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A Portrait Of The Tams
A2 Greatest Love (Joe South 2:28)
A3 Makin' Music (Ray Whitley 2:59)
A4 You've Got Control Of My Soul (Ray Whitley 2:22)
A5 You Got The Power (Ralph Flynn 2:41)
B1 Sunshine, Rainbow, Blue Sky, Brown-Eyed Girl (Ray Whitley 2:09)
B2 Soul Brother (Ray Whitley 2:34)
B3 Whose Little Girl Are You (Ray Whitley 2:00)
B4 Trouble Maker (Ray Whitley 1:48)
B5 What Do You Do (Ray Whitley 2:20)
B6 There's A Great Big Change In Me (Julius Cobb 3:20)
Label: ABC Records – ABCS-673
Format: Vinyl, LP, Album
Country: US
Released: 1969
Genre: R&B Soul
Style: Southern Soul
A Portrait of the Tams is an album by Southern soul group The Tams, which came out during their time on the ABC-Paramount label. While it may not have had the same mainstream success as their earlier singles like "What Kind of Fool (Do You Think I Am)," the album is part of their extensive catalog that solidified their legacy in the "beach music" scene. Reviews are scarce, but fans have noted the album features the band's signature smooth sound and was created during a period when the group was still actively touring and recording.
The album was released in 1969, near the end of the Tams' time with ABC-Paramount before they moved to the Lowery's 1-2-3 label. This was a period when they continued to produce music, though their biggest chart successes came earlier in the decade.
The Tams are known for their smooth soul sound and were a major influence on the "beach music" genre, particularly in the Southeast U.S.. A Portrait of the Tams is part of this body of work that showcased this signature sound.
While less famous than their 1960s hits, this album contributes to their lasting legacy, which includes a continued presence on the music scene for decades, their induction into the Georgia Music Hall of Fame, and a revival of their music through films like Shag.
Ahead of Our Time
A2 The Way We Were (A. Bergman M. Bergman, Hamlisch 2:49)
A3 Ahead Of Our Time (Smith 2:13)
A4 Remember The Rain (Smith 3:58)
A5 Does Your Mama Know About Me? Chong, Baird 3:56)
B1 Child (Smith 3:25)
B2 If By Chance (Durham, Ellis, Smith 2:43)
B3 Mirror, Mirror (Smith 2:25)
B4 See My Love Growin' Old (Ellis 4:15)
B5 You're My Only World (Clinton* 2:55)
Label: RCA Victor – APL1-1189
Format: Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Soul
Style: Seventies Soul
Liner Notes read:
"From Chicago, legendary birthplace of the urban blues style which became the sound of the Fifties and Sixties, the 21st Century arrives letting us know how tomorrow sounds today. The children of the Seventies have seen more of civilization and life than any previous generation. A song heard here by the 21st Century describes growing up with "a man on the moon and hippie communes" echoing the frustrations of young people who see themselves being handled a world they did not create; yet all the while their music speaks loudly with the joy of youth. Surrounded since birth by a sophisticated musical tradition, they have learned to sing with intensity and feeling about today and tomorrow. Listen ... and welcome to the 21st Century!"
Ahead of Our Time is a 1970s Chicago soul album by the group 21st Century, known for its strong vocal harmonies and a sound that blends righteous, Temptations-esque tracks with spacey, mellow songs that highlight their falsetto vocals. It is a harmony soul record that fits within a trend of young, Chicago-based soul groups from that era, alongside acts like The 5 Stairsteps.
The lyrics are noted for reflecting the experience of youth in the 1970s, dealing with growing up surrounded by significant global events and societal changes like "a man on the moon and hippie communes," while still retaining a joyful youthful energy.
Cloudy
A2 Creepin' (Stevie Wonder 3:53)
A3 Feel Like Making Love (Eugene McDaniels 6:39)
A4 Make Love To Your Mind (Bill Withers 5:16)
A5 Afraid Of Losing You (M. Sutton, P. Sawyer 2:33)
B1 Let It Flow (B.R. Wright, Martin McNichols, T. W. Stewart 6:53)
B2 Boy You're Growing On Me (B.R. Wright, R. C. Marks, T.W. Stewart 2:31)
B3 Reachin' Out For Your Love ("Touch Me Baby") (Johnny Bristol 2:58)
B4 Woman Driver (S. Eaton, T. Eaton 3:48)
B5 Let It Flow Tamiko (B.R. Wright, Martin McNichols, T. W. Stewart 4:45)
Label: Atlantis Records II – ATL-715
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul
Tamiko Jones' Cloudy album, released in 1977 on the Atlanta-based independent label Atlantis II, is a disco and soul. The album is noted for its slinky, sultry style that effectively merges traditional soul vocals with a more contemporary, orchestra-heavy disco sound.
Tamiko Jones personally put the album together, which features arranging help from Paul Riser and Tommy Stewart. It is characterized by Jones' sultry, sensual and soulful vocals with a "been-there-and-back" quality.
The album includes tight rhythm parts, notable keyboard work, and sweeping strings that give it an orchestral, Salsoul-like feel.
