Debby Moore
Debby Moore, originally born Emmaline Maultsby on 1925 in St. Augustine, Florida, was an iconic jazz singer renowned for her contribution to the genre. She attended Excelsior School and participated in her local choir at Trinity Methodist Church, which laid the foundation for her musical journey.
Over the years, she adopted the stage name Debby Moore, a name reportedly given to her by the legendary jazz musician Louis Armstrong. Her career took off in the 1950s when she began singing in clubs, where she notably collaborated with the esteemed jazz pianist Earl Hines.
Debby Moore released her second album titled "My Kind of Blues" in February 1960, showcasing her smooth vocal style and lyrical interpretation. Throughout her career, she became known for her light and warmly caressing voice, which captivated audiences and allowed her to gain recognition as a prominent figure in jazz music.
Sadly, Debby Moore passed away on January 2, 2017, in her hometown of St. Augustine, Florida, but her legacy in the jazz community continues to resonate through her recordings and the impact she had on the art form.
My Kind Of Blues
Written-By – D. Morris, D. Donaldson
2:58
A2 Come On Home To Me
Written-By – D. Morris, D. Donaldson
2:26
A3 See See Rider 2:26
A4 Nothin' But Trouble On My Mind
Written-By – Debby Moore, L. Donaldson
2:40
A5 Sent For You Yesterday 2:10
A6 Baby, Won't You Please Come Home 2:39
B1 I'm Travelin' Light 3:01
B2 (I Know) My Baby Loves Me True
Written-By – Debby Moore, L. Donaldson
2:53
B3 Why Don't You Do Right 2:50
B4 How Come You Do Me Like You Do Do Do 2:21
B5 Hallelujah, I Love Him So
Written-By – Ray Charles
2:56
B6 No Love, No Nothin' 2:45
Label: Top Rank International – RS 601
Format: Vinyl, LP, Album
Country: US
Released: 1960
Genre: Jazz, Blues
Style: East Coast Blues, Vocal
My Kind of Blues is the only solo album recorded by jazz and pop vocalist Debby Moore (born Cora Lee McDade, 1924–2017). Recorded in New York City in December 1959 and released in 1960, it features her intimate, warm vocal style and unique whistling abilities.
The album is characterized as a session of "sweet blues" and vocal jazz, featuring personal interpretations of established standards.
Moore’s voice is described as light and "warmly caressing," with a phrasing style that displays a deep jazz awareness. Moore contributes whistling on several tracks, such as "I Get A Feeling," in a style reminiscent of her trumpeter.
Key Tracks: The repertoire includes covers of Ray Charles' "Hallelujah, I Love Him So" and Jimmy Rushing's "Sent For You Yesterday," as well as "See See Rider" and "Why Don't You Do Right".
Moore is backed by a quintet of prominent jazz soloists:- Trumpet: Harry "Sweets" Edison; Piano: Jimmy Jones (also credited with arrangements); Guitar: Barry Galbraith; Bass: George Duvivier; Drums: Elvin Jones.
Released in 1960 by Top Rank International (Mono: RM 301; Stereo: RS 601). The album has been reissued several times, including a 2007 CD from Fresh Sound Records that added the bonus track "Get a Feeling," and a 2023 limited edition 180-gram vinyl from the Supper Club label.