G
Feels Good To Feel Good
Written-By – Garry Glenn 3:26
2 Torch For You
Written-By – Garry Glenn 3:58
3 Running Away
Written-By – Dianne Quander, Garry Glenn 4:06
4 Out Of A Dream
Written-By – Dianne Quander, Garry Glenn 3:34
5 I'm Still Waiting
Written-By – Dianne Quander, Garry Glenn 3:54
6 Feels Good To Feel Good
Featuring – Sheila Hutchinson
Written-By – Dianne Quander, Garry Glenn 4:07
7 You Don't Even Know
Written-By – Garry Glenn, Michael Logan 3:55
8 Lonely Night
Written-By – Garry Glenn 4:12
9 Can't Get Enough Love
Written-By – Garry Glenn 4:08
10 Love Makes It Right
Written-By – Garry Glenn 2:36
Label: Motown – 6234ML
Format: Vinyl, LP, Album
Country: US
Released: 1987
Genre: R&B Soul
Style: Eighties Soul
Feels Good To Feel Good is a 1987 R&B and soul album by singer-songwriter Garry Glenn, released on the Motown label. It is recognized as an "excellent mid 80s soul set" and a "surprising gem" within the contemporary R&B genre of the era.
The album features a sophisticated, mature, and laidback quality, which critics note helps it stand apart from some of the more formulaic 80s soul releases at the time. Garry Glenn wrote or co-wrote all of the songs on the album, showcasing his talent for songwriting and production. The music is characterized by midtempo and mellow soul notes, blending funk and soul influences. The title track, "Feels Good To Feel Good," features a guest vocal appearance by Sheila Hutchinson (of the Emotions).
Though the album was reportedly lost in the shuffle at Motown upon its initial release, it has since been recognized as a standout album for lovers of R&B and soul music. Glenn is also known for co-writing the hit song "Caught Up In The Rapture," which was famously recorded by Anita Baker.
G.C. Cameron
Arranged By – Wade Marcus
Producer – Lawrence Brown, Terri McFaddin
Written-By – Lawrence Brown, Terri McFaddin, Victor Caston 3:30
A2 Me And My Life
Arranged By – Coleridge-Taylor Perkinson, Paul Riser
Producer – T-Boy Ross, Leon Ware
Written-By – T-Boy Ross, Douglas Gibbs 3:39
A3 If I Ever Lose This Heaven
Arranged By – James Carmichael
Producer – Hal Davis, James Carmichael, Winston Monseque
Written-By – Leon Ware, Pam Sawyer 3:20
A4 Include Me In Your Life
Arranged By – Gene Page
Producer – Hal Davis, Winston Monseque
Written-By – Marilyn McLeod, Mel Bolton 4:11
A5 Don't You Want To Give It Up
Arranged By – Mark Davis
Producer – G.C. Cameron
Written-By – G.C. Cameron 3:13
B1 Truly Blue
Arranged By – Wade Marcus
Producer – Lawrence Brown
Written-By – Lawrence Brown, Terri McFaddin 2:59
B2 The Joy You Bring
Arranged By – Mark Davis
Producer – G.C. Cameron, Mark Davis
Written-By – G.C. Cameron 3:21
B3 Share Your Life (Let Me In)
Arranged By – Gene Page
Producer – G.C. Cameron, Hal Davis, Iris Gordy
Written-By – Elgie Stover, Kenneth Stover 3:58
B4 Strong Love
Arranged By – James Carmichael
Producer – G.C. Cameron, Iris Gordy
Written-By – G.C. Cameron 3:33
B5 It's So Hard To Say Goodbye To Yesterday
Producer, Arranged By – Freddie Perren
Written-By – Christine Yarian, Freddie Perren 3:10
Label: Motown – M6-855S1
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
G.C. Cameron's self-titled album (often grouped with his later Shadows or Love Songs & Other Tragedies) is generally viewed as a solid, soulful effort showcasing his versatile voice, though perhaps not a universal classic; fans praise his signature smooth delivery, rich vocals, and standout tracks like "Foolish," "My House," and the beautiful ballad "Falling Bridges," while some find it a bit too contemporary or lacking the raw edge of his earlier work, fitting well into late-era Motown/Mowest soul.