Jones was not only the producer but also the owner of the Atlantis II label, whose output was largely limited to her own releases.
The album marks a transition point in Jones' career towards a more dance-oriented, disco sound, leading up to her later hit "Can't Live Without Your Love". The track "Let It Flow" became a notable dance floor classic.
Do You Still Feel The Same Way
A2 Do We Have A Future 2:25
A3 You Came Just In Time 2:37
A4 She Don't Have To See You 3:10
A5 You Can Only Do Wrong So Long 2:39
A6 You Can't Have Your Cake (And Eat It Too) 3:31
B1 You Brought It All On Yourself 3:49
B2 That's All A Part Of Loving Him 3:15
B3 That's How Strong My Love Is 3:16
B4 Hit And Run Lover 2:30
B5 Everybody's Got A Little Devil In Their Soul 3:36
Written by Bobby Patterson (tracks: A1 to B2, B4, B5), Jerry Strickland (tracks: A1 to B2, B4, B5), Roosevelt Jamison
Label: Soul Power – LPS 3316
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Southern Soul
Tommie Young's 1973 album Do You Still Feel The Same Way is a highly regarded classic of Southern Soul music, celebrated for her powerful, gospel-rooted vocals and raw emotional intensity. Critics and fans praise it as a hidden gem that deserved more recognition upon its initial release.
Young's voice is the centerpiece of the album, drawing frequent comparisons to a young Aretha Franklin due to its power, scale, and deep gospel influence. However, some reviewers note her style is a little more "down-home" and avoids the "over-souling" indulgences that could sometimes be attributed to Franklin. Her ability to convey raw emotion is consistently highlighted as a major strength.
The album is a quintessential example of early 1970s Southern Soul. It was produced by Bobby Patterson, who co-wrote most of the tracks, at the Jewel label in Shreveport, Louisiana. The production features sympathetic horns, harmonizing backup vocals (including Dorothy Moore), and arrangements that perfectly complement Young's punchy, expressive singing.
Key Tracks:
The title track and opener, "Do You Still Feel The Same Way", showcases her soaring, powerful vocals.
"That's How Strong My Love Is", an O.V. Wright classic, is noted as a beautiful soul ballad where she displays both power and tenderness.
"Hit and Run Lover" is a lively, mid-tempo track that gained popularity in the 1990s "free soul" scene.
"She Don't Have to See You (To See Through You)" is a standout "cheating song" that exemplifies the album's strong lyricism and emotional delivery.
Despite being recorded for a minor label in an era saturated with talented female soul singers, the album has built a strong reputation over time. Retrospective reviews often group Tommie Young with other great soul divas like Millie Jackson, Denise Lasalle, and Shirley Brown.
Overall, Do You Still Feel The Same Way is considered a superb, timeless Southern Soul record that has aged well. It is a highly recommended listen for "real soul lovers" who appreciate music "dripping with emotion". Many reissues are available for purchase from retailers like Amazon or Dusty Groove.
Force Of Nature
Producer, Mixed By – Budda
Recorded By – Storm Jefferson 3:10
2 My Freak
Engineer – Bob Tucker
Mixed By – Dino "The Cut" Johnson, Gabe Chiesa
Producer – Caviar, Overdose 4:08
3 Maybe I Deserve
Mixed By – Kevin Jackson, Scott Wolfe
Recorded By – Scotty Beats 5:01
4 Can't Get Down
Mixed By – Dino "The Cut" Johnson
Producer, Instruments – E. Seats, Rapture
Recorded By – Michael Conrade 5:04
5 Designated Driver
Mixed By – Gabe Chiesa
Producer – Overdose
Producer, Keyboards, Percussion – Caviar
Recorded By – Scott Wolfe 4:14
6 What, What, What
Producer, Mixed By – Budda
Recorded By – Storm Jefferson
Vocals [Additional] – Digital Black 3:15
7 Lady On My Block
Producer, Mixed By – Budda
Recorded By – Storm Jefferson 4:46
8 Want You Now
Mixed By – Ben Garrison
Producer – Budda
Recorded By – Chris Puram 4:05
9 Street Life
Engineer – Bob Tucker
Engineer [Assistant] – Peter Dirado
Mixed By – Dino "The Cut" Johnson, Gabe Chiesa
Producer – Caviar, Overdose
Strings [Arranged & Recorded] – Paul Riser 3:39
10 Slowly
Engineer, Mixed By – Scott Wolfe
Instruments [Played & Programmed] – Rockstar 6:08
11 Kill 4 You
Engineer – Wayne Allison
Mixed By – Ausha Keys
Producer, Instruments – E. Seats, Rapture Stewart 4:30
12 Let It Go
Producer, Mixed By – Budda
Recorded By – Eric Pitts 3:48
13 Bounce & Grind
Instruments [Played & Programmed] – Rockstar
Producer – Rockstar
Recorded By, Mixed By – Scott Wolfe 5:12
14 I Don't Wanna Be Lovin' You
Keyboards – Lorenzo Pryor
Mixed By – Ausha Keys
Producer, Keyboards – Budda
Recorded By – Carlos Warlick 4:30
Label: Blackground Records – 7243 8 50404 2 9
Format: CD, Album
Country: US
Released: 2001
Genre: R&B Soul, Funk
Style: Contemporary R&B
Tank's debut album, Force of Nature (2001), is widely praised as a strong R&B entry, marking him as a major talent with hit ballads like "Maybe I Deserve" and "Slowly," showcasing his vocal power, soulful depth, and vulnerability, though some critics found early tracks weaker, the overall consensus points to a solid foundation for his career with diverse moods and impressive production.
