R
Closer To You
Written-By – Dash Crofts, James Seals 4:55
A2 Cause You're Mine Now
Written-By – Dan Daley 3:31
A3 A Lover's Question
Written-By – Brook Benton, Jimmy Williams 4:34
A4 How Can I Be A Witness
Written-By – R.B. Hudmon 4:10
B1 Bringing You Your Love
Written-By – Bettye Crutcher 3:30
B2 This Could Be The Night
Written-By – Dan Daley 3:45
B3 Can't You See I Love You
Written-By – Bettye Crutcher, R.B. Hudmon 3:53
B4 I'm Everything You Need
Written-By – Bettye Crutcher 3:11
B5 Groovin' On My Baby's Love
Written-By – Robert L. Holmes, Ted Jarrett 4:29
Label: Cotillion – SD 5204
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre:
R&B Soul
Style: Seventies Soul
The 1978 album Closer To You by R.B. Hudmon is a highly regarded work in the soul music genre, often described as one of the best Motown long-players ever released, despite its release on the Cotillion label. The album is praised for its blend of 1970s soul sounds, quality original songs, and R.B. Hudmon's "introspective vocal style".
Reviews highlight the album as a cohesive and essential listen for soul music enthusiasts.
It is considered an album to "listen to time and again," with many of its best cuts compiled onto the final set.
The record effectively balances mid-paced tunes, where Hudmon is noted to be most at home, with an enjoyable uptempo track, "If You Don't Cheat On Me".
The tracks are noted for their fine soul, with David Porter's "Ain't No Need Of Crying" and "Holdin' On" receiving specific mention for their quality.
Several tracks from the album were released as 7-inch singles, though many are primarily known within the Soul/Northern Soul collector's scenes rather than as major mainstream chart hits.
"How Can I Be a Witness" was a regional hit released originally in 1974 on Tomahawk Records, and re-released in 1975 (Truth Records) and 1976 (Atlantic Records) due to its popularity. It is often described as a superb, laid-back soul track and is a standout song.
"This Could Be The Night" Released as a single on Atlantic in 1977, this "superb, laid back soul-disco jam" was also included on the album.
Come Get It!
A2 You And I 8:04
A3 Sexy Lady 3:49
A4 Dream Maker 5:14
B1 Be My Lady 4:46
B2 Mary Jane 4:58
B3 Hollywood 7:25
B4 Stone City Band, Bye! 1:06
Label: Gordy – G7-981R1
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Funk, Disco
Rick James's 1978 debut album Come Get It! is a vibrant "punk-funk" fusion that blends funk, disco, and soul with a brash, rock-influenced energy. The album, a commercial success, established James's unique sound and flamboyant persona, and features two of his most iconic songs, "You and I" and "Mary Jane".
The album introduced Rick James's self-proclaimed "punk-funk" style, characterized by aggressive energy, a heavier guitar sound, snappy basslines, and a rock-star personality.
It is primarily a funk and soul album, but also incorporates elements of P-Funk, disco, and even reggae. The arrangements are tight, featuring crisp horn sections, synth-bass grooves, and a punchy, danceable quality.
The album explores various themes, including love and relationships in tracks like "You and I," an homage to marijuana in "Mary Jane," and an open letter to his mother about his ambitions of fame in "Hollywood".
Reviewers praise James's passionate vocals and the interesting vocal lines, often in coordination with backup vocalists.
Key Tracks
"You and I": A monumental, eight-plus-minute track that was James's first R&B chart-topper. It is praised for its "colossal synth-bass groove" and James's "boa-tossing vocal panache".
"Mary Jane": A breezy, signature tune and homage to marijuana, it features a romantic string section, airy flutes, and a strong Fender bass thrum, eventually incorporating a scratchy reggae vibe.
"Hollywood": This song fades out with a swaying reggae beat and serves as a personal statement about James's aspirations for success.
The album was a critical and commercial triumph, earning double platinum certification and successfully launching Rick James's prolific career at Motown's Gordy subsidiary.
I Belong To You
A2 A Real Man (Douglas Smith, Randy Hall 4:20)
A3 I Belong To You Glen Burris, Randy Hall 5:23)
A4 A Gentleman (Glen Burris, Randy Hall 4:12)
A5 Older Woman, Younger Man (Randy Hall 4:18)
B1 Feel My Eyes (Randy Hall, Robert Irving III 5:12)
B2 Glamour Boy (J.D. Nicholas, Randy Hall 4:33)
B3 She's My Little Star (Randy Hall 3:45)
B4 I Want To Touch You (Douglas Smith, Randy Hall 4:45)
Label: MCA Records – MCA-5504
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: Eighties R&B Soul
Style: Electronic Disco Funk
I Belong to You is the debut solo album by American singer, guitarist, and producer Randy Hall, released on the MCA label. The album is a contemporary R&B record with strong influences of funk, electro-funk, and soul, capturing the essence of mid-1980s R&B music.
The album was produced by Ray Parker Jr., and his production style is notably present throughout the record, particularly in the arrangements. Hall's vocals have been noted for their dynamic range and ability to evoke comparisons to other prominent '80s artists like Michael Jackson, Prince, and Michael McDonald.
It features a mix of powerful electro-funk tracks and grooving ballads and includes his biggest hit to date, the opening song "I've Been Watching You (Jamie's Girl)". Other highlights include the title track, the funky "A Real Man," and the ballad "I Want To Touch You".
Before his solo debut, Randy Hall was known for his work with the funk band Pleasure and was a key collaborator in Miles Davis's early 1980s comeback.
I Need You
A2 I'll Go Anywhere 4:25
A3 I Just Want To Thank You Lord 4:43
A4 Let The Spirit Fall On Me 5:04
B1 Same Old Song 2:51
B2 God Will Make A Way Somehow 2:49
B3 Satisfied With Jesus 3:34
B4 I'll Live For Him Always 3:23
B5 Keep On Working For The Lord 3:00
Label: Creed Records – CREED 3097
Format: Vinyl, LP, Album
Country: US
Released: 1980
Genre: R&B Gospel
Style: Gospel, Soul
Rev. Isaac Douglas's album I Need You is a regarded as a raw gospel soul gem known for its powerful vocal performances and blend of traditional and contemporary gospel styles.
Released on Creed Records in 1980, I Need You features the signature sound of Rev. Isaac Douglas, who was known for his deep, strong voice and ability to blend traditional black gospel with contemporary influences like soul, pop, R&B, and even disco. This approach was part of a movement within the gospel community at the time to reach a broader, more mainstream audience, a philosophy championed by Douglas and his contemporaries like the New York Community Choir.
