B
Be With Me
Written-By – B. Griffin, S. Barnes 4:57
A2 Stone's Throw From Heaven
Written-By – B. Griffin 3:05
A3 Hold Me Tighter In The Rain
Written-By – B. Griffin, D. Griffin 5:29
A4 Love Is Not A Word
Written-By – S. Barnes 5:52
B1 The Beat Is Getting Stronger
Written-By – B. Griffin, S. Barnes 4:33
B2 2nd Day Love Story
Written-By – B. Griffin 6:04
B3 Breaking Out
Written-By – B. Griffin, J. Gadson 6:30
B4 Understand
Written-By – B. Griffin 4:53
Label: Columbia – FC 37745
Format: Vinyl, LP, Album
Country: US
Released: 1982
Genre: R&B Soul
Style: Eighties Soul, Funk, Disco
Billy Griffin's 1982 solo debut, Be With Me, is praised as a classic disco-soul/funk record, bridging the gap from the dying disco era to the burgeoning 80s sound, featuring the hit "Hold Me Tighter in the Rain" and strong tracks like "2nd Day Love Story," but some listeners find the consistent falsetto delivery a potential turn-off, though it's generally a well-regarded, smooth, and danceable album.
The album spawned the major UK hit "Hold Me Tighter in the Rain," a soulful, danceable track that was popular in Europe.
Griffin, formerly of The Miracles, sings the entire album in a distinctive falsetto, sometimes compared to Sylvester, which can be polarizing for some but defines the album's sound.
Produced with John Barnes (later of Michael Jackson fame), it features heavyweights like Randy Jackson, Ed Greene, and Gerald Albright, giving it a high-quality, funky feel.
A blend of upbeat dance tracks like the title track and "Breaking Out," smooth mid-tempo grooves such as "Understand," and heartfelt ballads like "2nd Day Love Story".
Considered a memorable disco-soul album, especially appreciated in reissues with bonus tracks for fans of 80s dance music and Griffin's unique style.
A pleasant, sweet listen with great lyrics and orchestration, offering a smooth, soulful experience for fans of 80s dance and R&B.
Bill Brandon
A2 Just Can't Walk Away (Bill Brandon, Lorraine Johnson 3:32)
A3 You Don't Have To Say (Archie Jordon 3:34)
A4 Hands Full Of Nothing (Michael Kunze 4:32)
B1 We Fell In Love While Dancing (Jesse Boyce, Moses Dillard 6:10)
B2 Baby, Love Is A Two Way Street (Don & Dick Addrisi 2:57)
B3 You Made My Life So Bright (Bill Brandon 3:42)
B4 No Danger Of Heartbreak Ahead (Sam Dees 4:00)
Label: Prelude Records – PRL 12149
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul, Disco
Bill Brandon's self-titled 1977 album is a rare and highly regarded soul and disco LP that has become a "connoisseur's dream" among collectors. It is Brandon's sole full-length album and is noted for its superb late 70's soul sound and the production work of Jesse Boyce and Moses Dillard.
Primarily soul and disco-dance, appealing especially to "steppers" (fans of a specific style of dance), the original vinyl release on the Prelude label was exceptionally rare and had not been repressed on vinyl until a legitimate reissue in 2021 by Canadian music powerhouse Unidisc.
The album was produced by the cult production team of Jesse Boyce and Moses Dillard, with additional production on two tracks by Piedmont Recording Corp.. It features a number of noted session players and horn and string arrangements by Harrison Calloway and Bob Holmes.
The album includes his biggest hit, the popular track "We Fell in Love While Dancing," which was also released as a 12-inch version and a promo single. Other notable tracks include "Can't We Just Sit Down and Talk It Over" and "Hands Full of Nothing".
It is considered an "essential" addition to any serious soul fan's collection, praised for its top-shelf quality and consistency.
Black Soul
A2 Dakar Sound (Pelon, R. Tweston 3:07)
A3 Black Soul Music (Black Soul, G. Musso 4:45)
A4 Moog Melody (R. Tweston 4:30)
B1 Black Brothers (Black Soul, R. Tweston 7:21)
B2 Africa Africa (Black Soul, R. Tweston 4:00)
B3 Mangous Ye Black Soul, R. Tweston 6:08)
Label: Beam Junction – BJ 5002 LP
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Afro Funk Soul
Black Soul's 1977 self-titled album is a smooth, dancefloor-oriented Afro-Funk record, featuring a mix of new material and re-edited tracks from their previous release.
The US release on the Beam Junction label features a special mix of the track, "Mangous Ye," originally from their 1975 debut album "Brazil Africa". It was mixed at Sigma Sound Studios in Philadelphia by the legendary disco producer Tom Moulton, intended to give it more of a dancefloor groove.
The album's sound is compared to the work of artists like Manu Dibango.
Bo and Ruth
A2 To Make You Love Me (Bo Kirkland, R.L. Kirkland, Charles Gentry 3:40)
A3 Train Of Desire (Bo Kirkland, Charles Gentry, Hense Powell 3:24)
A4 You're Gonna Get Next To Me (Bo Kirkland, R.L. Kirkland, Hense Powell, Ruth Davis 7:10)
B1 We Got The Recipe (Bo Kirkland, R.L. Kirkland, Hense Powell, Ruth Davis 2:56)
B2 Easy Loving (Freddie Hart 3:24)
B3 Sure Got A Thing For You (Bo Kirkland, R.L. Kirkland, Hense Powell 3:23)
B4 Can You Feel It (Bo Kirkland, R.L. Kirkland, Charles Gentry, Hense Powell 3:42)
B5 Grandfather Clock (Bo Kirkland, R.L. Kirkland, Frank Slay 3:33)
B6 Stay Out Of My Kitchen (If You Can't Stand The Heat) (Bo Kirkland, R.L. Kirkland, Hense Powell 2:55)
Label: Claridge Records – CL-1002
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
The album Bo & Ruth by Bo Kirkland and Ruth Davis is a classic soul and funk record, widely regarded as an overlooked gem of the era. It features a smooth, mellow sound, blending southern soul influences with a modern, R&B/disco vibe.
The album is notable for its excellent use of the duet format, where Bo Kirkland (also known as Mike James Kirkland) provides lead vocals in a warm style, complemented by Ruth Davis's strong support vocals. Bo Kirkland was the primary creative force behind the set, which was arranged by Hense Powell.
Released on the Claridge Records label (and EMI International in the UK), the album includes several US R&B chart singles and was a significant UK club hit, particularly the track "You're Gonna Get Next to Me". The music is characterized by its soulful and funky grooves, appealing to fans of 1970s R&B.
The album has been reissued in various formats, notably as part of the compilation CD You're Gonna Get Next to Me: The Complete Claridge Recordings, which includes additional singles and solo tracks.
Bobby Boyd
A2 Good Woman 4:45
A3 Happy Hooker 5:50
A4 Ain’t What You Know 2:30
B1 Girl, I Can Feel Ya 3:35
B2 How Do You Hang On To A Dream 3:45
B3 Let Bygones Be Bygones 5:00
B4 To Be In Love With Yourself 3:55
B5 On This Side Of Town 3:35
B3 Written by Harvey Fuqua. All other tracks written by Bobby Boyd.
Label: Tiger Lily Records – TL 14066
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
Bobby Boyd's self-titled album is a highly acclaimed but initially obscure soul and funk "hidden gem", primarily produced by jazz legend George Benson. Originally released on the small, poorly distributed Tiger Lily label, it achieved wider recognition decades later through a 2023 remastered reissue.
The album is praised by critics and collectors for its sophisticated arrangements and blend of musical styles, featuring soulful ballads highlighting Boyd's emotive vocals, combined with upbeat funk grooves with jazzy elements showcasing his instrumental talent as a vocalist and saxophonist.
The production of the album includes significant contributions from notable artists besides Benson, such as Harvey Fuqua, Ralph MacDonald, Roberta Flack, Anthony Jackson, Steve Ferrone, and Earl Klugh.
Bodacious
A2 You Are The One (Williams 5:21)
A3 Don't Say No (Taylor 5:04)
A4 C'est La Vie (Pain, Holding, Nevil 4:22)
B1 The Last Time I Made Love (Mann, Barry, Weil 3:14)
B2 Danger Zone (Abrahams, Williams, Lyle, Haynes 5:49)
B3 Dark And Lonely Nights (Freeman, Osborne, Giancaterino 4:12)
B4 You Do It (Allen, Struzick, Van Hoy 4:16)
Label: Capitol Records – TOL L 7123441
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: R&B Soul
Style: Eighties Disco Funk
American R&B/soul Gospel singer Beau Williams' Bodacious! album is known for its strong fusion of funk, soul, and contemporary R&B, showcasing Williams' powerful vocal abilities. The title "Bodacious" is defined on the album notes as "Outright, unmistakably remarkable, noteworthy, completely unmitigated".
The album was produced by Alan Abrahams and featured a high-profile lineup of Los Angeles session musicians, including:
Bassists: Nathan East, Abraham Laboriel, Freddie Washington
Guitarists: Lee Ritenour, Ray Parker Jr., Paul Jackson Jr.
Keyboardist: Bobby Lyle
Drummer: Leon "Ndugu" Chancler
Arranger: Gene Page
Before this album, Beau Williams gained recognition as a teenager singing gospel music and appeared on the Star Search television show in 1984, where he notably defeated the thirteen-week champion Sam Harris.
The album has been digitally remastered and reissued on CD by labels like Funky Town Grooves.
Brook Benton Today
Written-By – Tony Joe White 3:51
A2 My Way
Written-By – C. François, J. Rivaux, Paul Anka 5:33
A3 Life Has Its Little Ups And Downs
Written-By – Margaret Ann Rich 3:45
A4 Can't Take My Eyes Off You
Written-By – Bob Crewe, Bob Gaudio 2:44
A5 We're Gonna Make It
Written-By – Billy Davis, Carl Smith, Gene Barge, Raynard Minor 3:07
B1 A Little Bit Of Soap
Written-By – Bert Russel 3:56
B2 Baby
Written-By – Brook Benton 4:33
B3 Where Do I Go From Here ?
Written-By – Brook Benton, James Shaw 3:09
B4 Desertion
Written-By – Dorian Burton, Herman Kelly 4:30
B5 I've Gotta Be Me
Written-By – Walter Marks 3:42
Label: Cotillion – SD 9018
Format: Vinyl, LP, Album
Country: US
Released: 1970
Genre: R&B Soul
Style: Rhythm & Blues, Soul
Brook Benton Today, released in 1970, was a significant comeback album for Brook Benton on Atlantic Records, featuring his massive hit "Rainy Night in Georgia" and showcasing a mature, soulful sound with Arif Mardin's lush arrangements, blending pop, soul, and R&B with country touches, solidifying his relevance beyond earlier hits.
The album's centerpiece was the iconic "Rainy Night in Georgia," a huge crossover success that topped R&B charts and reached #4 on the Pop charts, revitalizing Benton's career.
Arif Mardin produced the album, guiding Benton into a richer, more sophisticated sound that moved past earlier country clichés, featuring a small combo and The Sweet Inspirations on vocals.
It masterfully mixed Southern Soul, Pop-Soul, and R&B, with covers of "My Way" and "I Gotta Be Me" gaining new depth and soul-country arrangements.
Benton's warm, world-weary vocals delivered heartfelt and existential interpretations, adding depth to both covers and his own compositions like "Baby" and "Where Do I Go From Here".
The album itself reached #27 on the US Pop charts and #4 on the R&B charts, marking a major commercial resurgence for Benton in 1970.
In essence, Brook Benton Today presented a seasoned artist delivering powerful, emotionally resonant performances that brought him back to the forefront of popular music.
