P
5-10-15-20-25-30 Years Of Love
Written-By – Archie Powell, Tony Boyd 3:00
A2 Sweet Magic
Written-By – Archie Powell, Tony Boyd 2:34
A3 For You
Written-By – Van McCoy 2:45
A4 Fiddle De De
Written-By – Joe Cobb, Van McCoy 2:40
A5 Why Are You So Good To Me
Written-By – Joe Cobb, Van McCoy 2:54
A6 This Is My Dream World
Written-By – Archie Powell, Billy Shorter, Tony Boyd 4:20
B1 Triangle Of Love (Hey Diddle Diddle)
Written-By – Joe Cobb, Van McCoy 3:10
B2 Girl You Cheated On Me
Written-By – Archie Powell, Tony Boyd 3:15
B3 How Can You Say You're Leavin'
Written-By – Charles H. Kipps Jr. 2:20
B4 It's All Over
Written-By – Archie Powell, Tony Boyd 2:19
B5 I'm Still Dancing
Written-By – Joe Cobb, Van McCoy 2:35
B6 Gotta Keep Movin'
Written-By – Van McCoy 2:20
Label:
Sussex – SXBS 7005
Format: Vinyl, LP, Album
Country: US
Released: 1971
Genre: R&B Soul
Style: Seventies Soul, Sweet Soul
The album 5-10-15-20-25-30 Years of Love is a 1971 sweet soul classic by the American vocal group The Presidents, known for its hit title track that celebrates the enduring nature of love and commitment over time. The album was produced by Van McCoy and is a significant example of early 1970s soul music.
The album is an early '70s soul masterpiece that features smooth vocals and a classic R&B sound. The music has an infectious, lively rhythm, and the lyrics often focus on themes of love, relationships, and nostalgia. The title track was a major success, peaking at number 11 on the US Billboard Hot 100 and number 5 on the R&B chart, and earned a Grammy nomination.
The Hit Single: "5-10-15-20 (25-30 Years of Love)" was a significant R&B and pop success, reaching #5 on the R&B charts and #11 on the Billboard Hot 100.
The renowned Van McCoy (famous for "The Hustle") produced the track, lending it a signature sweet, soulful sound.
The Presidents were a vocal trio from Washington, D.C., featuring members Tony Boyd, Archie Powell, and Billy Shorter.
While known primarily for this single, it's celebrated as a defining sweet soul tune, capturing the era's sound with its romantic lyrics about growing love.
Fans and critics view it as a quintessential '70s soul track, excellent for its smooth vibes and nostalgic appeal.
In essence, if you enjoy classic R&B and soul with a mellow, romantic touch, this Presidents' record is a highly recommended listen.
Back To Basics
2 Prayer Changes Things 4:30
3 It's Time To Do It 4:50
4 A Completed Woman 4:14
5 We're Gonna Have A Baby 4:50
6 It's Time To Do It (Reprise) 0:52
7 One Life, One Love 3:20
8 Yield Not To Temptation 5:04
9 In His Precense 4:35
10 Whole Lotta Shakin' Goin' On 4:04
11 Back To The Basics (There's No Other Way) 6:39
Label: Epic – EK 48786
Format: CD, Album
Country: US
Released: 1991
Genre: R&B Soul
Style: Gospel, Soul, New Jack Swing
Back to Basics, released around 1991, is a pop-soul-gospel album by Phil & Brenda Nicholas praised by some for dropping fussy arrangements, featuring catchy tracks like "How Long Can This Go On?", inspiring ballads like "Prayer Changes Things", and emotional depth, though one reviewer found the sentimentality and monologues cheesy despite solid music. It balances catchy danceable soul with inspirational themes, making it appealing to existing fans, even if some tracks feel a bit bland or overly sentimental.
A move away from overproduction, focusing on catchy pop-soul with danceable beats and soulful ballads. Highlights are:
"How Long Can This Go On?" is noted as a potential radio hit with a great dance beat.
"Prayer Changes Things" offers soulful inspiration.
"We're Gonna Have a Baby" showcases their personal lives.
Some found the spoken monologues embarrassing and overly sentimental. A few tracks are considered bland soul, despite good vocals from Brenda.
Fans enjoyed the return to basics and the mix of upbeat and ballad tracks. It was seen as a solid effort for fans, balancing popular appeal with spiritual themes.
The album is considered part of their broader discography that explores deep emotions, including their experience with their son's Down Syndrome in later works.
Don’t Burn Me
A2 (You Bring Me) Joy 3:52
A3 I Wanna Get Next To You 3:20
A4 I Could Never Love Nobody Like I'm Lovin' You 3:21
A5 Come With Me 2:20
A6 Love Me Now 3:22
B1 Wrapped Up In Your Love 4:21
B2 Sweetness 3:24
B3 Come By Here 3:26
B4 My Love For You Won't Die 3:20
B5 I'd Be Satisfied 2:41
B6 Don't Burn Me 2:55
Written by Paul Kelly
Label: Warner Bros. Records – BS 2689
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
Paul Kelly's 1973 album, Don't Burn Me, stands out as a soulful, gospel-tinged record that was ahead of its time, blending lover-man vibes with deep-cut emotional themes, making it a highly sought-after gem for its heartfelt lyrics and powerful delivery, especially significant for its rarity on vinyl before digital availability. While some reviews focus on later works or general Kelly style, Don't Burn Me is lauded as a deeply satisfying listen for fans of soul, gospel, and poignant storytelling, showcasing Kelly's early mastery of universal themes with a uniquely personal touch.
It mixes soul and Southern Gospel with folk and country, showcasing Kelly's rich vocal performance and instrumental arrangements.
