A
100 Proof
A2 Since You Been Gone (Clyde Wilson, Ronald Dunbar 3:50)
A3 Nothing Sweeter Than Love (Clyde Wilson 3:50)
A4 Ghetto Girl (A. Bond, C. Wilson, G. Perry 3:47)
B1 Words (B., R. & M. Gibb 3:56)
B2 I Don't Care If I Never Get Over You (A. Bond, C. Wilson, R. Dunbar 3:59)
B3 Don't Scratch Where It Don't Itch (A. Bond, G. Johnson, G. Perry 3:46)
B4 Don't You Wake Me (A. Bond, G. Perry 3:39)
B5 Never My Love (Don & Rich Addrisi 4:02)
Label: Hot Wax – HA714
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul, Funk
100 Proof Aged In Soul's self-titled album, released in 1973 on Hot Wax Records, is the group's second and final studio album before they disbanded that year. It is a funk and soul album, primarily known for being produced by the Motown songwriting team Holland-Dozier-Holland's independent label.
The album features the group's signature sound of smooth soul alternating with energetic funk, built on distinctive lead vocals from members Joe Stubbs and Clyde Wilson (Steve Mancha). The record, like their debut, heavily leverages proverbs and idioms in its lyrical content.
100 Proof Aged In Soul is a gritty, soulful work that reached #40 on the R&B charts. It features the hit single "Everything Good Is Bad" which reached #15 on the R&B charts and #45 on the pop charts in the USA.
A New Beginning
A2 Weekend Lover (Al Hudson, Cuba Gregory, Irene Perkins, Maurice Gregory, Valdez Brantley 4:00)
A3 Let's Talk featuring Al Hudson & Lorrie Tice (Hugh Morton, Maurice Gregory 3:34)
A4 Get Up Off It (Hugh Morton, Maurice Gregory 4:49)
A5 Say You Will featuring Al Hudson & Jeanette Mack (Al Hudson, Cuba Gregory, Irene Perkins, Maurice Gregory, Valdez Brantley 4:51)
B1 Love At The Count Of 3 (Al Hudson, Cuba Gregory, Irene Perkins, Maurice Gregory, Valdez Brantley 4:31)
B2 Pleasure Seeker (Al Hudson, Cuba Gregory, Irene Perkins, Maurice Gregory, Valdez Brantley 4:12)
B3 U, Me & The Other Guy (Dave Roberson 5:20)
B4 You're Not My Problem (Al Hudson, Cuba Gregory, Irene Perkins, Maurice Gregory, Valdez Brantley 3:25)
B5 Must'a Been Crazy (Al Hudson, Lanar Brantley, Theodore Thomas Jr., Valdez Brantley 4:37)
Label: Capitol Records – C1-48990
Format: Vinyl, LP, Album
Country: US
Released: 1988
Genre: R&B Soul
Style: Disco Funk
A New Beginning is the final studio album by American R&B and funk band Al Hudson and One Way. The album is rooted in the genres of funk and soul, characteristic of the band's late-era work.
The album explores various facets of contemporary R&B and funk for the late 1980s. A notable track, "Get Up Off It," is described as a "dope late era electro funk track" that features lush vocoder and human beatbox effects.
While specific critical reviews are limited, the band in this period was known for navigating the evolving sound of funk in the 80s, blending live instrumentation with electronic and synthesized elements.
The album's lead track "Driving Me Crazy" was Al Hudson and One Way's last charting single . Released in 1988, the song peaked at number 75 on the US R&B chart. Following the release of this album on Capitol Records in 1988 the band disbanded, though they later reformed in 2019.
Aaliyah
Composed By – S. Garrett, T. Mosley
Featuring – Timbaland 4:02
2 Loose Rap
Composed By – E. Seats, R. Stewart, S. Garrett
Featuring – Static
Instruments played by E. Seats, Rapture 3:50
3 Rock The Boat
Composed By – E. Seats, R. Stewart, S. Garrett
Instruments played by E. Seats, Rapture 4:34
4 More Than A Woman
Composed By – S. Garrett, T. Mosley 3:49
5 Never No More
Composed By – S. Anderson, S. Garrett
Keyboards [Keys] – Renzo Pryor
Strings – The Black Orchestra 3:58
6 I Care 4 U
Composed By – M. Elliott, T. Mosley 4:33
7 Extra Smooth
Composed By – E. Seats, R. Stewart, S. Garrett
Instruments played by E. Seats, Rapture 3:55
8 Read Between The Lines
Composed By – S. Anderson, S. Garrett
Horns – Ron Blake 4:20
9 U Got Nerve
Composed By – B. Bush, E. Seats, R. Stewart
Instruments played by E. Seats, Rapture 3:43
10 I Refuse
Composed By – J. Walker, S. Garrett
Instruments played/programmed by Rockstar 5:57
11 It's Whatever
Composed By – E. Seats, R. Stewart, S. Garrett
Instruments played by E. Seats, Rapture 4:08
12 I Can Be
Composed By – D. Babbs, S. Anderson
Guitar – Sean Cruse 2:59
13 Those Were The Days
Composed By – E. Seats, R. Stewart, S. Garrett
Instruments played by E. Seats, Rapture
Mixed By – Dino "The Cut" Johnson 3:24
14 What If
Composed By – D. Babbs, J. Walker
Instruments played/programmed by Rockstar 4:25
15 Try Again
Engineer – Senator Jimmy D
Lyrics By – Static 4:05
Label: Virgin – CDVUSY199
Format: CD, Album
Country: Europe
Released: 2001
Genre: R&B Soul
Style: Contemporary R&B
Aaliyah's 2001 self-titled album is widely considered a masterpiece and a bold, forward-thinking project that redefined contemporary R&B. Critics lauded its experimental production, artistic maturity, and cohesive sound, with some calling it one of the best R&B records of its time.
The album is praised for its "cybernated sonic freakiness" and "futuristic" sound that still doesn't sound dated today. It features a unique blend of R&B, hip-hop, pop, and electronic music, incorporating fragmented beats, distorted guitars, and unusual vocal arrangements. The influence of this sound can be heard in many subsequent R&B and pop artists.
The album showcased a significant evolution for Aaliyah as an artist and a woman, moving beyond her earlier work. Critics noted her newfound confidence, the sophisticated subject matter of the lyrics (mostly written by Static Major), and a more mature, secure vocal delivery.
Unlike some albums that are just a collection of singles, Aaliyah is described as a cohesive body of work where each song tells its own story. The production choices, primarily handled by Timbaland and Static Major, create a consistent and innovative sonic landscape.
Tragically, it became her final album released in her lifetime, but its profound impact on R&B and pop music cemented her legendary status, influencing artists like Beyoncé and Rihanna,
Act 1
A2 I Don't Want To Know What You Do To Me (Raeford Gerald 2:59)
A3 Still Water (Frank Wilson, William Robinson 5:06)
A4 Goodbye Love (We're Through) (Andrew Smith, Bob Babbitt, Perry Boyd 2:13)
A5 Friends Or Lovers (Raeford Gerald 3:18)
B1 It's The Same Old Story (Cleveland Parker, Doug Nordli, Raeford Gerald, Roger Terry 3:08)
B2 You Didn't Love Me Anyhow (Andrew Smith, Bob Babbitt, Perry Boyd 4:33)
B3 Love's Got Your Mind (Andrew Smith, Bob Babbitt, Perry Boyd 2:32)
B4 Bump'n From The Middle (Raeford Gerald, Rob Dixon 3:29)
B5 Tom The Peeper (Raeford Gerald 2:16)
B6 Do You Feel It (Raeford Gerald 2:54)
Label: Spring Records – SPR 6704
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Soul
Style: Seventies Soul, Funk
The album Act 1 by the band Act 1 is a soul and funk album, primarily known for its melodic dance tracks. The group was a studio project featuring members Raeford Gerald, Roger Terry, Reggie Ross, and George Barker.
The album features a classic 1970s sound, incorporating compositions from noted writers and producers like the legendary Funk Brother Bob Babbitt. While not a major commercial success at the time, some of its tracks have gained recognition over the years.
This disco-funk record was produced by Raeford Gerald and was originally released on the Spring label and is known for its danceable and groovy sound, making it a notable record for collectors of funk and disco.
Characterized by strong compositions, melodic arrangements, and a prominent 70s groove. Some tracks feature horn arrangements.
The album includes the band's hit single "Tom The Peeper" which reached #40 in the UK Top-40 Pop charts, as well as "Friends Or Lovers" which was the band's biggest selling single in the US.
Al Green is Love
A2 Rhymes 3:33
A3 The Love Sermon 6:36
A4 There Is Love 3:03
A5 Could I Be The One 4:05
B1 Love Ritual 4:18
B2 I Didn't Know 7:47
B3 Oh Me, Oh My (Dreams In My Arms) 2:45
B4 I Gotta Be More (Take Me Higher) 2:45
B5 I Wish You Were Here 3:17
Written-By – A. Green (tracks: A1 to A4, B1 to B3, B5), E. Randle (tracks: A3), M. Hodges (tracks: A1, A2, B3), W. Mitchell (tracks: A1, A3, A5, B3, B5), Y. Mitchell (tracks: B4)
Label: Hi Records – SHL 32092
Format: Vinyl, LP, Album
Country: US
Released:1975
Genre:R&B Soul
Style: Seventies Soul, Southern Soul
Al Green Is Love is the ninth studio album by soul singer Al Green, released in August 1975 on Hi Records. It is a classic of Southern soul, blending Green's signature sensual vocal style with deep emotional and spiritual themes, and features the collaborative production of Willie Mitchell and the backing of the tight Memphis Hi Rhythm Band.
The album epitomizes the smooth, lush, orchestral soul sound that Green and Mitchell perfected in the early 1970s. The sound is built on the subtle, groove-oriented foundation of the Hi Rhythm Section (including brothers Charles, Leroy, and Teenie Hodges). This is layered with rich string arrangements by James Mitchell and vibrant accents from The Memphis Horns.
Green's vocal performance is a highlight, moving effortlessly from an understated, intimate delivery to a soaring, emotive falsetto.
The album explores love in its various forms, blending secular passion with spiritual introspection. The lyrics touch on joy, vulnerability, and devotion, reflecting Green's personal turmoil and deepening religious inclinations following a traumatic 1974 incident involving his then-girlfriend.
The album was a critical and commercial success, becoming Green's final of six consecutive albums to hit number 1 on the Billboard Top Soul LPs chart.
Critics praised the record for its "rare unity of feeling and mood, and a refinement of style," recognizing it as one of the final masterpieces of Green's secular soul era before his full transition to gospel music in the mid-1970s.
In essence, Al Green Is Love delivers high-quality, signature Al Green soul, offering both danceable grooves and heartfelt reflections on love, all wrapped in impeccable production.
