F
4 For The Road
2 Shake Me, Wake Me (Wake Me When It's Over) (Holland/Dozier/Holland)
3 Baby I Need Your Lovin' (Holland/Dozier/Holland)
4 In The Still Of The Night (Carmichael)
5 Ain't No Woman (Like The One I Got) (Lambert/Potter)
6 When She Was My Girl (Gottlieb, Blatte)
7 Ask The Lonely (Hunter, Stevenson)
8 I've Got You Under My Skin (Cole)
9 Bernadette (Holland/Dozier/Holland)
10 It's The Same Old Song (Holland/Dozier/Holland)
11 Walk Away Renee (Calili, Brown, Sansone)
12 Reach Out, I'll Be There (Holland/Dozier/Holland)
13 Standing In The Shadows Of Love (Holland/Dozier/Holland)
14 I Can't Help Myself (Holland/Dozier/Holland)
15 (I Can't Get No) Satisfaction (Jagger/Richards)
16 Jumpin' Jack Flash (Jagger/Richards)
Label: Sunset Blvd Records – CD-SBR-7940
Format: CD, Album
Country: US
Released: 2019
Genre: R&B Soul
Style: Soul, Motown
The album 4 For The Road by the Four Tops is a live concert recording featuring the original lineup performing a collection of their greatest hits and some popular covers. Released in 2019 by Sunset Blvd Records, it has been generally well-received by fans for showcasing the group's enduring vocal talent and stage presence, though it is not a traditional studio album from their prime Motown era.
Reviews and fan discussions indicate that the album is valued primarily as a memento of the Four Tops' live performances, with several key points emerging:
Critics and fans praise the superb vocal performances, with Levi Stubbs' powerful lead vocals and the group's sophisticated, tight harmonies being a consistent highlight.
The album is essentially a "greatest hits live" package, featuring many of their most iconic Motown singles like "Reach Out I'll Be There," "I Can't Help Myself (Sugar Pie, Honey Bunch)," and "Bernadette". It also includes covers such as "MacArthur Park," "(I Can't Get No) Satisfaction," and "Jumpin' Jack Flash".
The album is noted for its clear, remastered audio quality, which enhances the listening experience of a live recording.
It is considered a must-have for serious fans of the Four Tops and Motown music, offering a different perspective on their classic tracks compared to the studio versions.
4 For The Road is a solid live album that successfully captures the energy and vocal prowess of the Four Tops in a concert setting. While it may not offer new studio material, it serves as an excellent showcase of the group's timeless appeal and their ability to perform their extensive catalog of hits masterfully for decades.
B. Y. O. F. (Bring Your Own Funk)
Written-By – Cleveland Horne, Dennis Coffey, James Epps 5:11
A2 I Just Want To Love Ya Baby
Written-By – Cleveland Horne, Dennis Coffey, James Epps 5:04
A3 Shout (Let It All Hang Out)
Written-By – Cleveland Horne, Dennis Coffey, James Epps 4:53
B1 Cold And Windy Night
Producer – James Epps
Written-By – Dennis Coffey, James Epps, Lawrence Perry 4:25
B2 Sexy Lady
Written-By – Cleveland Horne, Dennis Coffey, James Epps 4:31
B3 Realize (When You're In Love)
Producer – James Epps
Written-By – Cleveland Horne, Dennis Coffey, James Epps, Paul Scott 3:20
B4 B.Y.O.F. (Bring Your Own Funk)
Written-By – Cleveland Horne, Dennis Coffey, James Epps 6:02
Label: Westbound Records – WT 6108
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Funk
B.Y.O.F. (Bring Your Own Funk) is a 1978 album by the American R&B and soul group the Fantastic Four, released on the Westbound Records label. The album marked a stylistic shift for the group, moving away from their traditional 1960s soul roots to embrace the emerging and heavier funk and disco sounds of the late 1970s.
The album is a notable "lost classic" that incorporates the influence of Parliament-Funkadelic and blends organic grooves with the use of new studio tools and instruments, resulting in a forward-thinking, "futuristic" sound. It is recognized for its transition into the R&B sounds that would become prevalent in 1980s music.
The album features a raw, hard-funk sound, especially in tracks like "Super Lover," "Sexy Lady," and the intense "Shout (Let It All Hang Out)". It was produced and arranged by the Motown/Funk Brothers legend Dennis Coffey.