It Established Tank as a significant R&B artist with its successful launch and Gold certification and featured popular tracks "Maybe I Deserve" and "Slowly," showcasing vulnerability and vocal prowess.
The album gighlighted Tank's powerful voice and soulful delivery, setting a high standard, offering a mix of slow jams and upbeat tracks, with some tracks drawing comparisons to D'Angelo.
Many reviewers, including AllMusic and fans, rate it highly (e.g., 5/5 stars from AllMusic), recognizing its impact. Some felt the beginning was rough but the second half was stronger, while others felt it wasn't his best work compared to later albums but was still essential.
Best Tracks (Fan & Critic Picks):
"Maybe I Deserve" (a standout ballad)
"Slowly" (showcasing vocal power)
"I Don't Wanna Be Lovin' You" (a mellow mid-tempo)
"Want You Now" (sensual with great lyrics)
In essence, Force of Nature is seen as a defining R&B album, launching Tank's celebrated career with emotional depth and musical quality.
Hey Girl Don’t Bother Me!
Written-By – Mac Davis 2:21
A2 Go Away Little Girl
Written-By – Goffin-King 2:13
A3 What Kind Of Girl Are You?
Written-By – Ray Whitley 1:55
A4 Hey Little Girl
Written-By – Buddy Funk 2:31
A5 Why Did My Little Girl Cry?
Written-By – Harry Middlebrooks 2:11
A6 Hey Girl Don't Bother Me
Written-By – Ray Whitley 2:25
B1 Silly Little Girl
Written-By – Joe South 2:36
B2 Candy
Written-By – Kramer, Whitney, David 2:15
B3 My Lady Elaina
Written-By – Judy Thomas 2:08
B4 Melancholy Baby
Written-By – Burnett, Morton 2:21
B5 She's Funny That Way
Written-By – Clark, Whiting 2:07
B6 Anna (Go To Him)
Written-By – A. Alexander 2:45
Label: ABC-Paramount – ABC 499
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1964
Genre: R&B Soul
Style: Sixties Soul
Hey Girl Don't Bother Me! is a classic 1964 R&B and soul album featuring the group's signature vocal harmonies and beach music sound.
The album features 10 tracks, including their popular single of the same name. The track "Hey Girl Don't Bother Me" was originally a US R&B chart hit, later reaching number one in the UK charts in 1971.
Reviewers praise the album for its great sound and nostalgic appeal, capturing the essence of 1960s soul and R&B. The lead singer's distinctive voice is often highlighted as making even average songs sound great. The album is considered a must-have for soul and R&B collectors, especially those interested in the "Carolina shag" dance scene, where The Tams' music was very popular.
Hey Girl Don't Bother Me!
Hey Girl Don't Bother Me! (ABC-Paramount, ABC 499) is a classic 1964 R&B and soul album featuring the group's signature vocal harmonies and beach music sound.
Album Details
Artist: The Tams
Title: Hey Girl Don't Bother Me!
Label: ABC-Paramount
Catalog Number: ABC 499 (mono version; ABCS 499 is the stereo version)
Format: 12" Vinyl LP, Album, Mono
Release Year: 1964
Genre: Rock, Funk / Soul, Pop, with influences of Northern soul and beach music
Physical Description: Black vinyl record with a cardboard sleeve case. The cover was designed by Steve Madison, with liner notes by Rick Ward.
Tracklist
The album features 10 tracks, including their popular single of the same name. The track "Hey Girl Don't Bother Me" was originally a US R&B chart hit, later reaching number one in the UK charts in 1971.
Critical Reception
Reviewers praise the album for its great sound and nostalgic appeal, capturing the essence of 1960s soul and R&B. The lead singer's distinctive voice is often highlighted as making even average songs sound great. The album is considered a must-have for soul and R&B collectors, especially those interested in the "Carolina shag" dance scene, where The Tams' music was very popular.
I’m In Heaven
A2 I Just Can't Say Goodbye (J. Davis 4:56)
A3 You Got To Know Better (G. Jackson, P. Jackson 3:25)
A4 Anything (M. Steals-M. Steals 4:19)
B1 You Got Nowhere To Come (G. Jackson, Hailstock, P. Jackson 4:43)
B2 I Love You Pretty Baby (G. Jackson, Brevard, P. Jackson 4:40)
B3 One Half As Much (M. Steals-M. Steals 3:24)
B4 Love Me Tonight (M. Steals-M. Steals 4:55)
1 Label: Midland International – BKL1-1821
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Philly Soul
The album I'm In Heaven by the Philly soul/disco band Touch of Class is known for its smooth, lushly orchestrated sound, heavily influenced by the Philadelphia soul style. The album was produced by John Davis and features various members of the legendary Salsoul Orchestra, including Vince Montana on vibraphone.
