music, resonating with audiences for its poignant message about unity and understanding . This song became a defining moment in his career, showcasing both his vocal and songwriting talent.
Throughout his career, Timmy Thomas continued to produce music and perform, leaving a legacy that influenced countless artists in the R&B and soul genres. He passed away on March 11, 2022, but remains remembered for his contributions to music and the impact of his work on societal issues.
In summary, Timmy Thomas is celebrated for his musical talent, particularly his iconic song "Why Can't We Live Together," which underscored important social themes during a turbulent time in American history.
Thomas had a diverse musical education, studying music with jazz legends such as Cannonball Adderley and Donald Byrd. However, he eventually found his niche in soul music, where he would carve out a significant career. In his early years, he worked as a session musician in Memphis, contributing to various recordings before launching his solo career.
He gained widespread recognition for his hit song "Why Can't We Live Together," released in 1972. The track is noted for its socially conscious lyrics and has had a lasting impact on popular music, resonating with audiences for its poignant message about unity and understanding . This song became a defining moment in his career, showcasing both his vocal and songwriting talent.
Throughout his career, Timmy Thomas continued to produce music and perform, leaving a legacy that influenced countless artists in the R&B and soul genres. He passed away on March 11, 2022, but remains remembered for his contributions to music and the impact of his work on societal issues.
In summary, Timmy Thomas is celebrated for his musical talent, particularly his iconic song "Why Can't We Live Together," which underscored important social themes during a turbulent time in American history.
Timothy Wilson
Tom Browne
Tommie Young
Tommy McGee
Tomorrow’s People<div hidden>Tomorrow s People Tomorrows People</div>
Tomorrow's People was a Chicago-based soul and funk group active in the mid-1970s, best known for their rare 1976 album Open Soul.
The band formed in the early 1970s, led by four brothers—Kevin, Maurice, Gerald, and Timothy Burton—along with two other members, creating a six-piece soul/jazz-funk fusion outfit. They hailed from Chicago and blended raw soul, funk, and disco elements in their sound.
Their debut (and primary) album, Open Soul, appeared in 1976 on a small label and became highly sought after by collectors due to its limited distribution and scarcity. The record featured gritty, energetic tracks showcasing the brothers' vocal harmonies and tight instrumentation, though the group did not achieve widespread commercial success.
Tomorrow's People disbanded after their lone album, but Open Soul later gained cult status in funk and soul reissue circles, with modern vinyl pressings making it more accessible. No major reunions or additional discography emerged from the group.
The band formed in the early 1970s, led by four brothers—Kevin, Maurice, Gerald, and Timothy Burton—along with two other members, creating a six-piece soul/jazz-funk fusion outfit. They hailed from Chicago and blended raw soul, funk, and disco elements in their sound.
Their debut (and primary) album, Open Soul, appeared in 1976 on a small label and became highly sought after by collectors due to its limited distribution and scarcity. The record featured gritty, energetic tracks showcasing the brothers' vocal harmonies and tight instrumentation, though the group did not achieve widespread commercial success.
Tomorrow's People disbanded after their lone album, but Open Soul later gained cult status in funk and soul reissue circles, with modern vinyl pressings making it more accessible. No major reunions or additional discography emerged from the group.
Toni Braxton
Toni Braxton is an acclaimed American R&B singer, songwriter, actress, and television personality known for her powerful voice and hits like "Un-Break My Heart." Born on October 7, 1967, in Severn, Maryland, she rose to fame in the 1990s and has sold over 70 million records worldwide.
Toni Michele Braxton grew up as the eldest of six siblings in a musical family; her father was a Methodist clergyman, and her mother was an opera singer and cosmetologist. She sang in church choirs and briefly attended Bowie State University before pursuing music professionally with her sisters as The Braxtons.
Braxton's breakthrough came in 1993 with her self-titled debut album on LaFace Records, featuring hits "Another Sad Love Song" and "Breathe Again," which earned her multiple Grammy Awards. Subsequent albums like Secrets (1996) with "Un-Break My Heart," The Heat (2000), and later works such as Pulse (2010) solidified her as one of the best-selling female artists, with seven Grammys and inductions into halls of fame.
She debuted on Broadway as Belle in Beauty and the Beast in 1998, becoming the first Black woman in that lead role. Braxton starred in reality series Braxton Family Values (2011–2020, 2024) and competed on Dancing with the Stars (2008) and The Masked Singer (2021).
Braxton has two sons from her marriage to Keri Lewis (2001–2013) and married rapper Birdman in August 2024. She has faced health challenges, including lupus, and financial issues earlier in her career.
Toni Michele Braxton grew up as the eldest of six siblings in a musical family; her father was a Methodist clergyman, and her mother was an opera singer and cosmetologist. She sang in church choirs and briefly attended Bowie State University before pursuing music professionally with her sisters as The Braxtons.
Braxton's breakthrough came in 1993 with her self-titled debut album on LaFace Records, featuring hits "Another Sad Love Song" and "Breathe Again," which earned her multiple Grammy Awards. Subsequent albums like Secrets (1996) with "Un-Break My Heart," The Heat (2000), and later works such as Pulse (2010) solidified her as one of the best-selling female artists, with seven Grammys and inductions into halls of fame.
She debuted on Broadway as Belle in Beauty and the Beast in 1998, becoming the first Black woman in that lead role. Braxton starred in reality series Braxton Family Values (2011–2020, 2024) and competed on Dancing with the Stars (2008) and The Masked Singer (2021).
Braxton has two sons from her marriage to Keri Lewis (2001–2013) and married rapper Birdman in August 2024. She has faced health challenges, including lupus, and financial issues earlier in her career.