The album tackles personal struggles and universal feelings, with tracks exploring addiction, love, and human frailty, reflecting Kelly's ongoing theme of chronicling life.
Even early on, Kelly used evocative lyrics to create vivid scenes, though some later songs might leave gaps for listener interpretation, a signature trait.
Originally a vinyl-only release, it became a collector's item, but its availability via digital downloads made it accessible to a wider audience.
The album is seen as a pivotal early work, demonstrating the depth and breadth that would define Kelly's long and influential career.
In essence, Don't Burn Me is a treasured piece of Paul Kelly's catalog, celebrated for its exquisite soul-gospel fusion and profound, resonant songwriting, making it a must-hear for any serious fan of Australian music or classic soul.
Haven’t You Heard
Backing Vocals – Lillo Thomas, Paul Laurence
Guitar – Ed "Speedy" Walker, Mike Campbell (3)
Written-By, Arranged By, Instruments [All Other] – Paul Laurence 7:01
A2 She's Not A Sleaze
Arranged By, Programmed By [Synthesizer Programming], Instruments [All Other] – Paul Laurence
Guitar – Mike Campbell
Lead Vocals, Backing Vocals – Freddie Jackson, Lillo Thomas, Paul Laurence
Vocals [With] – Freddie Jackson, Lillo Thomas
Written-By – A. Moore, F. Jackson, P. Laurence 4:54
A3 You Hooked Me
Bass – Russell Blake
Drums – Terry Silverlight
Guitar – Ira Siegel
Guitar [Solo] – Joe Marno
Written-By, Arranged By, Keyboards, Backing Vocals – Paul Laurence 5:48
A4 Good & Plenty
Arranged By – Paul Laurence, Timmy Allen
Guitar [Solo] – Joe Marno
Synthesizer [All Other Synthesizers], Programmed By [Synthesizer Programmer] – Robert Aries
Synthesizer [Bass] – Paul Laurence
Written-By – P. Laurence, T. Allen 5:49
B1 Racism!!!
Backing Vocals – Freddie Jackson, Lillo Thomas, Ondrea Dawkins, Paul Laurence, Regi King
Written-By, Arranged By [All Instruments], Programmed By [All Programming], Instruments [All], Performer [All Arrangements, Programming and Instruments Performed By] – Paul Laurence 5:09
B2 Haven't You Heard
Bass – Timmy Allen
Guitar – Ira Siegel
Written-By, Instruments [All Other] – Paul Laurence 4:07
B3 There Ain't Nothin' (Like Your Lovin')
Arranged By [Additional Synthesizer Arrangements], Instruments [Additional] – Steve Goldman
Written-By, Arranged By [Synthesizer Arrangements], Performer [All Instruments Performed By], Instruments [All Instruments Performed By], Backing Vocals – Paul Laurence 4:45
B4 I'm Sensitive
Bass – Timmy Allen
Guitar – Ira Siegel
Written-By, Arranged By, Programmed By [Synthesizer Programming], Instruments [All Other] – Paul Laurence 4:12
Label: Capitol Records – ST-12407
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: R&B Soul
Style: Eighties Soul
Paul Laurence's 1985 debut solo album, Haven't You Heard, is generally regarded by fans and critics as a strong collection of 80s funk and soul, though it achieved limited commercial success at the time of its release.
Critics and fans praise the album for its excellent musicianship, mastery of recording technology, and positive, socially conscious lyrics. The album is considered a "fan favorite" among those who followed the "Hush Productions" sound of artists like Freddie Jackson and Lillo Thomas, for whom Laurence produced many hits.
However, some contemporary reviews note that while the uptempo material is strong and works well on the dance floor, the ballad material can be weaker in comparison. Despite its critical appreciation among soul enthusiasts, the album barely charted, largely due to a lack of marketing and promotion from his label, which preferred keeping Laurence as a behind-the-scenes hitmaker for other artists.
The album is known for several standout tracks that have become enduring favorites among soul lovers:
"Strung Out (Freebase)": A moody, impactful track that serves as a warning about crack cocaine addiction. It is often cited as a stunning track and worth getting the album for alone.
"She's Not A Sleaze": An uptempo song featuring traded lead vocals with Freddie Jackson and Lillo Thomas, dealing with the theme of not judging a girl by her appearance.
"There Ain't Nothin' (Like Your Lovin')": A classic electro-soul track with a nice guitar accent that remains a strong "floorfiller" to this day.
"Good & Plenty": An uptempo track that describes a positive, fulfilling love.
"Racism (Sucks!!)": A track that tackles the issue of racism head-on with a cool instrumental backing.
"You Hooked Me": One of the album's few ballads, showcasing Laurence's mellow mood and vocal dexterity.
Haven't You Heard is a cherished record for connoisseurs of 1980s R&B/soul music, highlighted by strong uptempo material and thoughtful lyrics. It is well worth exploring for fans of the era's sound, and the expanded editions, available on platforms like Amazon, include valuable bonus mixes.