Cross My Heart
A2 Tell Me The Truth (Billy Stewart 2:47)
A3 Fat Boy's Boogaloo (Billy Stewart 2:37)
A4 Why Do I Love You So (Stewart, Miner, Marks 3:30)
A5 Crazy 'Bout You Baby (Dorian Burton, Herman Kelly 2:35)
A6 Tell It Like It Is (Calvin Ruffin 3:05)
B1 Why Am I So Lonely (Billy Stewart 2:13)
B2 I'm In Love (Oh Yes I Am) Billy Stewart 2:55)
B3 You've Got Such Good Lovin' (Leonard Caston, Lloyd Weber 3:04)
B4 What Have I Done (Curtis McCormick, Fred Cash 2:48)
B5 By The Time I Get To Phoenix (J. Webb 4:05)
B6 How Nice It Is (Billy Stewart 3:05)
Label: Chess – CH 50059
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Soul
Style: Sixties Soul
Cross My Heart by Billy Stewart is a 1974 posthumous compilation album featuring R&B and Northern Soul tracks recorded on the Chess label during the 1960s. It was not a contemporary studio album released during his lifetime, but rather a collection of previously recorded material released after his death in a 1970 car accident.
The album showcases Billy Stewart's unique, idiosyncratic vocal style, which included "word-doubling," scatting, and trilling his lips. The tracks feature brassy arrangements that blend soul with big-band jazz elements, and Maurice White of Earth, Wind & Fire plays drums on some tracks.
Critics and fans appreciate the album for capturing Stewart's unique talent and for its well-crafted soul ballads and mid-tempo ditties. The songs are known for their strong instrumental support (including horns and string sections) and Billy Stewart's powerful, soulful vocals. The original title track "Cross My Heart" is a romantic ballad about finding lasting love, described as a "tearjerker" with a "soulful howl" on the fade.
The album has often been reissued, sometimes combined with his 1966 album Unbelievable as a two-for-one CD compilation titled Unbelievable / Cross My Heart: The Chess Masterpieces.
Don’t You Know
Written-By – Eddie John, Erma Reese 7:39
A2 I'm Running
Written-By – Carlene MacLinen, Dan Japlin, Jean-Marc Willa-Roza 5:34
A3 Don't You Know
Written-By – Carlene MacLinen, Dan Japlin, Jean-Marc Willa-Roza 4:08
B1 Get It Together
Written-By – Vladimir Cosma 6:41
B2 I Just Ask Me When
Written-By – Arthur Young 3:46
B3 Passing Dreams
Written-By – Frank Abel 4:26
B4 Honey Child
Written-By – Arthur Young 3:40
Label: Barclay – 90050
Format: Vinyl, LP, Album
Country: Canada
Released: 1978
Genre: R&B Soul. Disco
Style: Disco, Dance
Brenda Mitchell's 1978 disco and R&B album Don't You Know is a minor classic in disco circles, primarily appreciated for its strong production, infectious grooves, and dancefloor appeal.
While professional, in-depth critic reviews from its initial release are scarce in the available records, the album is highly regarded by soul and funk enthusiasts for specific standout tracks.
The album receives generally positive, albeit limited, user ratings on platforms like Discogs, with an average of 3 out of 5 stars from a small number of ratings.
It is considered a niche, but valuable, piece of 70s funk and disco. The production was handled by French producer Pierre Jaubert.
The record is fundamentally about the beat and the groove, which is characteristic of the best disco music where production often took precedence over the artist.
Some listeners have noted that specific tracks, like the title track, sound remarkably modern and innovative for a 1970s release.
Dry Your Eyes
Written-By – Payton, Coates 2:30
A2 Walk On By
Written-By – Bacharach - David 2:27
A3 God Only Knows
Written-By – Wilson, Asher 2:10
A4 Who's Lovin' You
Written-By – Robinson 3:10
A5 Summertime
Written-By – Gershwin 3:40
A6 Where Did Our Love Go
Written-By – Holland - Dozier - Holland 2:05
B1 Just Once In A Lifetime
Written-By – Payton, Coates 2:40
B2 Forever
Written-By – Holland, Holland, Gorman 2:25
B3 Stay Together Young Lovers
Written-By – Ellison, Bell 2:55
B4 Hey Boy
Written-By – Payton, Coates 1:55
B5 Oh Lord What Are You Doing To Me
Written-By – Keyes, Dixon 3:10
B6 The Wash
Written-By – Payton, Coates 2:10
B7 When You're Gone 2:35
Written-By – Bob Finiz, and Lenny Pakula
Label: Dionn Records – LPS 2000
Format: Vinyl, LP, Album
Country: US
Released: 1967
Genre: R&B Soul
Style: Sixties Soul, Philly Sweet Soul
Brenda & The Tabulations' "Dry Your Eyes" album (1967) is a highly-regarded early Philly Soul/Sweet Soul record, praised for Brenda Payton's beautiful lead vocals, rich male harmonies, and Van McCoy's songwriting, featuring the massive hit "Dry Your Eyes," alongside soulful originals like "The Wash," and great covers, making it a must-have for fans of classic 70s soul despite being from '67, showcasing a unique, heartwarming sound.
The group masterfully blended soft, sweet melodies with deep, heartfelt soul, creating a unique, often poignant sound.
Brenda Payton's lead voice is consistently praised as a major strength, perfectly suiting the material.
The dynamic interplay between Payton and the male Tabulations (Eddie Jackson, Maurice Coates, Jerry Jones initially) provided rich, distinctive backing.
While the title track was self-penned, the album features killer cuts by legendary songwriter/producer Van McCoy ("Lies Lies Lies," "Always and Forever").
Reviewers often note the group's overlooked status despite their quality, with this album being a prime example of their greatness.
Key Tracks:
"Dry Your Eyes": The iconic, heartbreaking title track and their first major pop/R&B hit (Pop #20, R&B #2).
"The Wash": Another standout original showcasing their signature sound.
"Just Once in a Lifetime": A deeply soulful track.
Covers: Strong renditions of classics like "Don't Make Me Over" and "California Dreaming".
The album is considered essential listening for soul fans, a classic piece of early Philly Soul, and a testament to a group that deserved far more mainstream recognition. It's seen as a benchmark for its era's male/female vocal group dynamic.
Feel It
A2 Your Eyes Say Goodbye 4:31
A3 You're What's Been Missing From My Life 2:59
A4 Daily News (Vocal) 4:46
A5 All In A Day's Love 2:43
B1 Feel It 3:20
B2mWarm Inside 3:32
B3mLove, Won't You Stay (Eugene Lemon) 3:05
B4 Daily News (Instrumental) 3:11
Written-By – Leroy Burgess (tracks: A2, A4, B2, B4), Michael Gately (tracks: A1, A3, A5, B1), Robert John (tracks: A1, A3, A5, B1), Russell Patterson (tracks: A2, A4, B2, B4), Stuart Bascombe (tracks: A2, A4, B2, B4)
Label: Buddah Records – BDS 5644
Format: Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Soul
Style: Seventies Soul, Funk, Disco
Feel It is the third album by American soul/R&B vocal group Black Ivory. The album is noted for marking a transition in the group's style, blending their signature warm, emotional soul sound with the emerging East Coast club soul style.
The album was produced by Robert John, with rhythms arranged by Leroy Burgess and strings/horns arranged by Patrick Adams.
While the group was known for being "heavy on ballads" in earlier works, this album successfully integrated a more danceable club sound.
Feel It is considered an overlooked gem that represents a stylistic evolution for the group, moving from their earlier ballad-heavy approach to a more soulful and danceable style.
AllMusic critic Andrew Hamilton described the album as "good or better than the previous two," noting the strength of its ballads like "Will We Ever Come Together".
Fly Me To The Moon
Written-By – B. Howard 2:09
A2 Baby! You Oughta Think It Over
Written-By – B. Womack 2:37
A3 I'm A Midnight Mover
Written-By – B. Womack, W. Pickett 2:02
A4 What Is This
Written-By – B. Womack 2:32
A5 Somebody Special
Written-By – B. Womack 2:57
A6 Take Me
Written-By – D. Ervin 2:34
B1 Moonlight In Vermont
Written-By – J. Blackburn, K. Suessdorf 2:33
B2 Love, The Time Is Now
Written-By – B. Womack, J. Holiday 3:19
B3 I'm In Love
Written-By – B. Womack 2:41
B4 California Dreamin'
Written-By – John Phillips 3:32
B5 No Money In My Pocket
Written-By – B. Womack, J. Holiday 3:05
B6 Lillie Mae
Written-By – Don Juan, Vee Pea 2:12
Label:
Minit – LP-24014, Minit – LP 24014, Minit – LP24014
Format:
Vinyl, LP, Album, Stereo, Research Craft Press
Country: US
Released: 1968
Genre: R&B Soul
Style: Sixties Soul
Bobby Womack's debut solo album, Fly Me to the Moon, is considered a groundbreaking and classic soul record that established his unique vocal talent and innovative arrangements. It received critical acclaim for its bold reinventions of popular songs and Womack's powerful, ad-lib driven soul style.
The album is noted for transforming established songs, making them distinctly Womack's own. His cover of the title track, originally a jazz standard, featured a "magnificent tonal shift" and a "soul-swing of the arrangement" that critics praised for blowing "all the originals out of the water". Similarly, his slowed-down, horn-accented version of The Mamas & the Papas' "California Dreamin'" is widely considered the definitive soul interpretation.
Womack's singing is celebrated for its raw, "church" quality, characterized by ad-libs, staggered phrasing, and a gritty voice that commands attention. He creatively used the spaces between musical phrases for improvisation, a style reminiscent of Sam Cooke and Otis Redding, which critics found inventive and engaging.
The album successfully blends elements of soul, R&B, jazz, and blues, showcasing Womack's versatility and establishing his signature sound.
While perhaps not an immediate massive commercial hit compared to later albums like The Poet, the album achieved moderate success and laid the foundation for his long and influential career. It is highly regarded by fans and music enthusiasts, with strong average ratings on music databases.
In summary, the album is highly recommended for fans of classic soul music and is praised for its demonstration of Womack's talent as both a powerful vocalist and an innovative arranger. The album is considered an essential piece of his early work.
Give Me Your Love
Written-By – B. Mason 8:56
A2 When I Fall In Love
Written-By – E. Heyman, V. Young 4:03
A3 Everything I Own
Written-By – D. Gates 3:54
A4 Let Me In Your Life
Written-By – Bill Withers 3:52
B1 Bed And Board
Written-By – Flax, Lambert 3:29
B2 Who Will You Hurt Next
Written-By – B. Mason 3:20
B3 You Can Be With The One You Don't Love
Written-By – B. Mason 4:21
B4 Out Of This World
Written-By – J. Bishop 3:30
B5 Give Me Your Love
Written-By – C. Mayfield 2:58
Label: Buddah Records – BDS 5117
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul, Philly
Barbara Mason's Give Me Your Love is a landmark soul album, marking her transition from teen sensation to mature R&B artist, featuring Curtis Mayfield's iconic title track and lush Philly soul production (MFSB players), praised for its emotive vocals, sophisticated arrangements (strings, horns), and deep lyrical themes on adult love, cementing it as a classic with standout tracks like the epic "Yes, I'm Ready" and "Bed and Board".
It moved away from her earlier teen hits to explore complex, adult romantic relationships, with Mason taking charge in her lyrics.
The album heavily featured the classic Sigma Sound Studios setup, with MFSB musicians (Baker, Harris, Young), Don Renaldo's strings, and the Sweethearts of Sigma, giving it a rich, lush sound.
Mayfield wrote and produced the title track, adding a tougher, funkier edge, though the album balances this with sweeter Philly soul.
Standout Tracks: "Yes, I'm Ready" (a revamped, epic version of her earlier hit), the heartbreaking "Bed and Board," "Let Me In Your Life," and "Who Will You Hurt Next" are frequently highlighted.
The original vinyl featured a risqué pop-up picture of Mason in a man's shirt, making second-hand copies rare.
Considered by many critics and fans to be Mason's best work and a defining soul album of the era. Reviewers consistently praise Mason's stunning, heartfelt, and emotive voice.
In essence, Give Me Your Love is celebrated as a seamless blend of powerful vocals, sophisticated production, and mature songwriting, making it a must-have for soul music enthusiasts.
Gotta Groove
A2 If This World Were Mine 3:10
A3 In The Hole 2:54
A4 Funky Thang 3:09
A5 Jiving Around 3:15
A6 Grab This Thing 2:14
B1 Don't Stop Dancing (To The Music) Part 2 2:21
B2 Street Walker 3:20
B3 Yesterday 3:19
B4 Humpin' 2:44
B5 Hey Jude 6:04
Label: Volt – VOS-6004
Format: Vinyl, LP, Album
Country: US
Released: 1969
Genre: R&B Soul, Funk
Style: Seventies Soul
The Bar-Kays' 1969 album Gotta Groove is a pivotal, hard-driving funk/soul masterpiece, marking the band's strong comeback after the tragic plane crash with Otis Redding, blending deep Stax grooves with Sly Stone-inspired psychedelia and fiery horn arrangements, featuring standout tracks like the two-part "Don't Stop Dancing (To the Music)" and instrumental jams like "In the Hole," solidifying their place as funk pioneers despite modest chart success initially.