Touch Of Class
Toussaint McCall
Tower Of Power
Troop
Troop is an American R&B group formed in 1987 in Pasadena, California. The group, originally consisting of Rodney Benford, John Harreld, Steve Russell, Reggie Warren, and Allen McNeil, rose to fame with smooth harmonies and hits in the late 1980s and early 1990s.
Troop started as childhood friends who won a televised talent contest called Puttin' on the Hits, lip-synching and dancing to New Edition's "Cool It Now," which drew record label interest. They signed with Atlantic Records, adopting the name TROOP as an acronym for "Total Respect Of Other People." Their debut album, Troop, arrived in 1988, featuring the top R&B single "Mamacita" at No. 2.
The 1989 follow-up Attitude went platinum, propelled by No. 1 R&B hits like their original "Spread My Wings" and a cover of the Jackson 5's "All I Do Is Think of You." They notched three No. 1 R&B singles and ten top-ten hits overall, with three gold albums and one platinum. Influences included the Temptations, Jackson 5, and New Edition.
Their 1992 album Deepa included another No. 1 cover, "Sweet November" (originally by the Deele). Follow-ups were A Lil' Sumpin' Sumpin' (1994) and Mayday (1998), reissued in 2005. Internal issues, like song publishing disputes and friendships fraying, led to a hiatus after 1998 as members pursued solo writing and production.
By 2013, after reconciliations, the group reunited for touring and released new music, maintaining a fanbase for their classic sound. They remain known for defining late '80s/early '90s R&B with nostalgic covers and choreography.
Troop started as childhood friends who won a televised talent contest called Puttin' on the Hits, lip-synching and dancing to New Edition's "Cool It Now," which drew record label interest. They signed with Atlantic Records, adopting the name TROOP as an acronym for "Total Respect Of Other People." Their debut album, Troop, arrived in 1988, featuring the top R&B single "Mamacita" at No. 2.
The 1989 follow-up Attitude went platinum, propelled by No. 1 R&B hits like their original "Spread My Wings" and a cover of the Jackson 5's "All I Do Is Think of You." They notched three No. 1 R&B singles and ten top-ten hits overall, with three gold albums and one platinum. Influences included the Temptations, Jackson 5, and New Edition.
Their 1992 album Deepa included another No. 1 cover, "Sweet November" (originally by the Deele). Follow-ups were A Lil' Sumpin' Sumpin' (1994) and Mayday (1998), reissued in 2005. Internal issues, like song publishing disputes and friendships fraying, led to a hiatus after 1998 as members pursued solo writing and production.
By 2013, after reconciliations, the group reunited for touring and released new music, maintaining a fanbase for their classic sound. They remain known for defining late '80s/early '90s R&B with nostalgic covers and choreography.
Tyrone Davis
Unlimited Touch
Valerie Simpson
American singer, songwriter, and producer, Valerie Simpson (born August 26, 1946), most famous as one-half of the legendary duo Ashford & Simpson alongside her husband and partner, the late Nickolas Ashford, she helped define the Motown sound and penned some of the most enduring anthems in soul and R&B history.
Born and raised in the Bronx, New York, Simpson's musical foundation was laid in the church, where she started playing piano by ear at age five. In 1964, she met Nickolas Ashford at the White Rock Baptist Church in Harlem. They initially formed a gospel group called the Followers before transitioning into pop songwriting. Their breakthrough came in 1966 when their composition "Let's Go Get Stoned" became a #1 R&B hit for Ray Charles.
Ashford & Simpson joined Motown Records in 1966, where they became primary writers and producers for major artists:
Marvin Gaye & Tammi Terrell: They wrote iconic duets including "Ain't No Mountain High Enough," "Your Precious Love," and "Ain't Nothing Like the Real Thing".
Diana Ross: They penned and produced her early solo hits like "Reach Out and Touch (Somebody's Hand)" and "The Boss".
Solo Work: During her time at Motown, Simpson released two acclaimed solo albums, Exposed (1971) and Valerie Simpson (1972).
In 1973, seeking more creative control and a career as performers, the couple left Motown, signed with Warner Bros., and officially married in 1974.
Major Hits: As a duo, they achieved global success with songs like "Solid" (1984)—their signature hit—and "Found a Cure" (1979).
Collaborations: They wrote Chaka Khan's anthem "I'm Every Woman" (1978), later famously covered by Whitney Houston.
The duo received the Songwriters Hall of Fame induction (2002), the ASCAP Founders Award (1996), and the Rhythm & Blues Foundation’s Pioneer Award.
Ashford and Simpson remained married until Ashford's death in 2011; they had two daughters, Nicole and Asia.
As of 2025, Simpson remains an active figure in the music industry, performing tribute concerts, appearing at festivals like Essence, and overseeing projects such as a Broadway musical based on her life and music.
Born and raised in the Bronx, New York, Simpson's musical foundation was laid in the church, where she started playing piano by ear at age five. In 1964, she met Nickolas Ashford at the White Rock Baptist Church in Harlem. They initially formed a gospel group called the Followers before transitioning into pop songwriting. Their breakthrough came in 1966 when their composition "Let's Go Get Stoned" became a #1 R&B hit for Ray Charles.
Ashford & Simpson joined Motown Records in 1966, where they became primary writers and producers for major artists:
Marvin Gaye & Tammi Terrell: They wrote iconic duets including "Ain't No Mountain High Enough," "Your Precious Love," and "Ain't Nothing Like the Real Thing".
Diana Ross: They penned and produced her early solo hits like "Reach Out and Touch (Somebody's Hand)" and "The Boss".
Solo Work: During her time at Motown, Simpson released two acclaimed solo albums, Exposed (1971) and Valerie Simpson (1972).