Alice Clark
A2 Looking At Life (John Bromley, Petula Clark 3:10)
A3 Don't Wonder Why (Leonard Caston 3:22)
A4 Maybe This Time (John Kander, Fred Ebb 3:18)
A5 Never Did I Stop Loving You (Juanita Fleming 2:34)
B1 Charms Of The Arms Of Love (Bobby Hebb 2:38)
B2 Don't You Care (Bobby Hebb 2:49)
B3 It Takes Too Long To Learn To Live Alone Leon Carr, R.I. Allen 3:34)
B4 Hard Hard Promises (Bobby Hebb 3:05)
B5 Hey Girl (Earl DeRouen 3:16)
Label: Mainstream Records – MRL 362
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul
Alice Clark's self-titled 1972 album is a highly regarded, cult-classic soul-jazz masterpiece that has achieved legendary status among collectors after going largely unnoticed upon its initial release. It is widely considered one of the best soul albums ever recorded.
Clark's vocals are described as superb, powerful, emotive, and soaring, possessing an "Aretha-grade soulfulness" with the controlled serenity of Roberta Flack or Dionne Warwick. Her voice is a perfect mixture of love, pain, longing, and hope.
Produced by Bob Shad and arranged by jazz veteran Ernie Wilkins, the album features lush production that allows Clark's vocals to take center stage against a rich musical backdrop. The backing tracks include gospel-influenced organs, hazy horns, and a tight rhythm section featuring session aces like drummer Bernard Purdie and guitarist Cornell Dupree.
The album is an emotional ode to the peaks and valleys of love and heartbreak. The music can be both funky and laid-back, featuring heartfelt ballads and energetic soul numbers.
Despite being a commercial flop at the time of its release, the album gained popularity decades later, particularly in the UK's Northern soul and Acid Jazz scenes. It is now a highly sought-after collector's item.
All My Life
Written-By – Gamble & Huff 6:49
A2 All My Life
Written-By – John Davis 6:45
A3 I Love Makin' Love To You
Written-By – B. Weisman, Evie Sands, R. Germinaro 4:34
A4 Baby I'm The One
Written-By – A. Brown, Dee Ervin 3:45
B1 When Love Is New
Written-By – Gamble & Huff 7:13
B2 One Broken Heart
Written-By – John Davis 4:57
B3 All I Need Is You Tonight
Written-By – M. Steals & M. Steals 4:07
B4 This Is What You Mean To Me
Written-By – B. Eli, T. Collins 3:00
Label: Old Town Records
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul, Funk
Style: Seventies Soul, Disco
All My Life is an album that marks a shift for the veteran jazz and R&B singer Arthur Prysock into a smooth soul/disco sound. Produced by John Davis in Philadelphia, the album embraces a softer, more orchestral form of disco, often compared to the style of Barry White.
Primarily Funk / Soul and Disco, blending Prysock's signature distinctive baritone with a contemporary, dance-oriented sound.
The album includes the surprise disco hit "When Love Is New," which became a successful single and is considered a "proto-disco anthem".
The record was conceived and recorded in Philadelphia, leveraging the "Philly soul" sound popular at the time. It features a rich soundbed of strings and percussion from session musicians like members of John Davis and The Monster Orchestra.
Prysock, known for his older, wiser stature as a singer, delivers lyrics that balance a mature perspective on love and life with the "fire in your eyes" themes of disco music, often featuring a spoken "rap" portion in tracks like "All My Life".
The album is noted for its ability to seamlessly incorporate Prysock's classic, warm vocal style into a modern R&B and disco context, making it a unique entry in his discography.
The album has been reissued by labels like Big Break Records (BBR), often including bonus tracks (such as the single version of "When Love Is New") and detailed liner notes that provide context on the album's merits and the singer's career.
Anacostia
Written-By – R. Sinclair, T. Williams, T. Boyd 3:48
B2 What Kind Of Love
Written-By – Richard Harris, Van McCoy 3:42
B3 I Can't Stop Loving Her
Written-By – R. Sinclair, T. Williams, T. Boyd 4:37
B4 Words Spoken Softly At Midnight
Written-By – Charles H. Kipps Jr. 3:19
B5 Baby I'm Available
Written-By – Van McCoy 3:10
Label: MCA Records – MCA-2269
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Funk
The 1977 self-titled album by Anacostia is a well-regarded record in the soul and funk genres, known for its smooth tunes and ballads reminiscent of other vocal groups from the era. The album has received a generally positive reception among fans of the genre, often praised for its "wonderful" sound and "groove".
Reviewers and music enthusiasts generally consider the album to be a quality release within the soul/disco era. The lyrics of the nine tracks on the album consistently focus on the "ups and downs of love".
The album is a collection of smooth soul funk tunes and ballads. Its sound is often compared to other influential groups like the Stylistics, the Chi-Lites, and the Spinners.
It sounds "wonderful from the remastered CD" version, suggesting a high-quality production that has held up over time. Leaves listeners wanting more, offering a delightful, swaying, soulful groove.
Reissued on CD with bonus tracks, it's considered a must-have for 70s soul fans, offering excellent production and smooth, danceable tunes.
On music database sites like Discogs, the album has an average user rating of 3.88 out of 5 stars from 17 ratings.
Angie
Written-By – Angela Bofill 5:43
A2 This Time I'll Be Sweeter
Written-By – Gwen Guthrie, Pat Grant 4:18
A3 Baby, I Need Your Love
Written-By – Angela Bofill 4:12
A4 Rough Times
Written-By – Valerie Simpson, Nickolas Ashford 4:36
B1 The Only Thing I Would Wish For
Written-By – Angela Bofill 4:22
B2 Summer Days
Written-By – Timothy 5:10
B3 Share Your Love
Written-By – Derrik Hoitsma 5:12
B4 Children Of The World United
Written-By – Angela Bofill 5:48
Label: Arista GRP – GRP 5000
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul, Jazz
Style: Smooth Jazz, Soul, Ballad, Disco
Angela Bofill's 1978 debut album, Angie, is a sophisticated blend of jazz, soul, Latin, and smooth R&B, featuring her distinctive, powerful vocals and stellar musicianship from jazz legends like Dave Grusin, Steve Gadd, and Eric Gale. It marked the arrival of a unique artist, incorporating jazz fusion and heartfelt ballads like "This Time I'll Be Sweeter," establishing her as a significant voice in urban contemporary music and earning acclaim on jazz and R&B charts.
Produced by GRP Records founders Dave Grusin and Larry Rosen, who assembled an elite session band, it showcases Bofill's distinctive, powerful, and melodic voice, with arrangements featuring jazz-fusion elements and heartfelt ballads.
Includes the charting R&B hit "This Time I'll Be Sweeter" and tracks like "Share Your World" and "Children Of The World United".
While some find the production "cheesy" or dated by today's standards, others praise its clarity and the rich sound stage, especially on remastered versions, noting the beautiful instrumentation like the flute.
It announced Bofill as a unique talent, bridging jazz and urban contemporary audiences with her Latin-infused soul, making her a pioneering Latina artist in these genres.
Angie is considered a cornerstone album in smooth R&B/jazz, a fantastic showcase for Angela Bofill's unique talent, and a soulful listen that remains highly recommended by fans.
Ashanti
Featuring [Containing Elements] – Ashanti, Black Child, Cadillac Tah
Mixed By – Brian Springer
Performer [Containing Elements] – Big Pun, Cadillac Tah, Ja Rule, Ja Rule
Producer – 7, Chinky, Irv Gotti
Written-By – 7 Aurelius, A. Parker, A. Douglas, C. Rios, I. Lorenzo, J. Atkins, J. Cartagena, R. Gill, T. Crocker, T. Green
Written-By [Containing Elements] – P. Walcot 1:25
2 Foolish
Instruments [All] – 7
Mixed By – Supa Engineer Duro, Irv Gotti
Performer [Containing Sample] – El DeBarge
Producer – 7, Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Terry "Murda Mac" Herbert
Written-By – 7Aurelius, A. Douglas, E. Jordan, I. Lorenzo, M. DeBarge 3:47
3 Happy
Bass – Darwin Johnson
Instruments [All] – Chink Santana
Mixed By – Brian Springer, Irv Gotti
Producer – Chink Santana, Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Charles "Chee" Heath
Written-By – A. Parker, A. Douglas, I. Lorenzo, R. Calhoun 4:22
4 Leaving (Always On Time Part II)
Featuring – Ja Rule
Guitar – Rob Bacon
Instruments [All] – 7.
Mixed By – 7., Brian Springer, Irv Gotti
Mixed By [Assisted By] – Chris Dela Pena
Producer – 7, Irv Gotti
Recorded By – Asif Ali
Recorded By [Assisted By] – Jeremy Makenzie
Written-By – 7Aurelius, A. Douglas, I. Lorenzo, J. Atkins 3:55
5 Narrative Call (Skit) 0:36
6 Call
Instruments [All] – 7
Mixed By – 7, Brian Springer, Irv Gotti
Producer – 7, Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Terry "Murda Mac" Herbert
Written-By – 7Aurelius, A. Douglas, I. Lorenzo, J. Atkins 5:05
7 Scared
Featuring – Irv Gotti
Instruments [All] – Chink Santana
Mixed By – Brian Springer, Irv Gotti
Producer – Chink Santana, Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Charles "Chee" Heath
Written-By – A. Parker, A. Douglas, I. Lorenzo 4:43
8 Rescue
Guitar – Rob Bacon
Instruments [All] – 7.
Mixed By – 7, Brian Springer, Irv Gotti
Mixed By [Assisted By] – Chris Dela Pena
Producer – 7., Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Terry "Murda Mac" Herbert
Written-By – 7Aurelius, A. Douglas, I. Lorenzo 7:25
9 Baby
Co-producer – 7.
Instruments [All] – Chink Santana
Mixed By – Supa Engineer Duro, Irv Gotti
Producer – Chink Santana, Irv Gotti
Programmed By [Additional] – 7.
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Charles "Chee" Heath
Written-By – 7Aurelius, A. Parker, A. Douglas, B. Jordan, I. Lorenzo, M. Dean 4:25
10 Voo Doo
Instruments [All] – 7.
Mixed By – 7., Brian Springer, Irv Gotti
Mixed By [Assisted By] – Chris Dela Pena
Producer – 7., Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Terry "Murda Mac" Herbert
Written-By – 7Aurelius, A. Douglas, I. Lorenzo 4:42
11 Movies
Co-producer – Jared Thomas, Reggie Wright
Instruments [All] – 7.
Mixed By – 7., Brian Springer, Irv Gotti
Mixed By [Assisted By] – Chris Dela Pena
Producer – 7., Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Terry "Murda Mac" Herbert
Written-By – 7Aurelius, A. Douglas, I. Lorenzo, J. Thomas, R. Wright 4:09
12 Fight (Over Skit) 1:18
13 Over
Drums [Live] – Chink Santana
Instruments [All] – Chink Santana
Mixed By – Brian Springer, Irv Gotti
Mixed By [Assisted By] – Chris Dela Pena
Producer – Chink Santana, Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Charles "Chee" Heath
Written-By – 7Aurelius, A. Douglas, I. Lorenzo 5:34
14 Unfoolish
Instruments [All] – 7.