While formal critical reviews from major publications are limited, contemporary opinions from music enthusiasts and in gospel circles are very positive. The album is appreciated for being "lyrically and musically outstanding," and it holds a place of fond memory for many who grew up with 1980s Christian music. The album captures the energetic and boundary-pushing spirit of early 80s gospel music, which some found refreshing and others controversial for its integration of secular music styles. Douglas's unique vocal stylings are frequently praised for their "control, stamina, and growl/squall".
I Need You remains a collectible album and a definitive example of Rev. Douglas's impactful career.
Ingredients In A Recipe For Soul
Written-By – Harlan Howard 2:06
A2 Where Can I Go?
Written-By – Leo Fuld, Sigmunt Berland, Sonny Miller 3:29
A3 Born To Be Blue
Written-By – Mel Tormé, Robert Wells 2:53
A4 That Lucky Old Sun
Backing Vocals – The Jack Halloran Singers
Written-By – Beasley Smith, Haven Gillespie 4:20
A5 Ol' Man River
Backing Vocals – The Jack Halloran Singers
Written-By – Hammerstein-Kern 5:35
B1 In The Evening (When The Sun Goes Down)
Written-By – Leroy Carr 5:50
B2 A Stranger In Town
Written-By – Mel Tormé 2:25
B3 Ol' Man Time
Written-By – Cliff Friend 2:25
B4 Over The Rainbow
Backing Vocals – The Jack Halloran Singers
Written-By – E.Y. Harburg, Harold Arlen 4:07
B5 You'll Never Walk Alone
Written-By – Rodgers & Hammerstein 3:53
Label: ABC-Paramount – ABC-465
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1963
Genre: R&B Soul
Style: Rhythm & Blues, Soul
Ray Charles’ 1963 album, Ingredients in a Recipe for Soul, is widely regarded as a masterful consolidation of the genre-blending style he pioneered earlier in the decade. Peaking at No. 2 on the Billboard charts upon its release, the album established a definitive template for his later career by successfully mixing country, jazz, standards, and R&B into a singular "Ray Charles" sound.
Critics frequently highlight the album as a "neglected masterpiece" that proved Charles was no longer just an R&B artist but a "genre unto himself".
Reviews consistently praise Charles’ "malleable, commanding voice" and "immense inner confidence," which allow him to breathe new life into older standards.
The album features sophisticated, less "syrupy" orchestral work compared to his previous efforts, with arrangements from Marty Paich, Benny Carter, and Sid Feller.
While generally acclaimed, some critics find the backing vocalists—specifically the Jack Halloran Singers—to be "whitebread" or "stark" in contrast to Charles’ soulful grit, particularly on tracks like "Ol' Man River".
Key Tracks:
"Busted": A major hit described as "jazzy and tough," often cited as the album's definitive single.
"That Lucky Old Sun": Widely considered a masterpiece for its emotional delivery and powerful climax.
"Ol' Man River": A controversial but striking reinterpretation that remains a focal point for discussion among reviewers.
"Born to Be Blue": A Mel Tormé cover that showcases Charles' "after-hours ballad" style.
In 2025, the album received its first official vinyl reissue in over 50 years, featuring fully restored and remastered audio produced in cooperation with the Ray Charles Foundation. This reissue includes bonus tracks such as a bluesy cover of Johnny Cash's "Ring of Fire" and a duet with Margie Hendrix on "My Baby (I Love Her, Yes I Do)".
Intimate Moments
Producer – Al Goodman
Written-By – A. Goodman, B. Shepherd 5:07
2 Rockin You Tonight
Producer – George Kerr
Written-By – A. Egans, Cirocco, S. Wright 5:02
3 Give Me Your Love
Producer – Rhani Harris
Written-By – A. Goodman, B. Brown, R. Song 4:14
4 Girl I Want To Be The One
Producer – Rhani Harris
Saxophone, Soloist – Marion Meadows
Written By – P. Kearney
Written-By – A. Goodman, B. Brown, E. Young 5:21
5 Someone's Missing Your Love
Producer – Al Goodman
Saxophone, Soloist – Najee
Written-By – A. Goodman, H. Ray, W. Morris 6:46
6 This Is The Last Time
Producer – Rhani Harris
Written-By – A. Goodman, B. Brown, R. Song 4:26
7 I've Been Good To You
Producer – Al Goodman
Written-By – S. Robinson 4:43
8 Long Gone
Producer – Ted Wizard Mills
Written By – A. Mathews
Written-By – T. Mills 5:41
9 My Shining Star
Producer – Al Goodman
Written-By – B. Shepherd 5:01
10 Deeper And Deeper
Producer – George Kerr
Rap – Sinful
Saxophone – Daryl Dickerson
Written-By – G. Karukas, R. Boustead 4:22
11 Girls
Producer – George Kerr
Rap – Sinful
Written-By – A. Goodman, H. Ray, V. Dodson, W. Morris 4:11
12 When The Party's Over
Producer – Al Goodman
Rap – Alpyne, Bliss (93), Izzy Blue
Written By – R. Rocco Musacchia 4:58
13 Drive Me Crazy
Producer – Rhani Harris
Written-By – A. Goodman, B. Brown, H. Ray, R. Song 6:00
14 Any Kind Of Love
Producer – George Kerr
Saxophone – Daryl Dickerson
Written-By – B. Robert, Carole Bayer Sayer, J. Ingram 5:30
15 We Fall Down
Producer – George Kerr
Written-By – Mattews Kyle David 5:03
Label: Orpheus Records – 802469090024
Format: CD, Album
Country: US
Released: 2003
Genre: R&B Soul
Style: Soul
Ray, Goodman & Brown's "Intimate Moments" album is generally well-received by fans as a solid return to form for the classic soul trio, blending signature smooth harmonies with new soulful tracks, though some listeners find modern rap elements distracting; it's praised for nostalgic vibes, solid originals like "Girl I Want to Be the One," and showcasing their enduring vocal talent despite minor critiques over contemporary additions.
The album, produced by George Kerr, aims to capture the spirit of their past success while incorporating some modern sounds, including rap, which polarized some long-time fans.
Tracks like "Girl I Want to Be the One" and "Someone's Missing Your Love" are highlighted as strong, original soul compositions that resonate with their established style.
Fans enjoy the album for bringing back memories of their heyday with The Moments, praising the group's ability to deliver smooth, heartfelt R&B and soulful ballads.
While some appreciate the up-tempo tracks and rap inclusion as fresh, others felt it ruined the classic vibe, calling it "garbage" or an unwelcome distraction.
Released in 2002, it followed their successful backing vocals for Alicia Keys and marked a significant project for the group after their time as The Moments, showcasing their enduring appeal in the R&B landscape.