The album serves as a powerful testament to the surviving members, Ben Cauley and James Alexander, rebuilding the band and returning to the studio with new talent, including working with Isaac Hayes.
It's known for its incredibly funky, instrumental focus, deep grooves, and psychedelic twists, influenced by Sly & the Family Stone, especially on "Don't Stop Dancing (To the Music)".
Tracks like "In the Hole" showcase heavy guitar riffs, lurching horns, and a vicious funk feel, while "Funky Thang" adds psych-blues rock.
The album highlights the band's musicianship, with great drumming (Willie Hall), sassy sax, and solid basslines, even covering Beatles tunes like "Yesterday" and "Hey Jude" instrumentally.
While not a massive pop crossover at the time, Gotta Groove became a seminal funk record and paved the way for the later, more commercially successful disco-funk era of the Bar-Kays in the mid-70s.
Often called one of the funkiest, hardest-driving LPs from Stax. Reissues are popular, though quality of pressings can vary.
Considered a must-have for funk enthusiasts, even with its initial limited chart run. In essence, Gotta Groove is a gritty, soulful, and revolutionary record that defined a new era for the Bar-Kays, cementing their place in funk history with infectious grooves and undeniable resilience.
Happy Endings
A2 God Only Knows (Brian Wilson) 3:18
A3 The Things I Say To His Shoulder 4:10
A4 Bedroom Eyes 3:52
A5 Keep It Up 3:23
B1 Just A Little Piece Of You (Stevie Wonder) 3:35
B2 Don't Let It End ('Til You Let It Begin) 3:18
B3 As Far As We Can Go 4:41
B4 Happy Endings 3:53
Label: Fantasy – F-9480
Format:Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Soul
Style: Seventies Soul
Happy Endings is an album that marks a significant shift from Betty Everett's earlier Chicago soul sound to a smoother, more sophisticated mid-70s soul style. The album features lush arrangements by Gene Page, known for his work with Barry White, and production by both Gene and Billy Page.
The record is characterized by a warm, smooth R&B and soul sound, with a slightly funky edge, that allowed Everett to showcase her voice as a rich and mature soul singer. Critics noted that the production provided the professional setting necessary for Everett's finest work, a contrast to the production issues some felt plagued her earlier career.
The album includes an eclectic mix of songs, featuring several tracks written by the Page brothers, as well as covers of other artists' work.
Happy Endings is considered a "real sleeper" with many great moments, appreciated for its polished production and Everett's strong vocal performance. The album was later reissued on CD in a combined release with her 1974 album Love Rhymes.
Hard To Stop
A2 Sweet Wonder (Betty Wright, Joanne Shelby, Willie Clarke 2:26)
A3 The Experts (Clarence Reid, Willie Clarke 3:02)
A4 We The Two Of Us (Betty Wright, Willie Clarke 3:00)
A5 Let Me Go Down (Al Kooper 2:57)
B1 Gimme Back My Man (Billy Kennedy 3:28)
B2 Who'll Be The Fool (Clarence Reid, H. W. Casey, Willie Clarke 3:17)
B3 The Babysitter (Betty Wright, Clarence Reid, Willie Clarke 3:02)
B4 If You Think You've Got Soul (Clarence Reid, Willie Clarke 2:15)
B5 It's Hard To Stop (Doing Something When It's Good To You) (Betty Wright, Clarence Reid, Willie Clarke 3:14)
Label: Alston Records – SD 7026
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
Hard To Stop is a funk-driven Southern soul album and the third studio album by American soul singer Betty Wright, who was a teenager at the time. Produced by Clarence Reid and Willie Clarke, among others, the record is known for its strong, consistent songwriting and diverse musical styles.
The album showcases Wright's bold "soul sister" style, blending powerful vocals with a raw, gospelfied sound. While it features the laid-back, mellow keyboard touches and subdued horn passages characteristic of Miami soul, it also incorporates funky numbers, smooth ballads, and even a Latin-tinged dance track.
The producers sought to build on the success of her massive hit "Clean Up Woman" (from the previous album I Love the Way You Love), including tracks like "Gimme Back My Man" and the single "The Babysitter" that use a similar rolling groove and theme. Wright also co-wrote four songs on the album, demonstrating maturity beyond her years. A notable cover is her soulful rendition of Helen Reddy's feminist anthem "I Am Woman".
While Hard To Stop did not achieve the massive commercial success of her previous album's hit single, critics praise it as one of her most consistent and strong records in the Alston catalog. It is a classic example of early 70s female Southern soul and is considered a must-have for fans of the genre. The album's title track, "It's Hard to Stop (Doing Something When It's Good to You)," also served as a successful single, peaking at #12 on the R&B charts.
Heaven
Written-By – B. Winans, K. Thomas 4:42
A2 Celebrate New Life
Written-By – B. Winans, K. Thomas 3:44
A3 Lost Without You
Written-By – B. Winans, K. Thomas 4:12
A4 You
Written-By – Winans, Thomas, Kibble, Lawrence 4:43
A5 Wanna Be More
Written-By – Benjamin Winans 4:40
B1 Hold Up The Light
Guest, Vocals – Whitney Houston
Written-By – B. Winans, P. Bady 4:52
B2 Meantime
Written-By – B. Winans, K. Thomas 5:06
B3 Don't Cry
Written-By – B. Winans, K. Thomas 4:19
B4 Trust Him
Written-By – B. Winans, K. Thomas 4:30
B5 Bridge Over Troubled Water
Written-By – Paul Simon 3:52
Label: Capitol Records – C1 90959
Format: Vinyl, LP, Album
Country: US
Released: 1988
Genre: R&B Soul, Gospel
Style: Soul, Christian
BeBe & CeCe Winans' 1988 album Heaven is a pivotal contemporary gospel record, celebrated for its stunning vocal harmonies, innovative blend of pop production with Christian themes, and influential sound that paved the way for modern gospel, even drawing minor criticism for being "too pop," but solidifying their status as innovators with hits like the title track and guest spots from Whitney Houston.
The album showcases the signature, breathtaking harmonies and interplay between BeBe and CeCe's voices.
It masterfully merged popular music production values with faith-based lyrics, pushing the boundaries of gospel music.
While some keyboard sounds are dated by today's standards, the production was lush and impactful, featuring BeBe's songwriting and a blend of funky and ballad styles.
Heaven helped usher in a new era of contemporary gospel, influencing artists like Kirk Franklin and Sounds of Blackness, and setting the stage for the Winans' successful solo careers.
Critics lauded it as some of their best work, solidifying their role as gospel innovators, though some questioned if its contemporary sound was "Christian enough".
Overall, Heaven is a beloved classic in the gospel world, recognized for its timeless vocals, groundbreaking sound, and lasting impact, making it a must-listen for fans of the duo and contemporary Christian music.
His California Album
Written-By – D. Malone, O. Perry 3:32
A2 Up And Down World
Written-By – D. Malone, V. Morrison 3:33
A3 It's Not The Spotlight
Written-By – B. Goldberg, G. Goffin 3:52
A4 (If Loving You Is Wrong) I Don't Want To Be Right
Written-By – L. Ingram, M. Rice 3:50
A5 Goin' Down Slow
Written-By – J. D. Odom 5:35
B1 The Right Place At The Right Time
Written-By – D. Malone 2:55
B2 Help Me Through The Day
Written-By – L. Russell 3:50
B3 Where Baby Went
Written-By – D. Malone 3:19
B4 Friday The 13th Child
Written-By – D. C. Thomas 3:14
B5 I've Got To Use My Imagination
Written-By – B. Goldberg, G. Goffin 4:14
Label: ABC/Dunhill Records – DSX-50163
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul, Blues
Style: Rhythm & Blues, Soul
Bobby "Blue" Bland's 1973 release, His California Album, is widely considered a "lost classic" and a masterpiece of gritty, urban crossover soul. It marked a significant artistic shift, moving from his raw, Houston-based sound to a more polished, Los Angeles studio production, which garnered critical acclaim and commercial success.
Reviews of His California Album are overwhelmingly positive, with many fans and critics rating it as one of the best soul-blues albums ever recorded.
The album is frequently described as a "masterpiece of gritty crossover soul" that successfully merges deep Southern soul and blues with the smooth, laid-back feel of L.A. production.
Bland's vocal performance is universally praised. His "exquisite, huskily expressive voice" delivers powerful lyrics with raw honesty, emotion, and elegance, backed by a stellar cast of L.A. session musicians including Larry Carlton and Dean Parks on guitar.
Despite being a product of its time (the 1970s), reviewers note the album has a "timeless quality" that sounds fresh decades later.
It is considered a landmark recording in Bland's discography, showcasing a creative renewal and a sophisticated urban sound while retaining his soulful essence.
His California Album is considered an essential listen for fans of soul and blues music, capturing a transformative period in Bobby "Blue" Bland's career where his powerful voice blended seamlessly with sophisticated studio production to create an enduring work of art.
Hot Night Tonight
2 I Love To Make Love (Lee Errol Anthony 5:03)
3 I Let A Good Man Go (4:44)
4 Never Found A Man (Isbell Alvertis, Jones Booker T. Jr., Floyd Eddie Lee 4:13)
5 Hot Night Tonight (Barbara Lynn 4:45)
6 Don't Hit Me No More (Charles Scott Boyer Jr. 4:45)
7 Hear From My Daddy (Barbara Lynn 4:57)
8 When Something's Wrong (Isaac Hayes/David Porter 3:36)
9 It's Been So Long - (Barbara Lynn 4:02)
10 Lynn's Blues - (Barbara Lynn 5:17)
11 You're The Man (Extended Version) - (Barbara Lynn 5:31)
12 What I Need Is Love (Barbara Lynn 3:52)
Label: Antone's Records – ANT0047
Format: CD, Album
Country: US
Released: 2000
Genre: Rhythm & Blues
Style: R&B Soul Blues
"Hot Night Tonight" by Barbara Lynn is a 2000 release that features her signature soulful blues sound, blending R&B, blues-rock, and New Orleans R&B styles. It was her first full-fledged studio album in over two decades, following a long hiatus from the music business.
The album is characterized as "soulful blues," distinct from typical blues by placing less emphasis on the guitar and more on Lynn's vocal stylings. It has been compared to the classic Stax/Volt sound, "amped up a bit with more guitars".
The album features a mix of her older songs (like "You're the Man") and new originals, all highlighting her voice and left-handed guitar playing.
The title track is included, alongside others such as "I Love To Make Love," "I Let A Good Man Go," and "Lynn's Blues".
One unique aspect noted in reviews is the appearance of Lynn's son, Bachelor Wise, who performs a rap on the album's opening track, a feature that some found worked well with the tune.
Reviewers praised the album as a great recording from an "underrated and overlooked soul performer". It is recommended for those looking for a different, more soulful type of blues.
The album can be purchased from Amazon on CD or MP3 download by clicking the image below.
Hung Up On You
A2 I Don't Want To Lose You (Butler, Wade, Callier 3:43)
A3 Whatever's Fair (Wade, Callier 3:36)
A4 Storm (Butler, Wade 3:04)
A5 Free Yourself (Jackson, Jones, Wade, Mixon Jr, Callier 2:37)
B1 Dip, Dip, I've Got My Hands Full (Butler, Blumenberg 3:55)
B2 (What Do You Do) When Your Baby's Gone (Billy Butler 4:40)
B3 You Keep Running Away (B. Butler, Blumenberg, J. Butler 2:58)
B4 Now You Know (Wade, Callier 3:48)
B5 You Can't Always Tell (Butler, Jackson, Wade, Callier 3:06)
Label: Pride – PRD-0018
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Sweet Soul, Funk
The album Hung Up On You by Billy Butler & Infinity is a 1973 (or 1974 in some regions) release that is considered a Chicago soul masterpiece, blending sweet soul ballads with energetic funk tunes. It was the sole LP released by the group, which featured Billy Butler (brother of the famous soul singer Jerry Butler) alongside members Errol Banks, Phyllis Knotts, and Larry Wade.