The record is characterized by soaring, groovy arrangements that blend R&B, soul, pop, and disco elements. Critics and soul fans have praised its plush instrumentation, often comparing its sound to the work of producer Thom Bell. The title track itself is noted for having a beautiful instrumental break featuring the vibraphone. The group's vocal style is described as sometimes fragile, but generally well-suited to the robust, dance-oriented grooves provided by Davis's production.
Expanded and remastered editions of the album often include bonus tracks such as "Said It Before," "God Bless Me," and various 7" and disco versions of the main songs.
It Must Be Magic
Backing Vocals – Diedra Joseph, Glenn Carl Leonard, Jackie Ruffin, Jill D. Jones, Melvin Franklin, Mickey Boyce Hearn, Otis Williams, Teena Marie 6:03
A2 Revolution
Backing Vocals – Arnell Carmichael, Darren Carmichael, Julia Waters Tillman, Maxine Waters Willard, Pattie Brooks, Phillip Ingram 4:27
A3 Where's California
Arranged By [Vocals] – Mickey Boyce Hearn
Backing Vocals – Julia Waters Tillman, Maxine Waters Willard, Pattie Brooks
Keyboards – Scott Markus DeTurk 5:24
A4 365
Arranged By [Rhythm] – Rick James
Arranged By [Vocals] – Mickey Boyce Hearn
Backing Vocals – Glenn Carl Leonard, Jill D. Jones, Melvin Franklin, Mickey Boyce Hearn, Otis Williams, Teena Marie 4:10
A5 Opus III (Does Anybody Care)
Arranged By [Vocals] – Teena Marie
Harp – Lloyd Lindroth 1:27
B1 Square Biz
Backing Vocals – Diedra Joseph, Jackie Ruffin, Jill D. Jones, Mickey Boyce Hearn, Rick James, Teena Marie
Guitar – Josef Andre Parson
Synthesizer, Arranged By [Rhythm] – Allen McGrier
Vocals [Vocal Percussion] – Anthony Brockert, Christopher Anthony Boehme 6:13
B2 The Ballad Of Cradle Rob And Me
Backing Vocals – Glenn Carl Leonard, Melvin Franklin, Mickey Boyce Hearn, Otis Williams, Teena Marie
Bass – Charles A. Glenn Jr.
Voice [Party] – Anthony Brockert, Dwayne Wedlan, Ginny Pallante, Grayland Taylor, Ray Townsend 3:42
B3 Portuguese Love
Backing Vocals – Jill D. Jones, Mickey Boyce Hearn, Teena Marie
Vocals [Male Adlib] – Rick James 7:47
B4 Yes Indeed
Keyboards – Patrice Rushen 4:57
Label: Motown – STML 12154
Format: Vinyl, LP, Album
Country: UK
Released: 1981
Genre: R&B Soul
Style: Eighties Soul, Funk
Teena Marie's 1981 album It Must Be Magic is widely considered a masterpiece and a classic of the R&B, soul, and funk genres, often hailed as the best of her four albums for Motown. It received positive critical reception upon release and continues to be highly regarded for its artistic vision and powerful vocals.
Critics and fans praised the album for several key reasons:
Marie wrote and produced the entire album herself, a groundbreaking achievement for a female artist in the male-dominated R&B genre at the time. This allowed her to fully realize her own blend of soul, funk, R&B, and jazz, showcasing immense talent and ambition.
The album is noted for its ability to seamlessly transition between high-energy funk/dance tracks and powerful, emotive ballads, displaying a "boundary-lessness of spirit".
It features some of Marie's most enduring and signature songs, including the funky "Square Biz" (which includes an early female rap) and the "quiet storm" classic ballad "Portuguese Love".
The album's lyrics tackle thoughtful and complex subjects, such as racism in the liner notes and the murder of John Lennon in the track "Revolution". This added a layer of substance and socio-political awareness that resonated with audiences.
Marie's vocals are frequently described as powerful, stunning, and soaring, drawing comparisons to artists like Minnie Riperton.
It Must Be Magic was a commercial success, becoming Marie's highest-selling album for Motown. It peaked at number 2 on the R&B Album chart, earned her her first gold record, and received a Grammy nomination for Best Female R&B Vocal Performance.
In review, the consensus is that It Must Be Magic is a landmark album that solidified Teena Marie's status as a trailblazing, self-sufficient artist. It's a cohesive work that successfully blends diverse musical styles and lyrical depth, making it an essential listen for any R&B or funk enthusiast.
Love And Touch
Written-By – L. Graham 4:19
A2 Close To You
Written-By – L. Graham, M. Koen 4:07
A3 Why Is It So Hard (To Say You're Sorry)
Written-By – D. Miller, L. Graham 5:33
A4 You're Too Much
Written-By – D. Miller, L. Graham 3:47
B1 Put Your Trust In Me
Written-By – L. Graham 5:00
B2 Givin' Myself To You
Written-By – L. Graham 4:00
B3 Wrong Doers
Written-By – L. Graham 4:55
B4 Beware, Beware
Written-By – J. Sibley, L. Graham 4:27
Label: Columbia – PC 34268
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Southern Soul, Disco
Tyrone Davis's Love & Touch is celebrated as a soulful, mellow pivot from his earlier Dakar Records work, showcasing his trademark sweet vocals with superb band musicianship, offering an addictive, relaxing soundtrack blending soul with smooth jazz elements that marked a fresh, evolving chapter in his career on Columbia Records, noted for its emotional depth and positive vibe.