Intimate Moments offers a blend of classic RG&B soul with contemporary touches, succeeding for many in delivering soulful originals and nostalgic harmonies, even if the integration of rap isn't universally loved.
Intimately
A2 I'm Here 3:37
A3 I Was Blessed (The Day I Found You) 3:53
A4 I Thought Of You Today 5:44
B1 You Make Me Happy 3:32
B2 It Scares Me So 3:23
B3 Use It 5:14
B4 I Wanna Baby You 3:54
B5 Crazy 'Bout You Baby 5:28
Label: Parachute Records – RRLP 9012
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Soul
Style: Southern Soul, Disco
Randy Brown's Intimately album is primarily a smooth and deep soul record, celebrated by purists for its consistent quality. It was released on the Parachute label and features production and songwriting from Homer Banks and Chuck Brooks.
The album features smooth soul music with elements of funk and disco. The style is often compared to the mid-1970s work of artists like Lou Courtney or Ronnie McNeir, known for being both smooth and deep at the same time.
The record was produced by Homer Banks and Chuck Brooks, with arrangements by Paul Riser, and continues the "sexy seduction style songs" from Brown's previous album, Welcome to My Room, focusing on great love songs with compelling structures.
A range of skilled musicians contributed to the album:
Bass: Eddie Watkins Jr.
Drums: James Gadson
Guitar: Chuck Brooks, Paul Jackson Jr., Tim May
Keyboards: Greg Phillinganes, Larry Farrow, Sylvester Rivers
Background Vocals: Brenda Russell, Elaine Hill, Maxine Anderson, Michele Aller, Patti Brooks, Sharon Lee Williams
For more information on the release details and different versions of the album, you can check the entries on Discogs by clicking the image below.
Love On A Mountain Top
Written-By – Cason, Gayden 2:54
A2 Somewhere My Love
(Lara's Theme From "Dr Zhivago")
Written-By – Jarre, Webster 2:17
A3 Sandy
Written-By – Cason, Wilkin 3:28
A4 The Moment Of Truth
Written-By – Cason 2:52
A5 The Letter
Written-By – Wayne Carson 2:02
A6 Love On A Mountain Top
Written-By – Cason, Gayden 2:25
B1 My Rainbow Valley
Written-By – Cason, Gayden 3:30
B2 Never My Love
Written-By – Dick Addrisi, Don Addrisi 3:23
B3 Rachel The Stranger
Written-By – Cason, Gayden 2:29
B4 I Can't Get Over How You Got Over Me
Written-By – Paxton 2:29
B5 The Dance Of Love
Written-By – M. Whitson 2:15
B6 Branded !
Written-By – Cason, Gayden 2:55
Label: Monument – MNT 65956
Format: Vinyl, LP, Album
Country: UK
Released: 1974
Genre: R&B Soul
Style: Northern Soul, Ballad
Robert Knight's Love on a Mountain Top album (often bundled with Everlasting Love) showcases his smooth, soulful vocals, blending pop and soul with tracks like the rediscovered Northern Soul classic "Love on a Mountain Top" and the hit "Everlasting Love," offering a charming, nostalgic listen, especially for fans of vintage soul and Northern Soul, though some early critical reviews noted it as pleasant but predictable.
The title track, "Love on a Mountain Top," became a major UK hit in the 70s after being embraced by Northern Soul DJs, long after its 1968 original release, highlighting its enduring appeal.
The album features Knight's signature strong vocals and sweet arrangements, reminiscent of The Miracles' "Tracks of My Tears," notes Goldmine Magazine.
There are different album configurations, with some reissues adding tracks like "The Moment Of Truth," making them comprehensive collections, say Discogs and Discogs.
While adored by fans, some contemporary reviews called tracks "predictable but nonetheless charming," with a Smash Hits writer finding it similar to another disco track, Wikipedia.
Why You'd Like It: You're a fan of classic 60s/70s soul, pop, and Northern Soul. You appreciate strong, clear vocals over catchy melodies. You're looking for a feel-good, nostalgic album for relaxed listening.
In essence, it's a beloved collection of sweet, melodic soul tunes, anchored by iconic tracks that define Robert Knight's legacy, says Rate Your Music and Goldmine Magazine.
Love On Delivery
A2 Love On Delivery (L.O.D.) (J.R. Bailey, K. Williams 5:30)
A3 Now You've Taken Your Love (E. Simmons, H. Edwards, J. Simmons, J. Pridgen 5:40)
A4 Are You Ready (Here I Am) (E. Simmons, H. Edwards, J. Simmons, J. Pridgen 3:39)
A5 She's My Summer Breeze (J.R. Bailey, K. Williams 4:23)
B1 All Day, All Night (E. Simmons, H. Edwards, J. Simmons, J. Pridgen 3:31)
B2 One Into One (E. Simmons, H. Edwards, J. Simmons, J. Pridgen 4:15)
B3 Telephone Lover (J.R. Bailey, K. Williams 4:03)
B4 How Could We Let The Love Get Away (E. Simmons, H. Edwards, J. Simmons, J. Pridgen 4:12)
B5 Three Steps From True Love (J.R. Bailey, K. Williams 3:43)
Label: Capitol Records – ST-11460
Format: Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Soul
Style: Seventies Soul
Love On Delivery, released in 1975 on Capitol Records, was the debut album by the obscure but highly regarded male vocal quartet The Reflections. It is considered a modern soul classic and a sought-after record by collectors.
The album is a blend of 1970s soul, funk, and disco, noted for its strong vocals and production. The Reflections, who had previously served as background vocalists for artists like Melba Moore (who provided a snippet on the back cover), delivered a set of quality 70s soul tracks.
It produced two popular singles: "Three Steps From True Love" which was a Top Ten hit on the US R&B charts, and "She's My Summer Breeze" which gained popularity in the UK rare groove scene.
The album's production credits include J.R. Bailey, Jerome Gasper, and Ken Williams, with mixing by Skip Juried.
Love On Delivery is a key vinyl record from the 70s, celebrated for its infectious grooves and sophisticated vocal arrangements, making it a prized find in soul music circles.
Midnight Desire
Written-By – Chuck Brooks, Homer Banks 3:16
A2 We Ought To Be Doin' It
Written-By – Chuck Brooks, Homer Banks 4:46
A3 Things That I Could Do To You
Written-By – Chuck Brooks, Homer Banks 3:31
A4 You're So Good
Written-By – Chuck Brooks, Homer Banks 6:39
A5 With Your Love
Written-By – C. Brody, D. Witherspoon, Jr., K. Coleman, R. Brown 3:48
B1 Without You (I Can't Make It Through The Night)
Written-By – Chuck Brooks, Homer Banks 4:12
B2 The Next Best Thing To Being There
Written-By – Chuck Brooks, Homer Banks 7:14
B3 Do You Love Me?