In 1973, seeking more creative control and a career as performers, the couple left Motown, signed with Warner Bros., and officially married in 1974.
Major Hits: As a duo, they achieved global success with songs like "Solid" (1984)—their signature hit—and "Found a Cure" (1979).
Collaborations: They wrote Chaka Khan's anthem "I'm Every Woman" (1978), later famously covered by Whitney Houston.
The duo received the Songwriters Hall of Fame induction (2002), the ASCAP Founders Award (1996), and the Rhythm & Blues Foundation’s Pioneer Award.
Ashford and Simpson remained married until Ashford's death in 2011; they had two daughters, Nicole and Asia.
As of 2025, Simpson remains an active figure in the music industry, performing tribute concerts, appearing at festivals like Essence, and overseeing projects such as a Broadway musical based on her life and music.
Van McCoy
Van McCoy was an influential American musician, songwriter, and producer best known for his 1975 disco hit "The Hustle." Van Allen Clinton McCoy was born on January 6, 1940, in Washington, D.C. He learned piano as a child, sang in his church choir, and started writing songs at age 12 with his brother in a doo-wop group called The Starlighters. After high school, he briefly studied psychology at Howard University before dropping out to pursue music full-time in Philadelphia and New York.
In 1958, McCoy launched Rockin' Records and released his debut single "Hey Mr. DJ," which led to a job at Scepter Records as a staff writer and A&R rep. He penned early hits like "Stop the Music" for The Shirelles and "Giving Up" for Gladys Knight & the Pips, while co-owning labels like Vando, Share, and Ma.xx In 1966, he released his first album, Night Time Is Lonely Time, and produced for acts like Peaches & Herb.
McCoy wrote or co-wrote around 700 songs and produced for artists including Aretha Franklin, The Stylistics, David Ruffin, and Brenda & the Tabulations. In the 1970s, he partnered with Charles Kipps, formed the Soul City Symphony orchestra, and worked with vocal group Faith, Hope & Charity. His 1972 album Soul Improvisations featured the minor hit "Let Me Down Easy."
"The Hustle" from his 1975 album Disco Baby became a global Grammy-winning smash, sparking international tours and a performance at Avery Fisher Hall. McCoy's versatile disco, R&B, and pop work across labels like Columbia, Avco, and H&L shaped soul and dance music.
McCoy died suddenly on July 6, 1979, at age 39 in Englewood, New Jersey, after collapsing from a heart attack while visiting friends.
In 1958, McCoy launched Rockin' Records and released his debut single "Hey Mr. DJ," which led to a job at Scepter Records as a staff writer and A&R rep. He penned early hits like "Stop the Music" for The Shirelles and "Giving Up" for Gladys Knight & the Pips, while co-owning labels like Vando, Share, and Ma.xx In 1966, he released his first album, Night Time Is Lonely Time, and produced for acts like Peaches & Herb.
McCoy wrote or co-wrote around 700 songs and produced for artists including Aretha Franklin, The Stylistics, David Ruffin, and Brenda & the Tabulations. In the 1970s, he partnered with Charles Kipps, formed the Soul City Symphony orchestra, and worked with vocal group Faith, Hope & Charity. His 1972 album Soul Improvisations featured the minor hit "Let Me Down Easy."
"The Hustle" from his 1975 album Disco Baby became a global Grammy-winning smash, sparking international tours and a performance at Avery Fisher Hall. McCoy's versatile disco, R&B, and pop work across labels like Columbia, Avco, and H&L shaped soul and dance music.
McCoy died suddenly on July 6, 1979, at age 39 in Englewood, New Jersey, after collapsing from a heart attack while visiting friends.
Various Artists
Vernon Garrett
Vesta Williams
Vitamin E
Vitamin E was a 1970s soul harmony group closely associated with producer Norman Connors and songwriter/producer Paul Tillman Smith.
While considered an "obscure" group by some, they are recognized for their high-quality, rare soul sound. Members: Bianca Thornton, David Gardner, and Paul Tillman Smith.
The group worked with notable figures in the soul music industry, including producer Norman Connors. Vocalist Lady Bianca (who worked with Frank Zappa and Sly Stone) and David Gardener (vocalist for saxophonist Jules Broussard) were featured in the project. Vocalist Freddie Hughes also made a guest appearance on their work.
The "Sharing" Album (1977): Released in 1977 on Buddah Records, Sharing is the group's primary, though rare, album. The album is described as a "rare gem" of soul harmony.
The title track single from the Sharing album, composed by Paul Tillman Smith, became a number one hit in over twelve cities across the U.S.. In the 1990s, the Vitamin E album was reissued in Japan on CD.
While considered an "obscure" group by some, they are recognized for their high-quality, rare soul sound. Members: Bianca Thornton, David Gardner, and Paul Tillman Smith.
The group worked with notable figures in the soul music industry, including producer Norman Connors. Vocalist Lady Bianca (who worked with Frank Zappa and Sly Stone) and David Gardener (vocalist for saxophonist Jules Broussard) were featured in the project. Vocalist Freddie Hughes also made a guest appearance on their work.
The "Sharing" Album (1977): Released in 1977 on Buddah Records, Sharing is the group's primary, though rare, album. The album is described as a "rare gem" of soul harmony.
The title track single from the Sharing album, composed by Paul Tillman Smith, became a number one hit in over twelve cities across the U.S.. In the 1990s, the Vitamin E album was reissued in Japan on CD.
Wade Flemons
Walter Jackson
War
Water and Power
The group Water & Power was founded by songwriters Warren Sams Jr. and William Peele Jr. around 1972.
Members were: Warren Sams Jr., Rachel Sanders, Christine Adams Tripp (Warren’s half sister).
The name came from (Warren & Peele) first letters of their names.