In Between The Heartaches - The Soul of a Diva
2 If You Ever Change Your Mind (David Batteau, Richard Calhoun, Scott Shelley 2:58)
3 Hottest Love Around (D. James, S. Shifrin 4:30)
4 Do You Love Him (Fast Version) (Morr, Matthas 3:26)
5 Sleep On It (Andrew Kastner, Larry McNally 3:20)
6 Can't Live Without You (T. Wright 3:14)
7 Soon Come Again (Extended Mix) (Larry Alexander, Sandy Torano 6:22)
8 In Between The Heartaches (Burt Bacharach, Hal David 3:45)
9 In Search Of My Heart (McCoy Tyner 7:06)
10 Sacred Kind Of Love Featuring Grover Washington, Jr. (K.C. Porter, K. Rybar, S. McKinney 5:39)
11 Magic Mona (Casey James, Jack Robinson, Leroy M. Bell, Thom Bell 3:27)
12 Don't Tell Me, Tell Her (Doug James, Sandy Linzer 6:11)
13 Be One (Bill Lee Sr. 4:34)
14 Everything I Have Is Good (Pam McDonald, Pharoah Sanders 6:00)
15 Springs Arrival (Jon Lucien 2:56)
16 I'll Be Around (McCoy Tyner, S. Clarke 6:12)
Label: Expansion – CD EXCL 6
Format: CD, Compilation
Country: UK
Released: 2003
Genre: R&B Soul, Jazz
Style: Soul, Jazz-Funk
In Between The Heartaches is a well-regarded compilation album that features a mix of previously unreleased songs, collaborations, and obscure cuts, primarily from the earlier part of Phyllis Hyman's career. It is particularly prized by fans for shedding light on the "missing pieces" of her musical legacy and showcasing her versatility across soul, jazz, R&B, and funk genres.
The album gathers material from her time with various labels and producers, including tracks from her collaborations with jazz artists like McCoy Tyner, Norman Connors, Pharoah Sanders, and Grover Washington Jr.. It also includes soundtrack contributions like "Magic Mona" and several tracks that were shelved by her label, Arista, at the time.
Critics and fans consistently praise Hyman's vocal prowess, describing her voice as unique, powerful, sensual, and emotionally expressive. Reviewers note her ability to infuse deep feeling into every song, making the listening experience often "mesmerizing" and poignant.
The album offers a diverse range of styles, highlighting Hyman as a "renaissance woman" who could handle everything from jazz-inflected ballads to funk and gospel. The compilation helps illustrate the breadth of her talent beyond her more mainstream R&B hits.
Overall, the album is a strong addition to a Hyman fan's collection, although some minor criticisms exist regarding the inclusion of a few tracks that some feel don't match the quality of her best work. A common point of concern is that some tracks suffer from "sub-par 70's quality" production and lack proper re-mastering, which can affect the overall listening experience.
The album is considered an essential item for serious collectors and fans as it provides access to material that might have otherwise remained in the vaults, further cementing her legacy as a formidable and underappreciated vocalist. In short, In Between The Heartaches is a valuable compilation that provides a deeper look into the artistry of Phyllis Hyman, offering a rich listening experience for those who appreciate her powerful voice and diverse musical talents.
Let’s Fall In Love
A2 Just One Look
A3 I'm In The Mood For Love
A4 Because Of You
A5 Time After Time
A6 Will You Love Me Tomorrow
B1 Close Your Eyes
B2 True Love
B3 We Belong Together
B4 When I Fall In Love
B5 I Will Watch Over You
Label: CBS – 62966
Format: Vinyl, LP
Country: UK
Released: 1967
Genre: R&B Soul
Style: Sixties Soul
Peaches & Herb's 1967 album, Let's Fall in Love, is noted for its smooth soul sound, showcasing the duo's chemistry on romantic ballads and uptempo reinterpretations, especially their successful cover of the standard "Let's Fall in Love," blending classic R&B with contemporary production; it marked the end of their original lineup but highlighted their strengths in delivering sweet, heartfelt performances that resonate with fans for nostalgia and classic sound, even if later hits overshadowed it.
The album solidified their image as a romantic vocal duo, featuring lush arrangements and strong vocals from Herb Fame and Francine "Peaches" Hurd.
The title track, a cover of the 1934 standard, became a significant crossover hit, reaching #11 R&B and #21 Pop, establishing them as a popular act.
Producer Van McCoy gave the classic songs a modern touch, making them feel "cinematically arranged" and fitting the era's evolving urban sound, with some tracks like "I'm in the Mood for Love" getting horn-fueled, uptempo makeovers.
Listeners often connect deeply with the album for its nostalgic value, evoking memories of young love and romance, making it a beloved collection for fans of classic soul.
This was the final album with the original Peaches (Francine Hurd); she left the music business in the early '70s, leading to lineup changes for future hits like "Shake Your Groove Thing" and "Reunited".
Overall, Let's Fall in Love is cherished for its sweet, romantic vibe and successful updates of standards, capturing Peaches & Herb at the peak of their original run, even as their later disco-era hits would bring them wider fame.
Made To Be Loved
2 Never Stop Loving You 3:44
3 Don't Think I Won't Leave 5:09
4 What About You 4:26
5 All Up In Your Love 3:38
6 Mama 4:12
7 As One 4:29
8 The Wedding Song 4:48
9 You're The Best Thing 5:06
10 This Time Next Year 4:43
11 She's Mine 4:39
12 I Don't Think So 4:13
13 A House Is Not A Home 4:32
14 Hypnotized 3:30
Label: It's Soul Time – STCD-001
Format: CD, Album
Country: US
Released: 2005
Genre: R&B Soul
Style: Soul
Made To Be Loved, released in 2005, marked a welcome return for the classic 1970s soul group The Persuaders. Reviews largely praise the group's enduring vocal talents and harmonies.
Critics agree the group's harmonies remain excellent, even decades after their peak. The addition of new lead singer Tony "Showtime" Riley, noted for his resemblance to The Dells' Marvin Junior, brought a gritty, soulful edge to the album's sound.
A frequent criticism is the use of largely synthetic or programmed instrumentation. Reviewers suggest the material would have benefited from a live band to match the warmth and power of the vocal performances.
Standout songs often mentioned in reviews include the strong opener "A Woman Was Made to Be Loved," the uptempo "I Don't Think So," and "Don't Think I Won't Leave". The socially conscious "All The People" (featuring original member Willie B. Holland) and a cover of "A House Is Not A Home" also received positive mentions.