Written-By – Chuck Brooks, Homer Banks 5:08
B4 Love Be With You
Written-By – Chuck Brooks, Homer Banks 4:52
Label: Chocolate City – CCLP 2010
Format: Vinyl, LP, Album
Country: US
Released: 1980
Genre: R&B Soul
Style: Soul, Funk, Disco
Randy Brown's 1980 album Midnight Desire is considered an essential soul reissue by critics and a "classic old school soul" album by fans, praised for Brown's remarkable voice and a mix of bouncy tracks and big ballads.
The album is described as having "plenty of soul goodies," specifically highlighting the "bouncy" track "Love Formula" and the "big ballads" "You're So Good" and "The Next Best Thing To Being There". While some tracks like "The Things I Could Do For You" and "Love Be With You" are noted as being "almost throwaway disco," critics agree that Brown's "remarkable voice carries it all through". The album, along with its companion album Welcome to My Room (with which it is often reissued on CD), represents the pinnacle of his musical career.
Reviewers consistently praise Brown's incredible and powerful voice, with one user rating him as highly as Luther Vandross, calling him an "underated artist magnificent soul".
Fans refer to the album as "classic old school soul," indicating its enduring appeal among soul aficionados.
One critical note from an AOR (Album Oriented Rock) reviewer pointed out that some CD reissues of the combined Welcome to My Room and Midnight Desire albums have an edited version of the ballad "The Next Best Thing To Being There" to fit everything on one disc. This suggests that for some dedicated fans, the original vinyl version, which runs for over 7 minutes, is the preferred format for the full experience of that specific track.
Overall, the album is a respected work within the soul and funk genres, primarily celebrated for Randy Brown's exceptional vocal performance.
Paradise
Featuring – Ecstacy
Written-By – J. Skinner, L. Holland, R. Turner 4:30
A2 It's Gonna Be Alright
Written-By – J. Skinner, L. Holland, R. Turner 4:28
A3 It's A Cryin' Shame
Written-By – J. Skinner, L. Holland, R. Turner 4:30
A4 Leaves In The Wind
Written-By – J. Skinner, L. Holland, R. Turner 4:53
A5 There's No Better Love
Written-By – J. Skinner, L. Holland 4:22
B1 Everytime I Breathe
Written-By – J. Skinner, L. Holland 4:37
B2 Sexy
Written-By – Cecil And Linda Womack 3:56
B3 See Me
Written-By – Cecil And Linda Womack 4:44
B4 Surrender
Written-By – J. Skinner, L. Holland 4:14
B5 It's You My Heart Beats For
Written-By – Frances, L. Holland, Frances 4:30
Label: Jive – 1298-1-J
Format: Vinyl, LP, Album
Country: US
Released: 1990
Genre: R&B Soul, Hip Hop, Funk
Style: RnB/Swing, Synth-pop, Disco
Ruby Turner's 1989 album Paradise is a significant R&B/Soul release, her only album to hit the Billboard 200, known for strong vocal performances, particularly on its hit single "It's Gonna Be Alright," blending R&B, soul, and reggae, showcasing her powerful voice and roots, earning praise for its authentic feel, though some fans find it less powerful than her work with Jools Holland.
A mix of R&B, contemporary soul, and reggae, reflecting Turner's Jamaican heritage, Featured singles include "It's Gonna Be Alright" (a #1 R&B hit), "Paradise," and "It's a Cryin' Shame".
The album highlights Turner's "jawdropping delivery" and vocal versatility, a consistent strength in her career. The album reached #194 on the Billboard 200 and #39 on the R&B charts in the US, notes Wikipedia.
Fans appreciate the album's soulful depth, with many praising the title track and powerful performances like "I'd Rather Go Blind".
Turner revisited reggae on the album, connecting with her childhood and Jamaican roots, resonating with listeners who love her blend of styles.
Some listeners feel it doesn't quite capture the raw energy of her live performances with Jools Holland, though it's still highly regarded.
In essence, Paradise is a critically noted album that solidified Ruby Turner's place as a significant R&B/soul voice, offering powerful vocals and a rich blend of genres, even if her live shows often reach even greater heights for some fans.
Pressure Sensitive
Percussion [Flexitone], Congas – Joe Clayton
Written-By – Ronnie Laws, William Jeffery 4:52
A2 Momma
Vocals – Side Effect
Written-By – Roland Bautista 4:20
A3 Never Be The Same
Electric Piano – Joe Sample
Synthesizer [String Ensemble] – Jerry Peters
Written-By – Mike Cavanaugh, Roland Bautista, Ronnie Laws 4:23
A4 Tell Me Something Good
Clavinet – Joe Sample, Mike Cavanaugh
Electric Piano – Mike Cavanaugh
Synthesizer [Arp] – Jerry Peters
Written-By – Stevie Wonder 4:50
B1 Nothing To Lose
Guitar – John W. Rowin, Jr.
Piano, Clavinet – Joe Sample
Written-By – Ronnie Laws 4:54
B2 Tidal Wave
Drums – Michael Willars
Electric Bass [Fender] – Wilton Felder
Guitar – John W. Rowin, Jr.
Synthesizer [String Ensemble], Piano – Jerry Peters
Written-By – William Jeffery 4:08
B3 Why Do You Laugh At Me
Piano – Joe Sample
Synthesizer [String Ensemble] – Jerry Peters
Written-By – Wayne Henderson 3:55
B4 Mis' Mary's Place
Piano, Clavinet – Joe Sample
Written-By – Ronnie Laws 3:32
Label: Blue Note – BN-LA452-G
Format: Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Jazz
Style: Jazz-Funk, Jazz Fusion
Ronnie Laws' 1975 debut, Pressure Sensitive, is widely hailed as a jazz-funk masterpiece and a cornerstone of the 70s funk-fusion scene, featuring killer grooves, standout tracks like "Always There" and "Mis' Mary's Place," a brilliant Earth, Wind & Fire meets Crusaders vibe with stellar musicians (Joe Sample, Wilton Felder), and a blend of soulful sax and funky clavinet/Rhodes, making it essential listening for funk/jazz fans despite some critics finding its production slightly dated.
A quintessential jazz-funk album, blending smooth jazz with deep funk rhythms, it boasts legendary session players like Joe Sample, Wilton Felder, Wayne Henderson (producer), and Roland Bautista, giving it a rich, collaborative feel.