Mixed By – 7., Brian Springer, Irv Gotti
Mixed By [Assisted By] – Chris Dela Pena
Percussion – Butch Smalls
Performer [Containing Sample] – El DeBarge, The Notorious B.I.G.
Producer – 7., Irv Gotti
Recorded By – Milwaukee Buck
Recorded By [Assisted By] – Terry "Murda Mac" Herbert
Written-By – 7Aurelius, A. Douglas, C. Wallace, D. Jones, E. Jordan, I. Lorenzo, M. DeBarge, R. Kelly, S. Combs 3:14
15 Shi Shi (Skit) 0:15
16 Dreams
Bass Guitar, Acoustic Guitar – Rob Bacon
Drums – Trevor Lawrence Jr.
Electric Guitar [Star] – 7.
Grand Piano – 7., Kenneth Crouch
Instruments [All] – 7.
Mixed By – 7, Brian Springer, Irv Gotti
Producer – 7., Irv Gotti
Recorded By – Brian Springer
Recorded By [Assisted By] – Chris Dela Pena
Vocals [Additional] – Courtnie Cox, Janae Huff, Jasmine L. Morris, Kevin T. Green, Steven Cox
Written-By – 7Aurelius, A. Douglas, E. DeBarge, I. Lorenzo 4:18
17 Thank You
Mixed By – Brian Springer, Irv Gotti
Mixed By [Assisted By] – Chris Dela Pena
Producer – Ashanti
Recorded By – Asif Ali
Recorded By [Assisted By] – Jeremy Makenzie
Written-By – A. Douglas 1:47
Label: Murder Inc Records – 586 830-2
Format: CD, Album
Country: Europe
Released: 2002
Genre: Hip Hop, Funk, Soul, Pop
Style: Contemporary R&B
The 2002 self-titled debut album by Ashanti was a massive commercial success, though critical reviews were mixed, often praising its catchy, hip-hop-infused R&B production while noting the singer's vocal limitations and lack of a unique artistic identity.
Critics like those at Slant Magazine and Pitchfork found the songs "infectious and fine-tuned" but often derivative of other R&B divas like Mary J. Blige. Some reviewers felt Ashanti's "sweet but slight soprano" lacked the "grit and power" to carry an entire album, coming off as a passive imitation of the hip-hop soul style.
The album was generally praised for its "bass-heavy, slow-burning R&B grooves" and "bristling live instrumentation" courtesy of producer Chink Santana and others from the Murder Inc. label. However, some critics found the overall sound repetitive, a "pleasing blur" across its 17 tracks.
Ashanti wrote all of the album's tracks, which focus heavily on themes of love, heartbreak, and difficult relationships. While some found the narratives relatable, others criticized the "juvenile songwriting" and thin lyrics.
The album debuted at No. 1 on the Billboard 200 with over 500,000 copies sold in its first week, a record at the time for a debut female artist. It was certified triple-platinum in the US.
It spawned major hit singles, including the chart-topping "Foolish," which heavily sampled DeBarge's "Stay With Me" and The Notorious B.I.G.'s "One More Chance" (Remix), along with other top hits "Happy" and "Baby".
The album earned Ashanti a Grammy Award for Best Contemporary R&B Album, among other nominations.
Despite critical reservations at the time, the album is now often viewed through the lens of early 2000s nostalgia and is recognized as a significant work that solidified the blend of hip-hop and R&B that dominated the era. Artists like SZA have cited Ashanti's minimalist style as an influence.
Benny And Us
Congas, Percussion – Nicky Marrero
Written-By – Ned Doheny 4:33
A2 Fool For You Anyway
Soloist, Guitar – Jim Mullen
Written-By – Mick Jones 5:38
A3 A Star In The Ghetto
Arranged By [Strings, Horns] – Arif Mardin
Congas – Ray Barretto
Written-By – Phillip Mitchell 7:01
A4 The Message
Recorded By – Bobby Warner
Written-By – White, King 5:17
B1 What Is Soul
Written-By – Ben E. King, Bob Gallo 4:34
B2 Someday We'll All Be Free
Arranged By [Strings] – Cengiz Yaltkaya
Recorded By – Bobby Warner
Written-By – Donny Hathaway, Edward Howard 5:13
B3 Imagine
Arranged By [Strings] – Arif Mardin, Cengiz Yaltkaya
Written-By – John Lennon 4:56
B4 Keepin' It To Myself
Congas, Percussion – Nicky Marrero
Written-By – A. Gorrie 4:30
Label: Atlantic – SD 19105
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Funk
Benny and Us, a 1977 collaboration between Scotland's funk masters Average White Band (AWB) and soul legend Ben E. King, is a critically well-received, funky soul album showcasing King's smooth vocals over AWB's tight grooves, featuring hits like "Get It Up For Love" and "A Star In The Ghetto," though some critics note it leans heavily on covers, functioning as great bonus material for AWB fans but less original for King.
It successfully merged Ben E. King's iconic, smooth vocals with AWB's signature tight funk rhythms, creating a rich, soulful sound.
The album produced popular tracks like "Get It Up For Love" (a funkier take on Ned Doheny's original) and the soulful "A Star In The Ghetto" (later a hit for Tata Vega).
A significant portion of the album consists of covers, including Foreigner's "Fool For You Anyway," which AWB transformed into a heavy R&B ballad, highlighting King's vocal power.
While not always seen as a peak original work for both artists, it's praised for its strong performances, excellent production (by Arif Mardin), and as a great addition to both discographies, especially for fans of 70s funk and soul.
The album performed well, reaching #33 on the Pop charts and #14 on the R&B charts in the US. Fans consistently praise the music quality and the production, often noting that "every track is a winner".
Benny and Us is considered a quality fusion, offering a delightful mix of funky instrumentals and soulful ballads, making it a beloved record for fans of both AWB's groove and Ben E. King's timeless voice.
Call Me
A2 Have You Been Making Out O.K. (Green 3:42)
A3 Stand Up (Green 3:25)
A4 I'm So Lonesome I Could Cry (Williams 3:10)
A5 Your Love Is Like The Morning Sun (Green 3:09)
B1 I Am (Come And Take Me) (Green, Hodges 4:14)
B2 Funny How Time Slips Away (Nelson 5:33)
B3 You Ought To Be With Me (Green, Jackson, Mitchell 3:15)
B4 Jesus Is Waiting (Green 5:36)
Label: Hi Records – XSHL 32077
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B, Seventies Soul
Style: Southern Soul
Al Green's 1973 album Call Me is widely regarded as his masterpiece, praised for its inventive and assured "Hi" studio sound that blends Southern soul with country influences. The album includes the hits "Call Me(Come Back Home)," "Here I Am (Come and Take Me)" and "You Ought To Be With Me," along with unique country covers of Hank Williams' "So Lonesome I Could Cry" and Willie Nelson's "Funny How Time Slips Away". Green's signature whispering, emotive vocals and the sophisticated, lush production by Willie Mitchell are key to the album's enduring appeal.
Could It Be Magic
A2 Never Repay Your Love (B. Hawes 3:49)
A3 Could It Be Magic (A. Anderson, B. Manilow 4:48)
A4 Stop And Think It Over (J.B. Jefferson, S. Marshall 4:21)
A5 There Will Never Be Another (A. Felder, A. White, R. Tyson 3:50)
B1 Never Let You Get Away From Me (A. Felder, B. Sigler, N. Harris, R. Tyson 3:01)
B2 Love Grows Strong (P. Terry, T. Conway, T. Life 7:26)
B3 Yes You Need Love (B. Hawes, C. Simmons, S. Marshall 3:34)
B4 I'm So Much In Love With You (S. Marshall, T. Wortham 4:44)
B5 Only Child's Play (P. Terry, T. Conway, T. Life 4:03)
Label: Philadelphia International Records – PZ 33841
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul, Disco
The album Could It Be Magic by Anthony White is a classic Philly Soul and modern soul record released on the Philadelphia International Records label. Released in 1976 (some sources also list late 1975), this was White's only album release and is a smooth soul set produced and arranged by the Gamble & Huff team, featuring White's deep, rich vocals.
The album showcases the signature Philadelphia International sound, with lush arrangements, strong grooves, and a mix of ballads and uptempo soul tracks. Music critics consider it an excellent example of 70s Philly soul and a "masterpiece" by some fans. The material on the album highlights an early turn for the label towards the modern soul style that would continue into the 1980s.
The album was primarily recorded at Sigma Sound Studios in Philadelphia, Pennsylvania, a hub for the Philly Soul sound. The production quality is high, characteristic of the era and the label's output.
Don’t Look Back
02 Love Is A Beautiful Thing (S. Swirsky 5:28)
03 Waiting On You (A. Green, D. Steele 3:30)
04 What Does It Take (A. Green, D. Steele 4:13)
05 Keep On Pushing Love (A. Green, A. Baker, L. Golden, T. Farragher 5:09)
06 You Are My Everything (A. Green 5:18)
07 One Love (A. Green, D. Steele 3:46)
08 People In The World (Keep On Lovin' You) (A. Green, D. Steele 4:08)
09 Give It Everything (A. Green, D. Steele 5:34)
10 Your Love (Is More Than I Ever Hoped For) (A. Green, D. Steele 5:08)
11 Fountain Of Love (A. Glass, J. Roberts 4:59)
12 Don't Look Back (R. White, W. "Smokey" Robinson 4:40)
13 Love In Motion (A. Roman, A. Jacobson, E. Chase 4:33)
Label: RCA/BMG – 74321 16310 2
Format: CD, Album
Country: Europe
Released: 1993
Genre: R&B Soul
Style: Southern Soul
Don't Look Back is a 1993 album by Al Green, notable as his first full-fledged soul album since the late 1970s, marking a significant return to secular music after over a decade focused on his ministry and gospel recordings.
The album features a contemporary 1990s feel and arrangements while maintaining Green's signature soulful vocals. It is a blend of traditional soul with contemporary pop, electronic, house, and disco elements, reflecting the production styles of the early 90s. The production, handled by various individuals including Terry Manning and Arthur Baker, incorporates synthesizers and programmed beats, giving it a distinct feel from his classic 1970s work with Willie Mitchell.
Despite the updated sound, Green's voice remains a central element, described as still powerful and capable of delivering the tenderness and emotion that defined his career. The album includes eight songs written or co-written by Green, alongside covers such as the title track, a version of the Smokey Robinson song.
Don't Look Back has been described as a positive, upbeat album by critics and fans, though it remains a lesser-known part of his extensive discography compared to his 1970s hit albums.
Al Green's album Don't Look Back was never released in the United States as a standalone album because its tracks were incorporated into his subsequent 1995 US release, Your Heart's in Good Hands.
The 1993 album was released by RCA exclusively in Europe. When Green signed a new deal with MCA Records for his return to secular music in the US, the decision was made to repackage most of the material for the American market.
Eight of the thirteen tracks from Don't Look Back were included on the 1995 US album Your Heart's in Good Hands. The US album supplemented these tracks with two new, exclusive songs produced by Narada Michael Walden and DeVante Swing.