The album is a quintessential example of Chicago soul, with production heavily influenced by Leo Graham, who wrote or co-wrote all the material. The sound is noted for being sophisticated, smooth, and danceable, moving into a more "discofied" soul style compared to his earlier work.
Davis's vocals are consistently praised for being "sweet and soulful" and "relaxed". The backing band also receives commendation for superb musicianship.
The album produced two successful singles:
"Give It Up (Turn It Loose)" was a major hit, reaching No. 2 on the Billboard Hot Soul Singles chart and No. 39 on the Billboard Hot 100.
"Close to You" reached No. 33 on the soul singles chart.
User and retrospective reviews are overwhelmingly positive, with ratings on platforms like Discogs averaging over 4 out of 5 stars. Fans consider it a great addition to any soul collection, appreciating the evolving sound and consistent quality of Davis's performance.
In summary, Love And Touch is a highly regarded album that successfully transitioned Tyrone Davis to a new record label, blending classic soul with contemporary (for the time) R&B and disco elements. It is viewed as a creative and commercial highlight in his extensive discography.
Love Is Here And Now You’re Gone
A1b Wings Upon Your Horn (Loretta Lynn)
A2a Monologue: Hoping (L. Dinsdale)
A2b Love Is Here And Now You're Gone (Eddie Holland, Lamont Dozier & Brian Holland)
A3a Monologue: Final Attempt (L. Dinsdale)
A3b Can't Last Much Longer (Allen Toussaint)
A4a Monologue: The Next Time! (L. Dinsdale)
A4b That's Understanding (Dave Crawford, Willie Martin)
B1 I'm Gonna Run Away From You (Bert Berns 2:49)
B2 Ain't No Soul (Left In These Old Shoes) (Arthur Resnick, Joseph Levine 2:18)
B3 A World You Left Behind You (Jane McNealy 4:44)
B4 Never No More (Tami Lynn 2:49)
B5 Mo Jo Hanna (Andre Williams, Barbara Paul, Clarence Paul 3:23)
B6 One Night Of Sin (Anita Steinman, Dave Bartholomew, Pearl King 2:53)
Label: Cotillion – SD 9052
Format: Vinyl, LP, Album, St
Country: US
Released: 1972
Tami Lynn's Love Is Here & Now You're Gone (1972) is a deep, conceptual soul album known for its unique blend of intimate spoken-word interludes (monologues) narrating a breakup, interspersed with powerful Southern soul and funk tracks, featuring production by Jerry Wexler, Tom Dowd, and Bert Berns. Side One tells a fragmented love story with "Introduction," "Hoping," "Final Attempt," and "The Next Time," while Side Two shifts to regular songs like her soulful "I'm Gonna Run Away From You" and funkier numbers. It's praised for its raw emotion, personal feel, and classic soul sound, often compared to artists like Candi Staton, though some listeners find the monologues disjointed.
Side One presents a four-part narrative about a failed love affair, broken by Tami Lynn's spoken-word interludes that feel like therapy sessions. It melds deep soul, funk, and country-soul influences, with a raw, intimate, and sometimes stark delivery.
A rare groove classic from Cotillion Records, with notable producers, it includes the UK pop and northern soul hit "I'm Gonna Run Away From You," a cover of Allen Toussaint "Can't Last Much Longer", and funkier tracks like "That's Understanding".
The album offers a deeply personal, chills-inducing listen, capturing a private moment in a captivating way, making listeners feel like they're eavesdropping on a heartfelt confession, as described by Dusty Groove.
Love Maze
Written-By – Harold G. Scott 5:21
A2 Wrap Me In Love
Written-By – Mary Williams, Mack Rice 2:32
A3 Let Me Be The One
Written-By – Paul Williams, Roger Nichols 4:09
A4 Something So Right
Written-By – Paul Simon 6:03
A5 At Last
Written-By – Harry Warren, Mack Gordon 2:57
B1 You Make The Sunshine
Written-By – Leon Moore 4:56
B2 You Make Me Love You
Written-By – Leon Moore 3:12
B3 Come On Y'All
Written-By – Cleophas Fultz, Leon Moore 4:10
B4 Trust In Me
Written-By – Gene Schwartz, Milton Ager, Ned Weaver 3:48
B5 People Make The World Go Round
Written-By – Linda Creed, Tom Bell 6:37
Label: We Produce Records – XPS-1903
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
The 1974 album Love Maze by The Temprees is a highly-regarded example of classic "sweet soul" and Memphis soul, known for its smooth melodies, excellent vocal harmonies, and sparse production that highlights the trio's singing talent. It has a strong reputation among fans of vintage soul music.