Reviewers consistently highlight Cameron's soulful, gravelly, and powerful voice, noting his ability to soothe, growl, and deliver with versatility.
It features modern soul elements, including synth beds and contemporary beats, alongside classic soul instrumentation like warm Rhodes pianos and soulful sax.
The album reflects the Mowest sound (a Motown subsidiary), which some find slightly "samey" or less authentic Motown compared to earlier eras, though it's still considered good soul music.
A must-have for devoted fans who appreciate his voice and want to explore his solo work beyond The Spinners. A "quite good" album, but maybe not a "standout" unless you're already a fan, with some finding it pleasant but a bit generic at times.
Garland Green
A2 You Make Me Feel So Good (D. Perry, L. Harper 4:17)
A3 Don't Tell Me, Let Me Guess (Lamont Dozier 4:08)
A4 Always (Lamont Dozier 4:56)
B1 Nobody Ever Came Close (Lamont Dozier 5:22)
B2 System (Lamont Dozier 4.33)
B3 Love's Calling (Lamont Dozier 4:50)
B4 These Arms (Greg Perry 4:56)
Label: Ocean Front Records – OF 100
Format: Vinyl, LP, Album
Country: US
Released: 1983
Genre: R&B Soul
Style: Eighties Disco Funk Soul
Garland Green's 1983 self-titled album is an obscure, Los Angeles-produced modern soul record released on the independent Ocean-Front Records label. The album is noted for its smooth, slick arrangements by the legendary Motown songwriter Lamont Dozier, which are balanced by Green's raw, soulful vocals.
The album was produced by Lamont Dozier and Arleen Schesel (who later married Green). Dozier was also responsible for the background vocal arrangements, while Hense Howell handled the rhythm arrangements with Dozier.
It's overall sound is very similar to Dozier's own work from the early 1980s, offering a departure from Green's earlier, classic Chicago and Northern soul style. It blends a modern soul feel with a hint of a Southern influence.
The album features a lineup of session musicians, including Freddie Washington on bass, David Williams and Kevin Moore on guitar, and Quintin Denard on drums.
While the album itself did not achieve major national success, it included the single "Trying to Hold On to My Woman," a re-worked version of a song Dozier had a hit with a decade earlier, which peaked at number 63 on the R&B chart.
The album has become something of a collector's item, often available as a used vinyl record album from specialized retailers like Dusty Groove. An expanded version of the LP was released in 1991 on the Love LA Music label.
Generally Speaking
Written-By – G. Johnson, G. Perry 4:16
A2 God's Gift To Man
Written-By – G. Johnson, G. Perry 3:57
A3 It Was Almost Something
Written-By – R. Miner, W. Weatherspoon 3:06
A4 Every Couples' Not A Pair
Written-By – A. Bond, G. Johnson, G. Perry 4:42
A5 All We Need Is Understanding
Written-By – E. Wayne, R.Dunbar 2:55
A6 Everything's Tuesday
Written-By – D. Dumas, E. Wayne, R. Dunbar 3:05
B1 I Never Get Tired Of You
Written-By – G. Johnson, G. Perry 5:21
B2 My Credit Didn't Go Through
Written-By – G. Johnson, G. Perry 3:37
B3 Things Are Bound To Get Better Later On
Written-By – G. Johnson, G. Perry 6:14
B4 Mary Lou Thomas
Written-By – G. Johnson, G. Perry 5:02
Label: Invictus – ST-9803
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul
General Johnson's 1972 debut solo album, Generally Speaking, is a classic of Detroit soul that maintains the recognizable sound of his group, Chairmen of the Board. The album has received mixed to positive reactions, often praised by fans of the genre and his work with Chairmen of the Board.
The album is noted for its smooth, upbeat soul sound, characteristic of the work Johnson did with Chairmen of the Board and the Holland-Dozier-Holland-owned Invictus label. It successfully captures the classic 70s soul vibe.
The album features several notable tracks, including "All We Need Is Understanding" and "Every Couple's Not A Pair". It also comprises four tracks otherwise credited to the Chairmen, such as the hit "Everything's Tuesday".
One review from Record Collector Magazine describes the album as "solid" and praises Johnson's voice, noting that the music "addresses your hopes and fears directly", however, some individual listener reviews have found the tracks "disappointing" or "not what I expected," suggesting that while it has its strong moments, not every song resonates equally with all listeners.