Critics noted that the various producers involved in the European album had different visions, attempting to fit Green's voice into contemporary 90s pop and R&B styles, which some felt denied him the improvisational freedom of his classic work. The subsequent US release aimed for an urban contemporary sound that was potentially more focused for the American audience at the time.
As a result, Don't Look Back was only available in the US as an import album, leaving five of its original songs unreleased in the US market on an official album until digital releases and reissues became more common.
(Review provided by SoulYears.com)
Especially For You
Written-By – Philippe Wynn 3:38
A2 Real Love
Written-By – Russ Stringer 3:31
A3 You're So Wonderful
Written-By – Al Perkins 2:40
A4 Feelings
Written-By – Morris Albert 5:55
B1 Baby Let Me Love You
Written-By – Al Perkins 3:22
B2 Trying To Prove My Love
Written-By – Al Perkins 2:38
B3 Disco Lover
Written-By – Al Perkins 2:47
B4 Let's Disco
Written-By – Al Perkins 2:45
B5 When Something's Wrong With My Baby
Written-By – I. Hayes/D. Porter 2:36
Label: ABC Records – AB-1001
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Disco
Especially For You is the 1977 debut album by the Detroit-based R&B/funk group Al Hudson & The Soul Partners. It is considered a classic example of 1970s soul, disco, and funk grooves.
The album features a mix of mid-tempo soul, upbeat funk, and disco tracks. It is noted for its quality 70s grooves, characterized by solid, "bone-fat" drums, relaxed melodies, tight arrangements, and soulful vocals. The production was handled by Al Perkins, with arrangements by Jimmy Roach, and the recording took place at United Sound in Detroit.
The music on the album showcases an evolution from the funk bands of the previous generation to a more sophisticated, dance-oriented sound, which later paved the way for the group's transition into the successful funk band One Way in 1979.
Especially For You is a sought-after album for fans of Detroit modern soul and funk. It, along with their second 1977 album Cherish, has been reissued on CD, often as a combined package, to the delight of collectors. The work on this album helped establish the group's core sound before they achieved international chart success with hits like "You Can Do It" as One Way.
Gimme Something Real
A2 Time 4:40
A3 Have You Ever Tried It 3:25
A4 Gimme Something Real 6:33
B1 Can You Make It Brother 4:27
B2 I'm Determined 3:18
B3 Ain't That Good Enough 3:12
B4 I Need Your Light 3:41
B5 Anywhere 5:00
Written-By – Ashford And Simpson (tracks: A1 to B2, B4, B5)
B3 Written-By – Joshie Armstead, Nickolas Ashford, Valerie Simpson
Label: Warner Bros. Records – BS 2739
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
Gimme Something Real is the 1973 debut album for Ashford & Simpson as recording artists for Warner Bros. Records, showcasing their signature blend of sophisticated, soulful R&B and funk, moving from mellow grooves to driving anthems like the standout title track and "Have You Ever Tried It," establishing them as powerful vocalists and performers beyond their legendary songwriting for Motown, featuring intimate storytelling and elegant arrangements.
It marked their transition from behind-the-scenes Motown hitmakers (for artists like Diana Ross, Marvin Gaye & Tammi Terrell) to a formidable recording duo, saving some of their best material for themselves.
The album mixes mellow soul, intimate ballads, and funky, uptempo numbers with deep grooves, featuring intricate songwriting and rich instrumentation.
It is a seminal release that saw the duo transition from their established "joyous pop formula" at Motown to developing a more mature "quiet storm" soul template. It is a sophisticated collection of songs that allowed them to showcase their talents as recording artists, performing their own material.
Considered a hidden gem and an essential listen for fans, highlighting their raw talent and paving the way for their future success as recording artists, even if it wasn't an immediate chart-topper.
Later CD releases offer bonus tracks and new interviews, making this classic album more accessible.
Greatest Hits
2. My Song 03:45
3. Do What You Gotta Do 03:18
4. Touch And Go 03:08
5. Bachelor Man 02:00
6. Be Concerned 03:10
7. Having A Party 03:12
8. Love Me Gentle, Love Me Blind 03:59
9. I Stand Accused 03:30
10. You Do The Right Things 02:39
11. Show And Tell 03:28
12. Broken Home 03:43
13. Keep On Loving You 04:18
14. Shake Me, Wake Me (When It's Over) 03:03
15. Queen Of The Ghetto 02:53
16. I'm A Weak Man 03:24
17. I'm Out To Get You 03:36
18. Poor Side Of Town 03:53
19. How's Your Love Life 02:48
20. Willoughby Brook 03:41
21. Moonlightin' 03:37
22. Medley: I Won't Last A Day / Let Me Be The One 05:53
23. Going Through The Motions 03:17
24. Brother, Where Are You 03:44
25. Born On The Bayou 02:56
Label: Good Time
Released: 2024
County: US
Genre: R&B Soul
Style: Seventies Soul
This double-disc album features 25 tracks, including Al Wilson's signature #1 hit, "Show and Tell".
The album is available for purchase on CD from Amazon.com, and as high-quality digital files from Bandcamp.
DOWNLOAD IN MP3, FLAC AND MORE HERE
Hard Not To Like It
Written-By – Victor Carstarphen 3:39
A2 Disco Showdown
Written-By – Gene McFadden & John Whitehead, Victor Carstarphen 3:01
A3 Disco Fever
Written-By – Gene McFadden & John Whitehead, Victor Carstarphen 4:08
A4 On The Radio
Written-By – Victor Carstarphen 4:30
B1 It's Hard Not To Like You
Written-By – F. Smith, H. Preston, Gene McFadden & John Whitehead 4:00
B2 There's No Other Like You
Written-By – Gene McFadden & John Whitehead, Victor Carstarphen 4:43
B3 Real Good Feeling
Written-By – Gene McFadden & John Whitehead, Victor Carstarphen 3:41
B4 I've Been Missing You
Written-By – D. Brown, Gene McFadden & John Whitehead, T. Wallington 3:57
Label: Philadelphia International Records – PZ 34855
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Philly, Disco
Hard Not to Like It by Archie Bell & The Drells is considered a solid Philly Soul/Disco album, showcasing their successful transition to the sound of Gamble & Huff, with strong two-step soul on the second side complementing disco efforts on the first, featuring highlights like "It's Hard Not To Like You" and "There's No Other Like You" for true fans, though it's often part of compilations like the Where Will You Go When The Party's Over CD.
The album successfully captured the era's dance trends, balancing catchy disco with classic, smooth Philadelphia soul sounds.
Side two is particularly praised for its easy, soulful two-step tracks, perfect for dancing.
Notable Tracks: "It's Hard Not To Like You," "There's No Other Like You," and "Real Good Feeling" are highlighted as great examples of their sound.
It's often found on CD compilations alongside albums like Where Will You Go When The Party's Over, offering a strong collection of their later work.
While maybe not as iconic as their earlier hits like "Tighten Up," it's seen as a strong, enjoyable album that represents the group's mature sound and appeal to disco fans, making it a good listen for fans of 70s funk and soul.
He Is The Light
A2 True Love (Al Green, Willie Mitchell 4:27)
A3 He Is The Light (Julius Bradley 3:20)
A4 I Feel Like Going On (Al Green 3:09)
A5 Be With Me Jesus (Sam Cooke 2:50)
B1 You Brought The Sunshine (Elbernita Clark 5:05)
B2 Power (Al Green, Willie Mitchell 5:18)
B3 Building Up (Al Green 3:07)
B4 Nearer My God To Thee (Al Green, Public Domain 3:46)
Produced by Willie Mitchell and released under the title of "Going Away" in the UK.
Label: A&M Records – SP-5102
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: R&B Gospel
Style: Eighties Gospel Soul
He Is the Light is a gospel and soul album by Al Green, notable for reuniting him with producer Willie Mitchell, who was the creative force behind his classic 1970s hits. Released on A&M Records, the album successfully blended Al Green's signature southern soul style with his commitment to gospel music.
The album is characterized by a sparse, crisp production style that many found refreshing compared to other mid-1980s music, featuring the return of the Hi Rhythm Section's solid bass and drums. Mitchell's production wisely invoked the sound that made Green famous, particularly on standout tracks featuring punchy horn lines and searing strings reminiscent of his Hi Records catalog.
Primarily Gospel and Soul, with elements of Funk, the album focuses on themes of faith, redemption, and spiritual guidance, reflecting Green's transition to a career as an ordained minister in the late 1970s.
It was a commercial success in the gospel market, peaking at No. 11 on the Billboard Top Gospel Albums chart. Critics praised Green's excellent and inspired vocal performances.
Hearsay
A2 (What Can I Say) To Make You Love Me
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Backing Vocals – Lisa Keith
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Percussion, Backing Vocals – Terry Lewis
Written-By – James Harris III And Terry Lewis 4:25
A3 Intro 0:57
A4 Hearsay
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Handclaps – Jellybean, Jam & Lewis, Kelli Anderson, Popeye
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Percussion, Backing Vocals – Terry Lewis
Written-By – James Harris III And Terry Lewis 4:01
A5 Intro 0:13
A6 The Lovers
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Handclaps – Jellybean, Jam & Lewis, Kelli Anderson, Popeye
Musician, Backing Vocals – Cherrelle, Lisa Keith, Randy Ran
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Percussion – Steve Hodge
Musician, Percussion, Backing Vocals – Terry Lewis
Written-By – James Harris III And Terry Lewis 4:38
A7 Intro 0:45
A8 Fake
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Backing Vocals [Fake Fellas] – James "Popeye" Greer, Jellybean Johnson, Jerome Benton, Jimmy Jam, Terry Lewis
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Percussion, Backing Vocals – Terry Lewis
Written-By – James Harris III And Terry Lewis 3:56
A9 Intro 0:37
A10 Criticize
Arranged By [Rhythm Arrangements By] – Jellybean Johnson
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jellybean Johnson, Lisa Keith
Musician, Backing Vocals – Lisa Keith
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Guitar, Drums, Percussion – Jellybean Johnson
Musician, Drum Programming, Programmed By [Synth Programming], Keyboards – Jimmy Jam
Written-By – Alexander O'Neal, Garry Johnson 4:07
B1 Intro 0:26
B2 Never Knew Love Like This
Arranged By – Alexander O'Neal, Cherrelle, Jam & Lewis
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Musician, Backing Vocals – Randy Ran
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Lead Vocals, Backing Vocals – Cherrelle
Musician, Percussion, Backing Vocals – Terry Lewis
Musician, Soloist [Saxophone Solo], Saxophone – David Eiland
Written-By – James Harris III And Terry Lewis 5:09
B3 Interlude 0:17
B4 Sunshine
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Musician, Backing Vocals – Randy Ran, Randy Ran
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Percussion, Backing Vocals – Terry Lewis
Written-By – James Harris III And Terry Lewis 5:59
B5 Interlude 0:19
B6 Crying Overtime
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Percussion, Backing Vocals – Terry Lewis
Written-By – James Harris III And Terry Lewis 4:55
B7 Intro 0:24
B8 When The Party's Over
Arranged By [Rhythm Arrangements By] – Jam & Lewis
Arranged By [Vocal Arrangements By] – Alexander O'Neal, Jam & Lewis
Musician, Backing Vocals – Randy Ran
Musician, Drum Programming, Programmed By [Keyboard Programming], Keyboards, Percussion – Jimmy Jam
Musician, Percussion, Backing Vocals – Terry Lewis
Written-By – James Harris III And Terry Lewis 3:29
Label: Tabu Records – FZ 40320
Format: Vinyl, LP, Album
Country: US
Released: 1987
Genre: R&B Soul
Style: Eighties Soul, Contemporary R&B
Alexander O'Neal's Hearsay album is widely hailed as a masterpiece of 80s R&B/soul, praised for its seamless blend of danceable funk hits like "Criticize" and "Fake" with heartfelt ballads, all held together by Jam & Lewis's tight production and O'Neal's flawless, powerful vocals. The album functions as a conceptual "night out," building from lively party tracks to mellow endings, featuring iconic duets with Cherrelle and remaining fresh and relevant decades later, solidifying its status as a filler-free, classic album that brought soul to the mainstream dance floor.