In essence, B.Y.O.F. captures the Fantastic Four evolving from their classic Motown roots into a more modern, synth-driven funk era, a must-have for collectors of late 70s soul and funk.
Back To Me
Written-By – Charles Harmon, Claude Kelly 3:57
2 Bittersweet
Written-By – Charles Harmon, Claude Kelly 3:57
3 Man Of The House
Written-By – Ryan Williamson, Shaffer Smith 3:21
4 Who's Been Lovin' You
Written-By – Carlos McKinney, Rico Love 3:39
5 Collard Greens & Cornbread
Written-By – Andrew "Pop" Wansel, Nickolas Ashford, Valerie Simpson, Tiwa Savage, Warren "Oak" Felder 3:52
6 Teach Me
Written-By – Fantasia Barrino, James Ho, Jessyca Wilson, Kawan Prather 4:14
7 Move On Me
Written-By – Fantasia Barrino, James Ho, Jessyca Wilson, Kawan Prather 4:10
8 Trust Him
Written-By – Alonzo Mario Stevenson, Herbert Rooney, Tiffany Villarreal, Tony Reyes 3:12
9 The Thrill Is Gone
Written-By – Burt Bacharach, Hal David, James Ho, Jessyca Wilson, Kawan Prather, Thomas Callaway 3:39
10 Falling In Love Tonight
Written-By – Daniel Morris, James Scheffer, Rico Love 4:00
11 Even Angels
Written-By – Heather Bright, Jeremy Reeves, Jonathan Yip, Ray Romulus 4:04
12 I'm Here
Written-By – Allee Willis, Brenda Russell, Stephen Bray 5:29
Label: J Records – 88697-66528-2
Format: CD, Album
Country: US
Released: 2010
Genre: R&B Soul
Style: Contemporary R&B
Released on August 24, 2010, Back To Me is the third studio album by American R&B artist and American Idol winner Fantasia Barrino. The album is described as her most "down-to-earth" and "organic" work, featuring a mix of modern R&B, classic soul, and gospel influences.
The project was largely conceived after Fantasia’s starring role as Celie in the Broadway musical The Color Purple, which contributed to a more mature and focused sound.
The album emphasizes live arrangements and "old school" grooves reminiscent of 1960s and 70s R&B. Notable producers include Chuck Harmony, Ne-Yo, Claude Kelly, and Jim Jonsin.
Critics praised Fantasia's "sandpapery" and "rough-hewn" vocals, particularly on raw, unadorned tracks like "Bittersweet".
Track Highlights
"Bittersweet": The lead single, which earned Fantasia a Grammy Award for Best Female R&B Vocal Performance.
"I'm Doin' Me": An anthem of independence following a personal rough patch.
"The Thrill Is Gone": A collaboration with Cee-Lo Green that highlights her vocal grit.
"Collard Greens & Cornbread": A throwback track built on a Marvin Gaye and Tammi Terrell sample.
"I'm Here": A bonus studio version of her signature song from The Color Purple.
The album debuted at number two on the US Billboard 200 and number one on the Billboard R&B/Hip-Hop Albums chart. It received a Grammy nomination for Best R&B Album.
The album's title was suggested by comedian Steve Harvey during a visit to his radio program, representing Fantasia's return to her musical roots after years of personal and professional challenges.
Father’s Children
Music By – Father's Children, Jerome Morene
Words By – David Oliver 4:00
A2 Hollywood Dreaming
Written-By – Father's Children 4:44
A3 Dance Do It
Written-By – Father's Children 3:26
A4 Wild Woman
Music By – Father's Children
Words By – Edward Davis, Father's Children 5:35
A5 Music Use It
Music By – Father's Children, Wayne Henderson
Words By – Father's Children 3:31
B1 Got To Get Away
Music By – Father's Children
Words By – Nick Smith 4:34
B2 Gone Bad
Written-By – Father's Children 3:36
B3 My Grandma
Music By – Father's Children
Words By – Nick Smith 4:25
B4 Music For Your Mind
Music By – Father's Children
Words By, Music By – Nick Smith 2:38
B5 You Can Get It
Written-By – Father's Children 4:10
Label: Mercury – SRM-1-3755
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Soul
Style: Seventies Soul, Funk, Disco
The self-titled 1979 album by Father's Children is a rare groove and a cult classic in the underground soul circuit, known for its polished funk and soul sound. Overlooked at the time of its initial release on Mercury Records, it later gained popularity among dance club DJs.