The album is seen as a worthwhile effort and a pleasant surprise for longtime fans of 70s soul. While not perfect, it is considered a solid, enjoyable record that highlights the timeless quality of classic soul sensibilities. The Soul Express review goes as far as to say listeners would need "little or no persuading" to purchase the CD.
The album, with 15 cuts, was considered slightly long by some, who felt a more concise 10 or 11 tracks would have made for a stronger overall product.
Overall, Made To Be Loved is recommended for soul enthusiasts who appreciate strong group harmonies and a classic sound, provided they can overlook some of the modern production choices.
Music Of Passion
2 Strangers Into Lovers 3:13
3 I Need To See You Again 4:37
4 Second Chance At Love 3:21
5 Positive Reaction 3:55
6 I Got His Feeling For You 4:10
7 You Be Here For Me 3:55
8 I Can Love You Better 3:09
Label: Encore Records
Format: Vinyl, LP
Country: US
Released: 1985
Genre:
R&B Soul
Style: Eighties Soul, Disco Funk
Music of Passion is a rare modern soul and disco/funk/boogie album by Percy Larkins released in 1985 on the Encore Records label. The album a highly regarded and highly sought-after within the modern soul music community.
It features a blend of R&B, soul, disco, and funk styles and is known for its smooth, contemporary sound typical of mid-80s soul music. One notable uptempo track mentioned in descriptions is "Positive Reaction."
The album's standout track, however, is "I Need To See You Again", released as a 7-inch vinyl single in 1982 - a soul-stirring duet ballad characterized by Larkins' emotive vocals and responses from an unnamed female vocalist. It has been described as a deep soul track of "beautiful heartbreaking pure emotion".
The lyrics delve into themes of yearning, loss, and the intense desire for reconnection with a loved one. The track features a melodic arrangement that complements the emotional weight of the lyrics, including a "fantastic use of organ" in the background.
A Facebook post suggests the song was written after the tragic death of Larkins' daughters, adding a profound layer of tragedy and personal loss to the music, making the emotion palpable to listeners.
Party Girl
Written-By – Bunny Sigler 5:55
A2 My Heart Belongs To You
Written-By – Dennis Richardson, George Bell, Larry Davis 5:57
A3 Cause I Love, Love, Love You
Written-By – Kim Miller 5:55
B1 Workin' It Out
Written-By – Carole Bayer Sager, Marvin Hamlisch 4:20
B2 If You Are My Man
Written-By – Bunny Sigler 4:20
B3 Got Tu Go Disco
Written-By – John Davis 3:55
B4 Leap Tall Buildings
Written-By – Jimmy Sigler 4:58
Label: Casablanca – NBLP 7158
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre:
R&B Soul
Style: Seventies Soul, Disco, Funk
The 1979 album Party Girl by Pattie Brooks is a diverse and underrated record that blends disco, funk, pop, and R&B ballads, noted for its sophisticated musicianship and Brooks' strong, versatile vocals.
Released on the Casablanca label during the disco backlash, it did not achieve major commercial success at the time but has gained a reputation as a quality soul and disco album among fans.
The album stands out for attempting a broader range of styles than Brooks' earlier, more pure disco work. It incorporates funk grooves and emotional R&B ballads alongside the expected disco tracks.
The primary producer was Bunny Sigler, known for his work with Instant Funk and Salsoul, giving the album a distinct, high-quality sound. The track "Got Tu Go Disco" was produced by Jürgen Koppers.
Brooks is praised for her powerful and versatile vocal abilities, which allow her to effectively handle the album's varied musical genres, from upbeat dance tracks to more soulful ballads like "My Heart Belongs To You".
Retrospective comments from fans and music enthusiasts often lament that the album was released at a difficult time for disco music, which they feel led to it being an underrated record that deserved more attention.
Patti Austin
Producer – Quincy Jones
Written-By – Clif Magness, Glen Ballard 4:17
A2 Rhythm Of The Street
Producer, Written-By – Narada Michael Walden
Written-By – Jeffrey Cohen, Preston Glass 4:00
A3 All Behind Us Now
Producer, Written-By – David Pack 4:59
A4 Hot! In The Flames Of Love
Producer, Written-By – Narada Michael Walden
Written-By – Jeffrey Cohen, Preston Glass 3:59
A5 Change Your Attitude
Producer, Written-By – Clif Magness, Glen Ballard 3:41
B1 Shoot The Moon
Producer, Written-By – Glen Ballard, Glen Ballard 3:35
B2 I've Got My Heart Set On You
Producer – Ollie E. Brown
Written-By – David Bryant, Diane Warren 4:12
B3 Fine Fine Fella (Got To Have You)
Producer, Written-By – Ollie E. Brown
Written-By – Attala Zane Giles, Phillip Ingram 4:34
B4 Starstruck
Producer, Written-By – Narada Michael Walden
Written-By – Dwayne Simmons, Preston Glass 4:28
B5 Any Way You Can
Producer, Written-By – David Pack
Written-By – Michael McDonald 4:31
Label: Qwest Records – 1-23974
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: R&B Soul
Style: Eighties Soul, Downtempo
Patti Austin's 1984 self-titled Qwest album, produced by Quincy Jones, was a strong pop/R&B effort showcasing her powerful vocals, with Billboard and Cashbox highlighting tracks like "It's Gonna Be Special" for its pop crossover appeal, though critics like Ron Wynn found it good but not her absolute best, praising its musicality and Austin's range while pointing to other Qwest records as stronger.
Quincy Jones was a major force behind the album, lending his signature polished sound. "It's Gonna Be Special" was a standout, noted for its bright sound and high-powered performance, suggesting a strong pop direction.