The album tells a story, transitioning from high-energy dance tracks ("Intro," "Hearsay," "Fake," "Criticize") to more romantic, slower numbers ("Never Knew Love Like This," "Crying Overtime," "Sunshine"), creating a cohesive listening experience.
The legendary production duo provided their "finest and tightest" work, delivering catchy beats, hook-laden songs, and ample space for O'Neal's voice, making it sound both distinctly 80s and timeless.
O'Neal's voice is consistently praised as powerful, soulful, explosive, and perfectly suited to the tracks, showcasing his mastery.
Tracks like "Fake" (a surprise #1 hit), "Criticize," and "What Can I Say (To Make You Love Me)" became massive hits, especially in the UK, making O'Neal a household name.
The collaboration with Cherrelle on "Never Knew Love Like This" is a standout, highlighting their complementary voices.
Reviewers call it an absolute masterpiece, a career high for O'Neal, and a perfect album with no weak tracks. Despite its 80s sound, critics note it hasn't dated and sounds as fresh today as it did upon release.
While perhaps dismissed by some "cognoscenti," it was adored by the masses and sold incredibly well, especially in the UK, where it went multi-platinum.
Overall: Hearsay is considered Alexander O'Neal's definitive work, a perfectly crafted album that blended sophisticated R&B with undeniable dancefloor appeal, cementing its place as a beloved classic.
I Appreciate
Written-By – Al Hudson, Kevin McCord 8:00
A2 Appreciation
Engineer [Remix] – Taavi Mote
Remix – Louil Silas, Jr.
Written-By – Kevin McCord, Ralph Ernest 5:00
A3 Say That
Written-By – Kevin McCord 4:17
B1 My Guy
Written-By – Al Hudson, Irene Perkins 4:06
B2 Just Can't Stay Away
Written-By – C. Jackson, M. Yancy 5:30
B3 Just Praying
Written-By – Al Hudson, Irene Perkins 4:54
B4 Don't Do Me This Way
Written-By – Kevin McCord 4:10
Label: MCA Records – MCA-5485
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: R&B Soul
Style: Seventies Soul, Disco, Funk
I Appreciate, is a well-regarded R&B/soul record, known for its smooth grooves, powerful vocals, and successful singles like "Don't Stop What You're Doin'," "I Just Can't Stay Away," and "If You Play Your Cards Right," solidifying her solo success after her One Way fame, with fans loving its blend of soulful ballads and disco/boogie elements.
I Appreciate was her highest-charting album on the R&B charts, reaching #12, and marked her first appearance on the Billboard 200 (peaking at #186).
It spawned popular tracks that became staples on radio, including the romantic ballad "I Just Can't Stay Away" and the uplifting "Don't Stop What You're Doin'".
While containing soulful ballads, the album also featured disco/boogie influences, showcasing Myers' versatility and strong vocal delivery.
Listeners often praise the album for its nostalgic appeal and smooth, soulful sound, with many rediscovering it and appreciating its enduring quality.
Why it's Appreciated:
Vocal Power: Myers' rich, soulful voice shines throughout, delivering emotive performances on tracks like "Don't Do Me This Way".
Timeless Feel: The production blends classic 80s R&B with timeless soul, making it a favorite for those who enjoy vintage sounds.
Legacy: I Appreciate is considered a significant part of her solo career and a highlight from her successful 1980s run with MCA Records.
I Can’t Stop
02 Play To Win (A. Green, W. Mitchell 4:38)
03 Rainin' In My Heart (A. Green, W. Mitchell 4:45)
04 I've Been Waitin' On You (Al Green 3:43)
05 You (A. Green, W. Mitchell 4:29)
06 Not Tonight (A. Green, W. Mitchell 4:25)
07 Million To One (A. Green, W. Mitchell 4:52)
08 My Problem Is You (A. Green, W. Mitchell 6:28)
09 I'd Still Choose You (A. Green, W. Mitchell 4:05)
10 I've Been Thinkin' Bout You (Al Green 4:04)
11 I'd Write A Letter (Al Green 3:53)
12 Too Many (Al Green 4:01)
Label: Blue Note – 7243 5 93556 2 7
Format: CD, Album
Country: US
Released: 2003
Genre R&B Soul
Style: Southern Soul
I Can't Stop is a studio album by American soul singer Al Green, notable for marking his return once again to secular music and reuniting him again with his classic 1970s producer, Willie Mitchell.
The album was recorded at the same Memphis facility (Royal Recording Studios) and used many of the same musicians and recording techniques as his seminal 1970s hits, resulting in a sound that effortlessly revives the "warm, sexy vibe and urbane yet funky" feel of his classic work. The production features the signature elements of a deep groove, punchy horns, strings, and Green's "transcendently expressive voice," which critics noted was still strong, with his falsetto intact.
I Can't Stop was a highly anticipated and commercially successful 2000s "comeback" album. It received generally positive reviews, with many critics praising the quality of the songwriting and Green's strong vocal performance. Some even described it as being "as good as anything he recorded back in the early '70s".
It was Green's highest-charting album since 1975, peaking at number 53 on the US Billboard 200. The album was nominated for a Grammy Award for Best R&B Album in 2004, and the title track received a nomination for Best Traditional R&B Performance.
Overall, the album is celebrated for its successful recreation of the classic Southern soul sound and for proving that Green's charisma and vocal ability remained undiminished after two decades of focusing mainly on gospel music, thus confirming his position as one of the greatest male soul singers of all time.
(Review provided by SoulYears.com)
Inner Spectrum
Composed By – N. Ashford & V. Simpson 5:00
A2 Don't Let Me Be Lonely Tonight
Composed By – J. Taylor 4:22
A3 If You Were There
Composed By – E. Isley, M. Isley, C. Isley 4:00
A4 Moving On
Composed By – A. Johnson, R. Gay 4:19
B1 Pickup
Composed By – A. Johnson, E. Zant 3:02
B2 Me And My Love
Composed By – A. Johnson 3:31
B3 Easy
Composed By – D. Leroux 3:58
B4 I Don't Want To Play Around
Composed By – A. Johnson, E. Zant 7:33
Label: Atlantic – SD 7299
Format: Vinyl, LP, Album, PR
Country: US
Released: 1974
Genre:
R&B Soul
Style: Seventies Soul
The 1974 debut album Inner Spectrum by Ace Spectrum is highly regarded by soul collectors and fans of 70s funk and soul for its gorgeous vocal harmonies, "Philly Soul" sound, and strong songwriting. Though the group never achieved massive commercial success, the album is considered their best work by many.
The album is praised for its classic 70s funk and soul sound, with a distinct "Philly-style" arrangement that has been compared to The Stylistics and The Isley Brothers. It features a mix of smooth, slow jams and up-tempo tracks.
Ace Spectrum was known for changing lead singers on different tracks and avoiding the common "high-voice technique" of the era, showcasing versatile vocal prowess across the album. The use of backing strings is a key part of their sound.
Reviewers consistently label the album as "underrated" and a "lost" classic that deserves more recognition. It has garnered significant interest among Northern Soul collectors over the decades.
Specific tracks that frequently receive praise:
"Don't Send Anybody Else," penned by the legendary Nickolas Ashford and Valerie Simpson, is a standout opening track that many feel should have been a bigger hit.
Their "between the sheets" cover of James Taylor's "Don't Let Me Be Lonely Tonight" is often cited as a definitive version and a perfect slow groove..
For fans of vintage soul music, Inner Spectrum is considered a must-listen that captures the essence of 70s harmony and smooth jams. Its blend of original compositions and well-executed covers, combined with the group's vocal talents and lush arrangements, makes it a highly sought-after record by collectors and a deeply cherished album by its listeners.
Life, Love And Faith
A2 Am I Expecting Too Much 2:47
A3 My Baby Is The Real Thing 3:03
A4 Goin' Down 2:56
A5 She Once Belonged To Me 2:49
A6 Out Of The City (Into Country Life) 3:34
B1 Soul Sister 2:47
B2 Fingers And Toes 4:05
B3 I've Got To Convince Myself 2:40
B4 On Your Way Down 3:58
B5 Gone Too Far 3:26
B6 Electricity 2:29
Label: Reprise Records – MS 2062
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul, Funk, Blues
Style: Bayou Funk
Life, Love and Faith is Allen Toussaint's acclaimed solo album, a funky, soulful, and idiosyncratic journey blending New Orleans R&B with emerging funk, showcasing his genius as a singer-songwriter beyond his famous production work, featuring deep grooves, poignant lyrics, and legendary musicians like The Meters' George Porter Jr. and Leo Nocentelli. It's considered one of his best, a landmark album that's simultaneously soulful, rocking, and deeply personal, highlighting his multifaceted talent with songs like "On Your Way Down" and "Electricity".
It seamlessly fuses heavy soul, rocking R&B, early funk, and distinctive New Orleans flavor, creating a sound that was fresh and unique for its time.
While known as a producer, this album cemented Toussaint's own artistry, featuring his expressive vocals and piano amidst complex arrangements.
The album features extensive instrumentation, with Toussaint contributing on piano, acoustic guitar, harmonica, and vocals. The legendary New Orleans funk band The Meters serves as the backing band, with notable members including George Porter Jr. on bass and Joseph "Ziggy" Modeliste on drums, providing a deep, driving groove.
The lyrics explore universal themes with profound, often melancholic, observations on life, love, and the human condition, delivered with Toussaint's characteristic restraint.
Regarded as a cornerstone album, it stands out from typical NOLA releases and is celebrated for its intelligent songwriting and atmospheric depth, making it essential listening.
It includes fan favorites like the bluesy "On Your Way Down," the energetic "Electricity," and soulful gems such as "Soul Sister" and "Fingers And Toes".
The record captures Toussaint's "idiosyncratic vision" with a blend of topical socio-political commentary and personal expressions of love and urban life. His vocals are often described as reticent or shy, but deeply felt, adding a personal touch that sets it apart from typical New Orleans releases of the era.
