L
A Change Is Gonna Come
2 Music
Arranged By [Background Arrangement] – Bobby Ross Avila, Leela James
Producer – Bobby Ross Avila and Iz
Producer [Lead Vocal Production] – Leela James, We Fly Music
Written-By – Leela James, Louis "Buster Brown" II, Scott "Shavani" Parker 4:03
3 Good Time
Legal [Sample Clearance Services] – James Rainey, Music Resources, Inc., Robin Hill
Producer – Comissioner Gordon
Producer [Lead Vocal Production] – Comissioner Gordon, Leela James
Written-By – Gordon Williams, Kenton Nix, Leela James, Puff Johnson 4:16
4 Ghetto
Producer – Jerry "Wonder" Duplessis, Wyclef Jean
Producer [Lead Vocal Production] – Jerry Wonder, Leela James, Wyclef Jean
Written-By – Jerry Duplessis, Leela James, Wyclef Jean 4:47
5 Slappy Interlude 0:57
6 Soul Food
Producer – Raphael Saadiq
Producer [Lead Vocal Production] – Leela James, Raphael Saadiq
Written-By – Leela James, Raphael Saadiq 3:18
7 Rain
Co-producer – Jake & The Phatman
Producer – Raphael Saadiq
Producer [Lead Vocal Production] – Leela James, Raphael Saadiq
Written-By – Leela James, Raphael Saadiq 5:48
8 Married Interlude 1:40
9 When You Love Somebody
Arranged By [Background Arrangement] – Leela James, Puff Johnson
Producer – Commissioner Gordon
Producer [Lead Vocal Production] – Comissioner Gordon, Leela James
Written-By – Gordon Williams, Leela James, Puff Johnson
Written-By [Elements Of "I Love You More Than You'll Ever Know"] – Al Kooper 4:30
10 Mistreating Me
Arranged By [Background Arrangement] – Leela James
Producer – Aaron Harris, Comissioner Gordon
Producer [Lead Vocal Production] – Comissioner Gordon, Leela James
Written-By – Aaron Harris, Ahmad Lewis, Leela James 5:13
11 Don't Speak
Arranged By [Background Arrangement] – Leela James, Renee Neufville
Co-producer – Leela James
Producer – Comissioner Gordon
Written-By – Eric Stefani, Gwen Stefani 5:39
12 Bummy Interlude 0:52
13 My Joy
Arranged By [Background Arrangement] – Leela James
Producer – James Poyser, Vikter Duplaix
Producer [Lead Vocal Production] – Comissioner Gordon, James Mtume, Leela James
Written-By – Carvin Haggins, James Poyser, Leela James, Tend Lewis, Vikter Duplaix 4:57
14 It's Alright
Arranged By [Background Arrangement] – Anthony Mills, Leela James
Co-producer – Leela James
Producer – Comissioner Gordon, Kanye West
Producer [Lead Vocal Production] – Comissioner Gordon, Leela James
Written-By – Gordon Williams, Kanye West, Leela James, Renee Neufville 4:03
15 Didn't I
Producer – Comissioner Gordon, Kanye West
Producer [Lead Vocal Production] – Comissioner Gordon, Leela James
Written-By – Kanye West, Leela James
Written-By [Portions Of "I Can't Fake It Anymore"] – D. Monda, T. Taylor 3:17
16 Prayer
Producer – Chucky Thompson
Producer [Lead Vocal Production] – Comissioner Gordon, Leela James
Written-By – Chucky Thompson, Leela James, Puff Johnson 6:02
17 I Know I've Been Changed Interlude 2:05
18 A Change Is Gonna Come
Producer, Producer [Lead Vocal Production] – Comissioner Gordon, Leela James
Written-By – Sam Cooke 3:36
19 Long Time Coming
Co-producer – Leela James
Producer – Comissioner Gordon
Written-By – Gordon Williams, Leela James
Written-By [Portions Of "The Truth"] – Dwight Grant, Graham Nash, Kanye West 4:01
Label: Warner Bros. Records – 9362-48027-2
Format: CD, Album
Country: Europe
Released: 2005
Genre: R&B Soul
Style: Neo Soul, Contemporary R&B
Leela James' debut album, A Change Is Gonna Come, was a powerful introduction, hailed for its raw, classic soul sound, authoritative vocals, and a welcome return to traditional R&B amidst pop music. Critics loved her "muscular, soulful" style and dedication to preserving classic soul, though some felt its length or a few tracks were minor drawbacks, overall marking it a strong statement that established her as a major new voice in soul, even if mainstream success was slow.
James was seen as regenerating and maintaining traditional American soul music with a contemporary edge, standing out from the pop-heavy scene.
Her "husky, leathery" voice and soulful delivery were consistently praised, drawing comparisons to legendary soul singers.
While featuring her own writing, the album included notable covers like Sam Cooke's title track, blending old-school vibes with modern sass.
Despite not initially hitting big with masses, it was a remarkable feat, proving her vocal talent and establishing her path for future releases like My Soul.
It received glowing reviews, with some outlets giving it perfect scores (5 stars). Reviewers found it a refreshing and uncommercialized blend of R&B, Gospel, and soul. A few found it lengthy or noted occasional "whining baby pitches" on some tracks, but these were largely overshadowed by the album's strengths.
In essence, A Change Is Gonna Come was a significant, soulful statement, positioning Leela James as a vital artist committed to authentic, classic soul music for a new generation.
Back To Stay
A2 Sweet Loving Pair (Bill Williams, Jr., Marshall McQueen, Jr., Winston Ray Williams 3:15)
A3 Show Me That You Care (Leon Haywood, Marshall McQueen, Jr. 3:23)
A4 Let Them Walk (Sonny Thompson 2:52)
A5 Fair Warmin' (Marshall McQueen, Jr. 2:52)
B1 One Way Ticket To Loveland (Jimmy Lewis, Leon Haywood 3:00)
B2 Make Me Yours (Bettye Swann 2:56)
B3 Long As There's You (I Got Love) (Leon Haywood, Marshall McQueen, Jr. 7:52)
B4 There Ain't Enough Hate Around To Make Me Turn Around (Leon Haywood 3:12)
Label: 20th Century Records – T-411
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
The 1973 album Back To Stay by Leon Haywood is considered a strong example of 1970s pop soul and features his signature blend of smooth ballads and mid-tempo funk.
The album is characterized as a "70s soul timepiece" with pleasing examples of 70s pop soul. Haywood was known for his "cheerful derivations of '70s mid-tempo funk and romantic ballads, usually embellished by smooth string charts".
The track "Long As There's You (I Got Love)" is a notable love song featured on the album. The album also features interesting cover versions of other artists' work, including a "great version of Bettye Swann's 'Make Me Yours'" and an "adventurous take on Gene McDaniels' 'One Hundred Pounds Of Clay'".
The arrangements are often handled by the legendary Gene Page, contributing to the record's polished, professional sound.
While the album itself didn't feature Haywood's biggest commercial hits, it set the stage for his later success. His most famous track, "I Want'a Do Something Freaky To You," appeared on his next album (Come and Get Yourself Some), but its style is consistent with the sound developed during this period. That track would later become massively influential when sampled by Dr. Dre and Snoop Dogg for the iconic hip-hop track "Nuthin' But a 'G' Thang".
Overall, Back To Stay is a well-regarded album for fans of classic 70s R&B and soul, showcasing Haywood's talent as a singer, songwriter, and arranger. You can often find it bundled with Keep It In The Family on platforms like Amazon.
Bittersweet
A2 Love Me To The Max (Herman Chaney, Rene Moore, Angela Winbush 5:46)
A3 True Love Is Bittersweet (Kathy Wakefield, Lamont Dozier 4:41)
A4 Tough Act To Follow (Lamont Dozier 3:51)
B1 I Got It All With You (Lamont Dozier 4:33)
B2 We're Just Here To Feel Good (Lamont Dozier 4:42)
B3 Let Your Love Run Free (Rene Moore, Angela Winbush 4:44)
B4 Fly Away Little Birdsong Judy Wieder, Lamont Dozier 5:14)
Label: Warner Bros. Records – BSK 3282
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Soul
Style: Seventies Soul
Dozier's sixth solo studio album Bittersweet showcases his smooth vocal style and features a blend of soulful and bouncy tracks, including elements of disco and slow jams that he became known for in his solo career following his departure from Motown. The overall sound is characterized by rich rhythm sections and string arrangements.
Bittersweet was produced by Frank Wilson, with various rhythm and string arrangements handled by Ronald Coleman, Bruce Miller, and Webster Lewis.
Described as a "dark little groover" and a "key crossover work," the album showcases a more complex and sophisticated musical style for the former Motown songwriter and producer.
Black Widow
Written-By – Lalo Schifrin 4:15
A2 Flamingo
Written-By – Ed Anderson, Ted Grouya 4:28
A3 Quiet Village
Written-By – Les Baxter 3:59
A4 Moonglow / Theme From Picnic
Written-By – DeLange, Mills, Hudson 5:36
B1 Jaws
Written-By – J. Williams 5:47
B2 Baia
Written-By – A. Barroso, R. Gilbert 4:03
B3 Turning Point
Written-By – Lalo Schifrin 3:28
B4 Dragonfly
Written-By – Lalo Schifrin 5:15
Credits:
Alto Saxophone – Joe Farrell
Arranged By, Conductor – Lalo Schifrin
Backing Vocals – Patti Austin
Baritone Saxophone – Pepper Adams
Bass – Anthony Jackson
Bass Trombone – Dave Taylor
Congas – Carlos Martin (tracks: A2 to B4)
Design [Album] – Rene Schumacher
Drums – Andy Newmark
Engineer [Assistant] – Liz Saron, Matt Murray
Engineer, Mastered By – Joe Jorgensen
Flute – George Marge, Jerry Dodgion, Joe Farrell
Flute [Solo], Soloist [Flute] – Hubert Laws (tracks: B1)
Guitar – Eric Gale (tracks: A3), John Tropea
Guitar [Solo], Soloist [Guitar] – Jerry Friedman (tracks: A3)
Keyboards – Clark Spangler, Lalo Schifrin
Lacquer Cut By – J.G.
Percussion – Carter Collins, Don Alias, Sue Evans
Photography By [Cover Photography] – Pete Turner
Photography By [Liner Photography Of Lalo Schifrin] – Duane Michals
Producer – Creed Taylor
Trombone – Barry Rogers, Billy Campbell, Wayne Andre
Trumpet – Jon Faddis
Violin – Charles Libove, David Nadien, Emanuel Green, Harold Kohon, Harry Lookofsky, Matthew Raimondi, Max Ellen, Paul Gershman
Label: CTI Records – CTI 5000
Series: CTI PS
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: Jazz, Funk, Soul
Style: Jazz-Funk, Disco
Lalo Schifrin's 1976 album Black Widow is a standout jazz-funk/disco record, known for its dynamic arrangements, stellar session musicians (like Eric Gale, Steve Gadd, Joe Farrell), and successful incorporation of film themes, most notably the hit disco version of Jaws. Reviews highlight its sharp brass, deep bass, energetic grooves, and sophisticated take on 70s funk, making it a compelling listen for fans of the era and Schifrin's broader work, even if it steps away from his vintage exotica sound.