While successful and well-received for its musicality and Austin's vocal prowess (notably in Billboard and Cashbox reviews), some critics felt it wasn't her pinnacle work on the label.
The album blended R&B, Pop, and smooth production, typical of Qwest Records at the time, aiming for broad appeal.
In essence, it's a solid, well-produced album that solidified her place in contemporary R&B/Pop, even if some critics reserved their highest praise for other albums in her discography.
Peabo
Arranged By – Gene Page
Performer [Rhythm Section] – Barry Beckett, David Hood, Jesse W. Carr, Jimmy R. Johnson, Roger Hawkins
Rhythm Section – Muscle Shoals Rhythm Section
Written-By, Composed By – Peabo Bryson 3:42
A2 Do You Believe In Love
Arranged By – Gene Page
Performer [Rhythm Section] – Barry Beckett, David Hood, Jesse W. Carr, Jimmy R. Johnson, Roger Hawkins
Rhythm Section – Muscle Shoals Rhythm Section
Written-By, Composed By – Paul Davis, Peabo Bryson 2:54
A3 It's Just A Matter Of Time
Arranged By – Gene Page
Performer [Rhythm Section] – Barry Beckett, David Hood, Jesse W. Carr, Jimmy R. Johnson, Roger Hawkins
Rhythm Section – Muscle Shoals Rhythm Section
Written-By, Composed By – Peabo Bryson 3:31
A4 I Can Make It Better
Arranged By – Michael Zager
Performer [Rhythm Section] – Bobbye Hall, David T. Walker, Edward Greene, Gary Coleman, Henry Davis, Ray Parker Jr., Ricahrd Littlefield, Sylvester Rivers
Rhythm Section – L.A. Rhythm Section
Written-By, Composed By – Peabo Bryson 5:08
A5 You Bring Out The Best In Me
Arranged By – Gene Page
Performer [Rhythm Section] – Bobbye Hall, David T. Walker, Edward Greene, Gary Coleman, Henry Davis, Ray Parker Jr., Ricahrd Littlefield, Sylvester Rivers
Rhythm Section – L.A. Rhythm Section
Written-By, Composed By – Peabo Bryson 3:57
B1 Smile
Arranged By – Michael Zager
Performer [Rhythm Section] – Freddie Birdwell, Freeman Brown, Jessie Boyce, John Helms, Sanchez Harley
Rhythm Section – Bottom & Co. Rhythm Section
Written-By, Composed By – Peabo Bryson 4:58
B2 Underground Music
Arranged By – Gene Page
Performer [Rhythm Section] – Barry Beckett, David Hood, Jesse W. Carr, Jimmy R. Johnson, Roger Hawkins
Rhythm Section – Muscle Shoals Rhythm Section
Written-By, Composed By – Peabo Bryson 3:31
B3 Lovely Lady
Arranged By – Gene Page
Performer [Rhythm Section] – Bobbye Hall, David T. Walker, Edward Greene, Gary Coleman, Henry Davis, Ray Parker Jr., Ricahrd Littlefield, Sylvester Rivers
Rhythm Section – L.A. Rhythm Section
Written-By, Composed By – Peabo Bryson 4:05
B4 Let The Music Play
Arranged By – Gene Page
Performer [Rhythm Section] – Bobbye Hall, David T. Walker, Edward Greene, Gary Coleman, Henry Davis, Ray Parker Jr., Ricahrd Littlefield, Sylvester Rivers
Rhythm Section – L.A. Rhythm Section
Written-By, Composed By – Peabo Bryson 3:21
B5 God Is On Our Side
Arranged By – Gene Page
Performer [Rhythm Section] – Beaver Parker, Peabo Bryson, Ronn Price, Thom Fowle
Rhythm Section – Bang Rhythm Section
Written-By, Composed By – Peabo Bryson 3:55
Label: Bullet Records – BT-7000
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
Peabo Bryson's 1976 self-titled debut album, Peabo, was a strong introduction showcasing his rich baritone, blending lush soul ballads with uptempo funk/soul, featuring early R&B hits like "Underground Music" and "I Can Make It Better," and highlighting his versatility before his major Capitol success, setting the stage for his "King of Balladeers" reign.
It was his first release on Bullet Records, establishing his sound with diverse grooves. The album balanced sleek, synth-accented ballads (like "You Bring Out The Best In Me") with energetic, funky tracks (such as "Underground Music," "Smile," and "Let The Music Play").
Several singles, including "Do It with Feeling," "Underground Music," and "I Can Make It Better," were moderate R&B successes.
Reviewers praised his smooth, powerful voice, perfect for both romantic slow jams and upbeat dance tracks.
While not fully the "quiet storm" icon he'd become, Peabo showed his potential and was followed by his move to Capitol Records, where he'd achieve gold status with Reaching for the Sky.
The album is considered an important step in his artistic development, not yet the fully formed "quiet storm icon" he would become, but a great initial offering that contained a few of his most loved early songs and established the quality production and arrangements that would mark his career.
In summary, Peabo is a well-regarded debut that successfully balanced different soul styles, laying the groundwork for Bryson's significant success on Capitol Records that followed.