The group was signed to the Fantasy record label and released one single entitled "Mr. Weatherman" and a self-titled album the same year. Their album is well regarded among soul aficionados despite its lack of commercial success.
Members were: Warren Sams Jr., Rachel Sanders, Christine Adams Tripp (Warren’s half sister).
The name came from (Warren & Peele) first letters of their names.
The group was signed to the Fantasy record label and released one single entitled "Mr. Weatherman" and a self-titled album the same year. Their album is well regarded among soul aficionados despite its lack of commercial success.
Webster Lewis
Webster Lewis was an American jazz and disco composer, arranger, and keyboardist known for blending soulful grooves with sophisticated arrangements.?
Born Webster Samuel Lewis on September 1, 1943, in Baltimore, Maryland, to parents Webster S. Lewis Sr. and Virgie Gaines Lewis, he showed musical talent early with family encouragement. He earned a bachelor's in sociology from Morgan State University, co-founding Iota Phi Theta fraternity there, and later a master's from the New England Conservatory of Music under Gunther Schuller, where he served as associate dean from 1972-1978.
Lewis began in jazz, collaborating with Tony Williams, George Russell, Bill Evans, and Stanton Davis, and released early works like those on Counterpoint Records. He arranged and toured for Herbie Hancock and Barry White, produced for Gwen McCrae and Michael Wycoff, and worked with artists including Michael Jackson, The Jacksons, Tom Jones, and Thelma Houston. In the 1970s-80s, he shifted to disco hits like "Touch My Love," soundtracks for films such as The Hearse (1980), Body and Soul (1981), and My Tutor (1983), plus TV commercials.
From 1995-1999, he taught jazz voice and arrangement as a visiting professor at Howard University. His final recording was with Barry White on Welcome Aboard.
Lewis died on November 20, 2002, at age 59 in Barryville, New York, from pneumonia and diabetes complications; he left partner Libre Jasiri.
Born Webster Samuel Lewis on September 1, 1943, in Baltimore, Maryland, to parents Webster S. Lewis Sr. and Virgie Gaines Lewis, he showed musical talent early with family encouragement. He earned a bachelor's in sociology from Morgan State University, co-founding Iota Phi Theta fraternity there, and later a master's from the New England Conservatory of Music under Gunther Schuller, where he served as associate dean from 1972-1978.
Lewis began in jazz, collaborating with Tony Williams, George Russell, Bill Evans, and Stanton Davis, and released early works like those on Counterpoint Records. He arranged and toured for Herbie Hancock and Barry White, produced for Gwen McCrae and Michael Wycoff, and worked with artists including Michael Jackson, The Jacksons, Tom Jones, and Thelma Houston. In the 1970s-80s, he shifted to disco hits like "Touch My Love," soundtracks for films such as The Hearse (1980), Body and Soul (1981), and My Tutor (1983), plus TV commercials.
From 1995-1999, he taught jazz voice and arrangement as a visiting professor at Howard University. His final recording was with Barry White on Welcome Aboard.
Lewis died on November 20, 2002, at age 59 in Barryville, New York, from pneumonia and diabetes complications; he left partner Libre Jasiri.
Wee Gee
William "Wee Gee" Howard II was a soul and funk vocalist best known as a lead singer for The Dramatics. Born on July 13, 1950, in Detroit, Michigan, he passed away on February 22, 2000, in Bronxville, New York.
Wee Gee, son of George and Elise Howard, acquired his nickname in high school while attending MacKenzie High School. He began singing at age 12, inspired by his older brother George's group, and sang second tenor and baritone, influenced by David Ruffin of The Temptations.
He joined The Dramatics in 1968, replacing lead singer Larry Reed. The group achieved hits through collaborations with producer Tony Hester, defining their distinctive harmonies on albums like Whatcha See Is Whatcha Get (1971).
After leaving The Dramatics in 1972, Wee Gee pursued a solo career, releasing singles "Hold On To Your Dreams" and "You've Been A Part Of Me." He rejoined for a 1986 reunion but departed again in 1989, replaced by Steve Boyd-Barnett.
Wee Gee, son of George and Elise Howard, acquired his nickname in high school while attending MacKenzie High School. He began singing at age 12, inspired by his older brother George's group, and sang second tenor and baritone, influenced by David Ruffin of The Temptations.
He joined The Dramatics in 1968, replacing lead singer Larry Reed. The group achieved hits through collaborations with producer Tony Hester, defining their distinctive harmonies on albums like Whatcha See Is Whatcha Get (1971).
After leaving The Dramatics in 1972, Wee Gee pursued a solo career, releasing singles "Hold On To Your Dreams" and "You've Been A Part Of Me." He rejoined for a 1986 reunion but departed again in 1989, replaced by Steve Boyd-Barnett.
West Wing
West Wing was an American soul group active in the 1970s. They are best known for their self-titled album released in 1975 on 20th Century Records, produced by Barry White.?
Formed in the early 1970s, West Wing debuted with the single “Falling in Love Is a No No” (both full and short versions) in 1973. Their primary output was the 1975 LP West Wing, which showcased their soul sound under Barry White's production.?
Specific member names are not detailed in available records. Discography includes: “Falling in Love Is a No No” / “Falling in Love Is a No No (Short Version)” (1973). West Wing (1975).
Little additional information exists on their formation, later activities, or disbandment, as they appear to have been a short-lived act.
Whitney Houston
Wilbert Longmire
Will Downing
Will Downing is an acclaimed American R&B, soul, and jazz singer known as the "Prince of Sophisticated Soul." With a career spanning over 38 years and 28 albums, he has built a loyal fanbase through his rich baritone voice and interpretations of classics like "I Try" and "Wishing on a Star."