It features lush orchestration, deep grooves, and shimmering synthesizers, balancing catchy melodies with complex arrangements, and boasts a legendary lineup including Eric Gale (guitar), Steve Gadd (drums), Hubert Laws (flute), and Joe Farrell (sax/flute).
It integrates famous movie themes like Jaws, The Eagle Has Landed, and Rollercoaster, adding a disco flair. The Jaws single was a disco hit, charting in the UK, and the album performed well on jazz and R&B charts.
The album is praised as a "mixed bag" but ultimately a strong effort from a masterful composer, offering both energetic workouts and sophisticated listening.
Often reissued as a two-fer with his Towering Toccata album, providing excellent value. Original LPs were limited, but CD reissues (like the Robinsongs release) often include bonus tracks from the same sessions, offering more depth.
Can’t Slow Down
Written-By – David Cochrane, Lionel Richie 4:42
A2 All Night Long (All Night)
Written-By – Lionel Richie 6:22
A3 Penny Lover
Written-By – Brenda Harvey-Richie, Lionel Richie 5:30
A4 Stuck On You
Written-By – Lionel Richie 3:10
B1 Love Will Find A Way
Written-By – Greg Phillinganes, Lionel Richie 6:12
B2 The Only One
Written-By – David Foster, Lionel Richie 4:15
B3 Running With The Night
Written-By – Cynthia Weil, Lionel Richie 5:55
B4 Hello
Acoustic Guitar – Tim May
Written-By – Lionel Richie 4:07
Label: Motown – STMA 8041
Format: Vinyl, LP, Album
Country: UK
Released: 1983
Genre: R&B Soul
Style: Soul, Disco, Pop
Can't Slow Down, released in October 1983 on Motown Records, is Lionel Richie's second and most commercially successful solo album. The album effectively blends R&B, pop, soft rock, and adult contemporary styles, appealing to a massive mainstream audience. It is widely considered his career masterpiece.
The album sold over 20 million copies worldwide and reached number one on the Billboard album chart. It spent an entire year in the Top 10 of the Billboard 200.
Can't Slow Down won the prestigious Grammy Award for Album of the Year in 1985, beating out major contenders like Bruce Springsteen's Born in the U.S.A. and Prince's Purple Rain.
Richie worked with producers James Anthony Carmichael and David Foster to create a commercially potent mix of slow grooves, catchy pop songs, and smooth ballads, drawing comparisons to the broad appeal of Michael Jackson's Thriller.
Five singles from the album became top ten hits on the Billboard Hot 100 chart, showcasing the album's remarkable consistency and hit-making craft.
"All Night Long (All Night)": A massive, infectious international dance-pop anthem featuring a Caribbean-inspired breakdown. It reached number one in the US.
"Hello": A classic, smooth, and emotive ballad that topped the charts and became one of Richie's signature songs, despite a video that became a "laughing stock in some quarters".
"Stuck on You": A country-tinged love song that reached number three.
"Running with the Night": A sleek, upbeat track with a late-night feel, featuring a guitar solo by Steve Lukather. It peaked at number seven.
"Penny Lover": A sweet and beguiling ballad that reached number eight on the charts.
The album's success cemented Lionel Richie's status as one of the definitive pop and R&B superstars of the 1980s.
Choosing You
Written-By – Bernard Thompson, Lenny Williams 3:21
A2 Look Up With Your Mind
Soloist, Flute – William "Bill" Greene
Written-By – Frank Wilson, Judy Wieder 4:40
A3 Choosing You
Soloist, Guitar – Ray E. Parker Jr.
Written-By – Lenny Williams 6:13
A4 Riding The High Wire
Written-By – Frank Wilson, John Footman, Judy Wieder 4:30
B1 Please Don't Tempt Me
Written-By – Art Posey, Frank Wilson, Josef Powell 7:52
B2 I've Been Away From Love Too Long
Written-By – Art Posey, Josef Powell 4:08
B3 Trust In Me
Written-By – Frank Wilson, John Footman, Terri McFaddin 4:14
B4 Problem Solver
Written-By – David Stallings, Lenny Williams 3:50
Label: ABC Records – AB-1023
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Disco
Lenny Williams' 1977 album Choosing You is widely considered a classic of 70s soul and funk, praised for its uplifting, positive vibe, strong dance tracks, and showcasing Williams' powerful, gospel-influenced vocals.
The album was a commercial and critical turning point in Williams' solo career after his departure from Tower of Power.
The LP reached No. 25 on the US Top R&B Albums chart. The title track and "Shoo Doo Fu Fu Ooh!" were particularly popular in clubs and on R&B radio, helping to establish his solo presence. His next album, Spark of Love, would go gold.
Reviewers consistently highlight Williams' "athletic" and unique "fiercely disjointed falsetto style," noting that the album provides an excellent platform for his vocal range, especially on ballads like "Trust in Me" and "I've Been Away For Too Long".
The album is characterized as uptempo, with strong dance and soul-funk cuts. It features high-quality instrumentation, including a notable contribution of signature horn sounds from his former bandmates in the Tower of Power horn section on some tracks. The production by Frank Wilson is also well-regarded.
Many appreciate the album for its positive and spiritual messages on tracks like "Look Up With Your Mind" and "Problem Solver", finding it an inherently "cheery" and "uplifting" listen.
Key Tracks:
"Choosing You": The title track is a popular, hooky, and dance-floor-oriented example of late 70s soul.
"Shoo Doo Fu Fu Ooh! (Oh Yes)": An upbeat, happy singalong track that became one of Williams' signature songs.
"Look Up With Your Mind": Described as a spiritual song with a positive message, often cited as one of the best tracks on the album.
"Problem Solver": A powerful closing track and a signature song for Williams, showcasing his strong vocals.
Overall, the album is considered an essential listen for fans of 70s soul and funk music. Physical and digital copies can often be found on music retail sites like Amazon.
Coming Home
Written-By – Taj Jackson, Mikkel S. Eriksen, Tor Erik Hermansen 3:20
2 Sweet Vacation
Written-By – Robert Ozuna, Lionel Richie, Raphael Saadiq 3:55
3 Why
Written-By – Chuckii Booker, Lionel Richie, Sean Garrett 4:01
4 What You Are
Written-By – Jermaine Dupri, Johnta Austin, Manuel Seal 4:13
5 Up All Night
Written-By – Chuckii Booker, Lionel Richie, Sean Garrett 3:36
6 I'm Coming Home
Written-By – Chuckii Booker, Lionel Richie 4:18
7 All Around The World
Written-By – Lionel Richie, Roberto Sam Screnci 3:34
8 Out Of My Head
Written-By – Lionel Richie 3:16
9 Reason To Believe
Written-By – Dallas Austin, Lionel Richie, Tony Reyes 4:47
10 Stand Down
Written-By – Dallas Austin, Lionel Richie 4:03
11 I Love You
Written-By – Lionel Richie 4:13
12 I Apologize
Written-By – Jerry Duplessis, Latavia Parker, Wyclef Jean 3:38
Label:
Island Def Jam Music Group – B0006484-02
Format: CD, Album
Country: US
Released: 2006
Genre: R&B Soul
Style: Soul, Contemporary R&B
Coming Home (2006) is Lionel Richie's eighth studio album, marking a return to his R&B and soul roots with contemporary production, blending smooth vocals, heartfelt lyrics, and collaborations with hitmakers like Stargate, Jermaine Dupri, and Dallas Austin, featuring singles like "I Call It Love" and "Why". The album showcases his classic style alongside modern sounds, appealing to both longtime fans and new listeners of 2000s R&B.
Producers: A mix of legends and modern hitmakers, including Stargate, Rodney Jerkins, Raphael Saadiq, Chuckii Booker, and Richie himself.
Features a blend of Richie's signature romantic ballads with more rhythmic, modern R&B tracks, maintaining his soulful essence, led by the popular "I Call It Love" and the emotional "Why".
A successful comeback album that re-established Richie's relevance in the contemporary music scene, offering familiar melodies with a fresh sound.
In essence, Coming Home is described as a soulful journey back to form for Lionel Richie, successfully merging his classic appeal with current R&B trends, making it a beloved addition to his discography.
Devotion
Arranged By [Horns] – Bobby Martin
Written-By – Abraham J. Miller, Jr., Jeffrey L. Osborne, John T. McGhee 5:18
A2 Share My Love
Arranged By [Strings] – James E. Davis
Written-By – Alvino M. Bennett
Written-By, Arranged By [Horns] – Henry E. Davis 4:20
A3 Stand Up L.T.D.
Arranged By [Horns] – Jake Riley
Written-By – L.T.D. 4:43
A4 Say That You'll Be Mine
Arranged By [Strings] – Bobby Martin
Written-By – Jeffrey L. Osborne
Written-By, Arranged By [Horns] – Henry E. Davis 5:04
B1 Dance 'N' Sing 'N'
Arranged By [Strings] – Bobby Martin
Written-By – Jeffrey L. Osborne
Written-By, Arranged By [Horns] – Jake Riley 5:32
B2 Sometimes
Arranged By [Horns, Strings] – Bobby Martin
Written-By – William M. Osborne, Jeffrey L. Osborne 3:09
B3 Promise You'll Stay
Arranged By [Strings] – Bobby Martin
Written-By, Arranged By [Horns] – Jeffrey L. Osborne, James E. Davis 3:20
B4 Stranger
Arranged By [Horns, Strings] – James E. Davis
Written-By – Jake Riley, Jeffrey L. Osborne 4:29
B5 Feel It
Arranged By [Strings] – Bobby Martin
Written-By, Arranged By [Horns] – William M. Osborne, Carle W. Vickers 3:44
Label: A&M Records – SP-4771
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Soul
Style: Seventies Soul, Disco, Funk
L.T.D.'s 1979 album, Devotion, is a key R&B/Funk release featuring Jeffrey Osborne on lead vocals, known for danceable tracks like "Dance 'N' Sing 'N'" and soulful singles such as "Stranger," showcasing the band's signature blend of upbeat funk and smooth ballads, cementing their status as a prominent '70s group before Osborne's departure, with the album hitting #5 on the R&B charts.
A strong mix of infectious funk rhythms and classic soulful ballads, characteristic of L.T.D.'s sound., showcasing their ability to deliver both dancefloor fillers and heartfelt slower songs, it Reached #5 on the R&B Albums chart and #29 on the Billboard 200.