Reviews from fans and critics consistently praise the album for its authentic sound and the quality of the group's performances:
The album is noted as a key, early example of "sweet soul," a style that later influenced other vocal groups like the Stylistics.
The trio, featuring Jasper "Jabbo" Phillips' falsetto lead, is at its best on emotional ballads. The voices are prominent and effective, a result of the production style that is not heavily orchestrated.
Many fans who owned the original album in the 70s still cherish it, calling it "criminally underrated" and "beautiful from start to finish". It is considered a must-have for collectors of the genre.
Love Maze is a strong entry in The Temprees' catalog, appreciated for its beautiful harmonies and deep soul feel, standing as a testament to the smooth vocal group tradition of the 1970s.
Made In New York
A2 E Carnival (Van Gibbs 5:01)
A3 My Space (Rob Crocker 4:57)
A4 I Do Love You (Regina Werneck 4:09)
B1 Made In New York (Tania Maria 4:08)
B2 Together (Jake Holmes 4:44)
B3 Forock (Agostinho Reis 2:58)
B4 Walking In The Rain (Regina Werneck 6:41)
Label: Manhattan Records – ST53000
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: R&B Soul, Jazz, Latin
Style: Jazz-Funk, Latin Jazz
Tania Maria's 1985 album Made in New York was generally well-received by critics and audiences, noted for successfully balancing her established Brazilian jazz style with contemporary American soul, funk, and pop influences.
The album was a key release that helped further increase Tania Maria's international popularity and exposure in the US market.
Critics highlighted the album's successful fusion of styles, describing it as an '80s set that combined her "wonderfully jazz-based way of singing" with "soulful currents". It incorporates elements of jazz, Latin, funk/soul, Afro-Cuban, and pop, showcasing her versatility.
The album features production input from fellow Brazilian artist Eumir Deodato, which helped shape the polished, soulful sound. Reviewers noted Maria's confidence in moving in "pop streets" while maintaining her unique style, adding a modern touch without sacrificing her core artistic identity.
User reviews often praise the album as "pure, elegant, Brazilian Jazz" and "hot, danceable, samba-beat Latin jazzzz!", appealing to a wide range of listeners.
The album holds a respectable average user rating, with a 3.83/5 on Discogs and a 4.2/5 on Amazon, indicating positive reception among fans. One aggregate review site gives a critic score of 60/100 based on a single review.
While her previous album Come With Me (1983) is often considered her breakout "calling card" due to the enduring classic title track, Made in New York is recognized as a strong follow-up that cemented her place in the international jazz and soul scenes.
Overall, Made in New York is considered a solid, enjoyable entry in Tania Maria's discography, effectively blending her Brazilian roots with contemporary American sounds of the era.
Meet The Temptations
A2 I Want A Love I Can See (Wm. Robinson 2:29)
A3 Dream Come True (Berry Gordy, Jr. 2:54)
A4 Paradise (Berry Gordy, Jr. 2:49)
A5 May I Have This Dance (Bradford, Whitfield 2:09)
A6 Isn't She Pretty (Gordy, Kendrick, Williams 2:41)
B1 Just Let Me Know (Berry Gordy, Jr. 2:48)
B2 Your Wonderful Love (Berry Gordy, Jr. 2:50)
B3 The Further You Look, The Less You See (Whitfield, Robinson 2:17)
B4 Check Yourself (Gordy, Bryant, Franklin, Williams 2:44)
B5 Slow Down Heart (Wm. Robinson 2:27)
B6 Farewell My Love (Berry Gordy, Jr. 2:25)
Label: Gordy – 911
Format: Vinyl, LP, Album
Country: US
Released: 1964
Genre: R&B Soul
Style: Sixties Soul, Motown
Meet the Temptations is a celebrated debut album from 1964 that serves as a strong introduction to the group's talent, featuring their first hit single, "The Way You Do the Things You Do".
While it showcases the classic Motown sound and the group's vocal versatility, including leads from David Ruffin, the album also includes material recorded with former member Al Bryant.
Many reviewers praise its quality, though some note that the group's sound would evolve and become even more sophisticated on later albums.
Reviewers describe it as a "wonderful introduction" and a "remarkable introduction" to one of music's greatest groups. The album highlights the diverse talents within the group, with different members singing lead, most notably David Ruffin on a few tracks.
It includes the group's first major hit, "The Way You Do the Things You Do". The album features material recorded with original member Al Bryant before he was replaced by David Ruffin in late 1963.
The album is a quintessential example of the early, "golden age" of Motown, with high-quality musicianship. Some lyrics are described as "cute" and "endearing," fitting the time period and style of early Motown.
While a great album, some critics note that Meet the Temptations is less polished than their later work, which saw their sound become more complex and socially conscious.