The album primarily features a blend of soul, funk, and R&B, characterized by "high steppin' rhythms, tight, funky arrangements and... gorgeous gospel-influenced vocal harmonies".
It was produced by Wayne Henderson of The Crusaders, who augmented the core group with session musicians and backup vocalists, including members of Side Effect. The production, recorded in Los Angeles, was noted for a polished "L.A. gloss" that contrasted with the grittier sound of their earlier, unreleased D.C. recordings.
Despite not achieving commercial success upon release, the album became a "rare groove" classic, cherished by collectors and DJs for its quality and scarcity.
The track "Hollywood Dreaming" has become the album's most celebrated song, alongside other highlights like the mid-tempo "Got to Get Away" and the upbeat funk shuffle "You Can Get It".
In essence, it's a soulful, funky gem that blended raw D.C. spirit with professional polish, delivering deep grooves and beautiful vocals that resonated more years later than it did upon release
Finis
Written-By – F. Hamilton 5:00
A2 Making Love
Written-By – A. McKay, L. Starr 3:40
A3 Lovers
Written-By – D.P. Bryant, F. Henderson, G. Doty, T. Haynes 4:44
A4 You Owe It All To Love
Written-By – A. McKay, D.P. Bryant, T. Haynes 3:26
A5 Blame It On The Night
Written-By – R. Preston, S. Torano 3:47
B1.1 Percussion Intro 1:59
B1.2 Call Me
Written-By – B. Wolfer, F. Henderson 4:44
B2 Vina Del Mar
Written-By – A. McKay, E. Bulling 0:47
B3 Crush On You
Written-By – S. Wonder 4:03
B4 I'd Rather Be Gone
Written-By – D. Lambert, J.C. Crowley 3:40
B5 School Girl
Written-By – A. Hampton, A. McKay, F. Hamilton, G. Doty 5:19
Label: Motown – STML 12191
Format: Vinyl, LP, Album
Country: UK
Released: 1983
Genre: R&B Soul
Style: Eighties Soul, Funk, Boogie
Finis Henderson's 1983 self-titled album, Finis, is a well-regarded 80s soul/R&B gem, praised for Henderson's powerful vocals and smooth, polished production (especially by EWF's Al McKay), featuring hits like "Skip To My Lou" and "Call Me", with tracks like "Lovers, Blame It On The Night" also highlighted as fan favorites, making it a hidden classic for soul/AOR fans despite not launching him into superstardom.
Henderson's incredible voice is a major highlight, with consistent praise for his talent.
The album features a slick, detailed 80s production, often compared to yacht rock due to its smooth grooves, with Al McKay's involvement noted.
"Skip To My Lou" and "Call Me" were big dance floor and radio successes, driving the album's appeal. Tracks like "Lovers, Blame It On The Night" and "I'd Rather Be Gone" are considered strong, underrated songs.
A sweet spot for 80s soul, R&B, and AOR (Adult Oriented Rock) enthusiasts, even if it wasn't a massive mainstream breakout.
Considered a classic by fans, showcasing great musicianship and detailed arrangements, a high point in Henderson's career.
The album delivers polished, sophisticated 80s soul with strong hooks, capturing a moment in time and highlighting Henderson as a vocalist who perhaps deserved more mainstream success.
Friend
Written-By – G. Bonds, J. Williams, Jr. 2:45
A2 Raining On A Sunny Day
Written-By – R. Daniels 3:38
A3 Sweeter Than Sweetness
Written-By – C. Whitehead, J. Williams, Jr. 2:59
A4 Sidewalks Fences And Walls
Written-By – J. Williams, Jr., M. Gimbel 2:53
A5 I Did The Woman Wrong
Written-By – C. Whitehead, J. Williams, Jr., T. Davis 2:45
B1 Yours Love
Written-By – H. Howard 2:59
B2 Laid Back And Easy
Written-By – J. Williams, Jr., K. Shelton 2:32
B3 You And Me Together Forever
Written-By – J. Roach 3:10
B4 Ain't Nothing In The News (But The Blues)
Written-By – J. Williams, Jr. 2:46
B5 Did I Come Back Too Soon (Or Stay Away Too Long)
Written-By – C. Whitehead, G. Bonds, J. Williams, Jr. 3:05
Label: Mankind – M 204
Format: Vinyl, LP, Album
Country: US
Released: 1971
Genre: R&B Soul
Style: Seventies Soul, Southern Soul
Freddie North's 1971 album Friend is an underground Southern soul hit, highly regarded for its blend of deep soul and country influences, featuring North's "smoky, baritone voice" and the major R&B hit "She's All I Got".