The album has been reissued multiple times, including as a 180gm vinyl LP, indicating its lasting appeal among soul music enthusiasts.
Girlfriend’s Boyfriend
2 We've Got The Power 4:26
3 Only Takes One Touch 4:16
4 Does It Matter 5:57
5 Girlfriend's Boyfriend 4:57
6 I'm Sorry 5:26
7 Pass It On 4:02
8 All This Love That I'm Givin 4:00
9 (You Make Me Feel Like A) Natural Woman 5:07
10 Treat Me Like A Queen 4:42
11 Funky Sensation (Original) 5:29
12 Gotta Get Tough 3:20
13 Keep The Fire Burning 5:45
Label: Ichiban Records – ICH 1511-2
Format: CD, Album
Country: US
Released: 1998
Genre: R&B Soul
Style: Nineties Funk Soul
Girlfriend's Boyfriend is an R&B, soul, dance, and house album by American soul singer Gwen McCrae, and produced by Stevie V. and Billy Osborne, featuring re-recordings of her hits like "Keep The Fire Burning" and "Funky Sensation," along with new tracks. While initially released in 1996 by the British label Homegrown, it was reissued in the U.S. in 1998 by Ichiban.
The album blends McCrae's classic, raspy, and soulful vocals with contemporary dance and club-oriented production, appealing to fans of both rare groove/classic soul and modern dance music. The sound is characterized by funky, solid beats, infectious grooves, and deep basslines. The album also features a re-recording of her classic hit "Keep The Fire Burning," along with several remixes. The title track, "Girlfriend's Boyfriend," explores a narrative of being in love with a friend's partner.
The album captures McCrae's enduring popularity in the UK dance and soul scenes of the 1990s and helped cement her legacy as a significant influence in popular R&B dance music.
Keep On Keeping On
A2 You're The One (George Frye 5:33)
A3 Keep On Keeping On (Turner, George Frye 5:56)
B1 The Screw (George Frye 6:02)
B2 Daddy's Home (Bassett, Sheppard 4:10)
B3 The Screw Reprise (George Frye 0:45)
B4 You're All My Dreams George Frye, T.L. Ray 6:49)
Label: Beach City Records – SF-16
Format: Vinyl, LP, Album
Country: US
Released: 1981
One For The Road
A2 I'll Be Comin' Back 3:59
A3 Will She Meet The Train In The Rain ? 5:47
A4 Next Time I See You (I'm Gonna Be Ready) 3:25
B1 Love Is Magic (Instrumental) 4:35
B2 I Want To Live And Let Live (Love And Let Love All The Time) 3:15
B3 Come On Down (Get Your Head Out The Clouds) 3:31
B4 Love Got Me Tired (But I Ain't Tired Of Love) 4:36
B5 One For The Road 3:33
Label: Casablanca – NBLP 7009
Format: Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Soul
Style: Seventies Soul
One For The Road is the debut 1975 solo album by American soul musician Greg Perry, celebrated as a cult classic and one of the great soul albums of all time. The album showcases Perry's lyrical ability and smooth vocals through songs that reviewers describe as telling a detailed, fictional story about a romantic bust.
The album is a masterpiece of vintage soul, funk, and R&B, with a mellow feel described as similar to the work of Leroy Hutson or Ronnie McNeir. It features superb production, noted for "hard-blown" horns placed low in the mix to create a "wall-of-sound" feel.
The ten tunes on the original LP are arranged to tell a continuous, engaging story from start to finish, exploring the intimate details and mistaken moves of a failing relationship from the protagonist's perspective.
It includes the notable two-step anthems "Variety Is The Spice Of Life" and "Come On Down (Get Your Head Out The Clouds)," which have become popular modern soul and boogie tracks.
The record features high-quality writing, playing, and production with a notable lineup of musicians, including Larry "Fatback" Tolbert on drums and Ray Parker on guitar, with horn and string arrangements by Paul Riser and David Crawford. The album was mixed by Grammy Award winner Reggie Dozier.
Perry was a major staff writer for Invictus/Hot Wax, co-writing hits for artists like the Chairmen of the Board and Freda Payne before releasing this solo work, which showcases his formidable songwriting talent.