Personal
Engineer – Richard Hollywood
Overdubbed By [Additional Overdubs By], Mixed By – Chris Porter
Producer – Junior Giscombe
Written-By – J. Giscombe, R. Smith 4:12
2 No More Tomorrows
Engineer – Richard Lengyel
Producer – Steve Jolley And Tony Swain
Written-By – S. Jolley / T. Swain 3:55
3 Masquerade
Engineer – Richard Lengyel
Producer – Steve Jolley And Tony Swain
Written-By – S. Jolley / T. Swain 4:46
4 In A Circle
Producer, Mixed By – Chris Porter
Written-By – P. Johnson, P. Powell 4:36
5 Who Shot Cupid
Producer, Mixed By – Chris Porter
Written-By – P. Johnson, P. Powell 4:07
6 Sweet Marinda
Producer, Mixed By – Chris Porter
Written-By – J. Giscombe, R. Smith 5:01
7 Not Enough Love In The World
Engineer – Richard Lengyel
Producer – Steve Jolley And Tony Swain
Written-By – B. Tench, D. Kortchmar, D. Henley 3:59
8 You're No Good
Engineer – Richard Hollywood
Mixed By – Chris Porter
Overdubbed By [Additional Overdubs By], Mixed By – Chris Porter
Producer – Junior Giscombe
Written-By – P. Johnson, P. Edwards 4:29
9 Father Father
Engineer – Paul Hunt
Mixed By – Chris Porter
Producer – Paul Johnson
Written-By – P. Johnson, P. Powell 4:33
10 Me Oh My
Producer, Mixed By – Chris Porter
Written-By – P. Johnson, P. Edwards 4:00
Label: CBS – 463284 2
Format: CD, Album
Country: Europe
Released: 1989
Genre: R&B Soul
Style: Eighties Soul, Gospel-Soul
Paul Johnson's 1989 album Personal is a highly regarded soul and gospel classic that failed to make a significant commercial impact at the time of its release, but has garnered a dedicated fanbase over the years.
The album is praised for being a complete exploration of soul music, blending classic soul with a fresh dash of gospel. Reviewers describe his voice as "brilliant" and "very soulful," with a quality that sends "tingles" down the listener's back, sometimes drawing comparisons to the high falsetto style of Earth, Wind & Fire's Philip Bailey.
Many fans consider Personal a "timeless gem" that deserved more recognition. It maintains a strong appeal for serious soul music enthusiasts.
While the entire album is generally well-received, the track "Half a world away" is frequently mentioned as a standout.
One professional review cited in the CD Review Digest Annual 1990 noted the album as a "rivetingly complete exploration of soul music that is light enough for mass appeal and involved enough to be of lasting value".
For fans of authentic, soulful music with a strong gospel influence, Personal is considered a must-have album that showcases Paul Johnson's exceptional vocal talent. Despite its initial lack of chart success, it has become a cherished classic among its target audience. You can often find copies of the album on marketplaces like Amazon or Discogs.
Pieces Of A Dream
A2 Warm Weather 4:07
A3 Steady Glide 4:31
A4 Touch Me In The Spring 5:12
B1 All About Love 5:03
B2 Easy Road Home 4:00
B3 Lovers 4:09
B4 Body Magic 5:24
Label: Elektra – 6E-350
Format: Vinyl, LP, Album
Country: US
Released: 1981
Genre: R&B Jazz, Funk
Style: Jazz-Funk, Soul
The 1981 self-titled debut album by Pieces of a Dream is a seminal jazz-funk record, praised as a fresh, vibrant introduction to contemporary jazz, featuring mellow, keyboard-driven soundscapes (James Lloyd), soulful vibes, and standout tracks like the minor hit "Warm Weather," launching the group's acclaimed career under producer Grover Washington Jr.. It set the tone for their infectious, smooth jazz style that would define the 80s, offering a joyful, optimistic groove that appealed to R&B and jazz fans alike.
The album is characterized by its subtle, smooth, and funky jazz-fusion sound, heavily featuring keyboards, smooth basslines, and expressive sax.
Produced by legendary saxophonist Grover Washington Jr., who discovered the teenage trio, lending significant credibility and polish.
It marked the arrival of a major force in jazz-funk, with its energetic yet sophisticated grooves becoming a soundtrack for many and cementing their place as jazz-fusion architects.
Described as optimistic, joyful, and serene, offering an antidote to the blues with its accessible yet musically rich sound. In essence, the 1981 debut is a foundational album for modern smooth jazz, showcasing a young, talented group with a timeless sound that remains influential decades later.
Secret Lover
A2 Your Real Good Thing's About To Come To An End (I. Hayes-D. Porter 5:07)
A3 There He Is (L. Weiss, L. Edwards 3:52)
A4 Let Me Wrap You In My Love (H. Straws, N. Dean 3:52)
B1 There's Fire Down Below (Clarence Reid 3:04)
B2 If You Don't See Me Again (Clarence Reid 3:40)
B3 Love The Hell Out Of Me (Clarence Reid 3:55)
B4 Secret Lover (Clarence Reid 4:00)
Label: Blue Candle – 55055
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul, Funk
Paulette Reaves' 1976 album Secret Lover is a respected record in the rare groove, soul, funk, and disco scenes, particularly known for its association with the vibrant "Miami Sound" produced by the T.K. Records affiliated Blue Candle label. Professional critical reviews are scarce in publicly available sources, but the album is highly regarded by collectors and fans of 70s soul.
The album is a quintessential piece of Miami soul, blending deep soul ballads with upbeat funk and disco elements. It captures the distinctive production style of the TK Records empire.
The title track, "Secret Lover," is a notable song, and other tracks like "Let Me Wrap You in My Love" gained traction on the rare groove scene. The track "You Are My Star" was also featured on a nineties compilation by Expansion Records.
Due to its niche appeal and the collectability of T.K. Records productions, the album is highly sought after by vinyl and soul music collectors, often commanding high prices for original pressings. It has been reissued in various formats, including Japanese import CDs.
The album is praised for its quality soul and funk tracks, showcasing Reaves' powerful vocals backed by the polished Miami studio sound. It is considered a solid, enjoyable listen for enthusiasts of the era and genre.