Born Wilfred Downing on November 29, 1963, in Brooklyn, New York, he grew up with a schoolteacher mother and a skycap father. Downing attended Erasmus Hall High School and briefly studied at Virginia Union University before returning to New York City to pursue music. His early influences included Donny Hathaway, Stevie Wonder, Nat King Cole, and Luther Vandross.
Downing started as a backup vocalist in the early 1980s, contributing to albums by Jennifer Holliday, Kool & the Gang, Billy Ocean, Regina Belle, and others. He also sang with house music group Wally Jump Jr. and the Criminal Element. In 1988, he signed with 4th & B'way Records for his self-titled debut album, featuring a cover of John Coltrane's "A Love Supreme" that hit No. 4 on Billboard's Hot Dance Club Songs chart.
His 1989 album Come Together as One (Island Records) was followed by the commercially successful A Dream Fulfilled (1991), highlighting his take on Angela Bofill's "I Try." Downing moved to Mercury Records for Love's the Place to Be (1993), Moods (1995), and Invitation Only (1997). All the Man You Need (Motown, 2000) earned a Grammy nomination for Best Traditional R&B Album and included a duet with Chanté Moore. Later works include Sensual Journey (GRP, 2002), and his 2023 album Soul Rising, dedicated to his late daughter.
Downing has navigated label changes (Verve, Peak, Hip-O) and personal challenges, including health issues and the loss of his daughter, which inspired tracks like "Till We Meet Again." He continues performing sold-out tours and releasing music via his Sophisticated Soul label as of 2025.
Born Wilfred Downing on November 29, 1963, in Brooklyn, New York, he grew up with a schoolteacher mother and a skycap father. Downing attended Erasmus Hall High School and briefly studied at Virginia Union University before returning to New York City to pursue music. His early influences included Donny Hathaway, Stevie Wonder, Nat King Cole, and Luther Vandross.
Downing started as a backup vocalist in the early 1980s, contributing to albums by Jennifer Holliday, Kool & the Gang, Billy Ocean, Regina Belle, and others. He also sang with house music group Wally Jump Jr. and the Criminal Element. In 1988, he signed with 4th & B'way Records for his self-titled debut album, featuring a cover of John Coltrane's "A Love Supreme" that hit No. 4 on Billboard's Hot Dance Club Songs chart.
His 1989 album Come Together as One (Island Records) was followed by the commercially successful A Dream Fulfilled (1991), highlighting his take on Angela Bofill's "I Try." Downing moved to Mercury Records for Love's the Place to Be (1993), Moods (1995), and Invitation Only (1997). All the Man You Need (Motown, 2000) earned a Grammy nomination for Best Traditional R&B Album and included a duet with Chanté Moore. Later works include Sensual Journey (GRP, 2002), and his 2023 album Soul Rising, dedicated to his late daughter.
Downing has navigated label changes (Verve, Peak, Hip-O) and personal challenges, including health issues and the loss of his daughter, which inspired tracks like "Till We Meet Again." He continues performing sold-out tours and releasing music via his Sophisticated Soul label as of 2025.
William Bell
William Bell is an American soul singer and songwriter born on July 16, 1939, in Memphis, Tennessee, originally named William Yarbrough. He adopted his stage name to honor his grandmother Belle and began singing in church as a child, influenced by gospel groups like the Soul Stirrers led by Sam Cooke.
Bell started songwriting at age ten with "Alone on a Rainy Night" and won a talent contest at 14, performing in Memphis clubs. In the late 1950s, he formed the group Del-Rios and gigged with local orchestras before signing as Stax Records' first solo male artist in 1961, releasing his debut single "You Don't Miss Your Water."
After military service, Bell returned to Stax, releasing his debut album The Soul of a Bell in 1969, featuring the Top 20 hit "Everybody Loves a Winner." He co-wrote the blues classic "Born Under a Bad Sign" with Booker T. Jones, popularized by Albert King and Cream.
In 1968, his duet "Private Number" with Judy Clay reached the UK top 10. After Stax closed in 1975, Bell relocated to Atlanta, founded Peachtree Records, and scored his biggest U.S. hit, "Tryin' to Love Two" (1977 on Mercury), which topped the R&B chart and hit No. 10 on pop.
Bell received a Grammy for Best Americana Album for This Is Where I Live (2017) and multiple Blues Music Award nominations. Still active into his 80s from Atlanta, he remains a soul pioneer with a seven-decade career as singer, songwriter, producer, and label owner.
Bell started songwriting at age ten with "Alone on a Rainy Night" and won a talent contest at 14, performing in Memphis clubs. In the late 1950s, he formed the group Del-Rios and gigged with local orchestras before signing as Stax Records' first solo male artist in 1961, releasing his debut single "You Don't Miss Your Water."
After military service, Bell returned to Stax, releasing his debut album The Soul of a Bell in 1969, featuring the Top 20 hit "Everybody Loves a Winner." He co-wrote the blues classic "Born Under a Bad Sign" with Booker T. Jones, popularized by Albert King and Cream.
In 1968, his duet "Private Number" with Judy Clay reached the UK top 10. After Stax closed in 1975, Bell relocated to Atlanta, founded Peachtree Records, and scored his biggest U.S. hit, "Tryin' to Love Two" (1977 on Mercury), which topped the R&B chart and hit No. 10 on pop.
Bell received a Grammy for Best Americana Album for This Is Where I Live (2017) and multiple Blues Music Award nominations. Still active into his 80s from Atlanta, he remains a soul pioneer with a seven-decade career as singer, songwriter, producer, and label owner.