The album aptures the essence of the 70s with prominent clavinet, Fender Rhodes, and soulful, yet funky, saxophone work.
Praised for maintaining high energy and quality throughout, with standout mellower grooves like "Why Do You Laugh At Me".
Many listeners and reviewers consider it a "masterpiece," a "must-have," and one of the best debuts in jazz-funk.
While universally praised for its funk, some find the sound (especially the synth) very '70s, and its production less deep than contemporaries like Donald Byrd's work on Blue Note, though still highly regarded.
In essence, Pressure Sensitive is a landmark album, celebrated for its infectious grooves, top-tier musicianship, and status as a high point in 70s jazz-funk fusion.
Rainbow Connection IV
Written-By – Robert Daniels 3:37
A2 Is It Love You're After
Written-By – Miles Gregory 5:01
A3 Shine Your Light
Written-By – Robert Daniels 5:26
A4 What You Waitin' For
Written-By – Norman Whitfield 8:54
B1 Bad Mother Funker
Written-By – Norman Whitfield 4:41
B2 You Can't Run From Yourself
Written-By – Norman Whitfield 5:43
B3 Lock It Down
Written-By – Miles Gregory 5:59
B4 Pazazz
Written-By, Producer – Michael Nash 4:47
Label: Whitfield Records – WHS 3387
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre:
R&B Soul
Style: Seventies Soul, Funk, Disco
Rose Royce IV: Rainbow Connection is the fourth album by the funk and soul band Rose Royce, released in August 1979 on the Whitfield label. The album features a mix of funk, soul, disco, and quiet storm tracks and was the final album to include lead singer Gwen Dickey before she began a solo career.
The album was primarily produced by Norman Whitfield, a key figure in the band's history. It was a commercial success, reaching #22 on the R&B albums chart and #74 on the Billboard 200. The album is noted for its soulful tracks and danceable funk, disco songs.
It album produced two singles, the most successful being "Is It Love You're After," which reached #13 on the UK Singles Chart. The ballad "I Wonder Where You Are Tonight" is also highly regarded by fans.
The album marked the end of an era as Gwen Dickey's final album with the group, cementing their sound before her departure.
Roberta Flack and Donny Hathaway
A2 You've Got A Friend (Carole King 3:24)
A3 Baby I Love You (Ronny Shannon 3:24)
A4 Be Real Black For Me (Mann, Hathaway, Flack 3:30)
A5 You've Lost That Loving Feeling (Mann-Weil, Spector 6:36)
B1 For All We Know (J. Fred Coots, Sam M. Lewis 3:38)
B2 Where Is The Love (Ralph MacDonald, William Salter 2:43)
B3 When Love Has Grown (Donny Hathaway, Eugene McDaniels 3:31)
B4 Come Ye Disconsolate (Traditional 4:50)
B5 Mood (Roberta Flack 7:00)
Label: Atlantic – SD 7216
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul
The critically acclaimed, Grammy-winning 1972 album by Roberta Flack & Donny Hathaway is known for its intimate chemistry, soulful arrangements, and a seamless blend of R&B, pop, folk, jazz, and gospel influences.
The album is noted for its "understated elegance and simmering passion," featuring quietly intense singing from Flack and gospel-influenced vocals from Hathaway. The rich, elastic voices of the duo match perfectly in close-knit harmony.
It successfully marries various genres, offering a unique sound that blends R&B with folk, jazz, blues, and classical elements, a reflection of their musical training at Howard University.
The album features creative interpretations of contemporary hits alongside original compositions. Covers include a slow-burning soul ballad version of The Righteous Brothers' "You've Lost That Lovin' Feelin'" and a definitive R&B/folk take on Carole King's "You've Got a Friend". Originals include the "Black is Beautiful" anthem "Be Real Black for Me".
The album's standout track was the runaway chart hit "Where Is the Love," a bittersweet lovers' plea that won the duo a Grammy Award for Best Pop Performance by a Duo or Group with Vocals in 1973.
The album's moods range from the funky "Baby I Love You" to the solemn hymn "Come Ye Disconsolate," closing with "Mood," a seven-minute, classically-derived instrumental piano duet showcasing their musical prowess.
The record is widely considered one of the all-time great duet albums in R&B history, capturing the essence of love, longing, and deep connection with a "divine match" of talent.
(Provided by SoulYears.com)
Rockie Robbins
A2 If I Ever Lose You (Rockie Robbins 4:20)
A3 Funk Street (Rockie Robbins 4:14)
A4 When I Think Of You (Rockie Robbins 4:30)
A5 I Love Only You (Rockie Robbins 4:00)
B1 Don't Deny Me (Rockie Robbins 4:25)
B2 Be Ever Wonderful (Larry Dunn, Maurice White 5:56)
B3 Sho' Is Bad (Richard Evans, Rockie Robbins 5:20)
B4 Miss Dynamite (Greg Crockett, Ray Gardner 5:12)
Label: A&M Records – SP-4758
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Soul
Style: Disco Funk Soul
Rockie Robbins' 1979 self-titled debut album is a well-regarded piece of classic soul, praised for its smooth production and the singer's clear, sensual tenor. Though not a massive commercial success at the time, it is now considered an essential soul album by fans and critics alike.
The album is noted for its breezy, low-key R&B sound, reminiscent of artists like Peabo Bryson. Production by Chicago visionaries Richard Evans and Johnny Pate features "agile ivory tickling, bubbly bass and punchy horns" that complement Robbins' voice without overpowering it. The musicianship is considered high-quality, involving legendary session musicians.
Robbins' "glass clear tenor" is a central highlight, perfectly suited for the album's ballad selections. His delivery is described as sensual and unaffected.
While not a major commercial success, the album was critically appreciated for its smooth, breezy soul sound, often compared to the style of Peabo Bryson. The single "Be Ever Wonderful" was a minor R&B hit, reaching number 67 on the US R&B charts. The label's confidence in Robbins led to his more successful follow-up album, You & Me, the next year.
Ronnie McNeir
A2 Since I Don't Have Your Love (R. McClaine, R. McNeir 3:08)
A3 Now She's Gone (K. Weston, R. McNeir 3:51)
A4 I'm Your Lover (C. Coit, R. McNeir, W. Moore 3:27)
A5 Baby Come Back Home (H. Morrison, R. McNeir 4:29)
B1 Sagittarian Affair (R. McNeir 2:49)
B2 You Are Everything (H. Morrison, R. McNeir 3:15)
B3 Spirit Of Love (Vocals – Kim Weston) (A. Moore, R. McNeir 4:00)
B4 Nothing But A Heartache (N.J. Morrison, R. McNeir 2:57)
B5 Wendy Is Gone (M. Cummings, R. McNeir 2:45)
B6 Give Me A Sign (H. Morrison, R. McNeir 3:24)
Label: Prodigal – PLP-10007
Format: Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Soul
Style: Seventies Soul
Ronnie McNeir's 1975 self-titled album, released on the Prodigal label, is a well-regarded record in the soul music scene, praised for its soulful vocals, emotional depth, and polished production. While it had limited initial commercial success, it has since become a sought-after item for soul enthusiasts and is critically acclaimed as one of his best solo works.