Sing A Song
A2 Sweet Music (Al Martinez 3:50)
A3 The Answer Is You (Mark Radice 5:09)
A4 Love Is Free (Mark Radice 3:51)
B1 Sing A Song (Ernest Straughter, Philip Bailey 3:40)
B2 Gonna Make Changes (Phyllis Hyman 3:58)
B3 Soon Come Again (Larry Alexander, Sandy Torano 3:33)
B4 Be Careful (How You Treat My Love) (Glenn 4:12)
B5 Here's That Rainy Day (James Van Heusen, Johnny Burke 3:00)
Label: Buddah Records – BDLP 4058
Format: Vinyl, LP, Album
Country: UK
Released: 1979
Genre: R&B Soul
Style: Seventies Soul, Disco
Sing a Song is the second studio album by American singer Phyllis Hyman, released in 1978 on Buddah Records. It primarily features sophisticated soul, quiet storm, smooth soul, and jazz-infused R&B tracks, showcasing Hyman's warm, flowing vocals and expansive contralto range.
The album had a complex release history due to Buddah Records being acquired by Arista Records shortly after its completion. Arista head Clive Davis reportedly deemed the album "uncommercial," so Sing a Song was released internationally (outside the US) as its own project. Many of the songs were subsequently included on Hyman's retooled US album, Somewhere in My Lifetime, released later in 1978 as her Arista debut.
The album is characterized by a blend of R&B and jazz idioms, with jazzy and funky elements woven into the arrangements. The instrumentation often includes keyboards and mellow rhythms that complement Hyman's powerful and emotive vocal style.
Street Corner Symphony
Written-By – R. White, W. Robinson
A1b Runaway Child, Running Wild
Written-By – N. Whitefield/B. Strong
A1c Cloud Nine
Written-By – N. Whitefield/B. Strong
Medley: (3:27)
A2 Buffalo Soldier
Written-By – Barnes, Lewis, Smith 3:10
A3 Good Times
Written-By – Sam Cooke 2:39
A4 I Could Never Love Another (After Loving You)
Written-By – Strong, Whitefield, Penzabene 3:30
A5 People Get Ready
Written-By – Curtis Mayfield 3:33
B1 Christian's Automobile
Written-By – J. Archie 2:02
B2 The Man In Me
Written-By – Bob Dylan 3:04
B3 Be Good To Me Baby
Written-By – Johnny Baylor 2:14
B4 So Much In Love
Written-By – Jackson, Williams, Stragis 2:10
B5a He Ain't Heavy, He's My Brother
Written-By – B. Russell, B. Scott
B5b You've Got A Friend
Written-By – Carole King
Medley: (3:45)
Label: Capitol Records – ST-872
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul, Blues
Style: Rhythm & Blues, Soul, Ballad
Street Corner Symphony by The Persuasions is widely praised as a classic a cappella album, showcasing stunningly tight harmonies and pure vocal talent on covers of soul, rock, and pop hits, with critics highlighting its authenticity, energy, and skillful renditions of songs like "Buffalo Soldier," "He Ain't Heavy, He's My Brother," and a Temptations medley, proving the power of voices without instruments. Reviewers call it a timeless collection, a masterclass in vocal arrangements, and a delightful listen for those tired of modern processed music, delivering genuine emotion and intricate rhythm.
The album is celebrated for its lack of instruments, relying solely on the "finest" human voice, delivering "stunningly tight and precise" four-part harmonies.
Reviewers note the "sheer joy," passion, and heart-wrenching blues and soulful crooning present in the performances, from "Buffalo Soldier" to "So Much In Love".
The group masterfully blends diverse tracks, harmonizing The Hollies' "He Ain't Heavy, He's My Brother" with Carole King's "You've Got A Friend" and covering Bob Dylan's "The Man in Me".
The album stands out as "real, old-fashioned, four-part harmony," with a virtuoso level of performance that leaves nowhere to hide, a contrast to more technologically covered-up music.
"Buffalo Soldier" is noted for sparking historical curiosity, teaching listeners about a little-known part of American history.
The Persuasions' talent is "graded 'excellent' by fans and peers," noted for rigorous rehearsals and a desire to excel in their niche genre.
Street Corner Symphony is considered a "terrific collection" and a must-listen, demonstrating the depth and versatility of the human voice in creating rich, compelling, and instrument-free music.
The Lady Has Arrived!
A2 Baby Don't Let Me Down (Buddy Scott, Phil Medley 4:26)
A3 Day By Day/ My Sweet Lord (George Harrison, Stephen Schwartz 4:54)
A4 Happy Walk (Buddy Scott, Phil Medley 3:27)
B1 Strong Lovin' Man (Buddy Scott, Phil Medley 4:10)
B2 Who Are You Now (Bruce Hart, Stephen Lawrence 3:30)
B3 Let's Get Down To Business (James Coleman Dugan 4:36)
B4 Ain't No Pity In The Naked City Buddy Scott, Phil Medley 5:05)
Label: Pyramid – PY-9001
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul, Disco, Jazz
The Lady Has Arrived! is a 1976 album by American soul singer Pat Lundy, released on the Pyramid Records label. The album features a strong collection of soul and funk tunes, characteristic of the 1970s "post-Aretha" style, with some tracks having a funky tinge or disco elements.
The album is noted for Lundy's strong vocal performance over a solid batch of tunes. It is described as straightforward soul with a funky edge on several tracks. Pat Lundy was a vastly underrecognized singer who worked in soul, jazz, and disco throughout her career, and this album showcases her versatility in the soul and funk fields.