Livin’ For You
Written-By – A. Green, W. Mitchell 3:09
A2 Home Again
Written-By – A. Green 3:56
A3 Free At Last
Written-By – A. Green 3:26
A4 Let's Get Married
Written-By – A. Green 5:28
A5 So Good To Be Here
Written-By – A. Green, M. Allen 2:40
B1 Sweet Sixteen
Written-By – A. Green 3:26
B2 Unchained Melody
Written-By – A. North, H. Zaret 5:33
B3 My God Is Real
Written-By – K. Morris 2:43
B4 Beware
Written-By – A. Green 8:12
Label: Hi Records – ASHL 32082
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul, Southern Soul
Al Green's 1973 album Livin' For You is widely considered a strong, essential work from the peak of his career, praised for its smooth Southern soul sound and Al Green's passionate, emotive vocals. It was a major commercial success, topping the US R&B charts and reaching number twenty-four on the Billboard Pop charts.
The album represents the artistic apogee of the collaboration between Al Green and producer Willie Mitchell at Hi Records. They perfected a signature sound: a tight, uncluttered rhythm section provided by the Hi Rhythm Section (including the Hodges brothers and, on some tracks, Al Jackson Jr.) augmented by lush string and horn arrangements.
Reviewers consistently highlight Green's exceptional vocal performance, which ranges from tender, understated pleas to powerful, gospel-tinged exclamations. His voice is described as soaring with emotion, passion, sadness, and regret.
Some critics note that the album marks a slight shift towards a more polished, "easy-listening" sound compared to his earlier, rawer work, with less of the "bestiality" or "animal nature" found in classic soul. This polished sound, however, is precisely what many fans adore, considering it "gorgeous soulful funky melodious heaven".
Green wrote or co-wrote most of the tracks on the album. The album features a single cover, a slow, emotive rendition of "Unchained Melody," which is considered a masterpiece by some and a "bore" by others, highlighting a point of critical division on the album's direction. The inclusion of a passionate gospel track, "My God Is Real," also signals the direction his life and music would take soon after.
The album is known for its major hits and deep cuts: "Livin' For You", The title track and a number one US R&B single, it is a beautiful opening track featuring gentle horns, a Hammond organ, and emotive vocals. "Let's Get Married": A joyous, upbeat track with masterclass horns and backing vocals, described as a powerful "pleading paean to love and happiness". "Free At Last" and "Beware" - These original tracks are praised for their emotional depth, with "Beware" being an eight-minute extended jam that allows the band to stretch out into jazz-funk territory, showcasing their versatility.
Overall, Livin' For You is a highly regarded album that successfully bridges sixties soul and seventies pop, capturing Al Green at the pinnacle of his commercial and artistic powers.
Peaceful
A2 Come Check Out This Love 4:30
A3 Peaceful 4:24
A4 It's Not Too Late (To Start Again) 3:33
B1 I'll Do Anything For You 5:02
B2 Since You Walked Out Of My Life 3:43
B3 Let Me Love You (Like You Want To Be Loved) 4:35
B4 Let's Go Home Together 5:22
Label: Marina Records – WML 5000
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Funk, Disco
Al Johnson's 1978 album Peaceful is an acclaimed, underrated gem in 70s soul, praised for its consistent quality, rich Philly Soul/smooth funk sound, and standout tracks like "I've Got My Second Wind" and the title track, featuring top-tier musicians like Bernard Purdie & Leo Nocentelli for an "aural delight" with deep grooves and heartfelt ballads, making it a must-have for soul enthusiasts despite its minor label origins.
A smooth, soulful, Philly-Soul influenced, with funk undertones, described as having no "throw-away songs". Co-produced by Johnson himself with iconic singer Lloyd Price, recorded in NYC, New Orleans, and Virginia, notes Al Johnson - Peaceful - Vinyl LP - 1978 - JP - Reissue - HHV.
Features legendary players like drummer Bernard Purdie and guitarist Leo Nocentelli (from The Meters), contributing to its rich sound.
Standout Tracks: "I've Got My Second Wind," the soothing title track "Peaceful," "It's Not Too Late," and "Since You Walked Out of My Life" are frequently highlighted.
Though overshadowed by his later work (like with Norman Connors), Peaceful is considered an enduring classic for soul fans, finally seeing digital and reissue love.
Critics and fans call it a "masterpiece" and an "aural delight," noting its depth and quality. The album showcases Al Johnson's skills as a vocalist and writer before his major label success.
In essence, Peaceful is a highly recommended, quality soul album from an iconic era, perfect for fans of deep grooves and melodic storytelling.
Shake, Rattle and Roll
Written-By – Jesse Stone 2:17
A2 I've Been Loving You Too Long (To Stop Now)
Written-By – Jerry Butler, Otis Redding 3:17
A3 Love Got Me
Written-By – Arthur Conley 2:20
A4 A Change Is Gonna Come
Written-By – Sam Cooke 3:14
A5 Hand And Glove
Written-By – Arthur Conley 2:30
B1 Ha! Ha! Ha!
Written-By – Otis Redding 2:20
B2 You Don't Have To See Me
Written-By – Chris Harris, Ronnie Grier 2:54
B3 Baby What You Want Me To Do
Written-By – Jimmy Reed 3:00
B4 I'll Take The Blame
Written-By – Arthur Conley, Otis Redding 2:50
B5 Keep On Talking
Written-By – Dan Penn, Lindon Oldham 2:38
Label: ATCO Records – SD 33-220
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1967
Genre: R&B Soul
Style: Sixties Soul, Southern Soul
Arthur Conley's
Shake, Rattle & Roll album is a solid, but less iconic, follow-up to his debut Sweet Soul Music, showcasing his deep Southern soul and R&B talent with Otis Redding's production, featuring his own hit "Shake, Rattle & Roll" and other strong tracks, solidifying his place as a prime soul artist, though it didn't replicate the massive success of his first LP, remaining a cherished slice of classic soul for fans.
The album delivers that authentic, raw Southern soul sound, perfect for dancing and capturing the era's energy. Produced by Otis Redding, it carries that signature Stax/Muscle Shoals sound, full of grit and soul.
The cover of "Shake, Rattle & Roll" (originally Big Joe Turner's) was a moderate hit, bringing a rock & roll edge to his soulful style. While full of quality tracks and deep soul, it didn't reach the commercial heights of Sweet Soul Music, but it's highly regarded by soul enthusiasts.
Shake, Rattle & Roll is a must-have for fans of 1960s Southern soul, offering energetic, authentic performances that prove Arthur Conley was a major talent alongside his famous contemporaries, even if it's often overshadowed by his debut.
Reviewers and fans praise the album for its energetic feel, Conley's powerful vocals, and the excellent instrumentation characteristic of the Muscle Shoals sound, with some considering it on par with works by Otis Redding and Wilson Pickett.
Soul ’69
A2 Today I Sing The Blues (Curtis Lewis 4:22)
A3 River's Invitation (Percy Mayfield 2:38)
A4 Pitiful (Charlie Singleton, Rose Marie McCoy 3:01)
A5 Crazy He Calls Me (Bob Russell, Carl Sigman 3:24)
A6 Bring It On Home To Me Sam Cooke 3:39)
B1 Tracks Of My Tears (Tarplin, Robinson, Moore 2:53)
B2 If You Gotta Make A Fool Of Somebody (Rudy Clarke 3:06)
B3 Gentle On My Mind (John Hartford 2:26)
B4 So Long (Melcher, Harris, Morgan 4:33)
B5 I'll Never Be Free (Bernie Benjamin, George Weiss 4:11)
B6 Elusive Butterfly (Bob Lind 2:44)
Label: Atlantic – SD 8212
Format: Vinyl, LP, Album
Country: US
Released: 1969
Genre: R&B Soul
Style: Soul/Jazz/Blues
Soul '69 is the fourteenth studio album by The Queen of Soul, Aretha Franklin, released in January 1969 by Atlantic Records. The album is notable for its strong jazz and blues influences and use of sophisticated arrangements, making it a stylistic departure from Aretha's previous, more characteristic soul albums.
While primarily a soul album, it prominently incorporates jazz and blues elements, featuring an eclectic mix of material that goes beyond standard soul fare. The arrangements often lean towards jazz, thanks to the presence of respected jazz musicians like Kenny Burrell, Ron Carter, Joe Zawinul, and David Newman.
The album is composed entirely of cover songs from a diverse range of artists - from Smokey Robinson to John Hartford - a collection chosen with Aretha's characteristically eclectic taste.
The album was critically well-received upon release; Rolling Stone journalist Stanley Booth described it as "quite possibly the best record to appear in the last five years".
It was Franklin's sixth album to reach number 1 on Billboard's R&B albums chart, though it ended her streak of Top Five pop albums, peaking at number 15 on the Billboard Top Pop Albums chart.
Despite its initial success and critical acclaim, the album is often considered one Aretha's most overlooked '60s albums, appealing more to the aficionado than a general audience.
Producers Tom Dowd and Jerry Wexler produced the album, capturing Aretha's powerful vocals and piano work at Atlantic Studios in New York.
Two singles were released from the album: "The Tracks of My Tears" and "Gentle on My Mind." Both were only moderately successful on the pop charts.
The album was re-released on CD by Rhino Records in the 1990s after being out of print for many years, and is now available to download from Amazon in high-quality MP3 format.
(Provided by SoulYears.com)
Spirit In The Dark
Written-By – Ahmet Ertegun, Betty Nelson 2:48
A2 The Thrill Is Gone (From Yesterday's Kiss)
Written-By – Art Benson, Dale Petite 4:40
A3 Pullin'
Written-By – Aretha Franklin, Carolyn Franklin, Jimmy Radcliffe 3:32
A4 You And Me
Written-By – Aretha Franklin 3:30
A5 Honest I Do
Written-By – Ewart Abner, Jr., Jimmy Reed 3:10
A6 Spirit In The Dark
Written-By – Aretha Franklin 3:59
B1 When The Battle Is Over
Written-By – Jessie Hill, Malcolm Rebennac 2:52
B2 One Way Ticket
Written-By – Aretha Franklin 2:48
B3 Try Matty's
Written-By – Aretha Franklin 2:28
B4 That's All I Want From You
Written-By – Fritz Rotter, M. Rotha 2:38
B5 Oh No Not My Baby
Written-By – Carole King & Jerry Goffin 3:10
B6 Why I Sing The Blues
Written-By – B. B. King, Dave Clark 3:08
Label: Atlantic – SD 8265
Format: Vinyl, LP, Album
Country: US
Released: 1970
Genre: R&B Soul
Style: Seventies Soul
Spirit in the Dark is considered one of Aretha Franklin's most emotionally raw and overlooked masterpieces from her prime Atlantic era, praised for its deep integration of gospel and blues roots with powerful soul. Critics laud it as an exuberant and remarkably consistent effort, despite its lower commercial success compared to earlier albums.
The album is noted for being intensely personal and introverted, with many reviews speculating on the influence of the recent breakup of her marriage to Ted White. This personal turmoil results in a cathartic and authentic emotional delivery that some consider her "truest" record.