Devotion highlighted L.T.D.'s musical versatility, with fans praising its energetic funk and Osborne's smooth delivery.
It was a significant album leading up to Jeffrey Osborne's eventual departure, with some suggesting a slight shift in focus, though still maintaining high quality.
The album is often bundled with other L.T.D. classics like Something to Love and Shine On, making it a staple for fans of '70s R&B.
While some reviews noted the album felt slightly "uneven" and hinted at Jeffrey Osborne's potential disinterest near the end of his tenure with the group, it is still considered a "must have album" from the band's catalog by fans and critics. The album's strong tracks and the quality of Osborne's vocals contributed to its commercial success and lasting appeal within the R&B community.
Finders Keepers
A2 Your Kind Of Lovin' (Leo Graham, Paul Richmond 4:43)
A3 I'm Gonna Put A Spell On You Leon Bryant 5:50)
A4 Are You Ready (Until Tonight) (Leon Bryant 3:15)
B1 You're My Everything (Leo Graham, Paul Richmond 4:31)
B2 Honey (Eddie FIsher, Leo Graham 3.25)
B3 I Can See Me Loving You (Leon Bryant 4:18)
B4 Never (Leo Graham, Paul Richmond 4:10)
Label: De-Lite Records – DSR 8507
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: R&B Soul
Style: Eighties Disco Funk Soul
American R&B and modern soul singer Leon Bryant's Finders Keepers album is noted for its blend of uptempo and midtempo songs, which have been described as sounding fresh many years after its initial release.
It contains popular tracks like "I'm Gonna", which has been described as superb. The title track, "Finders Keepers", is a notable song with lyrics that use the common saying as a metaphor for winning over someone who is unappreciated by their current partner.
The album has also been reissued in various formats, sometimes as a 2-in-1 package with Bryant's self-titled 1981 album or his 1994 Mighty Body album, often including bonus tracks.
Funk Reaction
Written-By, Arranged By – Brad Baker, Lance Quinn 5:57
2 For The Love Of It
Tenor Saxophone [Solo] – Eddie Daniels
Written-By, Arranged By – Brad Baker, Lance Quinn 7:11
3 Babbitt's Other Song
Arranged By – Brad Baker
Tenor Saxophone [Solo] – Eddie Daniels
Written-By, Arranged By – Babbitt 6:20
4 It's Changed
Arranged By – Lonnie Smith 6:11
5 When The Night Is Right
Arranged By – Lonnie Smith
Piano [Solo] – Yaron Gershovsky 7:06
6 All In My Mind
Written-By, Arranged By – Lonnie Smith 5:43
Label: Lester Radio Corporation – LRC 9317
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Jazz, Funk, Soul
Style: Jazz-Funk, Funk, Disco
Lonnie Smith's 1977 album Funk Reaction is a well-regarded jazz-funk classic that fully embraces the late-1970s soul, funk, and disco sound. The album is highly regarded by fans of the genre for its strong grooves, excellent musicianship, and danceable tracks, though some jazz purists might find it leans more towards commercial funk than traditional organ jazz.
The album is a quintessential example of '70s jazz-funk, incorporating elements of cosmic disco, psychedelic soul, and mellow grooves. It moves away from Smith's earlier soul-jazz roots toward a slicker, band-oriented project.
It features top-tier session musicians, including Steve Gadd on drums, Bob Babbitt on bass, and Lance Quinn on guitar, with arrangements by Brad Baker. The collective talent contributes to the album's tight and professional sound.
The standout track is often cited as the "superb disco-funk nugget" title track, "Funk Reaction". Other notable tracks include:
"All In My Mind": The only track written by Smith on the album, described as having a beautiful, Stevie Wonder-esque soulful quality. "Babbitt's Other Song" and "For the Love of It": Classic jazz-funk tracks featuring stellar tenor saxophone solos by Eddie Daniels. "When The Night Is Right": A slick, guitar-led "floater".
Reviews are generally positive, especially among fans of jazz-funk and rare groove, who praise its "mind-blowing" grooves and appeal. It's considered an "indispensable" record for enthusiasts of the funky, groovy style. One critique notes that while expertly performed, it can sometimes feel like "starsky and hutch type lounge music" to some palettes.
The album is often cited as a forefather of the Acid Jazz genre and has seen a resurgence in interest, with its tracks being sampled in rap, dance, and house music.
In summary, Funk Reaction successfully delivers a strong, dancefloor-friendly blend of jazz and funk that remains highly collectable and influential today.
I’m In Need Of Love
Arranged By, Keyboards – L. Leon Pendarvis
Backing Vocals [Background Singers] – Carl Hall, Peggy Blue
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – David Spinozza, Glen Goins
Percussion – Arthur Jenkins
Vibraphone [Vibes], Timpani – Dave Carey 5:40
A2 Since I First Laid Eyes On You
Arranged By, Keyboards – L. Leon Pendarvis
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – Glen Goins, Jerry Friedman
Percussion – Arthur Jenkins
Vibraphone – Dave Carey
Vocals [Background] – Carl Hall 3:44
A3 What Do You Want Me To Do
Arranged By – Jerry Ragovoy
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – Keith Loving
Keyboards – L. Leon Pendarvis
Percussion – Ralph MacDonald
Vocals [Background] – Carl Hall 2:50
A4 The Best Thing A Man Can Ever Do For His Woman
Arranged By, Keyboards – L. Leon Pendarvis
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – Glen Goins, Jerry Friedman
Percussion – Arthur Jenkins
Vibraphone [Vibes] – Dave Carey
Vocals [Background] – Carl Hall, Natalie Venable 5:08
A5 I Will, If You Will
Arranged By [Rhythm Arrangements], Keyboards – L. Leon Pendarvis
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – David Spinozza, Glen Goins
Horns, Strings – Larry Wilcox
Percussion – Arthur Jenkins
Vibraphone [Vibes] – Dave Carey
Vocals [Background] – Carl Hall, Natalie Venable 4:50
B1 Somebody New Is Lovin' On You
Arranged By [Rhythm Arrangments], Keyboards – L. Leon Pendarvis
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – David Spinozza, Glen Goins
Horns, Strings – Jerry Ragovoy
Vibraphone [Vibes] – Dave Carey
Vocals [Background] – Carl Hall, Peggy Blue 5:29
B2 I'm Serious About Lovin' You
Arranged By – Jerry Ragovoy
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – David Spinozza, Glen Goins
Horns, Strings – Larry Wilcox
Keyboards – L. Leon Pendarvis
Percussion – Arthur Jenkins
Vocals [Background] – Carl Hall, Natalie Venable 4:55
B3 I Don't Need Nobody Else
Arranged By – Jerry Ragovoy
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – Keith Loving
Keyboards – L. Leon Pendarvis
Percussion – Ralph MacDonald
Vocals [Background] – Carl Hall 3:34
B4 Just To Let Him Break Your Heart
Arranged By, Keyboards – L. Leon Pendarvis
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – Glen Goins, Jerry Friedman
Vibraphone [Vibes] – Dave Carey
Vocals [Background] – Carl Hall, Natalie Venable 4:23
B5 I'm In Need Of Love
Arranged By [Rhythm Arrangements], Keyboards – L. Leon Pendarvis
Bass – Bob Babbit
Drums – Andrew Smith
Guitar – Glen Goins, Keith Loving
Horns, Strings – Larry Wilcox
Vibraphone [Vibes] – Dave Carey
Vocals [Background] – Carl Hall, Peggy Blue 4:14
Label: Epic – KE 33011
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Soul
Style: Seventies Soul
Lou Courtney's 1974 album I'm In Need of Love is a highly regarded, albeit under-appreciated, masterpiece of 1970s soul music. Often described as some of the best modern soul ever made, the album is celebrated for its lush arrangements, soulful vocals, and emotionally resonant lyrics.
The album is a cult classic and is considered an essential record for soul fans, with Blues & Soul magazine reportedly rating it the "best soul album of all time".
Co-produced by the legendary Jerry Ragovoy and arranged by Leon Pendarvis, the album features sophisticated "New York soul" with rich instrumentation, including full strings and horns. The production is noted for its quality and depth, allowing each song to have its own unique groove while maintaining a cohesive feel.
Courtney's vocals are described as superb, expressive, emotive, and intensely soulful. The album's themes revolve around love, commitment, heartache, and life, delivered with authenticity and emotional honesty.
Despite its high quality, the album did not achieve the commercial success of contemporary artists like Marvin Gaye, leading many to consider it vastly underrated.
In summary, I'm In Need of Love is a hidden gem in 70s soul, praised by critics and fans alike as a deeply moving and musically accomplished work.
I’ve Been Here All The Time
A2 You Were Made For Me (Sam Cooke 3:57)
A3 Oh Baby, You Can Depend On Me (Luther Ingram 2:08)
A4 My Honey & Me (John McFarland, Luther Ingram 3:15)
A5 I'll Just Call You Honey (J. Baylor, J. Northern, L. Ingram, R. Stewart 2:51)
A6 Since You Don't Want Me (Luther Ingram 4:18)
B1 Missing You (John McFarland, Luther Ingram 3:24)
B2 I'll Love You Until The End (James Banks, Johnny Baylor 3:43)
B3 Be Good To Me Baby (Johnny Baylor 4:11)
B4 Pity For The Lonely (Dorian Burton, Gertrude Jones 2:46)
B5 To The Other Man (J. Baylor, J. Northern, L. Ingram, R. Stewart 4:00)
B6 Ghetto Train (J. Baylor, J. Northern, L. Ingram, R. Stewart 3:46)
Label: KoKo – KOS-2201
Format: Vinyl, LP
Country: US
Released: 1972
Genre: R&B Soul
Style: Southern Soul
Luther Ingram's debut album, I've Been Here All the Time, is a classic of Southern Soul music, known for its emotional depth and a sound heavily influenced by the Stax Records scene in Memphis.
The album was released in 1971 (though some sources list early 1972) on the KoKo label, which was owned by his producer Johnny Baylor and closely affiliated with Stax Records. It showcases Ingram's powerful and emotive vocals over rich Southern Soul arrangements, featuring a blend of smooth ballads and mid-tempo grooves.
The rhythm sections included top-tier musicians like the Bar-Kays, and Isaac Hayes' backing band the Movement. The album also features Hayes' backing group Hot Buttered Soul.
In line with many soul albums of the era, the LP primarily served as a compilation of previously released 45 rpm singles, rather than a single cohesive artistic statement like the concept albums that groundbreaking artists like Isaac Hayes and Marvin Gaye were producing at the time.