The album is a quintessential example of deep Southern soul, drawing favorable comparisons between North and soul legend Jerry Butler. Critics praise the record for its brooding, lamenting country-soul ballads and brass-infused renditions of tracks, produced by the legendary Jerry Williams Jr., better known as Swamp Dogg.
The album is anchored by its two hit singles:
"She's All I Got": This track was North's biggest commercial success, reaching #10 on the Billboard R&B chart and #39 on the Hot 100, and is considered an "all-time soul smash".
"You and Me Together Forever": The second single from the album, this song peaked at #26 R&B.
The collaboration with producer Swamp Dogg was instrumental in defining the album's sound. The production style for the hit single was described as "pleading, brass-infused".
Though North only had one more chart hit after this album, Friend has endured as an underground favorite and a significant piece of 1970s soul music. Reissues of the album have been made available in remastered formats, indicating continued interest from deep soul fans.
For fans of classic, deep Southern soul, Friend is highly recommended. It successfully merges the Nashville country session sound with gritty R&B vocals, offering a powerful listening experience highlighted by a standout hit single. On platforms like Discogs, user ratings average a respectable 4.25 out of 5 stars.
Good Thang
A2 Who Loves You 12:20
B1 Space People 4:31
B2 Party Time 5:10
B3 Love Me Girl 5:05
B4 Funky Lady 5:55
Written by Frederick Tyrone Crum, Keith Harrison, Ralph Aikens, Jr. Robert Neal, Jr., Roger Parker.
Label: She Records SH 741
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Funk
Faze-O's Good Thang, released in 1978, is a classic funk/soul album known for its infectious grooves, smooth harmonies, and tight musicianship, following up their hit Riding High, offering danceable jams like the title track and "Who Loves You," showcasing Ohio Players' production influence with precise horns and driving rhythms, creating a funky yet heavenly mood.
Key Characteristics:-
Sound: Groovy, soulful, dance-oriented, with strong horn arrangements and prominent keyboards.
Production: Heavily influenced by The Ohio Players (producer Clarence Satchell was involved), featuring precise rhythm sections and layered instrumentation.
Vibe: Aims for a "funky but heavenly mood," balancing upbeat tracks with smoother, mellower moments.
Notable Tracks:- "Good Thang": The muscular title track with an infectious groove; "Who Loves You": A standout track featuring sharp horns and a pulsating rhythm; "Party Time": A slower, impressive jam.
It's the sophomore album from the Cleveland-based group, following their breakthrough debut Riding High. While a solid effort, it didn't replicate the massive success of Riding High, though it solidified their sound.
Faze-O's music, especially "Riding High," became heavily sampled by later artists, introducing them to new generations. Good Thang remains a beloved record for fans of late '70s funk and soul.
While Good Thang did not achieve the same massive commercial success as the band's debut album and its hit single "Riding High," it is considered a quality, danceable record that is a must-listen for fans of classic funk and soul.
It showcases the band's invention and quality within the funk genre. The album has been included in several modern compilations alongside Riding High and their third album, Breakin' the Funk, bringing Faze-O's complete work to new audiences.
I’ve Been Lonely For So Long
A2 This Is My Song Of Love To You (Frederick Knight 3:14)
A3 Take Me On Home Witcha (Aaron Varnell, Frederick Knight, Sam Dees 3:20)
A4 Friend (Frederick Knight 3:28)
A5 I Let My Chance Go By (Harrison Calloway 3:54)
A6 Your Love's All Over Me (Aaron Varnell, Frederick Knight, Jesse Boyce, Sam Dees 2:46)
B1 Pick'um Up, Put'um Down (Jerry Weaver 3:21)
B2 Now That I've Found You (Brenda Yancy, Tommy Tate 3:02)
B3 Lean On Me (Aaron Varnell, Frederick Knight 3:04)
B4 Trouble (Aaron Varnell, Frederick Knight 3:)
B5 Someday We'll Be Together (Harvey Fuqua, Jackie Beaver, Johnny Bristol 4:14)
Track Listing:
Label: Stax – STS-3011
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Southern Soul
I've Been Lonely For So Long is Frederick Knight's 1972 debut album for Stax Records, featuring the signature title track, a soulful and country-tinged R&B ballad that became a major hit. The album is known for its slow-burning, soulful feel, with Knight's high-end falsetto vocals supported by rich organ and instrumentation that shows some influence from the Muscle Shoals sound.