The album is noted for showcasing the full range of Butler's musical palette beyond his earlier Motown-influenced 1960s work. It includes a mix of sweet soul ballads and funkier material, with driving rhythms and soulful melodies.
Though perhaps under-appreciated at the time of its initial release, the album is highly regarded by soul music enthusiasts and collectors. Reissues have helped it gain recognition as a classic example of 1970s soul, praised for its exceptional songwriting, arrangements by Jerry Long, and production.
It’s Just A Matter Of Time
Written-By – B. Patterson 2:40
A2 I Get My Groove From You
Written-By – B. Patterson 3:25
A3 Make Sure You Can Handle It
Written-By – B. Patterson 2:45
A4 Everything Good To You (Don't Have To Be Good For You)
Written-By – B. Patterson 2:56
A5 How Do You Spell Love
Written-By – B. Patterson, J. Strickland, M. Boxley 2:25
A6 Recipe For Peace
Written-By – B. Patterson 3:20
A7 Take Time To Know The Truth
Written-By – B. Patterson, J. Strickland 3:37
B1 It Takes Two To Do Wrong
Written-By – B. Patterson, J. Strickland 2:09
B2 She Don't Have To See You (To See Through You)
Written-By – B. Patterson, J. Strickland 3:25
B3 Right On Jody
Written-By – J. Beach, J. Strickland, R. Bell 3:05
B4 I Just Loved You Because I Wanted To
Written-By – B. Patterson, J. Strickland 2:25
B5 One Ounce Of Prevention
Written-By – B. Patterson, J. Strickland 3:00
B6 This Whole Funky World Is A Ghetto
Written-By – B. Patterson 3:45
Bobby Patterson's 1972 album It's Just a Matter of Time is widely considered a cult classic in the R&B and soul communities. Critics praise its stylistic breadth, catchy songwriting (almost entirely by Patterson himself), and raw, gritty groove.
Reviewers consistently describe the album as an essential listen for soul fans, highlighting its versatility and enduring appeal.
The album has been referred to as a "stone soul masterpiece, full of grit and groove". Its quality is such that some sources suggest it would have made Patterson a cult figure even if it were his only release.
The record is praised for its "breathtaking stylistic breadth," which seamlessly blends different soul subgenres. This includes everything from funky soul workouts and romantic ballads to socially conscious anthems.
Critics point to Patterson's "knack for writing catchy songs" and his "appealing vocals" as key strengths.
Journey To The Light
Lead Vocals – Belita Woods
Written-By – Gerald P. Kent 3:44
A2 Loving Just You
Lead Vocals – Trenita Womack
Written-By – Belita Woods, Ken Harris, Larry Sims 4:31
A3 Every Time I See You, I Go Wild!
Lead Vocals – Belita Woods, Deon Estus
Written-By – Henry Cosby, Stevie Wonder, Sylvia Moy 6:14
A4 Brand New Day
Lead Vocals – Belita Woods
Written-By – Charles (Chuck) Overton, Gerald P. Kent, William L. Wooten, III 3:23
B1 Journey To The Light
Lead Vocals – Belita Woods
Written-By – Jeryl Bright 5:19
B2 If You Ever Need To Cry
Lead Vocals – Belita Woods
Written-By – Belita Woods, William L. Wooten, III 6:30
B3 We're On Our Way Home (Part 2)
Lead Vocals – Belita Woods
Written-By – Gerald P. Kent 2:50
B4 Positive Thinking
Lead Vocals – Deon Estus
Written-By – Deon Estus 4:31
Label: Tabu Records – JZ 35327
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Disco
Brainstorm's 1978 album Journey To The Light is a highly regarded, sophisticated R&B, jazz-funk, and soul album that is widely considered their best work by fans and critics. While it was a commercial failure at the time, failing to produce a major hit like their debut single, it has since become a cult classic praised for its rich musicianship and Belita Woods' stunning vocals.
The album is noted for being musically richer and more sophisticated than the band's debut, Stormin'. It blends R&B, soul, funk, and jazz, making it difficult to pigeonhole into a single category like "disco".
Reviewers consistently highlight the superb musicianship of the self-contained band, particularly the strong bass lines from Deon Estus and the powerful vocals of lead singer Belita Woods.
Many reviews mention the album's initial lack of commercial success, attributing it to its departure from the more breezy disco sound of their previous hit, "Lovin' You Is Really My Game". It is often described as an overlooked or "sleeper" album that deserved more attention.
The title track, "Journey to the Light," and "We're On Our Way Home" became underground classics in the New York dance scene (specifically "Loft" and "Garage" classics), appreciated for their jazzy, ethereal grooves that reward repeated listens.
Reviewers often praise specific tracks for their quality:
"Journey to the Light": The title track is described as sinuous, urgent, and delightful.
"We're On Our Way Home": A "killer jazzy R&B groove" that has an almost ethereal feel.
"If Ever You Need To Cry": A mid-tempo deep soul track that gives listeners "chills" with Woods' vocals and the band's instrumental skills.
"Brand New Day": Noted for its uplifting, positive quality and impressive orchestration.
Journey To The Light is an album that warrants repeated listening and is best appreciated as a cohesive, brilliant work rather than a collection of potential hit singles. It is a must-have for collectors of sophisticated 70s soul, funk, and jazz fusion who appreciate strong musical arrangements and exceptional vocal performances. The CD reissues are also highly praised for their excellent remastering and informative liner notes.
Keep Smilin’
A2 Picture Us (B. Sigler, U. Dozier, P. Hurtt 2:35)
A3 Keep Smilin' (A. Felder, B. Sigler 5:57)
A4 That's How Long I'll Be Loving You (B. Sigler 2:54)
A5 I Lied (A. Felder, B. Sigler, N. Harris, R. Kersey 3:57)
B1 Things Are Gonna Get Better (A. Felder, B. Sigler, R. Kersey 2:58)
B2 Sweeter Than The Berry (B. Sigler, D. Jones, Sr. 4:40)
B3 Your Love Is Good (A. Felder, B. Sigler, N. Harris 2:55)
B4 Somebody Free (Bunny Sigler, J. B. Jefferson 4:19)
B5 Love Train (K. Gamble, L. Huff 7:07)
Label: Philadelphia International Records – KZ 33249
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Soul
Style: Seventies Soul
Keep Smilin' is a 1974 (sometimes listed as 1975) album by Bunny Sigler, a prominent figure in the Philly Soul music scene. Released on the Philadelphia International Records (PIR) label, the album features a blend of solid R&B, Soul, and early Disco styles.
The album is known for its strong Philly soul groove, with arrangements by notable musicians like Norman Harris and Ronnie Baker. The production, handled by Sigler himself, showcases the classic "Sound of Philadelphia," recorded at the famous Sigma Sound Studios. The tracks have an uptempo, pre-disco feel that avoids the excesses of his later work.
A significant aspect of Keep Smilin' is the instrumentation provided by the group Instant Funk on two key tracks, "Keep Smilin'" and "Sweeter Than the Berry". The title track, "Keep Smilin'", co-written by Sigler and Allan Felder, is considered one of his best works. The album also includes Sigler's churchy ballad cover version of The O'Jays' hit "Love Train".
Midnight Ride
A2 All Time Loser (Ian Levine 6:26)
A3 Trusted Friend (Vince Willis 6:29)
A4 You Are The Music Within Me (Danny Raye Leake, Ian Levine 3:30)
B1 Spend A Little Time With Me (Fiachra Trench, Ian Levine 6:11)
B2 Can't Help Being Guilty (Ian Levine 5:16)
B3 Twenty Four Hours A Day (Danny Raye Leake, Ian Levine 3:19)
B4 It's So Hard Getting Over (Vince Willis 4:03)
Label: United Artists Records – UAS 30144
Format: Vinyl, LP, Album
Country: UK
Released: 1978
Genre: Electronic, Funk / Soul, Pop
Style: Seventies Soul, Funk, Disco
Midnight Ride by Barbara Pennington is a classic 1978 studio album in the Soul and Disco genres.
The album is considered a "fan favorite" and a classic of its era. It features a blend of pulsating dance tracks and soulful performances. The music often incorporates extensive arrangements, including strings, synthesizers, and horns, common in the disco production of the late 1970s. It is highly regarded for showcasing Pennington's vocal talent in the context of lush, dance-oriented production.
The album has been digitally remastered and re-released in various formats over the years, including CD and digital download. It can be purchased through online retailers and music marketplaces such as Amazon and Discogs.
My First Time Around
Written-By – Clarence Reid, Willie Clarke 2:04
A2 Funny How Love Grows Cold
Written-By – Clarence Reid, Willie Clarke 2:51
A3 I'm Gonna Hate Myself In The Morning
Written-By – Arthur Alexander, Dale Ward 2:11
A4 Circle Of Heartbreak
Written-By – Betty Wright 2:58
A5 Sweet Lovin' Daddy
Written-By – Clarence Reid, Willie Clarke 2:25
A6 Cry Like A Baby
Written-By – Dan Penn, Spooner Oldham 2:34
B1 Watch Out Love
Written-By – Wright, Shapiro, Clarke 2:41
B2 He's Bad, Bad, Bad
Written-By – Clarence Reid, Willie Clarke 2:22
B3 I Can't Stop My Heart
Written-By – Jackie Avery 3:24
B4 I'm Thankful
Written-By – Alexander, Cooke, Alaimo 2:03
B5 The Best Girls Don't Always Win
Written-By – Clarence Reid 3:08
B6 Just You
Written-By – Sonny Bono 3:06
Label: ATCO Records – SD-33-260
Series: Alston Record Series
Format: Vinyl, LP, Album
Country: US
Released: 1968
Genre: R&B Soul
Style: Seventies Soul, Southern Soul
Betty Wright's debut album, My First Time Around (1968), is considered an essential Southern Soul record featuring strong songs and mature vocal performances that belied her young age of 14 at the time of recording. Critics and fans praise the album for its great production, the power of Wright's voice, and its lack of "filler" tracks.
Reviewers consistently note Wright's exceptional vocal abilities, which were considered well beyond her years. Her powerful high register and wide range allowed her to sing about adult themes convincingly, leading some to initially assume she was an older artist.
The album, produced by Clarence Reid and Willie Clarke, is lauded for its superb production, which showcases classic late 1960s Atlantic soul at its best. Some reviewers specifically highlight the quality of the mono mixes and recent remasters.
Wright's songwriting skills are also recognized, including the track "Circle of Heartbreak" which she wrote herself at age 14. The album contains her first chart single, "Girls Can't Do What the Guys Do". While some sources found the lyrics of the latter slightly chauvinistic given her typical assertive style, the album as a whole features strong, engaging material.
The album is highly recommended by fans and experts alike, with a strong average user rating on platforms like Discogs (4.67/5). It is described as a "gem," an "absolute essential in any Soul music lovers' record collection," and a fantastic debut from start to finish.
Mystic Dragons
A2 To Get Love (You Must Give Love) (Bobby Eli, Vinnie Barrett 5:19)
A3 See The Bedroom (Keith Beaton (The Duke), Ted "Wizard" Mills 3:22)
A4 Mother Funk (Bobby Eli, Len Barry 5:55)
B1 Summer Snow (Bobby Eli, Len Barry 5:01)
B2 Rock N Roll Revival (Eli, Barrow, Barry 4:30)
B3 It's Something About Love (Keith Barrow 4:25)
B4 Making Love To A Memory (Bobby Eli, Len Barry 3:05)
B5 Spark Of Love (Ted "Wizard" Mills 3:21)
Label: ATCO Records – SD 36-140
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: R&B Soul
Style: Seventies Soul
Blue Magic's Mystic Dragons (1976) is a Philly Soul album that blended their signature smooth harmonies and romantic themes with a bolder, funkier edge, featuring richer arrangements and heavier grooves alongside heartfelt ballads, with standout tracks like the funky "Freak N Stein" and soulful "Summer Snow," all guided by Bobby Eli's arrangements.