The album features several significant tracks that became R&B hits, including:
"Ain't That Loving You (For More Reasons Than One)"
"You Were Made for Me"
"Pity for the Lonely"
"To the Other Man"
"I'll Love You Until the End"
The album's success laid the groundwork for his biggest hit, "(If Loving You Is Wrong) I Don't Want to Be Right," which was released shortly after and often paired with this album on later CD reissues.
If Walls Could Talk
A2 Baby I Love You (Jimmy Holiday 2:44)
A3 Let's Get Together (Piano – Donny Hathaway) (Morris Dollison 3:00)
A4 Things That I Used To Do (Eddy (Guitar Slim) Jones 3:50)
A5 Kansas City (Willie Littlefield 3:02)
B1 Poor Man (Butler, Blumenberg, Campbell 2:42)
B2 Blues Get Off My Shoulder (Robert Parker 3:20)
B3 I Play Dirty (Pearl Woods 2:23)
B4 Good To Me As I Am To You (Franklin, White 2:44)
B5 Your Precious Love (Morris Dollison 2:43)
B6 I Don't Know (B. Stevenson, B. Benton 2:20)
Label: Checker – LPS-3012 DJ
Format: Vinyl, LP, Album
Country: US
Released: 1970
Genre: R&B Soul Blues
Style: Electric Blues, Chicago Blues
If Walls Could Talk is a 1969 soul-blues album by Little Milton that blends R&B with blues, featuring his powerful vocals and signature guitar playing. The album is known for its mix of soulful ballads and uptempo tracks, including the stirring title track, the popular "Baby I Love You," and "Let's Get Together," showcasing his hybrid style that appealed to both blues and soul fans.
The album is a powerful blend of electric blues and soul music, representative of the soul-blues style. It features the signature sound Little Milton developed on the Checker Records label, with a combination of straight blues and brassy soul arrangements.
The album helped solidify Milton's position as a prominent figure in the soul and blues scenes. Some reissued versions include bonus tracks, such as "Grits Ain't Groceries," which was a significant hit in the UK.
It Ain’t Where You Been
Just Coolin’
2 Just Coolin' Featuring – Heavy D 4:19
3 Gotta Get The Money 4:45
4 Take Your Time 5:04
5 Join In The Fun 3:28
6 Let's Get Romantic 4:23
7 Feel Real 5:52
8 Smilin' 4:18
9 Start Me Up Again 4:18
10 Loveable 5:23
11 Addicted To You 3:52
Eddie Levert Sr. (tracks: 11), Gerald Levert, Marc Gordon
Label: Atlantic – 7 81926-2
Format: CD, Album
Country: US
Released: 1988
Genre: R&B Soul, Hip Hop
Style: Contemporary R&B, Swing
LeVert's 1988 album Just Coolin' was a well-received commercial success that critics at the time praised as the group's best to date. It leans heavily into the late-80s new jack swing sound on its uptempo tracks and features signature smooth R&B ballads, with a strong showcase of the trio's vocal harmonies and songwriting abilities.
Rolling Stone Album Guide noted that with this album, "the beats are bigger, the funk is deeper, and LeVert seems in the process of reinventing its whole sound". USA Today called it the group's "best to date" and praised the "delicious" ballads.
Contemporary reviews often highlight the album for successfully navigating the popular music styles of 1988, which saw the commercial rise of hip-hop and new jack swing acts like Guy.
The album follows a traditional R&B format, placing the faster tracks at the beginning and slowing down for the ballads on the second half.
Uptempo Tracks: The title track, "Just Coolin'" (featuring Heavy D), was a significant hit and is considered an early popular R&B/Hip-Hop collaboration. Other tracks like "Pull Over" and "Gotta Get The Money" embrace the infectious, high-energy new jack swing style. While some of these beats haven't aged perfectly in terms of timelessness, the genuine energy of the performances keeps them entertaining.
Ballads: The slow jams, such as "Let's Get Romantic," "Start Me Up Again," and "Loveable," are frequently praised for their excellent songwriting and the trio's superb vocal performances. These songs are often described as quintessential "grown folk" or "baby making music" of the era.
Other Styles: The song "Join In The Fun" stands out for its 80s funk/pop flavor, which some critics find less dated than the new jack material, even featuring a salsa-style intro.
Overall, while some critics felt it lacked the "sense of adventure" of their previous album, The Big Throwdown, Just Coolin' is considered a solid, high-quality contemporary R&B album that captured LeVert at a pivotal moment in their career and the genre's evolution. The album is available for purchase on various platforms, including Amazon and Discogs.
Lalah Hathaway
Arranged By – Andre Fischer, Jerry Hey
Bass – Neil Stubenhaus
Drums – Jeff Porcaro
Engineer, Mixed By – Al Schmitt
Keyboards – Randy Kerber
Producer – Andre Fischer
Saxophone – Marc Russo
Synthesizer – Larry Williams
Vocals [All Vocals] – Lalah Hathaway
Written-By – B. Russell, D. Foster 3:38
A2 Heaven Knows
Backing Vocals – Jean McClain
Bass, Keyboards, Drum Programming – Derek Bramble
Coordinator [Production Coordinator] – Marsha Burns
Engineer [Additional Engineering] – Mike Mancini
Engineer [Assistant Engineers] – James Johnson, Kyle Bess, Stephen Harrison
Engineer, Mixed By – Jeff Balding
Keyboards – Monty Seward
Lead Vocals – Lalah Hathaway
Producer – Derek Bramble
Written-By – D. Bramble 5:18
A3 Baby Don't Cry
Backing Vocals – Angela Winbush
Lead Vocals, Backing Vocals – Lalah Hathaway
Mixed By – Jeff Lorenzen
Producer, Arranged By – Angela L. Winbush
Recorded By – Dennis Stefani, Mitch Gibson
Synthesizer [Additional Synthesizers], Programmed By [Additional Programming] – Jeff Lorber
Synthesizer [Synthesizers], Keyboards, Drum Programming – Angela Winbush
Written-By – A. Winbush 4:03
A4 Smile
Arranged By – Andre Fischer, Jerry Hey
Bass – Jim Haslip
Drums – Will Kennedy
Engineer [Additional Engineers] – Doug Rider, Richard McKernan, Steve Sykes
Engineer, Mixed By – Al Schmitt
Guitar – Dean Parks
Keyboards – Russell Ferrante
Percussion – Luis Conte
Producer – Andre Fischer
Saxophone – Marc Russo
Vocals [All Vocals] – Lalah Hathaway
Written-By – M. Scott, R. Ferrante 4:54
A5 U-Godit Gowin On
Backing Vocals – DeBorah J.R. Cooper
Engineer – Craig T. Cooper, Robert ("B-B-B-B-Bob") Biles
Engineer [Assistant Engineer] – Darin Prindle
Handclaps [The "Gowin' On" Clappers (4-Reel)] – Josina Elder, Phaenicia Grant, Shiro Stokes, Wendi Williams
Handclaps [The "Gowin' On" Clappers] – Antoinette Brown, Cat Miller, Deborah J.R. Cooper, Denise Stewart, 4-Reel, Gerald Farwell, Jai Diamond, Kelvin McKisic, Kirtland, Maria A. Manning, Robbie Casey, Bullet Harris
Instruments [All Instruments] – Craig T. Cooper
Lead Vocals, Backing Vocals – Lalah Hathaway
Mixed By – Craig T. Cooper, Robert ("B-B-B-B-Bob") Biles
Producer, Arranged By – Craig T. Cooper
Written-By – C.T. Cooper, D.J.R. Cooper 3:26
B1 Obvious
Engineer – Robert ("B-B-B-B-Bob") Biles
Engineer [Assistant Engineers] – Al Singleton, Karen Shellenberger
Instruments [All Instruments] – Craig T. Cooper
Mixed By – Robert ("B-B-B-B-Bob") Biles
Producer, Arranged By – Craig T. Cooper
Vocals [All Vocals] – Lalah Hathaway
Written-By – C.T. Cooper, D.J.R. Cooper, D.A. Stewart 5:15
B2 Stay Home Tonight
Arranged By – Andre Fischer, Jerry Hey
Backing Vocals [Uncredited] – Natalie Cole
Bass – Neil Stubenhaus
Drums – Will Kennedy
Guitar – Donald Griffin
Keyboards – Russell Ferrante
Producer – Andre Fischer
Recorded By, Mixed By – Al Schmitt
Saxophone – Marc Russo
Synthesizer – Larry Williams
Vocals [All Vocals] – Lalah Hathaway
Written-By – M. Blockson 4:15
B3 I'm Coming Back
Arranged By [Additional Arrangements By] – Andre Fischer
Drums, Percussion – Andre Fischer
Engineer, Mixed By – Jeffrey "Woody" Woodruff
Guitar – Michael Thompson
Keyboards, Drum Programming [DMX Programming] – Gary Taylor
Post Production [Additional Production] – Andre Fischer
Producer, Arranged By – Gary Taylor
Synthesizer [Synthesizers] – Marc Hugenberger
Vocals [All Vocals] – Lalah Hathaway
Written-By – G. Taylor 5:36
B4 Sentimental
Instruments [All Instruments] – Chuckii Booker
Mixed By – Craig Burbridge
Producer, Arranged By – Chuckii Booker
Recorded By – Rob Seifert
Recorded By [Assisted By] – Anthony Jeffries, Mike Scotella
Vocals [All Vocals] – Lalah Hathaway
Written-By – C. Booker 3:50
B5 I Gotta Move On
Arranged By [Additional Arrangements By] – Andre Fischer
Engineer, Mixed By – Jeffrey "Woody" Woodruff
Flute [Flutes], Strings, Programmed By [Additional Programming] – Jeff Lorber
Post Production [Additional Production By] – Andre Fischer
Producer, Arranged By – Angela L. Winbush
Saxophone – Sam Riney
Synthesizer [Additional Synthesizers], Keyboards [Additional Keyboards], Drum Programming [Additional Drum Programming] – Andre Fischer
Synthesizer [Synthesizers] – Larry Steelman
Synthesizer [Synthesizers], Keyboards, Drum Programming – Angela Winbush
Vocals [All Vocals] – Lalah Hathaway
Written-By – A. Winbush 4:44
Label: Virgin – 91382-1
Format: Vinyl, LP, Album
Country: US
Released: 1990
Genre: R&B Soul
Style: Neo Soul, Contemporary R&B
Lalah Hathaway's self-titled debut album, Lalah Hathaway (1990), received generally positive reviews, with critics praising her strong voice and R&B sound. The material was considered memorable when paired with the right production.
Hathaway was recognized for her significant vocal range, charisma, and passionate delivery. Her voice was described as a lovely contralto with a unique warmth.
The album established a contemporary R&B sound, which was a strong start to her career. The track "Heaven Knows" was a highlight, along with "Baby Don't Cry" and "It's Something".