Reviews of the album highlight its mature and sophisticated blend of R&B, soul, and funk, with critics drawing comparisons to contemporaries like Leroy Hutson and Donny Hathaway.
McNeir's smooth, expressive, and unique voice is a central point of praise, particularly effective on the album's ballads and romantic songs. He is noted for his talent as a songwriter and arranger, having a hand in many of the tracks. The songs feature heartfelt lyrics addressing themes of love, loss, and social consciousness, a quality that critics appreciate.
The album is characterized by lush arrangements, incorporating rich brass sections, smooth strings, and intricate rhythms. The track "Nothing But A Heartache" is a standout example of the joyful, Philly-soul sound produced in Detroit. The production is described as polished and warm, capturing the essence of 1970s R&B music.
The album includes the much sought-after track "I'm Your Lover", which became a favorite on the Northern Soul scene in the UK, a testament to the album's lasting appeal. Other notable tracks mentioned in reviews include "Wendy Is Gone" and "A Sagittarian Affair".
Despite never making McNeir a household name at the time of its release, the 1975 album helped cement his reputation as a talented and versatile artist. The album's quality and the artist's enduring career (which later included becoming a member of the Four Tops) have led to renewed interest and reissues for new generations of soul fans. The album is highly rated among fans, with an average rating of 4.61/5 on platforms like Discogs.
Say My Friend
Bass, Written-By – Fonce Mizell
Drums, Written-By – Rodney Mizell
Guitar – Rance Allen
Keyboards, Written-By – Larry Mizell 3:56
A2 Reason To Survive
Bass – Rodney Mizell
Drums – Tom Allen
Guitar, Keyboards – Rance Allen
Written-By – Fonce Mizell 7:11
A3 Peace Of Mind
Drums, Bass – Rodney Mizell
Guitar – Rance Allen
Keyboards – Rance Allen
Keyboards, Written-By – Larry Mizell 5:11
B1 I'm Gonna Make It After All
Bass – Rodney Mizell
Drums – Tom Allen
Guitar, Keyboards – Rance Allen
Written-By – Rance Allen 5:33
B2 Got To Be Ready
Bass – Steve Allen
Drums – Tom Allen
Guitar, Keyboards, Written-By – Rance Allen 4:31
B3 You're My Everything
Piano – Rance Allen
Saxophone – Gary Bartz
Written-By – Rance Allen 5:10
B4 Truth Is Marching On (Outro)
Bass, Written-By – Fonce Mizell
Drums, Written-By – Rodney Mizell
Guitar – Rance Allen
Keyboards, Written-By – Larry Mizell 1:14
Label: Capitol Records – ST-11613
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul, Gospel
Style: Gospel-Soul, Funk
Say My Friend is a classic 1977 album by The Rance Allen Group, notable for being a soulful crossover gospel-funk collaboration produced by the highly regarded Mizell Brothers. It is widely considered one of the group's best and most soul-oriented recordings.
The album masterfully blends Rance Allen's powerful, "spacey" vocals and the brothers' musicianship with the Mizell Brothers' signature "jazz-funk" production style, characterized by "lilting arrangements and ethereal background vocals floating above spacey funk grooves".
While rooted in the group's gospel message, the music has a distinct 1970s soul and funk sound, making it a highly sought-after "rare groove" classic that bridges secular R&B and traditional black gospel music.
The song "Truth Is Marching On" was the only single from the album to make the R&B charts, peaking at number 100 in 1977.
Considered one of Rance Allen's finest moments, bridging his gospel background with contemporary soul music, it's a classic for fans of soul, gospel, and rare groove for its deep grooves and uplifting messages. It's celebrated for bringing high-quality, soulful production to gospel music.
In essence, Say My Friend is an essential listen for its incredible musicianship, spiritual depth, and influential fusion of gospel with 70s soul and funk. The album was reissued on CD for the first time by Soul Brother Records in 2007.
Sex and Soul
A2 Got To Get Enough (Of Your Sweet Love Stuff) 2:46
A3 I'm Falling In Love Again 4:09
A4 I Found A Man In My Bed 2:38
A5 Those Days Are Gone 3:03
A6 She Kept On Walkin' 3:29
B1 I Wasn't There (But I Can Feel The Pain) 3:29
B2 I'm Gonna Love Somebody Else's Woman (Somebody's Lovin' Mine) 3:10
B3 I'll Never Leave You Lonely 3:33
B4 Open Letter To The President 3:09
B5 I'm Bustin' My Rocks (Working On The Chain Gang) 2:32
B6 Back Into My Arms 3:03
Produced, Written and Arranged by Roy C. Hammond
Label: Mercury – SRM-1-678
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Southern Soul
Roy C's Sex & Soul is a seminal Southern Soul/Funk album known for its raw, passionate vocals, deep grooves, and explicit "grown folks" themes of love, desire, and infidelity, blending fiery grit with smooth, sophisticated production reminiscent of early '70s Stax/Volt or Hi Records, featuring standout tracks like "Got to Get Enough (Of Your Sweet Love Stuff)" and the legendary "Don't Blame the Man". It's considered an underrated gem, perfect for soul fans seeking authentic, mature R&B with a distinctive West Indian flavor, making it essential for genre enthusiasts.
The album is considered deep, pure Southern soul, reminiscent of the Stax or Fame labels. It avoids the orchestral arrangements common in "bedroom soul" of the era (e.g., Barry White), instead focusing on a grittier sound with prominent guitars, organ, bass, drums, and horns.
Roy C. delivers his songs with "fiery conviction" and a raw, passionate grit, blending the intensity of Otis Redding with the smoother production of early-70s soul.
The album is notable for addressing adult themes of love, infidelity, and relationships in a direct, unpretentious manner, speaking to a "grown folks" audience. Roy C. also included socially conscious and political songs, such as "Open Letter to the President", which protested the Vietnam War.
Roy C. produced the album himself, contributing to its independent, unique sound, which some reviewers note has a "West Indian flavor". The simple instrumentation and production style were a contrast to some of the more excessive 70s trends.