The album showcases Knight's high-register vocals, which range from weary and mature to a distinctive, airily light high voice. The instrumentation heavily features an organ, creating a bubbling, energetic texture, along with prominent guitar work from Jesse Carr. The overall sound is organic and authentic, diverging slightly from the more trademark styles of the time.
The album is characterized by its deep, soulful sound, with a heavy emphasis on organ and a unique, twangy, falsetto delivery from Knight.
The title track was a major success, reaching number 8 on the U.S. R&B charts and number 27 on the Billboard Hot 100 pop charts. It was also a chart hit in the UK.
The album marked Knight's breakthrough and helped establish him as a solo artist, even though he would later find more fame as a prolific songwriter and producer for others.
The album is considered a Southern Soul classic, known for its deeply soulful, slow-burning feel, and features a distinctive blend of smooth and raw instrumentation that has been compared to the Muscle Shoals sound.
Imaginary World
Written-By – M. Dollison 3:03
A2 Happy In Love
Written-By – G. Daly, M. Dollison, Z. Prather 3:59
A3 I Can't Get Used To Being Alone
Written-By – M. Dollison 3:03
A4 Crossing Over
Written-By – A. Brown, A. Lewis, G. Brown, J. Brown, R. Brown 3:28
B1 Imaginary World
Written-By – A. Brown 3:40
B2 When I Need You
Written-By – A. Hammond, C. B. Sager 3:33
B3 Never Had A Love
Written-By – G. Brown 2:59
B4 Listen
Written-By – G. Brown 3:04
B5 When Your Love's Not There
Written-By – L. Dollison, M. Dollison 3:27
Label: United Artists Records – UA-LA828-G
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Funk, Disco
The 1978 album Imaginary World by the funk/soul group Family Brown is a sought-after record known for its specific musical style rather than extensive critical reviews. It is primarily recognized as a collectors' item within the soul, funk, and disco genres.
It's their only album, making it a collector's item, particularly for rare groove enthusiasts. The group, originally known as Carla And The Compacts, featured members like Joseph Brown (who played with Side Effect/Starguard) and Tracey Brown, who later found solo success.
The album is considered a "sought after rare groove" item by collectors, with specific tracks like "Never Had a Love" and the title track being popular.
On music database sites like Discogs, the album generally holds a high average user rating (e.g., 4.66/5 from 38 ratings), indicating strong appreciation among those who own and rate it.
Descriptions from sellers and music snippets suggest a sound rich in "waves of rhythmic downtempo" and "funky grooves". The tracks are characterized as having a "mystic, noir quality" with "plenty of room for exploration".
Imaginary World is an album that is more of a hidden gem for fans of vintage funk and soul, appreciated for its deep grooves and production, rather than one that received widespread mainstream critical analysis at the time of its release. You can find more details and user ratings on its Discogs entry.
Just Enough To Get Me Cool
A2 Being For Real Is Where It Is 3:25
A3 One Way Ticket To Love 3:23
A4 I'm Gonna Walk Right Out Of Your Life 3:40
A5 Your Love Is The Kind I've Been Waiting For 3:53
B1 Fighting A Losing Battle 3:20
B2 I'm Afraid To Let You Into My Life 3:44
B3 What Is Love Without An Understanding 3:20
B4 The Sun Is Always Shining 3:30
B5 Shake Down 2:27
Label: October Records Inc. – ORI-3001
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Funk
Freddie Waters's 1977 album Just Enough To Get Me Cool is a cult classic among Southern Soul and Northern Soul enthusiasts, particularly noted for its rare groove and deep soul tracks.
The album is a highly sought-after collector's item, especially on vinyl, and is not widely known among the general public.
The limited number of user ratings on sites like Discogs and Rate Your Music indicate a strong appreciation among a niche audience, often giving it high marks (an average of 4.57/5 stars from 7 ratings on Discogs).
Key Tracks and Highlights
"I'm Afraid To Let You Into My Life": This track is often highlighted as a wonderful vocal performance that is "soul-soothing". It was a regional hit for Waters when released as a single on the October label.