The quality of the album was noted as varying, depending on the specific writers and producers for each song. While Hathaway delivered strong performances, the material didn't always match her talent.
The album was successful enough to create pressure for a strong follow-up, which eventually led to her later releases exploring various genres like jazz and neo-soul, demonstrating her versatility.
Overall, the debut album was seen as a solid foundation that showcased Lalah Hathaway's potential, even if some tracks were considered routine. It successfully launched her career and set her on a path to develop her own soulful identity.
Let Me Be Yours
Written-By – Paul Lawrence Jones III 5:23
A2 Trust Me
Written-By – Freddy Jackson, Paul Lawrence Jones III 3:59
A3 Who Do You Think You Are?
Written-By – Paul Lawrence Jones III 5:10
A4 Just My Imagination (Running Away With Me)
Written-By – Barrett Strong, Norman Whitfield 4:53
B1 Hot Love
Written-By – Lillo, Paul Lawrence Jones III 4:43
B2 (You're A) Good Girl
Written-By – Paul Lawrence Jones III 5:25
B3 Joy Of Your Love
Written-By – Paul Lawrence Jones III 4:55
B4 Let Me Be Yours
Written-By – Lillo, Paul Lawrence Jones III 5:15
Label: Capitol Records – ST-12290
Format: Vinyl, LP, Album
Country: US
Released: 1983
Genre: R&B Soul
Style: Eighties Soul, Contemporary R&B, Boogie
Let Me Be Yours is the 1983 debut studio album by American R&B singer Lillo Thomas, released under Capitol Records. The album is characterized by its early 1980s post-disco and boogie sound, blending smooth R&B with electronic production elements like synthesizers and drum machines.
The album is a mix of soul, funk, and boogie, often compared to the style Michael Jackson popularized in the late 1970s.
It was primarily produced and co-written by Paul Laurence (credited as Paul Lawrence Jones III), a key figure in the "Hush Productions" sound of the 80s.
The album features backing vocals from notable artists such as Freddie Jackson and Melba Moore.
It reached #23 on the Billboard R&B Albums chart. It spawned two notable Billboard R&B singles: "(You're A) Good Girl", a mid-tempo track that peaked at #22 and "Who Do You Think You Are", an upbeat dance cut that peaked at #68.
Soul fans generally hold the album in high regard, often citing it as a classic 1980s R&B "groover" with high production value.
Light Of The World
2 DreamsN. McKrieth, P. Williams (6:44)
3 Who Are You (Who Do You Think You Are?) Light Of The World 5:48)
4 Midnight Groovin' (V. Castellano 6:22)
5 Aspects (N. McKrieth 3:16)
6 Mirror Of My Soul (J.P. Maunick, V. Castellano 4:28)
7 Liv Togevver (The Greater London Funkathon) (Light Of The World, V. Castellano 5:02)
Label: Ensign – ENVY 7
Format: Vinyl, LP, Album
Country: UK
Released: 1979
Genre: Jazz, Funk, Soul
Style: Jazz-Funk
Light Of The World's self-titled 1979 album is the debut release from the British jazz-funk band and is considered a pioneering work in the UK's burgeoning Brit-funk scene. The album features a mix of electrified sounds, traditional instruments, and synthesizers, characteristic of the genre at the time.
The album is a foundational piece of the Brit-funk movement, influenced by American jazz-funk acts like Kool & the Gang (from whose album Light of Worlds the band took their name) and Earth, Wind & Fire.
It includes the track "Swingin'", which was the band's debut single, a significant dance-floor hit, and reached number 45 in the UK charts. The album was produced by Vincent Castellano.
The original band members included Wellington, Baptiste, and McKreith, who later went on to form the offshoot group Beggar & Co.
The album sleeve notably featured a pre-stardom headshot of the UK soul singer Sade. The release of the album was reportedly marred by the death of one of the band members, Etienne, during a promotional tour.
Love To The World
Written-By – L. Mizell, F. Mizell, R. Mizell 5:07
A2 Time For Pleasure
Written-By – L. Mizell, F. Mizell, R. Mizell 5:20
A3 Love Ballad
Written-By – S. Scarborough 4:35
B1 Get Your It Together
Written-By – H. Davis, J. Osborne 4:48
B2 Let The Music Keep Playing
Written-By – H. Davis 4:22
B3 The Word
Written-By – L. Mizell, F. Mizell, R. Mizell 5:30
B4 Love To The World Prayer
Voice [Children] – Barbara Dice, Carolyn Dice, John "Bunky" Butler
Written-By – L. Mizell, F. Mizell, R. Mizell 3:49
Label: A&M Records – SP-4589
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
The L.T.D. album Love to the World is a critically acclaimed 1976 R&B/Soul record that transformed the band's career, largely due to the soaring vocals of lead singer Jeffrey Osborne and successful production by the Mizell Brothers. The album is celebrated for its mix of orchestral funk, disco grooves, and standout ballads.
The album was a breakthrough for the band, reaching No. 7 on the R&B albums chart and No. 52 on the Billboard 200. It established L.T.D. as a major force in 70s soul.
Critics and fans widely praise Jeffrey Osborne's "magical" and "spell-bounding" vocal performances, which are considered a highlight and helped put him on the map as a standout vocalist.
Produced by the acclaimed Larry and Fonce Mizell, the album features "sumptuously opulent and heavily orchestrated disco-soul" that elevated the band's existing sound. The production effectively combines the band's funky musicianship with a more refined, professional studio aesthetic.
Key Tracks:
"Love Ballad": This "Ultimate Slow Jam" became an R&B chart-topper and a Top 20 Pop hit, widely regarded as one of the greatest love songs of all time.
"Love To The World": The "glorious, uplifting, soulful" title track is a spiritual, funky message song that became a huge hit and the group's signature tune.
"The Word" and "Get Your It Together": These tracks are noted for their infectious grooves, demonstrating the band's strong musical chops and the Mizell brothers' distinct production influence.
The album is considered a "jewel" and a "perfect album" by many fans, praised for its fresh, bold, and consistent sound. It is seen as a landmark album that successfully blended different genres of the era (soul, funk, disco, jazz) and has stood the test of time as an essential piece of 70s R&B history.
One minor criticism in some CD reissues is the short running time (just over half an hour), which some reviewers felt offered less value for money compared to other releases. However, the music itself consistently receives high ratings from listeners and critics alike.
Lovin’ Man
A2 Don't Give Up On Us 4:45
A3 Don't Let Nobody Hold You Down 4:30
A4 Don't Worry 3:14
B1 Touch Down 4:10
B2 Love Take 2 4:20
B3 Weigh All The Facts 4:25
B4 Love Me All Over 4:00
Label: Mercury – 422-818 479-1 M-1
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: Electronic, Funk / Soul
Style: Soul, Funk
Lovin' Man is a 1984 solo album by American R&B and soul artist L.J. Reynolds, who is best known as the lead vocalist for the vocal group The Dramatics. The album is considered a modern soul and funk record.
The album features several tracks produced by Reynolds himself and showcases his unique vocal style. While the original 1984 LP contained 8 tracks, later remastered and expanded CD editions include bonus tracks, bringing the total to 12.
One notable inclusion is a remake of his own self-penned song "Key to the World," which was a track he first recorded for his 1981 Capitol debut solo album and remained popular with his audience during live performances. The album is a key part of his solo discography between his time with The Dramatics and his later solo work.
While L.J. Reynolds had some successful singles as a solo artist, his 1984 album Lovin' Man did not make it into the major US Billboard album charts.
He released several solo albums throughout the 1980s that were critically well-received within the soul community, but according to sources, he never achieved a major hit album that "exploded" on the charts as a solo artist. However, some of his solo singles released around that period, such as "Key to the World" and "Touch Down," did manage to reach the R&B Top 30 chart.
Luther featuring Luther Vandross
Bass – Wilbur Bascombe
Congas – Pablo Rosario
Drums – Andrew Smith
Guitar – Jeff Mironov, Jerry Friedman, Lance Quinn
Keyboards – Nat Adderley, Jr., Pat Rebillot
Lead Vocals – Luther Vandross
Percussion – David Friedman, Pablo Rosario 5:29
A2 The 2nd Time Around
Bass – Wilbur Bascombe
Congas – Pablo Rosario
Drums – Andrew Smith
Guitar – Jeff Mironov, Jerry Friedman, Lance Quinn
Keyboards – Nat Adderley, Jr., Pat Rebillot
Lead Vocals – Luther Vandross
Percussion – David Friedman, Pablo Rosario
Soprano Saxophone [Solo] – George Young 6:25
A3 I'll Get Along Fine
Bass – Wilbur Bascombe
Congas – Pablo Rosario
Drums – Andrew Smith
Guitar – Jeff Mironov, Jerry Friedman, Lance Quinn
Keyboards – Nat Adderley, Jr., Pat Rebillot
Percussion – David Friedman, Pablo Rosario
Vocals – G. Diane Sumler, Luther Vandross 4:07
A4 Everybody Rejoice
Bass – Wilbur Bascombe
Congas – Pablo Rosario
Drums – Andrew Smith
Guitar – Jeff Mironov, Jerry Friedman, Lance Quinn
Keyboards – Nat Adderley, Jr., Pat Rebillot
Lead Vocals – Luther Vandross
Percussion – David Friedman, Pablo Rosario 3:21
B1 Emotion Eyes
Bass – George Murray
Drums – Andy Newmark, Daryl R. Brown
Guitar – Carlos Alomar
Keyboards – Nat Adderley, Jr.
Lead Vocals – Luther Vandross
Percussion – Pablo Rosario 5:58
B2 This Strange Feeling
Bass – George Murray
Drums – Andy Newmark, Daryl R. Brown
Guitar – Carlos Alomar
Keyboards – Nat Adderley, Jr.
Lead Vocals – Anthony Hinton, Luther Vandross
Percussion – Pablo Rosario 4:44
B3 It's Good For The Soul (Parts I And II)
Bass – George Murray
Drums – Andy Newmark, Daryl R. Brown
Guitar – Carlos Alomar
Keyboards – Nat Adderley, Jr.
Lead Vocals – Anthony Hinton, Luther Vandross
Percussion – Pablo Rosario 8:42
Label: Cotillion – SD 9907
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre:R&B Soul
Style: Seventies Soul, Funk, Disco
The 1976 self-titled album Luther is the debut album by the group Luther, which featured a young Luther Vandross as lead vocalist, songwriter, and producer. It is a quintessential piece of mid-1970s soul and disco-flavored R&B that serves as a foretaste of Vandross's later solo genius.
Luther was released in June 1976 on Cotillion Records, an imprint of Atlantic Records. The album showcased Vandross's "unmistakable warm unique honeyed vocals" at a young age, alongside group members Anthony Hinton, Diane Sumler, Theresa V. Reed, and Christine Wiltshire.