Franklin leans heavily into her gospel background, particularly in her piano playing and vocal delivery, while the backing band (including the Muscle Shoals Rhythm Section and Duane Allman on guitar) provides a raw R&B and blues foundation.
Franklin co-wrote five of the album's twelve tracks, her most on any single original album, and these originals ("Pullin'", "Spirit in the Dark") are highlighted as strong compositions that effectively showcase her talent.
The production, handled by Arif Mardin, Tom Dowd, and Jerry Wexler, is lauded for creating a rich, full sound that captures the energy of the sessions. The background vocals, in particular, function almost as a "latter day Greek Chorus," adding depth to Franklin's impassioned confessions.
Key Tracks:
"Don't Play That Song (You Lied)": A number one R&B and top 20 pop hit that sets a tone of excellence for the album.
"Spirit in the Dark": The funky, gospel-infused title track that became another major hit single and a classic.
"The Thrill Is Gone (From Yesterday's Kiss)": A chilling B.B. King cover given a powerful, world-weary interpretation that climaxes with an interpolation of "free at last".
"Pullin'": An infectious, gospel-rooted original composition featuring a joyous rhythm that builds to a feverish pitch.
Overall, Spirit in the Dark is a highly recommended, essential listen for soul fans, offering a masterclass in vocal performance and a compelling artistic statement that only grows in stature over time.
Straight From The Heart
A2 Trouble, Heartaches & Sadness (Peebles, Bryant 2:37)
A3 What You Laid On Me (Peebles, Lasalle 2:22)
A4 How Strong Is A Woman (Crutcher 2:57)
A5 Somebody's On Your Case (Randle 2:35)
B1 I Feel Like Breaking Up Somebody's Home Tonight (Jackson, Matthews 2:28)
B2 I've Been There Before (Peebles, Bryant 3:06)
B3 I Pity The Fool (Malone 2:53)
B4 99 Pounds (Bryant 2:15)
B5 I Take What I Want (Porter, Hayes, Hodges 2:30)
Label: Hi Records – SHL 32065
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre:
R&B Soul
Style: Southern Soul
Straight From The Heart is the third studio album by American soul singer Ann Peebles, released in 1972 on the Hi Records label. The album is a seminal work of Memphis soul and is known for its hard-hitting, funky, and emotional sound.
The album is a rich blend of Southern soul, blues, and funk, characterized by a powerful, throbbing beat and sophisticated, well-balanced arrangements featuring a big band sound with prominent use of the Hammond and Hohner keyboards and strong brass sections. It was produced by the legendary Willie Mitchell at the Royal Recording Studios in Memphis and features the backing of the celebrated Hi Rhythm Section. The production is noted for perfectly balancing raw power and elegance.
Peebles' singing is described as sharp, gritty, and soulful, conveying a wide range of emotions from love's ache to fierce, provocative declarations of heartbreak and resilience. The songs explore themes of love, lost love, cheating, and female strength.
Straight From The Heart was well-received by critics and was a modest commercial success, becoming Peebles' first album to chart on the Billboard 200. Critics praised it as a triumph for Peebles and an illustration of how the Hi label had surpassed Stax as the premier source for quality Memphis soul in the early 1970s.
The album includes several notable tracks, some of which were minor hits or became influential in other music genres: "I Feel Like Breaking Up Somebody's Home Tonight": A fierce and provocative track that became an R&B Top 20 hit and was later covered by artists like Bette Midler.
Sweet Bitter Love
A2 Ac-Cent-Tchu-Ate The Positive
A3 Nobody Like You
A4 Today I Sing The Blues
A5 Sweet Bitter Love
B1 Try A Little Tenderness
B2 Skylark
B3 Johnny
B4 God Bless The Child
B5 If Ever I Would Leave You
Label: Columbia – PC 38042
Format: Vinyl, LP, Album, Compilation
Country: US
Released: 1982
Genre: Jazz, Soul
Style: Sixties Soul, Rhythm & Blues
"Sweet Bitter Love" is a compilation or reissue album that primarily features Aretha Franklin's early recordings from her time at Columbia Records in the mid-1960s, showcasing a different, more jazzy and sophisticated side of her voice before her iconic R&B/soul breakthrough at Atlantic Records.
Reviews from listeners are generally very positive, highlighting the raw talent and potential present in her youth, Many reviews praise her voice as "pure, sweet, and spectacular," showcasing a broad and expressive vocal range even at a young age.
Fans appreciate the album for offering a glimpse into "early Aretha Franklin's early songs," presenting a different musical style from her later, more famous soul work. The album is often described as a "must buy" for serious Aretha lovers or anyone who appreciates "just great singing".
The title track, "Sweet Bitter Love," is considered by some to be one of her best songs, noted for its emotional depth and the artist's personal connection to the lyrics.
The production quality is typical of its time (mid-60s Columbia sound) which some note can sound dated compared to her later, more dynamic Atlantic recordings.
The album leans towards a more "vocal jazz" or classic pop approach, rather than the R&B/soul style that would make her a superstar, a distinction that might surprise listeners only familiar with her hits like "Respect".
In summary, the album is a highly regarded look at the formative years of a legend, showcasing a beautiful, powerful voice in a different musical setting.
Tell It Like It Is
Written-By – George Davis, Lee Diamond 2:41
A2 Why Worry
Written-By – George Davis, Lee Diamond 2:34
A3 She Took You For A Ride
Written-By – George Davis, Lee Diamond 3:18
A4 A Hard Nut To Crack
Written-By – George Davis, Lee Diamond 2:30
A5 You Think You're So Smart
Written-By – George Davis 2:34
A6 Jailhouse
Written-By – Aaron Neville 3:12
B1 Bet You're Surprised
Vocals – George Davis
Written-By – Tyler, Davis, Parker 2:55
B2 Love, Love, Love
Written-By – George Davis 3:21
B3 Since You're Gone
Written-By – George Davis 2:24
B4 Space Man
Written-By – Fred Caliste 2:40
B5 Hold On, Help Is On The Way
Vocals – "Red" Tyler, George Davis
Written-By – Tyler, Davis, Parker 2:23
Label: Par Lo – No. 1
Format: Vinyl, LP, Album
Country: US
Released: 1967
Genre: R&B Soul
Style: Sixties Soul, Rhythm & Blues
Aaron Neville's album, Tell It Like It Is (originally released on the Par-Lo label in 1967, following the hit single in November 1966), is a classic of New Orleans R&B and soul known for showcasing his unique, soaring falsetto. The album's strength lies in its centerpiece title track, widely considered a masterpiece of soul music.
The album is critically acclaimed primarily due to the strength of the titular song, "Tell It Like It Is," which reached No. 1 on the US R&B charts and No. 2 on the Billboard Hot 100.
Neville's voice is often compared to Sam Cooke in its sheer vocal refinement and emotional depth. His unique, angelic falsetto is a defining feature of the record.
The album blends various styles, including R&B, soul, and New Orleans funk, reflecting Neville's diverse musical background.
The original recordings are praised for their raw, honest feel, a result of the arrangements by George Davis and the backing by New Orleans session musicians like Deacon John (guitar) and Willie Tee (piano).
The title track is a poignant expression of love, vulnerability, and the necessity of honesty in relationships, a message delivered with heartfelt intensity.
Later reissues and compilations with the same name have sometimes received mixed reviews, often due to variations in track quality, the use of poor masters, or the inclusion of re-recorded versions. Some fan reviews suggest that the original 1967 album is the definitive version and that other compilations under the same name do not capture the same magic.
Overall, the original 1967 album is considered a foundational work in soul and R&B history, primarily driven by the strength of its iconic title track and Neville's exceptional vocal talent.
The Beginning
Written-By – F. Johnson 3:47
A2 I'm His Wife (You're Just A Friend)
Written-By – C. Curry, W. Doggett 2:56
A3 Who's Gonna Love You
Written-By – C. Ivey, T. Brasfield 3:01
A4 You Can't Lose With The Stuff I Use
Written-By – C. Curry, W. Doggett 4:40
B1 Color My World Blue
Written-By – F. Johnson 2:46
B2 Be Serious
Written-By – C. Curry, Randy Layne 3:58
B3 I Want To Be Loved
Written-By – F. Johnson 3:12
B4 Sugar Daddy
Written-By – C. Curry, W. Doggett 4:01
B5 You've Been Doing Me Wrong For So Long
Written-By – F. Johnson, T. Woodford 2:56
Label: Sound Stage 7 – SS 1500
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre:
R&B Soul
Style: Southern Soul
Ann Sexton's 1977 album, The Beginning, is a sought-after Southern soul record appreciated for its raw emotion, powerful vocals, and a mix of upbeat dance tracks and smoother ballads that have gained a cult following in the Northern and Modern Soul scenes. It features her R&B chart hit "I'm His Wife (You're Just a Friend)".
The songs explore common soul music themes of love, relationships, and heartache. While her debut album Loving You, Loving Me was released in 1973, The Beginning followed several years later and featured production work by John Richbourg. Many tracks were co-written by Sexton and her husband, Melvin Burton.
Reviewers and fans consistently praise Sexton's powerful and emotional voice, often comparing her raw honesty and strength to artists like Aretha Franklin.
The album is highly regarded among Northern and Modern Soul enthusiasts for specific tracks. It's considered an "essential" collection for fans of rare and obscure soul.
Ann Sexton is often described as one of the most overlooked female Southern soul singers, making this album a valuable listen for genre aficionados.
The songs feature classic 70s soul musical stylings, including familiar bass lines and strong horn sections that evoke the era's classic sound.
The Songstress
Written-By – Patrick Moten, Sandra Sully 4:59
A2 You're The Best Thing Yet
Written-By – Geronne C. Turner, Patrick Moten 5:32
A3 Feel The Need
Written-By – Patrick Moten 5:35
A4 Squeeze Me
Written-By – Patrick Moten 4:37
B1 No More Tears
Written-By – Michael Powell 5:52
B2 Sometimes
Written-By – Patrick Moten, Sandra Sully 5:52
B3 Will You Be Mine
Written-By – Carlos Turrentine, Patrick Moten 5:26
B4 Do You Believe Me
Written-By – Patrick Moten 3:54
Label: Beverly Glen Music – BG10002
Format: Vinyl, LP, Album
Country: US
Released: 1983
Genre: R&B Soul, Jazz
Style: Eighties Soul, Downtempo
The Songstress is the debut solo album by American R&B/soul singer Anita Baker, originally released in 1983 on Beverly Glen Music. It established her signature "quiet storm" sound, characterized by a smooth, sophisticated, and jazzy blend of soul and gospel influences.
The album was a deliberate departure from the prevailing trends of overly synthesized funk and disco music of the early 1980s. Instead, it featured a more organic, live band sound with a focus on heartfelt ballads and a mature, adult contemporary R&B style.
It prominently showcases Baker's powerful, deep, and silky smooth three-octave contralto vocal range, which critics praised for its emotional delivery and control.
The music blends traditional soul with significant jazz and gospel touches, defining the sophisticated sound that would make her famous.
The majority of the tracks were produced and written by Patrick Moten. The arrangements included a mix of smooth grooves and introspective ballads.
