DeBarge


DeBarge was an influential American R&B and soul music group that gained prominence in the 1980s. They are best known for their smooth sound and hits that blended elements of funk and soul. The band was formed by siblings from the DeBarge family, which contributed to their unique dynamic and musical identity. The group originated in Grand Rapids, Michigan, and consisted of several members of the DeBarge family. Key members included El DeBarge, James DeBarge, and Randy DeBarge. Initially, they began their musical journey as a band called White Heat in the mid-1970s under the mentorship of Barry White. The group released a single album in 1975 before rebranding as DeBarge, a name that drew from their shared family lineage and identity. DeBarge achieved mainstream success in the 1980s with a string of hit singles and albums. They became known for their distinctive style, characterized by harmonious vocals, catchy melodies, and a blend of R&B with funk influences. Notable hits from this period include "Rhythm of the Night," "All This Love," and "Who's Holding Donna Now," which helped solidify their place in the music industry. Their music resonated with audiences and contributed to the genre's popularity during this era. El DeBarge: Born on June 4, 1961, he served as the principal vocalist and was instrumental in the group’s success. His falsetto voice became one of the defining features of DeBarge's sound. James Curtis DeBarge: Born on August 22, 1963, he was also a key vocalist in the group. Randy DeBarge and other family members contributed to the group's unique sound and performances, as their familial bonds added depth to their music. DeBarge's contributions to the R&B and soul genres have left a lasting impact. Their music continues to be celebrated and has influenced numerous artists. Despite facing personal and professional challenges, including legal issues and struggles with addiction, the group's legacy as pioneers of 1980s soul and funk music remains strong. The members have also pursued solo careers, further expanding their influence in the music industry. In summary, DeBarge stands out not just for their musical achievements but also for their unique family-oriented approach to creating music that resonates across generations. Their blend of soulful melodies and funk grooves continues to inspire and entertain audiences today.
Bad Boys

Bad Boys

1 Dance All Night
Written By – Benatar-Pryor-Payne-Senogles 3:42

2 We're Having Fun
Written By – Derrell,Mark,Randy,James & Bobby DeBarge 3:34

3 You're A Big Boy
Written By – D. & J. DeBarge 4:32

4 You're Not The Only One
Written By – Gibbs-Williams 3:10

5 All Over
Written By – J. DeBarge 4:24

6 Say You Do
Written By – R. DeBarge-J. DeBarge 4:25

7 I Got You Babe
Written By – B. DeBarge 4:38

8 Take It To The Top
Written By – M. DeBarge-Pryor 3:19

9 Every Time I Think Of You Written By – J. DeBarge
4:29

Label: Striped Horse – SHL 2004
Format: Vinyl, LP, Album
Country: US
Released: 1987

Genre: R&B Soul, Funk
Style: Eighties Soul, Synth-pop

DeBarge's Bad Boys (1987) is generally seen as a decent, but not spectacular, late-era album, showcasing the group's continued talent despite personal struggles, with highlights like the funky "You're Not the Only One" and Bobby DeBarge's soulful ballads, though it lacked the commercial success of their earlier hits and didn't chart well, marking a decline before the group disbanded.

Released after El and Bunny left for solo careers, featuring Mark, Randy, James, and Bobby, with Chico joining later, it retains their signature blend of R&B, funk, and pop, with strong synth bass and perky guitars.

Standout Tracks:

"You're Not the Only One": Praised for its pure '80s pop feel with funky flourishes, noted as the album's best by some.

"I Got You Babe": A strong ballad led by Bobby DeBarge's hypnotic vocals, reminiscent of his work with Switch.

"Dance All Night" & "Take It To The Top": Fun tracks with catchy synth bass and energy.

Considered decent, proving the family's talent even with internal issues, but not essential for casual listeners; it's for dedicated fans curious about their later work.

It's the final studio album before the group's dispersion, with legal troubles and changing tastes contributing to its quiet end, despite the enduring legacy of their earlier work.

In summary, Bad Boys is a solid entry for deep-cut fans, offering glimpses of DeBarge's consistent musical ability amidst personal challenges, even if it wasn't a major commercial comeback.
Album Details - Test
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