Though the album did not initially sell well enough to chart and the group was eventually dropped by the label, it has gained recognition over time as a foundational work in Vandross's career.
Notable Tracks
"Funky Music (Is a Part of Me)": This was the album's most famous track and a hit in underground nightclubs. Vandross had previously reimagined this song with David Bowie into "Fascination" for Bowie's 1975 album Young Americans, where Vandross also contributed background vocals and arrangements.
"Everybody Rejoice (A Brand New Day)": The album features the only available recording of Vandross's rendition of this key song from the Tony Award-winning Broadway musical The Wiz.
"The 2nd Time Around": This track was later re-recorded by Vandross as "The Second Time Around" and included as the closing song on his successful 1988 solo album Any Love.
The biggest selling single from the album was "It's Good for the Soul (Pt. 1)", which was the most successful single by the group, peaking at number 28 on the R&B chart.
After decades of being largely unavailable (as Vandross bought back the rights), the album was officially reissued commercially for the first time in over forty years in April 2024 by Legacy Recordings.
Overall, the album stands up well almost 50 years after its release, offering a fascinating foretaste of the superstar Vandross would become and highlighting his talent as a comprehensive artist from a young age.
(Provided by Soulyears.com)
Music-Music
A2 Music-Music (L. Price 4:17)
A3 Love Music (B. Potter, D. Lampert 3:45)
A4 Mr. & Mrs. Untrue (I. Levine, T. Wine 3:27)
B1 Street Love (G. Alexander 3:45)
B2 You Brought It On Yourself (S. Dee 3:45)
B3 Uphill Peace Of Mind (F. Knight 4:16)
B4 N'sele L. (Price 3:17)
Label: LPG Records – LPG-001LP, Don – LPG-001LP
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre:
R&B Soul
Style: Seventies Soul, Funk, Disco
The album Music-Music by Lloyd Price is a mellow, soulful R&B record with an undercurrent of disco groove, originally released in the mid-1970s on Price's own TSG Records label.
Released in the Mid-1970s, during the height of the disco boomm it primarily features a mellow, soulful sound with Caribbean flavors and a modern R&B feel, different from his earlier rock and roll hits. It blends his distinctive New Orleans R&B style with a disco groove.
Released on TSG Records, a label founded by Lloyd Price and boxing promoter Don King, the album blends the artist's New Orleans R&B sound with late 1970s soul and disco influences.
Described by reviewers as a "killer of an album" and a "superb album full of mellow and soulful sounds".
Originally released as an LP (vinyl record album). It has since been reissued in various formats, including remastered CDs and LPs.
Naturally
Arranged By [Horns, Rhythm] – Tony Coleman
Arranged By [Horns, Rhythm], Written-By – Leon Haywood 5:28
A2 Daydream
Arranged By [Horns, Rhythm] – Tony Coleman
Arranged By [Horns, Rhythm], Written-By – Leon Haywood 5:22
A3 That's What Time It Is
Arranged By [Horns, Rhythm] – Leon Haywood, Tony Coleman
Written-By – James Ingram 4:05
A4 Love Is What We Came Here For
Arranged By [Horns, Rhythm] – Leon Haywood, Tony Coleman
Written-By – Bunny Sigler, Phil Hurt 4:55
B1 If You're Lookin' For A Night Of Fun (Look Past Me, I'm Not The One)
Arranged By [Horns] – Tom Tom 84
Written-By – Leon Haywood 5:29
B2 Who You Been Giving It Up To?
Arranged By [Horns, Rhythm], Written-By – Leon Haywood
Arranged By [Horns] – James Mitchell
Arranged By [Strings] – Gene Page 2:51
B3 Lover's Rap
Arranged By [Horns, Rhythm] – Tony Coleman
Arranged By [Horns, Rhythm], Written-By – Leon Haywood 6:56
Label: 20th Century Fox Records – T-613
Format: Vinyl, LP, Album
Country: US
Released: 1980
Genre: R&B Soul
Style: Eighties Soul, Disco
Leon Haywood's Naturally (1980) is a pivotal album in late '70s/early '80s soul and funk, acclaimed for its smooth grooves, catchy hooks, and hits like "Don't Push It, Don't Force It," blending signature Haywood funk with disco-infused production and featuring notable contributions from keyboardist George Duke and guitarist Michael McGloiry. While some listeners find it uneven or dated ("soup"), it's celebrated by fans as a quintessential funk/soul classic, showcasing Haywood's knack for crafting infectious tracks and memorable ballads, making it a must-have for genre purists despite mixed reviews on deeper tracks.
The album captures Haywood's mid-tempo funk and soulful ballads, often compared to Marvin Gaye, with lush strings and arrangements.
It features two massive crossover hits: the funky "Don't Push It, Don't Force It" and "If You're Looking for a Night of Fun (Look Past Me, I'm Not the One)".
Incorporates modern elements for its time, like synths and Chic-style guitar riffs, making it danceable and radio-friendly.
George Duke (keyboards) and Michael McGloiry (guitar) were crucial to the album's polished sound. Keyboards: Leon Haywood, Tony Coleman, and a young James Ingram (who also provided backing vocals). Rhythm Section: James Gadson (drums), David T. Walker (guitar), and Scott Edwards/Rick Jones (bass).
Despite the era, many find it a "20th Century Classic" and an unmissable record for funk and soul lovers and is considered a landmark album for its successful blend of smooth soul, irresistible funk, and early '80s production, solidifying Leon Haywood's legacy as a master of the genre, even if not every track hits the same high notes as its iconic singles.
Now!
A2 Light My Fire 2:53
A3 The Grass Will Sing For You 4:39
A4 Feeling Good 3:14
A5 Hey Jude 4:03
B1 For Once In My Life 3:05
B2 I Understand 4:07
B3 By The Time I Get To Phoenix 3:42
B4 Don't Do To Me 2:14
B5 Little Green Apples 4:08
Label: Lloyd Price's Turntable – TTS-5001
Format: Vinyl, LP
Country: US
Released: 1969
Genre: R&B Soul
Style: Sixties Soul
Lloyd Price's "Now!" album, released on his own Turntable label, is an important Soul/R&B LP from the late 1960s, showcasing the iconic "Mr. Personality" in his own ventures after major pop chart success with hits like "Personality" and "Stagger Lee" for ABC-Paramount, featuring his signature blend of R&B, funk, and soul on his own imprint, a groundbreaking move for a Black artist then.
A notable aspect of the album is that it was recorded in Kingston, Jamaica, West Indies. The label was established by Price himself around the same time he opened a restaurant and nightclub of the same name in Manhattan.
While his ABC-Paramount hits were glossier, this album (and his own label's output) continued his energetic R&B/Soul style, reflecting his roots and expanding into funkier sounds.
In essence, Now! represents a pivotal moment where Lloyd Price took charge of his career, delivering powerful R&B and Soul on his own terms through his independent Turntable label.
On A New Street
A2 Lazy Susan (Linda Creed, Thom Bell 2:48)
A3 The Loneliest House On The Block (Allan Felder, Norma Harris 3:54)
A4 I Don't Have Time To Worry (Bruce Hawes 3:20)
A5 La La La At The End (James Grant 4:10)
B1 That's What Love Is All About (Souren Mozian, Teddy Randazzo, Victoria Pike 3:35)
B2 What Good Am I Without You (Teddy Randazzo, Victoria Pike 3:15)
B3 Sooner Or Later (Roger Joyce, Teddy Randazzo, Victoria Pike 3:00)
B4 Loving You Won't Hurt As Much Tomorrow (Roger Joyce, Teddy Randazzo, Victoria Pike 3:15)
B5 Heartaches Never Entered My Mind (Souren Mozian, Teddy Randazzo, Victoria Pike 3:38)
B6 Easier Said Than Done (Teddy Randazzo, Victoria Pike 4:15)
Label: Avco – AV-11012-598
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul, Sweet Soul
Little Anthony & The Imperials - On a New Street (1973) is a pivotal album for Little Anthony & The Imperials, lauded for successfully blending their classic smooth '60s sound with the lush, sophisticated Philly Soul of the '70s, thanks to producers Thom Bell (Stylistics, Spinners) and Teddy Randazzo (their longtime collaborator), offering standout tracks like the ethereal "I'm Falling in Love with You" and the melancholic "The Loneliest House on the Block," though some felt it didn't break through commercially due to market saturation.
The genius pairing of Thom Bell (known for his lush arrangements) and Teddy Randazzo (who guided their earlier hits) elevated the group's sound, notes Dusty Groove and The Second Disc.
Thom Bell Tracks (The "Philly Sound"): These tracks, like "I'm Falling in Love with You," capture the signature mellow, orchestrated sweetness of Philly Soul, akin to The Stylistics, featuring sweeping strings and keyboards.
Teddy Randazzo Tracks: Randazzo's contributions, such as "The Loneliest House on the Block," provided a fuller, almost Manhattans-esque sound, offering a warm contrast, according to Dusty Groove and Amazon UK.
The up-tempo numbers, especially, share the sweet soul vibe of The Spinners, with the group even covering their "Lazy Susan".
Many fans consider it a classic, showcasing the group's versatility and growth. Despite musical quality, the album and its single "Hold On" faced tough competition in the saturated mid-'70s sweet soul market, hindering its commercial success, writes Soul and Jazz and Funk.
Reviewers have given the album high ratings, with an average of around 4.4/5 stars on Discogs. The production by Thom Bell and Teddy Randazzo is a major highlight, with praise for the "slick, smooth, R&B soul" arrangements. The album's style is described as lush and sophisticated Philly soul, featuring the session musicians MFSB and Little Anthony's distinctive vocals. Standout tracks include "I'm Falling in Love with You," "The Loneliest House on the Block," "I Don't Have Time to Worry," and "La La La at the End". Despite not being a major commercial success initially, the album is now considered a "much-sought after" and "essential purchase" for soul music fans.
Peddlin’ Music On The Side
A2 What Am I Gonna Do 'Bout You (Girl) (The Coke Song) 6:24
A3 Break The Ice 4:50
A4 Tear Down The Walls 4:02
B1 Going Back To My Roots 9:45
B2 Family 4:41
B3 Peddlin' Music On The Side 4:51
(All tracks written by Lamont Dozier)
Label: Warner Bros. Records – BS 3039
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul
Peddlin' Music On The Side is a critically acclaimed 1977 album by Lamont Dozier, widely regarded by fans as one of his best solo works. While it was not a major commercial success at the time, it is highly praised for its exceptional musicianship, strong songwriting, and the inclusion of the iconic track "Going Back to My Roots".
The album is considered an underappreciated classic of smooth soul and R&B. Reviewers and fans laud the record for its high-class production. The album, primarily produced by Stewart Levine, features top-quality arrangements that blend R&B, soul, and jazz elements.