"Just Enough To Get Me Cool" (title track): Described by some as a "proper funky little number" that blends funk and disco elements. It features a "super cool drum groove," a catchy bass line, and an excellent brass section, making it an engaging and danceable tune.
"Bigger And Better": The flipside to his second single on the Abet label, this mid-tempo soulful dancer gained significant popularity in the UK Northern Soul scene in the 1980s.
Just Enough To Get Me Cool is considered a hidden gem that showcases Waters' rich, soulful voice and the quality production of the Nashville R&B scene of the late 1960s and 1970s. While Freddie Waters never achieved household name status, some critics suggest that with a few good breaks, he could have been a major force in the soul world. The album is cherished for its authentic, heartfelt soul music that has stood the test of time for dedicated fans.
Meeting Of The Minds
Arranged By – Michael Omartian
Lead Vocals – Levi Stubbs
Written-By – D. Lambert / B. Potter 4:29
A2 Midnight Flower
Arranged By – Michael Omartian
Lead Vocals – Levi Stubbs
Written-By – M. Jackson, R. Dozier 4:03
A3 The Well Is Dry
Arranged By – Michael Omartian
Lead Vocals – Levi Stubbs
Written-By – D. Lambert / B. Potter 3:48
A4 Love Ain't Easy To Come By
Arranged By – Dennis Lambert, Don Hockett
Lead Vocals – Levi Stubbs
Written-By – D. Lambert / B. Potter 3:38
A5 No Sad Songs
Arranged By – Gil Askey
Lead Vocals – Lawrence Payton
Written-By – C. Leonard, L. Perry, R. Foster 5:14
B1 Right On Brother
Arranged By – Jimmie Haskell
Lead Vocals – Levi Stubbs
Written-By – D. Lambert / B. Potter 4:05
B2 Tell Me You Love Me (Love Sounds)
Arranged By – Gil Askey
Lead Vocals – Lawrence Payton
Vocals [Female Vocal] – Sylvia Smith
Written-By – A. Cleveland, L. Payton 3:30
B3 All My Love
Arranged By – Gil Askey
Lead Vocals – Lawrence, Levi, Obie
Written-By – R. Benson, V. Benson 4:29
B4 I Found The Spirit
Arranged By – McKinley Jackson
Lead Vocals – Lawrence Payton
Written-By – R. Benson, V. Benson 3:54
B5 Meeting Of The Minds
Arranged By – Michael Omartian
Lead Vocals – Levi Stubbs
Written-By – D. Lambert / B. Potter 4:22
Label:
Probe – SPBA 6283, Probe – 0C 064 ? 95401
Format:
Vinyl, LP, Album
Country: UK
Released: 1974
Genre: R&B Soul
Style: Seventies Soul
Meeting of the Minds is the fourteenth studio album by American soul music vocal group the Four Tops, released in 1974 on the Dunhill label. It primarily features funk and soul styles, continuing their post-Motown sound established with Keeper of the Castle.
The album attempts to extend the pop/R&B sound the Four Tops were exploring at the time but was met with some criticism for having formulaic songs and listless production. Despite this, it features some standout tracks and is noted by some fans for a touch of an "acid experimental sound" that differs slightly from their earlier work. Unlike many previous Four Tops efforts, this album features other group members, such as Lawrence Payton and Renaldo Benson, singing lead vocals on certain songs, rather than solely Levi Stubbs.
Key Tracks and Themes:
"One Chain Don't Make No Prison": The opening track starts with a promising guitar riff but suffers from weak lyrics, testing Levi Stubbs' credibility according to one review.
"Midnight Flower": This song has a faint Oriental motif and features mature, gritty lyrics about having a hots for a prostitute.
"The Well Is Dry": Reminiscent of their dramatic work with Holland-Dozier-Holland, but with a perfunctory arrangement that makes it sound somewhat artificial.
"Tell Me You Love Me (Love Sounds)": Considered the best track by some, it features Lawrence Payton on lead vocals with a breezy L.A. pop/R&B arrangement.
"I Found the Spirit": Co-written by Renaldo "Obie" Benson, this is one of several soul gems on the album, which also includes funky and slow jam tips.
The album was produced by Dennis Lambert, Brian Potter, and Steve Barri. The Four Tops members at the time were Renaldo "Obie" Benson, Abdul "Duke" Fakir, Lawrence Payton, and Levi Stubbs.
A decent album for Four Tops fans, but not a massive seller, considered by some as a continuation of the sound from Keeper of the Castle, but feeling a bit listless at times.