William DeVaughn
Willie Bobo And The Bo-Gents
Willie Clayton
Willie Collins
Willie Hutch
Willie Hutch was a prolific singer, songwriter, guitarist, and producer known for his Motown work and blaxploitation film soundtracks. Born Willie McKinley Hutchinson on December 6, 1944, he rose from high school choral groups to a major music career before his death on September 19, 2005.
Hutch grew up primarily in Dallas, Texas, after being born in Los Angeles, joining the high school group The Ambassadors as a teen. After graduating from Booker T. Washington High School, he served two years in the U.S. Marines, then moved to Los Angeles to pursue music.
He debuted with the 1964 single "Love Has Put Me Down" and wrote early songs for the 5th Dimension, including "I'll Be Lovin' You Forever". In 1970, he penned lyrics for the Jackson 5's massive #1 hit "I'll Be There," leading to a Motown contract as staff writer and producer.
At Motown from 1971 to 1994, Hutch worked with stars like Marvin Gaye, Smokey Robinson, Diana Ross, and the Jackson 5, writing hits such as "Never Can Say Goodbye". He released six solo albums from 1973-1977, including Soul Portrait (1969, RCA) and Havin' a House Party (#26 R&B), with "Love Power" reaching #41 on the Hot 100.
Hutch composed full scores for blaxploitation classics like The Mack (1973) featuring "Theme of the Mack" and "I Choose You," and Foxy Brown (1974) with tracks like "Chase". These projects showcased his funk and soul production skills, peaking at #17 and #114 on R&B and pop charts respectively.
He continued as a recording artist until 2005, blending soul, funk, and disco across decades. Hutch died at age 60 in Dallas from emphysema-related causes.
Hutch grew up primarily in Dallas, Texas, after being born in Los Angeles, joining the high school group The Ambassadors as a teen. After graduating from Booker T. Washington High School, he served two years in the U.S. Marines, then moved to Los Angeles to pursue music.
He debuted with the 1964 single "Love Has Put Me Down" and wrote early songs for the 5th Dimension, including "I'll Be Lovin' You Forever". In 1970, he penned lyrics for the Jackson 5's massive #1 hit "I'll Be There," leading to a Motown contract as staff writer and producer.
At Motown from 1971 to 1994, Hutch worked with stars like Marvin Gaye, Smokey Robinson, Diana Ross, and the Jackson 5, writing hits such as "Never Can Say Goodbye". He released six solo albums from 1973-1977, including Soul Portrait (1969, RCA) and Havin' a House Party (#26 R&B), with "Love Power" reaching #41 on the Hot 100.
Hutch composed full scores for blaxploitation classics like The Mack (1973) featuring "Theme of the Mack" and "I Choose You," and Foxy Brown (1974) with tracks like "Chase". These projects showcased his funk and soul production skills, peaking at #17 and #114 on R&B and pop charts respectively.
He continued as a recording artist until 2005, blending soul, funk, and disco across decades. Hutch died at age 60 in Dallas from emphysema-related causes.
Wilson Pickett
Wilson Pickett was a pioneering American soul singer known as "Wicked Pickett" for his explosive, gospel-infused vocals that shaped 1960s R&B. Born March 18, 1941, in Prattville, Alabama, he grew up amid Southern black church traditions before migrating to Detroit as a teen.
Pickett started in gospel with groups like the Violinaires, debuting professionally in the late 1950s. He joined the Falcons from 1961-1963, co-writing and singing their hit "I Found a Love." Going solo, he signed with Double L Records for tracks like "If You Love Me."
Signing with Atlantic Records in 1964, Pickett exploded with "In the Midnight Hour," recorded at Stax with Steve Cropper. Follow-up smashes included "Land of 1,000 Dances," "Mustang Sally," and "Funky Broadway," blending gospel fervor with R&B grooves at Fame Studios. Over 50 songs charted on US R&B lists, crossing to pop success.
By the 1970s, hits waned amid legal troubles like a 1992 drunk driving case. He earned Rock & Roll Hall of Fame induction in 1991 and released a Grammy-nominated comeback album, It's Harder Now. Pickett died January 19, 2006, of a heart attack in Reston, Virginia, at age 64.
Pickett started in gospel with groups like the Violinaires, debuting professionally in the late 1950s. He joined the Falcons from 1961-1963, co-writing and singing their hit "I Found a Love." Going solo, he signed with Double L Records for tracks like "If You Love Me."
Signing with Atlantic Records in 1964, Pickett exploded with "In the Midnight Hour," recorded at Stax with Steve Cropper. Follow-up smashes included "Land of 1,000 Dances," "Mustang Sally," and "Funky Broadway," blending gospel fervor with R&B grooves at Fame Studios. Over 50 songs charted on US R&B lists, crossing to pop success.
By the 1970s, hits waned amid legal troubles like a 1992 drunk driving case. He earned Rock & Roll Hall of Fame induction in 1991 and released a Grammy-nominated comeback album, It's Harder Now. Pickett died January 19, 2006, of a heart attack in Reston, Virginia, at age 64.
Windjammer
The American soul group Windjammer was a New Orleans-based band active in the 1980s that was discovered and managed by Joe Jackson, the father and manager of The Jacksons. They are best known for their UK Top 20 hit, "Tossing and Turning".
The group formed in New Orleans, Louisiana. In a bold move in 1977, founding member Kevin McLin broke into a hotel and gave a demo tape to Tito Jackson while on an escalator. Two years later, Joe Jackson signed the band to his management company. Key members included Kevin McLin (guitar), Roy Paul Joseph (guitar), Chris Severin (bass), Darrell Winchester (drums), Carl Dennis (vocals), and Fred McCray (keyboards). After a successful debut single, "Stay", in the New Orleans area, Windjammer signed with MCA Records in 1982.