Elektra Records acquired the rights to the album and re-released it in 1991 to a wider audience after Baker achieved fame.
The album features several tracks that became R&B hits:- "Angel": A smash hit that reached number five on the Billboard Hot Black Singles chart; "No More Tears": Another successful single, peaking at number 49 on the R&B chart; "You're the Best Thing Yet": Reached number 28 on the R&B chart.
While not the massive commercial success of her follow-up, multi-platinum album Rapture (1986), The Songstress was a moderate success on the R&B charts and it helped define the quiet storm genre and laid the groundwork for her later international stardom.
The Songstress is considered essential listening for Anita Baker fans and aficionados of heartfelt soul ballads and quiet storm R&B. Though some general reviews find certain tracks a bit uneven or not as memorable as her later hits, the album is widely appreciated for its display of the raw talent that would soon make her a superstar.
This Is Ann Peebles
A2 Crazy About You Baby Williamson 2:35)
A3 Make Me Yours (Swann 2:50)
A4 My Man-He's A Lovin' Man (Bennett, Matthew 2:14)
A5 Solid Foundation (Bryant, Jones 2:07)
A6 Chain Of Fools (Covay 2:45)
B1 It's Your Thing (O. Isley, R. Isley, R. Isley 2:32)
B2 Walk Away Sain 3:07)
B3 Rescue Me (Smith, Miner 2:27)
B4 Won't You Try Me Miller 2:55)
B5 Steal Away (Hughes 3:11)
B6 Respect (Redding 2:12)
Label: Hi Records – SHL 32053
Format: Vinyl, LP, Album
Country: US
Released: 1969
Genre: R&B Soul
Style: Southern Soul
Ann Peebles' 1969 debut album, This Is Ann Peebles, is celebrated as a strong, classic Southern soul record that showcases her powerful, emotionally resonant voice and introduces her signature sound with the legendary Hi Records rhythm section.
The album is widely regarded as a wonderful foray into R&B soul, establishing Peebles as a seasoned professional even at the young age of 21. Critics note her potent voice, which perfectly balances sophistication and raw grit, capable of expressing a wide range of deep emotions.
The album greatly benefits from the tight, lean grooves provided by the Hi Rhythm Section and the production of Willie Mitchell at Royal Recording Studio in Memphis. This combination creates a timeless soul sound that became a hallmark of the label, also driving the success of artists like Al Gre
The record features a combination of original songs and covers of popular R&B hits of the day. While some critics felt the attempts at Aretha Franklin covers were a slight misstep, Peebles is praised for making other covers, like "It's Your Thing" and "Rescue Me," her own with her distinct phrasing and delivery.
Touch Of Soul
Backing Vocals – Buz
Drum Programming, Keyboards – Lattrel
Drum Programming, Lead Vocals, Backing Vocals – Tracy
Guitar – John "Jubu" Smith
Keyboards, Organ [Hammond B-3], Drums, Backing Vocals – Timothy Christian Riley
Written-By – Lattrel, Timothy Christian Riley, Tracy 6:05
2 Stay With Me
Backing Vocals – Dion
Drum Programming, Keyboards – Timothy Christian Riley
Guitar [All], Bass – John "Jubu" Smith
Lead Vocals, Backing Vocals – Tracy
Saxophone – Vince Lars
Trumpet – Bill Ortiz
Written-By – John T. Smith, Timothy Christian Riley, Tracy 5:18
3 Special
Acoustic Guitar – John "Jubu" Smith
Backing Vocals – Buz
Bass – Derek "DOA" Allen
Drum Programming, Keyboards, Backing Vocals – Timothy Christian Riley
Lead Vocals, Backing Vocals – Tracy
Saxophone – Vince Lars
Strings – Claire Fischer
Trumpet – Bill Ortiz
Written-By – Fred Busby, Timothy Christian Riley 5:39
4 U Changed
Backing Vocals – Dion, Buz
Drum Programming, Keyboards – Lattrel
Drum Programming, Keyboards, Lead Vocals, Backing Vocals – Tracy
Keyboards – Timothy Christian Riley
Written-By – Dion Riley, Buz, Timothy Christian Riley, Tracy 5:13
5 Ridin'
Backing Vocals – Buz, Lattrel, Ramone Chester
Bass, Guitar – John "Jubu" Smith
Drum Programming, Keyboards – Timothy Christian Riley
Drums, Backing Vocals – Dion
Lead Vocals, Backing Vocals – Tracy
Written-By – Buz, Timothy Christian Riley 4:29
6 Light The Candles (Interlude)
Drum Programming, Keyboards, Backing Vocals – Tracy
Drum Programming, Keyboards, Words By [Spoken] – Lattrel
Guitar – John "Jubu" Smith
Written-By – John T. Smith, Lattrel, Tracy 1:05
7 Nature Rise
Backing Vocals – Buz
Drum Programming, Keyboards, Backing Vocals – Timothy Christian Riley
Guitar – John "Jubu" Smith
Lead Vocals, Backing Vocals – Tracy
Talkbox – Keith Crouch
Written-By – Timothy Christian Riley, Tracy 5:49
8 Touch Of Soul
Backing Vocals – Buz, LaDonna
Bass, Guitar – John "Jubu" Smith
Drum Programming, Keyboards, Drums, Clavinet – Timothy Christian Riley
Keyboards, Bass [Synth], Lead Vocals, Backing Vocals – Tracy
Saxophone – Vince Lars
Synth – Lattrel
Trumpet – Bill Ortiz
Written-By – D. Webster, Fred Busby, John T. Smith, M. Adams, M. Hicks, Raye Turner, S. Arrington, Timothy Christian Riley, T. Lockett, Tracy 4:26
9 A Sexy Solo (Interlude)
Instruments [All] – Timothy Christian Riley
Written-By – Timothy Christian Riley 1:38
10 All My Luv
Backing Vocals – Dion, Buz
Drum Programming, Keyboards, Backing Vocals – Lattrel
Electric Piano [Wurlitzer], Strings – Timothy Christian Riley
Guitar – James "Flatop" Jones
Keyboards, Lead Vocals, Backing Vocals – Tracy
Saxophone [Solo] – Vince Lars
Written-By – Lattrel, Tracy 5:04
11 Goin' On
Bass, Guitar – John "Jubu" Smith
Drum Programming, Electric Piano [Fender Rhodes], Lead Vocals, Backing Vocals – Tracy
Percussion – Dion (15)
Piano [Acoustic], Organ [Hammond B-3], Drums – Timothy Christian Riley
Strings – Lattrel
Trumpet [Solo] – Bill Ortiz
Written-By – John T. Smith, Tracy 4:32
12 That's How Love Goes
Backing Vocals – Fred "Buz" Busby
Drum Programming – Lattrel
Drum Programming, Keyboards – Timothy Christian Riley
Guitar – John "Jubu" Smith
Lead Vocals, Backing Vocals – Tracy
Rap – Big Will
Saxophone – Vince Lars
Written-By – Timothy Christian Riley, Tracy 5:22
13 Dog N' Me
Backing Vocals – Fred "Buz" Busby
Bass, Guitar – John "Jubu" Smith
Drum Programming, Keyboards – Timothy Christian Riley
Drums – Dion
Lead Vocals, Backing Vocals – Tracy
Written-By – A. Green, Fred "Buz" Busby, Timothy Christian Riley, W. Mitchell 4:00
14 Light The Candles (Reprise)
Drum Programming, Keyboards, Backing Vocals – Tracy
Drum Programming, Keyboards, Words By [Spoken] – Lattrel
Guitar – John "Jubu" Smith
Written-By – John T. Smith, Lattrel, Tracy 0:56
Label: Big Beat – 92655-2
Format: CD, Album,
Country: US
Released: 1996
Genre: Hip Hop, Funk, Soul
Style: RnB, Swing
Art N' Soul's Touch of Soul is praised as a classic, authentic R&B album with live instrumentation, evoking late '70s/early '80s vibes, filled with heartfelt love & relationship tales, standout tracks like "Ever Since You Went Away," and notable for its smooth vocals, jazz-infused arrangements, and rich sounds of real drums, bass, organs, and guitars.
Reviewers highlight its emotional depth, capturing joy, sorrow, lust, and lost love, making it a beloved gem for soul fans, despite its perceived under-promotion.
Featuring rich, live instrumentation (real drums, bass, Fender Rhodes, wah-wah guitars) creating a creamy, dreamy, authentic soul sound, it explores universal themes of love, heartbreak, regret, lust, and reconciliation with palpable emotion.
Standout Tracks: "Ever Since You Went Away" was a significant hit, charting on the Billboard Hot 100, while "Nature Rise" offers a curvy, jazzy feel.
Considered a high-quality, classic soul album by fans, wishing for more from the group. Features smooth, refined R&B vocals that convey deep feelings. Seen as a musical treasure that captures the essence of classic soul.
In essence, Touch of Soul is celebrated for delivering classic, heartfelt R&B with real instruments and compelling storytelling, making it a standout release from the mid-'90s.
Weighing In
A2 Somebody To Love (Gary St. Clair, Tim O'Brien 3:19)
A3 Settle Me Down (John Stevenson 2:43)
A4 Things Are Changing (Donald Paschal 2:43)
A5 All For You (Keith Mansfield, Scott English 2:38)
A6 Listen To Me (Lola Cantrell, Ray Augustine 3:12)
B1 The Last Phonograph Record (William Justice, Robert Miller 2:38)
B2 You Do The Right Things (Leon Ware, Scott Barnes 2:44)
B3 The Magic Of Your Mind (Leon Ware, Scott Barnes 2:37)
B4 Amen Brother (Lola Cantrell, Ray Augustine 2:25)
B5 Keep On Loving You (Darrye Gene Brooks, Ugene Dozier, Ted Wilson 4:23)
B6 Quick Reaction (George Young, Harry Vanda 3:21)
Label: Rocky Road Records – RR 3600
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
Al Wilson's 1973 album Weighing In is a smooth soul album showcasing his gritty, famed soul vocals, but generally contains material considered less impactful than his major hits. It was released as his second album on Rocky Road records, preceding the chart-topping Show and Tell.
Critics praise Wilson's consistent and arresting smooth, soulful voice. His distinctive style is noted for effectively capturing fans across different demographics.
The album is primarily categorized as smooth soul, infused with an essence of 1960s rock and R&B elements.
While Wilson's vocals are consistently strong, some reviews suggest that the album suffered from a lack of the "right material". One AllMusic review mentions that, aside from a couple of tracks, there "isn't much to write home about here, although Wilson's singing is always arresting, even if the songs seem to unravel almost before they can get off the ground".
Notable tracks often mentioned include the cover of Creedence Clearwater Revival's "Born on the Bayou," "All for You," and "The Magic of Your Mind".
For fans of Al Wilson's vocal style, Weighing In offers a solid performance, but it is generally considered a transitional or lesser-known album compared to the highly successful Show and Tell, which followed it in the same year. Retrospective reissues have highlighted its value to collectors and soul enthusiasts, especially the 50th-anniversary orange vinyl edition for Record Store Day in 2023.