Dozier is supported by a stellar line-up of musicians including Joe Sample and Wilton Felder of The Crusaders, Ray Parker Jr., and James Gadson.
Critics highlight Dozier's signature raspy vocals and the emotional depth of his delivery, which is described as being at the top of his form as a solo artist.
Despite its initial commercial disappointment, Peddlin' Music On The Side has gained a strong reputation over the years as a sophisticated, high-quality R&B album that perfectly marries musicianship and emotion. It's a cohesive and well-executed project that remains a favorite among soul and funk enthusiasts. You can often find the album and fan discussions on sites like Discogs and find various reissues available on platforms like Amazon.
Secrets
A2 Secrets 4:29
A3 I Suppose (Bring Me To Your Love) 3:42
A4 I'm So Thankful 5:05
B1 Basin Street 5:05
B2 Count On Me 4:04
B3 The Chosen Ones 4:11
B4 Fever 4:11
Label: 411 Records – BLF 736
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: R&B Soul
Style: Eighties Disco Funk
Linda Tillery's 1985 album Secrets is an eclectic mix of R&B, gospel, pop, jazz, and soul that generally received positive reviews, though some critics noted a clash between her powerful vocals and the slicker production style of some tracks. The album is widely considered a "Bay Area treasure" by fans and was a significant release that returned Tillery to the spotlight.
The consensus among reviewers is that Tillery's voice is the album's main strength. Her vocals are described as "sure, strong," "powerful," and having significant "gospel power" and "jazz phrasing".
Some tracks were produced by Tillery herself, including a gospel-soul arrangement of her song "I'm Thankful" and a rearranged version of the R&B standard "Fever". Other tracks were produced by Ray Obiedo, whose arrangements were noted as a more formulaic "bland pop-soul" style that Tillery's voice often transcended.
The album is praised for its diverse sound, which includes a mix of African American blues, R&B, and jazz elements. A review in The Washington Post highlighted a stylistic tension, noting that producer Ray Obiedo's "bland pop-soul" arrangements sometimes "slickened" the sound, but Tillery's "gritty lead vocal" managed to cut through the commercial pop style.
She’s Gone
Arranged By – Alexander Hamilton
Written-By – William Bell 3:50
A2 She's Gone
Arranged By – Tom Sellers
Written-By – D. Hall-J. Oates 3:27
A3 Feel Like Makin' Love
Arranged By – Carmen Caramonica
Written-By – E. McDaniels 3:44
A4 Now You're Coming Back Michelle
Arranged By – Ian Freebairn-Smith
Written-By – B. Raleigh, H. David 3:04
A5 A Smile Can't Hide A Broken Heart
Arranged By – Alexander Hamilton
Written-By – Booker T. Jones, William Bell 2:02
A6 Hourglass
Arranged By – Ian Freebairn-Smith
Written-By – Pamela Phillips 2:25
B1 Let It Be Now
Arranged By – Tom Sellers
Written-By – David Pomeranz 3:45
B2 Got It Here To Give
Arranged By – Alexander Hamilton
Written-By – B. Olive, K. Nolan 2:52
B3 Baby You Don't Know How Good You Are
Arranged By – Ian Freebairn-Smith
Written-By – G. Williams, J. Barry 2:55
B4 Keep The Faith
Arranged By [Horns] – Ian Freebairn-Smith
Arranged By [Tracks] – Tom Sellers
Written-By – Mark James 3:17
B5 You're A Lady
Arranged By – Ian Freebairn-Smith
Written-By – Peter Skellern 4:35
Label: Bell Records – BELL 1318
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Soul
Style: Seventies Soul
Lou Rawls' album She's Gone is an R&B and soul record that features his cover version of the Hall & Oates hit, as well as a blend of gospel soul, smooth tracks, and spoken-word segments.
The album captures Rawls during a transitional period in his career between his time with Capitol and his hugely successful tenure with Philadelphia International Records, which began two years later with All Things in Time. Reviewers have described the album as an "absolutely fantastic" listen, highlighting its diverse tracklist.
The record blends classic 1970s R&B sounds with Rawls' signature smooth baritone voice. Notable aspects of the album include:
Gospel Influence: The first track has been described as "gospel soul," connecting to Rawls' early roots in Chicago gospel groups.
Smooth Soul: Several tracks, such as "Makin' Love," offer a very smooth and mellow sound.
Spoken Word: The album also features spoken-word segments, a style Rawls was known for incorporating into his music.
The album features notable session musicians including Joe Sample, Larry Carlton, Ray Parker Jr., and David T. Walker. It was praised for the quality and variety of its material and vocal performances upon release.
In essence, She's Gone offers a nostalgic, classy listening experience, capturing Rawls' smooth elegance with an updated 70s soul sound that remains highly regarded by fans.
Soul Fever
Written-By – Rose Marie McCoy 3:15
A2 Daddy's House
Written-By – Hal Miller, Rose Marie McCoy 3:08
A3 You Used Me
Written-By – Don Pullen 3:35
A4 Your Thing Ain't No Good Without My Thing
Written-By – Don Pullen 2:24
A5 Snake In The Grass
Written-By – Don Pullen 2:39
A6 Your Key Don't Fit It Anymore
Written-By – Alecia Evelyn, Henry Glover 2:22
B1 Fever
Written-By – Cooley, Davenport 2:56
B2 I Don't Want Nobody To Have It But You
Written-By – Don Pullen 2:01
B3 We'll Cry Together
Written-By – Helen Miller, Rose Marie McCoy 3:12
B4 I'll Drown In My Tears
Written-By – H. Glover 2:37
B5 I Want My Freedom
Written-By – Don Pullen 2:28
B6 Try Me
Written-By – James Brown 2:35
Label: DeLuxe – DLP-12001
Format: Vinyl, LP, Album
Country: US
Released: 1970
Genre: R&B Soul, Blues
Style: Soul, Funk
Marie "Queenie" Lyons' only album, Soul Fever, is a highly-regarded, "supremely funky and soulful affair" that has achieved cult classic status among funk and soul enthusiasts. Critics and listeners praise her powerful, raw, and captivating vocal performance.
Lyons is noted for her "high-decibel, full-throated vocals" that have a lot of "grit and character," drawing comparisons to early Mavis Staples, Tina Turner, and Aretha Franklin.
Despite being critically acclaimed upon release (Billboard listed it as a "four star" pick in the Soul category in 1970), the album never found a large audience, likely due to turmoil at the Starday-King label. It is now considered an essential, overlooked piece of soul history that "lives up to the hype" for collectors.
For fans of R&B and soul, Soul Fever is considered a must-have, delivering a thrilling vocal performance with a raw, natural voice that many find impossible to ignore. The quality of the tracks ensures it avoids the "one or two great songs and a lot of filler" fate of some obscure reissues.
You can often find reissues of the album on vinyl or CD from retailers like Amazon or check availability on Discogs.
Soulin’
Written-By – J. W. Alexander, Lowell Jordan 2:37
A2 Love Is A Hurtin' Thing
Written-By – Bob Raleigh, Dave Linden 2:15
A3 So Hard To Laugh, So Easy To Cry
Written-By – Cecil Carter, Rich Askam 3:16
A4 You're The One
Written-By – Adolph Smith 2:35
A5 Don't Explain
Written-By – Arthur Herzog, Jr., Billie Holiday 3:01
A6 What Now My Love
Written-By – Carl Sigman, Becaud, Delanoe 3:56
B1 Memory Lane
Written-By – J.W. Alexander, Sam Cooke 2:16
B2 Old Man's Memories (Monologue) 2:18
B3 It Was A Very Good Year
Written-By – Ervin Drake 2:51
B4 Growing Old Gracefully (Monologue) 0:18
B5 Old Folks
Written-By – Dedette Lee Hill, Willard Robison 2:16
B6 Autumn Leaves
Written-By – Prevert, Mercer, Kosma 2:37
B7 On A Clear Day (You Can See Forever)
Written-By – Alan Jay Lerner, Burton Lane 2:36
B8 Breaking My Back (Instead Of Using My Mind)
Written-By – John Anderson, Lou Rawls Jr. 2:23
Label:
Capitol Records – T 2566, Capitol Records – T-2566
Format:
Vinyl, LP, Album, Mono, Scranton Pressing
Country: US
Released: 1966
Genre: R&B Soul
Style: Sixties Soul
Lou Rawls' 1966 album Soulin' is considered a classic and essential work in his discography, highly praised by critics and fans for its blend of soul, jazz, and R&B, featuring his powerful, unique baritone voice and storytelling style.
The album is noted for Lou Rawls' shift into soul material, where his gospel background shines through, moving beyond earlier jazz or blues progressions. The arrangements by David Axelrod are described as "super-tight" and jazzy, creating a sophisticated yet soulful sound.
Reviewers consistently highlight Rawls' exceptional vocal talent, describing his voice as "velvety," "captivating," and full of power and range. His ability to smoothly transition from gritty soul to silky jazz tones is a major strength of the album.
The album is famous for "Love Is a Hurtin' Thing," Rawls' first major R&B hit single that helped put him on the mainstream map. Another standout feature is his use of spoken monologues, particularly "Memory Lane," which sets up his version of "It Was a Very Good Year," a trademark of his live performances that connects deeply with the listener.
Soulin' established Lou Rawls as a major soul artist, paving the way for future Grammy wins and platinum albums by fully embracing soul music and showcasing his unique blend of vocal talent and captivating stage presence.
Stranger
A2 Three Strikes On Me 5:15
A3 All My Friends Call Me A Fool 3:15
A4 This Is My Prayer 2:25
A5 Stranger 3:35
B1 Story Of My Love 2:25
B2 Darling I Love You 3:15
B3 Love, I Haven't Found You Yet 2:50
B4 This World (Is A Ball Of Confusion) 4:30
B5 You Beat Me Baby 3:15
Label: Soul International – SLP-100
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
Larry Saunders' album, typically titled Stranger (or marketed as The Prophet of Soul - Stranger), is considered a rare gem and a soulful masterpiece by music enthusiasts and collectors. Recorded at the iconic Muscle Shoals studio, the album is highly regarded for its deep, profound vocals and a simple yet focused groove.
The album, originally released in the early 1970s, is an extremely rare piece of soul history. Reissues, such as those for Record Store Day, are highly sought after by collectors.
Saunders' vocal style is often compared to the likes of Donny Hathaway and Curtis Mayfield, though he maintains a unique sound. His voice "floats above and transcends the ethereal backing of the Muscle Shoals Rhythm Section".
Reviewers praise the beautifully written arrangements and the rich, authentic soul sound, noting that each track moves with grace and rhythm. The music blends smooth soul with a touch of funk.