Teddy Pendergrass
Written-By – K. Gamble, L. Huff 4:06
A2 Somebody Told Me
Written-By – K. Gamble, J. Whitehead, G. McFadden, V. Carstarphen 5:13
A3 Be Sure
Written-By – K. Gamble, L. Huff 5:17
A4 And If I Had
Written-By – K. Gamble, L. Huff 4:23
B1 I Don't Love You Anymore
Written-By – K. Gamble, L. Huff 3:59
B2 The Whole Town's Laughing At Me
Written-By – S. Marshall, T. Wortham 4:28
B3 Easy, Easy, Got To Take It Easy
Written-By – J. Whitehead, G. McFadden, V. Carstarphen 4:55
B4 The More I Get, The More I Want
Written-By – J. Whitehead, G. McFadden, V. Carstarphen 4:27
Label: Philadelphia International Records – PZ 34390
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Philly
Teddy Pendergrass's 1977 self-titled debut is a landmark R&B/soul album, marking a smooth, sophisticated, and sensual solo launch after leaving Harold Melvin & the Blue Notes, featuring hits like "The Whole Town's Laughing at Me" and "I Don't Love You Anymore," showcasing his powerful baritone and establishing his "Teddy Bear" persona with classic Philly Soul production and strong ballads.
Critics praise its blend of danceable uptempo tracks and heartfelt slow jams, though some note early disco influences and lyrical clichés, but universally acknowledge its immense impact and legendary status as a "killer album".
The album is classic R&B, Soul, with emerging disco elements, signature Philadelphia International lush strings, and rich production by Gamble & Huff.
Pendergrass's distinctive, raspy baritone shines, delivering both gritty emotional depth and smooth romanticism, elevating tracks with gospel-infused ad-libs.
The album produced three hits singles:- "I Don't Love You Anymore," "The Whole Town's Laughing at Me," and "The More I Get, the More I Want" all became major R&B hits, defining his solo sound.
Fans and critics love uptempo cuts like "You Can't Hide from Yourself" and "And If I Had," alongside ballads, finding gems even in lesser-known tracks like "Be Sure".
It Established Pendergrass as a solo superstar, setting the stage for his iconic "bedroom ballad" era and influencing countless artists, solidifying his "Black Elvis" image.
Considered a near-perfect, essential debut, a "killer album" with "all killer no filler". Perfectly balanced mature, sexy themes with sophisticated soul music. A strong start that immediately found its audience and proved his solo potential.
In essence, this album was the electrifying launch of a legend, delivering powerful soul music that cemented his place in R&B history.
The Whole World’s Dancing
Arranged By – Norman Harris
Producer, Written-By – Bruce Gray, Norman Harris 7:02
A2 Teaser
Arranged By – George Bussey
Producer – Norman Harris
Written-By – Allan Felder, Norman Harris, Ron Tyson 6:16
A3 The Whole World's Dancing
Arranged By, Producer, Written-By – Ron Baker 6:03
B1 My Love, It's Never Been Better
Arranged By, Producer – Norman Harris
Arranged By, Producer, Written-By – Bruce Gray 5:36
B2 Soul Bones
Arranged By, Producer – Ron (Have Mercy) Kersey
Harmonica – Stevie Wonder
Horns – Maurice Spears & His Horns
Mixed By – Bob Hughes, G. McMillan
Strings – Paul Schorr & His Strings
Written-By – Leroy Green, Ron Kersey 5:35
B3 Love Magnet
Arranged By – George Bussey
Producer – Norman Harris
4:41
B4 More Good Times To Remember
Arranged By, Producer, Written-By – Ron Baker
Mixed By – Carl Paruolo 3:05
Label: Atlantic – SD 19210
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: R&B Soul
Style: Seventies Soul, Disco
Released in 1979, The Whole World's Dancing is an album that showcases The Trammps' signature "live band Philly disco sound," combining uptempo dance tracks with a soulful funk element. While it didn't achieve the massive success of their earlier Disco Inferno album, it is generally well-regarded by fans of late 70s disco and soul music.
Critics and fans generally appreciate the album for its consistent quality dance grooves and solid musicianship. One review notes it as a "superb example" of their sound, full of "uptempo and soulful" energy. However, some critics found that the album's tracks, while good, struggled to capture the immense "dancefloor savvy" of their biggest hits, perhaps suffering from being released as the disco genre faced a significant backlash in mid-1979.
The album features several standout tracks that have become favorites among fans:
"Love Insurance Policy": A thumping disco-funk jam.
"Teaser": Another popular uptempo track.
"The Whole World's Dancing": The title song, known for its strong groove.
"Soul Bones": An "unusually funky offering" that features a harmonica solo from Stevie Wonder and was released as a single, charting on the Hot Soul Singles chart.
"Love Magnet": Another appreciated funk track.
The Whole World's Dancing is considered a quality, consistent effort that delivers plenty of "quality dance grooves" typical of the late 70s Philly disco sound. It is recommended for fans of the genre and the band's work, showcasing their ability to produce creative and worthy album tracks beyond just singles. User ratings on platforms like Discogs generally average over 4 out of 5 stars.