Thanks I Needed That
A2 A House Is Not A Home (Burt Bacharach / Hal David 3:17)
A3 I Don't See Me In Your Eyes Anymore (Brian Holland, Lamont Dozier, Scherrie Payne 3:44)
A4 Horse And Rider (Brian Holland, Lamont Dozier, Scherrie Payne 5:11)
A5 The Man I'll Never Have (Brenda Holt, Pearl Jones 3:08)
B1 Thanks I Needed That (Brian Holland / Lamont Dozier / Edward Holland, Jr.2:45)
B2 Giving Up The Ring (Brian Holland / Lamont Dozier / Edward Holland, Jr., Ty Hunter 2:39)
B3 Don't Let It Rain On Me (Brian Holland, Lamont Dozier, Scherrie Payne 3:28)
B4 Stealing Moments From Another Woman's Life (Brian Holland, Lamont Dozier 2:35)
B5 Let It Flow (Brian Holland, Lamont Dozier, Scherrie Payne 2:57)
B6 Don't Go Looking For Something (You Don't Want To See) (Edith Wayne, Ron Dunbar 3:33)
Label: Invictus – ST-9810
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul
Thanks I Needed That is the second and final album by the Detroit soul/R&B vocal group Glass House, released in 1972 on the Invictus label. Critical reception is generally positive, with praise for the strong vocals and production, though some critics felt it didn't quite reach the heights of their debut album or other label mates.
The album is rooted in soul and funk, featuring a solid rhythm section, horns, and strings on certain tracks, which gives it a full-bodied, high-energy sound. The group was known for its versatility, moving effortlessly between soul, funk, pop, and R&B styles.
The album is considered one of the great productions from the legendary Holland-Dozier-Holland label (Invictus). The production and arrangements are noted for their excellence, with one reviewer stating they could find no fault with the arranging throughout the two-disc set (referring to a reissue that combined their two albums).
Andrew Hamilton of AllMusic suggested that the album was "not as charming" as their debut LP, Inside the Glass House, and that the material didn't always fully showcase the singers' skills, though he still noted highlights. Other user reviews vary, from some considering it "good stuff" and a "treasure find" to a less enthusiastic opinion rating some songs as merely "average".
Overall, Thanks I Needed That is a well-produced and vocally strong album that is a worthy listen for fans of classic Detroit soul and funk.
Warm And Soulful
A2 Looking For You (J. Ragovoy)
A3 It Won't Hurt (Half As Much) (B. Berns)
A4 It Was Easier To Hurt Her (B. Russell, J. Ragovoy)
A5 Thinkin' (C. Taylor, J. Ragovoy)
A6 Prove It To Me (E. Marshall, J. Ragovoy)
A7 More Than A Miracle (D. Pomus, J. Ragovoy)
B1 As Long As I Have You (B. Elgin, J. Ragovoy)
B2 One Girl (B. Russell, N. Meade)
B3 There Goes My Baby (Nelson, Treadwell, Patterson)
B4 It's Just A Matter Of Time (Hendricks, Benton, Otis)
B5 A Little Bit Of Soap (B. Russell)
B6 Look Away (B. Russell, N. Meade)
B7 I'll Make It Up To You (B. Raleigh, J. Ragovoy)
Label: United Artists Records – SULP 1145
Format: Vinyl, LP, Album
Country: UK
Released: 1966
Genre: R&B Soul
Style: Sixties Soul, Deep Soul
Warm And Soulful, is a deep and Northern soul album that showcases Garnet Mimms' powerful, gospel-rooted vocals applied to sophisticated New York R&B production. The LP is highly regarded by soul music connoisseurs for its collection of quality tracks from the mid-sixties.
The album compiles recordings made for the United Artists/Veep labels, featuring a blending of sounds compared to artists like Sam Cooke, Jackie Wilson, and Solomon Burke. Mimms' delivery on the tracks is characterized by critics as passionate and "gutwrenching," making the album a significant, though often criminally ignored by the masses, contribution to the soul genre. The production, at the hands of the talented team of Bert Berns and Jerry Ragovoy, provides a polished backdrop that perfectly suits Mimms' rich voice.
It features singles like "Looking For You" and "It Was Easier to Hurt Her," showcasing Mimms' signature "pleading, gospel-derived intensity" in songs that bridge the gap between gut-wrenching soul and more sophisticated, Motown-style sounds