Despite limited mainstream recognition during its initial release in the US (it was more well-received in the UK's Northern Soul scene), it has garnered an average rating of 4.55/5 stars on Discogs from 75 ratings, indicating high praise among dedicated fans.
The album includes the title track "Free Angela," which was sold to raise money for the National United Committee to Free Angela Davis, adding a layer of historical and social significance to the work.
For fans of '70s soul, Stranger is considered an essential listen. Its timeless appeal makes it perfect for both casual listening and deep dives into the genre, solidifying Larry Saunders' legacy as "The Prophet of Soul".
The Man!
Written-By – L. Hutson, M. Hawkins 6:17
A2 Gotta Move - Gotta Groove
Written-By – D. Reed, Q. Joseph, T. Green, Wm. Robinson 3:37
A3 Ella Weez
Written-By – L. Hutson, M. Hawkins 2:59
A4 Give This Love A Try
Written-By – E. Dixon, J. Thompson 3:34
B1 The Ghetto '74
Written-By – D. Hathaway, L. Hutson 4:32
B2 After The Fight
Written-By – D. Reed, Q. Joseph, T. Green, Wm. Robinson 3:15
B3 Could This Be Love
Written-By – L. Hutson, M. Hawkins 3:06
B4 Dudley Do-Right
Written-By – B. Davis (10), D. Reed, L. Hutson, Q. Joseph 3:44
Label: Curtom – CRS-8020
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Soul
Style: Seventies Soul, Funk
Leroy Hutson's 1974 album, The Man!, marked a significant step in his sophisticated soul journey, blending Chicago/Impressions tradition with modern soul sounds, featuring smooth dancers like "Ella Weez," ballads such as "Give This Love a Try," and a notable cover of his Donny Hathaway-co-written "The Ghetto '74," showcasing his rich arrangements, versatility, and deep groove that paved the way for his even more acclaimed 1975 self-titled album, Hutson.
The album showcases Hutson's evolving sound, moving towards lush, orchestrated soul with intricate arrangements, notes Soul Brother Records and Record Collector Magazine.
It features a mix of styles, from upbeat modern soul and funk tracks like "Ella Weez" and "Could This Be Love" to poignant ballads like "Give This Love a Try," demonstrating his range as a singer, writer, and producer.
The album includes a version of "The Ghetto '74," a song Hutson co-wrote with Donny Hathaway, highlighting their close creative relationship and mutual influence.
While brilliant, critics often point to The Man! as a strong precursor, with its sound perfected and elevated on his subsequent, highly acclaimed albums, Hutson (1975) and Hutson II (1976).
Reviewers praise its exquisite arrangements, intimate sensuality, and deep grooves, comparing the feeling to being "wrapped in a warm embrace".
It's seen as a pivotal work, developing the "auteur-like vision" Hutson brought to his music, blending funk, smooth soul, and orchestral textures.
In essence, The Man! is a crucial listen for soul fans, capturing Leroy Hutson at a key moment as he honed his signature sound, delivering rich, classic 70s soul.
Two Sides Of Laura Lee
Written-By – H. Warren, M. Gordon 4:38
A2 Every Little Bit Hurts
Written-By – E. Cobb 6:08
A3 Guess Who I Saw Today
Written-By – E. Boyd, M. Grand 3:51
A4 Crumbs Off The Table
Written-By – E. Wayne, R. Dunbar, S. Payne 3:34
B1 If You Can Beat Me Rockin' (You Can Have My Chair)
Written-By – Holland, Dozier, Dunbar 2:52
B2 Workin' And Lovin' Together
Written-By – A. Bond, D. Brown, W. Weatherspoon 2:33
B3 Rip Off
Written-By – A. Bond, W. Weatherspoon 3:15
B4 When A Man Loves A Woman
Written-By – A. Wright, C. Lewis 5:19
B5 You've Got To Save Me
Written-By – D. Brown, W. Weatherspoon 3:16
Label: Hot Wax – HA 714
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul, Southern Soul, Funk
Laura Lee 's Two Sides Of Laura Lee (1972) is a celebrated soul/funk album, praised for showcasing her powerful, husky voice with classic tracks like the funky "Rip Off" and the soulful "Crumbs Off The Table," blending late 60s Southern soul with 70s funk from the Holland-Dozier-Holland Hot Wax label.
While some find the material formulaic compared to her Chess Records work, reviewers consistently laud her exceptional vocal performance, capturing both hard-edged funk and vulnerable ballads, making it a cornerstone of Southern soul and funk.
Lee's emotive, husky voice is the centerpiece, able to deliver both gritty funk and tender ballads with raw power.
The album perfectly captures the dynamic between soulful, string-laden ballads (Side 1) and hard-hitting, horn-driven funk stompers (Side 2).
It features essential deep soul cuts like "At Last," "Guess Who I Saw Today," "Every Little Bit Hurts," and the breakout funk hit "Rip Off".
Primarily produced by William Weatherspoon (formerly of Motown) for the Invictus/Hot Wax label.
The album truly embodies its title, presenting both her smooth, sentimental side and her tough, funky persona.
Considered a standout in soul music, often compared favorably to greats like Aretha Franklin for its depth and power. Many see Lee as an under-recognized talent whose work on this album deserves wider acclaim.
A must-have for fans of authentic Southern soul and funk from the era. In essence, Two Sides Of Laura Lee is celebrated as a definitive album, showcasing Lee's incredible vocal talent across two distinct but equally compelling sides of soul and funk music.
Waiting For Little Milton
A2 Who Can Handle Me Is You (Ertha Chapple, Milton Campbell 3:06)
A3 Woman, You Don't Have To Be So Cold (Milton Campbell 3:43)
A4 The Thrill Is Gone (Rick Darnell, Roy Hawkins 6:27)
B1 Monologue 1 (Milton Campbell 3:24)
B2 That's How Strong My Love Is (Roosevelt Jamison 7:52)
B3 What It Is (Milton Campbell 3:22)
B4 Little Bluebird (B.T. Jones, David Porter, Isaac Hayes 6:40)
Label: Stax – STS-3012
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Soul-Blues, Southern Soul
Waiting for Little Milton is a 1973 album by blues and R&B artist Little Milton, showcasing his soulful vocals and a blend of urban blues, funk, and soul styles. Released on the Stax label, it is considered a key work in the transition towards the smoother, more polished soul sounds popular in the 1970s.
The album is primarily noted for highlighting Little Milton's expressive, mature vocals and his sweet guitar playing. While some reviewers find the production "a little too smooth" and the overall song quality slightly uneven compared to his earlier Chess/Checker recordings, the strength of the performances makes it a worthwhile listen for dedicated fans and blues enthusiasts.
The album primarily falls under the Soul-Blues, Southern Soul, and R&B genres, featuring elements of electric and modern electric blues. It features rich orchestrations, described by some as including "bouncing basslines, powerful vocals, sweet guitar licks and badass horns".
Standout tracks often mentioned by listeners include "The Thrill Is Gone," "That's How Strong My Love Is," and "Little Bluebird". The track "Monologue 1 / That's How Strong My Love Is" is an extended piece that combines spoken word with a musical performance.
The album has generally positive user ratings, with many praising its sound quality on various reissues and its raw emotional depth.
We Belong Together
A2 I Love You I Want You (L.V. Johnson 3:56)
A3 Try A Little Tenderness (Woods, Campbell, Connaly 5:31)
A4 I'm A Lucky Guy (L.V. Johnson 4:30)
B1 I Don't Really Care (L.V. Johnson 5:13)
B2 The Whole Town's Laughing (Marshall, Wortham 5:46)
B3 Dancing Girl (L.V. Johnson 4:17)
B4 Danny Boy (Arranged by L.V. Johnson 5:16)
Label: Phono Records – 1001A/B
Format: Vinyl, LP, Album
Country: US
Released: 1981
Genre: R&B Soul
Style: Eighties Funk Soul
L.V. Johnson's 1981 album We Belong Together is a highly regarded, rare soul album, celebrated by fans and small record labels for its authentic, "handmade" production and classic soul-pop anthems.
The album is considered a "jewel" among collectors of mid-to-late 70s and early 80s soul/disco. It has a high average fan rating on sites like Discogs (4.61/5).
Reviewers consistently praise the album for its authentic, "handmade" quality, highlighting the talent and professionalism of the musicians involved. The sound is noted as perfect and well-crafted, allowing listeners to discover intricate details within each song.
Johnson's vocals are described as rich, fervent, and expressing deep emotions. The music creates an atmosphere of "utter joy and deep relaxation," offering relief and shining in "bright colors". It is an easy-listening record that avoids the superficiality of many pop productions from the era, suitable for both focused listening and parties.
We Belong Together is an album created with "love and passion" that is highly recommended for lovers of the softer side of soul music. While not widely reviewed by major contemporary music critics at the time, its reputation has grown significantly among modern soul and funk enthusiasts and collectors, who consider it a standout and timeless record in its genre. You can browse user ratings and details on Discogs.
Your Precious Love
Written-By – B. Butler, J. Butler
A2 Don't Go (I Can't Bear To Be Alone)
Written-By – A. Goodman, N. Edmonds, S. Seiger
A3 Behold
Written-By – S. Robinson
A4 Stay With Me Forever
Written-By – G. Kerr, N. Edmonds, S. Seiger
B1 Not On The Outside
Written-By – L. Roberts, S. Robinson
B2 Dancing In The Street
Written-By – Gaye, Stevenson
Written-By [Uncredited] – Ivy Jo Hunter
B3 Let It Be Me
Written-By – G. Becaud, M. Curtis
B4 I Can't Make It Alone
Written-By – C. King, G. Goffin
B5 Doggin Me Around
Label: Turbo Records – TU-7007
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Southern Soul, Deep Soul
Linda Jones' Your Precious Love is a powerful deep soul album showcasing her signature raw, emotional vocal style, featuring classics like her rendition of "For Your Precious Love," "Dancing in the Street," and "Not on the Outside," solidifying her status as a legendary, albeit tragically short-lived, soul singer known for making standards her own right before her untimely passing from diabetes complications at age 27.
The album highlights Jones's intense, technically brilliant, and passionate delivery, where she'd often launch into the climax of a song, captivating listeners.
She famously reinterpreted existing hits, making them her own with compelling performances, notably "For Your Precious Love" (The Impressions) and "Dancing in the Street" (Martha and the Vandellas).
It's filled with emotionally resonant tracks, considered essential listening for soul fans, including "Not on the Outside" and "Stop Dogging Me Around".
Released near the end of her life, the album captured her incendiary talent at its peak, following her recent hit "Hypnotized," but her sudden death meant little documentation of her live power.
Jones died just as her career was soaring, making this and other late recordings poignant reminders of the superstar she was poised to become.