THe album evolved from earlier mellow sounds to incorporate heavier funk, deeper grooves, and fuller arrangements, creating a "trippy feel" that matched the album art, while maintaining the group's hallmark heartbreakingly beautiful vocal harmonies.
It was produced by Bobby Eli, a notable figure in the Philadelphia soul music scene. It features a large ensemble of musicians, contributing to the rich, layered sound characteristic of the genre at the time. The LP is known for both uptempo, dancable tracks like "Freak-N-Stein" and smoother ballads.
The album artwork illustration was created by Janet Espenshade, with art direction and design by Arnie Roberts. The album reached #170 on the U.S. Billboard 200 and #44 on the U.S. R&B charts in 1976.
Passport To Ecstasy
A2 Passport To Ecstasy 3:55
A3 Let's Make Up 4:21
A4 Believe 5:22
B1 We're Movin' On 4:00
B2 Get On Up, Shake Some Butt 4:10
B3 Loving You 3:56
B4 I'm Gonna Have To Tell Her 4:21
B5 Passion And Promises 3:56
Written by Carl Hampton and Homer Banks
Label: Warner Bros. Records – BS 2993
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul. Funk
The album Passport To Ecstasy by the soul/funk duo Banks & Hampton (Homer Banks and Carl Hampton) was released in 1977 on Warner Bros. Records. It is known for its blend of soul, funk, and R&B and features songs that were a departure from their earlier instrumental work at Stax.
Music critics and fans often praise the album for its quality songwriting and solid groove, characteristic of the era's soul music. Homer Banks and Carl Hampton were prolific songwriters at Stax Records, and this experience is evident in the album's well-crafted tracks.
The album is described as having a modern soul sound for its time. One review noted that it was the first album where they had vocal songs rather than instrumentals, offering a different vibe compared to their previous work.
The album was produced by Brad Shapiro and written by Banks and Hampton, featuring a consistent, high-quality production.
While not a massive commercial success at the time, the album has gained a following over the years and is considered a "good album" that grows on the listener. The general consensus among collectors and soul music enthusiasts is that Passport To Ecstasy is a quality record, showcasing the duo's transition from Stax-era instrumentalists/songwriters to a vocal act on a major label. It is a sought-after item for vinyl collectors, especially those interested in 1970s funk and soul.
Prodigal Sista
2 Made It Back
Featuring – Redman
Producer – Dodge 4:08
3 Rewind (Find A Way)
Producer – 2B3 4:28
4 Damn
Producer – 2B3 4:52
5 A.W.O.L.
Producer – Carl McIntosh 4:30
6 Sista, Sista
Producer – Hawk Wolinski, Definition Of Sound 4:42
7 Strong Hand
Producer – Ayatollah, Carl McIntosh 3:20
8 Greatest Day
Producer – Mike Spencer 4:16
9 That's Alright
Producer – 2B3 4:19
10 Tomorrow
Producer – Hawk Wolinski, Don-E 4:42
11 Send Me, Move Me, Love Me
Producer – 2B3 5:04
12 The Need Of You
Producer – Dodge 3:45
13 Good Morning World
Producer – Dodge 5:42
Label: EMI – 7243 4 96296 2 2
Format: CD, Album
Country: UK
Released: 1998
Genre: Hip Hop, Funk, Soul
Style: Contemporary R&B, UK Street Soul, Neo Soul
Beverley Knight's Prodigal Sista (1998) was a critically acclaimed triumph, hailed for its masterful blend of R&B, soul, and jazz-funk, showcasing Knight's exceptional vocal agility and powerful, honest lyrics, earning it MOBO Awards for Best Album and Best R&B Act, solidifying her as a leading British soul voice with hits like "Greatest Day" and "Gold".
Reviewers praised Knight's "bell-like" voice, noting her emotional depth, intricate harmonies, and raw honesty, calling her performances breathtaking.
The album successfully merged classic soul, contemporary R&B, funk, and gospel, moving beyond typical genre constraints with tracks like the jazzy "Same" and danceable "Whatever's Clever".
It was seen as a personal, healing journey, with songs like "Gold" exploring self-doubt and vulnerability with heartfelt lyrics, alongside empowering anthems.
Prodigal Sista won Best Album at the 1999 MOBO Awards, beating major US releases, and cemented Knight's status in the UK music scene.
Standout Tracks: "Greatest Day" (classic mix), "Gold," "Beautiful Contradiction," and "Damn" were frequently highlighted for their musicality and emotional impact.
Prodigal Sista is considered a definitive work, showcasing Beverley Knight's maturity and vision, offering both upbeat grooves and smooth, soulful ballads, making it a joy to listen to and a landmark in British soul music.
Seven Days Of Night
Written-By – Barbara Acklin, Carl Davis, Eugene Record 2:32
A2 Go With Love
Written-By – Burt Bacharach-Hal David 2:14
A3 Seven Days Of Night
Written-By – Carl Davis, Eugene Record 2:37
A4 Just Ain't No Love
Written-By – Carl Davis, Eugene Record 2:47
A5 Where Would I Go
Written-By – Burt Bacharach-Hal David 2:41
A6 Am I The Same Girl
Written-By – Eugene Record, W. Sanders 3:02
B1 Until You Return
Written-By – Barbara Acklin, Carl Davis, Eugene Record 3:06
B2 This Girl's In Love With You
Written-By – Burt Bacharach-Hal David 4:26
B3 Here Is A Heart
Written-By – Barbara Acklin, Carl Davis, Eugene Record 2:40
B4 Mr. Sunshine (Where Is My Shadow)
Written-By – Carl Davis, Eugene Record 2:37
B5 Love Had Come To Stay
Written-By – Barbara Acklin, Carl Davis, Eugene Record 3:06
Label: Brunswick – BL 754148
Format: Vinyl, LP, Album
Country: US
Released: 1969
Genre: R&B Soul
Style: Sixties Soul
Barbara Acklin's Seven Days of Night (1969) is a standout Chicago soul album, praised for balancing sweet 60s girl-group vibes with emerging 70s soul power, featuring the iconic "Am I the Same Girl" (later instrumentalized as "Soulful Strut"), strong originals like the title track and "Love Had Come to Stay," and even surviving some heavy Bacharach/David covers with her soulful touch, making it essential listening for soul fans.
It captures the unique Chicago soul style, blending sweet melodies with powerful soul, notes Walmart.
Features great tracks like the title song, "A Raggedy Ride," "Mr. Sunshine," and the dreamy, haunting "Love Had Come to Stay," and the hit single "Am I the Same Girl", a soulful highlight, though Brunswick famously pulled her vocals for the instrumental hit "Soulful Strut" by Young-Holt Unlimited,.
While some find the Bacharach/David covers over-orchestrated (like "Go With Love"), her take on "This Girl's In Love With You" is noted for keeping ornamentation minimal, Funk My Soul.
A must-have album showcasing her songwriting and vocal talents, with modern reissues making it accessible.
In summary, Seven Days of Night is considered a vital Chicago soul album, demonstrating Acklin's versatility and talent as both singer and songwriter, bridging 60s sweetness with 70s soul depth.
Stone Gon’
A2 Honey Please, Can't Ya See 5:05
A3 You're My Baby 8:58
B1 Hard To Believe That I Found You 6:49
B2 Never, Never Gonna Give Ya Up 7:59
Label: 20th Century Records – T-423
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul, Funk, Disco
Arranged By – Gene Page
Arranged By, Producer, Written-By – Barry White
Artwork [Concept By] – Sound Packaging Corp.
Design [Album] – Craig Braun
Engineer – Frank Kegmer
Photography By – Norman Seef
Typography [Lettering By] – Bob Maile
Barry White's 1973 album Stone Gon' is widely considered a masterpiece of early '70s soul and funk, praised for its lush orchestrations, deep baritone vocals, and elongated, sensual compositions. It was a commercial success, reaching number one on the R&B albums chart.
Critics and fans view Stone Gon' as an essential, high-quality album from White's most prolific period. The album is noted for its pre-disco sound, where the lack of a simplified dance beat allowed White to showcase his "extraordinary feeling for making orchestrations".
It features a rich fusion of symphonic strings, "honeyed" rhythms, and funky guitars, creating a distinct "Love Unlimited" sound that is both grand and intimate. The production quality, especially the drums and bass, is often highlighted as superb.
White's signature deep, tranquil, and "amazing" voice is a central feature. His extended love monologues are considered a fascinating and unscripted part of his performance, adding to the album's romantic and "implicitly sexual" atmosphere without feeling cheesy.
The compositions are described as being of the highest quality, often featuring extended track lengths (most over six minutes) that allow the musical ideas to fully develop. Some critics mention that while the tracks are long, they maintain a high standard throughout.
For many listeners, the album evokes strong, positive memories, contributing to its enduring appeal and status as a treasured record.
The album features several tracks that maintain the high standard of his work, including two major R&B hits:
"Never, Never Gonna Give Ya Up": A significant hit single that is frequently cited as one of the album's best tracks, praised for its layered mid-tempo funk.
"Honey Please, Can't Ya See": Another chart-topping single, known for its "crawling, implicitly sexual" groove.
"Girl It's True, Yes I'll Always Love You": A sincere and sensitive love song that provides a different dimension to the album.
Overall, Stone Gon' is widely regarded as a significant album in Barry White's discography and a masterpiece of its genre, often recommended as an essential listen for fans of soul and R&B music.
Supernatural
Written-By – Gwen Guthrie, Patrick Grant 4:11
A2 Supernatural Thing - Part II
Written-By – Gwen Guthrie, Patrick Grant 3:17
A3 Your Lovin' Ain't Good Enough
Written-By – Gwen Guthrie, Patrick Grant 4:59
A4 Drop My Heart Off
Written-By – Frederick Knight, Sam Dees 4:17
A5 Extra-Extra
Written-By – Sam Dees 3:50
B1 Do It In The Name Of Love
Written-By – Gwen Guthrie, Patrick Grant 4:23
B2 Happiness Is Where You Find It
Written-By – Bette Crutcher*, Frederick Knight, Sam Dees 3:36
B3 Do You Wanna Do A Thing
Written-By – Jesse Boyce, Richard Griffith, Sanchez Harley 4:30
B4 Imagination
Written-By – Ben E. King, Ben E. King, Jr. 3:38
B5 What Do You Want Me To Do
Written-By – Lou Courtney 3:18
Label: Atlantic – SD 18132
Format: Vinyl, LP, Album
Country: US
Released: 1975
Genre: R&B Soul
Style: Seventies Soul, Funk
Ben E. King's Supernatural album marked a comeback with its hit single "Supernatural Thing," showcasing a funkier, higher-pitched vocal style, but reviews are mixed, praising the fresh takes on classics like "Spanish Harlem" and "Don't Play That Song" with modern production (funk/disco), while some found the lush, 70s production overwhelmed his classic sound, making it more a nostalgic collection than groundbreaking, yet still worthwhile for fans and collectors.
"Supernatural Thing (Part 1)" was a major success, hitting #1 on R&B charts and #5 on the Billboard Hot 100, revitalizing his career.
The album blended King's iconic voice with contemporary 70s soul, disco, and funk, featuring new arrangements and guest musicians.
It included re-recorded versions of his hits like "Spanish Harlem," "Don't Play That Song (You Lied)," and "Amor," often with updated grooves, including flamenco guitar on "Spanish Harlem".
King often sang in a higher tenor range, a departure from his usual baritone, which was noticeable on the title track.
While some critics found the modern production a refreshing update, others felt the lushness detracted from the raw brilliance of his earlier work, making it a "shadow of his former self" in some views, though still enjoyable for fans.
Supernatural is often seen as a successful comeback that reintroduced Ben E. King to a new generation with updated sounds, proving his enduring appeal, even if it's not always seen as peak artistry compared to his '60s classics.
Later CD releases added tracks like a Drifters medley and a funky instrumental of "Supernatural Thing," enhancing its appeal.
Sweetest Piece Of The Pie
A2 Na Na Na Na Baby 4:05
A3 I Want Your Body 4:22
A4 Sweetest Piece Of The Pie 5:08
B1 Treat Me The Same Way 4:22
B2 We Got So Much To Stay Together For 3:33
B3 Foolish Man 3:20
B4 I Do Love You 4:20
B5 Just Ask Me 3:42
(All songs written by Willie Lester + Rodney Brown)
Label: Mainline Records – 12747
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: R&B Soul
Style: Seventies Soul, Funk, Disco
Sweetest Piece Of The Pie is a highly-prized 1978 album that is considered a classic and collectable modern soul gem by fans and reviewers, praised for its focus on mid-tempo R&B, steppers, and ballads rather than the pure disco sound of his later work.