Their most successful song was "Tossing and Turning", from the Windjammer II album, which became a UK Top 20 hit in 1984. The song was later remixed and re-released in 1989. Windjammer's music is noted for its tight, bouncy groove, characteristic of 1980s soul music, often incorporating a nautical theme in their aesthetic.
The band was known for their nautical-themed branding and a "tight, bouncy groove". They released three studio albums under the MCA Records label: Windjammer (1982): Featured the debut single "Stay," which was a local hit in New Orleans before the band signed with MCA; Windjammer II (1984): Produced their most successful single, "Tossing and Turning," which became a UK Top 20 hit; Windjammer III (1985): Their final album for MCA, featuring tracks like "When You're In Love" and "Work Your Body".
The group maintained a lower profile following the release of their third album in the mid-1980s.
The group formed in New Orleans, Louisiana. In a bold move in 1977, founding member Kevin McLin broke into a hotel and gave a demo tape to Tito Jackson while on an escalator. Two years later, Joe Jackson signed the band to his management company. Key members included Kevin McLin (guitar), Roy Paul Joseph (guitar), Chris Severin (bass), Darrell Winchester (drums), Carl Dennis (vocals), and Fred McCray (keyboards). After a successful debut single, "Stay", in the New Orleans area, Windjammer signed with MCA Records in 1982.
Their most successful song was "Tossing and Turning", from the Windjammer II album, which became a UK Top 20 hit in 1984. The song was later remixed and re-released in 1989. Windjammer's music is noted for its tight, bouncy groove, characteristic of 1980s soul music, often incorporating a nautical theme in their aesthetic.
The band was known for their nautical-themed branding and a "tight, bouncy groove". They released three studio albums under the MCA Records label: Windjammer (1982): Featured the debut single "Stay," which was a local hit in New Orleans before the band signed with MCA; Windjammer II (1984): Produced their most successful single, "Tossing and Turning," which became a UK Top 20 hit; Windjammer III (1985): Their final album for MCA, featuring tracks like "When You're In Love" and "Work Your Body".
The group maintained a lower profile following the release of their third album in the mid-1980s.
Windy City
Womack and Womack
Womack & Womack was an influential American R&B and soul duo comprising the husband-and-wife team of Cecil Womack and Linda Womack (née Cooke). They achieved global fame in the 1980s and 1990s as both performers and prolific songwriters.
Cecil Womack (1947–2013) was born in Cleveland, Ohio, Cecil was one of the five musical Womack brothers. They began as a gospel group before transitioning to secular music as The Valentinos, mentored by Sam Cooke. Linda Womack (born 1953), the daughter of legendary soul singer Sam Cooke, was immersed in the music industry from childhood. The duo's relationship was marked by a complex family history. Cecil's brother, Bobby Womack, married Sam Cooke's widow, Barbara, making Bobby Linda's stepfather before she eventually married his younger brother, Cecil.
The pair officially formed Womack & Womack in 1983. Their debut album, Love Wars (1983), was a critical favorite. They reached international superstardom with the 1988 single "Teardrops," which sold over 10 million copies and topped charts in several countries, including the Netherlands and Australia.
Before and during their time as a duo, they wrote hits for numerous major artists, including: Teddy Pendergrass: "Love T.K.O."; Patti LaBelle: "Love Bankrupt"; George Benson: "New Day"; Bonnie Raitt: Various contributions.
In the early 1990s, the couple discovered ancestral ties to the Zekkariyas tribe in Nigeria. Cecil adopted the name Zekkariyas, and Linda became Zeriiya. They relocated to South Africa and began recording with their seven children under the name The House of Zekkariyas. Three of their daughters now perform as The Womack Sisters.
Cecil Womack died on February 1, 2013, in Johannesburg, South Africa, at the age of 65. Linda remains based in Africa and continues to be involved in music.
Cecil Womack (1947–2013) was born in Cleveland, Ohio, Cecil was one of the five musical Womack brothers. They began as a gospel group before transitioning to secular music as The Valentinos, mentored by Sam Cooke. Linda Womack (born 1953), the daughter of legendary soul singer Sam Cooke, was immersed in the music industry from childhood. The duo's relationship was marked by a complex family history. Cecil's brother, Bobby Womack, married Sam Cooke's widow, Barbara, making Bobby Linda's stepfather before she eventually married his younger brother, Cecil.
The pair officially formed Womack & Womack in 1983. Their debut album, Love Wars (1983), was a critical favorite. They reached international superstardom with the 1988 single "Teardrops," which sold over 10 million copies and topped charts in several countries, including the Netherlands and Australia.
Before and during their time as a duo, they wrote hits for numerous major artists, including: Teddy Pendergrass: "Love T.K.O."; Patti LaBelle: "Love Bankrupt"; George Benson: "New Day"; Bonnie Raitt: Various contributions.
In the early 1990s, the couple discovered ancestral ties to the Zekkariyas tribe in Nigeria. Cecil adopted the name Zekkariyas, and Linda became Zeriiya. They relocated to South Africa and began recording with their seven children under the name The House of Zekkariyas. Three of their daughters now perform as The Womack Sisters.
Cecil Womack died on February 1, 2013, in Johannesburg, South Africa, at the age of 65. Linda remains based in Africa and continues to be involved in music.
Xavier
Xavier was an American funk band that emerged in the early 1980s. Originally known as Xavier and LUV, the group rebranded to simply "Xavier" and gained prominence for their lively performances and distinct sound. The band was an eight-piece ensemble, led by Ernest Smith, who was also known by his stage name, Ernest "Xavier" Smith.
The lineup included notable musicians such as Ayanna Little on vocals and Ralph Hunt Jr. on bass. They released their album "Point of Pleasure" in 1982 under Liberty Records, which showcased their funk style and contributed to their recognition in the music scene of that era.