Despite limited commercial chart success at the time, the album became a cult classic and is considered one of the most underrated soul albums of the early 1970s. It was the first in a trilogy of albums Roy C. released on Mercury, followed by Something Nice (1975) and More Sex & More Soul (1977).
Step In To Our Life
Written-By – R. Flowers, W. Henderson 7:06
A2 For Real
Written-By – R. Flowers 3:50
A3 Give It To Me
Written-By – R. Flowers 3:25
A4 Ooh Baby
Written-By – R. Ayers 5:37
B1 Step In To Our Life
Written-By – W. Henderson 5:30
B2 Lovers Should Always Be Together
Written-By – W. Allen 6:31
B3 No Deposit No Return
Written-By – R. Ayers 2:44
B4 Take Your Funky Mind To The Disco
Written-By – W. Henderson 3:33
B5 Swarte
Written-By – W. Henderson 2:40
Label: Polydor – PD-1-6179
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Jazz, Soul
Style: Jazz-Funk, Disco
Roy Ayers & Wayne Henderson's Step Into Our Life (1978) is a classic, smooth jazz-funk fusion album, praised for its "Disco Jazz" vibe, blending mellow soulful sounds with warm jazz elements, featuring standout tracks like the groovy title track, funky "For Real," and catchy "Ooh Baby," representing a peak era for both jazz legends and laying groundwork for later Acid Jazz.
The album captures Ayers and Henderson as major figures in jazz-funk and soul-jazz, delivering a sound that was sophisticated yet accessible for its time.
It leans into Ayers' signature smooth, jazzy sound from albums like Vibrations, focusing on warm electric piano, vibes, and soulful vocals.
Standout Tracks:
"Step Into Our Life": Features a spine-tingling intro with harp and strings, leading into a chunky groove with great vibes and trombone solos.
"For Real": A funky ballad with excellent bass work by Nathaniel Phillips.
"Ooh Baby": A very catchy, infectious track.
The albumo Offers a mellow contrast to hectic times, allowing listeners to slow down with its rich instrumentation, including vibes, electric piano, and trombone.
Considered essential listening for fans of these artists and influential for later Acid Jazz, showcasing the exploration of new grooves in the late 70s.
A well-loved album that successfully merges jazz roots with soulful, funky, and even disco-infused grooves, making it a timeless piece of jazz fusion that remains popular and influential.
Sweet ‘n’ Sour Rythm ‘n’ Blues
Written-By – Roshell Anderson 3:25
A2 Leaving Me
Written-By – J. Jiles, M. Barge 4:17
A3 The Chokin' Kind
Written-By – Harlan Howard 3:10
A4 Grapevine Will Lie Sometimes
Written-By – Roshell Anderson 3:52
B1 Dearest Darling
Written-By – Roshell Anderson 6:20
B2 What Do You Expect Of Me
Written-By – Roshell Anderson 4:14
B3 You Wouldn't Believe
Written-By – Carl Davis, Richard Parker 3:29
B4 Stop Doggin' Me
Written-By – A. Snider, Bettye Crutcher, Don Davis 4:11
Label: Ichiban Records – ICH 1035
Format: Vinyl, LP, Album
Country: US
Released: 1989
Genre: R&B Soul, Blues
Style: Southern Soul
The album Sweet 'n' Sour Rhythm 'n' Blues by Southern Soul singer Roshell Anderson is a 1989 release on the Ichiban Records label, featuring a blend of funk, soul, and blues. It is available on CD, LP vinyl, and cassette formats.
The album showcases Anderson's unique vocal style within the Southern Soul genre. The title suggests a mix of musical moods, likely ranging from upbeat, "sweet" soul tracks to more gritty, "sour" blues-infused songs. The album was released in the U.S. in 1989 (some sources indicate 1990) and contains original compositions by Anderson as well as covers.
Based on limited user ratings on the Discogs platform, the album holds a generally favorable reception among the few who have rated it, with one version averaging 4.5 out of 5 stars from four ratings.
The More You Do It
A2 Close To You (C. Jackson, M. Yancy 2:55)
A3 The More You Do It (The More I Like It Done To Me) (C. Jackson, M. Yancy 3:10)
A4 You Set My Sprits Free (C. Jackson, M. Yancy 6:48)
B1 You And Me (C. Jackson, M. Yancy 3:12)
B2 Love Won't Let Me Wait (B. Eli, V. Barrett 3:37)
B3 Lovin' Feelin' (B. Jackson 3:23)
B4 Won't You Come Stay With Me (C. Jackson, M. Yancy 3:27)
B5 Jive Talkin' (B. Gibb - R. Gibb - M. Gibb 2:59)
Label: Columbia – PC 34350
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
Ronnie Dyson's The More You Do It (often bundled with Love in All Flavors) is praised for showcasing his incredible, smooth, soulful voice and lush 1970s Philadelphia-style production, featuring hits like the title track and gems like "I Think I'll Tell Her," making it a beloved collection for fans of classic soul, despite some reviewers finding it leaning towards the poppier, less gritty side of the spectrum, but still a testament to his vastly underappreciated talent.
Produced by Chuck Jackson & Marvin Yancy, the sound is characterized by rich arrangements, prominent female background vocals, and a polished, luxurious feel, similar to Natalie Cole's hits from that era.
The music serves as a perfect vehicle for Dyson's distinctive, emotive voice, allowing his purity and tenderness to shine.
Fans consistently laud his voice as phenomenal and the entire collection as enjoyable, with some calling it a "hidden talent" of soul music. Many feel Dyson deserved greater success, viewing him as one of soul's most underappreciated vocalists.
he production is seen as definitive luxury soul, offering a delightful experience for those who enjoy the smoother, Philly-soul sound of the mid-70s.
The More You Do It is considered a strong collection of classic soul, a wonderful legacy from a powerful male vocalist, perfect for anyone looking to discover or revisit Ronnie Dyson's smooth, captivating artistry.
The Rose Brothers
Written-By – Charles Richard Cason, Stacie Cason 5:18
A2 Burglar
Written-By – Charles Richard Cason 5:12
A3 One More Time
Written-By – Brian Short, Tom Campbell 3:55
A4 Wall To Wall Freaks
Written-By – Charles Richard Cason 6:48
B1 War Zone
Written-By – Charles Richard Cason 4:25
B2 I Get Off On You
Written-By – Charles Richard Cason 6:30
B3 Freeky Lover
Written-By – Charles Richard Cason 5:08
B4 The Edge Of Good-Bye
Written-By – Charles Richard Cason 4:43
Label: Muscle Shoals Sound Records – MSS 2201
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: R&B Soul
Style: Eighties Soul
The Rose Brothers' 1985 self-titled album is a highly regarded release in the modern soul and funk genres, considered by some to be a "criminally underrated" classic. It is particularly popular in Japan, where it has been ahead of the curve in appreciation.