Originally released in 1978 on the Mainline label, the album is noted for its Philly Soul sound, setting it apart from Bobby Thurston's subsequent, more disco-oriented Prelude LPs like You Got What It Takes and The Main Attraction. It features arrangements by Al Johnson, Rodney Brown, and Willie Lester.
While some early reviewers felt "Just Ask Me" was the only track of note, others strongly disagree, highlighting "Treat Me The Same Way" as an underrated modern soul tune and "We've Got So Much To Stay Together For" as an "achingly beautiful" soul ballad. A cover of the Billy Stewart classic "I Do Love You" is also considered "unmissable".
The original vinyl LP is a significant rarity, highly sought after by collectors, with some copies selling for hundreds of dollars. Its reissue on CD by Expansion Records was widely appreciated by fans.
Systematic
A2 If I Ever Lose This Heaven (L. Ware, P. Sawyer 5:09)
A3 Waiting To Touch (D. Griffin, L. Ware 4:40)
A4 This Ain't Puppy Love (D. Griffin, J. Schweigert 4:30)
B1 Electrified (D. Quander, G. Glenn, T. Cochran 4:05)
B2 Everybody Needs Somebody (C. Jackson, T. Cochran 4:28)
B3 Easy Thing To Say (D. Griffin 4:04)
B4 Can't Keep Running Away (D. Griffin, T. Cochran 4:17)
Label: Columbia – FC 39907
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: R&B Soul
Style: Eighties Disco Funk
The 1985 album Systematic by Billy Griffin is a well-regarded R&B and dance-funk album, often praised by fans for its strong tracks, production, and Griffin's vocal performance.
Reviews of Systematic are generally positive, particularly among R&B and soul music enthusiasts:
The album is noted for bridging the gap between the late disco era and the 1980s dance sound. Griffin teamed up with producer and songwriter Leon Ware for this project, who helped define its sound.
Fans and critics often praise the album's production, highlighting the tight instrumentation.
Although not one of Griffin's major mainstream U.S. hits like "Hold Me Tighter in the Rain" or "Serious," the album is considered a "lesser known R&B track" gem from the era by those familiar with his work.
The title track itself is a standout, frequently mentioned for its exceptional quality and a "tight bass line". It was co-written by James Ingram and Leon Ware.
It's a sought-after album for those who appreciate deep cuts and classic sounds from that era.
Tell Me A Lie
A2 Either Way We Lose (Jan Bidewell Buckingham*, Randy McCormick 3:22)
A3 Suspicions (David Malloy, Eddie Rabbitt, Even Stevens, Randy McCormick 4:14)
A4 You Seen One You Seen Em All (Sam Lorber, Tim DuBois 2:41)
A5 I Heard It Through The Grapevine (Barrett Strong, Norman Whitfield 3:22)
B1 Tell Me A Lie (Barbara Wyrick, Mickey Buckins 3:46)
B2 I Like It Like That (Barbara Wyrick, Suzy Storm 3:28)
B3 Before I Even Knew Your Name (Marty Panzer, Steve Dorff 3:22)
B4 I Can't Stop (Mickey Buckins, Randy McCormick 3:22)
B5 If I Were Your Woman (Clay McMurray, Gloria Jones, Pam Sawyer 3:17)
Label: Motown – 6000 ML
Format: Vinyl, LP, Album
Country: US
Released: 1982
Genre: R&B Soul
Style: Eighties Soul, Southern Soul
Bettye LaVette's 1982 Tell Me a Lie, her first album released on Motown, is considered an underrated gem, showcasing her raw, emotional, and "earthy" vocal power on tracks like the country-tinged "He Made a Woman Out of Me" and the quiet storm "Suspicions," proving her soulful versatility beyond the typical 80s sound, with critics praising her unique ability to inhabit and transform songs into deeply personal statements.
The album is noted for using top-tier Nashville and Memphis musicians to create a classic Southern soul feel, a departure from the typical Motown sound of that era. Producer Steve Buckingham recorded LaVette's vocals live with the rhythm section, giving the record an immediate, raw feel.
Critics consistently praise LaVette's "on top form" vocals, highlighting her ability to infuse lyrics with deep emotion and a "gritty edge". Her delivery is described as "earthy" and full of expression, making each song uniquely her own.
While on Motown, the album leans into contemporary soul, quiet storm, and even touches on country-pop (with Eddie Rabbitt's "Suspicions"), demonstrating LaVette's ability to adapt while retaining her unique flavor, according to Funk My Soul.
"He Made a Woman Out of Me" and "Do Your Duty" were R&B hits, while "I Like It Like That" (a precursor to Pointer Sisters hits) and the title track are often highlighted.
Though it only charted briefly, it gained cult status and is seen as deserving more recognition, with its 2008 CD reissue praised for great sound and liner notes by A. Scott Galloway.
Tell Me a Lie is a testament to LaVette's enduring talent, a soulful album that deserves to be rediscovered for its emotional depth and vocal mastery, despite its initial limited commercial success.
Tender Lover
Written-By – Babyface, D. Simmons, L.A. Reid 4:01
A2 Tender Lover
Performer [The Help], Backing Vocals [Background Vocals] – Troop
Written-By – Babyface, L.A. Reid, P. Smith 4:15
A3 Let's Be Romantic
Written-By – Babyface, D. Simmons 5:00
A4 Can't Stop My Heart
Performer [The Help], Backing Vocals [Background Vocals] – After 7
Written-By – Babyface, D. Simmons, L.A. Reid 4:31
A5 My Kinda Girl
Written-By – Babyface, D. Simmons, L.A. Reid 4:36
B1 Where Will You Go (Prelude)
Written-By – Babyface 0:37
B2 Whip Appeal
Written-By – Babyface, P. Smith 5:46
B3 Soon As I Get Home
Written-By – Babyface 5:05
B4 Given A Chance
Written-By – Babyface 4:20
B5 Sunshine
Written-By – Babyface 5:09
B6 Where Will You Go
Written-By – Babyface 5:08
Label: Solar – Z 45288
Format: Vinyl, LP, Album
Country: US
Released: 1989
Genre: R&B Soul
Style: Contemporary R&B, New Jack Swing
Babyface's 1989 debut solo album, Tender Lover, was a massive success, defining his smooth, romantic R&B sound with hits like "Whip Appeal," praised for its seamless production, velvety vocals, and irresistible slow jams, establishing him as a master craftsman of "unapologetic R&B" that still resonates today, a classic that set the standard for 90s romance.
Characterized by "brushed snares," "snappy pop beats," warm instrumentation (piano, sax), and signature velvet vocals, it was pure, polished R&B/Soul.
Focused entirely on love, from adoration to deeper devotion, with vivid storytelling.
Production of the album was a collaborative effort by L.A. Reid and Babyface, blending Reid's funkier uptempo tracks with Babyface's ballad expertise, resulting in high production quality.
It became a definitive album for smooth R&B, influencing countless artists and setting a benchmark for romantic music.
Fans find it timeless, with many songs (like "The Way You Love Me") still popular, showcasing its lasting appeal and Babyface's consistent talent.
Critics hailed the 2015 follow-up, Return of the Tender Lover, as a successful throwback, proving Babyface hadn't lost his touch, with its "masterfully crafted" love songs.
The Return album was celebrated as a "triumphant" return to his roots, full of "aural honey" and classic R&B feel-good vibes.
In essence, Tender Lover is a foundational R&B album, synonymous with sophisticated romance and expert musicianship, making its "return" in 2015 a welcome celebration of a beloved sound.
The Blackbyrds
Bass – David Williams
Percussion – Ray Armando
Trumpet, Flugelhorn – Oscar Brashear
Written-By – Donald Byrd 5:27
A2 Gut Level
Written-By – Lincoln Ross 4:08
A3 Reggins
Bass – David Williams
Percussion – Ray Armando
Trumpet, Flugelhorn – Oscar Brashear
Written-By – Larry Mizell 4:05
A4 The Runaway
Bass – David Williams
Percussion – Ray Armando
Trumpet, Flugelhorn – Oscar Brashear
Written-By – Donald Byrd, Kevin Toney 4:13
B1 Funky Junkie
Written-By – Donald Byrd 7:01
B2 Summer Love
Written-By – Allan Barnes 5:08
B3 Life Styles
Bass – David Williams
Percussion – Ray Armando
Trumpet, Flugelhorn – Oscar Brashear
Written-By – Larry Mizell 3:13
B4 A Hot Day Today
Written-By – Barney Perry, Donald Byrd 3:16
Label: Fantasy – F-9444
Format: Vinyl, LP, Album
Country: US
Released: 1974
Genre: R&B Jazz, Soul
Style: Jazz-Funk, Funk
The Blackbyrds' self-titled 1974 debut album on Fantasy Records (F-9444) is considered a classic and enduring jazz-funk masterpiece that successfully bridges the gap between pure jazz and accessible funk and soul. Produced by jazz legend Donald Byrd, the album is highly regarded for its tight musicianship and infectious grooves.
Critics and fans praise the album for its sublime mix of jazzy rhythms and soulful elements, highlighting the tight production and the band's instrumental prowess. The album has a "beautifully put-together feel" and is often cited as some of the finest groove-oriented jazz music ever recorded.
The record is a seminal example of 1970s jazz-funk fusion, blending R&B, soul, and funk with a jazz pedigree. The band, composed of Howard University students mentored by Donald Byrd, is noted for its tight, professional sound that is both technically proficient and full of energy.
While later albums had bigger hits, this debut was foundational, influencing British funk bands like Light of the World and Hi-Tension, and setting the stage for the group's future success.
Overall, The Blackbyrds is regarded as a brilliant and enduring debut that perfectly captures the optimism and rhythm of 1970s urban music. It successfully bridges the gap between serious jazz improvisation and popular, danceable funk. The album is widely considered a must-listen for fans of funk, soul, and jazz fusion, and is a key piece of the Blackbyrds' legacy.
The Brief Encounter
A2 Visions 4:46
A3 Smile 3:42
A4 Just One Moment 3:36
A5 Loving And Caring 4:05
B1 In A Special Kind Of Way 3:52
B2 Good Thing, Bad Thing 4:10
B3 Time Is Moving 4:42
B4 Get A Good Feeling 4:49
B5 We're Gonna Have A Good Time 3:41
(Written By Brief Encounter, Larry Bailey)
Label: Seventy Seven Records – 77-102
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: R&B Soul
Style: Seventies Soul
The self-titled album by North Carolina funk and soul band The Brief Encounter, released in 1977 on Seventy Seven Records, is a highly sought-after and critically acclaimed "rare groove" masterpiece in the soul and funk community. The album is celebrated for its blend of infectious funk workouts and sublime soul ballads, all self-written by the band.
Original copies of the album are extremely rare and command high prices (often over $2000) on the second-hand market, contributing to its legendary status among collectors.
The album is a showcase of versatile 1970s R&B, drawing comparisons to acts like the Isley Brothers, Kool & the Gang, and the O'Jays. It is considered an "under-appreciated masterpiece" that has earned cult status. Critics and fans praise the album's warm, vintage 70s feel, the balance of sophisticated arrangements and raw funk elements, and the quality of both the upbeat tracks and the slower ballads.
The album effectively balances dynamic, up-tempo tracks with heartfelt, slower tunes. Due to its immense popularity and scarcity, the album has been reissued multiple times by labels such as P-Vine, Guerssen, and Athens of the North, allowing a wider audience to experience this "elusive soul classic".
The Brockingtons
A2 Love World (J. Brockington 2:30)
A3 Smackwater Jack (C. King-G. Goffin 2:35)
A4 Jeremiah (M. Irby Jr. 4:00)
A5 Please Come Back (M. Irby Jr. 3:50)
B1 Eye Doctor (M. Irby Jr. 4:10)
B2 Natural Woman (King-Goffin*, Wexler 3:10)
B3 I Just Got To Know (M. Irby Jr. 2:30)
B4 Pretty Thing (M. Irby Jr. 3:30)
Label: Today Records – TLP 1003
Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: R&B Soul
Style: Seventies Soul
"The Brockingtons" is a rare, self-titled 1972 album on the independent Today record label, primarily known as a collectible funk and soul record.