The band was characterized by a combination of rhythmic grooves and melodic elements, typical of the funk genre during its peak period. While specific details about their discography beyond the debut album and further activities are limited, Xavier remains a noted act within the context of 1980s funk music.
The lineup included notable musicians such as Ayanna Little on vocals and Ralph Hunt Jr. on bass. They released their album "Point of Pleasure" in 1982 under Liberty Records, which showcased their funk style and contributed to their recognition in the music scene of that era.
The band was characterized by a combination of rhythmic grooves and melodic elements, typical of the funk genre during its peak period. While specific details about their discography beyond the debut album and further activities are limited, Xavier remains a noted act within the context of 1980s funk music.
Yarbrough and Peoples
Yarbrough and Peoples were an influential American urban contemporary duo known for their contributions to the music scene during the 1980s. The duo, consisting of Calvin Yarbrough and Alisa Peoples, originated from Dallas, Texas. Their musical journey began when they formed a local group called Grand Theft before gaining wider recognition.
Calvin Yarbrough was an accomplished musician with a background in classical piano. He met Alisa Peoples during childhood piano lessons, which laid the foundation for their eventual partnership in music. The duo released their debut album, "The Two of Us," in 1981, marking the beginning of their professional career in the music industry.
Yarbrough and Peoples are credited with inventing what they termed "smooth wave music," a style that blended elements of soul and R&B. Their unique sound resonated with audiences, and they experienced significant commercial success with their biggest hit, "Don't Stop the Music," which became a staple on U.S. charts.
Throughout their career, Yarbrough and Peoples released several albums. After their debut, they produced one album for Mercury Records and later signed with Total Experience Records, under which they released three more albums from 1980 through 1985. Their music during this period solidified their presence in the urban contemporary genre.
Yarbrough and Peoples have left a lasting legacy in the music industry, particularly within the urban contemporary genre. Their creativity and musical innovations continue to influence artists today, and they remain a notable part of music history from the 1980s.
Calvin Yarbrough was an accomplished musician with a background in classical piano. He met Alisa Peoples during childhood piano lessons, which laid the foundation for their eventual partnership in music. The duo released their debut album, "The Two of Us," in 1981, marking the beginning of their professional career in the music industry.
Yarbrough and Peoples are credited with inventing what they termed "smooth wave music," a style that blended elements of soul and R&B. Their unique sound resonated with audiences, and they experienced significant commercial success with their biggest hit, "Don't Stop the Music," which became a staple on U.S. charts.
Throughout their career, Yarbrough and Peoples released several albums. After their debut, they produced one album for Mercury Records and later signed with Total Experience Records, under which they released three more albums from 1980 through 1985. Their music during this period solidified their presence in the urban contemporary genre.
Yarbrough and Peoples have left a lasting legacy in the music industry, particularly within the urban contemporary genre. Their creativity and musical innovations continue to influence artists today, and they remain a notable part of music history from the 1980s.
Yarbrough & Peoples
Young-Holt Unlimited
Z.Z. Hill<div hidden>ZZ Hill</div>
Zulema
Zulema Cusseaux (January 3, 1947 – September 30, 2013) was an American soul, R&B, and disco singer-songwriter born in Tampa, Florida. She gained recognition for her powerful vocals, self-penned songs, and production work during the 1970s music scene.
Zulema started singing locally with school friend Brenda Hilliard in groups like The 5 Crystals. They later formed The Lovelles with Albert Bailey, which evolved into Faith, Hope & Charity after signing with Maxwell Records under producer Van McCoy. Their 1970 hit "So Much Love" reached #15 on the R&B chart and #60 on the pop chart.
Leaving the group in 1971, Zulema launched her solo career on Sussex Records with her self-titled debut album in 1972, featuring tracks like "American Fruit, African Roots." She followed with Ms. Z. (1973), including the single "Telling the World Good-Bye" and the poignant "This Child of Mine," an anthem for single mothers.
Signing with RCA Victor, she released three albums: another Zulema (1975) with hit "Wanna Be Where You Are," R.S.V.P. (1975), and Suddenly There Was You (1976). Later, on London/Lejoint, Z-licious (1978) produced R&B hits "Change" and "I'm Not Dreaming." She also backed Aretha Franklin and appeared in the Save the Children soundtrack.
In 1982, Zulema formed duo Zalmac with Al Macdowell, releasing Whatcha Gonna Do on TSOB Records. She contributed to church music as lead musician at First Baptist Church of West Tampa before her death at age 66 from a short illness.
Zulema started singing locally with school friend Brenda Hilliard in groups like The 5 Crystals. They later formed The Lovelles with Albert Bailey, which evolved into Faith, Hope & Charity after signing with Maxwell Records under producer Van McCoy. Their 1970 hit "So Much Love" reached #15 on the R&B chart and #60 on the pop chart.
Leaving the group in 1971, Zulema launched her solo career on Sussex Records with her self-titled debut album in 1972, featuring tracks like "American Fruit, African Roots." She followed with Ms. Z. (1973), including the single "Telling the World Good-Bye" and the poignant "This Child of Mine," an anthem for single mothers.
Signing with RCA Victor, she released three albums: another Zulema (1975) with hit "Wanna Be Where You Are," R.S.V.P. (1975), and Suddenly There Was You (1976). Later, on London/Lejoint, Z-licious (1978) produced R&B hits "Change" and "I'm Not Dreaming." She also backed Aretha Franklin and appeared in the Save the Children soundtrack.
In 1982, Zulema formed duo Zalmac with Al Macdowell, releasing Whatcha Gonna Do on TSOB Records. She contributed to church music as lead musician at First Baptist Church of West Tampa before her death at age 66 from a short illness.