The Patterson Twins
Written-By – Finley Duncan, Ricky Vannoy 5:05
A2 He's A Loser
Written-By – G. Leinenweber, Troy Shondell 5:42
A3 How Long Must The Show Go On
Written-By – Skip Rogers 5:05
A4 A Good Thing
Written-By – Tom Bassfield 2:24
B1 Gonna Find A True Love
Written-By – John Helms, Terry Woodford 4:49
B2 Funk Machine
Written-By – Stan Bell, Troy Shondell 3:06
B3 You Give Me Someone To Love
Written-By – Stan Bell, Troy Shondell 3:52
B4 Disco Dream
Written-By – Troy Shondell 5:01
Label: Commercial – CDC-A784
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Disco, Funk
The 1978 album Let Me Be Your Lover by the Patterson Twins is a rare, cult-classic modern soul/disco album, highly praised by soul enthusiasts for its deep vocals and the standout track "Gonna Find A True Love". Critical opinions vary, with some reviewers lauding its passionate soulful sound while others find certain tracks, particularly the title song, dated or problematic in their lyrical themes.
The album is considered a quintessential "modern soul" rarity, blending deep Southern soul vocals with the mellow, late 1970s funk and boogie sound. The production quality on reissues is often praised for its excellence.
"Gonna Find A True Love": This track is universally regarded as a masterpiece and a modern soul classic, often cited as the primary reason for the album's high demand and frequent reissues. It has an "uplifting and irresistible" beat.
The album features a mix of groovy dance tracks like "Funk Machine" and ballads such as "He's A Loser". Reviewers note a diverse selection of songs, though some feel a few tracks suffer from generic "disco beat" arrangements.
One critical review notes that two songs, including the title track, use a "creepy" lyrical form that dates back to older blues songs, involving older men singing about underage girls, which can feel out of touch with modern or even contemporary disco-era sensibilities.
Originally released on the obscure Mississippi label Commercial, the album is extremely rare, with original LPs fetching high prices (upwards of £600-£700) online.
Discogs and Amazon user ratings are generally very positive, averaging around 4.4 to 4.6 out of 5 stars, indicating strong appreciation from fans and collectors.
In summary, the album is a must-have for modern soul collectors, primarily for the strength of its standout track and overall soulful vibe, though some lyrical content may be off-putting to some listeners.
The Persuaders
A2 Please Stay (Bob Hilliard, Burt Bacharach 3:40)
A3 If You Feel Like I Do (Jackie Members, Bobby Poindexter 6:05)
A4 Trying Girls Out (Jackie Members, Bobby Poindexter 4:07)
A5 Is It Too Heavy For You? (Jackie Members, Bobby Poindexter 2:44)
B1 Bad Bold And Beautiful Girl (Alton Watkins, Jackie Members, Nelson Daniels, Richard Poindexter, Robert Holloman, Bobby Poindexter 4:10)
B2 What Is The Definition Of Love? (Jackie Members, Bobby Poindexter 2:47)
B3 Love Goes Good When Things Go Bad (Jackie Members, Bobby Poindexter 2:41)
B4 I Want To Make It With You (Rich Barthlow, Robert Esenberg 4:35)
B5 You Still Love Me (After All You've Been Through) Jackie Members, Robert Poindexter 5:25)
Label: ATCO Records – SD 7021
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
The Persuaders self-titled second album, released in 1973, features soulful R&B ballads and funk songs, with standout tracks "Peace In The Valley Of Love," and "Bad Bold And Beautiful Girl", both of which were released as singles and charted in both the R&B charts as well as the pop charts in the US. It was produced by the group's members Bobby Poindexter and Richard Poindexter, and is considered a classic vinyl record for collectors and soul music fans.
While it may not have received the massive commercial success of their previous album, "Thin Line Between Love and Hate," it is a well-regarded album for fans of the genre and is considered a must-have for fans of 1970s soul and R&B and a significant part of The Persuaders' discography.
The Players’ Association
A2 Moon In Pisces (Arranged By [Horn And Synthesizer] – Chris Hills 5:27)
A3 Let's Groove (L. Huff, G. McFadden. J. Whitehead, V. Carstarphen 7:16)
B1 Love Hangover (Marilyn McLeod, Pamela Sawyer 6:08)
B2 For The Love Of You (The Isley Bros. 6:13)
B3 Hustlin' (Arranged By [Horn And Synthesizer] – Chris Hills 4:22)
Label: Vanguard – VSD•79384
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Funk, Soul
Style: Jazz-Funk, Soul, Disco
The self-titled 1977 album by The Players' Association is a quintessential jazz-funk and disco record, known for blending the talents of seasoned jazz session musicians with the dance-oriented sound of the late 1970s.
The album was created by jazz drummer and producer Chris Hills and producer Danny Weiss as a New York-based studio project. It primarily features instrumentally-focused tracks that bridge the gap between sophisticated jazz musicianship and the commercial appeal of disco and funk. The sound is characterized by strong horn section arrangements, prominent bass lines, and synthesizer work.
The album effectively merges elements of jazz, funk, soul, and disco, appealing to both serious music fans and dancefloor crowds.
It features an impressive roster of New York session musicians, including saxophonists Joe Farrell and Bob Mover, trumpeter Jon Faddis, and keyboardist Mike Mandel.
The album includes original compositions and covers. The track "Moon In Pisces" is highlighted as a smooth jazz-funk jam, while their cover of "Love Hangover" (originally by the Supremes, popularized by Diana Ross) is noted for its powerful build-up and prominent saxophone and flute solos.
While another album released the same year, Born to Dance, is often associated with their major hit "Disco Inferno," the self-titled debut helped establish The Players' Association as a cult classic of the disco era, particularly popular in the UK club scene.