The album does not have widely published, in-depth professional reviews available in typical music databases or review sites, but it holds a positive reputation among collectors and fans of rare groove music.
The album is a straight soul record, often sought after by funk and rare groove enthusiasts. It is described as a high-quality example of 1970s soul music.
The album has a distinct early 1970s sound, characterized by rich, soulful arrangements and a prominent organ presence, often attributed to the band's connection to organist Julius Brockington. The music features a confident, "sophisticated funk" style that balances deep jazz sensibilities with earthier, danceable grooves. The arrangements are professional and structured, rather than loose jam sessions, highlighting the band's discipline and musicianship
Due to its independent label origins and age, original vinyl copies are rare and considered valuable among collectors.
While professional reviews from its original release year are scarce in search results, the album has a favorable average rating on community-driven music sites like Rate Your Music, with an average rating of 4.06 out of 5 stars based on 33 ratings. This indicates a positive reception among its niche audience.
The Legendary Ben E. King
2 Don't Play That Song (You Lied)
3 Amor
4 Young Boy Blues
5 Goodnight My love
6 Spanish Harlem
7 How Can I Forget
8 It's All Over
9 I (Who Have Nothing)
10 The Last Dance For Me
11 I Count The Tears
12 This Magic Moment
Label: Javelin – HADCD 180
Series: Spotlight On
Format: CD, Compilation
Country: US
Released: 1998
Genre: R&B Soul
Style: Rhythm & Blues, Soul
The Legendary Ben E. King is a compilation album released in 1998 on the Javelin record label that features a collection of the R&B and soul singer's greatest hits, spanning both his solo career and his time as the lead singer of The Drifters.
The album primarily serves as a comprehensive overview of King's most iconic and influential tracks. It bridges the gap between the doo-wop era and the 1960s soul boom, showcasing his smooth, sophisticated vocals and the orchestrated productions that defined his sound.
The collection prominently features King's enduring classics, such as the soulful anthem "Stand by Me," "Spanish Harlem," and "Don't Play That Song (You Lied)". It also includes popular songs from his tenure as the Drifters' lead vocalist, like "Save the Last Dance for Me" and "This Magic Moment".
This compilation is designed for both casual listeners who want an appetizer of his best-known work and dedicated fans looking for a wide selection of his career-defining songs.
The compilation was re-released in 2021 with a bonus track "So Much Love" added, and is available to download as high quality digital files from streaming sites such as Spotify and Bandcamp.
(Review provided by SoulYears)
Tied Up
Backing Vocals – Edith Gardner, Sharon Ingram, Virginia Ingram
Written-By – Butch Ingram 6:56
A2 Don't I Ever Cross Your Mind 4:52
A3 All Of A Sudden Baby (Short Version) 3:54
B1 All Of A Sudden Baby 5:37
B2 Tied Up 5:07
B3 Winter Love 7:16
Label: Other End Records – OE BM-1
Format: Vinyl, LP, Album
Country: UK
Released: 1984
Genre: R&B Soul
Style: Eighties Soul, Disco, Boogie
Released in 1984 on West End Records (under the label Other End), Tied Up is a boogie and soul album that marked a distinct shift in Barbara Mason's career toward more modern electronic and post-disco sounds.
Mason herself noted in interviews that while the album was a major success overseas and reached number one in New York, it struggled to find a foothold across the rest of the United States because radio programmers felt the content did not fit their formats.
On enthusiast platforms like Discogs, the album holds a high community rating of approximately 4.32 / 5, indicating it has aged well among soul and boogie collectors.
The album is defined by its early-80s "boogie" production, featuring synth-heavy arrangements and Mason's signature frank lyrical themes.
"Another Man": The standout track and a pioneer in house and electronic music, known for its bold lyrics about a partner leaving for another man.
"Tied Up": The title track, which maintains the album's smooth yet upbeat rhythmic style.
"Winter Love": A longer, more atmospheric piece that showcases her vocal range in a mid-tempo setting.
Originally released as a vinyl LP, it is now a sought-after item for collectors of 1980s R&B.
The album has been digitally remastered and released on CD; however, some buyers have criticized certain editions for being on CD-R format rather than standard pressed CDs and for lacking detailed liner notes.
In summary, Tied Up is a key record in Barbara Mason's discography, showcasing her mature, provocative style and delivering a massive international hit, even if its US mainstream acceptance was limited initially.
To Know You Is To Love You
Written-By – C. Mann, D. Crawford 3:29
A2 Respect Yourself
Written-By – Luther Ingram, Mack Rice 5:13
A3 Who Are You
Written-By – D. Crawford, H. Johnson 3:55
A4 Love
Written-By – B. B. King 3:10
A5 I Can't Leave
Written-By – D. Crawford 4:13
B1 To Know You Is To Love You
Written-By – Stevie Wonder, S. Wright 8:42
B2 Oh To Me
Written-By – D. Crawford 4:27
B3 Thank You For Loving The Blues
Written-By – B. B. King 6:47
Label: ABC Records – ABCX-794
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Blues, Soul
Style: Electric Blues, Soul
B.B. King's album, To Know You Is to Love You, is a significant electric blues record known for its smooth, soulful Philadelphia soul sound, blending his signature guitar style with lush arrangements, featuring guest spots from Stevie Wonder and the Philly soul stars MFSB and the Memphis Horns, capturing King in a sophisticated, radio-friendly phase that connected blues with mainstream R&B.
While rooted in blues, it heavily incorporated the popular Philadelphia soul sound of the era, with rich orchestration and grooves.
The album was produced by Dave Crawford in Philadelphia and utilizes the talents of the house band for Philadelphia International Records, MFSB, as well as the Memphis Horns. This collaboration resulted in a rich, soul-infused sound, though some contemporary critics noted a difference between the more traditional blues tracks, where King's vocals soared, and the pop/soul-oriented songs
It notably featured Stevie Wonder on keyboards and percussion, alongside members of MFSB (Mother Father Sister Brother) and The Memphis Horns, providing a fuller, funkier backing.
King's emotive guitar playing ("Lucille") and vocals shine, singing deeply felt blues and soul tunes.
The album was a commercial success, showcasing King's ability to adapt and remain relevant by embracing contemporary soul production.
In essence, To Know You Is to Love You is a smooth, soulful bridge album where B.B. King's blues heart meets the vibrant R&B scene of the early 70s, creating a classic of his later career.
Unbelievable
Written-By – DuBose Heyward, George Gershwin 4:12
A2 Foggy Day
Written-By – George & Ira Gershwin 4:15
A3 Teach Me Tonight
Written-By – Gene DePaul, Sammy Cahn 4:58
A4 Canadian Sunset
Written-By – E. Heywood, N. Gimbel 2:48
A5 Time After Time
Written-By – Jule Styne, Sammy Cahn 2:37
A6 Misty
Written-By – Erroll Garner, Johnny Burke 3:15
B1 Moon River
Written-By – Henry Mancini, John Mercer 3:55
B2 My Funny Valentine
Written-By – Lorenz Hart, Richard Rodgers 3:59
B3 Love Is Here To Stay
Written-By – George & Ira Gershwin 2:52
B4 That Old Black Magic
Written-By – Harold Arlen & John Mercer 3:10
B5 Almost Like Being In Love
Written-By – Frederick Loewe & Alan Jay Lerner 2:18
B6 Over The Rainbow
Written-By – E. Y. Harburg, Harold Arlen 3:48
Label: Chess – LP-1499
Format: Vinyl, LP, Album
Country: US
Released: 1965
Genre: R&B Soul, Pop
Style: Sixties Soul, Vocal
Billy Stewart's Unbelievable album, often found as a Chess Records LP, is celebrated for its soulful, idiosyncratic take on standards, especially his iconic, quirky rendition of "Summertime," showcasing his unique voice and personality, making it a beloved classic in soul music, though reviewers often note its title variations (sometimes Summertime) and the deep emotional core of Stewart's delivery before his untimely passing.
Stewart's voice is unique, and this album captures his expressive, "odd angles," making familiar standards feel fresh and personal.
The standout track is his version of "Summertime," considered by many to be perfect and filled with his personality, even if it appears on different-titled pressings.
The album features old standards reinterpreted through Stewart's soulful lens.
It's a significant release on the Chess Label, with variations in titles (e.g., Unbelievable vs. Summertime) and stereo/mono formats across pressings.
The music resonates with deep feeling, reflecting Stewart's powerful presence on tracks like "Summertime".
In essence, Unbelievable is a testament to Billy Stewart's singular talent, a collection of standards transformed by his inimitable style, with a standout "Summertime" that embodies his brilliance and soul.
Visions Of Paradise
A2 Absolutely, Positively, Baby (Maurice Irby, Jr. 4:20)
A3 Baby I Love You (Edna Toles 2:48)
A4 Stop Me (Edna Toles 3:55)
A5 Give It Up (Edna Toles 4:45)
B1 Second To None (Maurice Irby, Jr. 3:13)
B2 Won't You Stay (Maurice Irby, Jr. 3:29)
B3 It's Yours Baby (Edna Toles 2:37)
B4 Please Come Back (Maurice Irby, Jr. 5:34)
B5 I Just Got To Know (Maurice Irby, Jr. 2:36)
Label: Today Records – TLP-1013
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul
Visions of Paradise , released in 1973 on the Perception Records subsidiary label Today, is a highly sought-after, classic 70s soul and R&B album by former The Spoilers member Benny Johnson. It is his only known solo record.
The album is noted for its high-quality production and deep soul sound, often compared to the Memphis Hi Sound.
Johnson's "gutsy" and "smoky" voice is a central feature, drawing comparisons to revered artists like Al Green, Johnnie Taylor, Syl Johnson, and Jerry Butler.
The music features a full, tight band led by musical director and arranger Julius Brockington (The United Chair Band), complete with prominent horns, organ, and sublime backing vocals. The recording and mixing were engineered by George Massenburg.
The tracks vary from uptempo modern soul and two-step classics to mid-tempo tracks and ballads, many with a southern blues feel.
The album was a one-off for Johnson and has become an in-demand collector's item, with original vinyl copies commanding high prices. Reissues by labels like Soul Brother and BBE have made it more widely available to a modern audience.
Overall, Visions Of Paradise is an overlooked classic that is highly recommended for any serious fan of 1970s soul music. The album holds a high average rating of approximately 4.6/5 across various music sites.
War Of The Gods
Written-By – B. Sigler, K. Gamble, L. Huff 6:13
A2 War Of The Gods
Written-By – K. Gamble, L. Huff 10:07
B1 The Whole Town's Talking
Written-By – K. Gamble, L. Huff 4:46
B2 I Was Married
Written-By – C. Gilbert, J. Arc, K. Gamble, L. Huff 7:19
B3 Thanks For Saving My Life
Written-By – K. Gamble, L. Huff 2:58
B4 Peace Holy Peace
Written-By – K. Gamble, L. Huff 6:53
Label: Philadelphia International Records – KZ 32409
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: R&B Soul
Style: Seventies Soul, Philly Soul
Billy Paul's 1973 album War of the Gods is a highly regarded work of psychedelic and Philly soul, praised for its ambitious themes, versatile musicianship, and powerful vocals. Critics and fans view it as a standout, if underappreciated, record of its era.
The album was a commercial success, reaching number 12 on the Billboard Soul chart and number 110 on the pop chart. It is often considered Billy Paul's response to the socially conscious music themes of Marvin Gaye's What's Going On, exploring concepts of faith, war, and love.
The album is noted for its exploration of deep, quasi-spiritual themes, a departure from Paul's previous work. Produced by the legendary duo Gamble and Huff and arranged by Bobby Martin and Lenny Pakula, the album showcases the polished and sophisticated "Philly Sound".
The versatile house band M.F.S.B. provides a dynamic backdrop that seamlessly shifts between soul, jazz, funk, and rock influences.
Paul's performance is consistently described as powerful, emotive, and impassioned, utilizing his unique, jazz-tinged vocal style effectively across the six extended tracks.
