The Rose Brothers


The Rose Brothers

The Rose Brothers

A1 I Wanna Do Ya
Written-By – Charles Richard Cason, Stacie Cason 5:18

A2 Burglar
Written-By – Charles Richard Cason 5:12

A3 One More Time
Written-By – Brian Short, Tom Campbell 3:55

A4 Wall To Wall Freaks
Written-By – Charles Richard Cason 6:48

B1 War Zone
Written-By – Charles Richard Cason 4:25

B2 I Get Off On You
Written-By – Charles Richard Cason 6:30

B3 Freeky Lover
Written-By – Charles Richard Cason 5:08

B4 The Edge Of Good-Bye
Written-By – Charles Richard Cason 4:43

Label: Muscle Shoals Sound Records – MSS 2201
Format: Vinyl, LP, Album
Country: US

Released: 1985
Genre: R&B Soul
Style: Eighties Soul

The Rose Brothers' 1985 self-titled album is a highly regarded release in the modern soul and funk genres, considered by some to be a "criminally underrated" classic. It is particularly popular in Japan, where it has been ahead of the curve in appreciation.

The album blends 1980s synth and electro sounds with traditional Southern Soul influences, released under the Malaco/Muscle Shoals Sound label. The production is noted for symbolizing the "heyday" of Malaco Records' urban releases.

Lead singer Greg Rose is praised for his deep baritone vocals, which are often compared to those of Teddy Pendergrass.

Several songs have received specific mention:

"I Get Off on You": An urban mellow track that reached #28 on the R&B charts.

"I Wanna Do Ya": Described as a sweet love song, considered a must-listen for fans of artists like Zapp and Roger Troutman.

"Burglar": An electro-funk track with a sound inspired by "Planet Rock".

"Wall to Wall Freaks" and "Freeky Lover": Other notable funk/soul tracks from the album.

The album is often rated very highly by fans and collectors, with user ratings on platforms like Discogs averaging 5/5 stars on some releases. Reviewers emphasize the quality of the slow jams and the overall cohesive 80s sound.

On Discogs, the album maintains a high average rating, with many users giving it a 5/5 standout score. Reviewers praise the "timeless" quality of the slow jams, which contrast with the "electro-number" energy found elsewhere on the record.
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