In summary, Meeting of the Minds captures The Four Tops evolving in the mid-70s, delivering solid soul with some strong moments but lacking the consistent magic of their earlier work.
Need To Know You Better
Featuring, Written-By – Kenny Stover 5:25
A2 I Love To See You Dance
Featuring, Written-By – Kenny Stover
Written-By – Hazel Peterson 4:50
A3 Trying To Kick The Habit
Featuring – Harold Johnson
Written-By – Larry Brown, Terri McFaddin 2:43
A4 Dancin' On
Featuring – Michael Sutton
Written-By – Harold Johnson, Brenda Sutton-Michael Sutton 4:07
A5 Sticks And Stones (But The Funk Won't Never Hurt You)
Written-By – Brenda Sutton-Michael Sutton 3:46
B1 New Frontiers
Written-By – Jermaine Jackson, Maureen Bailey, Michael McGloiry 5:38
B2 Sunshine Love
Featuring – Brenda Sutton
Written-By – Dave Pruitt, Kenny Stover 3:21
B3 You Dance Into My Life
Featuring – Harold Johnson
Featuring, Written-By – Larry Brown
Written-By – Terri McFaddin 3:29
B4 Mighty Good Friends
Written-By – Brenda Sutton-Michael Sutton 2:53
B5 Strokin'
Featuring – Kenny Stover
Written-By – Harold Johnson 2:55
Label: Motown – M7-906R1
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Disco, Funk
The 1978 album Need To Know You Better by the group Finished Touch is a well-regarded record in the soul and disco genres, often praised for its "Philly-styled" production and strong musicianship. It is an underground classic for collectors of funk, soul, and disco.
The album is noted for its high-energy disco sections mixed with soulful elements, including a driving bass and string swirls. One review describes it as a "really kool Philly styled disco production on Motown," which is well-orchestrated and soulful.
The record is often categorized as a blend of soul, disco, and funk, with some listeners also finding elements of jazz-funk, especially on tracks like "New Frontiers" and is considered somewhat "under the radar" by some collectors and is highly valued in the soul/funk community, with copies fetching good prices on the second-hand market.
It's an interesting release that showcases impressive songwriting and hints at great potential from the artist, making it a solid, engaging listen for fans of introspective music.
Past, Present And The Futures
Backing Vocals – Barbara Ingram, Carla Benson, Evette Benton
Producer – Sherman Marshall
Written-By – S. Marshall, T. Wortham 5:14
A2 Ain't No Time Fa Nothing
Producer – Charles B. Simmons, Joseph B. Jefferson
Written-By – C. B. Simmons, J. B. Jefferson 5:32
A3 Deep Inside Of Me
Producer – Cynthia Biggs, Kenneth Gamble, Ted Wortham
Written-By – C. Gilbert, C. Biggs, T. Wortham 4:58
A4 Sunshine And You
Producer – Douglas Brown, Terry Price, William Bloom
Written-By – D. Brown, T. Price, T. Wallington, W. Bloom 3:41
B1 Come To Me (When Your Love Is Down)
Producer – Charles B. Simmons, Joseph B. Jefferson
Written-By – C. B. Simmons, J. B. Jefferson, R. Roebuck 4:48
B2 You Got It (The Love That I Need)
Producer – Douglas Brown, William Bloom
Written-By – D. Brown, T. Price, W. Bloom 4:57
B3 (You're The One) Someone Special
Producer – Carl Gamble, Franki Smith, John L. Usry, Jr.
Written-By – B. Rivers, C. Gamble, F. Smith 4:17
B4 I Wanna Know; Is It Over
Producer – Douglas Brown, Frankie Smith, William Bloom
Written-By – D. Brown, F. Smith 4:30
Label: Philadelphia International Records – JZ 35458
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Philly
The album Past, Present and The Futures by The Futures is a well-regarded Philly soul project, praised for its strong vocal harmonies and classic Gamble & Huff production. The album is particularly known for the "rare groove" classic "Ain't No Time Fa Nothin'".
The album is described as a prototypical Gamble & Huff project, featuring excellent arrangements and strong material with the signature lush strings and horns of the Philadelphia International Records sound. The overall sound is smooth and features deep rhythms and soulful vocals.
Reviewers highlight the "searing falsettos," "deep resonating bass," and "smooth vocal harmonies" that blend influences from groups like The Temptations, The Dramatics, and Earth, Wind & Fire.