Timothy Wilson
A2 It's Love Baby (Herschel Dwellingham, LaShonda Dupree, Maurice Rice 3:53)
A3 Keep It Up Don't Let It Go Down (Landy McNeal 4:59)
A4 Gotta Fall In Love Again (Bob Johnson, George Pettus 3:42)
B1 (Wear Your) Red Dress (Tight) (George Pettus 5:59)
B2 Follow Me (George Pettus 3:30)
B3 Who Babe Landy McNeal 3:20)
B4 We Just Can't Help It (George David Weiss, Hugo & Luigi 3:22)
Label: H & L Records – HL-69034
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Disco
Timothy Wilson's self-titled 1978 album, released on H&L Records, is a Funk/Soul record that incorporates elements of Disco. It features a blend of upbeat, dance-oriented tracks and soulful ballads. The album was Wilson's only full-length LP release during his career.
The album showcases Wilson's unique and soulful voice over arrangements that reflect the late 1970s' R&B and disco sound. The music features instrumentation common to the era, including electric piano, synthesizer, percussion, bass, guitar, and drums.
The production has a clean, professional feel, with recording taking place at H&L Sound Studios in Englewood Cliffs, New Jersey. Producers Herschel Dwellingham and Landy McNeal handled the production and arrangements.
While Timothy Wilson had several singles released throughout the 1960s, including the minor hit "Baby Baby Please" on the Buddah label, his 1978 album did not achieve major commercial success. However, the album has gained a following among collectors of R&B, soul, and disco music, with some tracks, particularly "Sugarland Express," becoming desirable finds in the collector's market.
Tower Of Power
Written-By – D. Garibaldi, E. Castillo, S. Kupka
5:03
A2 Clever Girl
Written-By – E. Castillo, S. Kupka, W. Fulton
2:52
A3 This Time It's Real
Written-By – D. Bartlett, E. Castillo, S. Kupka
2:52
A4 Will I Ever Find A Love?
Written-By – E. Castillo, S. Kupka
3:48
A5 Get Yo' Feet Back On The Ground
Written-By – W. Fulton
4:51
B1 So Very Hard To Go
Written-By – E. Castillo, S. Kupka
3:37
B2 Soul Vaccination
Written-By – E. Castillo, S. Kupka
5:10
B3 Both Sorry Over Nothin'
Written-By – E. Castillo, L. Williams, S. Kupka
3:22
B4 Clean Slate
Written-By – E. Castillo, S. Kupka, W. Fulton
3:20
B5 Just Another Day
Written-By – B. Conte
4:38
Label:
Warner Bros. Records – BS 2681
Format:
Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul, Jazz
Style: Jazz-Funk, Seventies Soul
The 1973 self-titled album by Tower of Power is widely considered their definitive and most successful work, a classic of the funk and soul genres. It is lauded for its superb musicianship, the powerful horn section, and the arrival of lead vocalist Lenny Williams, which created a potent mix of hard-driving funk and smooth soul ballads.
The album peaked at No. 15 on the Billboard LPs chart and achieved gold record status. Reviewers and fans consistently praise the record for its quality and variety, often calling it the "one to own" in their catalog.
The album showcases the "machine-gun" bass lines of Francis "Rocco" Prestia and the technical, precise drumming of David Garibaldi, which are often studied by musicians and considered foundational to funk drumming.
The iconic Tower of Power horn section provides a full, brassy bite and tight, punctuating lines that are a signature of the band's sound.
The addition of Lenny Williams' warm, powerful, and soulful voice is credited with elevating the band, providing the perfect element to synthesize their musical ideas.
The album successfully blends intense funk workouts with more tender, orchestral soul ballads, proving the band could handle diverse styles with energy and style.
The album features several tracks that became career-defining anthems and major hits:
"What Is Hip?": An undisputed funk anthem known for its staccato bass line, driving groove, and witty lyrics asking a perennially relevant question.
"So Very Hard to Go": A sublime, soulful ballad that became their highest-charting single, reaching No. 17 on the Billboard Hot 100.
"Soul Vaccination": A greasy, high-energy funk cut praised for its groove and socially conscious lyrics.
"This Time It's Real": A jaunty track that leans towards a Motown or Northern Soul shuffle, another successful single from the album.
Overall, the album is regarded as an all-killer, no-filler funk and soul classic that remains a must-have for fans of the genre.
Where I’m Coming From
A2 That Was Yesterday 3:25
A3 Society 4:20
A4 What You Don't Know 2:30
B1 It Really Hurts 4:00
B2 Helpless Man 5:00
B3 That's Where I'm Coming From 2:40
B4 Look At All The Lonely People 4:40
Label: ATCO Records – SD 7031
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Philly Soul
The album Where I’m Coming From by The True Reflection is an underrated soul gem from the 1970s, praised for its outstanding harmonies and beautiful slow jams.
Reviewers consistently highlight the group's "outstanding" vocals and harmonies, often drawing comparisons to other classic soul groups like The Delfonics, The Stylistics, or Blue Magic.
The slow jams and ballads are particularly well-received, described by one Amazon reviewer as "off the hook" and appealing for their themes of "longing, and lost love".
Released in 1973 by ATCO Records, the album features soulful and funky tracks that are seen as capturing the essence of the 1970s R&B era.
According to an Instagram post from a record seller, the album was released to "good reviews" at the time, though it only reached #140 on charts.
In essence, Where I'm Coming From seems to be a well-regarded, classic R&B album by a group often overshadowed by megastars, but beloved by those who know their deep cuts.