While the single "Thanks for Saving My Life" was a top 40 hit, other tracks like the title suite "War of the Gods" (a ten-minute "magnus opus"), "The Whole Town's Talking", and "Peace Holy Peace" are often highlighted as album favorites.
Overall, War of the Gods is considered a deeply rewarding listen, praised for its artistic depth and a true "masterpiece album from start to finish" by many fans.
We Go A Long Way Back
Written-By – Charles Love, Kitty Sears 8:07
A2 How Does It Feel
Bass – Eddie Watkins
Soloist, Alto Saxophone [Alto Sax Solo] – Don Myrick
Vocals [Female Vocalist] – Kitty Sears
Written-By – Charles Love, Curtis Love, Kitty Sears, Oscar Love 11:04
A3 We Go A Long Way Back
Soloist, Alto Saxophone [Alto Sax Solo] – Fernando Harkless
Written-By – Charles Love 4:54
B1 Funkin' Around
Soloist, Tenor Saxophone [Tenor Sax Solo] – Don Myrick
Written-By – McKinley Jackson, Ronald Wilson 6:41
B2 My Kind Of Woman
Bass – James Jamerson Jr.
Written-By – Ronald Wilson 4:42
B3 My Love Grows Stronger
Synthesizer – Paul Fox
Written-By – McKinley Jackson, Shirley Jones, Valorie Jones 6:16
B4 Nite Time Fun
Written-By – Charles Love 4:31
Label: T-Neck – FZ 38115
Format: Vinyl, LP, Album
Country: US
Released: 1982
Genre: R&B Soul
Style: Eighties Soul, Funk
Bloodstone's 1982 album We Go A Long Way Back is a well-regarded R&B/soul record noted for its blend of the group's classic 70s vocal harmonies with a more modern, early 80s funk sound. The album is often described as a tale of two sides, balancing soulful ballads with upbeat, danceable funk tracks.
Reviewers consistently praise the group's excellent harmonies and the emotional power of the lead vocals, especially on the slow jams. The vocal interplay is described as "peerless" and central to the album's success.
The album is considered eclectic, incorporating elements of doo-wop, soul, funk, jazz, and R&B. Side one of the original vinyl features the "old Bloodstone" sound with lush, understated arrangements, while side two introduces a "new Bloodstone" with a harder-driving, party-oriented funk sound.
It was produced by The Isley Brothers and utilized top session musicians, resulting in a polished and professional sound.
While it didn't replicate the massive success of their 1973 hit album Natural High, We Go A Long Way Back performed reasonably well, reaching number 11 on the US R&B album chart. The title track single was a top five R&B hit.
Standout Tracks:-
"We Go A Long Way Back": The title track and most successful single (reaching number 5 on the US R&B charts), praised for its slow, sultry, and impassioned fusion of doo-wop, soul, and jazz.
"Go On and Cry": An emotive and dramatic ballad featuring a "heartbroken, powerful" vocal performance.
"How Does It Feel": An eleven-minute epic known for its tender harmonies, jazzy guitar, and building drama.
"My Kind Of Woman": An uptempo, hook-laden dance track that is considered a "timeless" piece of the album's funk-oriented second half.
Overall, We Go A Long Way Back is viewed as a significant and versatile album in Bloodstone's discography, showcasing their ability to evolve with the times while staying true to their soulful roots. It is well-regarded by fans and critics for its strong songwriting and high-quality production.
Where Is Love
A2 Make Love To Me 5:07
A3 Again 1:20
A4 No Use To Borrow 5:45
B1 Do That Again 4:10
B2 Blue 4:51
B3 Free To Fly 4:06
B4 Let's Get It Right 6:02
Label: Atlantic – 81807-1
Format: Vinyl, LP, Album
Country: US
Released: 1988
Genre: R&B Soul
Style: Disco, Dance
Blue Moderne's "Where Is Love" is an overlooked late-80s dance/soul masterpiece by producer ISH and vocalist Sandy Barber, praised for its hi-NRG, freestyle, house, and R&B fusion, featuring driving tracks like the title song and bonus mixes of "Through the Night," though some original releases were CDRs, it's a must-have for fans of classic dance music.
Blends hi-NRG, freestyle, house, and classic R&B/soul into a cohesive dance-pop sound.
Features the "stunning" voice of Sandy Barber (Sandy B.) and production from ISH (of Foxy, Company B fame).
Re-releases often add mixes of their earlier mid-80s club hit, "Through the Night".
Highly regarded by fans as an amazing, though overlooked, dance album from the era, with recent CD releases offering a chance for collectors to own it.
It's described as a "late-80s dance/soul opus," a "blast from the past" that still feels fresh, perfect for those who enjoy that specific blend of electronic dance and soulful vocals.
With You In Mind
A2 I Got It Bad And That Ain't Good 2:29
A3 It's All Over But The Crying 2:17
A4 I'm On The Outside (Looking In) 2:33
A5 I'm Calling You Baby 2:47
A6 Take Me Like I Am 2:45
B1 Get A Hold Of Yourself 2:00
B2 This Old World 2:45
B3 People Sure Act Funny 2:20
B4 At Last 2:30
B5 It's Hang Up Baby 2:17
B6 Hurt So Bad 2:47
Label: Veep – VPS 16528
Format: Vinyl, LP, Album
Country: US
Released: 1968
Genre: R&B Soul
Style: Rhythm & Blues, Sixties Soul
With You In Mind is a 1968 soul/R&B album by Jeanette "Baby" Washington, released on United Artists' Veep label, featuring solid soul tracks with arrangements by Henry Glover, showcasing her powerful vocals on hits like "All Around the World," a significant LP for fans of classic 60s female soul and funk.
The album features Baby Washington's distinctive, powerful soul vocals, accompanied by arrangements by Henry Glover. The music is a blend of funk, soul, and rhythm & blues, capturing the feel of late 1960s soul music.
It is considered a strong effort in 60s soul music, highlighting Baby Washington's emotive voice. It's praised as a "keeper" for collectors and fans of deep soul and funk, featuring powerful arrangements that complement her distinctive vocals.
The album was released with picture sleeves and remains sought-after by vinyl enthusiasts, particularly rare UK pressings.
Womagic
Written-By – J.L. Williams 4:22
A2 When The Weekend Comes
Written-By – B. Womack, H. Payne 5:33
A3 The Things We Do (When We're Lonely)
Written By – T. Snow-D. Pitchford 3:51
A4 I Can't Stay Mad
Written-By – B. Womack, H. Payne 4:13
B1 Can'tcha Hear The Children Calling
Written-By – B. Womack, H. Payne 4:34
B2 Outside Myself
Written-By – B. Rothstein, G.M. Elian, R. Ash 3:17
B3 I Ain't Got To Love Nobody Else
Written-By – C. Moore, L. Jones, R. Wrightsil 3:20
B4 More Than Love
Written By – B. Wood-R. Cooke-C. Wood 3:25
B5 It Ain't Me
Written-By – D. Kyles, M. Hodges 4:45
Label: MCA Records – MCA-5899
Format: Vinyl, LP, Album,
Country: US
Released: 1986
Genre:
R&B Soul
Style: Eighties Soul
The 1986 album Womagic is a unique entry in Bobby Womack's discography, noted for blending his traditional rhythm and blues attitudes with the contemporary quiet storm and dance funk production styles of the mid-80s. Critics generally view it as a strong late-80s outing, though some have mixed feelings about its thematic depth.
The album successfully merges organic, acoustic R&B elements with the electronic instrumentation and synth-funk prevalent in the 1980s.
Womack's signature powerfully raspy voice remains a highlight, carrying the material with a raw, personal conviction, making even diverse tracks sound distinctly his own.
The production is often described as "sizzling and sparking musically," with the live and electronic elements arranged cohesively.
While part of a strong run for Womack on the MCA label, these late-80s albums are sometimes considered "criminally underrated" by some fans and reviewers. The album holds a respectable average user rating of around 3.76/5 on sites like Discogs.
Thematically, the album touches on social issues such as poverty and runaway children, though some listeners felt these difficult subjects resulted in a heavily pained or weary outlook without offering enough positive release.
Overall, Womagic is remembered as an interesting and strong effort from Womack's later career, capturing a transitional sound in R&B while maintaining his distinctive artistic voice.
Workin’ On A Groovy Thing
Written-By – Richard Wylie, Tony Hester 2:45
A2 Workin' On A Groovy Thing
Written-By – Neil Sedaka, Roger Atkins 3:03
A3 Make Me Your Baby
Written-By – Helen Miller, Roger Atkins 2:30
A4 Girls Need Loving Care
Written-By – Leo Porter, Ronald Miller 2:41
A5 I Remember The Feeling
Written-By – Rose Marie McCoy 2:31
A6 Baby, What Do You Want Me To Do
Written-By – Grant Higgins 2:37
B1 Make Me Belong To You
Written-By – Billy Vera, Chip Taylor 2:29
B2 Love Makes The World Go 'Round
Written-By – Deon Jackson 2:49
B3 I'll Make Him Love Me
Written-By – Helen Miller, Howard Greenfield 2:17
B4 Only All The Time
Written-By – J. J. Jackson, Ray Fox 2:06
B5 Sho-Nuff
Written-By – Richard Wylie, Tony Hester 2:34
B6 Thankful
Written-By – Barbara Lewis 2:46
Label: Atlantic – SD 8173
Format: Vinyl, LP, Album
Country: US
Released: 1968
Genre: R&B Soul
Style: Sixties Soul
Barbara Lewis's Workin' on a Groovy Thing (1968) is a beloved soul album, praised for its smooth, funky Detroit sound, showcasing her sophisticated vocals with strong horn arrangements, a departure from earlier Philly soul, delivering pure soul gold with hits like "Make Me Your Baby" for fans of classic R&B and Uptown Soul.
A shift towards a more solid, funky Detroit soul sound, featuring lush arrangements and powerful horns from the legendary Detroit Horns.
Don Davis production blended Detroit grit with Philly soul smoothness.
Lewis's signature smooth, suave, and sophisticated voice shines, making it a "must-have" for soul fans.
While specific professional reviews are scarce in snippets, fan sentiment on sites like Discogs shows high ratings (e.g., 4.75/5 stars) for its quality, calling it "pure soul gold".
Includes popular tracks like "Make Me Your Baby" and the title track, showcasing her range. It stands as a key album in her discography, following her earlier hits.
In essence, Workin' on a Groovy Thing is celebrated as a fantastic, soulful record, highlighting Barbara Lewis's talent with a fresh, funky, and undeniably groovy Detroit-infused sound.
Original vinyl pressings are considered "seldom available" and often command median prices around $34.94, with high-quality copies reaching over $50.
The album has been reissued on CD, notably as part of a 2012 limited edition remaster from Japan and as a double-disc set with her debut, Hello Stranger.
You Don’t Have To Go
A2 You Don't Have To Go (Jimmy Reed 3:24)
A3 Misty Blue (Bob Montgomery 5:23)
A4 We've Got A Good Thing Going (Huey Meaux 3:37)
B1 Trying To Love Two (Paul Mitchell, William Bell 4:42)
B2 Sugar Coated Love (Barbara Lynn Ozen 3:29)
B3 You're Losing Me (Barbara Lynn Ozen 4:12)
B4 You'll Lose A Good Thing (Huey Meaux 4:20)
Label: Ichiban Records – ICH 1024
Format: Vinyl, LP, Album
Country: US
Released: 1988
Genre: R&B Soul
Style: Eighties Soul
You Don't Have to Go is an album by American rhythm and blues and electric blues singer-songwriter and guitarist Barbara Lynn. Released in 1991 on the Ichiban label, the album showcases Lynn's signature soulful voice and blues-infused guitar style, rooted in the Gulf Coast tradition.
The album is characterized by heartfelt lyrics, a rich bluesy sound, and crisp, understated guitar work, blending classic blues structures with a personal storytelling style.
The album is a testament to Lynn's legacy as a pioneering female musician who commanded the stage with her guitar in a male-dominated industry. Her approach balances innovation with tradition, delivering a collection that radiates sincerity and raw emotional resonance, moving fluidly through themes of heartbreak and resilience.
The title track, "You Don't Have to Go," is a prominent song that exemplifies her ability to combine heartfelt lyrics with a distinct R&B sound. The album is considered an essential R&B treasure for collectors and fans of authentic American music.