Standout Tracks:
"Ain't No Time Fa Nothin'": This track is a popular "rare groove" classic, described by one reviewer as a "hot to death disco banger" that makes them "feel 12 feet tall". Its popularity in the UK rare groove scene helped the album gain recognition years after its initial release.
"Party Time Man": This track was the album's single that hit the charts, known for its Philly funk influence.
"You Got It (The Love That I Need)": This track is a melodious, hand-clapping tune clearly influenced by mid-60s Temptations classics.
Despite the quality of the music, the album did not perform well commercially upon its initial 1978 release, potentially due to the changing musical trends at the time. It has since gained a reputation as a high-quality, underrated album among soul music enthusiasts.
Supernatural High
Arranged By [Rhythm] – Sigidi, Skip Scarborough
Written-By [Happy Days Are Here Again] – Yellen, Ager
Written-By [Happy Music (Dance The Night Away)] – Sigidi, Scarborough 5:52
A2 Pullin' Back
Written-By – G. Abbott, S. Scarborough 3:35
A3 Tell Me Please
Written-By – Skip Scarborough 3:40
A4 Just The Thought Of You (Supernatural High)
Written-By – L. Bell, T. Bell 6:15
B1 Livin' For The Beat
Written-By – G. Abbott, R. Cason 3:48
B2 Falling In Love
Arranged By [Rhythm] – Sigidi
Written-By – D. Williams, T. Stephens 4:00
B3 I'll Do Anything For You
Arranged By [Rhythm] – David N. Crawford
Written-By – D. Crawford, J. Evans 4:18
B4 Storybook Romance
Written-By – Scherrie Payne 5:30
Label: Capitol Records – ST-11864
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Disco
Supernatural High is the eighth studio album by American singer Freda Payne, released in 1978 on Capitol Records. The album features a blend of soul, funk, and disco music, with production handled by the renowned songwriter Skip Scarborough.
The album is noted for its mix of dance-oriented tracks and standout ballads. "Storybook Romance" was written by Payne's younger sister, Scherrie Payne, a former member of the Supremes. Scherrie also provided backing vocals for the album. The tracks "Pullin' Back" and "Livin' for the Beat" were co-written by Payne's then-husband, Gregory Abbott.
The medley of "Happy Days Are Here Again" / "Happy Music (Dance the Night Away)" and "I'll Do Anything for You" were released as singles, though neither managed to chart.
Producer Skip Scarborough was known for his work with Earth, Wind & Fire, including the hit "Can't Hide Love". Arrangements were partly handled by David Crawford.
While not a massive commercial success at the time, the album is cited by Payne herself as a personal favorite and is considered a treasured gem among her fans for its sophisticated sound.
The Fantastics
A2 Sad Eyed Romany Woman 3:09
A3 Old Rags And Tatters 3:48
A4 Maria Maria 3:11
A5 People I've Got A Dream 2:39
A6 You've Got A Friend 3:28
B1 Love Me Love The Life I Lead 3:02
B2 Something To Remember You By 2:59
B3 I Can Feel The Warm 3:07
B4 Man Made World 2:26
B5 Just A Little Bit Harder 2:22
B6 Something Wonderful 3:18
Label: Bell Records – BELLS 200
Format: Vinyl, LP, Album
Country: UK
Released: 1972
Genre: R&B Soul, Funk
Style: Sixties Soul, Pop
The 1972 self-titled album by the British soul group The Fantastics (originally known as The Velours) is a Funk/Soul record released on the Bell Records label. The album solidifies the group's transition from performing covers of US Motown songs in UK clubs to recording original material, featuring production from top British songwriters.
The album is characterized by its smooth, pop-soul sound, reflecting the group's success on the British club and Northern Soul circuits. The production is clean and studio-oriented, differing from some of the more raw funk of the era. It includes both upbeat tracks and ballads, utilizing a full band arrangement with prominent horn sections.
While the album as a whole was part of their steady output in the UK, several individual tracks were released as singles and became popular.
It features the track "Something Old, Something New," which was a significant hit for the group, reaching number 9 on the UK singles chart in 1971. Another key track is "(Love Me) Love the Life I Lead," which charted in the US in 1972.
The album captures The Fantastics at a peak moment in their recording career after signing to Bell Records, highlighting their blend of pop sensibilities with a rich, soulful delivery.