The album blends 1980s synth and electro sounds with traditional Southern Soul influences, released under the Malaco/Muscle Shoals Sound label. The production is noted for symbolizing the "heyday" of Malaco Records' urban releases.
Lead singer Greg Rose is praised for his deep baritone vocals, which are often compared to those of Teddy Pendergrass.
Several songs have received specific mention:
"I Get Off on You": An urban mellow track that reached #28 on the R&B charts.
"I Wanna Do Ya": Described as a sweet love song, considered a must-listen for fans of artists like Zapp and Roger Troutman.
"Burglar": An electro-funk track with a sound inspired by "Planet Rock".
"Wall to Wall Freaks" and "Freeky Lover": Other notable funk/soul tracks from the album.
The album is often rated very highly by fans and collectors, with user ratings on platforms like Discogs averaging 5/5 stars on some releases. Reviewers emphasize the quality of the slow jams and the overall cohesive 80s sound.
On Discogs, the album maintains a high average rating, with many users giving it a 5/5 standout score. Reviewers praise the "timeless" quality of the slow jams, which contrast with the "electro-number" energy found elsewhere on the record.
The Way You Look At Me
2 Show Me 4:21
3 Blame It On Me 6:53
4 Love Games 3:51
5 The Way You Look At Me 4:03
6 Yesterday's Child 7:06
7 In My Little Wonderland 5:48
Label: Vision Quest – VQD 91587
Format: CD, Album
Country: US
Released: 1987
Genre: R&B Soul
Style: Eighties Soul, Funk
The 1987 album The Way You Look At Me by Jean Albert Renaud (often credited simply as Renaud) on the Vision Quest label (VQ91587) is a release in the Dance & Electronica, Soul, Disco, and R&B genres, primarily aimed at collectors of 80s dance music.
On Discogs, the album holds an average rating of 4.75 out of 5 stars based on a small number of user ratings (four ratings).
The album is described as showcasing Renaud's "unique style and musical talent" within the specified genres. The sound is likely characterized by deep weighted grooves, warm dynamics, and soulful elements typical of 80s deep house and techno noir, consistent with the Visionquest label's general profile.
The record is considered a desirable item for enthusiasts of 1980s dance and soul music, particularly due to its niche appeal and association with the Vision Quest label.
Why Must It End
2 That's Enough
3 Darling, Please Tell Me
4 Why Are You Afraid
5 Let Me Know
6 One Bo-Dillion Years
7 Fox Hunting On A Weekend
8 You Don't Move Me No More
9 Why Must It End
10 How Many Times Must I Knock
11 I'm Burning And Yearning (For You)
12 Standing In The Safety Zone
13 You're All I Need
14 My Pride Won't Let Me
15 Don't Forget The Soldiers (Fighting In Vietnam)
16 Tis Yuletide
17 That's It
18 In Time You'll See
19 Leave You In The Arms Of Your Other Man
20 Oo Wee Baby I Love You
Label: Soulscape Records – SSCD 7015
Format: CD, Compilation
Country: UK
Released: 2008
Genre: R&B Soul
Style: Southern Soul, Deep Soul
The album Why Must It End by Roscoe Robinson is a highly regarded compilation of his secular deep and Southern soul recordings from the late 1960s, praised for its collection of brilliant deep soul tracks and Robinson's exceptional vocal performances.
Music critics and soul music enthusiasts consider the album a must-have for fans of the genre, highlighting Roscoe Robinson as one of the great soul voices, on par with artists like Otis Redding and Johnnie Taylor. The album is a compilation, primarily of recordings for his own Gerri label and the Nashville-based Sound Stage 7 label between 1965 and 1969.
Robinson's voice is consistently described as a rich baritone, shining through both ballads and up-tempo numbers. Critics note his vocal approach is laid back yet expressive, delivering powerful, heartfelt performances.
The album is a prime example of Southern soul, featuring top-class studio musicianship, including the Memphis Boys. The arrangements effectively use strings to complement his vocals on ballads.
The title track, "Why Must It End," is singled out as a "brilliant Deep Soul opus". The CD also includes his million-selling hit "That's Enough," a "club classic" in the UK, and other highly regarded deep soul ballads like "Let Me Know" and "Leave You in the Arms of Your Other Man".
The Soulscape CD release, in particular, is noted for completing a valuable trio of consecutive releases for Southern soul fans and features informative liner notes. The collection offers a comprehensive look at his peak secular recording period.
In essence, the album is a highly recommended listen, showcasing the work of an outstanding vocalist and offering a superb example of classic deep soul music.
Young And Restless
A2 Now Or Never (A. Goodman*, H. Ray, W. Morris 4:48)
A3 Just Look Into His Eyes (A. Goodman, H. Goodman, W. Morris 4:15)
A4 We're So In Love (A. Goodman, H. Ray, W. Morris 3:18)
A5 I Love My Jim (A. Goodman, H. Ray, W. Morris 3:49)
B1 My Love Is On His Way (A. Goodman, H. Ray, W. Morris 4:27)
B2 That's How Some Men Are (A. Goodman, H. Ray, W. Morris 4:39)
B3 Our Way Of Loving (S. Lowe 4:44)
B4 Let's Make Up For Lost Time (S. Lowe 4:39)
Label: All Platinum – AP-3017
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Disco Soul
Retta Young's 1976 album Young and Restless is considered a high-quality "gem" of 70s modern soul and disco, particularly sought after by collectors of Northern Soul. It is praised for combining elements of soul and disco in a "supremely groovy" mid-70s mix.
The album blends R&B, modern soul, and disco. It features both uptempo, soulful dance tracks like "My Man Is On His Way" and "Really, Really", as well as slower, emotion-rich ballads such as "Our Way Of Loving" and "Now or Never". The overall sound has a brilliant, sometimes "Philadelphia International style" feel.
Reviewers and collectors generally regard the album highly, often giving it positive ratings (e.g., 4-5 stars on retail sites). It's described as an enjoyable album from start to finish, with some tracks being considered "Northern Soul Classics".
The original 1976 pressing on All Platinum Records became a rare collector's item, fetching high prices. Due to high demand, it was reissued for the first time in 2017 by Expansion Records on both vinyl and an expanded CD format.
Retta Young was the wife of Al Goodman of the group The Moments, who produced and engineered the album and wrote some of the tracks.
In summary, Young and Restless is a well-regarded album appreciated by fans of 1970s R&B, soul, and disco music.